#saint-just the representative on mission
Explore tagged Tumblr posts
Text
The vanilla slugs
Monk who just recently became of age to go on scouts earn his name for showing his pacifist spirit and using his early knowledge of the karmic world to find his brother. Even though he has received his title he is weaker then others his age, he makes up for it by teachin pups the karma system and insuring that they learn before they learn how to fight.
Survivor has also just earned his name from surviving on his own without much help and even helped an other slugcat with their own mission. He was separated from the colony when him and his peers went farther than they would suppose to be and got caught in the rain. He was found by his brother and a slugcat from metropolis.
Hunter a slugcat from far away and started living in the colony as of recently is the representative of the god NO SIGNIFICANT HARASSMENT and was on track to save an other god when he his a road block and needed help. Survivor found him and took him to an other god and kept him from moving while they waited for help. He was able to help the god in need (with survivor taking him to her) and his mission was completed.
DOWN POUR SLUGS
Gourmand a friendly slug who earned his name in a funny way by escaping as a pup (with his littermate) to get popcorn plant. His round nature allowed him the be an excellent fighter in hand to hand combat though a confrontation with the traveler hunter caused gourmand some grave injuries. Even though hunter injured him gourmand allowed the orange one in giving him the name hunter. He is now the representative of Unparalleled innocence
Artificer is the citizen of five pebbles she has given herself her current name when she was exiled from the clan after no one believed the young mother about scavengers killing her pups. Originaly she wanted to try and fix her relationship with her littermate and the scavengers but after realizing that even he didnât fully believe her she snapped and started a genocide against all living thing mostly towards the kind that made her lose everything. She still hates anything and anyone who she has met with.
Ruffles and Spearmaster
Ruffles s the slight representative of LOOKS TO THE MOON he lives on her can (causing him to grow some fur) heâs mostly aquatic and despite his lone nature he has been known to be very sociable and is even friendly with the citizen of five pebbles. And has even found blueprints of most iterator puppets developing the tanks for the puppets
Spearmaster is a lone creature representing SEVEN RED SUNS. He is a slugcat to a degree though not all the slug cats are sure about it. Ruffles is the only one who thinks heâs fully slugcat and cause of ruffles not treating him to differently they have become very close to the point some think they are mates (ruffles acts like they are) Spearmaster is very skilled of somethings that ancients are good at (art and music)
Saint and ???
Saint is a lime slugcat who is at the edge of violence. He is ready to kill everything but for now no violence shall happen
??? Is a clown
The Saint and ??? storyâs will be developed later
#rain world#rainworld art#rainworld au#rw au#rw Shiftin Storm Au#rainworld monk#rw monk#rainworld survivor#rw survivor#rainworld hunter#rw hunter#rainworld gourmand#rw gourmand#rainworld artificer#rw artificer#rainworld rivulet#rw rivulet#rainworld spearmaster#rw spearmaster#rainworld saint#rainworld enot#I need tumblr to just let my Au tag be there#the old one is there#ima use it if the Au tag doesnât work
48 notes
·
View notes
Text
infuriating â xavier thorpe
pairing:Â xavier thorpe x reader oneshot (second person pov - she/her pronouns used for reader - occasional use of Y/N)
wednesday x enid mentioned
warning(s) :Â mild language, enemies to lovers, mild violence, injury, and bl**d mentioned
word count:Â 6.2k
ââąâ±â©masterlistâ©â°âąâ
âââ -ËË *.·:·.â.·:·.* ËË- âââ
summary: no matter what you did, xavier would somehow find a way to one up you - but when he accuses you of something you didn't do, you set off on a mission to clear your name and help him
âââ -ËË *.·:·.â.·:·.* ËË- âââ
 Sometimes you mourned the friendship that could have been between you.Â
Then heâd do something that boiled your blood until it evaporated, and the mourning was replaced with seething rage.
âLooks like I won again, Y/N,â Xavierâs smile was so smug you wanted to slap it off of his face. âIâd say âbetter luck next timeâ, but we both know it takes more than luck for you to beat me.âÂ
âI am going to sprinkle shattered glass in all of your left shoes,â You glared at him, snatching the test paper from his hands and comparing his score to yours.
One point.
Heâd beaten you by One. Fucking. Point.
âFlee from my presence, foul creature,â You shoved the test paper into his chest and turned around, making yourself look busy by rooting through your bag. âI can still hear your breathing.â
âJust revelling in my victory a little,â You could practically hear his smirk as he spoke. Taking deep breaths, you tried not to engage with him. Youâd gotten in trouble for fighting in class before, and you werenât going to let it happen again because he couldnât help but shove his victory in your face. Your breathing didnât return to normal until youâd heard him walk away, catching up to Ajax to likely gloat about his achievement.Â
That was the fifth test in a row that heâd beaten you on, and it was infuriating. Xavier Thorpe was utterly infuriating in every way possible. You had spent nearly every waking hour studying, yet he would doodle in the margins of his textbooks and still come out on top.
You swung your bag over your shoulder, feeling the weight of your sketchbook clunk against your back as the corners jabbed you in the spine. You considered it to be the sketchbook taking revenge on you as it lay at the bottom of your bag, having been left untouched for over a month. As much as you adored art, you couldnât face it much anymore. Not just because you didnât have time, it was what it represented to you now. Heâd soiled one of the few activities you enjoyed with his mere being, and you hated how much it got to you as much as you hated him.
Art was what you and Xavier had bonded over in that first week at Nevermore. You would sit together under the shade of the trees on the outskirts of the forest, drawing and comparing your individual art styles, taking notes from one another. You had admired how heâd make his art come to life and delighted in it when heâd lean over and do the same for yours.
You were both good students, great students even. Two of the top scorers in almost every class. At first, it was a playful competition to see who could do better. You would take friendly jabs at one another, but the mood soured like milk that had been left on the kitchen counter for a week in the middle of summer.Â
It started with a comment here and there that would hit home, youâd brush it off at the time, but it would weigh on you. Soon, those jabs became sharper and more frequent.
You werenât a saint. You knew you were guilty of dishing them out as much as you were taking them in. Somewhere, the bond you two had briefly shared was cut entirely, and that was it. You hated one another.
It wasnât just academically that he would one-up you; it was everything.Â
You got a new paintbrush? Thatâs cool. He got a whole set.
You won a teddy at the fair? Thatâs amazing. He won five of them.
You got to turn an old supply cupboard into a mini art studio? Thatâs great. He fixed up a whole shed.
Everything you did, he had to do better. You could keep up at first. It was back and forth. Youâd beat him one day; heâd beat you the next, and so on. However, your grip was slipping, and it was clear to everyone who knew you.
You had increasingly stopped talking to people, started to eat meals at your own table so you could study in between bites without interruption, stopped showing up to fencing club. The list went on.
âPick three colours!â Enid threw her arm around your shoulder as you were walking. You flinched, having not expected it, but acclimated very quickly. You were more than used to Enidâs ambushes and hugs after two years at Nevermore.
âPink, purple, and blue,â You answered, trying to use the arm that wasnât pressed up against her side to readjust your bag so it would stop literally stabbing you in the back. âWhy do you ask?â
âI got a new manicure set the other day, and we are going to treat ourselves to a nice spa evening,â She announced proudly. âWeâll put on some cheesy movies, eat some junk food, do face masks, the whole nine yards!â
âEnid, that sounds lovely, but I really have to study for-â You tried to protest, but she cut you off.
âNope! Iâm not taking that again!â She shook her head wildly. âYouâve cancelled on me seven times in the past three weeks so you could study.â
âYouâre free to study with me,â You offered up. Enid stopped walking and turned to you, grabbing your shoulders, so you faced her.
âY/N, I am genuinely concerned for your health,â She sighed, shaking you slightly as she spoke. âThe bags under your eyes are not designer! You look like you havenât slept in a year, and all you do is study!âÂ
You wouldnât admit it to her, but your sleep had been rough for a while. Youâd stay up until 3am studying, then go down for two hours of restless sleep full of nightmares of failure, only to wake up at 5am to get some more studying in before class. As for the weekends? Sleep simply didnât exist.
âI just really need to-â You tried to protest again, but Enid was having none of it.
âIâm not asking you to relax. Iâm forcing you to,â She said firmly. She let go of your shoulders, but before you could react and escape, she had your hand in a death grip as she dragged you to your dorm.
âEnid! Claws!â You pleaded as her sharpened nails dug in slightly, but she was too busy making sure you got to your dorm without escaping to take notice.
Once you had reached your dorm, you noticed that Enid had already set everything up on your bed. Your roommate, Yoko, was notably missing, and you cursed under your breath when you realised that they had likely been planning this ambush for a while.
âThis is going to be a fun, relaxing evening!â She smiled as she finally let go of your hand. You rubbed the area where her claws had dug into you as you pouted at her. âDonât give me that look! You brought this on yourself. Now sit down, and relax.â
She switched some awful cheesy rom-com on and set to work shaping and painting your nails.
After a while, you did manage to relax. It was nice to be pampered a little, and the rom-com was so bad that it made you laugh, something you realised you hadnât done in a while.Â
You were halfway through the second movie when someone started pounding on your door. Regrettably, you knew the voice demanding to be let in immediately.
âDonât,â Enid warned, clearly also recognising the voice.
âIâll just make him leave,â You signed, getting up as slowly as you could just to antagonise him.
âI can hear you in there!â Xavier shouted, still banging on the door. He almost fell into your room when you opened the door. Pushing past you, he barely paid attention to Enid as he started to open your drawers. âWhere is it?â
âWhat the fuck is your problem?â You yelled back. Youâd never seen him look this frantic before. Whatever had happened had shaken him, but that wasnât an excuse to barge into your room and root through your belongings. âWhatever youâre looking for isnât in my goddamn underwear draw, you creep.â You slammed your drawer shut, only just missing getting his fingers trapped, which was a shame in your eyes.
âWhere is it?â He repeated, turning around and apparently only just noticing Enid on your bed. He pointed at her accusingly. âDid you help her?â
âDonât bring Enid into whatever little fucking mind games youâre playing!â You stood in front of your bed, blocking Enid from his view. âWhat are you even looking for?â
âMy sketchbook,â He answered, his eyes still scanning every surface of your room. âI know you took it.â
âYou know I took it?â You repeated, completely flabbergasted. âWhat makes you so sure?â
âBecause youâre-â He gestured at you wordlessly. You rolled your eyes.
âI donât know who pissed in your cereal this morning, but I didnât take your sketchbook,â You told him firmly, pushing on his chest to try and usher him out of your room. âNow get out of here before I summon every teacher I can and say that you barged into my room and rifled through my bras.â
âWhere is my sketchbook?â He asked again, standing firmly still so you couldnât push him away.
âWhere did you last see it?â Enid asked, standing up to join you. You almost cursed how helpful she naturally was but couldnât find it in you to be even remotely upset with her.
âI left it in my room after class while Ajax and I hung out in the quad, and when I went back to my room, it was gone,â His eyes had met yours and were fixed in a stone-cold glare. âI know you took it.â Before you could defend yourself, Enid jumped in again.
âThat settles it then! Y/N canât have taken it!â She told him, sounding relieved that she could settle the conflict. âI pulled Y/N back here straight from class, and weâve been here since! She hasnât left my sight for a second.â
âShe wouldnât even let me pee by myself,â You added, hoping to solidify it further. âShe followed me into the stall and faced the opposite direction.âÂ
âHow do I know you werenât an accomplice?â Xavier asked, focusing back on Enid. âYou could just be covering for her.â
âOh, please! She couldnât lie to a dead fish,â You rolled your eyes and turned to her. âWatch this! Enid, do you have a crush on Wednesday?â
âWhat?â Enid giggled nervously, playing with her hair. âNooo!âÂ
âSee!â You pointed at her, looking back at Xavier. âShe plays with her hair whenever she lies.â
âNo I donât!â Enid tried to protest but realised she was still playing with her hair as she denied it. With a small âshootâ muttered under her breath, her hand dropped, and she looked down at the floor.
âI didnât take your sketchbook, Xavier,â You repeated for the final time, watching as his shoulders dropped in realisation that you were telling the truth. âBut weâre going to find out who did.â
âWait, what?â They said it in unison, each looking at you in confusion. You felt almost as much confusion with yourself when the words had left your mouth, unsure where theyâd come from. But you had said it now, and you werenât going to backtrack.
âWhy the hell would you want to help?â Xavier asked.
âFirstly, to clear my name,â You told him, tapping on your nails to make sure they were dry before you started this ordeal. They were still a little tacky, but you figured it would be okay. âSecondly, stealing a sketchbook? Thatâs unforgivable.âÂ
âCanât you just buy another one?â Enid sighed, looking longingly over at the bed where the snacks sheâd curated for the evening lay undisturbed.
âBuy another one?â It was your turn to speak in unison with Xavier.
âLook, Enid, while Xavier was born with a silver spoon in his mouth, sketchbooks canât just be replaced that easily!â You received a small jab in the side with Xavierâs elbow at the silver spoon comment but ignored it as best as you could. âIâll put this in terms youâll understand, okay? A sketchbook is to an artist what Moona is to you.â Moona was Enidâs favourite plush teddy. It was a wolf that Wednesday had won at the fair, which she had claimed sheâd won accidentally, but you knew for a fact that sheâd specifically won it for Enid. It was an irreplaceable treasure to the lovesick werewolf.
âWell, then, why are you still waiting around?â She gasped, pushing the two of you out the door.
âAre you not helping?â You asked, trying to plead with her not to leave you alone with Xavier without using words.
âI would, but I really need to find out of Jack and Sarah end up together!â Enid nodded back over at the laptop where the rom-com you had been halfway through had been paused.
âTheyâre the main characters, and they hate each other,â You scoffed. âOf course theyâre going to end up together!â
She mouthed the word âsorryâ without a trace of actually being it on her face as she closed the door behind you both. You heard the lock click behind it.
âEnid! Thatâs my room!â You groaned, leaning against the door. âYou canât just lock me out of it!â From inside, you heard the sound of the movie being turned up to cover your voice.
âYou donât have to do this,â Xavier sighed, running a hand through his hair.
âI know I donât have to,â You rolled your eyes, pulling away from the door.
âSo you want to?â He looked smug again, and it boiled your blood.
âNo, shut up,â You waved your hand around in front of his face as though you were fighting the words off physically. âJust show me to your room so we can get this over with.â
âThatâs what she- never mind,â He stopped himself midway through the sentence, but you knew exactly what he was about to say. With a small, seemingly nervous laugh, he pushed his hair out of his face again and started walking.
âTie your hair up,â You instructed, holding out your wrist so he could take the spare pink hair tie you kept on it.
âWhy?â He asked, taking the hair tie and doing so anyway.
âItâs annoying me,â You told him, ignoring the look of âare you serious?â he had given you in return. âDo you have any pieces of it? A page you ripped out?â You asked as you neared his door. âHell, even a sticker that was on it might work.â
âUhhâŠâ He opened his door, looking around his room for something that would fit the bill. You noted that it looked like heâd torn the whole place apart to try and find his sketchbook. He walked over to his bed, rooting around in the storage he kept under it before pulling something out. âThis is a page I ripped out of it.â
He passed it over to you. It was folded up tightly, and you went to unfold it. You didnât need to. You were just nosey.
âDonât-â He held his hands over yours, stopping you. âItâs⊠just donât look at it.â
âYou been drawing naked ladies? Naked men?â You teased him but stopped trying to open it. Whatever it was, he wanted to keep private and you, as much as you disliked him, respected that much at least.
âIf youâre not going to help, just-â He tried to take it from your hands, but you snatched it away before he could.
âIâm here, arenât I?â You raised an eyebrow as his shoulders slumped in acceptance. âTurn around.âÂ
âWhat? Why?â He looked incredibly skeptical. Convinced now more than ever that you were playing some sort of elaborate prank on him.
âFine, I will!â You sighed, turning your back to him. You rooted through your bra until you found what you were looking for, hearing a quiet âwhat the fuck?â being mumbled under Xavierâs breath. When you grew up with pocketless clothes, you had to learn to make do.
You had pulled out a hand-drawn map of the school grounds. It wasnât your finest work, but it did the job. You had also pulled your necklace off to use.
This wasnât your first rodeo. You knew what you were doing. Youâd been scrying since you were 7. You could do this in your sleep.
âAs much as it⊠pains me to sayâŠ.â You took a deep breath as you placed the map on Xavierâs bed and sat crossed-legged in front of it. âI need you to⊠ugh⊠hold my hand.â You held your hand out, the torn and folded page from his scrapbook in it. Wordlessly, he took it.
Within seconds of focusing your energy, your necklace zoned in on the quad. You were thankful to be able to pull your hand away from his.
âItâs in the quad,â You said as he examined the map.
âAre you sure?â Xavier asked, looking doubtful. âCan we double-check?â
âIf I didnât know better, Iâd think you were just looking for an excuse to hold my hand,â You groaned, holding it out again. He took it, and the necklace once again zoned in on the quad immediately. âI swear to god, if you took your sketchbook with you and left it there yourself, I will never let you live it down.âÂ
âI didnât take it with me, I swear,â He protested, his head tilting back in annoyance.
âCan you let go of my hand now?â You asked, trying to wiggle your hand free. Heâd been gripping it tighter than last time. As soon as he realised what youâd said, he dropped your hand like it had the plague. âCome on, letâs go.â
âI know where it is now. You donât have to come with me,â He pointed out. âThat is unless youâre not confident in your scrying.â
âI am going to shove that damn sketchbook up your ass when we find it,â You glared at him getting off of his bed, brushing yourself off dramatically as though it had been filthy. âIâm going with you because, and I say this with all due respect, which is none, if someone had hypothetically taken your sketchbook, what would you do about it? Theyâre clearly not scared of you if they broke into your room and stole from you.â
âAnd youâre supposed to do what exactly?â Xavier scoffed at you. âHave you seen yourself? Youâre the least intimidating person Iâve met.â
âIâll show you intimidating,â You stormed off, determined to get to the quad and show whoever it was a piece of your mind, just to prove a point.
You should have known who it was before you turned the corner and met eyes with him. Josh was a werewolf with an attitude. Enid had once described him as âif anger issues were personifiedâ, which was very accurate. The meathead was usually more bark than bite, but when he did bite⊠Well, he would quite literally bite, which wasnât the safest thing for a werewolf to do.
Heâd been in trouble more than once for breaking into peopleâs rooms and stealing their stuff just for the thrill of it. People tended to be too afraid to call him out on it after heâd sent three kids to the infirmary. But you had a point to prove.
âDrop it!â You spoke to him the same way you would with a dog who had grabbed something they werenât supposed to have, which you deemed a very accurate comparison in this case. Xavier rounded the corner to see what was happening.
âMake me!â He taunted, flicking through the pages, not even looking at the images. You heard Xavier suck in a breath as he watched one of Joshâs claws catch and tear a page.
âFine, I will,â You stepped forward, full of what you knew was pure spite and stupidity masking as anger. With each step you took, your shoes clacked against the cobblestone flooring and echoed throughout the structure.
From behind you, you were vaguely aware of Xavier calling your name, the volume increasing the closer you got to Josh.
âWhat are you gonna do? Hit-â You cut him off with a square punch to the face with your right hand as you grabbed at the sketchbook with your left. You didnât even allow yourself to wince as his claws scratched your hand. If anything, you feared Enidâs reaction to you messing up your new manicure sheâd worked so long on more than the practically feral werewolf youâd just punched.Â
The following few seconds were a blur full of tears, but surprisingly not yours. Josh was crying as he clutched his nose, which was now bleeding profusely. Without saying anything, he slunk away.
âHoly shitâŠâ Xavier was right behind you by the time Josh had disappeared. âThat wasâŠâ He couldnât quite seem to find the right words.
âYour sketchbook,â You turned around to pass it to him, but he caught your wrist before heâd even taken the book back.
âInfirmary,â Was all he said as he studied the scratch marks, which, now that the immediate rush of adrenaline had worn off a bit, hurt. You nodded and allowed him to drag you to get the scratch checked out.Â
Five minutes later, you were sitting on a chair in the infirmary following a lecture about being careless from the nurse. Xavier hadnât left your side, nor had he spoken since youâd arrived.
Usually, you enjoyed not having to hear his annoying know-it-all tone, but the silence was making you uncomfortable.
âThe words are âthank youâ in case youâve forgotten them,â You joked, hoping to lighten the mood. You thought you saw the ghost of a brief smile cross his face, but it was gone when he saw the scratches again. You brought your sleeve down to cover them in the hope that itâd make him talk, but you were still receiving radio silence. Eventually, you were annoyed with him again. It was to be expected. He was infuriating even when silent. âIf youâre going to act like a stubborn child, just leave.â You spat out at him, turning your head away to look out the window. It had gotten very dark by that point, and it was bound to be curfew soon.
âYouâre so reckless,â You almost dared to smile when you heard him talk at last, but you pushed down whatever weird part of you had presented that idea to the table, firing it immediately. It could go seek unemployment in someone elseâs mind.
âGot the job done, didnât I?â You pointed out proudly, nodding at the book that rested on his lap. âAnd Iâd say I was pretty intimidating.â
âWell, Iâd say you were pretty stupid,â He sighed. Heâd let his hair down again at some point, your pink hair tie now round his wrist. Youâd ask for it back later. It wasnât that important to you. You had about 50 more scattered around your room and in your bag; you were pretty sure there was even one tied to the tag of your blazer.Â
âYouâre so cute when you think I care about what you think,â You scoffed, rolling your eyes at him.
âYou think Iâm cute?â Xavier had a smug grin on his face that you wished you could punch off. But, given what had just happened, you thought better of it.
âShit! No! Fuck!â You cussed, throwing your head back in annoyance. âThat is not what I meant, and you know it.â
âWhat I know is that you just called me cute,â Before you could come up with a worthy retort, the nurse came around to check the scratches and sent you both away. As youâd predicted, it was almost curfew, not that anyone really abided by it, but it meant the halls were quieter than they would usually be.Â
You were at your door by the time it registered that Xavier had walked you back to your room. Youâd walked together in silence, but it wasnât uncomfortable. It almost felt like a peace offering of sorts. You werenât sure if it would last when you woke up the next morning, but dare you say, you enjoyed it while it did.
âThank you forâŠ.â You felt wrong thanking the person youâd considered your sworn enemy, but you were raised with manners, and it felt even more wrong to not be polite when someone was kind to you. âWalking me to my door.â
âWell, someone had to make sure you didnât punch anyone else,â Xavier didnât make eye contact with you, but the slightest smile crossed his face. âThank you forâŠ.â He held up the sketchbook heâd been holding.
âDonât mention it,â You shrugged, leaning slightly against your door. âSeriously, donât mention this to anyone. I canât have people thinking Iâm soft.â
âI think Joshâs nose will speak for itself,â He joked, allowing the smile to properly settle as he spoke. âMake sure you put that stuff the nurse gave you on your hand.â
âShit!â You groaned as you realised youâd forgotten it back in the infirmary, rifling through your pockets in some hope that youâd just placed it in one of them without realising what you were doing. You pulled out some loose change and a bar of chocolate that youâd forgotten youâd picked up last time you were in Jericho, which was a score, but no sign of the salve the nurse had given you. âGoddamnit, I left it at-â You froze as Xavier waved the little pot in front of your face.
âYou mean this?â He teased, holding it just out of reach. You glared at him, trying to grab at it anyway. After some jumping, you managed to grab it, pulling him down with it in the process.
You didnât realise quite how close his face was to yours until it was all you could see. The movement was so subtle that you almost didnât catch it, but you saw his eyes so briefly dart down to look at your lips.
You were aware that your breathing had gotten heavier, and your heart rate was starting to pick up as his face inched closer and closer to yours. What confused you was that you were making no move to stop whatever was about to happen from happening. That was until your door swung open, and the two of you parted so fast you would have just been a blur.
âI was wondering what the noise out here was!â Enid grinned, leaning on your doorframe. âYou managed to get it back?â
âI punched Josh,â You proudly held up your hand, only for Enid to grab it and examine it in pure horror.
âYou smudged the nail polish!â She gasped, her voice laced with pure outrage. âWeâre starting over! Come on!â She started to tug you into the room before you could protest against it.
Your other hand was caught by Xavier, who pressed the pot of salve into it wordlessly before he rushed off down the hall, assumably to his own dorm. You managed to just about kick your door closed before Enid had pulled you away entirely to try and salvage what had been ruined.
Looking down at your free hand, you noticed that the salve wasnât the only thing Xavier had left with you. In your hand, you held the torn piece of paper you recognised from earlier, still folded. You decided to open it when Enid went to sleep or disappeared back to her own room.
That didnât happen for another four hours. You were exhausted, barely able to keep your eyes open as Enid finished doing your nails for the sixth time before she was finally happy. Sheâd curled up at the end of your bed and fallen asleep immediately after, the fifth rom-com of the night playing in the background.
Yoko hadnât returned to your shared room, but she rarely did on weekends as she was too busy with Divina. You usually enjoyed the quiet evenings youâd get to yourself or at least enjoyed not being told to turn the light off at 4am as you were still hunched over studying so you could do better on whatever test was coming up next. But having company was nice once in a while, even if that company talked at 100 miles an hour and had absolutely destroyed your cuticles.
Remembering the piece of paper Xavier had left with you, you pulled it out of your pocket, trying desperately not to smudge the still tacky nail polish as you feared Enid had a sixth sense and would awaken from her slumber foaming at the mouth.
Carefully, you unfolded the piece of paper, holding it up to the dim light of the laptop as youâd long since turned the other lights off.Â
Your eyes scanned the image; even in the low light, it was clear as day. On the piece of paper, curled under a tree with a book in hand, was you. Every detail, down to the strands of your hair, sticking up at odd angles after a long day. You looked serene, almost ethereal. It was difficult to understand how anyone, let alone Xavier, could have seen you and depicted you in such a beautiful way.
Though your eyes were begging you to finally allow them to rest, you reached over and pulled your own sketchbook out. After a long month, you finally allowed a wave of artistic inspiration to flow through you.
âââ -ËË *.·:·.â.·:·.* ËË- âââ
Slip the drawing under his door and get away from there as fast as you could. The plan was so simple, yet you repeated it in your head like a mantra so you wouldnât forget.
Unfortunately, your plan didnât account for how small the gap in between the bottom of the door and the floor would be. Nor did you plan for Xavier to be in his room and open it as soon as heâd seen the piece of paper start to wiggle through the small gap and heard your disgruntled grumbles from the other side. His hair was damp, and you could smell the shampoo he always used. You werenât sure when youâd committed it to memory, but you had told yourself it was just so you could avoid him better if you could smell him a mile away.
âI know your hand is busted, but you do have two of them, so you could have used the other to do it,â He looked down at you as you slowly stood to your feet, trying to hide the piece of paper behind your back. Unfortunately for you, he caught it before you had a chance to. âYouâve been trying to shove this under my door for three minutes, donât tell me you suddenly donât want me to see it?â He teased you, unfolding the paper. It was only folded in half, so you didnât have time to dash away before he could open it.Â
That didnât stop you from trying, of course. Youâd managed to spin on your heel and take a single step before a hand grabbed your shoulder. Using the leverage, he turned you to face him.
You expected a variety of different reactions.
Laughing at your face?
A shouting match?
Maybe just an awkward âthanksâ?
What you didnât expect was for his hand to gently cup your face as he pulled you in for a kiss. In fact, it was so unexpected that your brain hadnât registered what was happening until he was pulling away.
Your eyes were wide, and your lips were parted as you watched a flurry of emotions cross his face. Confusion, happiness, annoyance, until finally settling on embarrassment.
âSorry- I just thought-â He took a step back. His face had turned a brighter shade of red than youâd ever seen on him before. Youâd seen his face flush from anger, but this was different. âI think I misread the situation, sorry.â
âNo! Itâs fine I-â You struggled to put your own emotions into words. âI⊠think I was⊠I think I maybe⊠liked that?â Though the words sounded uncertain, you knew them to be true the moment they had left your lips.
âCan I do it again?â He asked. His words were fast, as though they were falling out before he had a chance to catch them. You didnât have to answer him properly as you surprised yourself by taking a step forward and pulling him down into a kiss. It was clumsy and fast but felt so right. You were the first to pull away, noticing how his lips tried to chase yours as you did so. Instead of kissing you again, he settled with just resting his forehead against yours.
âI donât think I have the energy to keep pretending I hate you,â He sighed, closing his eyes. His arms wrapped around you, holding you against his chest. His words felt warm as they reached your ears. You tried to find a snarky response, as was customary in your exchanges, but you couldnât find anything. Perhaps you were just equally as tired of pretending to hate him?Â
The two of you instinctively let go and took a step away from one another as soon as the sound of someoneâs voice echoed down the hall, increasing in volume as they grew closer.
âShould weâŠ?â You nodded at his open door. His hand found yours, and he pulled you into his room. You took note of how heâd taken your injured hand but had avoided touching the area where it would hurt. You werenât sure if this was intentional or not, but the tender look in his eyes as they fixed on yours once the door was closed behind him suggested it was intentional.
Your eyes trailed down to his hand again, noticing the pink hair tie on his wrist. His hair was damp, but the hair tie wasnât. Heâd taken it off so he could shower and had gone out of his way to place it back on his wrist afterwards.
âI just wanted to impress you,â He sighed softly, his fingers slowly lacing with your own. It was a foreign but pleasant feeling. âI kept on hoping that youâd notice me more if I did well in class, which you did⊠But by the time I realised it wasnât working in the way Iâd intendedâŠ.â
âYou just doubled down on it?â You finished his sentence for him.
âIt was stupid, but you were talking to me more,â He shrugged. âAt one point, I considered failing classes so youâd have to tutor me, but I realised it was too late, and youâd just celebrate my loss instead of helping me.â
âAs much as Iâd like to argue with that, youâre right,â You laughed lightly. It wasnât a laugh of joy but rather one of disbelief upon reflection. Had you really spent the past two years actively hating someone over a misunderstanding of intention? âSo what do we do now?â
âWell, I had planned out a first date ages ago,â He smiled. Heâd taken a step closer to you. His arms had found themselves around your waist as he spoke. âWeâd go down to the lake with a picnic and our sketchbooks and draw, I had a playlist ready with your favourite song, and when it would play, Iâd offer to dance with you.â
âThat is disgustingly cheesy,â You grinned, not a hint of spite in your voice. âHow would you even know my favourite song?â
âYour Spotify is public and linked to your socials,â He shrugged.
âStalker!â You gasped. Your tone was playful.
âI was genuinely so concerned that I almost went to check on you a few months ago because youâd been playing âVending Machine of Loveâ for 7 hours straight,â He teased. âI listened to it out of curiosity, and I have questions.â
âAnd I will not be providing answers!â You laughed, knowing the exact day that was as youâd been antagonising Wednesday with it all day after sheâd accidentally hurt Enidâs feelings and was too stubborn to apologise for it. âThen what would we have done on the date?â
âAfter dancing our little hearts out, I would have kissed you for the first time,â He admitted, his cheeks reddening a little. âI guess I messed that part up? We could pretend we-â You cut him off when you pulled him into another kiss. It was slower this time, lasting a lot longer than the previous two. His lips moulded against your own as though they belonged together. It was a cheesy thought, one youâd never dare to admit out loud.
When you finally pulled away, you did so with a smile.
âSorry, couldnât stop myself from ruining your plans,â Your hand absentmindedly traced patterns on his chest. âOld habits die hard.â
âGuess weâd better make some new habits,â Xavier shrugged before he captured your lips in what would be one of many, many more kisses.
a/n - I am a total sucker for enemies to lovers and writing this was an absolute delight - I enjoyed writing it so even if people deem it trash, I am happy đđ
anygays! I've got a couple of xavier requests that I'm working on, but feel free to send me more for xavier or any other wednesday characters!
likes and reblogs very appreciated! lemme know if you wanna be tagged in future xavier x reader fics
@ali-r3n
#xavier thorpe imagine#xavier thorpe fluff#xavier x reader#xavier thorpe#xavier thorpe x reader#xavier thorpe oneshot#xavier oneshot#wednesday#wednesday oneshot
1K notes
·
View notes
Text
FIC REC WEEK 21 â ULTIMATES
A Hundred Times, Once by FestiveFerret, SirSapling
Pairing: Steve/Tony Rating: E Words: 24,761 Tags: Time Loop, Internalized Homophobia, Falling in Love
Summary: The shrill tone of his SHIELD beeper pulls Steve out of sleep and into battle. He fights robots, he fights Tony's shameless advances, he fights the exhaustion that threatens to take over him, drown him. And then the next morning, he wakes and does it again. Exactly the same. And again. And again. And again.
Reasons why I love it: Poor Steve, oh my god. I really love how the focus of the fic â in a reflection of Steve's mindset â goes from being about the Ultimates and their battles to Steve's fixation on Tony specifically. The way their relationship builds feels so raw and almost painful before it gets easier, and I love every second of it. Plus, the smut is incredible. If you haven't read this one yet, you definitely should!
Every Chance We'll Have by magicasen
Pairing: Steve/Tony Rating: M Words: 16,835 Tags: Secret Marriage, Hospitals, Established Relationship
Summary: A mission gone south leaves a city block decimated and Iron Man hospitalized, but what makes top headlines is the fact that Captain America has a secret lover. To the man himself, it's a living nightmare. His husband is in a coma, his entire world is falling apart around him, and Steve has to to confront realities he never wanted to.
Reasons why I love it: Yeees, give me all the feels! I love the flashbacks of how Steve and Tony got together, and all the scenes that touch on the topic of Tony's cancer are incredibly heartbreaking. That conversation with Gail towards the end especially hit home with me. This fic is wonderful, and you should definitely read it!
Under God by isozyme
Pairing: Steve/Tony Rating: E Words: 40,185 Tags: Angst with a Happy Ending, Internalized Homophobia, Dom/Sub
Summary: âCaptain America represents the values of our country. The recent allegations about his sexuality are specious and designed to smear an American icon. Captain Rogers regularly attends the Church of Saint Agnes and invites the citizens of New York to attend worship with him this Sunday, April 14th. God bless America.â -- Nobody was ever going to know. Steve would be a good husband, a good father, and heâd never give in to sin and touch another man. But Steve makes two mistakes, one after the other: he leaves two words out of the Pledge of Allegiance, and he doesnât notice a camera flash among the strobe lights of a dark club, because heâs dancing with his clumsy hands on Tonyâs hips.
Reasons why I love it: Steve just completely breaks my heart in this one. The man-out-of-time feels are strong, and I absolutely love his inner struggles with not just his sexuality but his fragile masculinity. And oh my god, poor Tony, he really deserves better than this. I'm so glad Steve figures that out too at some point, because the heartbreak is almost unbearable, it's so good. isozyme writes some of the best Steve vs the Modern World fics, and this one is no exception. Go and read it if you haven't, it's amazing!
#marvel#stony#fanfic#a year in fanfic recs#fic rec#fanfic rec#fanfiction recommendation#ultimates#ults
57 notes
·
View notes
Text
The jacobins executed by Bonaparte
The plot of the rue Saint-Nicaise 24 december 1800 who kill 22 people and 56 injured
Warning:
As always I could be wrong as a history buff so feel free to correct me. Special dedication to @aedesluminis without whom I would never have been able to have so much information on Bernard Medge.
Alexandre-Joachim Chevalier
It is frustrating to have so little information about the Jacobins executed by the First Consul Bonaparte. Among them was the artificer Alexandre-Joachim Chevalier, arrested in December 1800 before he and his group could kill Bonaparte. He was executed on January 11, 1801, along with Veycer, who had not manufactured the infernal machine of Saint Nicaise (even though they had intended to kill Bonaparte). When he learned he was condemned to death, he reportedly shouted "Long live the Republic" but was immediately taken away by the gendarmes.
According to the author Jean Louis VissiĂšres, though this should be taken with caution, as this book imagines what Alexandre Joachim Chevalier might have said if they let him talk after he learned the death sentence , this man worked in Year II at the artillery workshop in Meudon to improve the weapons intended for the soldiers of the Republic. Outraged by the Coup of Brumaire, he became part of a group of Sans-Culottes opposed to Bonaparte, including Desforges, a former member of the Cordeliers Club; Juvenot, a former aide-de-camp to General Rossignol; Gombaut-Lachaise, an officer struck from the ranks by Bonaparte, who deemed him excessive; Didier, and others.
Fouché's police, comprising a large number of informers, quickly foiled the plot, and the group was arrested at the end of December 1800. Again, according to Jean Louis VissiÚres' book, it seems Chevalier knew he was convincing no one by asserting his innocence but amused himself by exasperating the police and magistrates. This strategy was all the more effective because it allowed him to deny the involvement of other Jacobins. For example, "You wrote on a piece of paper: I am going to kill Bonaparte." Chevalier replied, "It was just to try a pen. I wrote the first sentence that came to mind."
It seems that once incarcerated, he got along well with the royalists as companions in misfortune, given that they shared a common hatred for Bonaparte. This information should also be taken with caution, but it reminded me of the touching anecdote about the friendship that developed between Marie Françoise Goupil and Lucile Desmoulins (their husbands were enemies and they likely would have been too if not for the misfortune that struck them, allowing them to bond in the face of the horrific parody of justice that led these two women to their deaths).
Of course, it seems clear that he was involved in the plot to kill Bonaparte in reaction to Bonaparte's coup and the rise of dictatorship. However, it is important to note that he never built the infernal machine on Saint Nicaise Street as he was accused (the work of the royalists).
Bernard Medge
He was born on September 3, 1753, in Carcassonne. At 17, he joined the naval artillery in Toulon. In 1787, he was involved in a case of stealing a cup, experienced imprisonment, and left to establish himself as a tanner before rejoining the army in 1792. In 1793, Metge was appointed principal administrator by the representative on mission Richou, where he came into conflict with Roussel. During the Thermidorian Convention, while Roussel was rising in rank, Metge wanted to resume military life and sought a lieutenant's commission in the Gendarmerie, which was refused by the Committee of Public Safety and the Directory. His position was precarious, especially as he was now considered a soldier without regular leave and risked punishment as a deserter.
He came to Paris in November 1795 to assert his rights and grievances. He had not forgotten his goals regarding his military career.
In the winter of 1795-1796, Metge became increasingly politically left-leaning, engaging in public debates, particularly in pamphlets, including one printed by René-François Lebois, considered the New Friend of the People, titled "Dialogue between a Representative of the People and a Former Administrator." In this pamphlet, Metge criticized the Council of Five Hundred for disregarding citizens' opinions and appeared in a public hearing on the same day the Directory announced the discovery of the Conspiracy of Equals. Consequently, Metge was arrested upon leaving and incarcerated. He wrote to the Minister of Police, Cochon de Lapparent, asserting he had no connection with the Babouvists, was appalled by their ideals, and said, "Indeed, preach the sharing and equality of goods, and you will have the lazy."
In March 1798, he published his work titled "Project of a General Bank of Agriculture and Commerce." It was primarily addressed to "farmers, merchants, manufacturers, fabricators, bankers, and brokers." Here is an excerpt: "Guided by the example of trading nations, I thought the best way to lift commerce from the lethargy in which it languished was to provide all citizens, without distinction, the means to invest their funds advantageously, securely, and with honest profit without any risk; and to allow others to easily obtain the sums or advances necessary for the type of work or industry they practice, paying only the most modest interest" (page 1).
He praised free commercial contracts and insisted that the government should be independent of finances, aligning more with capitalism and liberalism, as Metge adhered to the Constitution of Year III. In August 1799, he once again attacked Sieyes (the first time being in 1796) and contested the validity of the election that allowed Sieyes to become a director. He wrote a pamphlet titled "Panegyric of Sieyes," which established Metge's notoriety but also marked the beginning of his downfall. He was considered one of the 34 anarchist leaders and was arrested along with the 20 deputies seen as the neo-Jacobin opposition faction on November 11, 1799, shortly after Bonaparte's coup, Sieyes, and Ducos.
For the fifth time, Metge was arrested on October 4, 1800. What sealed his fate was simply his opinion. He authored a text "The Turk and the French Soldier," which justified the Egyptians' right to resist Bonaparte and called for a new "Brutus." His printer, Delrue, was also arrested. Here is the incriminating excerpt from the text:
"The Turk: You French call us slaves, while you are so dull that you don't even realize you are a hundred times more enslaved than us. In my country, a general who committed even a thousandth of the crimes Bonaparte has defiled himself with would have paid with his head... Where is the man who, knowing his rights and dignity, would want to live under such a government? Yet they dare to speak of liberty and equality; what a derision! Governments know well that they are dealing with fools and cowards, for there isn't a single Brutus.
The Soldier: There will be thousands.
The Turk: So be it."
This offense of opinion became conflated with the "Opera Plot" and the "Dagger Conspiracy." Consequently, Jean-Louis Humber, Denis Chapelle, and Etienne Jallabert were arrested for the opera plot. For the dagger conspiracy, Ceracchi, Arena, Topino-Lebrun, Demerville, etc., were arrested. Madeleine Fumey and Flamant were also arrested, with Flamant seen as dangerous by the police because, according to them, he was "the confidant of the conspiratorial leaders, and he was also responsible for printing and distributing pamphlets against the government at the Jacobins on Rue de Bacq."
The confusion was orchestrated by FouchĂ© and Prefect Dubois, especially regarding Chapelle, who founded a secret society, and Metge. The case was handed over to a government commissioner, Gauthier-Biauzat, who was perplexed by the lack of material evidence for planning Napoleon's assassination. The accusation was based only on threatening words, polemical writings, meetings, and worse, there had been resort to tortureâyes, torture. In addition to Bonaparte reinstating the punishment of branding, FouchĂ©'s police committed illegal acts of torture, rolling back reforms even Louis XVI had abolished. Despite threats from FouchĂ©, Commissioner Gauthier-Biauzat, a scrupulous jurist, to continue to dissociate the cases.
Nevertheless, Bernard Medge was executed with two others, following this parody of justice on January 20, 1801, just after the arrest of the royalist François-Joseph Carbon, one of the main instigators of the Rue Saint Nicaise attack on January 18, 1801. Ceracchi, Arena, Demerville, and Topino-Lebrun were executed on January 30, 1801.
What is interesting about Medge is how political alignments shift over time. He was a neo-Jacobin, a fervent republican, an early opponent of Bonaparte, and an admirer of Brutus, yet clearly opposed to the Babouvists. Instead, he claimed allegiance to the Constitution of Year III. While his ideas appeared more conservative for a political class in 1793-1794 (even extreme leftists could be quite lukewarm on property rights), he is considered to belong to the left wing in the political class 1795-1799 and was classified as an anarchist by the Brumairians. In "The Turk and the French Soldier," we see another dimension of Medge: he can be interpreted as opposing expansionist and conquest wars, especially in defending the Egyptians, but also as glorifying the right to resistance.
My reflections and interpretations: To me, this is proof that Bonaparte was more deceitful from the start than even the revolutionaries in their worst moments. While we often, and rightly so, speak of the parodies of justice carried out by the Committee of Public Safety (CPS) supported by the majority of the Convention against the EnragĂ©s, the HĂ©bertists, the Indulgents (although we often forget that Thermidor was not as bright, especially the execution of the last Montagnards like Charles Gilbert Romme, Goujon, and others), with very dubious amalgamations and sometimes fabricated evidence; in popular films, we only talk about the assassination of the Duke of Enghien (again, rightly so) concerning Bonaparte. Yet he committed far worse. As I said, although there were horrible figures during the French Revolution and the CSP committed questionable acts in an infernal internal and external situation to save the revolution, Bonaparte committed unforgivable acts in a much better situation just a month later, aiming to consolidate his power. Worst of all, he was a Jacobin And it truly took very little time for him to betray his former comradesâwhereas the revolutionaries took longer to engage in internal strugglesâfor power. Not to mention the use of torture, an unforgivable act, and one abolished by Louis XVI. It is truly a step backward and more than unforgivable that FouchĂ©'s police practiced it on someone regardless of their convictions, whether royalist or republican.
Regarding the Jacobin Alexandre Joachim Chevalier, there was likely an attempt to murder Bonaparte. But didn't Napoleon himself say, "If I am treacherous, let all be Brutus," during the coup d'Ă©tat? Wasn't he treacherous by betraying everything the French had given their lives for, and consequently, didn't the Jacobins have good reason to resent him? So, technically, he shouldn't be angry with the Jacobins who saw through his game from the start. Let us not forget that Medge was executed for the offense of opinion against Bonaparte. This demonstrates that ultimately, the 18 Brumaire was not as well-received as it seemed, whether by royalists or republicans.
The parodies of justice were worse under the CSP and led to the enactment of rather horrific laws: on January 5, 1801, without trial, 130 Jacobins were accused of complicity in the Rue de Saint Nicaise attack and were deported to the Seychelles without trial (including Felix Lepeletier), half of whom would die there (it was seen as worse than execution). Not to mention the arrests and detentions suffered by Marie Anne Babeuf and Simone Evrard after so much misfortune had already befallen these two militant women.
When it came time to draw up a list, Bonaparte called upon his former colleagues, the Septembrists. Did he forget that he was one of them (of the Jacobins, not the September Massacres) to deport them? Several state counselors said the assembly would never authorize this and that it had no competence. Talleyrand and CambacérÚs then appealed to the Senate under "defense of the Constitution" measures as I understand it.
On February 7, 1801, the crimes of seditious assembly, rebellion, assassination, and brigandage became punishable by special tribunals; these courts did without juries and were not subject to appeal or cassation*. It was even worse than the justice of the revolutionary tribunal.
I strongly condemn assassination attempts, even against a figure I dislike as much as Bonaparte, for obvious moral reasons. If some Jacobins wanted to do it, it was the wrong way; even if they had succeeded, it would have opened the door to another dictatorship in my opinion. It was necessary to rally the masses again and start a new revolution. But I must point out that the movements were full of informants and often fabricated cases.
It is clear that Napoleon did not care whether they were truly guilty of the Rue de Saint Nicaise attack; he wanted to get rid of them, probably to further discredit FouchĂ© in the eyes of the Jacobins (though FouchĂ© needed no help in discrediting himself) and perhaps to provide assurances to the right and maybe tell his opponents, "This is what awaits you if everâŠ." In any case, he struck on all sides and eventually found himself alone, so when he really needed help, few allies were there for him (compared to Marat, who was arrested, and all of Paris rushed to his aid, or even when Robespierre, Saint-Just, Couthon, and Le Bas were arrested, 17 out of 49 sections wanted to help them without them asking for anything). Karma is harsh and finds its origin in this tragic affair, which would only be the beginning of a long list of grievances against him. Thats why I think Bonaparte didnât care to save the revolution when he make the coup, it was above all for power.
I am not saying that Napoleon was a bloodthirsty man as often depicted by English propaganda. It is a black legend that needs to be combated, but I want to emphasize that while we often spend time condemning the acts of the revolutionaries (often rightly so, I am not absolving them), we exonerate Napoleon and his acts, which I believe were ten times worse.
Finally, I urge everyone who wishes to find more information about these Jacobins who were shot or died in deportation because it is always interesting to learn more about these forgotten figures of history and I can be wrong.
*https://www.napoleon-empire.net/chronologie/chronologie-1801.php
Sources  :
Excerpt from Bernard Gainot's text Un itinéraire démocratique post Thermidorien Bernard Medge
32 notes
·
View notes
Text
In an issue of Historia magazine, Hervé Leuwers wrote an uchrony in which Admirat succeeds in killing Robespierre.
So, he shoot him twice in the Duplay's courtward. Everyone is in shock.
In the evening, BarĂšre asked at the Convention to pantheonize Robespierre. Legendre isn't very happy.
The next day, they take him to the Panthéon, coffin open, Marat's behind.
After the shock, the rage explosed. A lot of people think it's the British fault. No more english and hanovrian prisonners. The Revolutionary Tribunal took tougher actions.
A few weeks later, the pressure drops. No one know if they need to continue or not. The CPS emerged weakened.
July 1794, only Barere and Carnot remains in the CPS. Prisons are open.
Lecointre criticizes Billaud, Collot, Couthon and Saint-Just for supporting exceptional measures and concealing the crimes of representatives on mission, such as Carrier. A few weeks later, Billaud, Collot, Carrier and other Montagnards were imprisoned, while the Girondins were rehabilitated. The Convention decided to exclude Marat and Robespierre from the Pantheon.
-----------
Me :
#doomed uchrony#what about Charlotte and Bonbon ?#did they work it out ?#frev#robespierre#saint just#barrere#marat#couthon#billaud#no respect for billaud#i hate you Barere#collot#carnot comes through as always
39 notes
·
View notes
Note
The best moments in the revolution (in your opinion)?
Desmoulins and Robespierre basically breaking up because the former used Rousseau against the latter in public after just having been mocked for his journal by him:
Robespierre: âŠI end by asking that [Desmoulinsâ] numbers be treated like the aristocrats who buy them, with the contempt that profanity deserves. I propose to the Society to burn them in the middle of the room (There is applause several times; Robespierre's speech was interrupted by applause and bursts of laughter).
Desmoulins:Â That's very well said, Robespierre, but I'll answer you like Rousseau: "To burn is not to answer."
Robespierre:Â How dare you still want to justify works that delight the aristocracy? Learn, Camille, that if you were not Camille, one could not have so much indulgence for you.Â
PĂ©tion spending an excessive amount of ink insisting he did not get hard from sleeping in the same room as two stranger women while on the run from the authorities after the Insurrection of May 31 in his memoirs. Like, thanks for specifying JĂ©rĂŽme, but I never really thought that was a climate where such feelings grow in the first placeâŠ
There were two beds without curtains, two very dark little closets serving as wardrobes, a window overlooking the street, a small fireplace, and two or three chairs. So here I am, alone in a room with two young persons of interesting countenance, undressing myself, going to bed before them; then they get undressed and go to bed before me. I felt, I confess, these embarrassments of decency, which they no doubt felt even more than I did. But it was easy to see how much the generous action which they knew removed from their souls those ideas which might have troubled them. They did not even make any of those reflections which bring out the delicacy of the circumstance. I need not say that I did not allow myself any of these remarks, any of these jokes which could frighten the most severe modesty. I even confess that I experienced none of these sensations, none of these desires so natural that they are involuntary in the man whom nature has made truly man. I would have shamed myself if I had been tempted to abuse this touching hospitality. I was a brother with sisters.
Charlotte Robespierre arranging a meeting between Maurice Gaillard and Couthon so the former can plead for clemency for some people, eavesdropping to their entire conversation, throwing herself upon Couthon and holding him still once he (supposedly) makes a move to call for his body guards to arrest Gaillard, gets Gaillard to escape, makes Couthon ashamed over having attempted to âimmolate a friend that I had brought to his house,â goes and finds Gaillard and remains completely cool when he loudly asks her what the f she thought she was doing, answering that he would have been executed had she not intervened, that Couthon was only trying to deceive him and finally that he ought to flee Paris, something which Gaillard also agrees to do. Then years after the fact Gaillard recounts and records this anecdote for his BFF FouchĂ©, only in this version, Charlotteâs identity is for some reason kept a secret and sheâs only described as âa lady.â Coincidence muchâŠ?
Camille getting smacked in the face with his latest number of RĂ©volutions de France et de Brabant by a bookstore clerk, responding by saying he has a gun and could blow his offenders brainâs out, but simply opting for hitting him once with his cane.
Saint-Just playing with a rifle, accidentally firing a shot that almost kills his fellow representative on mission and then throwing himself in the guyâs arms in shock.
Robespierre being hypocrite 101 by expelling a member from the jacobins with the motivation: âBrichet talks to you about this faction, but he does not name the individuals, he does not designate the traitors who must be punished. When revenge is demanded against representatives who are not named, the whole Convention believes itself threatened and exposed to great misfortunes. So the real traitors are those who put forward such motions.â Should have really taken your own advice there four months later, MaxâŠ
Louise de KĂ©ralio-Robert exclaiming she will stab Danton if her husband doesnât survive the Insurrection of August 10, alarming Lucile Desmoulins to the extent she keeps an eye on her for the entire rest of the night, a reaction that becomes much more understandable once you realize Louise had actually threatened three men harassing her with a knife just a week earlierâŠÂ Â
The fact that a pamphlet with the name âConspiracy formed from 5 prĂ©rĂ©al [sic] by nine representatives of the people against Maximilien Robespierre, to stab him in the middle of the senateâexists.
Camille and Marat spending several pages of their public newspapers arguing because Camille got a word misprinted (âapostateâ instead of âapostolateâ)
Not really the revolution, but all the times Napoleon is recorded to have lamented the fact he did not have Fouché executed.
The fact both Fouché and Robespierre seemingly each courted a girl and then contributed to getting two of her family members executed.
Françoise HĂ©bert telling her accusers that she âhas never known her husband to be a conspirator, if he was he would have died by her hand,â during her trial.
Collot dâHerbois trying to defenestrate Robespierre, failing, and immediately trying to hug him as an apology.
79 notes
·
View notes
Note
Hi, thank you for your answer. The post i was alluding to before claims however that Carrier's recall letter and the recall letters of some other representatives in mission did not bear Robespierre's signature and that the recall letters of these proconsuls did not seem to take issue with their violence yet it seems to be an accepted fact even among hostile historians that Robespierre was against the behaviour of these representatives in mission. Is it because of their partecipation in Thermidor or are there other sources attesting to that?
So, to start, it's worth noting a couple of things:
1) As I've had occasion to mention before, it's not particularly indicative of anything which signatures a letter or decision of the CSP's bears, because despite internal disputes, there was a certain level of solidarity in those decisions and, on a practical level, there are often different drafts with different signatures, and often it's just a question of which ones happened to be preserved;
2) Recalls of representatives on mission almost never indicate the reasoning behind the recall, so it's not surprising that Carrier's doesn't either; however, in the CSP's letter to Prieur de la Marne, they do explicitly state that Carrier's "formes violentes" are among the reasons that they want Prieur to take his place. (Note as well that for both letters, we only have a draft, so we don't even know whether the signatures on the version that was actually sent are the same, and that while Robespierre's is not among the signatures on the drafts, despite their clearly coming from the same motivation, they don't have exactly the same signatures either: Billaud-Varenne and BarÚre signed both of them, but Jeanbon Saint-André and C. A. Prieur only one each.)
As I mentioned, though the signatures aren't really important. The key piece of evidence concerning Robespierre's involvement in Carrier's recall is the fact that he was recalled following a letter addressed to Robespierre in particular (Jullien's letter, that I mentioned previously). It's therefore logical that Robespierre would be the driving force behind the decision. Carrier's active hostility to Robespierre and participation in Thermidor is merely corroborative.
As I mentioned, as well, we do have a number of speeches of Robespierre's denouncing excessive violence and repression by representatives on mission in general terms, notably his speeches at the Jacobins in the lead-up to Thermidor and his final speech. Their advocacy for extending repression was also one element, among others, of Robespierre's rejection of the "ultras."
33 notes
·
View notes
Text
closed starter for @kywritesss (Sofia & Joel) date: August 28th 2019 location: in between Omerta and Athos, so at the south border of Athos. (here)
Saints had been dying like flies, out of reach and therefore of no use to the Delacroix family. They'd vowed to protect them, as much as possible at least, so they'd have to find the culprit, to kill them. Rumors spread about the four horsemen, about their powers, if they were real or not. Their darkness could've possibly infiltrated Omerta, forced humans to act out against Saints, just so there'd be less of them. In any case, Jean-Pierre deployed Sofia to Omerta for just a few days, just so she'd uncover the dark secrets their rivals tried to keep hidden from them. Not knowing the depth of their mission, Sofia decided to take one person with her. To remain hidden, within the shadows, while simultaneously looking for answers -- she could've dragged an Omerta native along or someone whose powers would be beneficial in deescalating situations. Joel Duncan. Jean-Pierre knew of his powers, the way they could work in their favor by forcing their enemies to sleep. Sofia would crush them, strike them down with lightning if she had to. A fruitless mission; One that would lead to a huge success if only they'd capture them to talk rather than silence them forever.
Standing at the edge in between Omerta and Athos, Sofia looked towards Joel, confused as to why Jean-Pierre wouldn't let her go alone. With no prior training together, no connections, she feared they'd not get along well enough to actually go on that mission. With her brows furrowed together, Sofia analyzed Joel's body language, tried to find anything that could potentially give away what he was thinking. Nothing. He seemed impenetrable, mysterious, but not in a good, exciting way. He represented that kind of mystery some would describe as unsettling, deep, unknown. Intriguing. His powers remained a mystery, especially to her. "He's supposed to work for the Parrino crime family. If our sources are correct, they've hired a Saint hunter for the sake of dragging them out of Athos, into Omerta, hoping to give them up as offerings to the four horsemen." Sofia huffed, just to release some of her anxiety and pent up energy. "We need to at least work together, not entirely trust each other, but... we need to work as a team. Can you do that? No casualties, no attention. We remain in the shadows, find the Saint hunter and drag them back to Athos."
8 notes
·
View notes
Text
Why doesn't the Church of Jesus Christ of Latter-day Saints build homeless shelters, hospitals, etc?
Because the Church doesn't duplicate infrastructure.
Why build an entirely new hospital when you can provide resources and volunteers to an existing one? (Note: they built Deseret Hospital, which was the predecessor to both LDS Hospital and Primary Children's Hospital in Salt Lake City)
Why build homeless shelters when it is far more effective to house the homeless instead with the same money?
Why create new charities when you can donate to existing ones?
People who use this line think they've found some clever Gotcha on a subject they don't know anything about.
Source: Me. I spent part of my mission serving at Temple Square. It includes Welfare Square, the hub of the Church's humanitarian aid program. It represents generations of the Church's investments into providing for those in need. The scope of what they do is so broad, I can't explain it all here. But the Relief Society innovated safe grain storage, which has gone into helping people in need for over a hundred years all over the world. Relief Society grain fed people after the San Francisco Earthquake, World War I, the Great Depression, and the Great Chinese Famine. The women of the Church created infrastructure where it did not exist, and it has been the backbone of the Church's humanitarian aid ever since.
The thing I most remember was the fact that they could get wheelchairs to people in the developing world for $4 a pop. They don't do any of that on their own. They do it in partnership with other organizations because it means they can help more people with the resources they give. The Church and its volunteers get less recognition that way, but that doesn't matter to us. It's the good deed done well that motivates my people, not recognition.
Why don't I care that the Church-owned ranches and farms are so large and valuable? Because that is where the food in the Bishop's Storehouses comes from. The Church grows and processes all the food they give away, functioning almost entirely on volunteer labor. There is a cannery right around the corner from my house where I've assisted in the Church's efforts to can peaches. Those peaches were grown on a church-owned farm. My congregation gets a cannery assignment, shared with all the other congregations here locally, to process food that feeds people in our community, whether they're active members of the Church or not. And ours is just one example of operations just like it that exist all over the world.
I've stood in the kitchens of Brazilian women who were preparing and storing rice to give away to people in need. The Young Women in my last ward collected donations to make hygiene kits to give away to homeless people. Wherever there are women in this Church, there will always be people finding ways to help people simply because they care.
Which is a reminder to my LDS friends who follow me: you don't have to listen to people who criticize the Church's generosity, especially when they're loud and wrong. Just start rattling off the ways you've seen the Church and its people do good where you are, or wherever you've been.
They probably don't remember Hurricane Sandy when it leveled New Jersey. But I do because my YSA congregation in Delaware had sign up sheets going around for months for volunteers to participate in the cleanup. They don't remember Hurricane Michael. But I do, because I was visiting family in the aftermath and saw all the roofs that were tarped by volunteers from my Church, members of that community in the Florida panhandle whose own church building was still in shambles.
Need a way to see all the good the Church is doing where you live? Go to justserve.org. It is full of volunteer opportunities in your local community, many of which are on there because of volunteers from the Church and the causes they're already involved in. I put one in the bulletin for my congregation each week. It's a better use of your time than entertaining out of pocket nonsense in your Asks from strangers on the Internet.
#mormon#lds#mormonism#tumblrstake#religion#faith#the church of jesus christ of latter day saints#queerstake
71 notes
·
View notes
Text
Because it is a shamefully wicked thing to strip the body naked at a banquet among the drunken and licentious, it does not follow that it is a sin to be naked in the baths.
St Augustine, On Christian Doctrine
Rereading Chapter 14 of Misericorde, and I've got a few thoughts about it.
1: đ€
Look, I know Hedwig having trouble applying her encyclopedic scriptural knowledge is a running theme, but it's still very funny that Hedwig, embarrassed at the prospect of seeing Eustace and Moira nude, says "But what if I start having lustful thoughts? That would be incest!" and Eustace goes "You know 'Sister' is just a title, we're not actual blood relatives"
Also interesting how Moira makes such a bit deal out of Hedwig's black hair being a sign of melancholy, then acts like the only incongruous thing about her black hair is that she's Irish.
2: Uncleanliness and spiritual despair
One huge theme in this chapter is Hedwig's sense of unworthiness. First, when reflecting on her vision she thinks herself unworthy of having been given a vision, that while of course God is all powerful and all seeing, that maybe she is worth less than the lillies of the field and the sparrow that falls (incidentally I'm not sure what she means about Augustine's warning against allegorizing too heavily: her error here seems more like his warning not to misread rhetorical questions.)
Hedwig talks about "the indignity of the laundry water incident [being] something that would stick with [her] permanently". There's an obvious literal meaning of it being upsetting, but think back to her vision: the dog became sick after eating fritters soaked through with the laundry water. Whether the dog represents Hedwig or someone else, it's clear the laundry water is being associated with sin here (Proverbs 26:11, 2 Peter 2:22), either as sin itself or the actions of other provoking one to sin. Hedwig feels like even if she is washed clean, she'll still feel somehow tainted.
When getting Moira's clothes, Hedwig spills her ink, and feels unable to deal with it or tell Moira. She feels that there's no way Moira could forgive her for that. Fortunately Kumasawa uses finite magic to fix the bottle and put the ink back inside before Campy knocks it over again, but Hedwig still feels like even a clumsy mistake is enough to destroy her relationship with Moira.
And at the feast, Hedwig feels unworthy of being celebrated. She's the Mother Superior's spy, betraying everyone's trust by her very presence. Everything keeps coming back to a sense of worthlessness, contamination, and stain.
3: Saint Cecelia
This chapter (and the previous one) all occur on Saint Cecelia's day. Cecelia is patron saint of music, for having inwardly sung hymns during her wedding ceremony, and the portative organ is one of her attributes, but there's more to her story than that. After being married, she warned her husband that an angel stood ready to strike him down if he touched her, but he could not see it unless he was also baptised. He went out, was baptised and converted, and saw the angel which miraculously produced flower crowns for them. The two of them, and her brother-in-law, were condemned to death by a Roman prefect, and initially Cecelia was to be suffocated in the baths (I think locked into a room and heated up until she died) but no matter how hot it was she felt cool and comfortable. Then, she was to be decapitated, but despite being struck on the neck three times she survived another three days, preaching to crowd, before finally dying.
So baths, bodily inviolability, visions that only appear to some but not others, and outward appearances vs inner feeling. These all come up: Hedwig and Eustace argue about how Hedwig could have flown while the Farmer saw her walking, there's a bath scene in which Hedwig is concerned about her body being seen. And at the feast, while outwardly appearing happy, inwardly Hedwig was tormented with guilt and was always thinking of her secret mission from the Mother Superior, just as Cecelia outwardly looked a bride but beneath her dress mortified her flesh with a hair shirt and in her heart was always singing to God. I feel like there could be something there.
4: Surprise parties
I forget the exact episode number and context (presumably about foreshadowing?), but while talking about Cursed Child, Xeecee mentioned how easy it is to overtelegraph surprise parties (something like "Hey can you be out of the house 3-5, I'm cleaning all the floors or something, but make sure you definitely get back right at five. But not before! Five sharp!" yeah okay now I know you're doing a surprise party I'll pretend to be shocked). So I like how Hedwig, after saying that she'd like a nice prank like a surprise party, reacts to being brought into the rectory with "oh no I am going to be murdered!" Great to take a woman with 3 weeks total of socialization and just put her in situations.
5: The Bishop of Carlisle looks a bit like God, doesn't he?
I mean obviously he's a bearded man making a sign of benediction, that's going to do something, but God did look a bit fat in the vision.
I know some of these might seem like a reach, so in case any of you feel like criticizing me I'm going to leave you with the words of Saint Augustine of Hippo:
Thus, when one man says, âXeecee meant what I mean,â and another says, âNo, they meant what I do,â I think that I speak more faithfully when I say, âWhy could they not have meant both if both opinions are true?â And if there should be still a third truth or a fourth one, and if anyone should seek a truth quite different in those words, why would it not be right to believe that Xeecee saw all these different truths?
#misericorde#misericorde vn#Of course Augustine wasn't expecting Moses to actually see his Confessions...
8 notes
·
View notes
Text
Rose Red | Morpheus x F! Reader
Warning: NoneÂ
Notes: Happy Valentineâs Day! If you donât have a valentine, Iâll be yours â€ïž Set in the same universe as, âRed Bowâ but you can read it as a standalone! Inspired by the song, âRose Redâ by Emilie Autumn.Â
If you'd like to be a part of âThe Sandmanâ tag list, just ask me! Requests are open.
Word count:Â 2.6k
Masterlist
After what happened on Christmas, you made it your mission to teach Morpheus human customs. Since Morpheus was aware of your fascination with human customs from the waking realm, he tried his best to keep up with your teachings. Morpheus felt like he was making great progress with learning human culture, and it was bringing the both of you closer. Unfortunately, you stopped teaching him human customs, after he lit a firework inside the kingdom and nearly blew Matthew into pieces for New Yearâs Day. Ever since that day, you became distant from him, and when he would search for you, you would immediately walk away, stating you had a job to attend to. Due to your cold shoulder, Morpheus would spend time in the throne room, reflecting on himself and your time spent with him. âBoss, I think you can still make it up to her,â Matthew said while standing in front of Morpheus in the throne room. Morpheus was in the throne room, sitting on the stairs and sulking as usual. Matthew was knowledgeable of human culture and knew Valentineâs Day was today. He thought maybe Morpheus could give you chocolates and flowers for forgiveness and perhaps a date. Morpheus just side-eyed Matthew and continued to sigh. âMatthew, I nearly slaughtered you. I doubt I could make it up,â Morpheus said in a flat tone.
âWell, I already died once,â Matthew replied while tilting his head and flapping his wings, âWhat happens if I die twice? Will I continue to return as a crow or will I become a ghost?â Morpheus glanced at Matthew, who began to mutter to himself about the possibility of him becoming a ghost after he dies again while walking back and forth. Shaking his head, Morpheus stood up and began to walk up the stairs to look outside the window. The sunlight shone against his pale skin as he looked through to continue to think. Matthew flew to stand next to Morpheus and cawed. âIâm being serious, thereâs a holiday today called Valentineâs Day.â Matthew explained, looking at Morpheus, âItâs a holiday where lovers spend the day together, you can give chocolates and flowers. Itâs a romantic holiday!â Morpheus kneeled, facing Matthew, and raised his eyebrow. âValentineâs Day? What does this Valentine's mean?â Morpheus asked. Matthew ruffled his feathers and began to think, trying to remember what you told him a couple of days ago. âOh, itâs a holiday named after Saint Valentine who represents love.â Matthew answered and cawed, âI know you love her, boss.â Morpheus twitched a faint smile on his lips and shook his head.
âI love her very much, yet I ruined it.â Morpheus said in a sad tone, âDo you think she would accept my chocolates and flowers?â Matthew stared at him and nodded his head. âOf course! Everyone loves chocolates and I know just the flower that will make her swoon.â Matthew assured, he wagged his tail and began to fly out of the room, cawing for Morpheus to follow him. Morpheus immediately followed Matthew, and together they went out to the gardens. Matthew flew around the garden looking for roses while Morpheus walked around, slowly peeking his head around the bushes to see if you were around. To no avail, you werenât in the gardens. Truly living up to your purpose as the dream that represents generosity, you would normally help Mervyn with the garden, but unfortunately not today. Morpheus sighed again in defeat until Matthew cawed on the other side of the garden. He quickly walked over to the other side of the garden to see Matthew standing next to a rose bush. âA rose bush?â Morpheus questioned while touching the rose petals, âWhy a rose bush?â Matthew flew to land on the bird bath fountain next to the rose bushes and explained, âRed roses represent love, and I know (Y/N) loves red roses. I hear her sing the song, Rose Red all the time when working.â Morpheus looked to his right to see Mervyn holding a pair of flower shears, walking over to them. Mervyn smiles at Morpheus and then looks at the rose bushes. âPick any of the roses,â Mervyn said while pushing some roses from the bush, âIâll clip them.â Morpheus said a small thank you and began to look around the rose bushes to find the perfect bouquet for you. His hand would move the roses around, and point at the deep red roses for Mervyn to clip. After picking some of the roses out, Morpheus saw his hand was filled with small cuts, but ignored it. Mervyn walked away with the roses and said, âIâll leave them in your chambers after I finish preparing them.â
Matthew cawed and said, âOur plan is almost complete, boss. We just need to get chocolates and convince her to meet us at Fiddlerâs Green!â Morpheus and Matthew walked out of the garden to walk to the kingdomâs plaza. The plaza was filled with citizens walking around to finish their errands, talking, and negotiating prices. Some people were around the fountain playing live music with a couple of them dancing in a circle. Morpheus looked around to see if you were nearby, and with sheer luck you were. His eyes widened and his lips parted as he saw you dancing on top of the fountain rims singing to the song, Matthew mentioned earlier. You were beaming as if the sun was attached to you, and sang, â Rose, rose red. Will I ever see thee wed? I will marry at thy will, sire. At thy will!â The citizens playing the instruments complimented your voice, as the others were dancing. Your hips were swaying to the live music and your eyes were closed to consume everything. âTell me no more stories, and I'll tell you no lies.â You sang clearly and twirled around the fountain, âNo one wants to hurt me, but everybody tries. And if you think that I've been waiting for my planets to align. It's time you go on!â Morpheusâ heart fell to the floor when he heard you sing the lyrics; it was as if the song was for him. A song for him to leave you alone, and he felt defeated. Matthew noticed Morpheusâ change of face and said, âItâs just a song she likes. She heard it when she was working on an artistâs dream. Come on boss, the store is near here.â Morpheus took one last look at you and walked away.
As the song was coming to a finish, you opened your eyes to see Morpheus walking by you. It took every ounce of your will to not rush to him and hug him, but you brushed it off to continue singing. But you knew you had to give him space, for your own sake. Ever since the incident on New Yearâs Day, you became more work-focused because you realized it was a mistake on your part for Matthewâs near-death experience, and you should stop messing around; rather, focus on your main purpose. The work was supposed to keep your mind busy, but you would always find yourself thinking about Morpheus. Nevertheless, you never reconciled with him, although you planned to, you just never knew when. When the song finished, everyone clapped for your performance, and you got down from the fountain, crouching to grab your basket. You waved bye at everyone, and another person came up to start performing as well. It was a small practice you made in the dreaming realm, where the plaza should be filled with live music and performances to make the people feel more welcomed and happier. You decided to go to Fiddlerâs Green for the day since it was Valentineâs Day in the human world, and eat a small meal next to the fish. Perhaps afterward, you would gather the courage to talk to Morpheus about how you feel. Regardless, you were going to spend the holiday alone; at least the fish down the river would keep you company.
Walking down the pathway to Fiddlerâs Green, you opened your basket to make sure you had everything inside. Inside your basket, you had a red velvet brownie in the shape of a heart, a white wine bottle from the waking realm, and strawberries covered in chocolate. You made the desserts by copying them down from a bakerâs cookbook when you went to the waking realm the last time. It took you two tries to get everything right, and you were happy you finally got to eat them. As you got near Fiddlerâs Green, you didnât notice you were being watched. In fact, by the time you sat near the river and began to pull out your dessert, Morpheus and Matthew were hiding behind a bush looking at you. âSo, uh. Boss?â questioned Matthew, âI donât know how it works in the dreaming realm, but in the human world, stalking is a crime.â Morpheus looked at Matthew and responded, âI donât think I dare to walk up to her.â Matthew cawed and ruffled his feathers; he had to get Morpheus to walk up to you, but he didnât know how. So, instead, he continued to examine you, eating strawberries while staring at the river. Matthew would look at Morpheus and see how in awe Morpheusâ face was. He shook his head and sighed, âBoss, you gotta walk up to her. Go! Or else, Iâm telling her.â Morpheus stopped looking at you and looked at Matthew, âYou wouldnât dare.â Matthew cawed and knew what to do now. âOh yes, I do.â
Matthew cawed and began to fly towards you, screaming your name. Morpheus nearly dropped the bouquet and chocolates when Matthew began to scream your name. âOh, (Y/N)!â screamed Matthew while flying to you, â(Y/N), the boss wants to talk to you!â You looked up to see Matthew land on top of your shoulder. âWhat does Lord Morpheus want?â You asked while taking another bite of the strawberry. Matthew used his wing to point at Morpheus, who was awkwardly walking over. You could see he was hiding something behind his back, and his eyes were looking at the floor. Raising your eyebrow, you asked, âLord Morpheus, what do you have behind your back?â Morpheusâ face turned a slight pink and he revealed what was behind his back. A bouquet of the reddest roses you ever saw in your life, with a box that you assumed had chocolates. Morpheus cleared his throat and said, âIâm sorry for hurting you. I didnât mean to make a disaster on New Yearâs Day. AndâŠHappy Valentineâs Day.â
âThat better not be a pity bouquet. Pity chocolate Iâll take, but thatâs it.â You replied while standing up to inspect the chocolate box. Morpheus was taken aback as his eyebrows were raised and his lips turned into a frown. âI picked the roses. Matthew told me you love roses,â Morpheus whispered while looking at the bouquet. You began to laugh and shake your head. âSorry, Morpheus. It was a cruel joke. Iâll take the roses as well. Theyâre so beautiful.â
âNot as beautiful as you,â Morpheus stated while looking at you with the softest eyes you ever saw. Your face began to feel hot, and you giggled at the compliment. Meanwhile, Matthewâs beak fell open and he cawed. You motioned Morpheus to sit down next to you and you opened your basket again. Matthew decided to sit on your shoulder and coo as you began to take out your brownies. Morpheus smiled at the sight of the brownies when you gave them to him. Matthew cawed and began to peck at the brownie from your hand. In silence, you ate the brownies together, and you also shared your strawberries with them. Morpheus would glance at you whenever you werenât looking at him, and he would be amazed. Then, you decided to take out the white wine to drink; however, when you pour the wine into a cup, Morpheus asked, âWhy does that look like a love potion?â Matthew gasped and said, âAre you going to bewitch him?â You began to laugh to the point, you nearly dropped the cup. Wiping the tears away from your face, you said, âNo, itâs white wine. I assume youâre used to red wine?â
âI donât drink,â Morpheus stated while inspecting the wine bottle, âAlthough, it smells lovely.â You gave him the cup and motioned him to take a sip. Since you only brought one cup, you shared the wine with Morpheus. Meanwhile, Matthew was dying of thirst, but he didnât want to ruin the romantic moment you two were having together. Instead, he got off your shoulder and began to lay on a river rock staring at the fish. Occasionally, he would turn around and see the two of you talking and laughing. Matthewâs tail swayed in excitement and he hoped Morpheus would finally tell you how he feels. It was hard for him to keep quiet, but he tried his best either way.Â
âMorpheus,â You started to say, after taking a sip from the wine glass, âIâm sorry for being cold towards you and Matthew. Itâs just that, after the incident, I freaked out. I wanted to forget about everything and focus on my work. But it was so hard. When I wanted to talk to you, my body would freeze and I couldnât find the courage to talk to you. Itâs also hard because all I could think about isâŠyou.â You looked at Morpheus, who was staring at you and nodded in agreement. âI understand, (Y/N),â Morpheus admitted while slowly getting closer to you, âHowever, itâs best to reflect on the past, than dwell on it. At least, Matthew is still alive, and weâre talking. I also think about youâŠfrom time to time.â You smiled at him, and he returned the smile. Slowly, you held out your hand, and Morpheus held it. As you locked your hands together, he cleared his throat and whispered, âRose, rose, rose red. I love you.â You smiled at him and began to laugh at his words. Morpheus furrowed his eyebrows until you explained, âThatâs adorable. I guess Matthew told you my favorite song?â Morpheus nodded his head.
You leaned towards him, and Morpheus did the same. Tilting your head to the side, your lips brushed against each other. âRose, rose, rose red. I love you too.â You whispered before closing the gap. The kiss was sensual, coming off slow and tender before transforming into a deeper kiss to the point your teeth clashed together. However, you broke the kiss after hearing Matthew caw and standing in front of you two. The two of you began to laugh when Matthew gagged at the sight of you two kissing. âPlease, get a room next time.â Matthew said while covering his eyes with his wing, âMy poor eyesâŠâ You patted his head and apologized. After giving him a piece of strawberry, his tail swayed and his feathers ruffled in happiness. Morpheus stood up and let out his hand. âCome On, Valentineâs Day still isnât over.â Morpheus said as he helped you up, âMatthew, you can clean up this mess, (Y/N) and I have some unfinished business to take care of.â You began to play with your hair when Morpheus winked at you before Matthew could say anything. Morpheus grabbed your hand to lead you back to the kingdom. Matthew was left alone, and he sighed at the sight of the mess.
âWell, happy Valentineâs Day to me too.â Matthew sighed before pecking at the leftover strawberries.
#dream of the endless#dream x reader#endless dream#dream x you#dream x fem!reader#dream x y/n#dream but the netflix one#the sandman x reader#sandman x reader#sandman imagine#sandman fanfiction#morpheus sandman#dream imagine#sandman x you#sandman x y/n#morpheus x reader#morpheus#morpheus x fem!reader#morpheus x you#morpheus x y/n#morpheus fanfiction#the sandman fanfic#netflix#netflix the sandman#sandman netflix#valentines day#the sandman fan fic#the sandman netflix#fluff blog#fluff
125 notes
·
View notes
Text
Rain World Theory, Spolier below for all campaigns
I have noticed something that I think should be shared with the class. This about Five Pebbles and how the Slugcats reflect his traits.
Spearmaster
Represents how Five Pebbles went slient for a long period of time, and also represents how at the time Five Pebbles was taking Looks to the Moon / Big Sister Moon's water. With no mouth this creature cannot speak, thus cutting it off from connections with it's kind. Along with that, the fact it has no mouth means it must parasitically suck food from others, like how Five Pebbles was sucking water from Moon.
Artificer depicts Five Pebbles violence towards Moon, and his rage towards all life in general. After the death of her children, this bombastic warrior started a genocide against the scavenger population. Now stuck in an cycle of violence due to her rage towards the scavengers she mirrors Five Pebbles and how he only made his situation worse by lasing out at others.
Hunter stands for the fact Five Pebbles still cares for Moon, and his the rot. With only 20 cycles (25 if you visit Five Pebbles) Hunter clearly has rot, as you can find its corspe in the Gourmand. And well...
yeah. But also it mission is to deliver slag keys to Moon so she may create a few neuron flies for herself. And we can see the remorse Five Pebbles feels towards the situtation in Rivulets campaign. Thus early on the Hunter illustrates Five Pebbles' early regret towards what has happened to Moon, yet his inability to do anything about it. As even this creature can do little more than restore basic funcition, and short term memory storage to Moon's puppet.
Gourmand embodies Five Pebbles gultony with the water situation. As all Gourmand does before being told to take its people out of Five Pebbles' ground is consume food. It also is the only slugcat with a crafting mechanic, and Five Pebbles was trying to craft something to destroy him so he could ascend.
Survivor and Monk together represent Fiver Pebbles' relationship with Moon. As the slugcats are both siblings, they mirror how Five Pebbles and Moon see their relationship, especially due to how close their were built to one another.
The Rivulet epitomizes Five Pebbles hurried nature. Often when playing as Rivulet the player find themselves biting off more than they can chew due to the fast movement speed of the creature, they are invited to run into the unknown without thinking about the danger that might lurk ahead. Rivulet echos how Five Pebbles rushed to iterate the cells he need to ascend, but he put himself and Moon in danger instead.
Finally, Saint. It personifies the end Five Pebbles longed for. Ironically, it arrives when Five Pebbles can no longer recongizes what is it. Furthermore, Five Pebbles in his dulled mind is ready to recieve help, yet all the help he can now get is from Saint as he can no longer reach any other Iterator. Saint also brings Five Pebbes relationship with slugcats to its conculsion as they start as thing beneath him to Five Pebbles but overtime became his only means of interaction with Moon, Saint brings this to it logical end as now these creatures that Five Pebbles disliked is his only way of iteracting with the world outside of his music pearl, he finally wants to try to be kind to other beings, yet in his state all he can do is warn about the incoming worsing of the blizzard.
In all the slugcats have things that connect them with Five Pebbles, whether it be their own traits or their relationship to others. And I just think it isn't noticed enough :D/nm.
#Rain world#theory#slugcats#Five Pebbles theory#Slugccat theory#symbolism#rain world theory#All campaigns rain world#spoiler warning#spoiler: Rain World#spoilder: Rain World Downpour#rw spearmaster#rw artificer#rw gourmand#rw survivor#rw monk#rw rivulet#rw hunter#rw saint#rw five pebbles#rw looks to the moon#<- mentioned#mmmmm
25 notes
·
View notes
Text
Ruthless Representatives, Unjust Executions (1/3): the Death of an Artillery Captain
This is a response to @josefavomjaaga's recent post, which partially deals with the alleged arrest and execution of an artillery captain by Saint-Just, then a representative on mission, during the siege of Charleroi, and the representatives' abuse of military men around the time of the battle of Fleurus. Josefa enquired whether anyone could shed light on this incident from the FRev community. While I am not well-versed in FRev events, I would like to offer some of my findings about military justice in the army during the Revolution in relation to the representatives in three parts. The first part deals directly with the tale of Saint-Just's execution of the artillery captain, and how it was turned into a symbol that exemplifies the Revolution's extrajudicial violence. All translation errors are my own.
The source about Saint-Just's terrorisation and execution of the artillery captain that is cited the most is from Soultâs memoirs (1854). Writers, including Colonel Phipps, use this source verbatim without questioning it, because Saint-Just and all the representatives were obviously Stupid Civilians who thought that any incompletion of their orders amounted to betrayal:
It was above all the siege division which deployed with activity before Charleroi. The colonel Marescot directed the engineering operations, under the eyes of Generals Jourdan and Hatry; we had a sufficient artilery crew, and the representatives Saint-Just and Lebas stood at the foot of the trench to speed up the work. One day, they visited the site of a battery that had just been marked out: "At what time will it be finished?" asked Saint-Just of the captain responsible for having it executed. "That depends on the number of workers that I will be given; but we will work relentlessly," responded the officer. "If tomorrow, at six o'clock, she is not ready to fire, your head will fall off!..." In this short time, it was impossible for the work to be completed; even though as many men were put there as the space could contain. It was not entirely finished when the fatal hour struck; Saint-Just kept his horrible promise: the artillery captain was immediately arrested and sent to his death, because the scaffold marched in the wake of the ferocious representatives. (pp. 156-157)
Saint-Just, in Soult's depiction, is the proper Archangel of Death, guillotining everything that stands in his path. In portraying Saint-Just thus, Soult criticizes the representatives' murder of an innocent man. Worse, he depicts representatives as civilians that can only stand around instead of hardworking soldiers bringing the siege to fruition, making their commands unjustified. Soult condemns the fact that a civilian's word could be the injust law that separated soldiers from life or death.
That said, as Soult is no friend of the political figures of the Revolution, his remembered account requires precise corroboration to be valid. I found one earlier source that describes, presumably, the same incident, from Victoires, conquĂȘtes, dĂ©sastres, revers et guerres civiles des Français, de 1792 Ă 1815, vol. 3. It was written in 1817 by "a society of soldiers and men of letters", and edited by Charles ThĂ©odore Beauvais de PrĂ©au, a general of the Revolution and Empire. Though this anonymisation may have been taken to avoid the wrath of the Bourbons in the Restoration, it means we have no idea who wrote the following section, nor their intentions:
This fierce man [Saint-Just], who never showed himself in the trench, informed that a captain of the first regiment of artillery had been somewhat negligent in the construction of a battery of which he was in charge, had him shot in the trench. At the same time, he gave General Jourdan the order to arrest, and consequently have shot on the spot, the General Hatry, commander of the besieging troops, the General Bellemont, commander of the artillery, and the commander Marescot. The General Jourdan had, at the risk of his own life, the courage to resist the wishes of this gutless representative. The officers of whom we have just spoken of had the audacity of protesting against the cruel sentence which condemned the unfortunate artillery captain MĂ©ras, and, in his his atrocious delirium, Saint-Just dared to accuse them of complicity. (p. 47)
If we infer from the title of this source that the editor compiled the accounts of his comrades, then this account was written by a former Revolutionary and Imperial officer who could have some memory of the incident. However, many aspects of this text donât line up with Soultâs account, including the way the captain was executed (shot in the trench here, guillotined in Soult's account). Saint-Just's successive condemnation of high-ranking officers, which highlights how much power he had over even the highest echelons of the army, also does not appear in Soult's account. But we do have a name for the captain: MĂ©ras. His name, in fact, appears in a 1797 publication: L'observateur impartial aux armĂ©es de la Moselle, des Ardennes, de Sambre et Meuse, et la Rhine et Moselle, a memoir by Pierre Charles Lecomte, at the time "the conducteur general of the artillery in the Army of the Rhin-Moselle [sic]". This is his account on the affair, relegated to a footnote:
Before giving the details of the capitulation of Charleroi, I must cite a horrible feature of the role of Representative Saint-Just. The French proconsul ordered the construction of a battery that he thought was necessary.* The general Bollemont [sic] entrusted its execution to an artillery captain, named MĂ©ras. All the shovels, pickaxes, and other utensils happened to be employed in other work, the orders of the Representative could not be executed. The morning of the next day, passing close to the location where the battery was supposed to be constructed, he [Saint-Just] shouted, raged, sent to search for the captain; and, without listening to his reasons, he had him arrested. Two days later, when his [MĂ©rasâ] company was battling against the enemy, he [Saint-Just] had him taken from the prison, he had him conducted to the middle of his works; and there, o misery! o inhumanity! he had him assassinated. At night his company returned to the camp covered in glory; they learned that their chief had been shot; they surrendered to despair. They wanted to go to the tyrant: they were stopped, under the fear that some of these brave soldiers would have become new victims. MĂ©ras was so much loved, that all of the artillery wanted to enact vengeance on his assassin. This almost universal rumour made itself heard amongst the trenches; and, for preventing it from having consequences, the company of the unfortunate MĂ©ras was sent into the interior. *We know that there was a time when the Representatives, often little-instructed in the military arts, dared impudently to command old soldiers whose arms had dulled, and obliged them to sacrifice, according to their whims, some thousands of brave soldiers. (p. 38-39)
Once again, the details contradict even more with Soultâs account, and with that of the 1817 one. Soult says as much help as possible was given to the artillery captian, but Lecomte says all other workers were occupied and that captain received little help (presumably because the battery was militrarily unimportant). MĂ©rasâ misery is stretched out over two days instead of him being shot immediately, and it is not the generals who protested against MĂ©ras' execution that Saint-Just raises a hand against, but MĂ©ras' entire company, which the civilian government sends to the VendĂ©e. The message could not be clearer: under "tyrannical representatives" like Saint-Just, the Revolution is eating its soldiers, the common people it was supposed to protect.
Is this the truth of the matter, since it is the earliest version? The publication is contemporary enough, but I am inclined to doubt the reliability of a text explicitly titled âimpartialâ. A look at the author's background reveals his attitudes. Lecomte was, according to BnF data, the maĂźtre de pension in Versailles until 1792 (presumably up to the abolishment of the monarchy), then the inspector of octroi taxes in Paris until 1815. Seeing that he served the First Empire, I am inclined to think that he was no die-hard revolutionary, and certainly not part of the Montagnard faction. Furthermore, he published his account after the fall of the Montagnards, during the height of the Directory. This makes the affair more likely to be Thermidorian propaganda, and indeed Lecomte even admits that his account was an âalmost universal rumourâ, not a fact, because in his story, no one is present at the scene of MĂ©rasâ death other than Saint-Just and his executioner. This makes the account unverifiable, and makes it more likely to be fabrication.
It would seem that, after Saint-Justâs death, the armyâs fear and hatred of representatives turned into slander against their characters, often resulting in widely circulated variants of the same tale to emphasise different effects. The 1797 version highlights Saint-Justâs cruelties as a tyrant against the âsmall folkâ of the Revolution and uses exclamatory language to amplify the reader's pathos. The 1817 version emphasises Saint-Justâs power over even the generals of the army, exaggerating his dictatorship. Finally, in Soultâs memoir, Saint-Just is not just a dictator who could dismiss soldiers with a wave of a hand. He and the representatives were synonymous with the guillotine and the excesses of the Revolution themselves.
The accounts of Saint-Just condemning MĂ©ras to death are inconsistent, and should amount to nothing more than invalid hearsay, which tells us nothing of the representatives' historical actions. If anyone has more information on the topic or the wider subject, feel free to add to this.
22 notes
·
View notes
Note
Did Robespierre, Danton, Desmoulins and Saint Just approve of the drowning of civilians including children in Nantes? It says on wikipedia that the National Convention approved if the extermination of the people of Nantes in 1793
Full disclaimer: I don't know enough about Vendée because it makes me sick to my stomach tbh (civil war is a trigger for me). So I never researched details of it, nor did I research Carrier and what happened in more detail. (And also full disclaimer: I have a strong dislike/fear of that man so I never wished to look more closely into it.)
What I do know is that the context of this was civil war (namely, brigandins taking arms against the Republic and Republic fighting back). However, I don't see how the list of victims in the Nantes drowning included brigandins (?) So Carrier (or whoever was responsible for it) definitely acted outside of the orders. I need to see what was said in 1793; I know of speech(es) Carrier did when he was recalled by Robespierre in early 1794, where he insisted on the need to fight and kill brigandins (those who take arms against the republic). That was supported by the Convention, I believe (even if fighters were women. For children, I don't know - by law, executing anyone under 16 was illegal and not endorsed (?) so I don't think that was supported? If anyone knows better, please let us know). But there was no talk of exterminating the general population, and that was not approved (again, as far as I understand). And what happened in Nantes went beyond that, and into general population. So that was a big problem.
As I understand, Carrier was denounced for his behaviour - I know that the young Marc-Antoine Jullien (he was 18-19 at the time) was Robespierre's spy and he reported on Carrier's behaviour, which made Robespierre recall Carrier (and also Carrier asked to be recalled? No idea what happened there).
As who enabled Carrier... None of the names you mention in your post were Carrier's allies (and Robespierre was his big opponent*). But this whole thing does bring up a bigger problem in frev, that is, the vague/unclear orders AND lack of proper centralized control. In short: the representatives on mission had way, way too much power that was not fully and strictly defined and limited. So they could do many things that were not exactly ordered by the Committee of Public Safety or the Convention... but that were not illegal, either (because they were given all that power and were allowed to do measures as they saw fit. It was assumed that they would do it fairly and without war crimes but eeeh. It was a naive assumption). There was a good post around here that went something like "there is a representative on a mission coming to your area. Will he make things better? Will he do war crimes? You never know."
So yes, a lot depended on the individuals in charge, and there was no effective way for Paris to control their behaviour (which is one of the reasons why the Republic in Year II could not be called a strong centralized state, no way). Paris relied on reports from the representatives (who obviously made themselves sound great), spies and general population, and it was often "this guy's word against that guy's word". They had no fast method of communication, no photographs, no reliable ways to tell wtf was going on). It is not an excuse (I do think not strictly defining and limiting representatives' power was a huge problem). So this is how we got the situation to have CSP/Convention say "fight harshly those who take arms against the Republic" and then going surprise Pikachu face when hearing about war crimes. (News flash: you can't just give all that power to people and leave it to their consciousness without imposing some limits). I do think many were honestly shocked/appalled at what happened, but my dudes, you carry your share of responsibility for not defining what's allowed and what's not. (That, and I also the Convention did want to destroy soldiers/fighters/brigandins fighting against the Republic and win the civil war, just like it wanted to destroy the enemy armies and win the war with the foreign armies. So while general population was not supposed to be targeted, representatives often used "those people were actually brigandins" as an excuse).
*Carrier and Robespierre loathed each other and wanted each other dead (so Carrier won at that, at least briefly), but I am not sure what was the exact reason for their mutual hate and what were the reasons for their disagreements. (I assume, like with Collot and Fouché, war crimes might have played a role, but I also feel - just like with Collot and Fouché - there were probably other reasons. So I am not claiming that Robespierre wanted Carrier dead (just) for what he did in Nantes).
So that's all I know, I am afraid. Anyone else?
27 notes
·
View notes
Text
Examples of some games that use each style are below for anyone who is curious (most of them are first-person shooters, and all but one of them are combat-focused).
"NES-style but with larger sprites that aren't tile-based" - Literally any modern game that's trying to look like something on the NES
"Quake-inspired low-poly 3D but with interpolated skeletal animation" - DUSK, ULTRAKILL
"Prerendered sprites but with normal and specular mapping so they look 3D" - Brigador, Nightmare Reaper, Amid Evil (only on the weapons)
"Mid-poly 3D with low-res textures" - System Shock (2023), Turbo Overkill
"Mid-to-high-poly 3D with a low-res pixel-filter slapped on top" - The Magic Circle (only on a few areas and NPCs), Saints Row IV (during one specific mission fairly late into the game, and maybe a few other places)
"'2.5D' (3D levels, 2D characters) with HD sprites." - Fallen Aces
"Something else" - Fashion Police Squad (has the look and stuff, but the cultural references, non-gameplay images, and squash-and-stretch animation style all look a bit too modern), Prodeus (literally everything except for the levels themselves is represented with high-res prerendered graphics, though I think there's also a toggle to turn on models for everything instead?)
Cruelty Squad (simultaneous gore, eyestrain, sensory-overload and epilepsy warnings for not just the game but also screenshots and trailers, like seriously it's so bad that the Steam page has a warning at the beginning of the "About This Game" section)
Also, for two games that pull off their respective "retro" visual styles in really authentic-feeling ways, check out HROT (inspired by Chasm: The Rift and Quake, and feels like a real â if extremely strange â FPS from that era) and Zortch (which looks and feels like a weird N64 FPS from the late '90s, but came out almost exactly a year ago at time of writing).
14 notes
·
View notes
Note
In your last reply you mentioned that knowing exaclty which deputies Robespierre was referring to in his speech is a question for another day. I take the opportunity to ask it to you now! Are there some primary sources stating the exact names and if not who do you personally think they were? I initially thought he was referring to the deputies on missions that committed many atrocities, but this post of yours ("Robespierre â âhorrifiedâ by excessive Representatives on Mission?")made me skeptical about it.
Nope, no complete list of name was ever found, so figuring out exactly who Robespierre was gunning for is entirely up to speculation. Personally, I think the best way to do it would be looking over several pieces dating back to the months/weeks surrounding thermidor, and the more places a personâs name shows up on, the more likely they are to have been on the menu.
We can start off with Robespierreâs 8 thermidor speech and the people that he does mention by name in it. This gives us above all Cambon, Ramel and MallarmĂ©:
The counter-revolution lies in the administration of finances. It is all about system of counter-revolutionary innovation, disguised under the appearance of patriotism. It seeks to foment agiotage, to weaken the public credence by dishonouring the French loyalty, to favour the rich creditors, to ruin and to discourage the poor, to multiply the number of unhappy ones, to deprive the people of the national goods, and to imperceptibly bring the ruin of the public fortune. Who are the supreme administrators of our finances? Brissotins, Feuillants, aristocrats and known rascals. Who are the supreme administrators of our finances? Brissotins, Feuillants, aristocrats and known rascals; these are the Cambons, the Mallarmés, the Ramels; these are the companions and the successors of Chabot, of Fabre and of Julien de Toulouse.
In a struck out part he also openly denounces Amar and Jagot from the Committee of General Security:
Amar and Jagot, having seized the policing, have more influence alone than all the members of the Committee of General Security: their power is still based on this army of clerks of which they are the bosses and the generals; it is they who are the principal architects of the system of divisiveness and slander.Â
Finally, in one version given of the speech he also explicitly denounces FouchĂ©Â for his role in the dechristnanization process â âNo FouchĂ©, death is no eternal sleep.âÂ
Other than that, no names are mentioned, but we do learn about other elements regarding the conspiracy â its members have sought to ruin the revolution through excess on one side and indulgence on the other, some of them are advocates of atheism, and all of it can be traced back to British Prime minister William Pitt, the duke of York and âall the tyrants that are armed against us.â More importantly, it includes deputies of both the Convention, the Committee of Public Safety (CPS), the Committee of General Security (CGS) and agents of this latter committee. For the CPS, Billaud-Varennes is indirectly denounced: âWhy do those who told you once : I tell you that we are walking on volcanoes, believe that they only walk on roses today?â This is confirmed by the speech Saint-Just tried to hold the following day â âBillaud often repeats these words with feigned fear: We are walking on a volcano.â The CGS is in its turn distincly denounced for the so called Catherine ThĂ©ot affair (which I wrote about more at length here). While again no specific names are mentioned, the committee member most implicated in said affair was its president, Vadier, who was the one who read aloud the report regarding it to the Convention on June 15.
Second of all, we can take a look at these notes on âsuspectâ deputies found among Robespierreâs papers, written by him sometime after the passing of the law of 22 prairial. On the list is Dubois-de-CrancĂ©, held suspect for behaving like a counter-revolutionary while on mission and having been closely linked with the Duke of OrlĂ©ans, Delmas, suspect for being a former noble and a âmad intriguerâ, behaving ambiguously at the army of the North and having been allied with the Girondins and then the dantonists, Thuriot, for being an ally of OrlĂ©ans, having quited down after the death of Danton, going to dinners held by the latter and Delacroix and while there having made âan attempt to stop the revolutionary movement, by preaching indulgence under the name of morality, when one delivered the first blows to the aristocracyâ and trying to arm the National Convention against the CPS when Saint-Just read out the report against the dantonists, Bourdon de l'Oise for throwing orgies and killing voluntaries with his hand while on a mission, making a motion to no longer pay direct taxes which would remove the resource of fish, speaking out against the law of 22 Prairial when it was first introduced, being a fierce defender of the system of atheism and dismantling the decree proclaiming the existence of the Supreme Being, making sarcastic remarks during the festival of the Supreme Being, threatning a young girl with a pair of pistols and saying that, if he were to shoot himself, she would be accused of murder and guillotined, having written a letter to counter-revolutionary saying that the prisoners would soon be released and those responsible for their arrest put in their place, and walking âwith the appearance of an assassin who contemplates a crime,â and finally LĂ©onard Bourdon, suspect for having been a âdespised intriguer all the time,â one of the principal accomplices of HĂ©bert and Cloots, composing a counter-revolutionary, hĂ©bertist, opera that was shut down by the Committee of Public Safety, enlarging the number of his lodgers, trying to solicit the liberty of a Dutch banker and then denying it, as well as speaking without taking his hat off and wearing ridicolous clothes at the Convention.Â
This list also implicates Carnot, who brought a clerk Bourdon dâOise presented into his offices (a clerk that was later dismissed upon the repeated proposal of Robespierre) and is often communitating with Delmas, as well as Dufourny, denounced as a friend of both Danton and Dubois de CrancĂ©.
Third, we can look at the people Robespierre openly denounced in the weeks right before thermidor. Here we find Pille, denounced by Robespierre on July 16, saying that his conduct âdeserves the most serious attention,â FouchĂ©, expelled from the Jacobins by Robespierre on July 14 for his conduct while on mission and having since become âthe leader of the conspiracy which we have to thwart,â Dubois-CrancĂ©Â on July 11, accused of showing weakness in the taking of Lyon by Robespierre and expelled from the Jacobins on the initiative of Couthon, and Tallien on June 12 who Robespierre claims âis one of those who speak incessantly with terror, and publicly of the guillotine, as something that concerns them, to debase and disturb the National Convention.â
If we back a few more months we find Amar, called out on March 16 for his report on the East India company scandal by Robespierre and Billaud-Varennes, who both consider it too narrow. The same day Robespierre also openly opposes a motion from LĂ©onard Bourdon, who, he says, âit is not yet proven doesnât belong to the conjuration,â and finally, on April 5 Dufourny is expelled from the Jacobins  by Robespierre as a friend of Danton.
We also have an unfinished, undelivered speech Robespierre wrote somewhere in February-March 1794, before the purge of the hébertist and dantonists. Among the by now executed men, we also find a few that have escaped procecution:
And who are the authors of this system of disorganization? [âŠ] Itâs Dubois-de-CrancĂ©, accused of having betrayed the interests of the Republic before Lyon. Itâs Merlin (de Thionville), famous for the capitulation of Mayence, more than suspected of having received the prize; Itâs Bourdon de l'Oise; itâs Philippeaux; itâs the two Goupilleaus (Jean-François Goupilleau and Philippe-Charles-AimĂ© Goupilleau) both citizens of the VendĂ©e; all needing to throw back on the patriots who hold the reins of the government the multiplied prevarications of which they were guilty during their mission of the VendĂ©e; It is Maribon-Montant, once a minion and declared partisan of the former Duke of OrlĂ©ans, the only one of his family who has not emigrated, formerly as proud of his title of marquis and his financial nobility as he is now bold to deny them; serving as well as he could his friends at Coblenz in the popular societies, where he recently condemned to the guillotine five hundred members of the National Convention; seeking to avenge his humiliated caste by his eternal denunciations against the Committee of Public Safety and against all patriots.
It can finally also be observed that in his notes jotted down against the dantonists, Robespierre writes that Dantonâs influence can be spotted in the writings of Bourdon (he doesnât specify which one). Robespierreâs ally Claude-François Payan (put on third place on a list of patriots written by Robespierre) did in his turn call for the overthrow of âBourdon and his accomplicesâ in a letter to Robespierre dated June-July 1794.
We can also look at which deputies Robespierreâs collegues after thermidor said he wanted proscribed. These pieces should of course be treated with more caution given the time they were written, but they do still come from people who would have been in the right place to know and most were reported not that long after the fact.
The deputy Joachim Vilate reports in his Causes secrÚtes de la révolution du 9 au 10 thermidor (published October 1794) to have talked to BarÚre right after Robespierre had read his speech on 8 thermidor. The conversation, he claims, went as follows:
After a few minutes of silence I asked [BarĂšre] this: âWho might [Robespierre] have reason to attack?â âThis Robespierre is insatiable,â said BarĂšre, âsince we wonât do everything he wants, he must break the glass with us. Had we been talking about Thuriot, Guffroy, RovĂšre, Lecointre, Panis, Cambon and this Monestier, who has offended my entire family, and the whole aftermath of the dantonists, and we would also understand him asking for Tallien, Bourdon de lâOise, Legendre, FrĂ©ron, in due timeâŠ, but Duval, but Audouin, but LĂ©onard Bourdon, Vadier, Vouland, it is impossible to consent to that.â
BarĂšre himself, along with Billaud-Varennes, Collot dâHerbois and Vadier, reported the following when defending themselves against Laurent Lecointreâs charge of having been Robespierreâs âaccomplicesâ in 1795:
They are strange accomplices of Robespierre, those who, against his will, made a political report on the religious troubles, sheltered from all research in this matter the representatives of the people sent on mission in the departments, defended Tallien, Dubois-Crance, FouchĂ©, Bourdon de l'Oise, and other representatives whom he relentlessly pursued. [âŠ] One day, we read letters and information sent to the Committee of General Security: Robespierre demanded immediate arrest for the two deputies denounced in these letters: the arrest of Dubois-CrancĂ©Â was discussed and rejected: that of Alquier was strongly advocated by Robespierre who accused us of softening against the culprits and thus losing the public sake.
They also share an anecdote where Carnot would have called Saint-Just and Robespierre âridiculous dictatorsâ during a committee meeting in May-June, after Saint-Just had threatened him with the guillotine. This incident is probably what Robespierre is referring to when he on July 1 said: âIn London I am denounced as a dictator, the same slander has been repeated in Paris: you would tremble if I told you where.â
They also write that during a CPS meeting on June 11, its members, with Billaud-Varennes in the forefont, loudly accused Couthon and Robespierre of having written and pushed through the Law of 22 Prarial without anyone else in the committee having been involved, and that the session after that got so stormy that the windows had to be closed.
In his memoirs, however sketchy those may be, BarĂšre also claimed to have remember Robespierre showing a list to the CPS. âIt contained the names of 18 deputies [Robespierre] wanted to indict for going beyond their merit and exercising tyranny in the departments to which they had been sent. I remember a few of these names: Tallien, FrĂ©ron, Barras, Alquier, Dubois-CrancĂ©, Monestier du Puy-de-DĂŽme, Prieur, Cavaignac.â
As for the representatives on mission, I think itâs rather clear FouchĂ© was among the people Robespierre was after (you donât exactly get called âthe leader of the conspiracyâ for nothing). And as can also be seen, FrĂ©ron and Barras they too appear, if not in Robespierreâs own papers and speeches, at least on lists given after the fact by people who worked close to him. However, if it can be established that Robespierre possibly targeted these three, I donât think it can be pinned down that he did so precisely for the excessive violence they exercised in the departments as the story often goes. Like I wrote in the post you cited, judging by what Robespierre says to FouchĂ© when denouncing him, I think it sounds more like heâs accusing him of dechristnanization and falling out with Lyonâs local jacobins than he is of executing too many people (on July 11 he does after all say that national justice in Lyon âwasnât executed with the degree needed. The temporary commission initially showed energy, but soon gave way to human weakness which too soon tires of serving the fatherland.â)
For Carrier, I can find absolutly no mention of him in either Robespierreâs speeches and papers or lists given after the fact. The only person pointing him out as someone Robespierre had a problem with that I know of is Charlotte Robespierre in her memoirs â âMany times [Maximilien] asked, in vain, for Carrier, whom Billaud-Varennes protected, to be recalled.â Charlotte already makes other claims regarding her brotherâs supposed moderation that get more dubious when you look closer at them, and in this case we even have a different statement to counter it with. It comes from the deputy Laignelot who during the trial of Carrier had the following to say:
Before Carrier was denounced, I had told this fact to several of my colleagues. I went to see Robespierre; I described to him all the horrors that had been committed in Nantes; he replied: âCarrier is a patriot; that was needed in Nantes.âÂ
Judging by when Laignelot says this, it canât exactly be treated as hard evidence either, but I think it is enough to get Charlotteâs claim locked in a word against word duel. It must on the other hand be observed that all the lists from right after thermidor were written after Carrier had been either arrested or executed, and that it therefore doesnât sound impossible the author would have cleaned up his name would it be true he was on there, but then thereâs no way to prove that was the case either.
I will say I think you can still build a functioning thesis that Robespierre was aiming at the representatives on mission, and this for having been too excessive with the amount of executions. However, with so many others deputies explicately named by Robespierre himself, I find it hard to believe they were the prime targets, which is why itâs so strange to me that some historians still portray it that way.Â
Given the things written above, my own guess as to which deputies Robespierre was targeting would go a little like this:
Likely on the list: Cambon, Ramel, MallarmĂ©, Amar, Jagot (openly denounced in Robespierreâs thermidor speech), Bourdon de lâOise (brought up 6 times) Dubois-CrancĂ© (5 times), FouchĂ© (3 times), LĂ©onard Bourdon (3 times) Delmas, Thuriot (appear on a list of suspect deputies).
Possibly on the list: Tallien (3 times), Fréron, Alquier, Monestier, Billaud-Varennes, Vadier, Carnot (2 times), Barras, Pille Merlin de Thionville, Jean-François Goupilleau, Philippe-Charles-Aimé Goupilleau, Maribon-Montant, Thuriot, Guffroy, RovÚre, Lecointre, Panis, Duval, Audouin, Vouland, Prieur, Cavaignac (1 time).
59 notes
·
View notes