#score: 4-

[misireads]

The Ruins by Scott Smith

[physical book, read in english]

a group of young adults on a vacation in mexico decide to go on an adventure to find their new german friend's missing brother and follow his message to a remote town inhabited by a community of mayans. from there, they follow the leads to the jungle where they find themselves stranded on a vine-covered hill that the natives won't let them leave anymore. after realising that they're stuck there, the group starts to prepare for long-term survival on the hill.

➕ i really like the structure of this book, the way there are no chapters so it all feels like one breathless marathon. the POV keeps jumping between the four american characters, seamlessly continuing the story from the perspective of each in turns. it's very well weaved together.

➕ especially the beginning is so delightfully ominous and builds up the tension very well. there's the innate horror of the constant heat, the jungle, travelling further and further away from safety against their better judgment, a town full of people who don't speak your language, tick-covered dogs whose shit is full of maggots. i'd argue this was the scarier part of the book, really, though i did enjoy the rest as well. then, once the characters are stuck on the hill, the way the situation just gets worse and worse no matter what they do or don't do. it all starts off so innocuous and keeps going wrong like a slowly progressing trainwreck.

➕ this belongs to the genre that i call the until dawn-esque horror and i very much love it. the characters are college students, especially the americans are so incredibly cringe and annoying or stupid or both. some people criticise that they can't enjoy a story if the characters aren't likable and relatable but i'm the opposite, when we're talking about horror where the characters are all doomed to be horribly tortured and probably eventually killed, the more annoying they are the better. but even then, i wouldn't say they're entirely unlikable. the way they try so hard to survive but nothing works made me feel pretty bad for the characters, even if they were stupid af most of the time. [spoiler] why didn't they just set the vines on fire if they had matches on them at all times like seriously

➕ LOVED the very end, the last paragraphs. [spoiler] not just the sense of the circle starting all over again but the fact that the greeks would have come in a couple more days but these stupid shits got themselves killed. love the sting of it

➖ we're always teetering on the edge of racism when the concept of a horror piece is Ooh Spooky Weird Exotic Native Americans (or an equivalent from other continents) Who Are Utterly Incomprehensible And Cryptic And Have Spooky Scary Native American Habits And Ritual Sites. wooo rural mexico, much spook, look how poor and savage they are and how they're not like us civilised white people at all, woah. like literally the mayans in this story are murderers. it makes sense in the context of the story and it's like, entirely the dumbass white kids' fault for going further and further, but context will not erase racism.

➖ this maybe dragged on a bit too long. after the promising beginning and the horrific shaft episode, things kinda slow down and get less interesting. especially [spoiler] once it's made explicit that all the horror is caused by the vines. but i did like how eric's character arc went down, his demise was so fucking gruesome, 10/10

➖ i found out after i finished reading that there's a movie made of this (and the trailer looks like horseshit) and after seeing that i went like yeah… this did feel like a book written so it could be made into a movie. although i liked it, and i haven't really read books of this format, it's obviously the horror teen flick pattern here.

⭐ score: 4- -- overall i enjoyed this, and especially the beginning was genuinely creepy with a great atmosphere. i would have preferred if the whole story had stayed more like that, where the horror is something very real and tangible, not [spoilers] spooky magical vines that can talk, i could have lived without the supernatural elements introduced here. even worse, the movie trailer talks about wow woah a sacrifice site of the native americans yeah ok i'm glad you left that out in the original, scott

[yippee-optimistically]

ii think i have . a crush. but u know i had to redraw tha panic attack scene 🗣️🗣️🗣️

+joy bc she is cute! and the og sketch for one of them bc shes so funny 2 me

inside out 2 was soo good i have a crush on maya hawke i thinkg

[formulanni]

Dear lord please double Logan Sargeant’s misfortune and give it to the British this weekend 🧎‍♀️

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time

[slickricklj]

Resident Evil 4 Remake: The Mercenaries - Special Victory Poses

[hypogryffin]

just a kuma kinda mooda

[intriga-hounds]

the sauce is finally getting some appetite back…i’ve been feeding her primarily burger patties the past several days just to get calories in her, but today she finally chowed down on some puppy kibble and a can of wet food. i think i managed to get about 700 calories into her today, when it’s been a struggle to get her to do anything over 200 since day 21. by day 32 she was a pound lighter than she was the day she was bred—despite being pregnant. today is day 38 and the puppies should start growing rapidly now, so they need lots of fuel. relieved that we finally seem to be getting out of this morning sickness funk.

[zer0pm]

Imagine Luis at a loss when you get back at him for every time he’s made you blush.

Response to @lilchickie’s genius request with a little twist :3 a flustered husband you shall have

He warns, “This might hurt a little.”

“Promises, promises.”

A deep chuckle followed by a comforting squeeze…

And he gently pushes in.

You wince upon the intrusion as the needle pierces your skin. Cool liquid pours into your veins, feeling like a breeze washing over you. Luis is mindful as he pulls the needle out and bandages your arm. Once he finishes, you give him a curt thanks and roll down your sleeve.

“Good news, that should prevent most plaga eggs from entering your system.” he explained clinically, throwing away the used items into an empty oil barrel nearby before returning his attention wholly to you. “The bad news, this is only a temporary solution and will do nothing against direct contact from stronger variants.”

“So basically, don’t start kissing any locals,” you remark in jest. “Got it.”

The man winks playfully, “Well- Unless it’s me, of course.”

You cheeks burn red. There he goes again.

The man is a serial flirt. You’ve known that since the moment you met him and he candidly asked you for a smoke. Confirmed when you said that you didn’t and he proceeded to ask for your number. You didn’t mind this, of course. Luis Serra was ruggedly handsome and possessed a witty charm that effortlessly drew you in like a magnet. However, as sexually charismatic as he made himself appear, Luis was above all a gentleman that never pushes the envelope in his advances. At worst, he leaves you a flustered mess with no say in the matter. As he’s currently doing now…

Taking your silence as a sign that he won over you yet again, Luis begins to back away from your seated form. He doesn’t go very far, however, as he’s stopped by deft fingers clutching at him by the zipper of his leather jacket. The Spaniard glances at you with mild curiosity.

No way you’re going to let him get away with it this time. You meet his questioning gaze, a coy grin tugged at the end of your lips.

“I might just take you up on that… Dr. Serra.”

His eyes widen at your words and the suggestive undertone within them, mouth hanging open but no words come out. You steal this opportunity to pull him closer to you and was met with no resistance. Bringing him into your space until he was caged between your legs, you use your other hand to toy with the lapel of his jacket. Again he says nothing, eyes following your hands intently.

“What’s the matter, Luis?” you drawl coquettishly. “Plaga got your tongue?”

Your question hardly brings him back to his senses, heart pumping and mind racing so heavily that all he managed was a simple-

“¿Qué?”

Got him.

“What was that?” you feign deafness. “You’re going to have to come closer. Can barely hear you.”

Your mischievous hand leaves the flap to slowly glide up his chest, deliberately feeling along the strong muscle hiding beneath the finely stitched patterns. You can practically feel the man purr under your touch and nearly laugh when he tried to disguise it by clearing his throat.

Eventually, your hand reaches his shoulder. A suggestive squeeze and Luis leans toward you like a moth to a flame. His hands rest on either side of you upon the flat surface of the crate, mindful not to touch you although you can tell he desperately wanted to. Grey eyes constantly switch between your eyes and lips, a palpable hunger in his gaze. He leans until his lips hover over yours, open and inviting but never catching. The heat of his body radiates warmth yet you can feel him shiver under your hands in anticipation.

“How’s, uh- this?” His words fumbled in a low whisper, voice dripping with want.

You hum, appearing to ponder deeply. “Not quite. A little closer.”

Your ears pick up the sound of his nails scratching against the wood as he balled his hands into fists. His chest heaves with a deep, shaky sigh. Luis complies with your command slowly until you can barely feel the softness of his mouth and the taste of his warm breath upon your tongue. His musky scent nearly makes you dizzy but you hold firm.

“There. That’s… better,” you say slowly, purposely drawing out your words so that your lips gently brushed his. His lust-driven mind turned to mush, Luis mindlessly mimics your mouth’s movement in a clumsy attempt to capture them. “Now what was it…you wanted…to say… Luis?”

At the sound and feel of his name, he muttered yours without thought under a desperate groan. The man was absolutely drunk off of you. And thirsty for more. You breathe in deeply, the sound from your mouth coming off like a wanting gasp and Luis tilts his head to align with your tempting lips. He moves to dive in and devour you-

Zzzp!

The sharp sound breaks the man from the spell and he pulls back to look down and see you’ve done up his jacket. The man catches your gaze once more and is met with a victorious glint in your eyes. Your bottom lip caught in between your teeth in restrained giddy humor. Luis blinks in realization that he has been had, ears and cheeks burning red. But his expression wasn’t that of anger nor embarrassment. If anything at all, he had a look of newfound respect. A tiny bit of disappointment. And desire burning still.

The dashing man attempts to save face with a short chuckle. “Good one.”

You faux innocence. “I don’t know what you mean.”

“Cuidado, my friend.” The man growls, his tone thick with daring. “You’re playing a dangerous game.”

It was both a warning and an invitation all in one. And you were all for it- Eager to see how much and how long it would take for you both to drive each other insane. The idea pumped you with excitement, mind already coming up with new scenarios to play with him.

You push him back gently until you’re back on your feet, facing him head-on. Already were you missing his warmth, but the sly smile never leaves when you respond back. Another shrug, “Seems pretty tame to me.”

The confounded look on his handsome face was priceless. Without a second glance, you brush past him, making sure that your hand slithered along his body with promising intent until your reach no longer touched him. You barely hear Luis curse softly in his native tongue and can feel the heavy weight of his wanting eyes locked onto your retreating form.

Challenge accepted.

[awkwardanxiousasexual]

Look I'd love to be wrong but I'm just trying to be realistic

[tommarvoloriddlesdiary]

Tom: Right, let's say that Harry and I are married-

Harry, confused but he has priorities: I don’t want to marry you.

Tom: This is simply pretence, Harry-

Harry: Well, I don’t want to pretend that either; you’re like a 4 out of 10.

Tom, drawing his wand: LET’S JUST SAY WE ARE MARRIED-

Harry, also drawing his wand: I WANT A DIVORCE.

[thelaurenshippen]

man, not to brag about my own show or anything, but while there are always things I would change about anything I make (and definitely PLENTY of things I could have done better as a writer/the showrunner of this show) Evan really fucking nailed the score for The AM Archives. it's just.....very fucking good.

[misireads]

Chocolat by Joanne Harris

[physical book, read in finnish]

a young woman who's spent her entire life travelling settles down in a small town in france with her daughter. she sets up a chocolate shop opposite the church, angering the local priest who can't stand the thought of the townspeople suddenly indulging in chocolate instead of god. the woman, vianne, couldn't care less about the opposition she's facing and ends up becoming part of the community, helping many of the troubled people and forming friendships with them.

➕ you can see from my goodreads scoring that i'm pretty picky with literature, but when i actually like a book i notice it early on, and this is one of those. this was a joy to read, not just because i love chocolate but i enjoyed the storytelling, all the little moments and poetic descriptions of food and drink. i'm also a sucker for these kinds of stories about small close-knit villages with a set of characters and archetypes who are all a bit strange in their own ways, and stories where the main character makes others' lives better. this also subverted pretty much all my expectations, i thought (especially based on the english-language cover on goodreads??) that this would be a romance story so i was expecting a tsundere kind of deal where the priest and vianne fall in love, but no. and i'm glad it wasn't so. i think the movie version might be that? i haven't ever seen it

➕ the language was so descriptive, this was the perfect book for reading out loud to myself because it was very easy to give life to the characters and their lines. i also had fun pronouncing all the french. i know that's not really about the book itself but it's about my reading experience so it goes here anyway

➕ i've read dozens of mystery/suspense/horror books in my life but this one had a much more thrilling ending climax scene compared to most of those. i never would have thought that [spoiler] it would be so intense to read about an embarrassing priest hogging a mountain of chocolate in a moment of frenzied sugar-lust

➕ i need a good cup of hot chocolate so bad

➖ while i mostly like this kind of poetic prose, i feel like sometimes the writing could have been more explicit instead because i didn't quite understand what some parts even meant. and i read the finnish translation.

➖ didn't fully understand vianne's character, she was unhappy that her own mother made her travel throughout her childhood but then when she had a child of her own, she decided to also drag her around instead of allowing her to settle down and make friends? so the little girl has to have an imaginary friend instead who [spoiler] is beginning to disappear towards the end because she's finally made real friends but "now pantoufle is coming back bc oops i'm deciding we're gonna take off again!" not really mother of the year material, and she's supposed to be like this holy angel of goodness so it doesn't really all add up. i didn't really get that part.

➖ the PoV alternates between vianne and reynaud without any implication which one we're talking about so the first few lines of each new chapter is a confusing mess.

➖ i kind of would have wanted the "evil" characters to have a redemption at the end but there was none. not even for caroline despite one good moment towards the end but no.

➖ they fed chocolate to a dog

⭐ score: 4- -- not quite a perfect four because of the extensive list of things that still bothered me. it's not a perfect book, but a charming little one regardless.

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[larsnicklas]

🚨 svechigan (svech michigan) alert 🚨

[generichoneydew]

I don't know crap about what ever the hell a "fan kid" or a "hedgehog" is but something something my friends (2) wont shut up (affectionately) about this showdown (@sonic-fankid-showdown) or something. Idk it sounds kind of violent my mom wouldn't approve.

Character by @somemismatchedsocks

I’m not immune to the Kaiko propaganda. Insert joke about saving 15% or more on car insurance here.

21/52

[transmechanicus]

Very easy to rate music albums, it’s just how many songs out of the total did you like, basic fraction. Any band fluffing the album with songs they aren’t invested in are gonna drag down the score. I think it’ll force more people to recognize that a lot of very good bands are pressured into scraping together 12 songs before they can release when realistically they’re only satisfied with 5 of em.

[jkkyks]

And MY Kylian did it once again♥️ worthy always worthy!!!