#same with grocer

[barkingangelbaby]

at least i get to be cozy in a shirt i printed

[summer-fire]

Now why tf have I not been going to traitors Joe more regularly

[ghostbusterscantcatchme]

uni students / people living alone. please give me you’re favourite meals that are easy and not pasta. I need more to try

[just-about-nothing]

omg buffy shops at ralphs shes just like me fr

[garlic-sauc3]

I love when family members reflect another on media, when they'll say the same thing without realizing, have the same mannerisms, act the same, etc; it is so good

[celepeace]

Idk if I'm living in an alternate universe or what but I swear the refrain of "buying processed foods is more expensive for less work but buying ingredients is cheaper for a whole lot more food" has literally never been true. Like idk what the deal is at your guys' grocery stores but buying ingredients has always been pretty much the same price as buying pre-made foods, even before the massive price hikes and inflation in the past few years. When I make homecooked meals, the price at the register for all my ingredients is always like $20-30 (sometimes more depending on if I'm buying stuff like a filet or expensive fish but those are special occasions so they don't rly count). Buying an equivalent amount of premade food would cost roughly the same.

Like maybe it is true if you're specifically calculating the cheapest ingredients for the most nutritional value and total volume, but just cooking normal recipes like soup and beef stroganoff and tacos and fried rice for me, the price is by no means low. I'm lucky in that I don't have to worry about how much my food costs but if I did I don't think cooking at home would really save me any money unless all I ate was like, beans and pasta.

[wnine]

not harry styles strolling around where i walk my dog

[mycological-mariner]

That veg post has me wanting yam fritters but alas I am yamless

[pickapea]

swirling around the pea milk in my glass like it's a fine wine. Ah, exquisite taste

[byebyebriar]

Why do all board game cafes suck at the cafe part in creepily identical ways?

[awholefuckinglifetimeofthis]

sigh I should try and find a job at a chain grocery store again. I'll miss the free food and customers of cafe jobs but I can't fucking stand the micromanaging

[homunculus-argument]

Random worldbuilding for nothing in particular: Dwarvish last names.

When dwarvish workers and artisans first came to human cities for work, humans soon noticed that all dwarves seem to have last names ending in the same suffix. Soon enough they put together that these names don't go by families, but by occupation. Blacksmith is a blacksmith, Goldsmith is a goldsmith, a mason is called Stonesmith and carpenter a Woodsmith. And a horse breeder is called a Horsesmith.

(While humans would classify dwarf horses as ponies, dwarvish languages have no separate words for "horse" and "pony" and insist that dwarf horses are called horses since the way humans say "pony" seems degoratory.)

The word that humans previously assumed meant "smith" is simply the dwarvish blanket term for "one who works with their hands to manufacture/maintain." Humans originally started referring to any random dwarf they don't know with simply the suffix in a dismissive "they all have the same names anyway" sort of way, but in dwarfish society addressing someone you don't know in this way, "hey you, Craftsman" is considered perfectly respectable.

Once more dwarf society began to pour into human lands, humans noticed two other types of last names: -Trader, and -Commander. Traders are sellers, peddlers, merchants of all sorts, and while first encountering Silktraders, Goldtraders and Spicetraders might lead one to think that they are a class above -Smiths, they are not. Any street hawker, peddler or common grocer is just as much a -Trader as a merchant of kings is.

There are dwarfish jokes about how a farmer who grows vegetables and then goes to the town to sell them is a Turnip-smith at home but a Turnip-trader in the city, but getting the suffixes mixed up is a serious offense. Calling a dwarvish doctor a "seller of healing" instead of a "crafter of healing" would imply that they do their occupation for financial profit instead of a sacred calling, and is a stab-worthy insult. And they won't stitch you up afterwards.

The -Commander class is as one would expect, for leaders and commanders. The chief of a village or head of a clan is often known as "[clan name] commander", but more often it is the title for military officers and government officials. A centurion is called Hundred-Commander, a higher officer is a Thousand-Commander. The master of a spy network is "Commander of Secrets" and the national chief accountant is "Commander of Coin".

While dwarf societies are technically speaking autocracies with a single leader, humans have yet to reach an agreement about how to translate the leader's title. Most settle for "chief", as king/queen/emperor/empress would require knowing the current ruler's gender, and dwarves consider such information a matter of extreme privacy. The official dwarvish title of the ruler is "folksmith", "one who works with their hands to make/maintain a people".

[vagabond-umlaut]

tryst, too tempest

Icarus fell for loving the Sun.

You will, for loving your lover.

▸ trueform!sukuna x wife!reader; 1.1k wc; comprises of elements inspired by the tale of 'hades and persephone' & 'fall of icarus'; warning: sukuna is sukuna, so expect the expected [mentions of violence, murder, cannibalism]; warning 2.0: the reader is not very keen to leave or not love her husband; uraume is the BEST WINGPERSON none of you two ever deserved but still got; FLUFF & ANGST & A MADLY DEVOTED LOVE YOU AND SUKUNA FEEL FOR EACH OTHER

▸ belongs to the series 'mine? yes, mine.' – same universe as the work 'six seeds, like rubies...' — but you can treat this as a stand-alone fic if you wanna!

▸ i don't own the characters, the image or the divider used. please don't plagiarize or translate or repost this. enjoy reading! ❤️

Foul winds howl through the land, the first year of your life as one Ryomen Sukuna's wife.

Servants cower before you the moment your shadow falls within their field of vision, yet their gaze stays steeped in pity and envy the entire time it remains trained on your feet. Grocers mumble to one another, eyes looking away when you move to look at the things in their shops. Even the very flora and fauna, you loved so much growing up, writing poems on them from the day you knew how to pen a poem– even the same flora and fauna feels so foreign to you—

"You do realize your importance to Master, don't you?"

Uraume's quiet question floats in through your thoughts, much akin a gentle breeze creating small ripples over the water surface. You smile. "Given how I haven't been eaten by him or sent to be murdered by his subordinate curses, I think I do."

Emotion, too similar to humor, flits across the mien of your husband's loyal follower — you decide not to think much of it. Too many days of having only them as someone to speak to, outside of requesting for a second serving of the soup or asking for the cost of yukata, has led to you imagining a smile on a person who is famous for their poker face. Shaking your head, you return to your poems, the quill fluttering over the roll of parchment you found lying at the breakfast today morning, and let out a content sigh — only for your peace of mind to be broken by the bursting of a guard into the garden, appearing too terrorstruck to utter a single coherent word.

It takes you nothing save one glance, moving from him to Uraume to your ink-stained fingers, before you find yourself keeping the papers on the ground beside and rising, feet breaking into a hasty giddy run down the corridors of the palace to the throne room where, certainly enough–

"I was under the impression you've run away in the extra while I spent sleeping, wife."

The world around you comes to a dead stop as the visage of Sukuna comes into your line of sight; you feel your heart skip two beats then begin a thundering rhythm against your ribcage.

Four years ago, if someone were to tell you there is someone who is going to free you from the gilded cage you were forced to call 'home', is going to share with you his name and is going to be the reason you will ponder the meaning of love, you would have given them a second of your time before walking away with a polite excuse.

One year before, if someone were to tell you there is someone who is going to free you from the gilded cage you were forced to call 'home', is going to share with you his name and is going to be the reason you will ponder the meaning of love, you would have huffed a quiet laugh. The first two have already come to pass (with too many lives lost and too many lives threatened) — yet the very last prediction? You would have considered it to be highly improbable, if not outright impossible.

Yet, now, if someone were to tell you the same three things, you think you wouldn't have shown much of a reaction. You would have simply turned to that 'someone' mentioned in the prediction, and gazed and gazed and gazed–

"I left the roll of parchment you bought for Mistress at the breakfast table, just as you asked, Master," Uraume's voice cuts your thoughts into half and you twist to catch them offer you both a very deep bow before hurrying out, to the left towards the kitchen, four baskets full of radishes in their arms.

You look back at your husband, only to find him seated stiffly on his throne, eyes landing anywhere but you. Stifling a giggle, you tilt your head to the side.

"Why do you act so embarrassed, my king?" you ask, stepping a timid step towards him, then another. Gleaming ruby eyes dart to your face then to your approaching feet. Something tingles through your veins. Climbing the stairs leading to him, you hum, smiling, "I don't think it's embarrassing – quite the opposite, in fact. To me, giving one's wife a thoughtful gift as that... it seems quite adorable to me."

"Be careful of your words, woman," the King of Curses growls, rising and taking a large menacing step in your direction; your smile grows intentionally too innocent, which does apparently nothing to quell his increasing fury: the precise outcome you've been wishing so fervently for.

He pulls you by the waist, flush to himself and lowers his lips close to yours, tantalizingly so. He smells very strongly of those bath salts you bought from a travelling merchant three moons back; faintly of blood and death, of the priest he diced last night after dinner — you wonder if you're worthy to be called a human, after finding the curse you have sworn yourself to forever, so terribly dear despite these.

Certainly not — but you reckon you're too far gone to care anyways, so you stop wondering such things – and lift yourself on your tiptoes to brush your lips with your husband's, then pull away a touch, words leaving your lips in a breathy whisper.

"What if I'm not careful with my words? What will you do then, hm? Will you devour me like the monster everyone says you are? Or, will you throw me away like everyone warns me you will one day– when you find someone prettier, smarter, better than me, huh?"

Two moments pass in pin-drop silence between the two of you.

Barking a noisy guffaw, Sukuna weaves his fingers through your hair, still damp from the bath you took a short time ago, and plants a deep kiss to your lips. Then parts his lips from yours, although a mere hair's breadth away, and grins, features teeming with that exotic species of malevolence you never saw yourself regarding to be charming.

Until your gaze met with his, one fated evening, that is.

Your nails dig crescents into the broad muscles of his shoulders.

Your lover's grin sharpens. "Let time tell the tale— yes, my queen?"

The next morning, you find a dozen or so heads waiting for you at the breakfast table, severed by a neat slice at the root of their neck– eyes and mouths which once looked down on your wedding with the King, frozen forever now in a scream of terror.

Forsaking the wonted theme of nature, you decide to pen a poem on scathing, soothing love, instead.

or... everyone: your husband is a despicable monster!!! you: uh-huh everyone: he might leave you for someone better!!! you: uh-huh everyone: you better not stay in this union anymore. you: nuh-nuh. i'm so gonna stay and love and fuck my hubby <3

▸ masterlist

[slytherinslut0]

quiet reckoning. chapter one

summary: mattheo comes to visit. it’s strange, being twenty five and still seeing your childhood in his eyes.

warnings: just a ton of fucking angst. complicated, self destructive mattheo who’s finally coming to terms with how he pushed you away when you were younger simply because he couldn’t stand being second to tom in your eyes. the acceptance doesn’t make it hurt any less. get the tissues. cry with me please.

masterlist & other chapters.

Life these days holds a strange, silent kind of peace, interrupted only by the faint sound of water rushing over stone—the creek that runs quick along the forest edge. In your early summer afternoons, the trees form a leafy wall of emerald and ochre, and they sway with the breeze that brushes the hair back from your cheeks.

You sit cross-legged in the dirt, hands buried in soil as you pull vegetables out of your garden in prep for the approaching cold months. You love how earth has its own signature scent: damp, fertile, alive. Somehow it makes you think of Tom—his manor, with its towering windows overlooking manicured grounds, its own gardens sprawling wide. His manor with its grand, sweeping staircases, polished black floors.

Everything was pristine, almost oppressively so. Even the walls seemed haughty, disdainful of the cobwebs that clung to the corners.

Tom had never let you stay long enough to tend to those.

But his gardens—those had their own softness, a quiet beauty that only fully revealed itself after dusk when the moonlight cast everything in silver. I loved you there, you reminisce, and the ache has a name in memory—longing. I wish I could have loved you there longer.

And now you're here, a few years after Tom told you never to come back to him—here where the ache feels smaller, further away. Here where there’s no temptation, where the air smells of earth and moss and freedom, and the silence holds its own kind of comfort. Mattheo visits sometimes, wandering into the quiet when your absence grows too thick, when too many of his owls have gone unanswered.

"He'll visit soon." He always tells you. You start to hate how much he lies to you.

"Don't pretend," you said once, and his mouth stretched into a thin, humourless smile.

"Alright," he replied. "I won't."

So now, when he comes to visit, he doesn't say it—he just sits next to you. He doesn't talk much. Neither do you. Life here is quiet—few neighbours, even fewer visitors. A woman brings you pastries from time to time and the town grocer knows your name, but most days you pass unbothered. You tend the garden when the days are warm, work on the cottage when it's cold.

When it's raining you read books and pretend they're not the same kind Tom used to keep.

On a day in early October, Mattheo sits next to you on the porch and you hate that you notice how he doesn't look at you the same way Tom did. It's something lighter, something less cloying. Sometimes you think of how unfair it is that he can taunt you silently like this—how he can remind you of the chocolate streaks in Tom's inky hair, the depth in his dark eyes. How he can remind you that he holds all the same features as his brother, just without the weight.

As the sun sinks slowly through the trees, casting pink and orange across the sky, you turn your face to the creek, watching the water ripple over stones and rocks, and you think of how young you loved them—the way your love grew different when you weren't looking.

Mattheo was chaos, always had been. I could have helped him find himself. But that thought feels hollow, and it's always followed by another. If he would have let me.

"It's strange to think that this is your life." Mattheo speaks after a while of not. He lights a cigarette, and you reach for it when he passes it to you. "You could have done anything."

You inhale the smoke and close your eyes—thinking of how cigarettes taste like fire and ash and the last time Tom had taken your hand.

"Maybe this is all I ever wanted to be." You reply, spinning the cigarette between your fingers. "At peace."

He glances at you in the fading light—the way the sunset casts shadows in the hollows of your cheeks, makes the gold of your earrings look darker against your hair.

He frowns. "You don't look at peace."

No, you think, taking another drag. I never really have.

You pass the cigarette back to him, watching the smoke drift in the breeze. He doesn't say anything else, so you don't either.

Instead, you watch the dark start to close in, the sky turn into an endless stretch of indigo, stars winking to life somewhere above the trees. The fireflies come out eventually, when the night is quiet and heavy and the world turns a little sleepy. They flutter around in the trees and grass like faeries—like stars that've made their home on the ground—and Mattheo watches them with a furrow in his brow.

You wonder what he's thinking, then think better of it at the bitter twist of his mouth. He always thought they'd burn.

"Why do you still come here?" You question. He turns to you, and when his eyes meet yours that's when you realize you'd verbalized the thought. "To sit with me."

Mattheo shakes his head. "I'll need another smoke to answer that."

So he pulls out another cigarette and lights it. The first inhale is long, and the exhale makes you blink. You look away and pretend like his response doesn't make your stomach twist.

The stream moves a little darker in the moonlight and the pine trees shiver with a gentle breeze that smells like soil. You feel the comfort in it—in knowing that all of this has been here longer than you ever have, and that it'll be here long after you're gone.

Perhaps that's precisely what you chased. A home in something steady.

"I come to remind myself you're okay." He says after a long silence, staring at his hands. "Sometimes it feels like you're dead."

You blink again. He's more perceptive than you remember.

"I'm still here," you remind him, but he laughs without humour in it.

"Sure, you're there," he replies, before another pause. "But you're not really living."

He says the words casually, like they're a fact. You think they're meant to hurt. He's right—it's a thought that comes quietly, the way most unwanted thoughts do. You over look at the river, the fireflies, the dirt under your fingernails—you try to feel the chill in the October breeze, the soft moss under your feet. You try to be alive.

"Why do you think that?" You ask even when you know the answer.

He takes another drag of his cigarette, and then exhales—casting his hair grey when the smoke drifts over his face.

He looks older here, when the night stretches over him. It reminds you how much has changed.

"Sometimes I think you're here to punish yourself." He says, passing you the cigarette again. "You say you come here for peace, but this isn't peace like a person should have. It's just an absence. Silence, and isolation, and nothing else." You glance down at his hand resting on his knee beside you, shadows deepening in the lines of his palm. He watches you. "I wish you'd stop hating yourself for what he's become."

A lump forms in your throat—you remember Tom as a boy, the way he'd hold magic in his palms and make lights dance just to make you laugh. You remember the way he once looked at you, quietly and gently in a way that made you feel safe within crumbling walls offering cold stone decorum. You remember one of the last times at Hogwarts, once things took a turn, when he held more than just magic in his palms—when the lights danced only to burn you instead of make you laugh.

You wonder what it says about you, that you loved him in both.

"I don't hate myself, Matt." You mutter, more conviction than truth. "If I'm punishing myself at all, it's for giving him something to hurt."

He doesn't say anything for a while, so you think briefly that his silence is agreement. You and him both know that there is a lot to hurt about, when it comes to Tom.

"You didn't give him anything." He rebuttals with certainty. "He was who he was before you even knew his name."

It's easy to forget that sometimes, the way he had been all sharp edges even when you'd first met. The way he'd pulled you and his brother through crumbling, damp, narrow hallways with something far too assured for a six year old. Something that made you want to follow him forever—something that whispered; I'll never let anything hurt you.

You exhale a plume of smoke. The fireflies look like falling stars when you close your eyes.

"Sometimes, I think I made him human." You say, and immediately wish you didn't. It's a weird thought, but one that comes unbidden. "Others, I think I made him evil."

It tastes like acid the moment you say it aloud. I made him evil. You think back to all those nights in the quiet, the way you taught him how to confide in you, the way he looked at you as if you held some answer he couldn't find on his own. You remember the secrets he shared, the way he softened when no one else could see. You remember how long it took him to get there.

But you remember the darker moments, too—moments when you didn't pull away, even when you should have. Moments you whispered reassurances instead of warnings, when you offered comfort instead of caution. Maybe, in those silences, you fed a need that shouldn't have been nourished, let him believe his ambitions weren't dangerous, only misunderstood.

You wonder if, in being the one person who never condemned him, you gave him permission to be what he became.

"And me?" Mattheo turns to you. You glance at him, the hard line of his mouth and his eyes that look more black than brown in the night— "did you make me evil too?"

You're both quiet for a moment, the only sound is the stream, the only motion is the flutter of the fireflies.

"I don't believe I made you anything." You say finally, letting him take the cigarette back from you. "I suppose you only became who you wanted to be."

You think, quietly, that it's a kinder fate than the rest.

He huffs a laugh. "So you think I wanted to be an asshole."

He's joking, you think. Or he's bitter again, resentful. You're sure he wanted to be whatever Tom would accept him as—though you'd never say those words out loud.

"I think you wanted to be loved." Is what you settle on, and the words tear your throat apart as you speak them. "Just like I did."

He hums, noncommittally, and lights a third cigarette.

You wonder why you still know that he's bitter even when he's not saying the words—why you still know that he only hums that way when something hurts, or when it's a truth he can't bring himself to admit.

"You found it now, haven't you?" You fill his silence with another sentence you wish you didn't say. "You're engaged."

You watch the embers from the cigarette tip light up the hollows of his cheeks, the way it burns his eyes gold as he takes a drag on it.

"Yeah," he nods into the night. "I'm engaged."

Something selfish in you aches at that.

"Then why do you come here and look at me like you're lonely?" You try to ask it casually, but you don't think you manage it. You see him tense when he realizes how well you still read him. "What is it you're missing, Matt?"

"I don't know." He looks at you in the dark, his expression lost in the shadows of his hair. "Sometimes I think it's you."

It's an answer like a knife, because you've known all along that he feels the same way you do—that the loneliness stays and the regret never really dissipates—that the 'what-ifs' linger long after they shouldn't.

"I'm not your girl." You remind him.

It sounds empty when you say it, but he made it clear when you were younger that he wanted it this way.

"You never were."

He looks away after that, to the stream, and you wonder if it has ever felt hollow like this.

All the lights seem very small suddenly, the moon, the stars—you're not sure where his vulnerability is coming from, all these years in passing. You assume it’s the old saying—absence makes the heart grow fonder.

"But you wanted me to be." It's more of a question.

"For a time, when we were kids." He gives you honesty that surprises you. "Sometimes I think I still do."

Why?—you want to ask, suddenly, desperately—and wonder at the cruelty of the thought. Asking that would be the worst kind of question. Why do you want me?

You think you know all the answers already. They sit bitter at the back of your throat.

"So that's why you come here." You say instead, shivering with the wind that brushes over you. "To remind yourself of all the reasons you still feel empty."

There's a dark sort of humour to the sound he lets out, one that makes your chest ache. He turns to you again, and his hands shake when he lifts the cigarette.

"It's not you that makes me feel empty, princess." He whispers. "It's the absence of you."

You look at him, then—really look. There's something strange about being twenty five and still seeing your childhood in his eyes. Despite the nickname, he’s not joking. It’s the kind of confession that tastes like a fist, like a punch that breaks bones.

I know, you think. I wish it could have been different for us.

"You need to stop coming here." There's no spine in those words. They're putty between you. "Just like Tom told me to stop, I'm now telling you."

He's quiet, watching you as the embers of the cigarette flicker over his fingers.

"I'll stop," he pauses, and you see the pain in his throat as he swallows. "When he finally comes to you."

That, you think, will probably never happen.

"So you'll come here forever." You say, and his mouth twists in a silent, bitter smile.

"I guess I will."

You don't have a response to that. It's not a choice he makes so much as it is his reality, and you, of all people, could never fault him for that.

So instead of words, you lean to rest your head on his shoulder, same way you did when you were kids. You sit together, watching the moon and stars and the stream and the trees and everything else around you that reminds you you're alive, even if you don't feel it. You think of his fiancé, you know she'd never understand. This is childhood love in its most vulnerable form—and you thank him for it, silently, for reminding you that you're not alone. Even if you're sure you are.

He leans his head sideways, on top of yours—a gesture almost automatic.

"I still think of you in the summer." He mutters into your hair. You close your eyes and remember the sun, the way it once felt like it touched your bones. "The summer when we were nine. Swimming in the river at night. Those stupid bugs that I thought were made of fire." He pauses for a minute, looking around, and you think he's done talking, until he isn't. "I suppose I do understand why you chose this life."

You remember that summer, too. Small children swimming in a river that was all silver shadows under the moonlight, chasing fireflies like stars. No parents to call you home, no rules except the ones of your own.

Somehow, that's not your favourite memory of him.

"And I think of you in the fall." You say, listening to your own voice sounding distant. "The year just before Hogwarts. When the leaves turned red and orange and gold. When you raked them into a pile for us to jump in."

He hums. "I tried to kiss you that fall."

"And Tom fought you for it."

"And he won." Mattheo's voice sounds distant too, almost lost. "He always won."

It's strange, thinking of autumn when you think of Mattheo, but it fits—he's just as fleeting. Beautiful, easy to fall into, but always gone too soon, leaving a chill in his place.

"Sometimes I think it's because he knew he could." You build off his thoughts. "And sometimes I think it's because he just wanted to prove it."

He shrugs. "Either way, I still lost."

It's such a mournful way to reminisce, you think, for the children you used to be.

"And what now?" You ask.

He exhales slowly, and the smoke looks like a mist in front of you. "I suppose now we both lose."

And that, is the most honest thing he's said all night.

You turn your face into his shoulder, the way you had when you were younger. You close your eyes, and for a moment you imagine being a child again—back in the days when love was simple and nights were endless. Back to a time when you didn't know things you should and all you had were each other's shoulders to lean on in an orphanage dirtier than the forest before you.

"We lose together, then." You offer, a half-whisper.

"Yeah," he answers, just as quiet, just as lost. "We lose together."

There's a bitter kind of contentment in that, you think. You're sure that's a terrible thing.

You take a few moments to brace yourself for the shift in conversation, and then—

"How is he?"

"He's fine." Mattheo understands what you aren't asking. "The leader he always wanted to be."

You close your eyes again and hear the stream running steady, moving around rocks that have been shaped by years of its presence. You ignore the ache in your chest.

"He's happy?"

You don't have to open your eyes to know that Mattheo smiles bitterly. "He's as happy as someone like Tom could be."

There are several beats of silence, the kind that holds too many unsaid things. You feel it in Mattheos exhale that there's something he isn't saying. You don't press him on it. You sit together like this for a while under the sky—watching the way the dark clouds move, the stars shift.

You think about childhoods that never last. About fireflies and streams and boys you loved.

"Tell me something true." You murmur as the midnight grog sets in. "Tell me something that'll warm me through winter."

Mattheo pauses, silent, and for a moment you think he's not going to answer.

"I've loved you most of my life." He mutters finally, into the top of your head. The words feel like a breath of summer, in a quiet, dark night. "That's the kind of truth that could melt an iceberg."

It's the sort of declaration you could only share in the cover of the night, in the silence of a forest. Not the sort of admission that would ever survive daylight. I've loved you most of mine, too.

"And a lie?" You reply.

His fingertips run through his hair, almost idly. You suppose he's looking back into memories of fleeting autumn's and summer sun, the time he tried to kiss you and the day he pushed you away. He doesn't answer the question for a while. You wonder if he doesn't have an answer, or if he just doesn't want to say it.

And then, finally, quietly— "I'm happy for him."

You close your eyes again. That, you think, is the cold truth of winter.

You turn your face again into his shoulder for a second time tonight, but you keep your eyes open. You can feel the weight of your childhood on your shoulders, the trees and the creek behind you, and the silence that follows his lie.

Suddenly, you're furious—a fire tearing through regret. You wish Mattheo hadn't chosen booze, fights, and empty escapes. You wish he'd let you love him properly before pushing you away. You wish he hadn't always resented Tom—hadn't always felt second best in a way no amount of reassurance could fix. Yet somehow, you just can't fault him for any of it.

He's always known you loved Tom first; he's carried that like a wound.

"Ask me to lie to you." You say as you swallow your anger.

There's an exhale. You're sure Mattheo's watching the trees, the wind as it runs quietly past.

"Lie to me."

You tilt your head up to the sky. You try to remember that fall, you try to feel what it was like to be a child again, and to believe in a future that wasn't shaped by the past. You think of his fiancé.

"I'm happy for you." You whisper.

From the corner of your eye, you know he smiles bitterly again, but he responds with nothing more than his unsteady breathing. You're both silent like this for the rest of his stay, together under the moon that's watched you both change.

"I'll be back in a month," he mutters, just loud enough for you to hear as time stretches thin.

He has to go before the sun rises, before dawn coaxes him into staying. You consider, if only for the flicker of a second, letting him.

"I'll see you then." You lean back and look up into his eyes, searching into the gold buried deep. If you look too long, you think you may see his broken heart. You make yourself smile anyway. "Write to me."

"Even if you don't write back." He replies with a nod.

The cold air makes your eyes water. For a moment he's still, like he may pull you into him and drown you in all the things he feels. Instead, he puts a cigarette into his mouth, lighting it with one of his hands. The lighter casts an orange glow over his face that makes him look pale and tired again, like the boy you'd met in an orphanage that was so much dirtier than the forest before you.

"Good night." He murmurs, and you feel his thumb brush your cheek before he apparates back to the life you left behind.

And now, alone under the black sky, you take a deep breath. Then, you exhale, go back into your cabin and you try not to think about all the things you've lost.

You try not to think of the boy you've loved for far too large a part of your life and how it changed the boy who's loved you for far too large a part of his. You try instead to focus on what you have—walls and peace and solitude, something certain that won't disappear when it rains.

[dsmoth]

"Lord Vetinari was totally grooming Vimes to be his successor"

NO. No he wasn't. First off Night Watch established that Vetinari and Vimes were both adolescents at around the same time. A guy who is practically your age does not make sense as a successor.

Much more importantly, though, Vetinari's whole philosophy of governance was to govern as little as possible. He acted all machiavelian, as though he had schemes within schemes, but he never actually did. He just made sure he knew as much of what was going on as possible. His long term goals were always to make the city run as smoothly as possible - nipping any threats to that in the bud as soon as he was aware of them. He let the Guilds (labor unions) and the University govern their own affairs -- only stepping in where absolutely necessary. He wasn't grooming Vimes, he was grooming the city itself. It doesn't matter who succeeds him; Vimes, Carrot, Drumknott (most likely, in my opinion), or - hell - Lord Rust. They'd be constrained by shape he left behind.

A city with Guilds of assassins and thieves and grocers isn't going to tolerate being mucked with for long. The political and economic structures of Ankh-Morpork, it's "wheels within wheels", would select for a ruler like himself. Either his successor learns quickly or their successor will.

[sweetlywriting]

Vincent Charbonneau dating hcs!

Vincent gets so mad when you eat food that he doesn’t make

He’ll be acting super cold all of sudden because of leftovers from another restaurant in your fridge

He’s kinda controlling but specifically with food because it’s his thing

Why would you need that disgusting trash that other people serve when your partner is a prestigious chef?

Obsessive with it, he’ll learn to make things like cereal and gum so now you don’t even go to the grocers

He’s definitely not the most affectionate but I do feel like he’d be really proud of you

He takes pride in himself for his accomplishments, and since you’re the person closest to him he feels the same pride for you

He’ll subtly brag about you in conversations when you come up

Anyone talking badly about you is a death sentence, Vince will not let it go

Total acts of service guy

He only calls off work when you’re sick. He goes to work even when he’s sick too because he’s just a perfectionist like that. You get to be the exception.

He remembers everything about you, your likes, dislikes, friends, family, values, job, he just wants to know you perfectly. Memorize you like a favorite recipe, in hopes maybe your sweet companionship can maybe bring his taste back <3