#sanzu like the river to the afterlife from japanese mythology

[tysonfurybattlepass]

the smilodon fatalis is now named Sanzu. democracy dies with me

[crescentmoonrider]

If this unreliable self can become someone... - Part 4 (Annotated Edition)

Yuuta falls ill. Toji wouldn't say he was expecting it, wouldn't say he knew the gods would never let him have something good without taking it from him again, wouldn't say this knowledge terrifies him. There's nothing he can do anyway. -or- After a summer storm, Yuuta wakes up in front of a bridge, Rika-chan by his side. She looks so much smaller than he remembered. [Edo AU]

read on AO3

read on FFn

For the final time, welcome to my research notes for this series ! I hope you enjoyed the ride, I certainly enjoyed working on this project on my end ! I hope I can revisit this universe someday, I certainly have some ideas left, but for now this is the end.

Thank you to everyone who decided to try out this weird little story of mine, but now, on to the historical notes !

Face the river Sanzu and walk backwards into life

The Sanzu River (三途の川) is what separates the world of the living from the afterlife in Japanese Buddhist mythology. Before being allowed to cross, you have to pay a toll of 6 mon, and then there are three ways to cross it, depending on how you lived your life. The simplified version is this : the righteous can simply walk across the bridge, most people find themselves having to go through a ford, and the wicked have to swim in the waters (that just so happen to be infested by dragons). Of course, as with all myths, there are variations, and I had personally never heard of the ford crossing before doing research for this fic.

Also, the riverbank is supposed to have red spider lilies on it, leading to these flowers being associated with death (also, they bloom in early fall). So if you’ve ever wondered why these flowers are so prominent in, say, an anime like Jigoku Shoujo, this is why.

Of course, all of this serious talk about death is kind of undermined by my usual title bullshit, this time featuring the iconic dril tweet “If the Zoo bans me for hollering at the animals I will face God and walk backwards into hell”. Such a good line, honestly

“There’s fields around the road, but no one working in them.”

Toji was raised as an old-fashioned samurai, and thus doesn’t know shit about agriculture. Depending on the crops, summer might very well be a period where you mostly stay home and do other work, like cut wood to prepare for winter, work at the loom, maybe go into town to sell other products, because your fields just need to grow, and they’re not going to grow faster if you stay nearby.

I also very purposefully did Not specify what kind of crops are growing in these fields, one because I doubt Toji would be able to differentiate between (for example) millet and buckwheat, both of which were grown in Japan even before the Edo era. Surprise, people didn’t just eat rice ! Turns out rice is a pretty finicky plant, and most fields just can’t grow it properly.

But also uh, I didn’t want to have to figure out the harvest periods for various crops to make sure no one would, in fact, be in the fields at the time this part takes place. Which would be around August ? I think ? Anyway, feel free to theorize on what’s growing in these fields with that knowledge haha

Pilgrim

Pilgrimages were surprisingly highly codified during the Edo era. Or maybe it’s not that surprising. The shogunate at that time was pretty big on laws and social structure.

Anyway, the point is that, in part because of the belief that outsiders to a community would be a corrupting influence, laws called tochi kinbaku (土地緊縛, literally “binding to the land”) were put in place to limit the movement of regular folk.

As a result, people who wanted to go on a pilgrimage to one or multiple temples (with very few exceptions, pilgrimages in Japan target Buddhist sites), out of religious fervor or to pray for recovery from an illness – these people would have to fill the appropriate paperwork with the authorities of their hometown in order to get a permit, maybe fill more paperwork on landing if they went to Shikoku, follow specific routes in a predetermined time limit that usually didn’t allow them to stay in towns more than one night, and get their permit stamped at every temple. Local authorities, be it daimyo bureaucracy or village officials, would be allowed to check the permits of people coming through at any time, and would in turn report to the shogunate.

Now then, how realistic is it for Toji and Yuuta to be on the road all the time, with this in mind ?

Well, for one, the reason pilgrims were limited to specific route is that, you know, turns out that unless you want to build a wall all around your domain (with the exception of a few gates), it’s pretty much impossible to really regulate people’s movements. Also, between Yuuta’s knowledge of plants (and travelling healers were a thing at the time) and Toji’s physical strength, I have no doubt they would be able to make themselves very useful to the locals of whatever town they’re passing through, and thus wouldn’t get into too much trouble with the authorities.

And well, I guess Toji can always fuck the mayor if he risks getting thrown out ú.ù

Kayu

It’s congee. Yuuta is in fact getting his sick people food

Kakebuton (掛け布団)

The blanket part of the futon. I know these notes are getting short, but I’m writing them in parallel with the story, at the same time as I’m writing the second draft, and I’m kind of getting caught up in the emotions

Namu Amida Butsu (南無阿弥陀仏)

A phrase meaning “I take refuge in Amida Buddha” at the core of the Pure Land doctrine. Followers of this school of Buddhism believe that chanting this phrase will lead them to attain rebirth in the Pure Land of Amida Buddha, even if one only chants it on one’s deathbed after a life of evil acts.

Originally, the principle seems to have been to meditate on Amida Buddha rather than simply chanting the phrase, but current Nenbutsu practice focuses on recitation.

“They were eleven.”

Until pretty recently (I’d say Meiji era, but this one I’m really not sure about), ages in Japan were counted from birth. So a two days old baby would be one year. Rika’s age was the same as canon when she died in this world, it’s just the counting convention that has changed

[horror-bibiru2]

[Game Theory] FFV:MOBW  - Primordial Waters | Life, death and rebirth

Mt.Hikami’s Unfathomable Forest is based on Aokigahara (lit. 'Blue Tree Meadow') and interestingly to this topic is also known as the ‘Sea of Trees’. Aokigahara sits at the base of Mt.Fuji, where trees sprouted out of cooled lava after a major eruption and is the perfect analogy for death/destruction and creation or rebirth. In the game, Mt.Hikami features a Volcanic crater lake and happens to be the site of a gate to the underworld. We know that it’s Volcanic due to various mentions of the Mountain “rumbling”, the presence of hot springs and flavour text stating that “A yellow substance has crusted around the rocks venting steam. The stench of sulfur fills the air” at twilit peak, sulfur being attributed to hell. Human history is rife with stories of trying to appease angry volcano gods, and although when active the result is undeniably fiery, there are also ties to water deities in places such as ancient mexico as rain clouds often converge at their peak and pilgrimages were made to the top to offer sacrifices.

That being said, this particular setting is based off of Mt.Osore. Wiki states it as being “a Buddhist temple and folk religion pilgrimage destination in northern Japan. The temple is located in the caldera of an active volcano and is believed in Japanese mythology to be one of the gates to the underworld.” Additionally Lake Usori, which can also be found here, is connected to a brook which has been equated to the Sanzu River, similar to the greek river Styx, it serves as a boundary between this world and the next that souls must cross, however the weight of one’s offenses determine how difficult the crossing will be.

Fatal Frame V: Maiden of Black Water introduces Mt.Hikami as an infamous suicide spot, people would travel here to have a “proper” death in the presence of a Mikomori who would “glance” their souls before they pass from this world. Many folklorist notes throughout the game mention that life and death are both connected to water. This stems from the belief that the soul comes from the water, and returns to it in death. As you explore Mt.Hikami you will notice various styles of Jizo statues, a type of Bodhisattva, scattered around, especially towards its peak, often accompanied by pinwheels - a common child’s toy, and can be found throughout the forest path around the doll shrine. Jizo can commonly be found along roadsides and in graveyards and is the protector of the souls of children. Jizo Bosatsu is also the deity associated with Mt.Osore. In Buddhism, whilst souls must cross the Sanzu river, Children who died by the game’s logic, before the age of 7, cross over at the Sai no kawara with the aid of Jizo who protects them from attracting the attention of Oni and other malevolent spirits who might try to take them. In Japan they can be found at shrines dedicated to Mizuko Kuyō, a sort of memorial service dedicated to stillbirths, miscarriages and aborted fetuses. Mizuko meaning “Water child” and water referring to “the water of the womb” or amniotic fluid. It might also be important to note that the name Mikomori stemming from "water" (水) (mi) and "cage, basket" (籠) (komori) is associated with child nursing and/or pregnancy.

The game tells us that the Shrine of Dolls, located in the centre of the forest, was dedicated to the souls of lost children. People would travel here with dolls in the likeness of the deceased child, a sort of effigy or vessel containing a name, hair, teeth or bones to tether the soul to it. Below the Doll Shrine runs the ‘Womb Cavern’, which is presumably the result of a lava tube. Before the creation of the shrine to house the souls of the deceased, travellers would throw the “Hitogatami” dolls into the mountain’s sacred rivers, purifying them and sending them on their way to the afterlife. The dolls would pool in the womb cavern. During the game we are introduced to a group of 3 children. Unlike the other ghosts of the area, you do not learn how they died, this is probably because they perished elsewhere and their spirits were transported to the mountain by doll. It is possible that the children were unable to pass into the afterlife due to the unfit state of the mountain, so instead they are in endless play, accompanied by Shiragiku as they traverse the mists of Mt.Hikami. Although they are considered hostile to the game, I am unsure whether their souls are tainted by the blackwater, as Shiragiku seems to act as a ward for them. Likewise, the Jizo statues around them should protect them from being noticed by the surrounding tormented spirits.

Reliquaries with human sacrifices inside can also be found in the womb cavern, this is because the womb cavern catches and traps excess black water flowing from the Shadow Spring, stopping this cursed liquid from essentially flowing and spreading to other locations. The Reliquaries work as filters, purifying the water, absorbing the suffering and sin. However these maidens of black water can only handle so much suffering of the souls they watch over on their journey into the afterlife. If the shadowspring overflows and the Womb cavern is under threat of bursting, the mountain rumbles, signalling the need for a new human sacrifice.

The Shadow Spring - the caldera lake at the peak of Mt.Hikami can be considered primordial water. Life is born of maternal waters and thus the powers to do so are feminine, making being a female a requirement when becoming a Mikomori. Large bodies of water can also be considered not only as a source of life but of chaos. These chaotic primordial depths or abysses also have strong connections to the afterlife or hell. The roles of the Mikomori are similar to the roles of the Firekeepers in Dark Souls. In both cases these women are vessels for the symptoms of “Humanity”. Where the firekeepers receive dark spirits and the effect of the curse or “sin”, the Mikomori take on human suffering that dampens the soul. This nips at their soul, for the firekeepers, this results in great pain and scarring, for the Mikomori “pillars” it erodes their own soul until there is nothing left and they “dissolve” into the water.

Likewise, the Shadow Spring could be equated to the theory of ‘The Deep’ in Dark Souls III. The Deep Sea was clean and sacred, before it was contaminated by “Dregs”, human souls who were heavy with sin. As they sank to the bottom, as is the nature of water, it would begin to rise and spill out. Bringing with it the age of the Deep Sea. This process is inevitable but in both games, the attempt to medicate or delay the result is made. These ideas of “The deep” or abyssal spaces share similarities with Abzu, the primeval sea below the void space of the underworld in ancient Mesopotamian belief. The Mikomori bear the pain and suffering of human souls and return it to the waters. Humanity is born of contaminated maternal waters - being born of sin, and so the cycle continues until there is no more room in hell, or the underworld, and the flood gates are opened, bringing with them a new age.

[takonei]

Beta AU - Main story, Chapter 4, daily life (Part 2)

Note of the author: Ok uhhhhhh I didn’t expect that shit to be that long so the daily life parts (normally ‘1 part = 1 day’) are going to be '2 parts = 1 day’.

Chapter 4: Dance, dance, hanged puppets - Daily life

Day 14 since the beginning of the game.

7:30 AM.

Shuichi woke up earlier than expected.

Not because he gave up on sleeping. He simply didn't feel like going back to sleep.

He rubbed his eyes and glanced at the grey card on the table, in the middle of the room.

The ‘Sanzu key’ as Monokuma called it.

What was he even planning?

The violinist took a shower, trying to forget about those worries for a while.

But he couldn’t.

Monokuma’s motive always came the day after the new labs opened. This time they had a part of the motive, but the bear specified that the whole thing was not ready yet.

What did that even mean?

After his usual routine, he left his room. Surprisingly, Kirumi was leaning against a pillar, and Miu was laying on the ground, head resting on her arms, staring at the ceiling.

Ryoma was also there, fidgeting with his Sanzu key.

The others turned to Shuichi.

“G’morning. Breakfast canceled, we stay here.” the street artist said with a hint of sarcasm.

He blinked. “What’s... Happening?”

Kirumi shrugged. “No one knows. The dormitories’ door is locked, so we can’t go out. We’re locked here.”

... What? Was that the motive? Being quarantined in their rooms? That sounded like a bad joke.

“We tried calling Monokuma and even the monokubs and no one came.” Ryoma explained.

That sounded fishy. Extremely fishy.

They could only wait.

Rantaro, Kiyo, and Tsumugi came out of their rooms one by one. The situation had to be explained each time.

...

8:00 AM.

The morning announcement rang, but the message was different.

“All students are required to go out of their rooms, this is a direct order from the principal of the academy!”

Did Monokuma want them all at once? Usually, when an announcement was made they were all supposed to go to the gym. Why the dormitories this time?

Speaking of the devil, the bear and his cubs appeared before them.

“My, my! It’s as though almost everyone is here!” he cackled. “Only Mr. grumps and Mr. gloomy are missing!”

Shuichi flinched at the nicknames.

The two cubs started their shenanigans that Shuichi didn’t even bother listening to.

The only emotion he could feel when the monokubs appeared was a pure annoyance. Not even hatred. Pure annoyance.

He couldn’t even bother being mad at them. It just felt like each time they visited them, his only desire was to see them disappear forever.

Minutes felt like hours, Shuichi silently praying for Kaito and Kokichi to just come out from their room already so the green and red bears would shut up.

Kaito was the first to come out, surprisingly. his appearance was less messy than yesterday.

Shuichi noticed him glancing at Miu, the latter avoiding his gaze.

He muttered a quiet “Hey.” as he came down the stairs. The biker immediately separated himself from the group to lean against a pillar.

After another couple of minutes waiting for Kokichi, the boy opened his door, stumbling out of his room. He didn't seem to have slept well.

“Next time, do not come late to the principal’s announcement! I’ve waited way too long for you two to come out!” he raised his paws in the air, voice a bit too loud for the two who had woken up minutes ago.

“So, what do you want from us this time?” Rantaro was straight to the point.

“Sheesh, stop being so eager for the motive, I can’t even prepare the surprise!”

So it was the motive.

“Anyway, let me present you the next motive, starting from today to the moment someone dies...”

“... The Sanzu garden!”

That raised more questions than answered them.

“And what is the ‘Sanzu garden’?” Ryoma raised an eyebrow.

“To put it simply, this entire academy was renovated just for you guys!”

Something that involved the whole academy?

“Before explaining the motive, perhaps I should tell you a story passed through generations... Have any of you heard the legend of the Sanzu river?”

Tsumugi put a finger on her chin. “From what I’ve heard, the Sanzu River is a mythological river of the Buddhist religion. Souls joining the afterlife must pass the river by one of the three crossing points, depending on the actions they made in their life, also known as ‘karma’.”

Kokichi visibly flinched at the explanation.

“Great! I may also add that a cost is required to cross the river. Six mon to be specific.” the bear explained.

“In other words, this academy has been transformed into a great garden! And the cost of living for another day must be paid! However, the cost isn’t six mon like the legends told since we live in a modern society with better ways to pay your lovely headmaster!”

Kaito raised an eyebrow, arms crossed. “So what, someone must kill within 24 hours so the others can live?”

“Better! That’s where your Sanzu keys play their part! They serve as bank cards to pay your fee to live for the next 24 hours!”

“Wh- bank cards??” Miu exclaimed, taking out the card.

“There are two locks with your icons hidden in the academy, specific to each of you. You will have to activate the locks each day with your card keys to continue living. One lock must be activated between 8 AM and 3 PM, and the other between 3 PM and 10 PM. It doesn’t matter in which order you activate the locks.” the bear explained as everyone listened carefully.

“Also, do not even try to activate another person’s lock! This will not work in the slightest! And the locks’ placements will be different each day! They can be in the labs, common rooms, and even outside!”

Rantaro, who had sat down, joined his hands. “Let me get this straight. We have to use cards on locks two times a day and look around the academy to find them?”

“Where’s the catch.” Ryoma bluntly asked. “That’s way too easy. There’s a catch.”

The bear laughed. “Puhuhuhuhu... I’m glad you asked! The catch is also the reason why we are meeting in the dormitories after all!”

This did not reassure Shuichi in the slightest.

“Did you know? The Sanzu river takes its name directly from the Japanese ‘San’, meaning ‘three’ and ‘Zu’, meaning ‘way’ for our non-japanese audience!”

... What?

“This garden has a similar mechanic! There are only three choices offered to those entering it!”

“... To die, to kill or to suffer.”

... Huh?

“This academy is a garden of traps in every corner. Both outside and inside. From pitfalls to spears to arrows to spikes, everything is here to hurt you. But my favorite part is...”

“... Some rooms will lock themselves and whisper your worst fears to you.”

“Of course, none of the traps will actually kill you, that would be a shame if someone was accidentally killed!”

“But I meticulously put everything in place so you guys could enjoy this academy of nightmares!”

Monokuma raised his paws in the air with excitement.

... This could not be real.

An academy of nightmares??

“There is one zone that is free of danger, which is where we’re standing!”

“The dorms are safe?” Kirumi raised an eyebrow.

“Thaaaat’s right! The dormitories are the only place without any traps!”

Shuichi couldn't even say anything.

As if the academy wasn't already the place where they all had to kill each other, it just had to be trapped for the sole purpose of making them suffer?

What did whoever put them into the killing game even want from them?

If he even dared to ask Monokuma he would probably say "despair".

And at this point, is the truth even worth knowing?

Was there even an explanation of why they had to endure this?

"Of course it would take a loooong time to search through the whole academy for the locks, so I'm giving you one hint each day! They will be available on your monopads! How generous of me!"

Shuichi wanted to vomit.

This entire motive made no sense.

"That was all the explanations for the motive! Any questions?"

No one even dared to speak.

That was even worse than the last motive.

Even if he even managed to survive, what even would be the next motive?

"No? Then good luck! And don't forget..." the bear smiled.

"The garden will be shut down when a dead body gets discovered."

He left immediately after, the two remaining monokubs following behind.

Everyone stared at each other.

Rantaro slowly approached the door and opened it.

No traps were visible, but Shuichi knew the moment someone would set a foot outside a trap would activate.

"Give me a sec." Ryoma approached his dorm and entered the room.

About a minute later, he came out with a set of tennis balls, supposedly won at the monomono machine. He took a ball out and threw it outside.

... Nothing happened.

"Was Monokuma lying about the traps?" Shuichi raised an eyebrow.

"I think it just means that it's not a trap activated with a motion sensor. There's a possibility the trap is activated when you step foot on one of the path stones." Kirumi shook her head.

"Before we go head first and get us all killed how about we get organized? We know the dorms are the safe spot of the academy, so we'll likely spend most of our time here." Rantaro turned to the others.

"We'll still have to go outside to find the locks." Kiyo added. "We will have to think collectively or else we will not keep up for long."

Shuichi checked his monopad to see what the hints were.

Memories of lavender.

Senses and intuition ~ Follow your heart.

Of course it was going to be some kind of riddle that he didn't get.

"So? What's your plan, boss?" Ryoma asked Rantaro, hands in his pockets.

He pondered for a moment. "First off we should move as much food as we can to the dorms. It will be safer to eat here than in the dining hall."

Kirumi nodded. "Although for now, we should focus on searching at least one of our locks. We have a time limit for each of them."

"But... Do we separate or do we go in groups?" Miu asked.

Rantaro sat down to think. "There are nine of us. Since I think it's too dangerous to leave someone by themselves, I suggest we go by groups of 3 whenever we move from here."

"And our groups shouldn't change for the day so no one gets confused." Ryoma added.

... This clearly wasn't appreciated by some of them. Noticeably Kaito and Kokichi.

Tsumugi crossed her arms. "So? Who gets with who?"

"I suggest we separate Ryoma, you and I since we're probably the most qualified to detect the traps." Kirumi raised a hand. "One in each of the groups seems reasonable."

The prodigy nodded. "That is fair."

She took a few steps away, and so did Ryoma.

After some debating, the groups were made.

Rantaro, Ryoma, and Kaito were the first group.

Kirumi, Kokichi and Miu were the second.

And finally, Shuichi, Tsumugi, and Kiyo formed the last group.

"So now it's pretty much 'the first group finding all their morning locks gets the food'?" Tsumugi fiddled with her hair.

"For now, that is the plan. If we find each others' locks, we share the info however we can." Kiyo replied.

"Well, how do we even do that?" Miu tilted her head to the side. "If we're separated, we can't do anything."

Shuichi pondered. "The most we can do is yelling, I mean my hearing is pretty developed but there are limits to it..."

Ryoma fixed his beanie. "We'll only better our strategy if we face the danger at least once. Staying here won't do any good."

The others agreed.

The strategy was fixed.

The groups would go out one by one by intervals of five minutes to investigate where their lockers would be.

Kaito, Rantaro, and Ryoma left first. The others watched them go to see if everything was fine. They were walking slowly to make sure they didn't activate anything.

For now, everything seemed fine. But Shuichi preferred not to get his hopes up.

The two remaining groups talked about their riddles. They looked pretty strange.

"Hey, Kiyo... Do you have an idea of what my riddle could mean?" he asked the therapist.

"Let's see..." he took the violinist's monopad and read the two sentences. "I don't think your riddle is too far fetched. Does the color purple remind you of something nostalgic and positive?"

He pondered. "I... No, I don't think that's it."

Kiyo shook his head. "All theories could be right. Your riddle says to 'follow your heart'. Your answer could be right."

He looked at the tablet for a moment. "My... My cousin has lavender hair. And I do miss her."

Then it clicked. "Ah! My lab! That's where Miu made her portrait when we got the motive videos!"

Kiyo weakly smiled. "That sounds plausible. We will check your lab once we get to the main building."

Shuichi stared back at the tablet. "So was that the first or the second quote?"

The therapist shook his head. "I don't think one quote is for one lock. Both locks must be linked somehow."

"So the other lock is also hinted by the riddle?"

"I think so." Kiyo nodded. "Perhaps..."

He pointed at the second quote. "You found a potential solution with your intuition. So the second could be linked to your senses."

"My senses...? Something purple that could be linked to my senses?"

Hearing? No. His lab was already for one lock.

Taste? The only thing popping in his mind was that type of soda with a taste you could only describe as 'purple'. Which he didn't like in the slightest.

Touch? That would be unlikely...

Sight? Too vague...

Smell? That could be it since the riddle said 'lavender'. Perhaps...

"The wisterias from the courtyard? They're purple, right?" he raised an eyebrow.

"Does it remind you of something nostalgic?" Kiyo asked.

Shuichi weakly chuckled. "My cousin always had two long braids. Somehow it always reminded me of those flowers..."

Kiyo put a finger on his chin. "So both of your locks are related to one person. To me, we are on the right path."

Just as they stopped talking, Kirumi's group was prepared to go.

Well, Miu and Kirumi were prepared to go. Kokichi was barely keeping up.

The two girls made sure the smaller boy was following when they left, nervousness written all over their faces.

The three ones left in the dorms looked at each other.

"So, did you two find out where your locks could be?" the prodigy asked.

"I'm guessing one is in my lab, and the other should be at the pool." the therapist replied.

Tsumugi nodded. "Good, good. And you?" she turned to Shuichi.

"Oh, um... I think one is near the wisterias and the other should be in my lab as well..."

She frowned. "Three in a row."

"Huh?"

"All of us have a lock in our respective labs. I'm thinking Monokuma put them here as some sort of guide for the first day. The next days are probably going to get harder and harder."

... What did 'harder' mean?

"What about you, then?" Kiyo asked.

"One should be in my lab. The other in the library."

The therapist nodded. "I see. Do you have a strategy for which places we check?"

She started pacing around slowly. "We have both of them in the main building except Shuichi who has one in front of the dorms."

She stopped. "For now we are also requested to help to transport food to the dorms, but there's a possibility the other groups will be done with the locks before us. So I think we should go to the ones that are not in our labs." She narrowed her eyes. "Although for the next days we should find out the locks' locations before forming the groups."

They nodded.

Enough time had passed since the last group left, so they decided to go as well.

They reached the wisterias with no problem, and a black podium with an icon was indeed there.

Before they could go under the pergola, Tsumugi glanced at the structure. She took off her jacket and threw it on the table. Spikes suddenly rose from above, impaling the piece of cloth before it could reach the table.

"... We'll have to find ways to activate traps in advance. We won't use my jacket each time. The tennis balls were pretty effective." the prodigy picked up the jacket from the floor where it had fallen.

The three made their way to the podium, which had Shuichi's icon on it. A red LED was on, indicating that the violinist had not yet activated it.

After taking out the Sanzu key and approaching it to the icon, a small jingle rang, with the LED turning green.

At least the 'paying' process was easy.

"Next up is mine, at the pool." Kiyo turned to the two.

Surprisingly, their way to the main building was quite silent. 

Perhaps the paths outside were never trapped, and it was only the main structures?

Kiyo carefully opened the door.

A black podium was right beside the deckchairs.

He glanced around to see if there were any traps, and carefully approached the podium. After the small jingle rang, he joined the others so they could move on.

Two out of three.

Something didn't feel right for Shuichi. That motive looked way too simple.

Would it be like Tsumugi said, that this was going to get harder and harder with time?

They left the pool and approached the door to the main building.

When they opened it, Shuichi took a step and immediately stopped when an arrow was shot right in front of his face.

"Ah!-"

He took a step backwards and touched the bridge of his nose.

Pecks of blood tainted his fingers.

"Are you okay, Shuichi?" Kiyo asked, worried.

He turned to the therapist. "I'm- I'm fine, this just surprised me. Perhaps we should crouch to pass this door."

He rubbed his nose with his wrist. The wound was pretty light, but it still stung.

The three made their way to the central hall, luckily not activating any more traps.

"Now let's go to the basement. Once we're done with the library we'll be free for now." Tsumugi declared.

They slowly went to the corridor leading to the stairs, until...

*click*

They stopped and looked at their feet.

Kiyo had just stepped onto a pressure plate.

Shuichi's heart skipped a beat when a wall of concrete came down from the ceiling behind them, crushing the grass on the floor.

Then another. And another.

They ran as fast as they could to the stairs, walls menacing to crush them if they were not fast enough.

The trio tripped, fell down the stairs and crashed against the wall.

"Ouch..."

"At least we're alive."

"Even though Monokuma said those traps were not going to kill us we almost ended up crushed."

"Could you two move? I can't breathe..."

"Tsumugi is on top of me, I cannot move either."

The prodigy stood up, brushing dust off her skirt. "I thought you two would be physically stronger than that."

Shuichi could barely mutter under Kiyo's weight. "Well, I'm a violinist, not a biker nor a soldier..."

The therapist stood up and helped Shuichi get on his feet.

Just as the three recovered from their fall, Rantaro's group appeared.

The medic blinked a few times in confusion. "Are you three okay?"

Shuichi rubbed the bridge of his nose to wipe off the rest of the blood from earlier. "We're fine. It could be worse."

Ryoma appeared from behind. "Tsumugi, there's a lock for you in the library. We deactivated the trap here so don't worry about anything."

"I guessed it from my riddle, but thank you."

Kaito was also there but did not seem to want to contribute to the conversation.

"Anyway, our group is done with the morning locks. We'll be getting the food." Rantaro cracked his knuckles.

Kiyo pondered. "Our group only has one more morning lock to activate. We'll be able to join you shortly."

"In that case, we should go to your lab, Rantaro." Ryoma crossed his arms. "We'll need medical supplies in case someone gets injured."

The medic nodded. "Sounds good. So you three can bring the food in the meantime?" he turned to Kiyo.

"Count on us."

The two groups separated. The concrete walls were gone- they were made to make them hurry, not to lock them in the basement, fortunately.

Just as Ryoma said, the trap was deactivated in the library. It seemed to have made some of the bookshelves fall. Tsumugi's lock was right in front of a table.

The jingle rang as she approached her key.

They left the basement to get to the dining hall. No one seemed to have gone there yet.

Shuichi approached the pantry but suddenly...

The floor disappeared beneath his feet.

Kiyo thankfully caught his arm before he could fall.

Don't look down don't look down don't look down don't look down-

"T-Thanks a lot, Kiyo..." he mumbled.

The two others helped him up.

He sat on the ground for a minute, trying to calm down.

How deep was that hole?

"Tch. I knew something would happen." Tsumugi quietly spat.

"Then why didn't you say anything?" Kiyo narrowed his eyes at her.

"Excuse me if I don't express every single intuition I have."

"We're in a situation where we could die instantly. Every single intuition could save a life."

"It could also make us paranoid for nothing. You should know as a therapist that paranoia could also kill us."

"I prefer to be paranoid over careless."

Shuichi knew that is he didn't stop them they could argue for hours.

"Guys! Please..." he stood up despite his feet trembling. "I'm fine. Let's just... Get the food."

The two exchanged glances and stepped in the pantry, avoiding the giant hole in the ground.

"We don't have a refrigerator in the dorms, so we'll have to take durable food." Tsumugi noted.

"We have access to drinkable water in the dorms, I don't think drinks will be necessary." Shuichi added.

Tsumugi looked around. "We don't have any bags. And my jacket is too small to make a substitute.

Shuichi thought back at when Himiko and Kokichi here going to the dorms using their jackets as bags for objects they won at the monomono machine. But...

The astronomer wasn't here anymore. He had to accept it.

He shook his head. "That's better than nothing. I still have my own just in case."

"And mine." Kiyo added.

"Also, perhaps we should take cutlery. To eat and to serve as a decoy for the traps." Tsumugi suggested.

The three started taking food. Mostly canned food since it was the safest option.

Shuichi had suggested taking rice and other starchy foods, but since there was no way to cook them in the dorms, the idea was rejected.

Shortly after, Kirumi, Miu, and Kokichi joined them.

"It's nice to take food that doesn't expire soon, but we should take food that doesn't take much space." Kirumi explained. "We will not go in this building too much, so we'll have to take as much as we possibly can." 

Miu pondered for a second. "How about we use kitchen furniture to transport food? That's two in one!"

Tsumugi perked up. "I didn't think about that."

"However the kitchen furniture will be useless to us since we do not have anything to cook food." Kiyo advised.

"But that's still better than using our jackets to transport food... And perhaps we'll find a way to cook." Shuichi countered.

"Then the pots will be the best for both cooking and transport." Tsumugi declared.

The 6 of them took time to choose which food to take. Canned food, rice, noodles, dry food but also some fruits. They took enough cutlery for both the group and to use it as a trap decoy.

They left the dining hall with all the furniture.

Shuichi hoped they wouldn't have to run with that much in their hands.

Miu looked at the pot she was transporting, full of fruits. "We said we would take the pots but any idea on what to use to cook? We know there's no lighter or some kind of portable stove..."

Tsumugi pondered. "We have the candles on the fourth floor and wood in Angie's lab. But that will require maintenance."

"I believe there are tools to keep the fire alive in my lab since there is a fireplace. We should take a look this afternoon." Kiyo suggested.

"That sounds fair to m-" Tsumugi interrupted herself when she heard a click.

A series of needles was shot from the walls on the group, stabbing each of them in all places.

They ran as fast as they could to get out of the building. Shuichi is pretty sure some of the food fell on the floor, but now was not the time to retrieve it.

His cheeks hurt.

They pushed the door to get out of the building.

Shuichi heard a loud noise, of someone falling to the ground.

When he turned around, his eyes widened.

Miu was less covered than the majority of them. She only had a crop top and a short overall. The needles did much more damage on her than on the others.

She wasn't bleeding, but there were way too many of them, on her arms, legs, and even her face.

"Miu!!" he kneeled before her. "Are you feeling okay?"

"I-I'm fine. D-Don't worry about me." she stuttered.

Everyone took off the needles that stuck on their bodies, Shuichi helping Miu get hers off.

Kiyo helped her getting up. "Rantaro's group went on the third floor for medical supplies. He'll help you once they come back."

She weakly nodded.

Kirumi had taken Kiyo's pot so he could help Miu walk.

Fortunately, no more traps activated on their way to the dorms.

When they opened the door, they realized Rantaro's group was already there, organizing the medical supplies.

The medic rushed to the group. "Are you guys okay?"

"We activated a trap and Miu ended up getting more injured than us. She needs your help, Rantaro." Kiyo explained.

The group organized the food and cutlery, except for Miu and Rantaro, the latter disinfecting the former's wounds.

Kirumi prepared lunch with Ryoma since Miu was unable to do anything. Shuichi hadn't realized they took that long to activate a few locks and transport food. But at least they had enough for the day, and perhaps the day after if they managed to save enough.

For some reason, Rantaro, Ryoma, Kirumi, and Kokichi already seemed to be used to be light on food, considering how little they ate.

The group ate in silence on the floor of the dorms. Canned food was not the tastiest, especially considering what Kirumi and Miu could usually cook, but they didn't have a choice.

This motive was already starting to get the better of them. Would they even be able to continue like this for long? Long enough for Monokuma to perhaps get bored and stop the motive?

Since there wasn't much to do, everyone either stayed in their rooms or talked in the lobby.

Shuichi was already tired from the morning, so he laid on his bed for the time being.

They could only use the locks after 3 PM. Monokuma already knew they would be going to rush and unlock both if he didn't add the rule.

He thought about the situation. They were surprisingly organized.

Surprising...

Was it, though?

Their group had two soldiers, a mercenary, an intellectual genius, and a therapist to help them get organized.

They were teenagers more mature than any normal person their age.

A maturity that came from the harshness of their past.

The fact that they were able to get organized so well...

... That was definitely not surprising.

-

At around 2:50 PM, he left his room to join the others. (The others being: Kirumi and Rantaro).

He only noticed after that Ryoma was knocking on Tsumugi's door.

"Um... Is everything alright?" the violinist asked the two.

"Well, we're trying to think about how the traps work, and that's why we need Tsumugi." Kirumi explained.

Speaking of which, the prodigy joined them with Ryoma.

"We need your opinion on this, Tsumugi." Rantaro looked serious.

"I'm listening."

Kirumi crossed her arms. "We're saying that the more we are in a group, the higher are the chances of activating a trap, and possibly a huge one."

She pondered for a second. "From the traps we activated, I think that could be true. The needles were quite ferocious, even if they didn't look like it."

She perked up. "You're saying we should try to go individually and not by groups?"

Shuichi blinked. "Go individually? Isn't there a risk we could get injured without being able to be helped?"

Rantaro nervously bounced his leg. "I've inspected Miu's injuries earlier. This was not pretty to look at. I'm the only one who can treat serious wounds, so I have to admit going separately would be safer."

So the opposite strategy from earlier.

But if that was the best strategy, then it could be for the best.

...

Shuichi wished he could be as smart and strong as them.

-

At 3:00 PM, the others came out of their rooms.

After a short explanation, they decided to go by groups of two, even though they would separate at some point.

They also decided that those on the fourth floor would bring candles and wood, and Kiyo would get the tools for the fire.

Kirumi and Ryoma went first.

Then Rantaro and Kaito.

Tsumugi went alone.

Then it was Shuichi and Kiyo's turn. They wished Miu and Kokichi good luck and left.

"... I'm still nervous about this strategy." Shuichi admitted.

"For now it's for the best. This is the first day, we will decide which strategy is the best for tomorrow." Kiyo replied. "However we can go together with a distance between us so we do not activate unnecessary traps."

Shuichi smiled. "If it doesn't bother you of course."

"At the sole condition that you help me carry the tools from the fireplace."

He chuckled. "Alright. I accept."

They reached the building, and Shuichi crouched to enter the entrance hall. Perhaps the arrow trap wasn't there anymore, but he preferred not to take a risk.

The walk to the second floor was silent and surprisingly peaceful. They avoided a few traps in the corridors, going one after the other.

This strategy seemed to work.

The fewer people were together, the lower are the chances to activate a trap.

...

Monokuma wanted to separate them. Even Shuichi realized that.

The violinist entered his lab and activated the locker.

He sighed in relief. At least this was over for now.

Just as he stepped out of the lab, he joined back Kiyo, who was waiting for him near the stairs to the third floor.

"So, was your lock in your lab?" he asked.

"Yes, I managed to activate it." Shuichi nodded. "Thank you for helping me this morning."

The two made their way to the fifth floor.

...

This was too silent. Something was wrong.

"Are you coming, Shuichi?" Kiyo asked when he saw that Shuichi slowed down.

"Ah yes I'm..." he trailed off when he heard a faint noise. A voice?

He paused to focus.

"Shuichi?-"

"Shhh!" he raised a hand to ask him to be quiet.

There was a voice. It was definitely a voice.

Wait-

It was not a voice. It was several unfamiliar voices.

Kiyo raised an eyebrow.

...

Something wasn't right.

He walked down the upper set of stairs since the voices were definitely below them- on the fourth floor.

Kiyo followed him.

He could barely hear anything, but voices were coming from somewhere, he was sure of it.

"..."

"... -where... ... stops-"

"..."

"... Rats..."

"..."

"... Rats..."

"..."

"... Rats... Rats... Rats..."

Shuichi had a very bad feeling.

He stepped forward to go down the other set of stairs...

... But stopped when he heard a blood curling scream. Not a scream of pain. A scream of pure terror.

And by the pitch of the voice, it was...

"... Kokichi?" he instinctively muttered.

The violinist and the therapist exchanged quick glances.

Shuichi panicked.

He ran.

He didn't even care if a trap activated. He knew where the voices were from. Where the scream came from.

He ran through the fourth floor despite Kiyo telling him to stop.

The voices were louder and louder as he ran.

Some were talking and panicking. Some were repeating the same word over and over.

"Rats."

"They're everywhere- Someone just kill them!"

"Rats. Rats."

"Stay away from me!"

"Rats. Rats. Rats. Rats."

"God please have mercy on our souls- There's no God! We're going to die like rats!"

"Ratsratsratsratsratsratsratsrats"

"I- I think I'm infected too- STAY AWAY FROM ME!!"

"Ratsratsratsratsratsratsratsratsratsratsratsrats"

"WHAT DID WE DO TO DESERVE THIS??"

"Ratsratsratsratsratsratsratsratsratsratsratsratsratsratsratsratsratsratsrats-"

Suddenly the voices stopped all at once.

Shuichi entered the corridor leading to Kokichi's lab. A second door had shut down, eliminating every possibility of entering the lab.

"Kokichi!! Kokichi!!!!"

... Nothing.

Kiyo joined him, his monopad in hand. "Kokichi isn't the only one in here."

He looked at the therapist.

"Miu is here as well."

Shuichi kept slamming the door with his fist.

"Kokichi!! Miu!! Say something!!"

No one was answering. The second door was soundproofing the lab. Which was why the voices had 'stopped'.

They didn't stop, they were just contained in the lab.

Shuichi couldn't hear Miu and Kokichi, and neither of them could hear Shuichi banging at the door.

"Miu!! Kokichi!!!"

... This was hopeless.

He thought back at what Monokuma said earlier.

“... Some rooms will lock themselves to whisper your worst fears to you.”

That was what he meant.

He meant psychological torture.

Shuichi and Kiyo would only wait, powerless over the situation.

The violinist fell on his knees.

Just the thought made him want to puke.

Kokichi and Miu were stuck in a room made for psychological torture.

And they had no way of getting out.