#says it’s been put up every few months for over a year

[nadvs]

first prize desire (one-shot)

pairing rafe cameron x female reader

rating mature 18+

summary your brother’s friend, rafe, is good at a lot of things. hiding his infatuation with you isn’t one of them. one night, you stop teasing him and finally give him what he’s been dreaming of.

tags college au where rafe and reader are varsity volleyball players. reader is a noncommittal f-girl. rafe is down bad for her. mentions of past infidelity. lots of angst and some light smut. not a happy ending.

» masterlist

note hello, i’m back!! a little while ago, i got an ask about a f-girl reader who’s been hurt in the past and is a little mean to rafe and i’m obsessed at the thought of him pining and lowkey being a simp for her?? this one goes out to my girlies with trust issues <3 divider credit.

You have to be doing it on purpose.

Rafe’s grip on his gym bag tightens as he steps out of the men’s locker room. The door shuts behind him with a heavy thud.

The girls’ team has the court now. You’re by the end line closest to him, only a few feet away as you stretch. You’re bent over with your back arched and he slowly paces towards the gym exit, his mouth going dry at the way you look.

The sight of you in those little shorts always throws his thoughts into a frenzy. Seeing your ass perched in the air like that makes him feel even more disoriented.

The varsity volleyball schedule is simultaneously the best and worst thing that has happened to him. Twice a week, Rafe steps out into the gym, exhausted from practice, to see you warming up, always tormenting him with how good you look.

You stepped into his life a few months ago at the beginning of the school year. His friend had mentioned that his sister would be starting college and that she plays volleyball, too.

The first time you came over to the house he shares with your brother and a few other guys on the team, he knew he was going to like being around you.

Until he got to know what a tease you are.

You stand up from your stretch, placing your hands on your hips as you look over your shoulder.

“Hey, Rafe,” you sing-song, your voice sweet as sugar. His hair is wet from his post-practice shower, hanging over his forehead. “Your hair’s cute like that.”

He was right. You are doing it on purpose. You knew he was there and you purposely put yourself on display for him like that, like a treat he knows he can’t have. For fuck’s sake. He’s never wanted a girl this bad.

Rafe’s lips flatten as he nods in greeting, stopping in his tracks. You’re not sure if the rosy tint to his cheeks is a product of a rough practice or a distressed blush from having seen you in such a suggestive position.

“Are you coming to watch our game tomorrow?” you ask, just loud enough over the voices echoing through the gym.

Rafe steps closer. You adore it about him, how he always looks like he’s been hinging on a opportunity to talk to you.

“Should I?” he asks.

“Sure. I know you like any excuse to look at me,” you reply with a shrug.

He scoffs, a mix of incredulity and amusement. He’s obvious about how bad he wants you, he knows he is, and that’s why it makes it ten times worse that you toy with him like this.

“You never watch our games,” he responds.

“I’m a busy girl,” you laugh.

He knows that. And he wishes he didn’t. He wishes he didn’t have to see you jump from guy to guy, snuggled up to a different one at every other party, never staying long enough to call any of them your boyfriend.

A couple of weekends ago, Rafe had been one too many beers deep. Pressed against the wall at a house party, he gazed at you through heavy lids and asked if you were ever going to find a guy you liked enough to actually keep around. You laughed and told him, “I’m not the commitment type.”

“I’ll see if I can make it,” Rafe says, because even though he’s a goner when it comes to you, he tries to keep at least some dignity intact and feign indifference.

“Hope you can,” you respond, smirking. His eyes go a little brighter. You know that means he’ll come.

You’re a whirlwind, a storm constantly passing over him, leaving him spinning. Time and time again, he gets just close enough to the edge of thinking he has a chance with you, and then you pull back.

Your flirty looks and dirty jokes are maddening and any time he’s tried to do anything about it, you’d say you’re not going to complicate things with your brother’s friend, especially when he lives with him.

Off limits, you’d once whispered in his ear at a party, but your body was pressed up against his so tightly that it didn’t seem like you wanted a boundary between you two at all.

Rafe’s name echoes from behind him. He turns to see your brother leaving the locker room, donning a confused expression.

“You leaving without me?” he laughs, walking towards him.

Rafe would never tell him that he purposely rushed out to get a glimpse of you.

⫘⫘⫘

The minutes before the start of a game is when you feel the most pressure. More than during the actual match. You know if you don’t feel proud of your performance, you fall into a funk nobody can pull you out of.

You rub your palms together as you wait for your turn in a spiking drill. The other team just arrived, warming up on the other side of the court.

You thought you didn’t mind these opponents all that much. Their team is usually weaker than yours. But they have a new player and seeing her familiar face makes your blood boil.

Rafe makes it to the gym after class, two sets into the match. It’s 1-1 and the air is heavy with tension. The gym is quiet as he settles in the bleachers, the thumps of hands hitting the volleyball rolling across the court.

You’re panting as you hurry around, dodging your teammates while never letting the ball hit the floor.

You look more stressed than usual.

He almost gets right up again to leave, irritated at himself. This is the crap a boyfriend would do; come watch your games, worry about the anger etched on your pretty face. Yet all he gets called is a friend while you entertain other guys right in front of him.

But then he smirks a second later when he sees you frustratingly mutter something to your teammate after the opposing team wins a point.

Rafe revels in seeing your temper come out. It’s cute. And it makes him feel better about his.

A few minutes in, though, he sees anger flare up in you like never before. A girl on the opposing team blocks your spike and seems to murmur something to you.

You fight back, loud enough for him to hear. You snap at her to shut up. One of your teammates holds you back. The ref blows the whistle.

It’s a misconduct foul. Something’s up with you and he doesn’t know what.

The rest of the game has an added level of intensity. It results in a loss for the home team. You’re wearing the disappointment in your expression.

Rafe decides to leave. You always take your sweet time after a match and he’s not about to make an even bigger fool of himself by waiting outside for a girl who messes with him for wanting her so bad.

But still, because he’s so pathetically into you, he texts you later on: rough game. you good?

You don’t respond.

⫘⫘⫘

The next day, Rafe hasn’t gotten over you ignoring him. He’s not really one to let go of things all that quick.

And he’s had enough. Of the teasing and the flirting and the indifference you have towards him while all he does is long for you. You have all the power and he’s sick of it.

It’s not hard for him to find the girl you’d argued with on the court. It’s a matter of searching on her college’s athletic department website, learning her name, and finding her on social media.

He chats with her, invites her to his house party the next night, and because it’s easy for him to get any girl to agree to hang out with him, unless she’s you, she accepts.

He can’t wait for you to see him with her.

⫘⫘⫘

You make it to the house the next night, showing enough skin that makes Rafe’s stomach grow tight. You nudge your brother’s shoulder in greeting, then shuffle closer to Rafe see him nursing a beer.

“Hey,” you say over the music. He towers over you, a crease between his brows. He wears everything on his handsome face, incredibly easy to read.

“You mad at me for not texting back?” you ask playfully, squeezing his forearm. “Sorry. I was in a shitty mood after that game.”

“Why?” he asks, reluctantly softening up. You hardly ever show him this side of yourself. You’re usually a few drinks in if you do.

“Did you see that girl I yelled at?”

He nods, Adam’s apple bobbing with a nervous swallow.

“I know her,” you explain, “and she’s not very nice.”

“You’re not very nice,” Rafe jokes.

“Then imagine how bad she is if I’m the one calling her that,” you say with a soft laugh.

“What’d she do?” he asks.

As expected, you wave a dismissive hand, rolling your eyes, blocking him out.

“Nothing worth repeating,” you reply. You bring your hand up to his bicep, squeezing the hard muscle. “Did you go to the gym today?”

Rafe’s eyes dart down to his beer, the attention from you another hit to his bloodstream, a dopamine rush he’s been missing.

“Hit a PR,” he replies.

“Wow,” you flirt. “We should go to the gym together. You’d be a good personal trainer.”

“You couldn’t handle me,” he replies.

You bite your bottom lip, smiling up at him. Nobody gets your heart racing quite like Rafe does.

And it’s why you stay away from him. Getting involved with a brother’s friend is already a bad idea just because it could get messy, but really, it’s the effect he has on you that scares you away.

You’ve been burned. The summer before college started, you discovered your serious boyfriend had never really respected you. You’re pretty sure someone’s first love always leaves a wound. But finding out they were cheating on you the whole time leaves a scar that never closes back up all the way.

“I don’t know,” you reply, pushing away your thoughts. “Pretty sure you couldn’t handle me.”

Rafe’s pink lips part as he looks down again. He shuffles in place so faintly that it’s nearly imperceptible.

“Not like you’d give me a chance to try,” he mumbles with a defeated smile.

No. You wouldn’t. Because the more you get to know Rafe, a man who at first seems hard and aggressive, but really just wears his heart on his sleeve, the more you can see yourself falling for him.

His intensity is overwhelming. It’s something you don’t see in most people. He’s a beautiful rarity of a man and you stay far away from any kind of real intimacy with him, because while you can hook up with other guys with no attachments, tangling yourself up with Rafe would make you susceptible to another wound.

“You know you could get any girl you want, right?” you say to him, voice gently dropping into a serious tone you don’t often use with him.

His phone buzzes in a staccato. He pulls it out of his pocket. Damn it.

“Hey, I’m here,” she says when he answers.

“You’re here?” he blankly repeats.

“You invited someone?” you tease. “And you’re standing here flirting with me? Shameful.”

You offer him a smile to show him you’re kidding around. The dull sting you feel from knowing he’s probably talking to a girl is a good reminder of why you keep him at an arm’s length.

It may not be reasonable to be a little annoyed, considering you’re always running around with different guys right in front of him, but you can’t help it.

Rafe hangs up, a tinge of regret pinching his chest. It took a few seconds with you to realize his spitefulness just fucked things up.

“Go get your girl,” you say with raised brows, stepping aside. “I need a drink.”

“Hey, it’s…” Rafe’s face pinches with concern, leaning to be closer to you. “Don’t be pissed off at me.”

“Pissed off?” You usually do a great job feigning indifference around him. You hope he doesn’t somehow see the crack in your armor.

“It’s that girl,” he replies. “The one from…”

“The game?” you say soberly.

Rafe hates the way your smile drops. The way your eyes search his face for an explanation.

“Whatever,” you reply after a beat. “Do what you want.”

It’s kind of a sick thrill to have the upperhand for once. He’s flustered when you tease, but now, your eyes are sharp with frustration, your lips turned down in a scowl that shouldn’t be as adorable as it is.

“You sure?” he says. You nod curtly.

“Not like I’m your girlfriend or anything.”

He’s sure you say it just to twist the dagger already lodged in his heart. It works.

⫘⫘⫘

Your stomach is in a knot. You’re at the back of the living room, purposely as far away from Rafe as you can be.

And she’s there, looking up at him with a sickeningly bright smile. The same smile she used on your ex. The same smile you’re sure she wore when she texted you how it’d been ‘weighing on her soul’ that she’s been sneaking around with him.

It was all bullshit. You know she was proud to play a hand in your heartbreak. She never looked torn up about it at all. If she did, she wouldn’t have provoked you at your past match.

Missed, she’d said mockingly. It took everything in you not to hit her.

Again, you’re inches away from doing it. Every minute she stays here, you get closer. You wouldn’t normally be angry at the woman your boyfriend cheated with if she didn’t know. If she was a stranger, she wouldn’t have owed you any loyalty.

But she knew. She was your friend.

You’ve been trying not to care anymore. You started this year with the intention to leave all the high school shit behind and have fun and not give your heart to a man. Not for a long time.

But seeing her brings it all back.

“What’s up?” you hear. You look up at your brother.

He knows how your relationship ended. When he heard what your ex did to you, he offered to beat the shit out of him, but no amount of revenge ever felt like it could undo your pain.

He never met your ex-friend. He has no idea who the woman Rafe is flirting with is.

“The music sucks,” you reply, wincing as the bass reverberates through the room.

“You always had shitty taste,” he replies. You crack a smile. It falls when you remember how he’d said the same about your ex, long before the breakup.

“I need a breather,” you say.

It doesn’t happen very often, so when you see worry wash over your big brother’s face, it jolts you a little.

“You okay?” he asks.

“Yeah,” you lie. “Just need to spare my eardrums.”

He huffs a laugh, gently pushing you as you step away from him.

⫘⫘⫘

Come upstairs.

Rafe stares down at the text from you, sent three minutes ago. He looks up at the girl he invited as she comes back to him, arm linked with a friend she’d called to join the party.

He’s stiff as they make introductions. Then he tells them he’ll be right back.

Rafe’s bedroom is lived in, but it’s not quite messy. Clothes are strewn across an open drawer and on the back of his desk chair, but his textbooks are neat on the shelf and his bed is made.

You turned on his dim nightstand lamp. You stare ahead at the calendar on his closet door, practices and games written in black pen.

You lean against the headboard, squeezing your fingers, teetering towards crying. It’s a sick joke to like a guy again just to watch the same woman enamour him.

The door opens with a soft click, music spilling in for a moment.

Rafe has dreamed of this, coming up to see you in his bed. But in his dreams, you’re not staring at him like he just massively fucked up.

He doesn’t say a word. He only looks at you with confusion.

“I take it back,” you say, sitting up. “I don’t want her here.”

“What?” he says.

“Tell her to leave.”

Hope warms his core. Are you jealous?

“It’s my house,” he answers flippantly, giving you the same blasé attitude you’ve always given him.

You scoff. He crosses the room and sits at the foot of his bed, the mattress sinking with his weight. He’s never heard this thinness in your voice before.

“Can you just do it? Please?” you say shakily.

“What happened between you two?”

“You know what?” you scoff frustratingly, swinging your legs over the edge. “Fuck it. I’ll just go.”

“Stop,” he says sternly. “Tell me.”

He may have never seen you this vulnerable, but you’ve never seen him this mad. At least, not at you.

You thought Rafe had a soft spot for you. It hurts that it doesn’t seem to be there anymore. But then he sighs, head tilting slightly as he takes your hand.

“If you– you…” he begins, words fast and tumbling together. You’ve noticed he stammers when he’s on edge. “If you need me to kick her out, then, fine.”

“Really?” you say.

He sighs your name in exhausted resignation, looking up at the ceiling. You’re not jealous. You just really don’t like this girl. It has nothing to do with him and that hurts.

He nods in response. He knows you know he’d do anything for you.

Despite your instinct telling you to call an end to the conversation, the warmth of his hand on yours is piercing. You look down at your lap, turning his big hand over, calluses on his fingertips similar to yours from volleyball.

He gazes at you, his pulse picking up as your eyelashes stay low over your eyes, blinking quickly.

“I had a boyfriend,” you say quietly. “He cheated on me. With her.”

Rafe’s body goes cold. The irritation he was feeling has been replaced by biting guilt. He would’ve told her not to even bother coming in if you had just shared the truth.

“I didn’t know,” he murmurs. The shame is worse with every second that passes. He got what he wanted; he hurt you. And he hates himself for it.

“Yeah,” you say. You find his eyes, bottomless seas of blue. “There’s a lot about me you don’t know.”

“I don’t want it to be like that,” he admits. “And I make it pretty damn obvious.”

You look down again, huffing a quiet laugh.

“Yeah, you do,” you reply.

You’ve always felt a sense of control over Rafe, but it’s chipping away, pieces being taken from you and given to him. You shouldn’t have opened this wound. Because now, you just want to smother it with temporary bandages.

Rafe’s jaw tenses as he watches your hand on his. Silence settles between you, your breaths heavy, the music muffled.

He’s not sure what’s next.

“Don’t tell anyone,” you say.

“I won’t,” he rasps.

“Not about that,” you say. “Well… yeah, about that. But I meant about this.”

You shift to straddle him, the backs of your thighs resting on his lap. He meets your eyes as your noses nearly brush together.

You lean in. His breath stops when your lips meet his.

His heart-rate skyrockets. Fuck. This is really happening. His hands find your thighs, fingers pressing into your flesh.

You gently grind up against him as your kisses grow hungrier, mouths opening, breaths shortening.

You take him in, the smell of his aftershave and the taste of his tongue, as your arms link around his broad shoulders. You already feel better, feeling him hold you and kiss you like this.

He’s getting hard. It makes fire swirl in your stomach.

“Tell me,” you whisper against his mouth, desperate to feel even better, “how bad you want me.”

“You’re all I fucking think about,” he admits breathily.

“Which parts of me do you think about?”

“Everything,” he groans. “Fucking everything.”

You wish he would’ve just said something physical to solidify this as the casual hook-up it is. You can’t handle it being more.

“We’ll keep this a secret, okay?” you whisper.

“I know.” Rafe kisses you again, willing to say anything just to keep this going.

You gently push his shoulders so he lies back. Clothes are clumsily shoved off, kisses grow messy, and once you feel all of him, your head swims with euphoria, blocking out the impending regret.

You stay on top to at least hold onto some of the control you have left.

He comes with a groan, clinging onto your waist with trembling fingers as if you’ll run away from him.

But you do run away. It’s over and you sit up and scramble to put your clothes on again, the high gone, the crash on its way.

“Shit,” you whisper.

Rafe’s smile fades, his chest heaving. He sits up.

“Why are you acting like you regret it?” he asks.

He wants to give you his shirt, stay in bed with you, trace his fingers over your skin and tell you how badly he’s always wanted you.

You look at him with furrowed brows.

“We can’t tell anyone.”

“You already said that,” he mutters. “It’s not like we have to give details, but… nobody’s going to lose their shit if we’re together. Your brother isn’t like that.”

“No,” you shake your head. “This was just sex.”

It’s not a sudden break. His heart cracks slowly. It’s a fracture, spreading through his chest. He’s empty.

“So, I’m just…” He scoffs, tongue jutting under his cheek. “I’m just another one of the guys you do this to.”

“Don’t,” you say softly. “I told you I don’t date.”

You did, but he thought he was different.

You stand, smoothing your hair.

“Because of one asshole?” he murmurs, angrily picking up his t-shirt.

It hurts that something you told him in a vulnerable moment is ammo now. He’s being harsh and you know you are, too, but it’s the last thing you need right now.

“Don’t bring it up again,” you say with a strain in your voice. “Any of it. I knew I…”

Your throat starts to feel raw as you pace past him towards the door, desperate to get home and be swallowed in your blankets. Alone. Like you should be. Not chasing temporary relief in hook-ups.

“What did you know?” Rafe says to your back, tone softened. His anger is gone. It takes one glimpse into your pain to erase his own. He just wants to make you feel better.

“I knew I couldn’t trust you,” you murmur, staring at the door handle. “I can’t trust anyone.”

You leave. You gave him what he thought he wanted most, but he can see now that this hollow version of having you is the last thing he’d ever want.

You’ve ticked him off your list. You’re done. He’s in your rearview now, a quick hook-up that you wish you didn’t have.

⫘⫘⫘

You’ve been home for less than five minutes when your phone buzzes with a text from Rafe.

Make it home okay?

You swallow hard and respond: yes. didn’t mean to freak out. friends?

Rafe chews on his lip as he stares at his phone. He hasn’t left his bedroom.

yeah, he replies. There’s no point in pretending he doesn’t want you, even if you push him back into the role he’d been playing before.

Fine. He’ll be your fucking friend. He already lost his pride long ago. But tonight is the first time he’s truly lost the hope he had in you.

(the end)

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[akawifeyy]

RISK! | smau & fic (FC43)

description: franco colapinto is a playboy — everyone knows that — but he does have some boundaries that he’s unwilling to cross. that is, until he meets you. the younger sister of oscar piastri. then he’s willing to risk it all.

tropes: forced proximity, mutual love, forbidden romance, age gap (18 and 21), op81 sister!reader!

face claim: gracie mckenna

trigger warnings: suggestive content, swearing

| note: this is a combination between a smau and a fic, meaning that some social media snippets are mixed throughout, along with blocks of prose. hope you enjoy!

tagged: @ williams, @ francolapinto, @ f1

comments (2718):

@ user1: this is so ridiculous, he's literally just being used to get girls to watch F1 🙄

-> @ user2: I agree, he can't even drive

@ user3: CONGRATS FRANCOOOO #argentina 🇦🇷

@ williams: We're so grateful to have Franco on our team, and can't wait to see what he will achieve in these upcoming races!

Melbourne, Australia (2025)

There was no way you could ever do this. Get in a tiny metal race car and go spinning around in circles against nineteen others for almost two hours? That was a tall order for anyone, yet your brother always exceeded expectations. You watched him glide through the track, his papaya car shedding sparks as he pushed the engine to the max. He was incredible, carefully looping around and setting records.

It was his home race; nothing lesser would have been expected. Oscar needed to excel, to survive against the pressure. Over the past few weeks, it was like he was glued to the sim, practicing this circuit repeatedly, making sure every movement was executed flawlessly. This was the final countdown: FP2, meaning that in less than a day, Oscar's skills would be put to the test.

Behind you, your best friend Georgia, wolf-whistled. Lando Norris, Oscar's teammate, had just entered the paddock. His curly hair was obscured by his classic neon-green helmet, his race suit hanging loose around his waist. "I'm so ready..." You heard him say to Zach, and then you turned your attention back on Oscar, who was on his final practice lap.

The car moved around as if it were a dagger, slicing through the track like the weapon it was. When he finally slowed to a halt, you rushed to meet him. He exited the car, removing his helmet, chest heaving with exertion. "Hey, Y/N," he said, smiling.

"Hi, Osc! You did amazing!"

He flushed, not one for compliments. "Sure. Where's Mom?"

"I think she went inside because it was too hot. I'll go get her," you said brightly, trailing after him.

Oscar shook his head. "It's OK, don't worry. Stay out here a bit, I think Lando's about to go on."

"I don't really care about him," you blurted. "I was waiting until you were done to go walk around the track."

Oscar raised one eyebrow, but didn't say anything. Even though you were younger than him by only five years, he acted like you were still a child. You were eighteen, and just one semester away from going to uni! You wouldn't have constant supervision there.

"Mom said I could," you pouted. "You're not in charge of me, I'm an adult now."

"Yeah, but you can't read a map, and you're naive," Oscar pointed out. "You trust everyone."

You gave him a look. "Like that's a bad thing. Anyways, I'll see you later!"

Oscar hugged you quickly, his eyes watching you concernedly, and you rushed off to explore the circuit.

Melbourne, Australia (2025 / continued)

You exited the McLaren paddock, tugging off your jacket and tying it around your waist securely. It had been a while since you'd been able to go to a Grand Prix; your parents hadn't let you because of all your studies. But this was Oscar's home race, and it was monumental. After months of arguing (and failed attempts at bribery), you'd finally convinced them to let you tag along.

The sun beat down on you, warming you from head to toe. It felt nice to finally feel a bit of a breeze, since you'd been cooped up in your room all week, prepping for your finals.

As you wandered through the grounds, you watched as fans cheered for their favorite drivers. You saw a few Australian flags here and there. One even had Oscar's face on it, next to a koala on a eucalyptus tree and a kangaroo, and you laughed.

You passed the Mercedes and Haas motor homes, where you saw Kimi Antonelli and Ollie Bearman talking. They were close to your age, and potential friends, but whenever you tried to talk to them, Oscar ushered you away.

"They're guys. And F1 drivers. They can't be trusted," he told you.

You rolled your eyes. "So that means I can't trust you."

Eventually, you found yourself in the Williams paddock, watching as they prepped the car for its final practice before the race. A man with the most attractive dimples you'd ever seen was talking animatedly with his race engineer, discussing potential strategies.

You were enthralled by his lilting accent, caught on every word and phrase. He finished with the race engineer and turned to his car, but then he stopped, noticing your presence.

You were wearing a bright orange blouse, and the jacket wrapped around your waist had Oscar's number on it, immediately incriminating you.

"Hello there," the man said, a grin dancing on his lips. "I'm Franco. And you are?"

Seven words, and you were hooked.

Text messages between Oscar and Y/N (2025):

@ yourusername: home is where the heart is 🩷

tagged: @ oscarpiastri, @ f1

comments (182):

@ yourbffusername: had sooo much fun w you!

-> @ yourusername: i love being with youu

@ oscarpiastri: I already miss it

-> @ yourusername: go kick ass in china 😼

@ user4: Just dropped to my knees in the middle of the grocery store. She's just that beautiful

Two weeks after the Melbourne Grand Prix

You flopped down on your bed, feet kicked up in the air as you texted none other than Franco, the same driver you'd met in the Williams paddock. He was funny and flirtatiously silly, but he was smart too. You had a lot of conversations about your upcoming university days, and he gave great advice on the topic.

"You don't always have to listen to your brother," he texted you a few nights after you'd met. "You're your own person, cielo."

You two had bonded over your mutual love of horse riding, a hobby of yours that you were trying to continue despite all the stress of the past year. Franco sent you a few photos of his horse, and one where he was shirtless. You spent more time ogling that picture than you'd care to admit.

Talking to Franco was therapeutic, and you didn't want to hide the blossoming friendship (or more?) that you two had. But you knew how overly protective Oscar was of you. You didn't want to spark a rivalry that could play out poorly on track. It wasn't worth the drama.

You weren't going to avoid telling your brother forever, but you wanted to wait a while to make sure that you didn't give him an aneurysm for nothing. Franco had a reputation as a playboy, like all other F1 drivers, but he was still young and a rising star. He could be using you — at least, that's what the little voice in the back of your mind warned. It spent too much time listening and believing everything Oscar had told you.

There was a knock on your door, and you jumped, turning the screen off so that no one could see the conversation you'd been having.

I've never met a girl like you before.

You're my princesa, you know that? All pure and perfect. I wonder how long it would take for me to absolutely ruin you.

"Dinner's ready," your mother called through the door.

"Thanks, I'll be there in a minute!" you responded. Once you heard her footsteps recede, you texted Franco that you had to leave, and hurried outside, your cheeks blushing red.

@ francolapinto: ¡P8 en el Gran Premio de China! Es muy emocionante ver todo el progreso que ha logrado Williams. Estoy agradecido de ser parte de este equipo. ¡Hasta la próxima carrera!

(P8 in the Chinese Grand Prix! Very exciting to see all the progress Williams has made, I'm grateful to be part of this team. Until next race!)

tagged: @ williams, @ f1

comments (489):

@ user11: Amazing work, Franco!

@ yourusername: podium coming when???

-> @ francolapinto: Soon 😏

Text messages between Franco and Y/N (2025):

The Confrontation:

You fidgeted under Oscar's heavy stare. Even through a phone screen, his brown eyes pierced you. "I need to tell you something, but you can't flip out, OK?" you said.

"Oh God, what did you do now?" Oscar responded, preparing for the worst.

You shook your head, putting your palms up in a gesture of surrender. "Nothing bad! I swear!" You hesitated. "Well...I've been talking to someone. A guy, for a bit now."

Oscar sucked in a breath. "Not Lando."

Your jaw dropped. "Absolutely not."

"Good. Who is it, then?"

You closed your eyes, praying to God that Oscar wouldn't explode from anger. "Um...Franco?" You waited for the name to register.

Oscar blinked. "The new Williams driver?"

You nodded. "Yeah, that's who it is."

"That's who you chose?"

"Yeah?" you questioned, cocking your head to the side in confusion. "Is there something I should know? I mean, other than the fact that he's a supposed playboy and —"

"— He's fine, I suppose," Oscar mused under his breath. "Just be careful, alright?"

You froze in shock. "Yeah, I will be. Thanks for not freaking out."

"You're eighteen, I can't stop you from being romantically interested in someone. All I ask is that you don't engage in activities that should be done after marriage." Oscar pursed his lips. "I love you, Y/N. I'm always looking out for you."

"I know, and I'm thankful. You're the best older brother in the world."

@ francolapinto: Felices tres meses para mi hermosa novia, Y/N. Gracias por escucharme hablar y estar siempre ahí, incluso en los momentos más difíciles. Hasta pronto, corazón mío.

(Happy three months to my beautiful girlfriend, Y/N. Thank you for listening to me speak and always being there, even in the most difficult moments. See you soon, my heart.)

tagged: @ yourusername

comments (5895):

@ user11: I KNEW IT 🥳🥳🥳

@ user12: we weren't delusional guys!!!!!

-> @ user7: I love clowning and then being right

@ yourusername: hard launchhhh ‼️

-> @ yourusername: love you so much franco, i don't know what i would do without you!

-> @ francolapinto: Muchos besos, mi amor 💋

─── ୨୧ ─── THE END ─── ୨୧ ───

[mysecretlittlelibrary]

hey so can I have Kurt x reader where neither has said I love you yet and they’re just spending time together, enjoying each other’s company and s/o actually springs on him “I love you” in german? He never taught s/o that.

~Sweet How The Words Slip~

Pairing: Nightcrawler x Reader

Word Count: 1.4k

Warnings: not a single one this is so cute

Genre: fluff

Summary: As it turns out, you're in love with your boyfriend, and now you have to tell him.

A/N: Thank you for each and every one of your requests <3

***

Jean and Storm are sitting on your bed while you clean your bedroom. You'd asked them to sit with you so you could actually get some stuff done.

"We're happy to be here while you do your chores or whatever but you have to spill." Jean says.

"Spill what?" You ask.

"I think she's talking about you and Wagner." Storm chuckles.

"Of course I am. They spend so much time together I'm surprised he's not hiding in her closet right now. I was starting to think we'd have to surgically remove him to ever get her alone again." Jean says and even though you're not looking at your you can feel her eyes roll.

"Surgically remove him?" You scoff out a laugh as you toss an old dress you never wear hiding in the back of your closet.

"Well yeah he never leaves you alone." She says.

"Alright don't talk about him like a pest he's- welcome. He 'never leaves me alone' because I don't want him to. I enjoy being around him as much as I assume he enjoys being around me." You shrug.

"Ah the honeymoon phase. Everything is sweet and perfect and the world revolves around nothing but your love." Storm teases.

"I didn't say any of that?" You frown.

"Everything isn't sweet and perfect?" She asks flatly.

"Well not perfect! Kurt is incredibly sweet so that's not really relationship specific but we're not perfect!"

"Girl who are you tryna fool?" Storm scoffs.

"It's fine if things are perfect. You're still so fresh I find it hard to believe you're already fighting." Jean says.

"We're not fighting." You shake your head.

"Of course you're not. He's obsessed with you." Storm says.

"Obsessed is a stretch I feel like." You say.

"It's not. He looks at you like you put the stars in the sky." Jean smiles.

"You guys are being ridiculous."

"So you're telling me he's not already planning the rest of your lives together?" Storm asks.

"Don't... get ahead of yourself Storm we've only been partners for a few months now." You say.

"We know it's on the horizon." Storm says.

"Yeah he's already made it clear how head over heels in love with you he is." Jean says.

"Girl what are you talking about?" You shake your head.

"What?" Her eyes widen. Even Storm shifts, sitting up in her surprise.

"What?" You ask

"The guy's been into you almost as long as he's been an X-man and you're telling us he hasn't said 'I love you' yet?" Jean gasps.

"Why are you freaking out? We haven't been seeing each other that long."

"It took him less than 6 weeks to make you his girlfriend after he finally asked you out, he had a crush on you for years before that and you don't think it's I dunno surprising that he's not said 'I love you' already?" Jean asks.

"No, I don't find it surprising. He's probably trying not to freak me out."

"What?" Storm asks.

"I dunno I'm sure he's getting advice from Logan or Scott and they probably told him it'd be unhinged to say I love you in the first 30 days of a relationship and now he's paranoid about saying it too soon. What if I don't say it back?"

"Would you?" Jean asks.

"Would I what?" You ask.

"If Kurt came in here and said 'I love you' would you say it back?" She clarifies.

"Yeah I think I would." You nod.

"You think?" Storm asks.

"Well I've never really vocalized it, but since you've asked and I'm actually considering it saying it back feels right."

"You gonna let him know that?" She chuckles.

"Sure! At some point, but it's not like he doesn't already know I care about him." You shrug.

"But that's not always the same thing." Jean shakes her head.

"What?" You frown.

"It's very squares rectangles. Of course you care about the people you love but you can care about people without loving them too. Especially as a superhero, you care about most people, but you don't love all of them. You love him, and caring about him is nice but he'd be foolish to assume that it implies the other thing here." Storm says.

"You have to tell him how you feel, it's important that he knows how deeply you feel because I'm sure he's probably terrified he likes you more than you like him and that's-"

"Okay Jean stop. I get your point. I'll tell him that I love him just- chill out."

"Chill out?! You just realized you love your boyfriend and you weren't even going to tell him."

"Okay well in my defense if we hadn't had this conversation I probably wouldn't have had that realization today so- there'd be nothing to tell for a while maybe." You say.

"But now there is something to tell!"

"I know, I know! I'm gonna tell him, calm down."

"You better or else."

"I get it, you're invested, no need to threaten me." You scoff.

There's a knock on your door that pulls all of your attention to it.

"Come in!" You say.

"Hello liebling- oh are you busy? I didn't know Storm and Jean were here." Kurt smiles peaking his head through your door.

"Not busy! I was just cleaning and the girls are here to help me stay on task." You smile at him.

"Are we still on for movie night later?" Kurt asks.

"Of course. Did you pick a film yet?"

"I did. I hope you like the choice."

"I will. Anything's great if we're watching it together." You say.

"Agreed. Snacks?"

"I'm on it. See you in a few hours."

"Can't wait." Kurt says and slips back out.

"Wow that was so freaking cute!" Jean gushes.

"Oh man I almost said it just then." You gasp.

"What?" Storm asks.

"Just then, before he left? I wanted to say 'I love you', had to catch myself."

"Awwwww! Ugh I'm so jealous." Jean sighs.

"Wow, you really are just so into each other." Storm muses.

"Yeah, I guess."

"It's cute, don't get all shy now." Storm smiles.

"I will kick y'all out if you don't quit it."

"Fine, fine. We'll stop." Jean throws her hands up in surrender.

"Thank you. Sheesh." You shake your head.

You spend another couple of hours on your chores, talking about any and everything, besides your relationship with Kurt. Eventually though, you do need to meet him for movie night so you shoo your friends out.

Something you've been doing passively and in secret is learning German. When Kurt talks to himself it's always in German and while he's never expressed that he struggles with English, he's clearly more comfortable in the former. You figure you could kill two birds with one stone here, confess your love for him and surprise him with a bit of your new skill.

The movie Kurt picked is one you've seen before, but he seemed so excited to see it that you wouldn't tell him that. Plus you like the movie, so you don't mind watching it again. You're nearing the end of the film and part of you is getting a bit nervous. You told yourself you'd confess tonight because you can't imagine holding onto this information. I mean, you knew for 5 minutes and you almost told him. You are not equipped to keep this a secret from him.

"Wow- that was such a good movie! Did you enjoy it?" Kurt asks looking at you.

"It's a great movie. I really liked it." You nod.

"We should watch another. Do you have one that you'd like to watch? Or rewatch maybe?"

"Kurt?"

"Yes liebling?" Kurt's eyes widen, he's giving you his full attention. You bring a hand up to his face, cupping his cheek as you look at him just as intensely as he's looking at you.

"Ich liebe dich." You say. "You love me?" He whispers. "I do." You nod, smiling at him softly. Kurt jolts back, blinking wildly. "Wait sorry I don't think I heard you correctly. Did you say that in-"

"Ich liebe dich." You repeat. Kurt lets out a soft sound as the disbelief on his face melts into a smile. His eyes are so gentle, so full of emotion that they're glistening, it's almost cartoonish and under different circumstances you might've giggled.

"You- you learned to say it in German?" Kurt sounds so light, just barely above a whisper.

"Ich unterrichte es selbst." You say just as softly back. You're teaching yourself. That's what you told him.

"I had no idea. Why didn't you tell me?" Kurt smiles.

"I wanted to surprise you." You tell him.

"Oh I'm surprised alright." He chuckles.

"I love you." You say grinning.

"I love you too." He says back and you gasp.

"You do?" You were fully prepared to not hear it back tonight.

"Of course, more than anything."

"I'm really happy." You practically sigh.

"As am I." Kurt wraps his arms around you tightly and there's literally nowhere else you'd rather be than here.

***

[chasteandpregnantmale]

Daniel is a teacher and here we see him with his husband Matthew (on the right) who is a builder. They have been married for over ten years. At 35 they are both established in their professions and have been trying for years to start a family. It had been decided that Matthew should carry them as he had the beefier body to cope with the extra pregnancy weight. When he failed to conceive, they tried with Daniel but he never conceived either. With time ticking on for both of them they decided Matthew should try to get pregnant using a new and different fertility method. Over a month after his insemination, he took many pregnancy tests which were all negative. They decided that they should try the new technique with Daniel as Matthew was still not pregnant. So two months after Matthew had tried the new method, Daniel was impregnated.

Daniel too took many pregnancy tests over a month. However, Matthew's belly suddenly started to swell big time. He had put on a bit of a belly over the past couple of months but thought it was just middle age spread. Besides he was always hungry so it was not surprising that he had put on a few. The fertility research people were puzzled and decided to give Matthew a scan. This revealed that he was carrying triplets. Apart from the swelling belly and constant hunger, he had had no other pregnancy symptoms at all. But needless to say, Matthew and Daniel were over the moon. They were expecting at last.

Everyone was understandably shocked and even more so when Daniel's body started going through the same transformation 2 months later. Apart from hunger and the swelling belly he too had no symptoms but when scanned was found to be carrying triplets. The doctors were puzzled as to why their new fertility method didn't trigger pregnancy tests and the carriers were pretty much symptom free. This could well be a marketing point though they would also have to sort out why both the guys had ended up carrying triplets.

As for Daniel and Matthew they were hoping to have a family of 2 or 3 kids over 5 or so years. Now they would have 6 in just the space of a couple of months.

They are seen pictured here in the fertility clinic wearing the clinic's signature underwear at 7 and 5 months. Daniel's slender frame means that he will probably develop a torpedo type belly. Matthew, being broader, won't have a gut that sticks out so far.

Matthew was now getting a lot of comments from his mates at work with a lot of banter going on. The physical nature of his work, meant that it was getting harder and harder every day to do his job. Daniel's colleagues were, for the most part, understanding of his condition. The students took the piss a bit and asked him silly questions sometimes, but it was all bearable though he was beginning to find all the standing hard as his belly grew relentlessly, leading to swollen feet.

Both Matthew and Daniel were extremely horny the whole time and couldn't get enough of each other, though any sexual activity was getting more and more challenging as they got bigger. Luckily, they were both quite innovative. In fact it was such activity that probably pushed Matthew into labour 2 months later.

Shortly after they had had fun together Matthew thought he had a bit of indigestion. Then he thought they were Braxton Hicks. He had been experiencing them for sometime now. After a few hours they got more serious, though still pretty random. Daniel decided he should phone the clinic though Matthew protested. But Daniel couldn't bear to see his very pregnant partner in pain. The clinic advised to go in when he was 5cm dilated, just to make sure they arrived in time. Who knew how the end of this new type of fertility would present itself as the beginning had been so different.

To say that they would soon find out would be untrue. By the following morning Matthew was still only 3cm dilated and while he was having reasonably frequent contractions, they had not got themselves together in any regular pattern. Matthew was already exhausted from little sleep and the very powerful cramps. The clinic decided to call him in to check on him and make sure the babies were okay.

What a sight they made entering the clinic. Daniel had, by that stage, developed a real torpedo belly. It actually stuck out more than Matthew's even though he still had 9 weeks to go. They had to get a taxi as Matthew was in no fit state to drive and Daniel couldn't get behind the wheel now. He was too big. The taxi driver looked quite alarmed when he picked them up. Little did he know that he had 8 passengers!

The doctors quickly confirmed that all was well both with Matthew and the babies. Somehow the day passed and so did the next night and then Matthew's contractions began to become more regular. He could not believe how much they hurt and racked his whole body. After 72 hours since the first contraction he gave birth to their first child - a 9lb boy. It had taken some pushing out leaving Matthew absolutely spent. Daniel wasn't feeling too good either, what with lack of sleep, seeing his partner drenched head to toe in sweat and suffering profusely. Being heavily pregnant himself didn't help either: nor the knowledge that he may have the same protracted labour in a couple of months time.

It was another 2 hours before the 8lb girl was born. After that, Matthew felt he had nothing left to push out the final baby. The contractions started up again pretty soon but it was another slow birth for the last boy. But he was big at slightly over 10lb 8 hours after his older brother.

Every one was exhausted but happy it was over. Their family was half complete and in another two months it would be finished - an event Daniel was now dreading.

[cakerybakery]

Dinner was going well. Charlie was a bit surprised. Since Lucifer came to live at the hotel and Adam revived almost six months ago, nearly every meal had been a battlefield.

Alastor picking a fight with Lucifer. Lucifer and Adam at each other’s throats. And that was on top of various dramas involving overlords and sinners.

But things were settling down.

Even when Alastor was trying to get under Lucifer’s skin, Adam seemed to have taken over calming things down. If calming things down meant, telling Alastor to quiet his ass up and for Lucifer to sit his ass back down, then interrupting Alastor every time he tried to make an excuse with a, “kid, I told you to shut up.” Alastor usually vanished after that.

Alastor had left for the night when Adam asked for someone to please pass the salt.

Lucifer handed it to Charlie, “please pass this to your mother, would you, darling?”

“Sure— what did you say?” Charlie blinked as several people started to choke on their drinks or food.

“ADAM!” Lucifer gave a hysterical fake laugh. “Slip of the tongue! I forgot for a moment, we— that. It’s I— Adam! Help me out here.”

“Fuck, no!” Adam wheezed between laughs. “You’re on your own, daddy.” He teased.

Lucifer shot Adam a dirty look as Husk tried to dislodge a piece of chicken from Angel’s throat.

“You might as well tell her.” Adam said still trying to get his breath back.

“Tell me what?” Charlie asked, glaring accusingly at Lucifer, who still fumbled over his words.

“It’s— well. Uhhh. Charlie, darling.”

Charlie pulled away as Lucifer reach for her hand. “Don’t tell me you two are dating.” She wanted to be supportive but that set Adam off again and the colour drained from Lucifer’s cheek marks.

“NO!” Lucifer glared at Adam. “I was going to tell her when I was ready! Asshole.”

“Seriously. Tell me what?”

Lucifer reached for her again but pulled away and fiddled with his cuffs instead. “The divorce is finalized. We signed the paperwork this morning. I’ve been a little distracted, thinking about your mother. Adam had been helping me the last few weeks to get up the nerve to sign everything.”

Adam winked and shot her a finger gun. “Not my first divorce. Been married and divorced six times now. Figured helping him rip the bandage off would net me some of those good karma points or whatever.”

“Oh.” That was all? She knew this was coming. Lilith took off all those years ago and Charlie often told herself Lilith was doing something important, but there had been all the fights, and her mom stormed out, and the divorce papers in the mail.

She knew. But her heart kind of hurt anyway. Things were never going back to normal. To how they had been when she was a kid.

“That’s good news!” She did her best to put on a happy face. “You guys weren’t happy anymore. It’s better than being miserable together.” She tried to remember some of the “So your parents are getting divorced, Champ” pamphlets she’d read when the divorce papers first showed up.

Stuff like, ‘It’s not your fault mommy and daddy aren’t together,’ didn’t seem applicable right now, but, “Sometimes people just grow apart, Dad. And it’s better if you two can move on and find happiness again.”

“You’re taking this better than I thought.” Lucifer smiled softly at her.

“Told you.” Adam had settled back in the eat his food. “She a tough kid. You did a good job with her.”

Lucifer flushed gold. “I—uh, thank you?”

“No problem.”

Dinner settled back down and Adam got his salt, getting plenty of ribbing about Lucifer slip of the tongue in.

Charlie started to clear the table, it was her turn that night, and Adam and Lucifer gave her thanks before leaving and looking closer than they used to be.

“Daddy up for a movie?” Adam teased, jostling Lucifer’s shoulder as they left.

Lucifer snorted. “You’re not going to let that go are you?”

“Never.”

“Turn about is fairplay, mommy.”

She could hear them as they went down the hall.

“Bitch, you think that bothers me? I’m too awesome to care. Now answer the question.”

“Depends on if mommy wants to watch that crappy Titanic movie again or something good.” Lucifer teased.

Adam faked a gasp. “That movie is a classic! It’s cinematic perfection!”

They wandered too far for Charlie to hear anymore of their conversation. But it left her wondering. She shouldn’t assume, but it seemed funny to her that it took someone new in her father’s life for him to move past the divorce at last. Maybe they were just friends.

…

But the mommy/daddy thing was weird, right?

[kittynugg]

hi i wrote some stangst

forgst

words: 1,737

p.s: REBLOGS ARE APPRECIATED!! credit to my pal @empressofsamoyeds (soorry for the tag) for the idea! ALSO DO NOT TAG THIS AS SHIP CONTENT. THIS IS NOT FOR YOU IF YOU SHIP THEM.

Stan stepped out of the shower, shuddering as the cold air hit his skin. Like every other time he showered he was quick to towel himself off and get dressed in the first clothes he could get his hands on. So.. the clothes he’d been wearing for the past month, now? They smelled. He’d have to do something about that sooner or later.

The mirror was fogged up as he tied up his damp hair, but he could still see just enough of what he was doing to get it done. 

He stared at his blurry reflection. When he reached to wipe the condensation off of the surface he hesitated, his expression somehow going more blank than that numbness he’d been used to for years. That was.. Funny. He kinda looked like Ford with his hair up like that and the mirror all foggy.

No, he really looked like him.

That familiar empty feeling washed over him as he looked into the mirror, his brain filling in the blanks made by the distorted surface. A pair of glasses. A coat. The haunted look of a guy who’d seen things that shouldn’t even be possible in his eyes.

It took him a while to tear his attention away, maybe a couple of minutes, but once he did he rubbed the sting out of his eyes and left the bathroom. His “walk” had become more of a trudge in the past few weeks. He did whatever that was down the hall. Something about almost seeing his face made his feet even heavier, made the decision to get up that morning even more regrettable.

But it also gave him this weird resolve to keep going.

Maybe if he didn’t kill himself he could actually see that face. Alive, safe, maybe even happy. 

He kicked open the door to the office or study he was staying in, announcing in a sitcom-y voice, “honey, I’m home!” Then he put his hands on his hips with a distant grin. “Oh, wait! I don’t have a wife! Or a husband! I’m all alone and nobody fuckin’ loves me because the only person who ever did is god-knows-where!” An unhinged laugh bubbled up in his chest.

“..Anyway,” he flattened after finishing his manic display, then collapsed face-first into the couch he’d been ‘sleeping’ on. Nice couch. Felt like the only thing in the world that actually supported him. “But it’s an inanimate object,” Ford would say, not getting the joke. 

And then he’d say something like.. “You’re an inanimate object, nerd.” Then Ford would tell him that was wrong and that he wasn’t making any sense. Stan would just laugh at him.

Back in the real world, he shifted on the cushions to make himself comfortable. He knew just how bad the idea was. He knew he wouldn’t be able to get up. Right now, he just couldn’t force himself to care. Whenever he was up, he’d be up. Wasn’t like anything was waiting for him. Ford actually wasn’t on the other side of that portal, facing whatever it was that had him terrified enough to speak to him again. 

Everything was fine. Great, even! So great that he didn’t want to think about it anymore. He heaved a muffled sigh into the couch, knowing that if he pulled his face away from it now it’d be stained with tears. Now he was fucking crying.

Pa would tell him to man up and do something about it. When he tried, his arms wouldn’t move to push him up and his legs only shifted into a more comfortable position. The couch was warm. The basement was so, so cold.

Get up.

He tried again. This time he was too lazy to move at all.

Repeating the command didn’t work. Get up.

Just get up. You need to get up so you can work on the portal so you can get Ford back so you won’t have a reason to cry anymore. Come on, this is the first step. The first step is always the hardest. Up up up. Please.

Instead of listening, his body just sighed again. Then he folded his arms under his forehead to put some space between his face and the couch and shut his eyes.

----

Eventually, he found himself blearily waking up with half of his body hanging on the couch and the rest on the floor. The very first thing that caught his eye was the light from the window glinting against Ford’s glasses, abandoned on the table where he could be reminded of why he was still kicking every time he woke up.

He peeled himself off the hardwood floor with a grunt and stood there for a moment as his shitty excuse for a brain sputtered and revved like his car when he tried to start it. He’d have to do something about that sooner or later.

…

Ford. Right.

A hesitant hand reached toward the glasses, and he turned them in his hand. The lenses were smudged. Ford never let his glasses get smudged. Always crystal clear or it was like he didn’t have them at all, they had to be perfect. He wondered if Ford still carried a spare on him. If he didn’t.. Shit, Stan couldn’t even imagine that. Not just being sucked into whatever nightmare he was so worried about but having to deal with it blind.

The thought of Ford, his brother, of all the people on this Earth (or.. outside of it), going through that made him sick. Maybe he should eat sometime today. Slice of toast might settle his stomach down for a bit. 

He stared down at the spectacles in his hand and shook his head, then wiped them on his shirt. Lifting them up to the window shone enough light through the lenses for him to see that they were still smudged, just.. Spread around. His shirt was dirty.

Typical, he just made it worse. A look was cast around the room, nearly untouched in the month he’d been there.  “Just fuckin’ poetic,” he whispered to himself if only to test if he even had it in him to talk. “It’s just like my life.” His eyes narrowed at the glasses. “..In a way.”

Barely resisting the urge to throw the damn thing, he set the glasses back on the table and looked toward the door. He should get to work.

He picked up the glasses again, leaving the room with the gait of someone wading in cement. 

It was the same autopilot he’d been on for ages that led him back into the bathroom. When he slipped the glasses onto his face, his vision actually cleared a little. Maybe he should look into getting an eye test sometime. 

He put up a finger and spoke in his best Ford impression, “I may be a little bookworm, but I know what I’m talking about!” The sheer accuracy of the voice made him chuckle. He sounded just like him!

When he found himself staring at his reflection again, his other hand reached for the shower. The knob creaked as he turned it to the highest temperature and he watched absently as the mirror fogged up again.

Hair was up. Glasses were on.

They really were twins..

His shoulders drooped, and after a few seconds of careful consideration he spoke up. “Hey, Poindexter.” No, that wasn’t right. Say his name. “..Ford.” 

Another pause. Then he folded his arms behind his back and spoke in that impression again. “Stanley,” he greeted himself under his breath. Something about it, something about hearing Ford’s voice and– and almost seeing his face was..

It hurt.

But it felt good. The kind of hurt that he couldn’t help but reach for, like the burn of alcohol or a cigarette. Speaking of which, he was running out. He’d have to do something about that sooner or later. Not now. He was busy right now.

“I’m, uh..” his fingertips tapped together in a subconscious tic. “Still trying to get you back, Ford.” A smile spread across his face and he gestured behind him with his thumb. “I’ve been reading your textbooks, yanno, it’s actually startin’ to make sense. It’s not as fancy and sophisticated as you had it but it’s something to show for all the work I’ve been puttin’ in..”

Arms made their way behind his back again and he straightened his posture a little. “My idiot brother, learning physics..” A wistful sigh from “Ford”. “And it only took the worst tragedy of your life to finally kickstart it.” His expression softened, and he moved to place his hand on a shoulder that wasn’t there. His fingers twitched. “You know I’m proud of you, right? Not everyone would go through this much effort for.. Anyone, really.”

He needed to hear that. From the real Ford. This was good enough for now.

“I know, yeah.. I just– I hope you’re still out there. If you’re dead, or.. worse, I don’t know what I’d do with myself, Ford. I don’t know what I’d fucking do, and–” he took in a sharp breath, running a hand down the side of his face. His nails dug into the skin. “And I’m really scared to think about it.”

Silence.

His voice cracked when he spoke again. “..I’m scared, Ford.” The glasses over his eyes and the fog fading from the mirror left him with nothing. Nothing. A reminder of just how little he had. That was it.

And Ford offered no response.

Tears dirtied the lenses of the glasses even more, so he took them off and swiped at his eyes. He set them on the rim of the sink. This was stupid. All of this was stupid. Why was he still here? Why was he still holding on?

His legs wobbled underneath him and he just.. sat on the floor and gave in. With a shaky breath, he gave his tears a moment to fall and murmured into his knees, “because you’re my brother.”

It took him a few minutes. Maybe half an hour. But eventually, Stan pushed himself up and retrieved Ford’s glasses. He rinsed them in the sink to clean the dried tears off of them and only stopped when they were spotless. Crystal clear. The way Ford liked them.

Turning to leave, he muttered, “Love you, bro.”

“I love you too, Stanley. I’m sorry for everything.”

..He already forgave him.

(note: might be a part two with ford if im feeling brave)

[foreveia]

director’s cut ⤨ tsukishima kei

⨭ genre; college!au, childhood best friends to lovers, fluff, minor angst like its there if u squint

⨭ pairing; tsukishima kei x fem!reader

⨭ word count; 17.3k

⨭ description; when you convince your best friend into being the male lead of your film project, you don't expect for it to make you question your whole relationship.

⨭ warnings; profanity, alcohol, smoking

⨭ a/n; this has been in the works for quite a while now and it is defff the longest fic ive ever written (not saying will ever write yet bc who knows), but i think i like it. i am a sucker for best friends to lovers, ESPECIALLY childhood best friends to lovers, so i hope u guys like it :)

one. 

The universe has a top-tier sadism kink, and its living proof is Tsukishima Kei. 

You know this to be a fact because 1) aside from his bachelor of science in anthropology, he’s pursuing a PhD in sarcasm and uses his learnings primarily to eviscerate your self-esteem, 2) The Umbrella Academy doesn’t come out with another season for another few months so your life choices have become the pinnacle of his entertainment, and 3) despite being your Bestie™ of twelve years, he still makes you beg for his benevolence, even if he does have the annoying habit of showing up when you need him most.

It’s deeply unfortunate that he’s all you’ve got, universe be damned. 

“Name your price. Cake? Head? Money? C’mon, just tell me what you want!”

Tsukishima peers at you over his laptop with disdain, the blue glow of his pirated PDF of The Communist Manifesto reflected in his glasses as he squints at you. His lips are pursed in annoyance, face scrunched up as he seemingly contemplates whether to put himself out of his misery or squash you to little smithereens. “What I want is for you to go away.”

True love, honestly. The golden standard for kindness and affection. A picturesque image of camaraderie. Lo and behold, everyone, your best friend.

“Oh my god, Kei, please,” you whine, hands clasped together as you look up at him through batted lashes. He doesn’t even flinch, looking completely unimpressed—how pretentious of him. “I’ll literally pay you whatever you want.”

The blond rolls his eyes, looking back down at his laptop screen as he briskly retorts, “I’m not a prostitute, idiot. You can’t pay me to star in your stupid movie.”

He ignores the several judgmental stares that turn in your direction at his response. You, on the other hand, are praying the library’s studious occupants don’t assume you’re a pimp preying on broke college students. 

In all honesty, you probably should’ve chosen a less populated spot than the library’s first floor seats in front of Crow’s Coffee, especially if you actually had any intentions to get work done. But with just a few months left until the end of second semester, you have way too many dining dollars left and not enough places to spend them; in this capitalist world, you refuse to let more money simply be pocketed by the greedy hands of the school. It’s how you managed to tempt Tsukishima out of the comfort of his apartment in the first place—with promises of free coffee and shortcake, courtesy of your four-star meal plan. 

“Technically, that’s a pornstar,” Yamaguchi supplies unhelpfully from his spot buried amongst stacks of math and science textbooks. He’s the only one of you who’s effectively completing his assignments because he won’t pass his classes unless he’s in constant fight-or-flight mode (you thank every deity you can think of that you weren’t born to be a STEM girlie). “You know you’ve got the time to, Tsukki.”

“Yeah, but I don’t want to,” he shrugs. You promptly deliver a swift kick to his shins. “Ow—well, now I really don’t want to.”

“Be honest, do you hate me?” you sniff dramatically, letting your head hit the table with a soft thud; Yamaguchi pats your head tantalizingly, as if you’re a fuckin’ child, and you want to scream at them both.

“Yes,” Tsukishima snorts, not even bothering to glance up. “It’s your own fault for being a film major.”

You shoot him a glare, but no threats come to mind because he’s sadly right.

Being a film major is basically being in a perpetual state of begging: begging your friends to star in your work, begging your professors for an extension because your lead decided to quit the night before shooting, and begging your parents for forgiveness because they didn’t send you to college to become a “professional movie watcher.” 

Sure, you get to watch artsy film-bro movies for homework, but you also spend half your time pulling all-nighters to finish scripts and survive solely off a diet of Shin Ramyun and its complimentary mushroom flakes. Tsukishima likes to tell you how you reek of constant desperation; you concur because no one has a real penchant for the arts these days. In a world where everyone dreams of being the next Spielberg, nothing is truly original, and you’re just barely holding on with the kind of boundless optimism that can only be fueled by sheer willpower. 

So here you are, offering bribes of cake, coffee, and cold hard cash, trying to convince your best friend—who has the emotional range of a teaspoon and the patience of a sleep-deprived toddler—to star in your magnum opus so you can pass the semester. You’d ask Yamaguchi, but he’s got civil engineering exams and an actual promising future to worry about. Meanwhile, your future, desperation and all, hinges on whether Tsukishima will stop being a pain in the ass for ten minutes and agree to be your leading man.

Luckily, because you’ve been #pairbonded for twelve years, you know exactly what buttons to push. You let out a sorrowful sigh, before loudly declaring, “Fine. I’ll just ask Shoyo then.”

That does it. Tsukishima’s jaw twitches, his fingers pausing over the keyboard; you know him too well because the mere thought of the red-head starring in your movie is enough to make Tsukishima reconsider his stance. You never did understand their beef, but Yamaguchi tells you that they’re just inverse idiots, which seems pretty likely considering they’re actually both easily provoked and highly competitive. He looks up from his laptop, irritation flashing in his eyes. “Absolutely not,” he says flatly, closing the lid of his computer with a decisive click.

Yamaguchi snickers, clearly sensing victory in the air. You, on the other hand, suppress your triumphant smile and put on your best wounded-puppy look. “But he’s so eager to help,” you say, your voice dripping with faux innocence. “He’ll do anything for me.”

There’s a moment of silence as Tsukishima contemplates this. His fingers drum lightly on the table, a sign that he’s weighing his options. And then finally, he lets out a long, suffering exhale, head rolled back in exasperation. “Fine. I’ll do it. But I swear to God, if this film ruins my life, I’m holding you personally responsible.”

“You already hold me personally responsible for most things,” you chirp, practically beaming with delight. “But thank you, Kei! You’re the best.”

Yamaguchi looks up from his mountain of textbooks with a bemused smile. “That was a quick turnaround. You’re like a married couple.”

“Only in spirit, ‘Dashi,” you purr, blowing him a playful kiss. The freckled boy pretends to catch your kiss and presses it to his cheek in a dramatic gesture; no wonder he’s your favorite. He really is such a sweetie.

“Stop encouraging her,” Tsukishima groans, pushing himself up from the table. “And stop saying things like that. People might believe you.”

“Wow, not you denying our love,” you scoff, sticking your tongue out at him. “I want a divorce.”

The blond ignores your threat. “I need air. Bye, Tadashi.”

He gives you an unimpressed but telling look, so you roll your eyes and promptly start packing up your things, shoving notebooks and pens into your bag haphazardly. The last things you do are run over to give your beloved ‘Dashi a light squeeze goodbye, swipe your laptop and Owala into your arms (because you are a broke college student who cannot afford to get a new laptop and your New Years’ Resolution is to be more hydrated), and skip to catch up with your friend, already halfway out the door. The evening air is a refreshing change from the stuffy library you’ve been in for hours; you’re sure if you had any free hands right now you’d bend over and grab a handful of grass, just for the sake of it. 

‘Tis is the life of a film major, you guess. You’re bitchless with a capital ‘B’ and spend the other half of your time with your equally bitchless friends. And all they do is abuse your dining dollars and mock your miseries in life, so honestly, it’s a good thing you’re in school to write and produce rom coms. You can live vicariously through them, at least.

But whatever. Pathetic love life aside, right now, Kei has agreed, and you’re already one step closer to a successful final project. 

two. 

The walk home with Tsukishima is as comfortable as ever, the silence between you two punctuated by the soft crunch of gravel under your shoes and the distant hum of campus life winding down for the night. He doesn’t pull his headphones on, but he also doesn’t start up a conversation; being alone with him is simply being able to exist. 

He’s walked you home everyday since the beginning of middle school, when his mom found out he hadn’t waited that day and you had walked home alone in the dark. From your bedroom window in the house next door, directly mirroring his, you had overhead her lecturing both him and Akiteru about the importance of manners—and to Kei’s credit, he’s dutifully picked you up after your classes and chores ever since, even if he grumbles the whole way home. For some reason, this habit carried over when you, him, and Tadashi committed to the same university, even if it meant standing outside a frat house at two in the morning because you got too fucked up to walk home on your own. You puked out half your stomach on his sweatpants, and he’d made you do his laundry for a month as punishment, but he still waits patiently at the café by frat row every time you get coerced to go out by your roommates. 

As you reach your dorm building, Tsukishima steps aside, holding the door open for you; you roll your eyes, but a smile tugs at your lips. “Such a gentleman, Kei. What would I do without you?”

He smirks, letting the door swing closed behind him as you head towards the elevator. “Probably get kidnapped or something. You’re too trusting.”

“The only person I’d let kidnap me,” you say dreamily, pressing the button for your floor with a dramatic swoop. “is Oikawa.”

You’re only half joking because Oikawa Tooru, the president of Sigma Epsilon Iota (SEI), is in fact extremely pretty and volunteered to be in your film last semester. You later found out that it was because he’s an astronomy major and thus felt compelled to star in your movie (which, yes, was titled Stars); he convinced you to spend many extra weeks in After Effects making sure the sky imagery looked ‘as perfect as him.’ He’d actually been a really good sport about learning his lines and cues, but you’re pretty sure neither you nor your 2014 Macbook Air would survive that experience again. 

“Right, fall for the guy who does keg stands at every party,” he drawls, his tone laced with sarcasm. “Smart.”

You huff and stick your tongue out at him, earning yourself a half-shrug and an amused snort. The elevator ride is brief, and soon you’re at your door, fumbling with your keys; as always, Tsukishima stops and stands to the side, waiting for you to invite him in, because again, manners. You turn to him with a playful grin. “You know, you don’t have to stand there like a sentinel every time. You can come in.”

He raises an eyebrow. “Is that an invitation?”

You laugh, pushing the door open and gesturing dramatically. “Oh, please, come in. Make yourself at home.”

Not that you had to tell him that. He slouched past you and kicked off his shoes as soon as you gave him the cue. He’s honestly just as relaxed here as in his own studio, already stretching and making himself comfortable on the couch with your favorite decorative pillow tucked under his head. 

You two have settled into a pretty comfortable routine. It’s a Friday night, so chances are that he’ll yank out his phone, scroll through his email. You’ll put something on the TV and he’ll critique it through mouthfuls of popcorn, only to have it ruin his appetite for whatever you end up ordering for dinner; later, if he’s tired enough, he’ll give up on the thirty minute drive home and collapse next to you in your Twin XL. It’s a mess of limbs and limited space, but you two manage—you always have. Your suitemates, Yukie and Kaori, have already texted that they’re bringing home Chinese takeout for four, so you decide against your usual snacks because your twig of a best friend needs actual sustenance.

Swinging by your room to drop off your bag and laptop, you take a pit stop in the kitchen on the way back to pluck two bottles of soju from the fridge. You toss him one; he catches it neatly and observes the flavor with scrutiny. 

“You hate strawberry,” he points out. “Why are you drinking this?”

You shrug, walking over to plop down on the couch by him. “Because it’s your favorite.”

His head is right up against your thigh because he’s too tall to fit on your shitty university furniture, even with his legs half-dangling off the armrest. You click through Netflix, nursing your drink with a slight pout until you make the executive decision to put on The Bachelor.

“Trying to prove you can love both me and Oikawa at the same time?” Tsukishima comments, watching the screen as he pops open the cap of his bottle. He’s referring to Ben telling both Lauren and JoJo he loved them in season 20; you lowkey love the series and he highkey loves the drama. There’s just something about people finding their supposed soulmates after knowing each other for like a month that really makes life entertaining.

“Don’t ever compare me to Ben,” you frown, because you think he was a massive asshole for doing that to JoJo and then not even picking her in the end. These bitches really be throwing each other under the bus. “You’re so mean to me.”

“You just bribed me with strawberry soju.”

“It’s not bribery if it’s out of love. Plus, I can tolerate it for one night,” you roll your eyes, taking a sip of the drink. “So, you wanna know what the film’s about or not?”

He looks at you over the rim of his bottle, eyebrow raised. “Do I have a choice?”

“Not really,” you grin, patting his head affectionately. “Okay, so, the film. It’s a romantic short about the progression of a college relationship. Like, from the first meeting to the final stages of being together. It’s dreamy, very aesthetic—y’know, all those soft hues and hazy shots. A smoking scene thrown in there somewhere.”

“Sounds like every other indie film ever made.”

“Shut up. This one’s different,” you insist, lightly tugging on a strand of his hair. “It’s got a great cast—Yachi’s playing the female lead.”

He nods, seemingly interested. “Yachi, huh? What’s my role, then?”

“The male lead, obviously,” you say, not even bothering to look away from the screen. The opening credits have just finished and you’re instantly sucked into the magical world of Malta; God, what you would do to be there right now instead of in your overpriced residence complex.

“Oh, great. Falling in love. My specialty,” he deadpans, taking another swig of his drink. “What do I have to do?”

You hum absentmindedly. “Learn the lines, cues, whatever. Yachi said she’s free tomorrow, so maybe we can get coffee with her in the afternoon and run through the working script?”

Tsukishima groans. “We already have to get started?”

“Yeah, there’s a lot to do,” you retort, giving him a gentle punch on the shoulder. He frowns up at you disapprovingly, and you mockingly frown back. “Get over it. You’re my main star.”

He shakes his head as you both watch the girls line up in knight costumes to compete in the episode’s extra-time competition. Modern television is truly unreal. “Why did I agree to this?”

“Because you love me.”

You flick your eyes from the TV to him, gauging his reaction. He’s rolling his eyes, of course, but the small smile and faint blush creeping up his cheeks tells you everything you need to know.

three. 

The prior night, your suitemates eventually came home with the promised takeout; Kaori even brought home boba orders courtesy of her friend Bokuto closing shift at the campus Broba Tea, so it’s safe to say you have the best roommates ever. 

Turnabout is fair play, so you and Tsukishima agreed to clean up—therefore, even after your suitemates retreated to their rooms, you two lingered behind in the living room, sorting away recyclables and compost into their respective places and watching your favorites get eliminated. Friday nights like this are nice: just you and your best friend, making three-pointers with empty soju bottles into the blue plastic bin. Even after you finished the season’s finale, you put on some nature documentary (courtesy of his Disney+ subscription, which he exclusively uses for National Geographic like a fuckin’ weirdo) and argued about which ugly fish looked more like each other the whole hour and forty minutes. You must’ve crashed no earlier than one A.M., but the specifics are hazy: you don’t actually remember falling asleep.

So the miserable blaring from your phone right now is truly, in short, cruel. Apparently, you forgot to turn off your alarm for your usual Friday 11 A.M. lecture last night, because you’re currently being rudely awoken at a completely unnecessary time on a Saturday morning. Groaning, you slap around the bed until your fingers find your phone, silencing the alarm. As you roll over, you find yourself face-to-face with Tsukishima, who’s occupying the other half of your twin XL bed, looking every bit as disgruntled as you feel. His hair is a mess, and there’s a faint crease on his cheek from your pillowcase; his arm is slung loosely over your waist as he grumbles and tries to hide his face from the light. He must’ve carried you to your bed after you dozed off on the couch.

“You’ve got to be kidding me,” he mutters. His voice is hoarse with sleep. “Why do you set alarms on days you don’t have class?”

“I forgot to turn it off,” you mumble back, burying your face in your pillow. “Sorry for waking you up.”

He sighs, rolling over onto his side and squinting at you as he makes out the hazy figure of your silhouette through his shitty impaired vision. “Move over. Your greedy ass is hogging all the space.”

Ah yes. Truly, a dreamboat. You roll your eyes, but scooch closer to the wall nonetheless; his grip tightens slightly around the curve of your back as you make space, and you can’t help but smile into your pillowcase. Despite his grumpy demeanor, there’s a warmth to his presence that you’ve grown to appreciate over time. 

“Better?” you ask, your voice muffled by your cotton pillow.

“A little,” he grumbles. He shifts closer, his body warmth seeping through the thin fabric of your pajamas.

You lay there in comfortable silence for a few moments, listening to the quiet sounds of the morning outside and the soft rhythm of his breathing. Your head kinda hurts; you haven’t woken up this early on a Saturday in forever. Maybe in another life, you’re born as one of those matcha latte girls who get up at 6A.M. for a run and have their lives sorted out by noon, but in this one, you love procrastinating and Netflix far too much to have yourself in order like that. Truly, you run off caffeine and spite and Google Calendar reminders—and as if on cue, your phone buzzes with a reminder about the meeting with Yachi. 

Tsukishima, recognizing the sound of the notification, leans over and hands you the device to read, giving you a minute before he asks, his voice soft to match the stillness of the room, “So, what’s on the agenda for today?”

“Crow’s with Yachi at one,” you murmur back. Normally, you’d be giddy to meet with your beloved angel of a friend (you would literally give Yachi your whole life), but truthfully, you don’t really want to get out of bed. Kei’s fingers, lightly tracing patterns on your back as he processes the information, feel so comforting and warm. You’re tempted to cancel and spend the day here, in bed, with him, but you know just as well as he does that you can’t.

“Right,” Tsukishima sighs. “Guess we should get up soon, then.”

“Mmm, in a bit,” you reply, savoring the warmth of the moment. “Just a few more minutes.”

He doesn’t argue, instead allowing the silence to stretch on comfortably. But eventually, it does slow. “We should get going, or we’ll end up being late,” he says, though he makes no move to get up.

You groan in response, but you know he’s right. 

“Fine,” you mumble, reluctantly sitting up. The room is still dim, the curtains drawn, and you glance over at Tsukishima, who’s also making an effort to get up; he grabs his glasses, neatly folded on your nightstand, and puts them on, blinking back into consciousness. He looks far too composed for someone who’s just gotten up, but of course he would be.

What a lovely, familiar sight. You hope this, these Saturday mornings with him, never end.

***

The campus is slowly waking up, students milling about, heading to the library or the better of the two dining halls, the one that serves freshly-made waffles on Saturdays. The other one only serves the world’s runniest scrambled eggs that’s held together with the most plasticky cheese, so even if it’s a ten minute walk further, it’s worth it.

You secure a table near the window; the dining hall overlooks the square and you like watching the way people narrowly dodge the campus seal. It’s a superstition that you won’t graduate if you step on it—and especially now, in the second semester when everyone gets pretty desperate, you gotta respect the grind. Tsukishima has already gone to order at the counter with your dining card, so you’re left alone to ponder about your impending project; you go over the working script in your head, running the lines and dialogue over and over. 

Your thoughts are interrupted when he returns with a tray loaded with waffles, two matching cups of coffee, and an extra serving of fruit for you—because he claims you need to eat healthier. You think he should eat more, period, but whatever.

“Wow, I’m impressed. Fruit? Did you find it hard to carry all this food without your arms falling off?” you tease, as he takes his seat across from you.

He rolls his eyes, picking up his fork. “Someone has to make sure you get at least one vitamin today.”

You stick your tongue out at him and dig into your waffles because you never wake up early enough on a Saturday to actually have them often. 

“When we finish eating, I need to go back and get my laptop,” you announce over a mouthful of waffle, ignoring the disgusted look Tsukishima gives you. “And then we’ll head to the library.”

“I am begging you to chew with your mouth shut,” he groans, throwing a well-aimed napkin at your face. You catch it with a dramatic flourish and quickly dab at your mouth, before you ball it and toss the napkin back at him; he ducks violently, almost knocking over his cup of coffee. You fight the urge to laugh at him and instead stab your fork into a piece of cantaloupe. 

“You need to eat,” you declare, promptly sticking the fruit in his direction. 

His eyebrows arch slightly as he glares at the fork held out toward him, but after a beat of silence, he leans forward and bites off the melon with a grumble. “Happy now?”

“Ecstatic,” you beam, popping a grape into your own mouth. “So, Crow’s at one. We can read for like, an hour? And then you’re free to go home and do whatever you do.”

“Study.”

“So boring,” you sigh. “Don’t you have any friends, Kei?”

He scoffs, sawing off another meticulous square of waffle. “I have you. That’s enough socializing for a lifetime.”

“Lucky me, I guess,” you roll your eyes. 

He smirks in response, taking a sip of his coffee. “Yeah, lucky you.”

four. 

After breakfast, you head back to your dorm to grab your things. Tsukishima scrolls through his phone, making an occasional snide comment about whatever nonsense he comes across on Twitter. You pack your bag with your notebook, laptop, and a few pens—desperation fuels organization, and you can’t afford to leave anything behind.

The walk to the library is filled with light-hearted banter, and soon enough, you spot Yachi waving at you from a corner table. She’s already got her laptop out, a notebook filled with neat handwriting open next to her, and you skip up to the table. 

“Hi baby girl,” you coo lovingly as you give your friend a hug. Tsukishima gives Yachi a polite nod before sliding into the seat across from her, leaving you to fill the middle one. “Thanks for meeting us before your shift.”

“Of course! I’m really excited about this project,” Yachi beams, her cheeks slightly pink from your affectionate greeting. “I’ve been reading over the script and it’s just so lovely. I can’t wait to get started.”

And this, everyone, is why you adore Yachi Hitoka with your whole heart. You would actually dropkick your best friend off the face of the earth for her, and that is not an exaggeration.

Tsukishima sighs, reaching into your bag to pull out your laptop; he settles it on the desk and pries it open for you. “Let’s get started.”

His impatience makes you roll your eyes, but nonetheless, you click to the latest draft of the script and slide it over for your Blondes™ to see. “Here’s what I’ve got so far,” you say, pointing at the section still titled SCENE 1 DARFGT :P from when you wrote the first six pages over the course of an all-nighter. “The first scene sets the tone for our whole film, and I’m thinking of having it outside the library, so get used to this café.”

“As if we don’t already spend half our time here,” Tsukishima deadpans, but he leans closer to the screen anyway. You watch the way both of them take in the script, their gazes fixed on the document as they read through the lines. 

He looks visibly relieved as he scrolls through the very short document; it’s a mess of director and action notes because you have a very specific vision in your head that you want to execute. “It doesn’t have much dialogue because I want it to be focused on the little details that show your initial connection,” you say as they near the end of the script. “Y’know, body language. The way you look at each other. Your expressions.”

Momentarily, you pause to read their reactions; you’re minorly concerned because acting is actually the hardest part of the job, even if memorizing dialogue does suck. Thankfully, Yachi’s eyes visibly light up, and she chirps cheerily, “I love that! It feels very natural and genuine; I think that’s beautiful.”

Her reassurance makes you kick your feet like Sofia the First because she says it in a way that feels completely real. 

Tsukishima, on the other hand, does not acknowledge this statement: he’s too busy raising his stupid eyebrow and smirking as he reads scene four. He drags his finger over the screen, where the line reads Interior - Dorm Room - Night. “Okay, first of all, very original,” he snorts. “But second, you volunteered my place without asking me? How very presumptuous of you.”

“Well, I have roommates,” you say, really emphasizing that last word because you want him to feel as stupid as he looks smirking like that (he looks very annoyingly pretty with his cat-like simper). You know he doesn’t actually care about the usage of his studio: he just loves seizing the opportunity to mock you.

Your internal irritation clearly goes ignored by him, because he just grins as he continues to blissfully dissect your script. “And ‘they kiss passionately’? Really going for the heartstrings, aren’t you?”

“It’s called intimacy, Kei. It’s a crucial part of developing the relationship on screen.”

Yachi, ever the peacekeeper, nods eagerly. “I think it’s really sweet. It’s important to show the depth of their connection. The close-ups will make it feel very personal.”

“Sure, whatever you say,” Tsukishima says, raising an eyebrow, his expression still amused. He gestures to the next few pages—blank sans the text DJEJSJSJDJ PAIN, because again, you spend a lot of time writing during deranged all-nighters. “But what’s with the cut to black right after? Did you run out of ideas?”

You bite your lip. “I haven’t finished the ending yet. I want to see how you two portray the characters and their chemistry before I decide how it concludes. It’s not just about the script; it’s about the emotions you both bring to the roles.”

“You mean you’re winging it.”

“Creatively winging it, yes,” you roll your eyes. “It’s a work in progress, and I trust you two to help bring it to life.” 

Tsukishima rolls his eyes, but there’s a hint of a smile tugging at the corners of his mouth. “Alright, I’ll give you that. But if I have to make out with Yachi and you cut it short, I’m going to hold it against you.”

Yachi blushes, but she’s smiling too. “I’m sure it’ll be great. We can practice and make sure it looks natural.”

“Thanks, guys,” you beam at them both, grateful for their willingness to dive into your project. 

As antsy as you were, the film’s got a lot going for it—Yachi is a sweet, earnest cutie pie and Tsukishima is… well, him, so their contrast will hopefully make for compelling cinema. And the word compelling is honestly enough—those three syllables are truly music to a film major’s ears.

***

By the time you finish at Crow’s, the sun has already dipped below the horizon, casting a dusky glow over the campus. Tsukishima predictably gets ready to walk you home; he shoves his hand in his jacket’s pocket and tries to look nonchalant, so obviously you tell him he looks stupid, to which he promptly flips you off. Rude. Some people just don’t know how to appreciate honesty.

Yachi’s already headed off to her shift at the café, so you two are left alone, navigating past other tables to the library doors. The evening air is cool, a welcome contrast to the warmth of the crowded café; you walk in companionable silence for a while, the only sounds being the rustling leaves and the distant chatter of other students.

He walks you to your gate, and you’re honestly about to just head inside, but you pause in your tracks because he deserves to hear it twice. 

“Kei,” you say softly, breaking the silence. “Thanks again. It really means a lot to me.”

He looks at you, his expression unreadable. “I know. That’s why I’m doing it.”

You blink up at him, momentarily thrown off by his directness. Tsukishima isn’t the type to say things he doesn’t mean—he’s never been one for flattery or unnecessary kindness. And yet, there’s something about the way he says it, the quiet certainty in his voice, that makes your heart do something stupid in your chest.

Tsukishima Kei cares about you. No matter how much he pretends otherwise, you know he’ll be there for you when you need it most. If twelve years have taught you anything, it’s that he’ll do it reluctantly, begrudgingly, but he’ll be there for you. 

He always has.

five. 

The first day of filming is, somehow, going smoothly.

You’re not sure if you should be suspicious of this. Typically, film shoots involve at least three things going horribly wrong within the first twenty minutes. A mic cutting out. A location suddenly getting overrun with people. A key actor arriving late because they forgot their costume at home.

But today? Today, things are working. The morning light is perfect, the sound equipment is cooperating, and most importantly, Tsukishima and Yachi are actually… really good together.

Which is a huge relief, because you were honestly half-convinced you’d have to wrangle the emotional chemistry out of Tsukishima with sheer force. But watching them run through the first scene on the bench outside the library, you realize you don’t have to do much at all.

He’s relaxed, leaning back with an elbow draped over the back of the bench, his eyes sharp and calculating as Yachi speaks; she’s perfect for the blushing, hesitant-but-artistic old soul character you want to portray and he takes to his role just as quickly. There’s something natural about the way they interact—the slight hesitations, the way he looks at her before speaking, the subtle smirk that plays at his lips when she nervously tucks her hair behind her ear.

It’s not forced. It’s not awkward. It’s just real.

You bite your lip, watching through the camera screen as Yachi delivers her next line, her voice soft, a little unsure. Tsukishima’s response is barely above a murmur, but it carries, even in the open air. The way he’s looking at her—that’s what makes it work. It’s the kind of gaze that makes people believe in love stories. 

Holy shit. This might actually be good.

“Cut!” you call, your voice a little breathless as you lower the camera. Yachi blinks up at you, a little startled, before breaking into a smile.

“Was that okay?” she asks, a hint of uncertainty in her tone.

“More than okay,” you say, grinning as you step over to them. “You guys are killing it.”

Yachi lets out a relieved laugh, cheeks pink. “Oh, thank god. I was worried I looked weird.”

“Nope. You look like the perfect indie film love interest.” You pat her on the shoulder before glancing at Tsukishima, who raises an eyebrow at you.

“What?” he drawls.

“You’re actually trying.”

He scoffs. “Yeah, because I’m not going to embarrass myself on camera.”

“Right,” you deadpan, smirking. “Nothing to do with the fact that you two have, like, the easiest natural chemistry I’ve ever seen.”

Tsukishima rolls his eyes, but you catch the way his jaw ticks slightly before he stands up, stretching. “Are we done here? Or are you going to keep talking?”

Impatient idiot. You snort and go to collect your camera and sound system, and together, you all head off to film scene two.

***

The second scene of the day takes place in the small, naturally-lit art studio on campus. It’s not often used, especially not on the weekends, now that the university’s built the big fancy modern art building in the north campus, but it’s perfect for this scene. You wanted something intimate, somewhere that made the world feel smaller, quieter, to parallel the deep intimacy of a relationship (wow, look at you talking like a true film bro). A space where the characters could be alone, even if they weren’t saying much.

Tsukishima sits at the table, his hands idly flipping through a sketchbook that’s just a prop, though you think it suits him weirdly well. Yachi’s holding a paintbrush, standing near the window, looking at a half-finished canvas, the soft glow from outside catching the strands of her blonde hair just right.

“Alright,” you say, stepping back behind the camera. “Tsukishima, this scene is mostly you watching her. Yachi, I want you to look like you’re lost in thought. You’re thinking about something big, but you’re not sure if you want to say it.”

Yachi nods, exhaling as she settles into place. Tsukishima just leans on his elbow, glancing at her through his glasses, waiting.

You call action. And for a moment, the room changes. It’s not just a studio anymore. It’s a quiet, suspended moment in time.

Tsukishima watches Yachi, and you can’t look away. The way his gaze lingers, not quite analyzing, not quite soft, but something in between. The way Yachi’s fingers trace the edge of the painting, distracted, unaware of the way he’s looking at her. The way they look so perfectly together, like halves of a whole, like something that’s meant to be.

It’s... breathtaking.

You swallow, suddenly feeling warm.

They’re good. Too good.

“Cut,” you say softly, your own voice sounding a little distant.

Tsukishima looks up at you immediately, brows slightly furrowed, like he’s searching for something in your expression. Yachi, however, simply exhales a breath of relief, breaking into a small laugh. “That felt really real,” she says, beaming.

“It was really real,” you admit, trying to shake the weird feeling creeping up your spine.

Wow, honestly. They must be some of the best actors you’ve ever met. If you didn’t know better, you would think they were actually in love.

six. 

The blinking cursor on your laptop is mocking you. 

It’s a tiny, relentless metronome ticking away the seconds, reminding you of your failure to move forward. You glare at the half-finished sentence on the screen, fingers hovering over the keyboard, willing your brain to conjure anything—literally anything—that makes sense.

You had an ending in mind—of course you did. The perfect, soft, cinematic conclusion to your film. A final shot drenched in golden light, delicate and lingering, like a whisper against a bruise. The kind of scene that settles into the chest like an old song or a half-remembered dream, stirring something deep and unshakable. The culmination of all those quiet, electric moments between your leads, woven together into something fragile and honest.

Except every single draft you’ve attempted so far? Complete garbage.

You groan and throw yourself back against your chair, rubbing your hands over your face in frustration. Why does this feel impossible? You should’ve known writing the ending would be the hardest part. You’re always better at beginnings—openings are easy. Openings are full of possibilities. But endings?

Endings mean making a choice.

And right now, you have no fucking idea what choice to make.

As if on cue, summoned by your misery, your door swings open without warning, and Yukie strides in like she owns the place. Which, to be fair, she practically does—she and Kaori have an open invitation to barge in at any time, and they use that privilege liberally.

“Please tell me you’re taking a break from that thing,” she says, nodding toward your laptop as she flops onto your bed. “You’ve been staring at it like it’s personally offended you.”

“It has personally offended me,” you mutter back, head caught between your hands, visibly in distress. “I’ve rewritten it like five times, and it still feels wrong.”

Yukie hums, but her attention drifts toward your open script document, skimming the words with the sharp, practiced gaze of someone who enjoys knowing things before you tell her. A beat later, her eyebrows shoot up.

“I still can’t believe you’re letting Yachi and Tsukishima film together,” she says, lips curving in a smirk.

You glance at her, confused. “Uh, yeah? They’re the leads? Kind of an important part of the whole thing?”

She rolls onto her side, propping herself up on one elbow, expression downright mischievous. “No, I mean… you don’t think it’s a little risky?”

You blink. “Risky how? Like existentially?”

Yukie snorts. “No, dumbass. I mean, don’t you think it’s easy for co-stars to catch feelings for each other? Like hello? Zendaya and Tom Holland broke the Spiderman-MJ curse cause of it.”

“Oh c’mon,” you scoff immediately. “Kei and Yachi? Please. He’s the human equivalent of a hazard sign, and she’s literally an angel.”

“And opposites attract,” Yukie sing-songs, wiggling her eyebrows like she’s just cracked some grand conspiracy.

“Not like that. It’s literally just acting.”

Yukie tilts her head, looking entirely too entertained by your dismissiveness. “You say that, but it’s not uncommon. You spend enough time pretending to love someone, and eventually, it stops feeling like pretending.”

You open your mouth to retort—but for some reason, your brain short-circuits. The words are there. They’re on the tip of your tongue. But they won’t come out. Because now you’re thinking about it.

Tsukishima and Yachi. Together.

It’s ridiculous, obviously. Tsukishima is sarcastic and emotionally constipated, and Yachi is sweet and nervous and actually respects people’s feelings. They make sense on screen, sure—chemistry is chemistry, and that’s what acting is for. But in real life? You can’t even picture it. Matter-of-fact, you shouldn’t even be picturing it.

And yet, something uneasy churns in your stomach, and you shift in your seat, suddenly feeling uncomfortable in your own skin. No, this is stupid. You’re overthinking. Yukie’s just stirring up unnecessary drama because that’s what she does when she’s bored.

“It’s fine,” you say, voice forcibly even. “They’re just acting. Besides, you really think Tsukishima of all people would catch feelings for someone just because of a film?”

“Mmm.” Yukie hums, neither agreeing nor disagreeing. “You say that, but you’re weirdly defensive about it.”

“I’m not defensive,” you snap, too fast, too sharp. A mistake.

Yukie’s smirk deepens, and you hate her for it. She swings her legs off the bed, stretching like a cat. “When you’re done pretending you’re not in denial, dinner’s ready,” she chirps, sauntering toward the door.

You roll your eyes. Classic Yukie. Your roommates are simultaneously your greatest strength and your worst influence; they know you inside and out, and unfortunately, that means they never let you run from your own feelings. They’ve been convinced for years that you’re in love with your best friend, which is laughable. Delusional, even.

And yet.

The thought lingers longer than it should, trailing after you like a shadow as you trudge to set for the first day of filming.

You tell yourself it’s just curiosity when you glance Tsukishima’s way. Just morbid fascination when you catch the way his gaze lingers on Yachi between takes. Just professional interest when you watch how his sharp, unimpressed scowl softens—barely, just a fraction—when she nervously stumbles over a line, and he mutters a quiet correction, his voice steadier than you expect.

It’s just good acting, you reason. Nothing more.

Because Tsukishima is your best friend. And that’s all he’s ever been, all he’s ever going to be. You tell yourself that, over and over and over again, trying to make it feel like the truth. But for some reason, despite all your effort, it doesn’t, and it bothers you in a way that it wouldn’t bother friends that are purely just platonic.

seven.

“You look like shit.”

You rub your eyes, very conscious of the fact that you’re sporting dark eye bags and a goofy-ass fit. Your hoodie is three sizes too big, your sweatpants have a suspicious stain on them from an unknown source, and your hair looks… actually, you don’t even want to talk about it because it really is that bad. You blink up at Tsukishima, who has somehow managed to find you after your afternoon lecture, looking disgustingly well-rested and put-together as always.

“Thanks,” you deadpan, shouldering your bag. “Great to see you too, Kei.”

Tsukishima rolls his eyes but doesn’t move out of your way. Instead, he tilts his head slightly, studying you with that keen, observational gaze of his. “Seriously. Are you okay?”

You pause, thrown off by his genuine concern—normally, he’d just mock you and move on, but there’s a sharpness to his tone today, like he actually cares. Maybe it’s because you’ve barely been outside in the last few days, much less seen him and Yamaguchi. Now that you’ve made it through over half of the film’s scenes, you’ve already started editing it together (arguably the worst part of being a self-produced film student: the excessive time spent with Adobe Creative Cloud). You hesitate, then sigh. “Just tired. I’ve been working nonstop, and I still haven’t figured out the ending.”

He lets out a long-suffering sigh, crossing his arms. “Why do you always do this to yourself?”

“I thrive under pressure.”

“You thrive off caffeine and bad decisions.”

“Same thing,” you mutter, rubbing your temples. “Look, I’ll figure it out. Eventually.”

Tsukishima doesn’t look convinced, but instead of pressing further, he reaches into his pocket and pulls out his car keys, holding them up with a lazy shake. “C’mon.”

You blink. “Huh?”

“You clearly need a break. Let’s go.”

You frown at him, confused. “Go where?”

“Does it matter?” he counters, raising an eyebrow. “I swear to god, if you go back to your dorm and stare at your screen for another five hours, you’re gonna lose whatever brain cells you have left.”

You open your mouth to argue, but you know he’s right. Your brain is fried, your eyes are starting to blur from staring at a screen all night, and you could really use some air. So, with a dramatic groan, you give in. “Fine. But if you take me somewhere boring, I’m jumping out of the car.”

“Noted,” he says dryly, shoving his keys back in his pocket before turning on his heel. “Now move it.”

***

The drive is familiar, comfortable. You don’t even ask where he’s taking you because, honestly, he’s right: it doesn’t matter. Being in his car like this feels natural, like muscle memory.

You remember when he first got his license, the first of you three to do so. Akiteru had gifted him a car to use once he did, an old but functional, clean and simple one, much like him. At the time, it had felt like the biggest deal—suddenly, Tsukishima had a ticket to freedom, and by extension, so did you and Yamaguchi.

You can still picture those early drives vividly: the three of you packed into the car, Yamaguchi in the passenger seat nervously checking the map while you sprawled in the back, shouting ridiculous directions just to mess with Tsukishima. He always acted like he hated it, threatening to pull over and leave you on the curb, but he never actually did. 

There were the late-night drives to nowhere, just because none of you wanted to go home yet. The ice cream runs in the middle of winter, sitting in the parking lot with the heater cranked up as you argued over movie rankings. The way Tsukishima always kept one hand on the wheel, the other fidgeting with the volume knob, adjusting it up or down depending on whether he was feeling indulgent or annoyed by whatever you were blasting through the speakers.

You remember one time, when a storm had rolled in suddenly and you got caught out in the rain on the way back from a late study session; he’d picked you up after you spam-called him seven times. Tsukishima pulled up to the curb in front of your house, the wipers barely keeping up with the downpour, but for some reason, instead of rushing out of the storm into your apartment, you’d just sat there for a while, listening to the steady rhythm of the rain against the car roof. He hadn’t told you to get out, hadn’t asked why you were lingering. He just turned up the music, leaned back, and let you stay.

The cityscape blurs past the windows as the car hums beneath you, the low rumble of the engine mixing with the sound of the playlist Tsukishima has quietly playing in the background. You recognize the song instantly—it’s from one of your old shared playlists, one you made together back in your first year of high school.

You glance at him, but he keeps his eyes on the road, one hand on the wheel, the other resting lazily against the gearshift. His sweater is vintage, made of a gorgeous dark green wool that you had been ecstatic to find when you first took him to your favorite thrift store back home; it looks good contrasted with his blond hair and fair skin. His usual stoic expression is softer in the evening glow, illuminated by the street lamps lining the road. 

God. Have his eyes always been able to capture the city lights like that? 

***

Tsukishima drives for what feels like forever, but when he finally pulls over, it’s basically where you started: an empty parking lot, outside of your favorite convenience store because they’re open late and always stock freshly-made to-go onigiri. It’s owned by a sweet old woman, so double points; you two have been coming here since the start of your freshman year. 

He throws the car in park and gives you a look. “You coming?”

You sigh dramatically but unbuckle your seatbelt, stepping out into the cool night air. The store’s neon sign hums quietly, casting a soft glow over the pavement.

As soon as you step inside, the familiar scent of warm rice and miso greets you, and you immediately relax. Tsukishima heads straight for the onigiri section, while you linger near the drinks, debating between a matcha latte and a cappuccino.

“You’re getting the matcha,” Tsukishima calls over his shoulder, barely even looking up.

You roll your eyes but grab it anyway, because yeah, he’s right. You join him at the counter, where he’s already placed two onigiri on the register—one salmon, one tuna mayo.

“You know my order,” you say, amused.

He shrugs, handing over his card to pay before you can argue. “You never change it.”

The words are casual, offhanded, but something about them settles deep in your chest. You look at him, at the way he’s effortlessly familiar with your habits, your preferences, your life.

And for some reason, that makes your stomach twist.

eight. 

You tear into your onigiri, letting the familiar taste of salmon and warm rice settle on your tongue. The quiet hum of the city surrounds you both as you sit on the hood of Tsukishima’s car, drinks resting beside you. The neon glow of the convenience store sign flickers in the periphery, casting long, gentle shadows over the pavement; the night is cool but not biting, the breeze rustling the stray napkins you’d forgotten beside you.

The conversation flows lazily, touching on everything and nothing at once—complaints about professors, Yamaguchi’s latest doomed tutoring attempts with Hinata, Tsukishima’s upcoming project on primate evolution that he absolutely does not care about. It’s easy, the way it always is, but there’s a weight pressing against your ribs, something you can’t quite name.

Then it slows. After a beat, you sigh, staring out at the dim glow of the streetlights. “I think I might change the ending.”

Tsukishima shifts beside you, glancing at you briefly before turning back toward the night sky. You don’t even have to specify: he knows what you’re talking about. “Yeah?”

“I wanted a happy one,” you admit, your fingers picking at a loose thread on your hoodie. “But I don’t know if it fits. Every version I write feels fake. Too neat. Too… easy.”

He’s quiet for a moment, taking a slow sip of his drink before shrugging. “Then don’t force it. If it’s not working, make it ambiguous.”

You scoff, shaking your head. “It’s not that simple.”

“It is,” he argues, stretching his long legs out in front of him. “People like things that feel real. If you’re struggling this much, maybe that’s your answer.”

You chew on his words, considering. Maybe he’s right. Maybe an open-ended conclusion is the answer—letting things linger, unresolved but full of possibility. But something about that unsettles you, like leaving something unfinished, like waiting for something that never comes.

And then, it clicks: how to leave it ambiguous without being unfinished. 

You exhale, pressing your phone’s power button and watching the screen light up, a blank notes app staring back at you. Your fingers hover over the keyboard before you start typing, the inspiration finally clicking into place. You can already see the scene in your mind—the way the light will filter in, the subtle expressions, the carefully chosen silence between words.

Tsukishima watches you with mild amusement, his lips quirking up just slightly. “Are you seriously writing right now?”

“Shut up,” you mumble, furiously typing. “You said something smart for once, and now I have to take advantage of it.”

He snorts. “You wouldn’t survive without me.”

You roll your eyes, but deep down, you know he’s right. The thought lingers, unspoken. How many times has he done this? Pulled you out of your own head before you spiraled, pushed you to do better, reminded you—without ever really saying it—that you aren’t alone?

The words on your screen blur slightly. Maybe it’s just the neon lights. Maybe it’s something else.

Then, softer, almost offhand, he says, “You know, if it’s really bothering you this much, maybe it’s because you want it to mean something.”

Your fingers still over your screen. The words sit heavy in the air, pressing down on you with a weight you can’t quite place. You look up at him, but he’s already turned back toward the city, his expression unreadable.

nine.

You think that you need a distraction. A long walk, or a snack, maybe. Or better yet, what you actually really want: a frontal lobotomy. 

Instead, you have filming.

Which is, honestly, the opposite of helpful when your current goal is to shove all of your weird, unwelcome, inexplicable feelings into the deepest recesses of your mind. It’s awful, but now that you’ve started to see your best friend in a whole new light, it’s really all you can think about. Therefore, you cope as you always have: running from your problems. You’ve been distant the last few days. You’re responding less, cancelling on your weekly study sessions, sprinting out of your lectures before he can catch up to you. You’ve even been ghosting Yamaguchi out of proximity. 

But you can’t do that today. Because today, you’re shooting one of the final sequences—the rooftop scene. The one drenched in soft intimacy, lingering glances, and unsaid words thickening the air between them. The one where Tsukishima and Yachi have to act like they exist in their own world, where nothing and no one else matters.

You try not to think about it too hard.

The rooftop set is perfect. The city sprawls beneath them, lights flickering like stars, a mirror to the actual night sky above. Yachi’s already in position, sitting at the edge, her posture relaxed but poised. Tsukishima is beside her, long legs stretched out, hands lazily resting on his lap. The camera is set up, framing them beautifully against the endless stretch of buildings and sky.

You call action, and for a while, it’s fine.

Yachi takes a slow drag of the cigarette (a prop one—she refuses to even come close to tainting her lungs), the smoke curling up between them. Her voice is soft, contemplative, as she delivers her lines. Tsukishima exhales smoke into the night, his face not particularly expressive but not detached. He’s… engaged. Focused. Too focused. There’s something in the way he looks at her that makes your chest tight, even though you know, know, it’s just acting.

Still, the words he says don’t feel like lines. Not when his voice dips just slightly, not when his eyes linger on her face.

“Maybe,” he says, his tone quieter than rehearsals, “but some moments leave imprints on our souls. They’ll last forever in our hearts.”

The air shifts.

Yachi leans her head on his shoulder. The city hums below them. The scene is exactly as you envisioned it, the kind of moment that pulls people in, that makes an audience believe.

And yet, it feels like you can’t breathe.

The worst part is that it isn’t even that bad—no, you get through the scene just fine. No one else notices the way your stomach churns, or the way your hands tighten around the back of the director’s chair. No one notices that the words aren’t just dialogue in your head anymore, that they feel… wrong, out of place, too much.

It isn’t until Tsukishima reaches out, without prompting, without direction, and brushes a loose strand of hair out of Yachi’s face that you realize you actually feel sick.

It’s not scripted.

The camera catches it perfectly, a soft, natural movement. The kind of instinctive touch that makes a scene feel real. Your breath stutters in your chest. And then, as if that wasn’t enough, he leans in slightly, pressing the briefest kiss to her forehead before pulling back, the ghost of a smile on his lips.

Not in the script.

Not in the goddamn script.

“Cut,” you say, too quickly, your voice tighter than you mean it to be. You clear your throat, forcing a neutral expression onto your face when both of them glance toward you. “That was—good. Really natural.”

Yachi beams, a little shy but pleased. “It felt nice, actually. He made it really easy to stay in the moment.”

You swallow down whatever the hell it is that rises up in you at that.

Tsukishima doesn’t say anything. He just watches you, sharp and unreadable.

Your fingers curl into your palm. “I think we’re done for tonight,” you announce, forcing a yawn into your voice like exhaustion is the reason you need to leave so badly. “I’ve got a migraine coming on, and we still have to film the passion scene this weekend.”

Yachi nods easily, already stretching out her legs, but Tsukishima’s expression darkens slightly.

“You sure?” he asks, low enough that only you hear it.

You nod quickly, avoiding his gaze. “Yeah. Just need sleep.”

He stands, brushing invisible dust from his jeans, and you know what’s coming before he even says it. “I’ll walk you back.”

“No!” you panic, waving your hands wildly. “Kaori’s picking me up.”

It’s a lie, an obvious one, but you don’t care. You grab your bag and sling it over your shoulder before he can question it. “I’ll see you guys later.”

Then you leave, practically sprinting out, before he can say anything else. Before you have to deal with whatever the hell this is, whatever it means.

Because if you stop to think about it, even for a second, you’re pretty sure you’ll break.

ten. 

Midway through your most recent homework assignment (dissecting the art behind the glorious film Cars—the best Disney movie out there, fight with the wall), your phone vibrates against your nightstand. The screen flashes the text message that’s popped up, but you don’t even need to check to know who it is: it’s a notification that you already know you don’t want to see.

(11:12 PM) kei :P: are you avoiding me?

You stare at the text, thumb hovering over the keyboard, your mind spinning with an answer that won’t sound like a complete lie. The problem is, you are avoiding him. You’ve been practically stonewalling him, dashing away inconspicuously whenever you know he’ll be nearby, and it’s getting obvious. He knows it. There’s no use pretending otherwise, but the idea of confronting it—confronting him—makes something anxious curl in your gut.

You sigh, flopping onto your bed, one arm draped over your eyes as you try to gather your thoughts. Your fingers type out a response before you can overthink it.

(11:15 PM) y/n: no? y/n: i’m j busy lately u know that

The three dots appear, then disappear. Reappear, then disappear again. He’s debating his response, and for some reason, that is terrifying. Then it buzzes.

(11:21 PM) kei :P: right.

It’s short. Barely anything at all. But you know him, and you know exactly what that one-word response means. He doesn’t believe you. He’s letting it go for now, but he isn’t letting it go entirely. The thought unsettles you more than you want to admit.

Your room feels suffocating suddenly, like it’s pressing in on you. You glance around, searching for something—anything—to keep your mind occupied, but all you find are pieces of him.

Tsukishima had helped you move in, so he has a fundamental part in the whole place already, but when you look even closer, he’s really in the details. There’s the framed picture on your desk from your high school graduation, his hand resting lazily on your shoulder as Yamaguchi beams from besides you. There’s a hoodie draped over your desk chair, long since stolen from his closet during a late night out that never got returned. There’s a battered copy of Normal People by Sally Rooney tucked into your bookshelf, its pages creased and worn from the way he always mindlessly flipped through it when he came over. 

It never seemed evident until now, when you’re trying so hard not to think about him, to not let him occupy a space that he’s so clearly always kept filled, but now that you see it, it’s simple: Kei has been a part of your life for as long as you can possibly remember. He’s always been there, from the very moment your family moved into the house next door to him when you were seven. He’s in your daily routine. If you turned on your phone right now, it’d open to a picture of you three; if you were to open Spotify, you’ll find your blend at the very top of your pinned playlists. 

He’s everywhere. He’s everything. Tsukishima Kei is worn into your very bones, into every single cell, written into every little part of your being. 

Your fingers tighten around your phone, and for a moment, you consider texting him back. Saying something real. Something honest.

Your gaze flickers to your desk, to the script sitting on top of a stack of notebooks. The ending you rewrote stares back at you, the words bold and final.

Scene 6 Exterior - Rooftop - Sunset Yachi returns to the rooftop, now alone. She sits on the edge, looking out at the city. The sun sets, casting a warm glow over everything. She takes out a cigarette and lights it, inhaling deeply. Cut to: Tsukishima, walking through the city streets, the sunset reflecting in his eyes. He pauses, looking up at the rooftop where Yachi is sitting. The screen fades to black. Text on screen: “We’ll be there at the end of the world, together as the stars go out.”

The moment your professor read it, she called it striking. Said it felt honest. That the ache in the words felt real, like someone had lived it.

But you didn’t just write it. You felt it.

Because if the world were ending, if the stars were truly burning out—there’s no question where you’d be. Who you’d be with.

And yet, here you are, running.

You inhale sharply, pressing the heels of your hands against your eyes.

With the weight of twelve years of friendship comes the obligation to not let it go to waste: you are terrified of what a confession could do. You can’t even imagine what a world without Kei looks like; you would honestly rather die than lose him. And well… admitting your feelings could very well mean losing him. 

Then again, you could very well lose him too if you keep ignoring him and running away. You just need to come up with some way to either 1) get over your feelings, or 2) explain to your best friend that you’ve suddenly started having inexplicable dreams about him and feeling the urge to kiss him. 

You mean, how hard could it really be?

eleven. 

Evidently, very difficult. 

You’re standing outside the door of Tsukishima’s flat for the first time in days, feeling like you might actually throw up. You have the horrible urge to cancel. Maybe you should turn around. Maybe you should fake food poisoning. Maybe you should suddenly develop an urgent need to flee the country.

But no. You can’t do that. This is your film, your project, your fucking grade on the line. You can’t just run away forever.

So you’re here. And you take a deep breath before you knock, because your heart is hammering like you just ran across campus, and it only picks up when the door swings open.

And then he’s there too—Tsukishima, standing in the doorway of his apartment, hair still damp from a shower, hoodie hanging loose on his frame. His glasses slide down his nose just slightly, and for a second, he just looks at you, eyes scanning your face, your posture, like he’s already found something off about you.

“You’re early,” he says, stepping aside to let you in.

You nod, stepping over the threshold, hyperaware of the way the air inside feels different—warm, his, thick with something you don’t have the words for.

“Wanted to set up before Yachi gets here.” Your voice is steady, detached, the way it should be.

It’s not a lie, not entirely, but it’s not the truth either. The truth is sitting in the space between you, glaring and heavy, pressing in like the weight of an oncoming storm.

He hums in response but doesn’t say anything else. Tsukishima doesn’t move, doesn’t drop his gaze. His arms are crossed, his posture lazy, but there’s something pointed about the way he’s looking at you—sharp, analyzing, like he’s cataloging every tell, every avoidance, every reason why you’re standing here instead of texting some excuse from the safety of your dorm.

You drop your bag near the couch and move to set up your camera, your hands moving automatically as you avoid his gaze. The apartment smells like him—coffee and citrus, faintly like that stupid expensive detergent he swears isn’t a luxury purchase but definitely is. The scent is so him, so familiar, that it makes your stomach flip.

And then he speaks.

“What’s going on with you?”

You freeze.

It’s not accusatory, not sharp, just… careful. Measured. Like he’s trying to get an answer without pushing too hard. Which, honestly, is worse than if he had just called you out directly.

You force yourself to keep your hands steady, adjusting the camera’s angle. “Nothing. Just busy.”

His eyes narrow slightly. “Bullshit.”

Your stomach twists. The air in the room shifts, thickens.

He’s always been quick. Always been able to pick apart your bullshit before you even finish spinning it, before you can even convince yourself it’s real. And now, with those gold-flecked eyes trained on you, burning through every excuse you try to build between you… well, you’re drowning.

His voice is steady, but edged with something dangerous. “I don’t know what your problem is, but if you think I haven’t noticed, you’re dumber than I thought.”

Your breath hitches in your chest.

For a second, you want to tell him. Everything. The thoughts, the jealousy, the confusion that’s been clawing at your throat for weeks. You hate that he knows you this well, that he can see through you so easily. You hate that he’s giving you that look, the one that says I’m waiting for the truth, waiting for you to finally be honest, and you hate, hate, that you don’t know what to say. 

But then, the door swings open. Yachi steps in, breathless and smiling. “Sorry I’m late!”

The moment shatters.

You exhale, stepping back, forcing a smile as you greet her, ignoring the way Tsukishima is still watching you. He goes still, expression unreadable. And then—just like that—his face smooths out, his posture relaxes, his hands sink into his hoodie pocket like nothing happened at all.

“Let’s get this over with,” he mutters.

You nod too quickly. “Yeah. Let’s start.”

If you want to make it through a whole scene of them making out for three minutes, you have to stop looking at your best friend. His amber eyes, under his layer of concern, confusion, and annoyance, are filled with hurt, and your stomach feels like it’s being ripped out, torn to fucking shreds, to see him like that. 

So you avert your gaze, stubbornly keeping your eyes on Yachi and your camera, and set up to film the scene.

***

The camera is steady. Your breathing, however, is not.

The apartment is dimly lit, the soft hum of music playing through the speaker, some indie song with melancholic chords that you once added to the shared playlist, long before this—before all of this—became something unbearable. It filters into the space like a ghost of a memory, like something familiar that you can’t quite place.

Yachi sits on the edge of Tsukishima’s bed, her hands folded neatly in her lap, waiting for direction, waiting for him. Tsukishima stands in front of her, tall and composed, his fingers flexing at his sides like he’s testing the weight of the scene before stepping into it. His shoulders are loose, his stance easy, his face unreadable. Too unreadable.

Too casual.

Like he’s trying to make it look effortless.

Like he’s making it look effortless for you.

Your grip tightens around the camera. The frame is perfect—low lighting casting long shadows, the soft golden glow from the bedside lamp catching on strands of Yachi’s hair, the curve of Tsukishima’s jaw. It’s intimate. Close. Exactly what you wanted.

It should be fine. This should be fine.

The scene is simple.

Close-ups of hands, of fingers grazing over fabric. Of a breath caught in the space between them. Of a moment stretched too thin, heavy with something unsaid.

And then, they kiss.

Your stomach lurches.

It’s instinct—the way your body reacts, the way something tightens in your chest like a vice, the way your nails press into your palm where you grip the camera. You tell yourself to look at the screen, at the framing, at the way their silhouettes fit together like pieces of a puzzle.

But you’re not looking at the shot.

You’re looking at him.

The way his head tilts slightly, the angle just right. The way his hand ghosts over the small of Yachi’s back before settling, fingers barely pressing into fabric. The way he moves slow, deliberate, like every part of him has been designed for this moment, like he’s meant to be here, kissing her, making it look real.

Making it feel real.

Your fingers tighten around the camera, but you don’t move.

The shot is perfect.

Tsukishima is slow, careful. One hand cups Yachi’s jaw, his thumb brushing lightly across her cheekbone, his other resting against her waist, anchoring her in place. He leans in, the motion seamless, practiced, lips pressing against hers with just enough pressure to make it believable.

Your chest feels like it’s caving in.

It’s nothing. It’s just a film. It doesn’t matter. He doesn’t care.

But you do.

The words sit at the back of your throat like acid, thick and burning, because this is what you wanted—this is what you asked for—and yet you can’t seem to convince yourself that you’re okay with it.

You should be focusing on the technicalities. On the way the lighting frames them, on the way the movement aligns with your vision, on the way Yachi’s fingers twitch against his hoodie like she’s nervous, like she’s fully immersed in the moment.

But all you can focus on is him.

The way his eyelashes flutter for half a second before he closes his eyes.

The slow exhale against Yachi’s lips.

The way his grip shifts against her waist—just slightly, just barely, like he’s grounding himself. Like he’s steadying his breath, like he’s trying to remember it’s acting.

Something inside you twists, sharp and visceral, something so wrong it makes your stomach ache.

Your fingers are shaking.

And then, the worst part: Tsukishima tilts his head further, deepening the kiss.

Your breath catches.

It’s instinctive, automatic, the way your entire body tenses. You barely realize what you’re doing until the words leave your lips, unbidden, a little too fast, a little too urgent.

“Cut.”

The word slices through the air like a blade.

Tsukishima pulls back immediately, blinking, like something had momentarily snapped.

Yachi exhales, touching her lips, a little dazed, but then she laughs, easy and light. “That felt really natural.”

Natural.

The word rings in your ears, cold and foreign, something heavy and nauseating settling in your stomach.

Natural.

You feel like you’re going to throw up.

Tsukishima is still looking at you. Not at Yachi, but at you.

His expression isn’t unreadable anymore. It’s something else—something unread, something searching, something sharp enough to make your skin burn under the weight of it.

You swallow, forcing your voice into something neutral. “Yeah. That was good. Really… natural.”

Yachi grins, stretching her arms. “I have to run—I promised Hinata I’d help him study tonight.”

You nod too quickly. “Yeah, yeah, of course. Go ahead.”

She gathers her things, slings her bag over her shoulder, completely unaware that the air in the room is thick with something else, something unspoken, something unraveling.

The door clicks shut.

You inhale.

You should leave too, right now. You should grab your bag, make up some excuse, and go.

But before you can even think about moving, a hand wraps around your wrist, and drags you back in.

twelve. 

The door clicks shut behind Yachi, but the weight in your chest doesn’t lift. If anything, it gets heavier, pressing against your ribs like an iron hand squeezing the air out of your lungs. You force yourself to breathe, force yourself to move, force yourself to not think about the way Tsukishima had looked at her, had touched her, had—

A hand wraps around your wrist.

You freeze.

Tsukishima tugs, firm but not rough, pulling you back before you can escape.

Your heart stutters.

“What the hell is going on with you?” His voice is low, controlled, but there’s something underneath it—frustration, confusion, anger.

You try to twist your arm away, but he doesn’t let go. His fingers tighten slightly, not enough to hurt, just enough to anchor you, to keep you here. You force yourself to look at him, to meet the sharp, burning gaze that’s demanding answers.

You swallow. “Nothing.”

His jaw clenches. “Try again.”

“Tsukishima—”

“No.” His voice cuts through the air, low and unyielding. “You’ve been acting weird for weeks. Avoiding me. Lying to me. Looking at me like I fucking killed your dog or something. Not even calling me Kei anymore. And then tonight—” He breaks off, exhaling sharply through his nose. His grip on your wrist doesn’t loosen. “What is your problem?”

The words sting, sharp and cutting, but the worst part is that he’s right. He’s right.

And you’re tired.

Tired of pretending it doesn’t bother you. Tired of biting your tongue. Tired of shoving down every ugly, twisting, unbearable feeling that claws at your throat.

So, suddenly, recklessly, you snap. “You! You’re my fucking problem!”

The words burst out of you like they’ve been waiting, desperate to escape, and suddenly, there’s no going back.

Tsukishima’s eyes widen—just slightly, just enough for you to see the flicker of shock before his expression hardens again.

“What?” His voice is sharp, almost mocking, like he’s daring you to say it again, to spell it out for him.

You rip your wrist from his grip, shoving him back a step. Your hands are shaking. Your heart is pounding.

“You don’t get it, do you?” The words come fast, breathless. “Do you even see what you look like? How easy this is for you?” Your voice wavers, thick with something too sharp to be just frustration. “How you can just— just kiss her like it’s nothing?”

His brow furrows. “It was a scene.”

“That’s not the fucking point!”

You shove him again, hands pressing against his chest, but he barely moves.

“I had to watch you,” you spit, voice cracking at the edges. “Watch you hold her like that. Watch you look at her like that. And I hated it, Tsukishima. I hated it.”

Something shifts in the air between you.

The anger is still there, but beneath it—something else. Something fragile and aching and real.

Tsukishima doesn’t speak. His lips part slightly, but no words come.

He’s staring at you, his expression unreadable, but his eyes—God, his eyes.

You inhale, shaking, your hands balled into fists. “I don’t know when it happened, or how, or if I’m just an idiot who took too long to figure it out, but I—” Your breath stutters. Your throat feels tight. Fuck, you shouldn’t be saying this. You shouldn’t be saying this.

But you do.

Because it’s too late.

Because there’s no running now.

“I love you.”

The words drop between you like stones in water, sinking deep, sending ripples through everything.

Silence.

You can hear your heartbeat in your ears, erratic and deafening.

Tsukishima stares at you. Gaping. Frozen.

Like the world just tilted on its very axis. Like the entire sky is tumbling down, like gravity is the sole thing keeping him on the ground. 

And then you panic.

“I—I didn’t mean—” Your voice shakes, your fingers twitch, you need to fix this, you need to take it back before you lose him, before you ruin everything—

But then he moves.

Fast.

His hands are on your face before you can breathe, fingers threading into your hair, tilting your head back.

And then he kisses you.

It’s not careful. Not controlled. Not measured, the way he was with Yachi.

This is something else entirely.

This is desperate. This is frantic. This is a storm breaking after years of tension, of longing, of something building between you that neither of you had the courage to name.

His lips crash against yours, stealing the air from your lungs, pulling a sound from the back of your throat that’s more relief than surprise. He kisses you like he’s been holding himself back for too long, like the second he let himself move, he couldn’t stop.

Like he’s been waiting.

Like he’s always wanted this.

The heat of his body devours you, swallowing you whole, pulling you under like a riptide you don’t want to escape. His hands slide down, fingers spreading against your waist, gripping tight like he’s afraid you’ll slip through his grasp. He tugs you forward, flush against him, so close there’s no space left, no room for doubt, no hesitation—only him, only this, only the way he’s holding you like he never intends to let go.

His mouth moves against yours with intent, deliberate and thorough, a silent demand, a confession with no words, just the press of his lips and the desperate, aching pull of his hands. He’s tasting, memorizing, mapping out every gasp, every shiver, every fragile part of you that has ever been his without either of you realizing it.

You make a sound against his lips, something caught between a sigh and a plea, and that’s all it takes—his grip tightens, his fingers pressing into your skin like he’s learning you by touch, like he needs you closer, closer, closer.

You melt into him. You break into him.

There is no hesitation when your hands reach for him, twisting in the fabric of his hoodie, clutching it like a lifeline, because you are terrified he’ll stop, that this will disappear, that he’ll come to his senses and—

But he doesn’t.

Because when you part, just barely, just enough to let air slip between you, Tsukishima chases after you.

His lips find yours again, softer this time, reverent, like he needs to remind himself that you’re real. That this is real.

That you’re not running anymore.

His forehead rests against yours, his breath uneven, warm, fanning over your lips in slow exhales. He doesn’t speak for a long moment, just lets the silence stretch, heavy and fragile and trembling with meaning.

Then, his voice—low, hoarse, something wrecked and beautiful.

“Say it again.”

Your heart stutters, something sharp and sweet twisting in your chest.

He pulls back just enough to look at you, amber eyes burning, raw with something you’ve never seen before, something almost pleading.

Your fingers loosen against his hoodie, but you don’t let go. “What?”

His thumb brushes over your cheek, his jaw tight, his gaze steady, searching yours for something unspoken.

“Say it again,” he murmurs, quieter this time.

Your throat is dry. Your world has shrunk to the space between you, to the way his hands still hold you, to the weight of his gaze pressing into you like an answer he already knows but needs to hear anyway.

You swallow once, then again. Then, soft but steady, you let it slip. “I love you.”

The way he exhales, sharp and shaky, is enough to undo you completely.

And then he kisses you again.

Slower this time. Deep. Intentional. Like he’s taking his time, like he wants to make sure you understand.

This isn’t a mistake. This isn’t something he can write off as an impulse, something fleeting or meaningless or careless. This is him. This is him choosing you.

He kisses you like he’s learning you, like he’s memorizing the way your breath hitches when he moves a certain way, the way your hands tremble when they slide up to cup his jaw, the way you—God, the way you kiss him back like he’s the only thing that’s ever mattered.

Like you love him, and you’ve always loved him.

Like he loves you, and he’s always loved you.

And maybe it’s too much, too late, too terrifying, but when you pull apart, he still doesn’t let go.

His fingers linger against your jaw, his thumb brushing over your lower lip, swollen from his kiss.

His voice is rough when he finally speaks.

“You’re a fucking idiot,” he snorts.

You laugh, breathless, and it comes out half-shaky, half-dazed. “Excuse me?”

He shakes his head, his lips curving slightly—soft, unbearably fond, annoyingly smug—but his eyes stay serious, stay warm.

“I love you too,” he says, just like that, like it’s simple. Like it’s easy.

And for once, it is.

thirteen. 

You wake up in a panic.

Your heart is a drum in your chest, erratic, wild, out of sync with the soft pre-dawn quiet of your dorm room. The weight of last night presses down on you all at once—the argument, the confession, the way Tsukishima kissed you like he’d been waiting, like he meant it, like he wasn’t going to let you take it back.

You squeeze your eyes shut, inhale sharply through your nose. It doesn’t help. The air is too thick, your limbs too restless, your thoughts too loud.

What the fuck did you do?

You sit up, shoving the blankets off you like they’re suffocating you. Your hair is a mess, the hoodie you slept in (not yours—his, fuck) twisted around you uncomfortably, but you don’t bother fixing it. The digital clock on your nightstand blinks 6:04 AM, and outside, the world is just beginning to wake.

You should be asleep.

You should be anything but this.

Blindly, you reach for your phone, thumb swiping over the screen to unlock it. The notifications hit you like a brick.

— 17 missed calls — 3 new voicemails — kei :P: pick up your phone — kei :P: are you serious right now — kei :P: we’re not doing this — kei :P: text me back

Your stomach lurches.

Your fingers twitch over the screen, hovering, hesitating, and then—fuck—you lock the phone and throw it onto your desk like it burned you.

You can’t deal with this right now.

Not now, not when you’re still caught in the aftermath of what happened, not when the ghost of his lips still lingers on your skin.

You need a distraction.

You push yourself up from the bed, dragging your feet to your desk, where your laptop sits untouched from the night before. The screen glows as it wakes, casting a pale blue light over your desk. You click open Premiere Pro, fingers moving on autopilot, pulling up the final cut of your film.

Something to ground you. Something to keep you from spiraling.

The editing timeline stretches before you, a mess of layered clips and audio tracks. The cursor blinks, waiting. You set it to the last scene you worked on—the rooftop scene, Yachi and Tsukishima against the night sky, the cigarette smoke curling between them like something ephemeral, fleeting.

You press play.

The footage unfolds in perfect clarity.

Yachi sits on the ledge, her fingers wrapped loosely around the cigarette, her expression thoughtful. Tsukishima is beside her, arms draped over his knees, his profile sharp against the neon haze of the city below.

She turns to him, voice soft, hesitant. “Do you think it’ll last?”

There’s a pause.

Then—his response. 

“As long as we exist, it will.”

You exhale sharply, the words hitting you harder than they should.

The scene plays through, Yachi taking a slow drag of the cigarette before exhaling toward the sky, the glow of the embers casting flickering light over her features. Tsukishima doesn’t look at her. His eyes stay forward, locked on something distant, something unseen.

Your fingers twitch over the keyboard, and without thinking, you hit the spacebar.

The scene rewinds.

You play it again.

“Do you think it’ll last?”

“As long as we exist, it will.”

A lump forms in your throat.

You rewind it again.

Again.

Again.

You don’t know why you keep watching it, why the words keep lodging themselves deeper and deeper into your chest.

Maybe because it doesn’t sound like acting. Maybe because you remember the way he said it, the way he delivered the line so effortlessly, so quietly, like it wasn’t a scripted moment but something real.

Maybe because it reminds you of last night.

The way he kissed you, the way his hands held you firm, like he was afraid you’d vanish if he let go. The way he told you, Say it again, like he couldn’t believe it, like he needed to hear it over and over to make it real. The way he looked at you when you did. The way you let yourself believe, just for a second, that everything you wanted wasn’t impossible.

Your breath hitches, sudden and sharp, and then— you’re crying.

It’s not dramatic. There’s no sobbing, no wretched gasps for air.

Just silent tears, slipping down your cheeks, slow and unrelenting, as the weight of it all crashes into you.

Because you love him. Because you’ve always loved him. Because you can’t remember a time of your life where you didn’t, and because you can’t imagine a time where you don’t.

And you’re terrified.

You don’t know how long you sit there, shoulders curled in, fingers gripping the edge of your desk like you need to physically hold yourself together.

The sun creeps through the window, light spilling over your room in soft golds and oranges. Outside, the campus hums to life—doors opening, footsteps in the hallway, distant laughter.

You should move. You should do something.

Instead, you hit play one more time.

“Do you think it’ll last?”

“As long as we exist, it will.”

The tears keep falling, and you don’t know why you’re crying anymore: whether it’s because you believe it, or because you don’t.

fourteen.

Your hands are shaking as you pull up your contacts list.

It’s barely past 6:30 AM, the sky still tinged with the last remnants of dawn, but you can’t stay here. The weight of your realization—your love for Tsukishima—is suffocating, curling around your ribs like something clawed and desperate, something that refuses to let go.

You need to talk to someone, and there’s only one person who will actually pick up at this hour. So you press the call button and wait.

The phone rings once. Twice. Three times.

Then, a groggy voice, scratchy with sleep but undeniably familiar.

“This better be good, or I swear—”

“I need you.”

A beat of silence.

Then, rustling sheets. A sigh. And finally.

“Where?”

***

The tiny café is quiet, still waking up alongside the rest of campus. The smell of freshly brewed coffee lingers in the air, mingling with the scent of vanilla and warm pastries. Sunlight filters through the floor-to-ceiling windows, casting golden rectangles onto the worn wooden floors.

You sit in your usual booth, hands wrapped around a steaming cup of tea, though you haven’t taken a single sip.

You barely register the sound of the door swinging open before a familiar figure drops into the seat across from you, yawning into his hoodie sleeve.

“You look horrible.”

You huff out a weak laugh, your throat still tight from earlier. “Good morning to you too, ‘Dashi.”

Yamaguchi stretches his arms overhead before slumping against the seat, blinking at you with the exhaustion of a man who has spent way too many nights buried under physics equations. He eyes you carefully, then his gaze flicks to the untouched tea in your hands.

“You called me before seven in the morning,” he says, running a hand through his messy hair. “Which means either the apocalypse is happening, or you did something monumentally stupid.”

You drag a hand down your face. “Both.”

His lips quirk up slightly. “Alright. Start talking.”

You open your mouth, but—where do you even start?

The confession? The kiss? The fact that you spent half the night crying over your laptop, replaying Tsukishima’s voice like some deranged, lovesick film major cliché?

Your hands tighten around your cup. “It’s about Kei.”

Yamaguchi doesn’t even blink. “Figured.”

You exhale, shaky and uneven. “I—I don’t know what to do.”

He leans forward slightly, forearms resting against the table, his expression turning serious. “Okay. Take it from the top.”

So you do. You tell him everything.

About the jealousy—the awful, gut-wrenching feeling that took root in your chest the second you saw Tsukishima kiss Yachi, the way it spiraled into something uncontrollable, something you couldn’t suppress.

About the fight—the way Tsukishima saw right through you, called you out, made you snap. The way you finally admitted the truth you’d been running from for so long.

And then, the kiss. The way he grabbed you, the way he pulled you in, the way he kissed you like he was starving, like he’d been waiting for this just as long as you had. 

And the way, afterwards, you panicked.

The silence stretches when you finally stop talking. You can’t bring yourself to meet Yamaguchi’s eyes.

“I left,” you whisper, shame curling in your chest. “I—I freaked out and left. And now I don’t know what to do.”

Yamaguchi doesn’t respond immediately. Instead, he reaches for his coffee, takes a slow sip, and then sets it down with a soft thunk. Then—finally—he speaks.

“You’re a fucking idiot.”

Your head jerks up. “Excuse me?”

He sighs, pinching the bridge of his nose like you’ve personally caused him actual, physical pain. “This is literally the worst case of mutual pining I’ve ever seen.”

“Mutual—?”

“Yes,” Yamaguchi says, exasperated. “Are you seriously telling me you didn’t realize he’s been in love with you since we were, like, fifteen?”

You choke on air. “What?”

He gives you a flat look. “Oh, come on. You think he just puts up with people like that? Have you met Kei? He barely tolerates most human interaction, but you? You’re different.”

Your stomach sinks.

Yamaguchi leans back against the booth, studying you carefully. His voice is quieter when he says, “Now he’s waiting for you.”

And suddenly, it all comes rushing back.

Like that summer when you were fourteen, sprawled on the grass in his backyard, swatting mosquitoes away while he read some ridiculous philosophy book he’d scoffed at but couldn’t put down. You had called him pretentious, poked fun at his stupid little annotations, and then—just when he was about to snap back—he had looked at you. Really looked at you. And for a moment, you couldn’t breathe.

Or the time in high school when he stayed up with you, sitting outside your house at two in the fucking morning, just because you had a nightmare and didn’t want to be alone. He didn’t say anything about it, didn’t mock you for it, didn’t act like it was a big deal. He just let you talk about stupid shit until you weren’t shaking anymore.

Then there was college. The night he drove across town just because you were too drunk to make it back to your dorm. The way he let you ramble about some stupid movie you had watched for class while he carried you—actually carried you—up the stairs because your legs had stopped working.

And then, of course, last night.

The way he kissed you like he had been holding himself back for years.

The way he whispered, Say it again, like he needed to hear it more than anything.

The way you had run.

Because maybe, deep down, you always knew.

Yamaguchi watches you, then exhales through his nose, shaking his head. “You love him.”

It’s not a question.

It's a fact.

And you know that, of course. You’ve always known that. But hearing it out loud—having someone else say it, no doubt, no hesitation—it does something to you.

Your fingers tighten around your cup.

“I love him,” you admit, voice barely above a whisper. “I love him, and I’m scared.”

Yamaguchi hums, tapping his fingers against the rim of his coffee cup. “Why?”

“Because if this goes wrong, I lose him,” you say, staring down at the caramel liquid in your cup.

He tilts his head. “And if it goes right?”

You swallow.

That’s the terrifying part.

If it goes right—if you actually let yourself believe in this, in him… then everything changes. You can never get it back. 

But then again, if you don’t, you’ll never move forward.

Yamaguchi leans forward, voice softer now. “Look, I get it. Kei is… a lot. He’s a pain in the ass. But you don’t have to be afraid of this. Not with him.”

You swallow hard. Your thumb hovers over his name on your phone. But you don’t call him.

Not yet.

Instead, you look at Yamaguchi, heart hammering, voice barely steady.

“What do I do?”

He smiles, small and knowing.

“Go to him.”

fifteen.

Your heart is pounding.

Your pulse is an erratic drumbeat in your ears, your breath uneven as you stand outside Tsukishima’s apartment at 7 AM like an absolute psychopath. The hallway is empty, most of the residents still asleep, because normal people do not show up at their best friend’s door at the crack of dawn after confessing their feelings, running away, and then ghosting them for a whole night.

But here you are.

You raise a fist to knock. Pause. Lower it.

Your mind runs through every possible thing that could go wrong. What if he’s still asleep? What if he’s awake, but he’s pissed? What if you just turn around and pretend this never happened and never speak to him again and maybe flee the country?

But no. No more running. You’re done with that.

You exhale sharply, grit your teeth, and knock.

There’s no response at first.

Then, a very loud, very irritated groan.

Footsteps. A thud as something (probably his knee) collides with something else (probably his desk), followed by a mumbled string of very colorful expletives.

And then, the door swings open.

Tsukishima is standing there, half-asleep and thoroughly unamused.

He’s not wearing his glasses, which is so much worse, because without them, he looks—soft. His blond hair is a complete mess, sticking up in every direction, and he’s wearing that stupid old hoodie that’s two sizes too big, the one you’ve definitely stolen at some point but returned because it stopped smelling like him. His sweatpants are loose around his hips, and his expression is pure murder as he squints at you.

“…The fuck?” His voice is rough from sleep. “It’s seven in the morning.”

You should probably say something. You should probably apologize. You should probably explain why you’ve lost your goddamn mind and decided to show up here like some dramatic main character in an early 2000s rom-com.

But instead, you go on your tiptoes, yank down him by his hoodie, and kiss him. 

It happens fast, and at first, he completely freezes.

Like full-body shutdown. His entire frame locks up, his hands hovering uncertainly, breath caught in his throat.

For one horrifying moment, you think you’ve made a mistake.

But then… then his hands find your waist. And suddenly, he’s kissing you back.

It’s slow at first, tentative, like he’s still processing this, still trying to believe it’s real. But then his fingers tighten against your skin, pulling you closer, and you can feel the exact moment he gives in.

The exact moment he stops thinking.

And God, you feel it everywhere.

The heat of him, the slow, deliberate press of his lips, the quiet, shaky exhale against your mouth before he tilts his head and deepens the kiss. He’s warm, solid, real, and for the first time in weeks, your head isn’t a tangled mess of doubt and fear.

For the first time, everything makes sense.

You pull away first, breathless, heart hammering.

His hands linger on your waist. He keeps his face close to yours, just centimeters away, and when he finally opens his eyes, they’re dark with something you’ve never seen before. Something raw. Something completely, utterly unguarded.

You swallow hard. “I—”

His thumb brushes over your hip, the smallest, barest movement.

You inhale sharply. “I’m sorry.”

Tsukishima doesn’t move. He just watches you, eyes sharp, unreadable. “For what?”

“For—” You hesitate. Your fingers tighten against the fabric of his hoodie. “For running. For taking so long to figure this out. For—”

He sighs, but there’s no real annoyance in it. His gaze softens—just slightly, just enough.

“You’re a dumbass,” he mutters.

You let out a breathless laugh. “I know.”

A pause. Then, he asks, “Do you wanna go for a walk?”

You blink up at him, caught off guard. “A walk?”

“Yeah.” Tsukishima shrugs, stepping back, rubbing a hand over the back of his neck. 

You raise an eyebrow. “Are you gonna walk me back to my dorm? Because I literally just dragged myself here for nothing if that’s the case.”

He rolls his eyes. “No, dumbass. I just—” He exhales, shoving his hands into his hoodie pocket. “Just wanna walk somewhere.”

Your lips twitch. “…How romantic of you.”

He scoffs. “Shut up.”

But he doesn’t deny it.

The air is crisp, the early morning quiet—the kind of stillness that only exists before the rest of the world wakes up.

You walk side by side, the distance between you not much, but enough. For a while, neither of you speak.

“I meant it.”

You glance at him. “Huh?”

Tsukishima doesn’t look at you. His gaze is fixed ahead, his hands still tucked into his hoodie, his jaw set. But his voice—low, certain—doesn’t waver.

“I meant it,” he repeats. “When I told you to say it again.”

Your breath catches. He keeps walking, staring straight ahead like this isn’t some life-altering confession, like he’s just casually commenting on the weather. But his hands are tensed inside his hoodie pocket. His shoulders are tight.

You swallow. “Kei…”

“I don’t like a lot of people,” he says bluntly. “I barely tolerate most people. But you—”

He stops walking. You stop too.

Finally, he turns to you, and God—his eyes. They burn, golden in the morning light, open and completely unguarded.

“You make me feel like I belong in a movie.”

Your breath stutters.

He exhales, shaking his head, voice quieter now. “And I fucking hate movies.”

A laugh bubbles up your throat, sudden and unexpected, and you can’t stop smiling.

He rolls his eyes. “Don’t make it a thing.”

“Oh, I’m absolutely making it a thing,” you tease, nudging him with your shoulder. “My grumpy, six-foot-four, emotionally constipated best friend just confessed he’s been hopelessly in love with me for years.”

His ears go pink. “I didn’t say that.”

“You did.”

“Shut up.”

You grin. “Make me.”

A pause. Then, he does.

This time, the kiss is gentler. No urgency, no desperation—just warmth. Just him. And as his hands settle against your waist, as your fingers curl into the fabric of his hoodie, as his lips move against yours with something quieter, steadier, you realize something very, very important.

For the first time in a long, long time—you’re exactly where you’re supposed to be.

With him.

But then, the moment stretches, and a thought occurs to you. An extremely essential thought.

You pull back slightly, blinking up at him. Tsukishima frowns. “What.”

You open your mouth. Close it. Then, after a beat, you blurt out, “So… does this mean we’re dating?”

His eyes flicker with something unreadable—half amusement, half exasperation. He doesn’t answer right away. Instead, his thumb brushes absently along your waist, his grip shifting slightly, like he’s still getting used to the fact that he’s touching you.

Then, flatly, he says, “I don’t know. Do you plan on kissing other people?”

“No?” You reply, your nose scrunching. 

“Then yeah.”

You stare. “That’s it?”

“That’s it.”

You gape at him. “Kei, you are the most unromantic—”

But then something flickers across your mind, something bigger, heavier. A thought that makes your stomach tighten, your fingers twitch against his hoodie.

You inhale. “Hey,” you say, softer this time. “How long?”

He watches you. “How long what?”

You swallow hard. “How long have you loved me?”

A pause. A long pause.

Tsukishima doesn’t flinch, doesn’t look away. But there’s something in his expression that shifts—something softer, quieter. His fingers tighten just slightly at your waist. And then, voice low, steady, like it’s the simplest thing in the world, he sighs.

“I can’t remember when I didn’t.”

Your heart stops. Your breath catches, your fingers clench around his hoodie, and God—what are you supposed to say to that? Because there’s no hesitation, no uncertainty. Just him. Just this. Just the reality of a love so deeply ingrained in the both of you that it has no beginning and no end.

You exhale—shaky, breathless. “You suck at romance, you know that?”

He rolls his eyes. “And yet, you’re still standing here.”

You laugh, bright and full, and before you can think about it, before you can overanalyze, you’re kissing him again.

It’s easier this time.

Because now, you’re sure. 

And maybe the universe really does have a thing for sadism, because somehow, against all logic, it made him your person. The same Tsukishima Kei who laughs at your mistakes and misfortunes, who calls you out for your delusions and idiocy, who makes fun of your collection of Smiskis and love of reality TV. But at the same time, this Tsukishima Kei would do anything for you, even if you have to beg and beg. This Tsukishima Kei has held you through the worst days of your life, has seen you at your lowest moments and stayed, has waited for you for years to see him the way he has always seen you.

And you think, feeling his hands tighten at your waist and his lips linger against yours like he’s memorising the feeling, that maybe, just maybe, the universe got this one right.

⨭ closing notes; i adore tsukishima kei so much. tbh i rly struggled w this work bc i had this concept fleshed out for so long and j cldnt execute it the way i wanted, but thank u to @kinaskorner for beta reading and for the reassurance <3 i hope u guys love this too!! if u made it to the end of this super long fic lol then thank u sm and i hope u have the loveliest day

[softdrabbles]

ashton was generally a pretty placid person but everything with daxton had an obvious effect on them. once upon a time they would have sworn that no matter how upset and angered they were by their twin, they'd never turn that anger on the people they cared about most until they had. their argument with carmen was proof of that. they wanted to believe that they could control their emotions around svea and the girls but now they just weren't sure and not having that control scared them. it scared them because they couldn't lose her. years of anger and abandonment that they had buried as a teenager was resurfacing and they didn't know how to deal with it, seeing how daxton was able to slip into something that numbed the feelings.

"i didn't know it was daxton when i got the message!" they argued back pulling out their phone holding it out to her, "tell me where it indicates that it's from them, svea?" they faced it back to them before reading it aloud, "b at jacksn reserv, 2pm. this bullshite ends now." they placed the phone on the kitchen counter scoffing at their partner's suggestion, "you cannot seriously be asking me that? that's ridiculous svea, of course i wouldn't. fuck, is that what you think of me?" they didn't blame her and of course she made a point with what she was saying. crossing their arms across their chest, they knew they needed help but were far too stubborn to admit it out loud. "you're acting like i put them in the damn hospital or something. do you know how many fights they've been in? too many to count and you know how i know that? because i was the one pulling them out! every. fucking. time. they have a few bruises and a split lip, they will live, svea."

they ran their good hand through their hair in frustration, "you don't even what? you may as well finish.." as if they hadn't had enough emotional trauma for one day, it seemed to keep coming, "i guess i'm not as perfect as you thought, huh? i'm just as fucked up as the rest of my good for nothing family." they bit their lip to feel something other than the pain of mentioning their family. they had to stop themself from having a complete breakdown over a situation that had a traumatic effect on them.

finally getting ahold of their breathing, they did their best to calm themself to a point where they could try and have a conversation with her. it was something that didn't last long as they listened to what their partner had started to explain to them. "you what?" the fact she'd gone behind their back infuriated them but also knew they'd be just as infuriated if she'd told them. "rich of you to school me on being upfront when you've been keeping this for months." they sighed as they paced back and forth, "i don't even know what to say to you right now. let me guess, they won you over with their stupid charm, just like they did at that party. none of you know what kind of shit they put us through. i'm really trying to give you the benefit here svea." they sat down on the couch in silence for what felt like an eternity, processing everything, before looking over at her, "i need help. i need you to help me. i don't want to be like this. i don't want to be like my parents. i don't want to be consumed with hate anymore or punch people to feel better. i don't want to lose you and i know that if i keep on this path, i will."

svea and ashton didn't really argue or fight. hell when they had disagreements they knew how to compromise, but these last couple of weeks have been nothing but them but stress. maybe not stress but they definitely were not seeing eye to eye since carmen's party. what ashton didn't know is that the way that ashton had reacted was a slight trigger for svea. jay had raised his voice before at her, and even though ashton didn't raise their voice at her it still made her wince. now seeing that ashton had gotten physical with their sibling, she felt uneasy about it. jay had thrown things towards svea but not directly at her — if that had made sense. her jaw was clenched; hands now on her hips as she listened to the other. " but you did lie, ashton! you just said you had some anonymous person telling you to meet them somewhere when it was daxton reaching out to you to meet them." the latter she knew because carmen had told them. svea knew it all and she was seeing if ashton would be flat out honest with her but clearly that wasn't the case. " so if daxton pleaded you to kill them you would?" it was an extreme exaggeration to make but it was the same gist of it all. not once had she thought that ashton would go out of their way to beat up their sibling. "i don't care that they pleaded because they know your hatred towards them. you take it to a punching bag or therapy or something !" " daxton is not to blame for what happened to you and carmen. i mean...fuck ashton. i don't even..." she really had nothing to say. honestly she didn't want to be in the same room as ashton currently. her blood was boiling but she was trying to remain calm and not to raise her voice as much knowing the girls were upstairs (and most likely listening in). what also ash didn't know was that svea had talked to daxton after reaching out to them. " daxton has been wanting to have a conversation with you since settling back into town. despite how small this town is, they were still trying hard not to get into your way but also wanted to reconcile things." the femme rubbed her forehead. " i know this because i talked to them after finding out about them. i reached out to see where their mind was at and letting them know how you would feel about them being around because i know you wouldn't."

[rowanthestrange]

yo look at her that’s an actual house

[ame-to-ame]

there are things that you don't do for a year or more and pick up just right where you left off and these days i fear loving you might be one of them

[bmpmp3]

I NEEED to go back to making art that makes it ABUNDANTLY clear that theres something wrong with my brain BUT NOT in a cool or stylishly interesting way. i need to do it in a way that makes people say "hm." and walk away

[vanyafresita]

actually, you know what ? im glad my ex gf ghosted me, i dodged a bullet it seems

[the-moogle-of-your-nightmares]

i am at this point very certain that i am legitimately, actually cursed. the only degree to which this is metaphorical is that there's not a word for it that doesn't imply supernatural means, instead of ones that can be explained by science but haven't been yet.

[lucybellwood]

Lemme tell you a gay little story about an eagle.

Our town (~9,000 people) has a couple garages, but there's a big one on the main drag. My family has been going there for decades. I drive past it every day.

There used to be a huge pine tree on the corner of their lot, but last year it became a hazard and had to be taken down.

Shortly thereafter I drive by and see they've hired a guy to chainsaw sculpt the stump into a bald eagle.

Birds own my heart, but nationalism makes me twitchy. I withhold outright condemnation of the eagle, but I'm skeptical. (The original owner—an objectively Good Dude—sold the business to a younger couple a few years ago, and I don't have any knowledge of their whole deal.)

Then it turns out someone on staff is really into making costumes for the eagle. Every holiday. Every month. Stuffed turkey, witch costume, menorah headpiece, bunny ears. These people love to dress their bird.

The changing of the eagle suit becomes a source of joy every time I drive through town.

Until June, when the eagle is bare.

Now look, maybe I'm expecting too much asking my garage to celebrate Pride. But this is a small town. Every time I drive by that stupid eagle—this thing that has previously brought me so much joy—I feel hurt. I feel reminded that there are plenty of people in my liberal bubble who don't consider my community worthy of celebration. I drive to work, I feel bad. I drive home, I feel bad. The eagle is mocking me.

Then my A/C quits working.

So I book an appointent to bring my car in—and realize what I have to do.

I pick all this up at a thrift store for under ten bucks. I print the shirt with some weird heat-transfer fabric crayons I find in a cupboard. I loop gold elastic around the sunglasses and pray they'll fit on the eagle's head. (It is also important to draw your attention to the price of the feather boa.)

(Nice.)

My reasoning is thus: if I show up with a complete costume ready to go, someone will have to look me in the eye and say "We don't believe in that," at which point I'll be finding a new garage. But if they let me dress the eagle, then people in town get to have the joy I've been missing since the start of the month.

I listen to a lot of hype-up jams on my way over. I hate confrontation. I also don't wanna have to find another garage. I want to believe that this decision isn't actively antagonistic, but I'm not particularly hopeful.

I talk through the A/C issue with the guy at the desk, hand over my keys, then take a deep breath.

"Who's in charge of the eagle?"

"Oh, that's all Dylan. Second bay from the end."

I walk down the row of hydraulic lifts and find a disarmingly smiley middle-aged man pouring fluid through a funnel. I introduce myself and explain that, since the Pride parade is this Sunday and the eagle seems to be missing a costume, I have taken the liberty of making one myself, and can I get his blessing to go put it on?

Dylan grins this absolutely giant grin and goes

"Oh hell yeah."

So that's what's up now.

Happy Pride.

[random-thot-generator]

Ghost decides after one blind date that you're going to be his.

>>>>>

Simon isn't used to dating. A quick hook up in the loo, sure. A drunken one night stand? He's had too many of those to count. But proper courting? Hell, it's been years, maybe a decade, since he's taken a bird out on an actual date.

It's probably going to be a disaster, but he gave Johnny his word he'd go out with his bird's best friend, so he can't back out now. He'll just have to grit his teeth and power through it.

His sour outlook for the evening is forgotten the second he sees you walk in with Johnny's bird. You're no tipsy tart on the pull, like the birds he's used to dealing with. You're a proper lady, dolled up nice for your date with him. It makes his chest feel tight when he gets a good look at your pretty face and nervous little smile.

His usual gruff manner is obviously not going to fly with you, so he quickly tries to recall the mannerisms he's seen his captain use around women. He gets to his feet with Johnny when the two of you reach the table, trying his best to look less intimidating.

Johnny introduces the two of you, and Simon melts inside when he takes your soft little hand in his for the first time. His brain goes fuzzy, dark eyes glazing over, and he's not sure what he says when he greets you, but it earns him a smile.

"It's really nice to meet you, Simon," are the first words you say to him.

Your voice is soft and sweet, and the way you say his name? Oh, he's gonna need to hear more of that, and often.

For the first time in a long time, Simon's worried about what someone thinks of him. He's worried he'll put you off with his harsh manner. So, he minds his words and gentles his tone. He slows his steps to match your pace and tucks your small hand at his elbow to keep you close and safe. He's holding doors and pulling out your chair. He compliments your dress and hair.

And when your heel catches on the sidewalk and you stumble, he doesn't bark a laugh or say something mean, wouldn't bloody dream of it. No, he catches you before you fall, and all that softness in his hands makes something shift in his brain. You're such a fragile little thing, delicate as spun sugar. You need a big nasty mutt like him to protect you, take care of you, and he's more than willing to do the job.

When the date is over, Simon sees you home, and you kiss him on your front stoop. It's not all groping hands and tangling tongues. It's a gentle press of lips, his big hands cradling your face, the sweet intimacy making his eyes flutter shut. He's floating when he finally gets back in his truck and drives himself home.

Instead of going to bed, Simon begins to formulate a plan of strategy. He figures it'll take a few more dates before you invite him into your flat, and several more after that before you invite him into your bed, then eventually into your life. It might take months, even a year or more. That's alright, though. If his years in the military have taught him anything, it's patience.

Simon knows how to play the long game. He'll go at your pace, let you get used to having him around, then make himself indispensable to you. No one will treat you as good, meet your every need and desire the way he will. He won't stop until he is your world, your reason for being. Your everything.

And when enough time has passed, he'll claim you completely as his. He's going to put a ring on your finger and a baby in your belly, then tuck you away safe and sound in one of those cute country cottages he looked up online. You'll be his little missus, and he'll be your tamed beast, keeping his teeth and claws hidden but at the ready.

By the time he arrives at your flat the next evening for your second date, he's already got your engagement ring in his safe at home and the names of your future children picked out.

And when you text him the day after to invite him for dinner, the new name he replaced yours with pops up on his screen.

It says 'Missus Riley', of course.

-

[keypostos]

caleb is 10 when he realizes that he's a physical touch fiend. the rush he gets when his hand lingers on top of your skin after playing with you is like no other. when he presses into your side while you're reading, his thoughts always circle around one topic: you, you, you. when you would run into his room after a nightmare, caleb was ready to swoop you in his arms and hold you until you fell asleep. every response towards you was involuntary.

caleb is 15 when he realizes that teasing 13-year-old you becomes irresistible. when he holds up your book, pencil, or some other item in the air, he watches as you jump up and down to try and grab it back. he's grown a lot in three years; if he had to estimate, he's a whole head taller than you now—20cm at least.

when you throw yourself onto him in an attempt to get your stuff back, he falters. you're laying against him on the couch, shuffling and moving up and down over his body, and caleb's breath hitches. you're so close and right there.

he's going insane. you can't even stand up for five seconds before caleb pulls you down against him once more, saying something about retaliation or revenge while tickling you to death.

caleb is 20 when he's about to leave for the DAA. there's an air of silence around the house. you've trapped yourself in your room more often, stressing over your senior finals. at least, that's what you've been telling him.

"i'm sorry caleb, i really need to study for this test."

"oh! i totally forgot about that project i had due tonight. shit, i'm sorry caleb. we'll have another movie night soon, okay?"

he doesn't know if you're actually this busy or if you're actually ignoring him. all he does know is that he misses you. he wonders about how he could miss someone who was in the room across from him. you were so close, but so far.

when you found out he was leaving—though you had a grin on your face while congratulating him—caleb knew you were devastated. he wondered if you were secretly mad at him for leaving.

two weeks before his departure, he practically forces you to be around him. he laid down next to you like before. he stroked your hair while you napped on the couch. he teased you and picked you up so you could hit him and grab him like you used to. he always chose to put his arm around you during a movie. he dragged you by the hand all around the neighborhood. he needed to all of that again, a thousand times more.

but at 24, it seems like there may have been a wedge between the two of you. calls are more and more infrequent.

"sorry, space signal sucks," he'd type.

"sorry, i was busy with training!" you'd reply, 2 days later.

he thinks that he would do anything to go back to before. he hasn't felt you in months. he sees you only twice a year.

it's hard. it was excruciating during the first few weeks. not only was he dealing with bootcamp, but he always found himself looking to his side, thinking you'd be there with him. at night, you were there, right next to him in bed.

he imagined that you would whisper words of reassurance in his ear. you'd hold onto him like you used to, when you had nightmares, and wrap your legs between his. there were days where we stroked his necklace, wishing that it was your hand instead. what he would give to have you next to him.

all he wants is to be able to feel you again. he chastises his 10-year-old self for taking you for granted back then. he wants to feel the apples of your cheeks when he caresses your face. once,—when he was 13 (you, 11)—he did that, and he thought you had a fever the way you warmed up. if he could, caleb would build a time machine to go back to that.

caleb is 25 when he is out of your life.

he thinks about you every day. it reminds him of when he was in bootcamp five years ago. it takes him back to when he was fifteen; you were on top of him, and his brain was fried to a crisp. caleb wonders if he's always been this way, because he can recall that at ten, you were still the only thing consuming his mind.

even during his arm repairs, you're there throughout all the pain.

when you discover his metal arm, all of caleb's instincts point to the door. he's spent so long trying to hide it from you: it's the constant long-sleeves (even though they made him incredibly uncomfortable), or making sure to only touch you with his left-hand (even though he wanted to pull you in with both hands).

but he stays. because it's you.

you freeze momentarily, listening to his writhes and moans of pain. caleb only notices you're there when he feels your hands brush his shoulder. he jolts back in surprise, and he sees you looming over him.

he stammers something, not even sure of what he said because you're here. you see him. you see it.

caleb's wanted this for so long. he wanted to see you again, in a state where you were both vulnerable, like old times. however, that moment probably wouldn't have come if he doesn't confess about this, so he relays the details.

you listen attentively, eyes wide with shock as caleb goes on. your hands wrap around his metal one, and he feels nothing. it's agonizing. he sees you examine him so gently. your fingers trace over bolts and plates of metal, lightly stroking up and down his arm. and caleb feels nothing.

how often has he dreamed of this? for you to be touching him again, so intimately and softly? he's stayed up countless nights wishing for you to be here, just so he can put his arms around you in a crushing embrace, only to be incapable of feeling you on one side of his body.

you pull away from his arm, asking if the fleet was accountable. when he doesn't say anything, he feels your weight lift off the bed and go towards the door.

whatever happens next is involuntary. he uses his flesh arm to pull you back, caging you between his forearm and his chest. there's no thought to it, no rationalization. it's just you and him. and he's been deprived of this for so long.

he breathes into the crevice of your neck, and he has half a mind to place his entire face there. he wants to breathe you in after being away from you for so long. no conversations, no contact, no touching. the last time he was this close to you was years ago. he needs this, caleb thinks.

the feel of you against his bare chest is something he cannot seem to describe. it's like he's his teenage (or even kid) self again, where he seems to short-circuit whenever he comes in contact with you. you're still small compared to him, but you fit perfectly like you did a decade ago.

he lets you go after he feels you trembling. you don't hesitate to place your hands on his waist and tackle him onto the bed. you catch him off-guard as you pin him beneath you, looking straight into his eyes.

"hold me," you plead, "with your right hand."

caleb lets out a shaky breath. there are voltages of electricity flowing through him—literally and figuratively. his skin sparks alive when he feels you. will it be the same with the metal arm?

slowly, caleb raises his mechanical arm. he wraps it around you, and feels the movement of your back shift downwards. you released a breath you didn't know you were holding. caleb held his.

you wait patiently before caleb starts running his metal hand up and down your back. you watch him exhale as he continues. you press your forehead on his, and you breathe in tandem with him.

caleb is 25 when he discovers that he loves physical touch.

wow like i didn't expect this to get so long... but like here we are???

i think we need to start embracing touch-starved caleb in all of our fics. this man hasn't seen the love of his life in YEARS (infrequently, anyway) so i think once she touches him (like INTIMATELY) for the first time in years he goes a little cray.

also sorry the ending was rushed i wanted to get this over with bc i intented this to be like 500 words but obviously it got way longer than that. what can i say... this freak has dug into my brain.