#scar taka

[doverstardoodles]

I am not immune to I Always Wanted A Brother by Lin-Manuel Miranda

[artist-issues]

Let’s talk about this Mufasa movie.

No. Let’s not. Let’s just talk about Mufasa. This is going to be long because he’s a really good character and The Lion King is a really good movie.

Mufasa’s whole point, as a character, is to foil Simba. He’ s not just the stereotypical “great dad role model” character, or the “wise mentor who is ripped away” character.

He, as a character, is in the story because he is “Who Simba Really Is.”

Simba is our young protagonist. The whole point of Simba in the story is to start out “not yet grown into who he really is,” so that the story can teach him how to “grow into who he really is.”

So the audience needs to know “who is Simba and who is Simba supposed to be?” right at the beginning. Which is great, because all kids are trying to figure out the same question about themselves. So it’s relatable. But anyway, the storytellers make Mufasa the answer.

On a simple level, you can answer the question, “who is this Simba guy?” right off the bat in the movie with “the son of the King.” There’s the setting. There’s the set-up. There’s the title of the movie. That’s why the very first lion you’re introduced to in the movie is Mufasa, and it’s not a shot of a baby lion cub. It could have been. Lots of movies open with a shot of their main character. Encanto, for one.

Not The Lion King. The Lion King starts with, “you can’t know who Simba is without Mufasa, so Mufasa gets shown first.”

So okay, Mufasa is a King. Good to know. That’s obvious from the big rock he’s standing on and the way all the animals are coming toward him. But from there, they quickly establish a few more things about Mufasa. He smiles at this little bird that bows to him. He hugs the shaman-monkey. He goes from “big solemn lion” to “good and benevolent” immediately.

And then as it goes on, you learn more about Mufasa. He’s not an idiot; he knows Scar is up to no good, and he is very direct about it. He is not a naive dupe, trusting a schemer blindly. It’s more complicated than that. He is a better leader and a better guy than that. Mufasa knows Scar is his brother, and in a snappy little interaction with Zazu, storytellers make it clear that he worries about Scar; he knows he has good reason to worry, but hasn’t decided to give up on his brother.

Additionally, he is merciful to other dark creatures too. He beats the tar out of hyenas but doesn’t kill them. He rescues Zazu from Scar’s mouth. He scolds Simba but he does that, and more, to teach him. So what Mufasa is teaching us, according to what I just showed you the story says, is that A Good King, A Good Man (Lion, whatever) Is:

Authoritative - Makes decrees and makes decisions and yes, tells others what to do. Creates the structure his people live in.

Kind/Humble - Shows the same level of casual friendship to a revered shaman-recluse as he does a little self-important majordomo. (Humble because he’s not afraid to admit when he’s afraid if it’ll help his son.)

Teaches - Takes time out of the day to pass on what he’s learned to someone who is going to take his place—he’s not hoarding his own position or gatekeeping his life-experience-expertise. He’s not finding his identity in how he has this wealth of information that causes people to need him; he gives it away freely, purposefully.

Protects - Is willing to endanger himself and go to the trouble of defending creatures that are weaker than himself.

Shows Mercy - See Scar and the hyenas, who deserve death, but he doesn’t give it to them.

Prioritizes Family - The time he’s taking out of the day is for his son. And he follows up with his recluse of a brother instead of going, “that’s Scar, I know he don’t care about nobody but himself, his loss, not my problem.” And he extends trust to that brother, which is really just an example of gift-giving to a family member who’s done nothing to keep that trust.

Has Faith - Mufasa makes a point of not answering Simba’s question about “Will you always be there for me,” with just himself. He could’ve. Many parents do. Many parents are tempted to, to show their love. “Yes. You’ll always have me. I’ll always be there to answer your questions; I’ll always protect you, I’ll always be what you can count on, you’ll always find a need fulfilled in me.” But Mufasa doesn’t take that bait. He gives Simba an answer that is not “himself-based.” Not selfish. “Look at the stars.” I don’t care what ya’ll say. Mufasa has faith in something outside of himself. He says “and so will I,” but that’s after contextualizing himself within “something bigger than us.” (And oh my gosh, he doesn’t even answer with, “let me give you a lesson you’ll need for your whole life.” He doesn’t even take credit for this faith, for himself. He gives his own father the credit.)

And really, all of those traits can be summarized with the phrase: Lives His Life Sacrificially For Others.

That’s what a leader, a good father, a king, a good man, does. And pay attention: That is what Simba is supposed to be. Simba is supposed to be Mufasa. That’s who Simba really is, that’s where he’s supposed to go. There is a “real you.” But you have to agree with it and accept it, even though your natural bent is to give in to the illusion that you “don’t have to be that, you can choose who you are.”

Yeah, sure, in a sense you can reject Who You Really Are. You can spend your whole life playing pretend, like you’re not That. But you’ll be doing just that: playing pretend. Unfulfilled. Dissatisfied. Running from the misery that is the natural response to your silly game of pretend. Insisting that “there is no misery, this is what I want.”

Okay. Sure it is.

I’ll save Simba for another post.

The point is, Mufasa is a template for who Simba Really Is. Look at those traits. When it’s Simba’s turn to exemplify those traits, does he?

Act I: Is he authoritative? He tells characters what to. And he makes his own decisions—sometimes for good, sometimes bad. For example, he won’t let Zazu deter him from going to the elephant graveyard, so that’s a bad decision, but he does choose to go back and help Nala instead of running to save himself. Authoritative and protective. But it’s all misplaced because he doesn’t “Live His Life Sacrificially For Others.”

Act 2: He’s not. Timon and Pumbaa tell him to do something and he goes along with it. Timon and Pumbaa claim an ancient tradition and his father’s lesson is stupid and Simba goes along with that. He’s no longer making decisions of his own accord, for anything but his own comfort.

The idea is, in Act 1, you see Simba has the same traits as Mufasa, budding inside of him. But they’re all misdirected, and they’re all twisted, because they’re missing one key ingredient: he’s supposed to use those traits in the context of “Live His Life Sacrificially For Others.” Simba doesn’t want to do that. Simba wants to do whatever he wants.

Sure, there’s a part of him that combines that motive with “I want to be like my dad.” But that part dies on the vine and turns sour when his father dies saving him.

So then in Act 2, not only is Simba clinging to “I’m going to live life all my way,” but he’s changed what that means by pushing the nugget of “I want to be like my dad/I WANT TO BE WHO I REALLY AM” completely away. Because it’s too hard, and he’s got shame tangled up in it.

And worse—he starts doing basically the opposite of all of Mufasa’s traits, all of the traits that make him Who He Really Is. He’s not prioritizing family—he’s abandoning them. He’s not protecting others—he runs from the idea of going back to help Nala. (tiny glimmer of it still being inside him because he does try to protect Pumbaa from her.) Kind and humble? No. It’s unkind to tell your best friend you won’t help her because you’re afraid. Humble, no, because humility is thinking of yourself less, not thinking less of yourself.

Ask the question. When Simba’s living in the jungle with Timon and Pumbaa, is he exemplifying any of the traits of Who He Really Is? Or is he doing his best to bury that?

But then after Mufasa reminds him of who he Really Is, and Rafiki shows him how to get his past out of the way so he can accept it, Simba goes back. Into Act 3 we go

Now. Does Simba exemplify Mufasa’s traits? Does Simba start becoming Who He Really Is? There’s not a lot of time left in the movie. Look at the traits, see if he does.

Authoritative? Yep, comes up with the plan to break in and get to Scar, doesn’t back down from the confrontation.

Kind and Humble? Yeah, he willingly admits the truth (he thought it was true) that makes him look bad to give his mom closure. He’s kind to Nala and to Timon and Pumbaa, admits his mistakes, when they come to help him. Hugs the old shaman who cracked him in the skull with a stick—just like Mufasa hugged Rafiki to show us kindness and humility at the beginning of the movie.

Teaches? We don’t really see an opportunity for him to do that yet at this point in the story and his life, give me a break.

But protects? You bet. That’s why he’s there for the confrontation in the first place. Shows mercy?

Yep.

Because he’s not like Scar. He knows who he is. THE POINT.

And when he runs in for the big confrontation, he doesn’t immediately leap on Scar and rip him to pieces. Even though the storytellers make sure to show us he clearly wants to.

Instead, he runs up to his mother to see if she’s all right and show her that he is. And again, he tells her the truth because that’s what she needs even if it’s not what she wants, and he’s learned not to run from what he’s “done.” And faith in something bigger than himself?

Yeah. His father’s voice comes through the clouds just before he decides to roar and claim his title. Through the clouds. Because that whole “we’re a part of something bigger, something more important than ourselves,” was always what he was missing. He was just thinking about himself.

And all of this is because Mufasa is the example of Who Simba Really Is: Lives His Life Sacrificially For Others. That’s Mufasa.

That’s Mufasa, in the story of The Lion King. That’s his purpose as a character, that’s who he is.

So now if you make a movie that’s just about him, what you should be doing is showing how he got there. How he accepted who he Really Is instead of choosing who he wants to be, on his own. And you should make his father, and learning humility, an enormous part of that. Because self-sacrifice is such a pillar of his character. It’s the whole thing.

What you should certainly not be doing is telling a story that ends with finding self-worth or a kid who makes a name for himself. I repeat: if the Mufasa live action movie ends with Mufasa doing anything that revolves around self, they got him wrong and they set him up nonsensically for the next movie.

He should have to decide whether or not he wants to believe his own father, because of that one line, “let me tell you something my father told me.” That shows that he accepted his father’s lesson. And what was his father’s lesson about? Faith. In something BIGGER THAN YOURSELF. So then Mufasa grows up to be a character who lives his life sacrificially for others, and you can trace the roots back to that: “I learned a lesson about something bigger than myself from someone who was not myself, and I humbly believed and accepted that lesson.”

I mean jeez, the line is: “LOOK AT THE STARS.” Whenever you feel alone. Whenever you’re wrapped up in who you are and who you’re not and failure and the idea of what you want to be, knock it off. Quit looking at yourself and look at something bigger than you. And then you’ll get “Understanding of Who You Really Are”—no matter what mistakes you’ve made, no matter how you’ve failed, no matter what your circumstances are—thrown in.

…Of course, the Lion King remake ruined him anyway by having the point be “I’m not worthless.” And that was never the point. But whatever. I’m rambling now. You get the idea.

Mufasa is exactly what he needs to be for the original The Lion King. He’s exactly what he needs to be for Simba’s story. Mufasa is awesome.

[mandrawsdog]

"Hey Taka! When I'm king, what'll that make you?"

...

[mask-of-prime]

TLK: What's Your Name?

I don't think I've ever drawn so quickly in response to something in years.

Immediately after watching this TV spot teasing the upcoming official trailer for Mufasa: The Lion King, I just HAD to adapt little Taka into his 2D Universe style.

Speaking of names... so I'm, like, not insistent that his name is Askari or anything, as I've learned that that name is simply meant for the TLG canon, especially since the name was never spoken in the show and was merely suggested by a crew member, but uh...... Even though Barry Jenkins said that he would source no existing TLK material, that name did not come out of nowhere. This story is far too different than that of A Tale of Two Brothers, and is original enough, so why go with that existing name? Did he, like, do a quick Google search with "Taka" popping up and just go with that? I actually thought he was gonna be named something completely else like Elijah or something, like in that old line-up of character names in the early M: TLK news days.

But anyway, guys, my heart is POUNDING the trailer is so awesome 👏👏👏. Immediately got Prince of Egypt vibes from the premise. Also, it seems to be implied that Mufasa and Taka are sent off of their own to settle their own territory as young males, rather than the mess of Mufasa just winning his royal adoptive parents' love over their own prince son like people worried about. The CGI movies have officially established themselves as a much separate entity from the 2D works in this case, where it seems to follow more IRL lion behavior where it's not so much a human-like monarchy, but a grandiose lion territory. Though... that does feel SO different that it almost feels like a whole other lion-related franchise :p

[ani-dragmire]

Taka and Mufasa ❤️

[raven-at-the-writing-desk]

Hey have you seen the latest Mufasa trailer? It shows us Scar or Taka as he is called in the film in a positive light. He saves Mufasa, who is an orphan, and accepts him as his true brother even though the other lions in the pride reject Mufasa. I wonder if this is the history that is taught in Twisted Wonderland because the King of Beasts is also seen as a noble figure.

[Referencing this trailer!]

Yes, I took a look at it! I believe D23 happened like… yesterday? That’s the annual convention where Disney drops a ton of news about upcoming projects, and the new Mufasa trailer was one of the announcements made.

I was really skeptical about Mufasa when I first heard about it, and that snowballed into dread when I saw the previous trailer. The wording of that one basically yells us that Mufasa is an orphan with no real claim to the throne, which only serves to justify Scar’s outrage when he was overlooked for the position of king. Not only that, but it nullifies Simba’s claim to the throne since the implication is that blood apparently doesn’t guarantee that you’re next in line. The new trailer makes this issue all the more apparent, because now it seems to be completely redeeming Scar…? I think they’re trying to explain his downfall and his turn to “evil”, but from the looks of it, it instead feels like unintentionally give grounds for Scar’s hurt and rage in The Lion King. It’s definitely… a choice… and I’m not sure how much I like them adding that to the animated TLK lore.

Thar being said, I do think this poses considerations for Twisted Wonderland. I had very similar thoughts as you did, Anon! It has already been suggested that the version of history being told in their universe is “twisted” or altered from the versions Yuu/we, the audience, are familiar with. So… what we see in the new Mufasa trailer (up to a certain point) could very well be the “real” version of what is taught in Trein’s Magic History class. It fits SO well with the canon narrative we already have on hand. The King of Beasts is described as a hard worker and someone who accepted animals of all kinds, including hyenas that had once been excluded from the Pridelands. What better way to exemplify that virtue than a story of the King of Beasts himself accepting a no-name orphan cub as his own brother when all the other lions claimed the cub would never be accepted as part of the royal family???

I wonder how the story of Mufasa (if incorporated into TWST in the future) is interpreted by the characters too?? For example, Leona doesn’t think too highly about the concept of the great kings of the past in the sky, nor does he like “Hakuna Matata” (deeming it self-serving rather than as something positive). These are both things introduced in the original TLK. However, I’d imagine that Leona would actually admire the King of Beasts for his act of selflessness. (“He didn’t just talk the talk, he walked the talk too. They weren’t just pretty words, the King of Beasts lived by his ideals. The world he envisioned is one where beasts of all kinds could come together in harmony. Heh, what a guy.”) BUT AT THE SAME TIME Leona might be cynical about himself living to the legacy of the King of Beasts. He still bears resentment toward Falena and he refuses to cooperate with his older brother (despite Falena, their dad, and Kifaji all asking him) to govern Sunset Savanna. The King of Beasts wasn’t nearly so narrow-minded—he accepted a peasant and orphan as his equal. Leona in this hypothetical is, of course, tunnel visioning on his shortcomings and not paying attention to what he has accomplished: many younger students who look up to him, a dorm of students (many of which are beastmen of different varieties) that unite under his rule, and his own acceptance of “lowly” beastmen like Ruggie. I would love to see how he grapples and deals with these kinds of stories and how he reflects on his own life through them.

Anyway, the new Mufasa trailer sure sucks for Scar’s character but this has so much interesting potential for TWST 😭

[zelfa]

[little-witchys-garden]

I wanna rant about the live-action lion king vs the animated lion king.

I don't like how they made scar. For me as a kid one of the scariest things about scar was that he would hold simba. In every scene we see scar and simba in together, scar is always reaching out to hold him close or act like a caring uncle.

We know that scar has bad intentions but it makes sense that simba wouldn't see those bad intentions because scar always reaches out for him, holds him close, smiles at him, claims he only wants the best for simba, andalways comes off as a strange yet caring affectionate uncle, who's protective.

we know simba truly does love his uncle, we can see in his scenes with scar that he trusts scar and is affectionate with him.

Scar plays the part of a eccentric, playful and affectionate uncle so well, so when he tells the hyenas

" kill him"

right after pulling simba in and holding his grieving nephew, it made my lil jaw drop. I was SHOCKED because I thought as a kid that he has a shred of love for simba and didn't really wanna kill him.

No, scar was just super manipulative.

it was all just manipulation. That's what made scar scary for me as a kid because he pretended he loved simba so effortlessly.

Scar always reached out for simba first, that stayed in my mind for years.

In the live action lion king, scar doesn't feel do any of that. I don't think he ever even touches simba other then in like 2 scenes...

It really bothered me that they took those scenes out, I felt like those scenes showed how truly manipulative, cunning and apathetic that scar truly was.

[morte-a-elle-meme]

As an act of protest against Disney's """live-action""" (aka realistic CGI) remakes, I've remade parts of the Mufasa trailer in the style of the original movie.

[zihette]

i did NOT spend my formative years on deviantArt watching the lion king fanbase dissect obscure lion king books for this oncoming shitstorm!!!!!!!!

[julia-beatrice]

Excited to go see Mufasa tomorrow 🦁👑

[artist-issues]

The reason I think the song bodes so well for Mufasa is that they got Scar and Mufasa right. I was talking with @doverstar about this and so some of these thoughts are her thoughts

Mufasa, as a character, is the kind of guy who turns everything into a lesson when we meet him as Simba’s father. Even though Simba is apparently his only son. That means he’s got a reflective, old soul when he’s still a just a relatively young King—to be ready to give great fatherly lessons. And obviously we know he got that from his own father.

So in the song, to have him be the kind of guy who goes “You see that tree? Those birds are watching the world unfold!” is perfect. He points out the tree and the birds and their place in the world, their unique perspective, like it’s an exciting thing, the kind of thing any little boy should be excited about—he points it out and starts to wax philosophical the same way other ten year-old boys would point out a superhero or cool animal to their friends.

An old soul, already gleaning lessons out of the world he’s growing up in, and likes talking about them. Like he’s a young dreamer with his head in the clouds. But when Taka sings “No one looks down on me,” Mufasa responds in this patient tone, “They look down on us, brother. Some things you chase but cannot hold.”

He’s not going to let Taka change his mind, even if (from my understanding) he’s relying on Taka as his only friend right now. He’s not insecure. That sounds like the kind of strong-willed kid who could grow up to be as powerful a character as Mufasa.

And then there’s Taka.

In The Lion King, we know Scar wants everything his own way. (That’s what makes him a great foil to Simba, “we’ll-do-it-all-my-way”)

And that’s in the song. “When I am King they will do as they’re told / Those are the laws for my brother cuz I say so /“ He’s entitled, he thinks life should be ordered according to what he says.

But I think the way more interesting part of his characterization in the song is when he sings, “No one looks down on me,” and he sings that right after Mufasa says, “where they (the birds) go can’t be controlled.” Controlled. A no-brainer response, for a songwriter, would be to have the future-villainous-usurper get his feathers ruffled. The low-hanging fruit would be to have Scar respond with something about how he can control the birds because he’s going to be King, the boss, the authority.

But Lin-Manuel Miranda did not go for the low-hanging fruit. He had Scar respond, instead, with something that almost feels off-topic: “No one looks down on me!”

But it’s NOT off-topic if you know who the character, Scar, really is. Scar is all about how he’s perceived by others.

He is insecure. His life is lived hoping that others will give him everything. The throne, the food, the power, yes—but more importantly, he wants them to give him respect, idolization, adoration, and admiration. He does not want to be looked down on. That’s what’s most important to him.

He’s the total opposite of Mufasa in that way, because Mufasa gives his life for others, while Scar hopes others will give him everything.

He doesn’t lash out at Sarabi until she mentions Mufasa—specifically, until she unfavorably compares him to Mufasa. It’s all about not wanting to be looked at as less-than. Instead, the very essence of Scar is selfish narcissism. He wants everyone to treat him like he’s the best there is, like he’s worth giving up everything for.

That’s why at the beginning of the song, he says “When I am king…my brother, you’ll always take my side.” Because he believes that he should be seen as the always-right wonder child. That’s what he wants. Even when he sounds protective of Mufasa, it’s protective by association with himself. It’s sweet, but if you listen, Taka is saying Mufasa’s whole status as his “brother” is dependent on Taka’s decree that that is what he is. So if someone denies that Mufasa is his brother, they’re defying Taka’s little princely will!

Meanwhile Mufasa is all about being a vessel of lesson-sharing and selflessness. So they really got the characters right, at least in that one song. I hope the whole rest of the movie will be like that too.

[pugcrumbs]

the cartoon lions got me

[mask-of-prime]

MTLK: The Parents

We recently got some full design reveals for both Scar's and Mufasa's biological parents for the upcoming Mufasa movie. If you know me, I love a good character design opportunity.

((Disclaimer: This is merely a design challenge and not an attempt to blend the two TLK universes together. As far as I know, the CGI movies are meant to tell a different story from the original 2D animated works. It's presumed that in the 2D movies, Mufasa and Scar are biological brothers from a more traditional, established bloodline of royal lions, while the CGI movies tell the story of a new pride from Mufasa's generation being formed at what is now known as the Pridelands.

ALSO IMPORTANT: I understand some may have gotten special viewings of the movie, heard the entire soundtrack, and may have read the novelization if that came out at all yet, but please be courteous and don't comment any spoilers of the film, not without a warning on top of your comment.))

Design Process Below:

Masego: I took the first noticeable traits that jumped out at me and exaggerated them to fit the original 2D style. He kinda looked like a mix of Mufasa and Simba to me. The bright red patterns on his mane are based on the distinctive gray patches in Keith David's hair (I can't believe Keith David never occurred to me as a voice for a lion who would father Mufasa, that casting goes so hard ngl)

Afia: When I first saw Afia, I noticed how much she looks like her grandson, Simba. I decided to have her greatly resemble Simba's 2D counterpart as a nod to that. I modeled her eye shape after Tiana's eyes as an allusion to her voice actress, Anika Noni Rose.

Obasi: First thing I noticed about Obasi was how much he resembled the classic Yellow Ahadi model, so I mostly followed that. I struggled so much with his color scheme. I have alternate color schemes below the description.

Eshe: Eshe is very clearly where Scar got his slender face shape from in the CGI-verse. She also has a very obvious brown pelt that could easily be adapted into the 2D style. She was the most difficult for me to design as she already had a kinda cartoony appearance in her original CGI depiction, so I had trouble doing it justice.

It's just so funny that Scar's parents ended up looking like that common Yellow Ahadi model and Brown Uru models, while Mufasa's bio parents ended up looking like the less common Brown Ahadi and Yellow Uru models, lol.

Alternative Obasi Colors:

EDIT: Tweaked Eshe's design, here's the previous version:

[aphrmoosun]

"Mufasa: The Lion King."

(DEC 20/2024)

[sukalaap]

"Long live our kin!" Scar was a real G, 'til he added that letter at the end of "kin". Kind of a redraw of this old thing I made in MS Paint back in 2013 at the age of 11, could also be a cartoon rendition of this promotional poster for the upcoming Mufasa film, which I'm admittedly looking forward to see at the theater. <3 (Still can't believe they actually canonized "Taka" as Scar's birth name sbjdjdjdj "Askari" would've been a much better pick honestly)