#said it before will probably be saying it again as I keep rewatching but Dean is the under-hyped dad bc he doesn’t explicitly coddle jack | Explore Tumblr posts and blogs

orionsangel86 · 4 years ago

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SPN Conspiracies - Applying Logic to Chaos

Its been over 2 months now since the Supernatural finale aired. I am still so angry, hurt, and confused by it and I don’t think I will ever get closure unless someone like Andrew Dabb, or Jensen Ackles, actually opens up and gives us an explanation that makes sense.

What annoys me most right now is people trying to gaslight fans into believing that we should accept the narrative we have been given at face value: That the finale was always planned to be that way, that Destiel was never on the cards, that there was no Network interference, that the only changes made were due to covid and were minor at best.

This harmful gaslighting is FALSE.

NO ONE KNOWS THE TRUTH OF WHAT HAPPENED.

Look, I don’t agree with some of the crazier conspiracy theories. I don’t believe that there was some huge campaign among the CW Network execs to remove anything remotely gay out of homophobia. I don’t believe that the finale was changed because of some desire to make it into a Walker promo. I don’t believe that the finale was really bad on purpose in protest by Dabb for not getting to do an ending he truly wanted. I don’t believe that Dabb left us smart fans a bunch of secret messages in the finale to hint that he was on our side all along and that everything was fake.

I do, however, believe that all of these conspiracy theories have some elements in them that are plausible. At least, more plausible than the bullshit narrative mentioned above that some people are pushing in some desperate attempt to defend the Network (which imo is really strange behaviour anyway - why would anyone care about a TV network with a history of terrible behaviour?!?)

We have facts, based on information provided before the covid lockdown, which for some reason, people like Misha have since backpeddled on. So let me try to outline some of the information that makes no sense.

Below the cut I go on a deep dive into the conspiracies and statements I have heard about the SPN finale and try to make some sense of this whole fucked up situation. It gets long.

1. “Cas was never gonna be in the finale”.

False: We have many fan accounts of Misha confirming that he was filming the finale. We have video evidence of Misha confirming he was going back to film the finale after the lockdown. We have confirmation from fans in Misha M&Gs from March that he had about 5 days of filming left.

We also had fan accounts of discussions with Alex Calvert (I think) where he confirmed the final shot of the final episode was all four of them though I would LOVE if someone can find a source for this.

2. Okay, Misha was gonna be in the finale, but only as Jimmy Novak

False: I heavily side eyed Misha when he said this. But I think I can come up with a plausible explanation for it. Per above, Misha was supposed to film for 5 days. This does not align with the half a day he described of filming as Jimmy Novak. My own belief is that after Cas was cut from the finale (for whatever reason we don’t know) someone (probably Jensen Ackles) put up a fight and complained that Misha should be there for the final episode. The writers probably tried to come up with a way to bring Misha back without having to deal with Cas, and pitched the idea of Jimmy Novak being in Heaven. Misha, obviously annoyed about this, turned this stupid pitch down.

3. Destiel was never a thing, never planned, never part of Dabb’s ending. Bobo and Misha pushing the confession was the part of the season that was Wrong.

False: We have a SPN writer on record saying that Castiel’s confession was the first thing written for Season 15 when the writers returned to the writers room. If it wasn’t planned, why was it the first thing written, why does it align so well with the rest of season 15? Look I know some people either a. hate destiel and refuse to see it even if it slaps them in the face, or b. have major heteronormative goggles on, or c. are just homophobes in denial, but 15x18 fits in perfectly with the narrative of season 15. Everything Cas says, everything that happened in that scene was so in character it just works. It fit. If you just rewatch the season whilst applying some critical thinking skills and pay attention to the narrative and character arcs, trust me, the confession fits in with pretty much every other plot point, and character story in the season.

Also: We have known for a while that the network did market research into Destiel, wanting to know if it would go down well or not. They were well aware of its popularity and considering it. Where would this have come from if not pitched by the showrunner? Dabb must have at least been considering it. If you take all of Dabb era into consideration, starting with mid season 11, all the way through the season 12 build up, season 13 grief arc, and then Bobo’s Destiel break up arc in late season 14, early season 15, it is clear that there was some toing and froing on the issue of Destiel, but ultimately, I still believe that Dabb was on board. He wrote 13x01 for christs sake. No way he wasn’t taking it seriously.

4. It’s always been about the brothers. The finale just stays true to what Supernatural is all about.

*rubs temples* Fundamentally FALSE: The show has time and again reasserted the message of “Family don’t end with blood”, as well as the messages of AKF and YANA. Sam and Dean may be at the heart of the show, but a heart can’t exist without a body to support it. Without bones, and lungs, and blood, and muscles, and a BRAIN. The finale abandons the shows core messages. It forces the characters back into their season 1 characterisations and the whole thing becomes hollow and souless. But I’m not here to complain, I’m here to lay down the facts. Dean’s heaven was supposed to be surrounded by loved ones right? We know OG Charlie Bradbury was gonna be in his Heaven, we also know CAS was gonna be in there. So this idea that the finale as it currently stands was how it was meant to be is wrong. Dean was supposed to die and reunite with his found family and loved ones. This alone would have been a far better ending than the one given. Do I think this was solely a covid issue? Fuck no.

The randoms that WERE in the finale are proof alone that they could have got people in and quarantined. We also have several actors on record saying that they WOULD have quarantined for the finale had they been asked to return but they WEREN’T.

Lies have been told. Samantha Ferris and Chad Limberg have confirmed that we have been lied to about the original plans for the finale.

This alone is proof enough that there is more plausibility in some of the conspiracy theories than any bullshit narrative some people are pushing in defence of the barbaric mess of a finale we were given.

So lets address some of the conspiracy theories now:

Conspiracy No.1: The CW Network reviewed Supernatural during the covid break, and due to homophobia, refused any Destiel arc that wasn’t already filmed, shut down any potential reciprocation from Dean, and forced Dabb to change his finale.

I don’t think this is entirely what happened. But I do think it is very strange how there is a such a huge disconnect particularly in Dean’s characterisations between what had come before the lockdown, and what came after. The one fact we have here, and please someone provide a source if you can find it because I know there is one, the finale script was still going through changes up to only 2 weeks before it was filmed. We know that there was some weird editing in 15x18 (which was still in post and uncompleted before lockdown) and we know from Jensen’s own mouth that there was more to the confession scene on Dean’s side that was cut. We also know that this isn’t the first time that Destiel heavy moments have been changed in post - the prayer scene is another big scene that went through a lot of changes and Bobo fought to have his script play out the way he wanted it.

There are certain things that in my own opinions, are basically true of SPN which I have put together from years of keeping one eye on the writers room, the network, and all the various comments made. My opinion is this:

The writers room has always been split on Destiel. Some writers heavily supported making it canon, others did not care, or were against it.

The Network considered it over the course of several years, did market research, green lit it, then changed their minds, possibly several times over the course of Dabb’s era. Destiel was pitched to the Network early in Dabb era.

The crew on set were also split. Some people heavily supported it, and worked to assist the reading, whereas others did not care/did not support it. The same can be said for the editing room.

Bob Singer supported the subtextual homoeroticism, but never supported bringing it into text (this is an opinion, but I think it aligns with everything we know about him.) IMO Bob Singer also supported subtextual homoeroticism between Sam and Dean - the guy is gross is what I’m saying. He isn’t exactly a progressive person.

Fun fact - a while back our old enemy Sera Gamble went on a Twitter rant about writers rooms and the ways a script goes through changes. I don’t think this was in relation to the SPN finale wank but she basically inadvertantly confirmed that the Network can step in and make sweeping changes to a script if they want to and if they decide they don’t like the direction of a story. Sera Gamble confirmed this as a fact.

Now. I’m not saying that this is what the CW did with Destiel. I just think its very strange how pre lockdown, the last thing filmed is a heartfelt homosexual declaration of love between Dean and Cas, and we have a finale script that Misha had not seen, but knew that he was meant to film as Castiel for 5 days (5 days on set is over half of an episode as far as I know). Then all of a sudden, Covid happens, and Cas is cut from the finale completely, a desperate attempt to bring Misha back only as Jimmy Novak takes place, which Misha rightly refuses, leading to a finale which makes zero sense narratively and appears in every way completely and utterly butchered.

The only explanation provided by anyone involved is that Covid meant changes had to happen - but that covid didn’t change the actual story at all.

But this makes no sense because we know that Cas was cut from the finale. This is FACT. Do not let anyone gaslight you into thinking otherwise. Misha was preparing to quaranting to return to set as Cas post Covid, so whatever happened to cut Cas from the finale, it wasn’t Covid.

I’m gonna have to Occum’s Razor this and say that the most logical explanation here is the one that is most likely true. Someone got cold feet with the Destiel story, and to prevent any possible interpretation that included Dean reciprocating, any hints of Destiel were removed from the finale script, including Castiel’s whole appearance.

Now, this isn’t me saying I think that Dabb’s original finale was full of Destiel love confessions and a homosexual kiss or whatever, but I am asking you all to really think about it and ask yourselves WHY Cas would have been totally cut from an episode he was supposed to be in at LEAST half of?

We will probably never know the real reason Cas was cut, but he WAS cut. I’m not saying it was all homophobia, but some fuckery went down.

Conspiracy No. 2: The CW Network changed the finale to make it into a Walker promo because they only cared about raising up Jared and not Jensen and Misha as they were losing them anyway.

I don’t agree with this in terms of the finale being butchered solely to make it into a Walker promo. There are however moments in the finale that are clearly supposed to be Walker Easter Eggs and added to excite fans of Jared/Sam in particular such as Sam’s gratuitous and unnecessary topless scene, as well as the call on the “case in Austin”.

I will take this moment to say something pretty damn controversial though.

*Deep breath*

The fact is, Dean Winchester has been the “lead” character of Supernatural’s narrative for years now, with Sam often being sidelined and not given great storylines himself. Even in Season 15, right up until the finale, I myself felt bad for Sam sometimes because so much of this show has become all about Dean. Jensen Ackles is clearly the better actor when it comes to emotional story arcs, so the emotional heart of the story has most often leant on him.

So you can understand my confusion, when this is turned on its head in the final episode, to make Sam carry all the emotional weight, and have the most lines/screentime, and story resolution (even if his story resolution was just as crappy as Dean’s).

If we pretend that Destiel is not a thing, and ignore Cas’s confession, the story change in the finale from Dean focus to Sam focus is still rather suspicious. Again, I’m not saying I completely approve of or agree to the conspiracy theory that Walker influenced the butchering of the script, but I can believe that perhaps a note went down from the CW to someone like Bob Singer, to emphasise Sam/Jared more than they perhaps would normally, because the CW wanted to shine the spotlight on Jared to raise excitement for Walker.

I can also believe this note might have said something like “we wanna cater to fans of Sam/Jared the most - don’t do anything to piss them off.” but now I am getting into my own conspiracy theories so by all means dismiss this as me being bitter.

Conspiracy No.3: Dabb purposely made it bad, as a secret message to Destiel fans that he had been silenced, by layering meta clues into the episode that he knew fans would notice.

I doubt this one is true. Though some of the theories are quite compelling. The old vampire silent movie theory for instance starts off quite well, but loses me the moment it brings up Urban Dictionary slang.

Sometimes I have just had to accept that Supernatural is a bad show that is sometimes accidentally a masterpiece. However, some writers really did go That Deep with their stories - anything by Ben Edlund or Steve Yockey for instance, their episodes are meta masterpieces with a hundred different layers of beautiful subtextual storytelling and are a joy to analyse. Bobo Berens has certainly done some A+++ work especially now we KNOW that he was working hard all this time to bring Destiel to canon text (so any analysis of Destiel in the subtext in his episodes is very accurate). There have been many other key elements analysed over the years which have been confirmed true. Cas’s death in Season 12, Dean’s time as a demon in season 10, Season 11 ending in unity of dark and light, these were all plot points predicted by meta writers just by analysing the narrative. Sometimes the writers really have been very smart and they do add things to the show to aid us in our meta.

Richard Speight Jr for instance, confirmed that SPN has a visual library that the production team use to give clues and hints in the narrative. Pizza, for example, always means a lie has been told. Whenever Pizza is being eaten or even just mentioned on screen, there is dishonesty in that particular moment.

The beers also have a very specific message and the one thing I can’t let go about the finale, was that Dean was drinking El Sol beer. The beer his dad gave him, that was terrible.

El Sol has been used in the show to indicate something being wrong, a fake reality, or another lie, for the longest time. It is the beer of deception.

The fact that in the final episode of this entire show, Dean is in Heaven, supposedly at peace, and then he gets handed an El Sol beer to drink? Thats a HUGE red flag for any meta writer watching who can read SPNs visual library.

If they had given him the Margiekugel beer of family then it would make sense. Dean is in Heaven, with Bobby, his family, at peace. Margiekugel should have been the beer of choice. But nope. El Sol. Something is wrong.

I don’t know if it was Dabb, or Singer, or some disgruntled ADs and crew members who added these elements into the finale, but their very presence confirms some message of Wrongness.

I could go into a huge rant about Vampire Mimes not making sense and the very glaringly obvious symbolism of cutting out peoples tongues too, but that is high school level film analysis. It’s obvious. It means to silence someone. There is validity in interpreting this as Dabb saying he was silenced. I don’t know how true it is, but i can’t 100% dismiss it, because as I said, this is high school analysis levels of obvious subtextual storytelling.

So in summary, whilst I don’t think that Dabb intentionally went out of his way to sabotage his own script, and leave a breadtrail of secret messages for savvy fans to put together to confirm that he was silenced by an evil network into not getting what he wanted... I do think that there is validity in questioning these odd choices for the finale. Cutting out tongues? Vampire Mimes? El Sol beer?

The evidence is somewhat compelling is all I’m saying. I don’t believe the full conspiracy theories, but as I have said many times before, some fuckery went down.

So What Do I Believe?

That some fuckery went down and whatever company line they are pushing is bullshit.

I believe that the original script included Cas (since thats fact). I believe that the original script probably always had Dean dying on a vampire hunt (due to Jensen’s issues with it and in particular, his sarcastic comments about vampires in the past year or so which in hindsight are hilarious and prove he never really came to terms with Dean’s idiotic death). I believe Dabb’s original script was some less crappy version of what we got, which potentially included showing Jack rescuing Cas from the Empty and resolving the outstanding Empty plot points (potentially this was actually a 15x19 plot since Mark P commented that his final scenes were supposed to be with Jack and Cas), had Cas reunite with Dean in Heaven and had them have a discussion about Cas’s confession. I believe that there was probably a lot of back and forth over how to handle that with some people wanting Dean to obviously reciprocate and others believing they should keep it ambiguous. I believe that Dean and Cas would have reunited with Charlie Bradbury, and Bobby Singer, and possibly others (though if this was the case it must have been very early on since no one ever looped in Sam Ferris, Chad Linberg or any other Roadhouse people).

I believe that Sam’s ending probably didn’t change much, but I do feel that initially they were planning on him ending up with Eileen, because it is the only thing that narratively makes sense. Cutting Eileen and giving him a blurry wife is something I won’t ever understand and Jared’s bullshit explanations are quite clearly pulled out of his ass to appease bronly types. I believe the reunion on the bridge would have included Cas and Jack, with a final shot of all four of them together, at peace (as this aligns with Alex’s comments from around a year or so ago that the final shot was all four of them). (I also am not sure it was always supposed to be on a bridge since the foreshadowing in an earlier episode showed Dean, Cas and Sam all in the Roadhouse together).

I believe that script went through countless changes and redrafts, and not even production people or the types that some fandom people claim as their “sources” would even have seen those early scripts, since even Misha never saw it. I believe that these rumours of Dabb never having Cas in his finale and ignoring all Destiel elements likely come from people who only saw later versions, weren’t party to network discussions and felt bitter about the final scripts they did see (being the crappy butchered one that was ultimately filmed). Those “sources” are now spreading rumours to discredit Dabb.

I obviously believe Dabb is a weak ass pushover who either didn’t care enough to fight back, or gave up since he’s been stuck with fucking Bob Singer on his back for years, but I will NEVER believe he didn’t care about the DeanCas love story, because he has been one of the few writers who has championed for it for years. You can’t look back at Dabb’s episodes in earlier seasons and claim he didn’t care. Dabb was a writer whose creative ideas were beaten out of him by an unforgiving Network only concerned about where their future money was coming from. Do I think he gave up too easily? Yes. But I also have one other huge reason for not believing the bullshit about Dabb being this anti-Destiel villain.

Bobo. Because if Bobo truly believed Dabb was gonna fuck that up at the end, I don’t think he would have given us Cas’s love confession to begin with. If he had known it was gonna end like that, I think he would have reconsidered, because had Cas not confessed his love, I don’t think he would have been cut from the finale. Bobo - a gay man, would not have wanted such a horrible message for queer fans being put across in the show he worked so hard on. He started writing that confession scene the day they returned to the writers room. Dabb would have been there, would have seen what he was writing, probably discussed it with him, after all, other episodes were written with the confession in mind. No way was Dabb planning to fuck up the ending knowing what Bobo was giving us. Nope.

Something went very wrong over lockdown. Someone, somewhere up the chain of power caught wind of the confession scene in 15x18, realised that it demanded a resolution which would make Dean Winchester, their protagonist, queer, and pulled the plug. I believe this did not come from a place of homophobia, but of bad business sense.

The CW is constantly trying to win the approval and attention of the one demo group that they seem to fail at getting the most: young straight men. Supernatural was one of their only remaining shows that appeals to young straight men, and Dean Winchester is more often than not the fave character of those young straight men who project onto him. Making Dean Winchester, established Han Solo of Supernatural, queer and in love with his best friend in the finale would have come across as a betrayal to those young straight men. The CW probably feared they would lose that demo group for good, and with a show like Walker starting soon with Jared at the helm, they couldn’t take the risk.

Hence there was probably a whole bunch of back and forth script redrafts with the Network, with Dabb and Singer fighting to make a finale that would appeal to everyone. There was most likely no way that they could bring Cas back without addressing what had already been filmed, because any resolution of that plot would either a. make Dean queer, or b. address it awkwardly by having Dean reject Cas (this storyline would probably have been slammed by critics worse than the finale because it meant addressing it. It might have got the attention of LGBTQ activist groups and caused a bigger shitstorm than what we got). The best option was therefore C. Bury it and Cas, pretend it never happened. Never address it again and distract Dean with other things. Hope that Destiel fans will accept no answer from Dean as ambiguous enough to imagine a future reunion rather than shutting it down with a rejection, and still keep hold of the blissfully ignorant heteronormative straight boys so they can carry over to Walker when it starts.

I also believe (controversially probably) that there was concern that any resolution of Dean and Cas would have overshadowed network darling Jared Padalecki. If Dean and Cas had come together in the finale, with a very clearly textual homosexual reunion, then that would have been all anyone talked about. The reviewers, the critics, the audience, everyone. It would have been nothing but Dean and Cas (and look, if they did think this, they were right, Destiel trending over the US ELECTION.)

So what is the network to do, when they are losing the two stars who would get the most attention from this storyline? The one star they were holding on to and getting his own show, relegated to third place in the finale of the show where he was first on the call sheet? Nope. That’s pretty unacceptable. Even without Walker I can imagine people at all levels side eyeing the Destiel thing over the years. This IS a show about two brothers, and their relationship should be the core relationship, we can’t have one brother pushed aside in the finale to make way for a queer relationship that will get all the attention instead. It was never gonna get approved for this reason ALONE.

At the end of the day, if I look at it from a business perspective, it makes far more sense that the CW shut down Destiel, rather than “oh Dabb never cared and ruined it because he’s an idiot.” The writers cared, and had built on that story over years. But their mistake was leaving any Destiel resolution to the finale. If they had instead gone and got Dean and Cas together in early season 15, then they could have ended it in a way that satisfied everyone. Destiel wouldn’t have threatened pulling focus away from Sam and Dean, and the show could have gone out on a high.

When I lay out all the conspiracy theories, and line them up next to the cold hard facts, the conspiracy theories in some way or another, make more sense. To believe the company line, the narrative we have been fed, is to ignore your own eyes, ears, and memories pre March 2020.

All I’m asking people to do is take a look at the show, the narrative presented in the show, and the information presented above. I’m not telling you to believe what I’ve written here, half of which is just my own opinion. I’m asking you to ask yourselves if it makes sense to you. Because it sure as hell doesn’t make sense to me. I don’t think I’ll ever be satisfied.

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septembersghost · 2 years ago

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Hi! Sorry for bringing this up and I hope it's not triggering, I just keep thinking about these words you said: "{…}which has made my only recourse a wide chasm of separation, and that's a loss in its own sense. sometimes i think it's a relief to not allow it to take up as much space in my heart and mind, and other times i feel a stinging anger and deep, persistent grief that it had to come to that point. it's VERY hard to separate from something you love and are invested in that has also become a source of pain". The first time I read them, it made me cry. I sooo know the feeling. A small story again (and sorry for it being too personal), five years ago, when I was struggling with a particularly bad depression episode, Dean was there for me. If it wasn't for him, I know I would've done something very stupid, something… irreversible, but he saved me, single-handedly pulled me from the brink. He used to be my comfort ever since. Spn used to be my comfort. Seasons 13, 14, 15 especially and the finale brought that full-on depression and mental breakdowns back. It sucks and hurts that, as an act of self care and healing, we had to cut ties with the show. And that means, by a certain extent, to detach from Dean too :(( He's not part of the show for me or the part of the narrative, nor has he ever been, but even so, there is a level of distance and the connection I felt before is essentially lost now and things don't quite work the same way. I still love him, he is still my dearest boy, I still have his framed self-made portrait (which I drag with me wherever I go), but it's not what it used to be. There's a kind of detachment to it. I tried to rewatch spn a few months back, but I can't. And I wish I could say that it just was too painful and that's why, but no, what hurts even more is that I couldn't, didn't want to care or be invested anymore. I used to care so much. And now it's just… this hollow emptiness, this indifference. It's like what Mike in BCS said, one moment you're gonna wake up, you're gonna brush your teeth, go to work, and then you'll realize you haven't thought about it at all. One evening last year I realized that I haven't thought about spn for a long, long time. Then I burst into tears because it felt like saying goodbye, really saying goodbye this time, and it hurt, and I didn't want that, but I don't know what else could I have done rather then complete separation. There's a line from a song that stuck with me forever. "I'm writing a book on how to stay conscious when you drown {…}/ I'm writing a chapter on what to do after they dig you up/ On what to do after you grew to hate what you used to love". It's SO indicative of my (former) "relationship" with spn (the whole song is, given that it's unironically called How Not to Drown), and your words reminded me of that . It's just… I understand you and I love you ♥ You're the only person I can safely talk to about those things. I wish I could give you a hug right now :(

never be sorry, darling, and i hope you don't mind me posting this. i have a lot of emotional posts and very personal stories linked to this, so you've come to the right place and are definitely not alone.

Dean was there for me. If it wasn't for him, I know I would've done something very stupid, something… irreversible, but he saved me, single-handedly pulled me from the brink. <- anyone who's been here since the end of 2020 and well into 2021 is probably tired of me discussing this, but...same. dean was with me from the very onset of my illness, and through some very dark times and terrible moments, real traumas and losses and grief. he was one of my closest constants and a talisman of bravery and strength for those fifteen years, and i can pinpoint some specifically difficult moments where he helped me hold on, or gave me a reason to remember i had to. i've discussed this endlessly with other mutuals too, who felt similarly and turned to spn for comfort - it is not, at its core, a comforting story, it's in fact quite often the opposite, something that unearths fears and directly examines wounds, but a lot of us found a home there anyway, even if it was a haunted one. and we found resilience and courage and an unfailingly loving heart. it's not a secret i despise d*bb era overall, but i could never give the show up, because of him. it's also not a secret (considering it's...why this blog exists...) that the finale drove me to some measure of an emotional breakdown which took me quite a while to even begin to recover from, and felt like such a profound loss that it had not only a detrimental mental effect, but a physical one too, in that it actually affected my illness issues for a bit. the fracture i experienced in november 2020 is only comparable to real grief and heartbreak i've experienced, my mom watched me weep that night and has told me how terrible it was for *her*. i've been over and over it in posts, i've been over and over it with friends, but the ache never actually goes away. once that full year had passed, i got the point where i had no choice but to bury it, in a way. to separate from it in order to protect myself. there certainly IS a level of healing and self-care in that, and i KNOW it's healthier than obsessing and crying about it, i know it's better to put it aside, but that in itself has been a hard choice, because it feels a little like letting him down in letting it go.

that means, by a certain extent, to detach from Dean too :(( He's not part of the show for me or the part of the narrative, nor has he ever been, but even so, there is a level of distance and the connection I felt before is essentially lost now and things don't quite work the same way. I still love him, he is still my dearest boy - honestly, did you extract this directly from my brain? it feels like i could've written it, and there definitely is a transcendence he has apart from the narrative, it was one of the first things i tried to assert and cling to, and no one has the place he has to me in that chamber of my heart, but ultimately the detachment still came. i've had people say that's letting d*bb win or giving the ending too much credit, and i did try to defy that for a while, but ultimately that was more damaging. as it stands now, i can't rewatch either - traditionally, i ALWAYS watch the pilot on my birthday, since it's also the show's anniversary. year after year, that was a part of my day, even last year. i planned to do it this year too, and when it came down to it, i just couldn't press play. last year, when i was still rewatching (i got to 11x01 and then...the comment we talked about before happened and it halted me so abruptly and dreadfully in my tracks, and like, fractured something in my head, and i never restarted it), there was an acute and constant pain in it, but it felt essential to keep. after releasing that somewhat, it was chased by those hollows and shadows instead. what hurts even more is that I couldn't, didn't want to care or be invested anymore. I used to care so much. And now it's just… this hollow emptiness, this indifference. this, so much. the indifference is...it isn't necessarily worse than being angered or agonized, but it's still terrible and unsettling. it's a lack of something. love and grief are intertwined, but what do you call it when you only have a rattling emptiness?

it's serendipitous you would send this today, because on the song topic, i was looking for something else altogether on my old-old blog, my very first blog here, and exactly ten years ago, on september 27, 2012, i rewrote the lyrics from "begin again" to be about him. it sounds silly now, red wasn't even out yet, the song was released as a promo single, and it was so beautiful and cathartic, and somehow i connected it to him, and his meaning, and to hopes that i had. being reminded of that today probably should've been more shattering, but instead it just felt...distant and memorialized. thinkin' all love ever does is break, and burn, and end...like the emotions encased themselves in amber. at some point, it became it's time to go - fifteen years, fifteen million tears...that old familiar body ache, the snaps from the same little breaks in my soul. sometimes it still does creep up on me and knock me back, but more often there's a terrible numbness to it. it felt like saying goodbye, really saying goodbye this time, and it hurt, and I didn't want that, but I don't know what else could I have done rather then complete separation. yeah. the separation is protective, but it's still a real sorrow and a loss. i'm trying to believe someday it will shift, and something warmer and brighter in it will come back to me, but even if it doesn't, i know all the words that i wrote and love that i expressed was true and still has worth and still resides in me, even if i have to keep it differently.

there are reminders of him around me - the journal on my desk, his little plush, etc - and that's meaningful, i'm glad i have them, and i keep him and the valuable parts of the show embedded here on my blog to prevent losing that altogether, but it's like there's a mourning veil around it.

thank you for sharing and feeling safe enough to tell me this, i understand more than i can say and i love you too. i'm hugging you so tightly from afar. 🖤🖤🖤

#snowstormserenade #letterbox #every time i write about this now it feels like a eulogy and an exorcism #dean feelings #bubble wrap around my heart #spn for ts

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ender-baggins · 3 years ago

Text

Just watched 14x13 Lebanon.

Will preface with the fact that this was a bit of my commentary on the previous episode, and that I do think John Winchester was a crap parent

Lebanon was a pretty good episode, actually. I know some people hate it, and I started off prepared to seethe every moment that John was on screen. but then I managed to get one foot out of the John-crit zone and put it in Sam and Dean’s shoes, and looking at it from both perspectives? The episode has a lot of nuance to it.

Spoilers for this 14x13 Lebanon (obviously)

Overall I think the most important thing to remember about this episode: the theme is that some things are too good to be true.

I knew which episode it was, but I was surprised because I thought it has been in season 15, and then John didn’t show up for a while, so I thought I was wrong until the Pearl came up.

I gotta hand it to Jensen. When John appeared, there were so many emotions packed into Dean’s face in that first short scene, I had to rewatch it several times to get them. Part of it was simple shock, but I could also see… something a little like panic in his face, along with Waay too many emotions for me to name.

The conversation between Sam and John was… I started off mad and then focused more on Sam’s perspective and realized that… yeah, Sam isn’t the same person he was last time he saw his dad. And he didn’t get closure. He never got a chance to get real closure on it, and then here, he did, at least in some form.

Also, interesting thing I noticed- I could see the beginnings of how it could turn into another argument, and John said something that seemed a little accusatory, “you didn’t have a problem talking about it before you left,” and then Sam was like “nope, not gonna argue, not gonna do it, REDIRECTING-“ Which, after what Dean said in the scene before—

—Sam doesn’t want to mess this up for Dean. No way is he gonna start a fight, not now, not when they just got their dad back.

I don’t like the last line of Sam and John’s conversation: “But you did your best, dad. You – you fought for us, and you loved us, and… that’s enough.” Because honestly- it wasn’t enough. It wasn’t. And… dammit he could have done better. But then again, that’s Sam’s dad, and he’s been dead for over a decade, and sometimes people tend to put rose-colored glasses on over the past. So I’ll still happily condemn John’s parenting but I won’t condemn Sam just because he’s unable to see things for what they are in this case.

Now- my absolute favorite part of this entire episode is the section of Sam and Dean going to get groceries and noticing things are changed, and realizing “oh shit, what else is different?”

One, gotta love Dean for implying that Sam being a kale nut is a worse thing than Dean being considered a serial killer by society (which, it’s not like society is wrong??). Like, ah yes, wonderful priorities there, Dean. You’re a wanted killer with your face up in the town, but clearly Sam giving a lecture about the wonders of kale is a much worse thing. (If you can’t tell, I’m being incredibly sarcastic here)

And then here. Castiel’s appearance. I was screeching watching this. Completely freaking out- so much adrenaline. I bet if I’d taken my pulse it would have been skyrocketing-

This was followed by the scene of Castiel and Zachariah in the restaurant, which was Awesome, very clearly highlighting the difference that Dean and the Winchesters made in Cas’s life (later this will be relevant in the Confession - “You changed me, Dean”).

*cue me posting an unnecessary amount of screenshots*

Castiel unfurls his wings—

(Note the messy hair from flying around everywhere. Not the same as his old haircut, but they did what they could with Misha’s hair at the time)

Notice that Dean’s got the angel blade point down, and when he attacks Castiel, he’s using the blunt end to hit him, not the sharp end

(On the other hand, Sam uses the sharp end of the blade to swipe at Castiel. No judgement from me here, Sam sees this as “not our Cas” while Dean still sees this as “my Cas, I can talk him away from Heaven again.”)

Then, the most interesting thing here- when Cas pins Dean agains the wall, Dean’s not even trying to fight Cas here.

See how his hand settles on Castiel’s chest? Not really pressing, just touching. His other hand is gripping Castiel’s wrist, I imagine to try to remove enough pressure from his neck that he can speak. Trying to use his connection to Cas to get Castiel to stop hurting him. And it doesn’t work. Castiel stares him the eyes, not even a flicker of doubt or questioning.

You’ll note that I referred to alternate Castiel in this episode as exclusively “Castiel” and not “Cas.” Because it’s not Cas. Cas is the angel that saved Dean from Hell, and the angel that’s been by Dean’s side for 11 years (at this point in time). And this Castiel has not done that. So he is not Cas.

I’m reminded of the scene wayy back in season 5 where Cas beats Dean up in the alley for trying to give up and give in to Michael. There, Dean actually encouraged Cas to kill him, at the end, and Cas softens. Can’t exactly parse out the parallels there because my brain isn’t working, but there you go.

Now, probably my favorite conversation with John is this one, with Dean.

Right here. The way that Dean says “I have a family.”

It feels almost defiant. “I do have a family. I have Sam, Cas, Mom, Jack. My mother, my brother, my best friend… and I have a son, we all have a son. And beyond that, I’ve got Jody and Donna and Claire and the girls. I do have a family. Yeah, it doesn’t look like the apple pie life, the white picket fence, wife and kids, and yeah, our son is the child of Lucifer, and yeah, I’m in love with my best friend who’s an angel in a man’s body, and I wouldn’t trade him for any woman, and you’d hate that. But they’re my family. And I’m good with that.”

It’s proud, it’s a little defiant, it’s also a little bit of a reassurance, as we see from John’s smile afterward. I don’t think John caught the hint of a challenge in there.

I loved that moment. That might be my favorite line in the entire episode. “I have a family.”

I also like… Dean’s acceptance, “I’m good with who I am.” Part of that… I think it’s both a good thing and a sad thing and also a half lie at the same time. I think he’s good with who he is, in the sense that he’s accepted that he and Sam are the people that have to fill this role in the world, y’know, saving everyone. I think he loves the people he’s with, he loves his family and wouldn’t trade them for anything, not even having John back. No way would he ever trade Cas or Jack or Sam, or Mary, for anything else, ever.

It’s sad, though, because it’s like… he can’t imagine who he’d be if he had a different life. Yes, he’s had a few runs at an apple-pie life, but they weren’t happy, there was always something wrong nagging at him. He… I think he believes there’s no way for him to be happy, and that this is the best he could have.

I’m not even sure how to analyze the goodbye scene. I mean, the clearest thing here is just so much grief from everyone. They got a taste of their father back, and now he has to go back to being dead. There’s so many complicated feelings for both of the brothers, because of the complicated relationship with John, but in the end? They can’t help but love him, and they can’t help but feel grief at losing him. I won’t fault them for that.

In short, I wanna give Dean a gigantic hug and also give him therapy-

And then Cas coming back to the bunker when he did. I bet he sensed something and headed back to the bunker as fast as he could. Also, no clue what he experienced during the whole “Castiel and Zachariah are alive” thing. I imagine it’s possible there were two Cas’s running around for a bit? Because Mary didn’t get affected by the pearl. And Sam was there with his own memories, despite there being videos up of him doing things in the parallel universe. As for Cas, he’s part of Dean’s group of “people” so my guess is two Castiels running around for a little bit.

I like how Dean looks at Cas at the end. He’s relieved to have his angel back.

In summary-

The theme of this episode is “some things are too good to be true.” John came back, the four of them got their moment together, but John couldn’t stay. Things were good for that single afternoon, because everyone was just happy to see each other again, but it sent so much stuff into chaos that it couldn’t last, it had to be undone. And even then, if they’d tried to keep going with it, I know it would have degraded, the illusion of perfection would shatter, and they’d fall into old habits, old arguments and new ones.

And so it had to end.

#THIS IS NOT JOHN APOLOGISM #JOHN IS A TERRIBLE PARENT #HE MAY HAVE APOLOGIZED BUT THAT DOESN’T ABSOLVE HIM OF HIS ACTIONS #john winchester #spn 14x13 #spn Lebanon #dean winchester #sam winchester #mary winchester #castiel #jack kline #destiel #supernatural #Ender’s musings

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estrel · 3 years ago

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hey this is gonna sound weird but I got back into spn VERY RECENTLY and I want to draw something for Nov 5th (used to do spn fanart way back in the day) but I haven't seen a bunch of the eps from the last few seasons (post S11). I don't have time to rewatch them all before the 5th, do you have a list of eps I should prioritize? Also I'm open to concepts/ideas for the art, I'm good at realism mostly. thank u sooooo much for ur help but also I blame u and the hellers in general for pulling me back in so the art is gonna be dedicated to u guys

hey, that's awesome!! i'm very glad you're back!! here's some episodes you might want to cram in before nov. 5th, from s12 onward! bolded are, in my opinion, essential in terms of understanding either the plot or the fandom (’C’ for ‘cule as in desticule) but of course i’ll advise that you read the plot summaries for any eps you can’t watch, including those that aren’t listed!!

s12e1 — keep calm and carry on : first ep of the season, i assume this would be easiest to start with so you can recall s11, and also just so you can get the gist of where the season will be headed. [PLOT]

s12e8 — LOTUS : introduces you to kelly kline. it's not my favorite and it's a bucklemming ep but plot-wise it might be important to know who kelly is, though tbh you can just read the synopsis and you should be fine. [PLOT]

s12e10 — lily sunder has some regrets : just a genuinely great episode! lots of cas background info and dean/cas moments [C]

s12e12 — stuck in the middle with you : davy perez ep!! cas says i love you!! sorta plot-heavy i GUESS? but if you want destiel angst then this is for you. it's mostly about the angst. [C]

s12e19 — the future : really important in terms of jack [PLOT]

s12e23 — all along the watchtower : season finale in which Very Significant things happen. s13 picks up right from where this leaves off. beginning of the widower arc. [PLOT, C]

s13e1 — lost and found : again, first ep of s13, lots of destiel angst (beautiful beautiful angst. the jacting joices....superb) [PLOT, C]

s13e4 — the big empty : cas!!! answers the question of what happened to him. [PLOT]

gonna go ahead and mention here that in order to watch s13e6 you should probably watch, like. the last ten minutes of s13e5, because again, ep 6 picks up right where ep 5 leaves off.

s13e6 — tombstone : destiel must-watch and end of the widower arc. also significant in terms of jack's development [PLOT, C]

s13e10 — wayward sisters : read the synopsis of ep 9 beforehand though if you want to get a background on kaia. [PLOT, C]

s13e16 — scoobynatural : 'nuff said. [C]

s13e19 — funeralia : not necessary but there’s a good amt. of rowena and cas in this ep so <3 [C]

s13e23 — let the good times roll : season finale, lots of stuff happens plot-wise [PLOT]

s14e1— stranger in a strange land : “i thought you two were joined at the—you know. everything.” really a slow ep tbh, but read the synopsis [C]

s14e3 — the scar : dean is back! there is a scene bt dean/cas in which the score makes me lose my goddamn mind. [PLOT, C]

s14e4 — mint condition : not essential, but a favorite. you’ll especially want to watch it if you’re a dean girl (gn) [C]

s14e7 — unhuman nature : again not necessary, but good jack development/jack scenes with his family [C]

s14e8 — byzantium : VERY important plot wise, re: cas and jack. [PLOT, C]

s14e10 — nihilism : so good. so very very good. also, pamela barnes. [PLOT, C]

do not watch s14e13 lebanon. i repeat, disregard lebanon.

s14e14 — ouroboros : again, one of my faves. gay motw, and v cute scene between dean and cas (: also, rowena!!! [C]

s14e17 — game night : the plot in this ep bleeds through onto the divorce arc of season 15. the ending is...ambiguous, but you can either watch 14x18 or find out what happens in the summary of that ep [PLOT]

s14e20 — moriah : again, a season finale. eps 18-20 really hinge on the events of 14x17, so all you really need to know is that they’re all v upset about [redacted redacted], which happens in ep 17. [PLOT]

s15e3 — the rupture : what i consider to be part one of three re: the divorce arc. also we’ve got a good smattering of characters and it’s important for plot reasons [PLOT, C]

s15e6 — golden time : part 2 of 3 in divorce arc. definite angst, lots of cas, and lots of eileen ((: [PLOT, C]

s15e9 — the trap : now, ofc this is part 3 of 3 in the divorce arc, and while it may be a great dean/cas ep, i must say it’s also one of my favorite sam episodes. sorry, but you really can’t skip this one!! [PLOT, C]

s15e10 — the heroes' journey : one of my favorite episodes, but it's garth-centric and you can really read all you need to know via episode summary but still. the implications of this ep haunt me. why lamp. [C]

s15e17 — unity : lots of god-stuff happening, and it leads into 15x18 [PLOT, C]

s15e18 — despair : the last episode of spn!! [PLOT, C]

so, added up, that’s 4 essential eps in season 12, 4 essential eps in season 13, 4 essential eps in season 14, and 5 essential eps in season 15. grand total of 17 eps across all four seasons! (which is less than one full season of the show)

quick run down in case you need a TL;DR:

season 12: episodes 1, 10, 19 and 23

season 13: episodes 1, 6, 10, and 23

season 14: episodes 3, 8, 10, and 17

season 15: episodes 3, 6, 9, 17, and 18

now, if you need to narrow it down even further, i’d prioritize the eps that are labeled “[PLOT, C]” (12 eps) as those are important plot-wise and also for references w/i the fandom. good luck, i hope this helped!!

#advice #ely answers #anonymous #ref #starred #long post

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wigglebox · 3 years ago

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Wanted to thank you for the level-headed reaction too tbh - As someone who isn't even particularly enthused by the idea of the prequel but is curious as to how they wanna approach it, the general response to it had me facepalm big because wow, that was a LOT of emotions for a baby project with literally no details shared... the worst of it still feels like it's the drama of JP's public tantrum that followed - I can't help but wonder how bad of an impact it'll have on things for the future, because even for Jensen that is SUCH an embarrassing, stupid thing to have happened, and whatever is actually going on behind the scenes for the whole SPN cast & crew, the public image of it feels broken big time right now. It's the sort of shit that's gonna alienate even more people, seems like, on top of the already overwhelmingly negative reaction to the announcement

I haven't talked much about Jared's reaction on here because I didn't want to upset any followers I have that like him — but yes agreed. The reaction was not great. I don't hate the guy but it really bugged me. Especially dragging Robbie like he did.

Even their PR-esque statements at the end of it all — they contradicted each other with Jared indicating they talk all the time and Jensen saying he missed their talks sooooo.

The public image does feel a little strained, however if this project doesn't need Jared in any way — then they have some years to hash it out before a *fingers crossed* continuation.

I've seen the arguments that Jensen should have told Jared but lordy — we wouldn't have known that happened had not Jared stated that publically. It did feel like a tantrum, and he never apologized and never even acknowledged calling Robbie out like that. I think the tweet to Robbie hurt the most to me.

But let's be real, Jared's fans, the ones who ONLY like him, would probably not watch this prequel anyway if it had no Sam in it. Dean's narrating it.

It was embaressing but I said a silent thank you to Jensen for not responding until Jared issued that not-apology.

The only things we can do as a Fandom is support them through things and hope for the best basically.

Though as to the negative reaction to the announcement, I've seen folks starting to turn around on it! I've seen folks saying they've talked to their friends about it, or talked to others, some have talked to me as well which was lovely, and they're now saying their cautiously optimistic or even excited.

I think it was a shock to the system after a bad finale. I think Fandom didn't need to do what it did but it's understandable why folks were really opposing it at first. Again, it took even me about a minute or two to ground myself because at first I was like "wait what the fuck are you kidding me?"

But folks are talking about it, speccing about it, digging up Robbie's old stuff, rewatching his episodes, talking about the possibilities etc etc etc. And that's awesome. It sucks it had such a suckerpunch at the beginning but it feels like it's turning around already which is nice!

Plus some folks are going to spite support it because of Jared's reaction so... there's that lol.

As for the future. We just don't know sadly, so just keep pushing for positivity and hope for future projects in this universe lol.

[also thank you for that little beginning thing as well! i'm happy to talk with anyone about this show because I"m really excited for it!]

#spn #slight negativity bl

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leossmoonn · 4 years ago

Text

New Light

masterlist

pairing - kai parker x fem!human!reader

type - angst, fluff

note - so this is like sometime during season 6. im rewatching the series but i haven't got to season 6 yet (im rewatching it so when i write and include situations and plots from the show, i can be correct w the timeline lol.), so sorry if some of the info and timeline is incorrect. i did a little research to try and get the timeline right though. enjoy! oh! and also i made bonnie and enzo already get together since ik they get together in like season 8

summary - kai tries to make you fall for him

warnings - mild language, suggestive language, make out scene

————

*gif isn’t mine*

Kai watched you as you moved around the kitchen, making dinner for your friends and you. You were in the Salvatore Boarding House, the place you lived in after having your home destroyed by Klaus Mikaelson. The Salvatore brothers adopted you into their home. You had been friends with them for the past few years, so it wasn’t surprising you moved in. You already spent more than half your time here anyways.

Tonight you were having a dinner party, planned by your friends and you to just relax and forget about every crazy thing that had and was happening in your life. Granted, something crazy was probably gonna happen, interrupting the relaxing night, but you held onto hope to have one normal night. Like how you used to before all the supernatural stuff.

One thing kept the hope from staying, though. It was Kai Parker. The insane witch who was ruining everything for you and your friends over the past few months. Stefan had decided to invite him over, make nice with him so you all would have him on your side. You sided with Stefan to not be in a fight with your best friend, but you deeply hated the thought of Kai sitting with you. Eating dinner, staring at you like a creepy stalker, probably plotting your death. Good thing was, though, Elena and Caroline were at the house, helping you. Everyone knew that if you were alone with Kai, you would probably kill him. Bonnie, sadly, was with Stefan and Damon, working out a plan to kill and/or get him back into the prison world.

You were in the kitchen alone at the moment, Kai was sitting at the island table, staring at you. He had a smug look on his face, resting his chin on his palm and leaning on the counter. He never tore his eyes away from you. It made you want to gouge his eyes out. To try and ignore him, you put on music and focused on the dinner you were making.

You sang the lyrics to ‘Since U Been Gone’ by Kelly Clarkson quietly. You moved your body to the beat, chopping up onions.

“You have a beautiful singing voice,” Kai said.

You rolled your eyes, huffing and ignoring him.

“You know, I can sing, too. I used to love singing in the car with my family,” Kai said.

“Before you slaughtered them?” You remarked.

Kai frowned at you, pain shooting through his heart. You continued making steak, turning on the stove and letting it heat up. Elena and Caroline finally came back into the kitchen with ice cream and alcohol. You snatched the bourbon from Caroline’s hand, getting out a cup and pouring yourself a drink.

“Can I have some?” Kai asked.

You nodded, not looking at him. You poured him a glass, walking over and setting it in front of him. His hand reached out to grab the glass, making contact with your hand. His fingers brushed against yours. You felt your skin tingle and goosebumps arose on your arm. Kai noticed and smirked.

“Cold?” He asked.

You glared at him and pulled back your arm immediately. “No.”

Kai chuckled, knowing you lied. He could sense you had feelings for him, even if you never would admit it. He just needed to make you see him differently so those feelings would surface.

You went back to ignoring him, which only fueld his pining for you more.

Elena and Caroline went over to you with the steaks.

“You know, Mr. Socio is in love with you,” Caroline said.

“He's not in love with me. He just likes to chase people and get them comfortable, then hurt them. Since I’m the only one not with a boy who can protect me, with you having Stefan and Damon, Caroline having Tyler and Klaus at her beckoning call, and Bonnie having Enzo, he has chosen me to haunt and stalk,” you said.

Elena looked back at Kai, who was looking at you still. Elena turned her attention towards you, again.

“I hate Kai as much as the next person, but he really looks like he has actual feelings for you. You should give him a chance.”

You scoffed, not believing what you were hearing. “Did you forget that he almost killed Bonnie and your beloved Damon to the prison world? He slaughtered his siblings and father without any remorse. Not to mention, he's an annoying prick.”

Elena laughed, “I used to think about that with Damon. But look at me now, I’m in love with him.”

“Yeah, but Damon isn’t a bad person, he just does bad things. Plus, I have seen the way he looks at you and treats you, he is every girl’s dream. Not to mention, he’s a pretty attractive guy. Kai isn’t like that. I mean, yeah, he’s hot, but he’s not the type of person I, or anyone, would want to date,” you explained and took a sip of bourbon.

Caroline smirked, “So, you are attracted to him.”

“No. You can say someone is attractive but not have any romantic feelings,” you shrugged.

In your mind, though, a little voice in your head told you that you did have feelings for him. You ignored the voice, not wanting to try and battle with your feelings.

“Sure, Y/n. The more you deny it, the worse your feelings will get,” Elena teased.

You rolled your eyes, flipping the steaks. Oil popped off the pan and hit your wrist. You squealed in pain, holding your wrist.

Elena hurriedly got you a cold washcloth and pressed it on your wrist.

“Thanks, El,” you smiled. “Mind taking care of the steaks? I have to keep a cold compress for a little.”

“Not at all. Care, can you get the sundae bar ready?” Elena asked, taking the tongs you used to turn the steak over. Caroline nodded, going over to the cabinets to get ice cream toppings out.

You went over to the living room, slumping on the couch and grabbing the remote. You turned on ‘Gilmore Girls’. You kept the cold compress on your wrist.

You felt the couch sink on your left. You didn't bother to look over, already knowing who it was. You two didn’t even sit in silence for 10 seconds before Kai started talking.

“Rory and Jess should’ve stayed together. Dean’s too soft,” Kai commented while watching the tv.

“Jess is bad for her. He's smart, but he still has no future. Dean really loves Rory and she threw that away,” you argued.

“True, but Jess loves her, too, just in a different way. Dean is so mellow. Jess is fun, exciting, dangerous. Kind of like Damon. That’s why Elena chose Damon instead of Stefan, right? Because he made her feel things that Stefan could never make her feel, which she liked better,” Kai stated.

You glared at him. “She didn’t choose him just because of that.”

“No, she chose him because of that. You choose someone because the way they make you feel, that's how love works,” Kai said, turning his attention towards you.

You felt his burning stare. You decided to turn to him, looking into his dark blue eyes.

“Yeah, I guess you’re right,” you sighed.

Kai smiled. His smile made you feel giddy and warm inside. You pushed those feelings away, piling more denial and hate in your mind towards him.

“You have those feelings towards me, too,” Kai smirked.

You peeled your eyes away from him, ignoring him once again.

“Don’t deny it, Y/n. I can see it on your face. I can feel it,” Kai teased, scooting closer.

“Kai, stop,” you muttered.

He got so close to you, you felt his breath on your cheek. Your heart rate picked up and you found it hot and hard to breathe. Heat went down south between your thighs and goosebumps formed on your neck.

“You like me, Y/n. I can hear you breathing heavy and you heart beating fast. I can smell your arousal between your legs,” Kai said, putting his hand on yours.

You pulled your hand away. “I said cut the shit, Kai. You’re making me uncomfortable,” you lied.

Kai’s eyes softened and he moved away immediately. “I’m sorry. I just-”

“You just what, Kai? Think you can use your witchy powers with me to make me fall in love with you? News flash, psycho, I’m not dumb,” you scoffed and stood up.

“I didn’t try to use my powers, I swear. But I can use my powers to heal your burn,” Kai suggested.

“No, I don’t want your help,” you shook your head.

“Get off your high horse and let me help you, Y/n. That burn will take a few days to heal and it'll hurt when you shower or brush something against it. Please, Y/n, I want to help you,” Kai pleaded.

You looked at him. His eyes showed honesty. You sighed in defeat and sat back down on the couch. You moved close to him, your thighs touching. Kai took the cloth off of your burn and held your arm gently. The same, lovey-dovey feelings came back. This time, you didn't fight it as hard, letting yourself enjoy not having to keep up your walls.

“I’m so mean to you, why are you helping me?” You asked.

“Because I like and care about you. I don’t like seeing the people I care about hurt,” he answered.

He put his free hand over your burn. The burn disappeared by skin forming over it.

“Really? If you cared about me, you’d leave me alone,” you chuckled.

“I can’t when I gotta get on your good side. With you and your friends plotting my death, I need an ally,” Kai said.

Your distaste for him surfaced again. You pulled your hand away once the burn was healed.

“That’s why I hate you. See, you don’t actually care about me. I knew it. Don’t sit or talk to me during dinner,” you spat and strutted over to the kitchen.

Dinner was ready, thank the heavens. Damon, Stefan, and Bonnie came into the house on cue.

“Bon!” You exclaimed, running over and hugging her.

“Hey! Dinner smells good,” Bonnie smiled and hugged you back. You pulled away and laughed, “Elena and Caroline made it. I got burned.”

“You okay? I can heal you,” Bonnie said.

“No, uh, Kai healed me already,” you said sheepishly.

“You let that lunatic touch you?” Damon asked.

“He was there and asked. He was being nice, but then he turned into a dick again,” you explained.

“Well, at least you’re not still hurt. C’mon, let’s go and eat. I'm starving,” Stefan said.

You all went to the kitchen, seeing the meal Elena and Caroline prepared set out on the table.

“Hey, babe,” Damon smiled and went over to Elena. He put his arm around her and gave her a kiss on the cheek.

You looked at them longingly. You wanted what they had. So in love, nothing else mattering in the world but each other. You sat down in between Stefan and Caroline. You cut a piece of steak for yourself and got some mashed potatoes and green beans.

“This is so good, guys. Thanks for inviting me over,” Kai said with a mouthful of steak and mashed potatoes.

“Our pleasure. Mind eating with a closed mouth?” Stefan remarked.

You chuckled at Stefan’s comment while Kai frowned.

“So, what were you three doing while us four were here?” Kai said, gesturing to Damon, Stefan, and Bonnie with his fork.

“None of your business,” Bonnie said.

“Aw, c’mon. We’re friends now,” Kai teased.

“You’ll find out soon,” Damon smiled at him.

Kai frowned again and ate his food in silence.

“Do you guys want some blood to go with your wine?” Caroline asked.

“Yes!” Damon smiled. Caroline got up to get a few blood bags.

All of you except Kai made conversation. While you were talking and laughing, Kai looked at you. He knew his comment earlier got you two on the wrong foot again. He racked his brain with ways he could get on your good side, get you to agree with going on a date with him. He likes you, he really does, he just doesn’t know how to show those feelings without getting rude and angry. He was willing to try for you, though. After a few hours of talking with everyone, people started to excuse themselves to leave.

“I’ll see you later, Bon and Care,” you smiled and hugged your two best friends.

“See you! Have fun with Kai, I think he plans on staying,” Caroline smiled.

“I actually am going to leave, too,” Kai butted into your conversation.

Your heart sank slightly. Since calming down from being angry, your attitude towards him softened. In the back of your mind, you didn’t want him to leave. You wanted him to stay, to pester you, to talk to him, to sit down and have him make you feel the way you did on the couch. You wanted to sit down and enjoy his company. But on the surface, you couldn’t care less.

“But, I want to talk to Y/n before I leave,” Kai said.

Bonnie and Caroline looked between you two quizzically. They smiled and let you two be alone in the kitchen.

You walked to the liquor cabinet, grabbing two glasses and vodka. Kai followed you and sat down in his seat at the island table.

“So, what do you want to talk about?” You asked as you poured him a glass of vodka. You grabbed your glass and went to sit next to him.

“I wanted to apologize for earlier,” he said and looked into your eyes. He took the glass without tearing his eyes away from you.

“You apologizing? Who has you possessed,” you laughed looked around jokingly.

Kai smiled with you as you brought your attention back on him.

“No, this is just me. I know what I said earlier about just wanting you as an ally was wrong. I mean, yes, I want you as an ally, I want all of you as an ally, but I still like you. A lot. And I care about you a lot, too,” Kai spoke.

You took a sip of vodka, sighing. “I accept and appreciate your apology, Kai. But, I don’t like you, not like that anyways, I-”

Kai interrupted you by taking your hand in his. “Y/n, I know I pushed earlier and made you uncomfortable, and I apologize for that, too, but I know that's not true. The look in your eyes when you look at me when you let your guard down is not a look regular friends give each other.”

Your eyes focused on his hand on yours for a few minutes, and looked back up to his face. Butterflies filled your stomach again and his words tugged at your heart strings. Your walls started to come down and as hard as you fought to keep them up, you couldn’t. Kai was getting to you and deep down, you knew he was right. That you cared for him the same way he cared about you.

But then you remembered that he was the enemy. He took your best friend away from you, wrecked havoc on this town, and killed his parent in cold blood. You couldn’t take the chance of getting hurt. So, you pulled your hand away slowly from his, standing up and downing the rest of your drink.

“I admit, I may have some feelings for you. Deep down inside, but I can’t take the chance, Kai. I’m sorry. Thank you for apologizing and not ruining dinner. I’ll see you later,” you gave him an apology of your own.

You started to walk away, but Kai put his hand on your arm. He spun you around and your lips met his. Your eyes widened as Kai kissed you. You tried to fight back from not kissing him, but as his arms wrapped gently around your waist, pulling you in, you melted against him and kissed him back.

As your lips moved with his for the first few moments, you closed your eyes and behind your eyelids, your brain exploded. You could see colors as your lips moved with his, and your eyes rolled to the back of your head. His lips tasted like vodka and chocolate ice cream. You wrapped your arms around his neck, burying your fingers in his hair. His tongue swiped on the bottom of your lip and you opened your mouth. Your tongues met and you moaned softly in his mouth, tugging at the hair on the nape of his neck.

You pulled away, needing air. Kai opened his eyes, a big, content smile resting on his lips.

“And friends don’t kiss friends like that. So please, give me a chance. Let me show you I’m different than what you think. Let me show you me in a new light. I can change for you. I want to change. Don’t deny what we have, Y/n.”

You stared into his eyes, knowing you couldn’t deny your feelings any longer. You gave him a small, sweet smile and nodded your head. “Okay, I’ll give you a chance. Prove me wrong, Parker.”

Kai took his hands off your waist, first pumping the air. “I will, I promise.”

————

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babygirl06301 · 4 years ago

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When Did Dean Fall In Love With Cas?

tl;dr: S11

I’ve wanted to talk about this since the show ended and the Spanish dub that broke Tumblr came out. So, when did Dean Winchester fall in love with Castiel?

This is entirely my opinion of course, and I know there are some people that will say it was right away or that it never happened at all, but I wanted to put my thoughts out there so other people could tell me their thoughts, too. I’ll probably get off on some tangents here and there, so feel free to send me any Destiel thoughts you’ve got.

Also, it’s worth noting that, to me, there’s a difference between falling in love and actually being in love. I mean, if you’ve fallen in love with someone, every point in your relationship has been a stepping stone to that point, so I guess it’s all abstract, but still. Hence, S11 being my answer to this question.

Keep in mind I’m doing this without the benefit of a recent rewatch, so I may miss some behaviors from Dean that would change a few things.

Warning: sappy stuff ahead; read at your own risk (also crappy images).

S4-5

I don’t think it’s that big of a secret that Dean attached himself to Cas, like, right away. I mean, the dude never talks about his emotions, and yet, it took eight episodes of Cas being around for Dean to break down in front of him and talk about his fears. It’s almost like you could say that’s because they were always meant to fall for each other.

However, I don’t really the think the process of falling in love with Cas had started yet. I do think that Dean cared about Cas, but I don’t think it was anything extremely special. Reason being: it was the literal end times and Dean didn’t have that type of time. That, and I think there’s something to be said for being raised a certain way and believing certain things about yourself that affects how long it takes for you to notice that something has changed. So, yeah. I don’t think Cas had been around long enough at this point for Dean to start feeling anything more than kinship with him.

That’s not to say, though, that Dean didn’t subconsciously find Cas hot or get the warm fuzzies sometimes because:

I mean, come on.

S6-7

So, this era is weird because I do think something had begun to change in how Dean saw Cas, but I don’t think he got to fully begin the process of falling in love with him because: a.) Cas betrayed them and b.) Sam’s head was broken.

I’m gonna say something rude now: I think a lot of the Destiel moments in the beginning of S6 were born of Dean needing Castiel’s abilities as an angel and not of needing Cas. For example, Dean calling on Cas to help with the Staff of Moses or with Soulless!Sam. He was usually pretty demanding and sometimes curt with Cas and got irritable when Cas couldn’t help.

However, I think that Cas always being there despite his battle in Heaven began to shift Dean’s feelings toward him. I do think this change was almost imperceptible, but you can see Dean showing more and more concern for Cas as S6 progresses. Like this:

This is the primary reason I think Dean got so defensive of Cas when Bobby and Sam started suggesting that Cas was working with Crowley. It’s also why he got so hurt when he found out that Bobby and Sam were right.

Here’s my super abstract and vague take on it: he’d started feeling romantic emotions for Cas, but as soon as Cas’s betrayal was revealed, it got replaced with pain. Basically, Dean almost started to fall for Cas in S6, and then the Purgatory storyline interrupted it.

And then Cas died. Which didn’t help.

Here we enter S7, which has fuck all for Destiel content beyond the first two episodes—until Cas comes back. I know some people are going to say not to gloss over the trench coat thing, and fair enough. I think the keeping of the trench coat was akin to Dean trying to hold onto what he did feel for Cas, obviously not consciously. Almost as though Dean could tell he’d lost something special when Cas died, and not just in losing Cas, but in losing part of himself, a part that he didn’t know existed yet. I don’t consider the trench coat to be a sign that Dean was falling in love with Cas but a sign that he was about to or that he could’ve. Is that weak? Whatever.

Now, I do think that some shit got shaken loose when Dean saw Cas again because, for all intents and purposes, he should’ve been pissed. But instead he was... whatever this is:

I still, more or less, think that he was too preoccupied with Sam to really begin falling in love with Cas. I think that’s clear to see in how he treated Cas after he came back into the story for the final battle with the Leviathan. He did give the whole “I’d rather have you” speech, but all the stuff before that was more along the lines of “Nobody cares that you’re broken, Cas! Clean up your mess!” So, yeah.

Okay, so this is where the Purgatory stuff comes in. In the words of the great John Mulaney, “we don’t have time to unpack all of that,” but this is where I believe Dean started falling in love with Cas.

Dean told Sam that Purgatory felt pure because he could only focus on the fight at all times... but he still had the emotional availability to worry about and search for Cas, so...

If I had to pick an exact moment, I’d say somewhere around here:

And thus, rather than just keeping a trench coat when he lost Cas, Dean literally rewired his own memories because he would rather think that he left Cas behind than think that Castiel chose to leave him.

From here, we can start seeing Dean paying attention to Cas more, noticing when he’s not being himself, and more than that, worrying about him in a more personal way. For instance, when Dean insists that Cas talk to him about what’s bothering him in “Hunteri Heroici.” Not to mention, Dean becomes a lot more emotionally vulnerable regarding his feelings for Cas. One example would be when he insists that he didn’t abandon Cas in Purgatory. Another would be, of course:

I would also mark this season as the season Dean’s prayers to Cas become more emotional and, at times, cathartic, as though he’s confiding in Cas. In “Remember the Titans,” for example, Dean prays to Cas to ask him to look out for Sam; the scene reads like Dean is asking for help but is, in equal measure, asking for Cas. This is also the first season an adversary pokes at Dean and Cas’s relationship in a way that specifically targets Dean and his feelings about Cas rather than Cas’s feelings about Dean as it had been before; this would be when Naomi says “You’re hoping Castiel will return to you.”

S9-S10

Well, these seasons are complicated to say the least because of Gadreel and the Mark of Cain. I don’t think, at this point, Dean ever stops feeling what he’s feeling for Cas. However, I do think that a lot of the hiccups throughout S9 and S10 made Dean step away from those feelings.

Of course, Dean is still stressing about Cas 24/7 in the beginning of S9 what with Cas being human, Cas being hunted, Cas dying, Cas working at a Gas-n-Sip—you know, drama. I think when Gadreel said that Cas needed to stay away if Dean wanted Sam to be healed, Dean had to let what he was feeling for Cas go—not that that means he stopped feeling it, mind you. No, I don’t think Dean consciously went, “Well, guess I’m done falling for this dude,” but I think he knew somewhere in his heart that it wasn’t the time.

Now, the Mark of Cain. The storyline that put the characters down on the page once and left them stagnant and unchanging until it was resolved. Now, as you might imagine, slowly turning into a demon that wants nothing but death would put a damper on any relationship. Finding Destiel in the B season for S9 and throughout S10 is hard. Especially on Dean’s end.

There are moments when you can tell that Dean’s feelings for Cas are still there, and I would say, developing slowly, like the cheeseburger date. Probably the biggest Destiel moment in the entire Mark of Cain stretch is when Dean nearly kills Cas but resists, despite the Mark’s hold on him.

That’s really it, though. No backwards movement, but barely anything trending the opposite way, either.

S11

This is the Big Season™, the one I believe Dean fell in love with Cas in. Now, obviously, it isn’t like Dean lost the Mark, and boom, fell in love with Cas. Plus, there’s the whole pull-to-Amara thing. However, I don’t think falling in love necessarily has to be a big moment; I think it can just happen, and I think that’s what happened with Dean. At some point between the start of this season and Cas being released from Lucifer’s possession, Dean fell in love with Cas.

That being said—if I was really reaching for a moment—I wouldn’t say it happened during a happy scene. I’d say Dean fell in love with Cas when he lost him.

I know that sounds weird, that Dean didn’t fall in love with Cas completely until he realized Cas had been possessed by Lucifer, but in my head, it fits. I think it’s because Dean is so emotionally closed off and tries not to let his emotions show if he can help it that it took knowing that Cas was gone for that last switch to flip in his heart.

So, now Dean is in love with Cas, but Cas is Lucifer. I’d say this has something to do with the fact that, even though Dean is supposed to be attached to Amara, he still calls out for Cas even though Amara is right in front of him.

Considering the fact that Cas comes back in the literal last episode—at least, that’s when Dean realizes he’s back—there isn’t a whole hell of a lot of time to see how being in love with Cas has changed Dean. We do get the “you’re our brother, Cas” scene, but seeing as how that’s pretty inconsistent with everything that comes afterward, let’s just chalk that one up to bad writing and/or Dean being dense.

S12

Alright, so my post should be done, yeah? I’ve answered the question I’ve set out to answer. However, there’s still more to talk about here. When did Dean first sense that what he felt for Cas was different? When did he have an inclination that it was romantic? When did he know for sure?

That’s why we’re here in S12. Now, S12 is the most Destiel-heavy season in the entire series. In my opinion, while it does have many of the best Destiel scenes, it doesn’t have the best Destiel scene. However, as far as number of moments, S12 takes it.

This is where we really get to see how being in love with Cas has changed Dean. Realistically, I think this has a lot to do with S12 being the beginning of the Dabb era because this era marked a change in tone for both Castiel’s character and his relationship with Dean. Dean began to worry about Cas a lot more frequently and, as a result, got mad at him a lot more, too. I see S12 as the season that Dean moved away from simply being worried about losing Cas to being terrified of losing Cas. And that translated into anger any time Castiel put himself in danger. For example, killing Billie. Any other time, the threat of losing Cas translated itself into fear, like when Cas nearly died from being stabbed with the Lance of Michael.

Of course, the mixtape is also in this season, which is another example of how being in love with Cas has affected Dean. I could probably make an entirely seperate and very long post regarding Destiel in S12, but the general idea is that Dean’s newly found love for Cas made a big difference in how he treated Cas.

S13

Alright, S13 stands outs to me because I believe this is when Dean first realized that Cas meant something more to him than a friend and that he felt differently about him than he did about his family. Again, I don’t think that Dean actually thought those exact words, but I think his heart knew them to be true even if he mind didn’t. Reason being: Cas had just died. Which is the first time Castiel has died since Dean fell in love with him. Dean knew he needed Cas, in a way he hadn’t really realized it before. Which is why he demands that Chuck bring him back.

Then Cas comes back, and it’s like Dean forgets what hopelessness and misery are because Cas is his “big win.” After this, honestly, there isn’t much else by way of emotional development for Dean regarding Cas, but I see that as a good thing. It’s a sign that, though Dean hasn’t realized it yet, being in love with Cas is comfortable for him. There are still expressions of concern for Cas’s wellbeing throughout the season, but mostly, we just get to see Dean be content with Cas.

S14

Alright, S14 a.) mostly saw Dean’s feelings much in the same place as they were in S13 and b.) just kidding because Dean tells Cas that he’s dead to him in this season.

To be fair, if we’re talking Destiel, there’s more of it on Castiel’s end this season than there is on Dean’s because Dean is dealing with Michael. There are a couple moments that stand out to me as moments where Dean’s love for Cas comes through: when Cas asks Dean if his plan to trap himself in the Ma’lak Box means that they’re supposed to say goodbye and when Dean confides in Cas about how he’s handling keeping Michael trapped. In the former scene especially, I think it’s clear to see how much the idea of saying goodbye to Cas affects Dean.

And then we get to “Absence,” which is the episode where Dean tells Cas that he’ll be dead to him if Jack killed Mary. Now, going off on a tangent here to explain how this ties into Dean being in love with Cas, let’s talk about when Dean gets mad at Cas.

When Dean gets mad at Castiel, it’s always out of pain. I think that’s a very unique effect that Cas has on Dean that no one else does, and I believe it’s because Dean gets so overwhelmed with the emotion of betrayal that all he can do is push Cas away. Why a feeling of betrayal? Well, in this case, it’s because Cas knew something was wrong with Jack and didn’t say anything. I think that, as Dean fell more and more in love with Cas, his expectations and feelings for him grew, and because of that, when he feels like he’s been let down by Cas, it turns into rage.

When Dean walks away from Sam, it’s usually because he’s either worried or angry. With Jack, he walked away because of anger, maybe even disgust. But with Cas, it’s always pain; it’s always because Dean feels like he’s been personally betrayed in a way that has nothing to do with worrying about Cas and everything to do with wanting to hurt Cas back. It’s almost a selfish sort of anger, which is actually a positive for Dean’s character since he rarely puts himself first.

To me, the way Dean gets mad at Cas—especially in S14—is so personal and unique that it serves as proof as to why Dean is in love with Cas. So, even though the “then you’re dead to me” line is so damaging, it’s still a result of Dean loving Cas.

S15

Last season. The hardest season by far, for a lot of reasons. I’m not going to get into the lack of closure the ending of this show gave us in terms of Dean and Castiel, and I’m not going to talk about this final season in conjunction with the Spanish dub—just what I, as an English speaker experienced in canon since that’s what was intended in the final cut—but I will talk about everything else. There’s three episodes/points I’m going to hit with this season, and I’m sure we all know them: “The Rupture,” “The Trap,” and “Despair.”

I’ve already discussed why Dean’s anger points to his being in love with Cas, but I think the important thing to note with “The Rupture” is that Dean still didn’t want to lose Cas, even in the moments when he was hurting Cas and pushing him away.

There’s still a couple questions I’ve asked that I haven’t answered yet, and one of them will be answered with “The Trap.” I think this episode—and really, the moment Cas told him he heard his prayer—marks the first time that Dean considered that his feelings might be romantic. I don’t know how clear those thoughts were or if Dean told himself he was wrong afterward, but I do think that that scene was the beginning of possibility for Dean and Cas. Had they had enough time, they would’ve decided to be together, and that scene is where they both really felt it for the first time—even if they didn’t believe the other felt the same way.

I’ll be honest: I really don’t want to talk about “Despair” because it’ll just make me sad. Alas, there is one question that still needs to be answered: When did Dean know that he was in love with Cas?

When it was already too late. Much like in S11, I think it took Dean losing Cas to realize how he felt about him. The difference here is: I think Dean would’ve realized it regardless; hearing how Cas felt about him and then losing Cas just forced it. Had Cas not died, I don’t believe it would’ve been too long before Dean realized it naturally, and that’s the most frustrating thing about this scene is that Dean didn’t have to learn how he felt through the trauma of losing Cas.

I’m not trying to diminish this scene because, had there been closure—and proper editing—I’d say this scene was the perfect avenue for Castiel’s character to go down because it would mean that, when he came back, he could be with Dean.

Again, I’m not getting into the semantics of the final couple episodes or how they handled Destiel because it’ll just make me mad, but I think Dean realizing he was in love with Cas was just as big of a factor in him seeing himself differently as Cas’s speech was. I think Dean wanted to honor Cas by being the person Castiel saw him as; I think Dean wanted to live as a man worthy of being loved by the man he fell in love with.

Anyway, that’s my take on when Dean Winchester fell in love with Castiel based on what canon gave us. As someone who had been very realistic about the possibility of Destiel over the years and had never truly hoped for it in canon because I knew better, I have never been more convinced that Dean is in love with Castiel as I am now, after the show has ended.

I don’t think I can say I believe he was in love with him all along, but I believe that his story, their story, of falling in love is real and true, however long it may have taken. I’ll never say goodbye to these two, but I’m happy that I can at least walk away from this show knowing that they found each other in the end, even if their ending didn’t do justice to their legacy.

Let me know when you think Dean fell in love Cas or vise versa. I’m curious to know what you see in their relationship. I don’t think I’ll be making a post like this for Castiel because, in my opinion, Cas fell in love with Dean rather quickly—his journey was just realizing what that meant. Anyway, thank you for reading this, and thank you for being a part of this twelve year long love story that is Destiel.

#destiel #casdean #cas x dean #dean x cas #dean winchester #castiel #spn #supernatural

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mittensmorgul · 4 years ago

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So, Signs that 15x20 isn't real: El Sol beer; warm, saturated lighting; Dean's choice of clothes. Signs the writers were silenced: cut-out-tongue-vampire-thing. Sign it's about sexual repression: Vampires! Sign it's all about the gay: Dean was nailed from behind. Anything else to add to that list of symbols? Because this looks like the writers winking SOS at us in a kidnapper's video.

oh gosh... I keep meaning to rewatch the finale and make a full list of it all, because this is tip of the iceberg stuff. But I just... heck I just don’t want to watch it again :’D

That rewatch is on the agenda, and I’m currently watching 15.09 on the eternal loop. According to the TNT schedule, they’re showing 15.20 on Tuesday, looping directly back to the pilot immediately afterward. So... if I do decide to watch that (and I haven’t decided yet), that’s... gonna be some wild whiplash...

But anyway, back to the question!

You have a pretty good list going there...

I’ll add these things that made the episode feel like not-a-finale:

-no Road So Far segment, or even any sort of “important moments from the last 15 years that brought us to this point” sort of montage/retrospective of their lives

-no Carry On Wayward Son at the beginning, but TWO versions of it back to back at the end

And these things that were just general wtf moments for me:

-Sam? cooking breakfast? since when does Sam make breakfast, ever? that’s Dean’s thing

-Dean, with a dog? since when has Dean ever wanted a dog? That’s Sam’s thing

-Dean makes his bed, and it looks messier when he’s done than before he started (this is... not Dean-like... I actually went back and checked previous shots of his room)

-they never, not once in the episode, act like they have even one (1) single friend or any sort of goal or direction in life, which is weird...

-apparently they’d been unable to find a hunt, making it seem like the supernatural world had been quiet (for a moment I thought maybe monsters were no longer a problem in a post-Chuck world), until they stumbled on a hunt out of nowhere after choosing to go to a pie festival... as if the moment they chose to do something to move on and just have fun, suddenly there was work for them to do and they immediately abandoned everything to hunt these mystery monsters from John’s journal, which turned out to be a trap for them (specifically for them? considering the rando s1 vampire seemed to have lured them there?)

-The fact Dean recognized this vampire he never even interacted with and somehow magically knew her name, despite it never having been stated in canon and, again, Dean never having interacted with her outside of watching her escape with the vampire who actually DID bear them a grudge from 1.20...

-the weird lingering close up shot of the rebar during the fight scene

-the invocation of “destiny” and “don’t have a choice” as they went into a freaking pie festival... this hits bad right now because I’m rewatching 15.09 in the background as I type this, and it was almost word for word what the Dean in Chuck’s vision of the future said to Sam as they resigned themselves to go off on their final hunt (which was vampires btw), which they lost because in the next scene Sam and Dean have become vampires and are both killed... so like... this was Chuck’s story. The trappings might’ve been different, but it was still fundamentally the same... Cas locked away in a terrible place (ma’lak box in Chuck’s story, Empty in Dabb’s), Dean resigned to his fate because of a vampire hunt gone bad.

-then the pie festival itself... Dean’s got a huge tray with half a dozen different varieties he’s excited to try (purchased from Dabb’s Pies...), is eager to taste them all (like... metaphorically trying out different “apple pie life” ending scenarios, because he’s finally free to explore and maybe he actually wants the pecan pie life...), but before he can even taste the first bite, Sam... chooses one and smashes it in Dean’s face.

-even weirder, Dean never once in the episode says Cas’s name, or seemed even once to give a dang about Cas at all... and handwaved it when Sam mentioned Cas and Jack. It had been like... days, on screen (if they’d intended for more time to have passed, they would’ve indicated that on screen, and they did not... they showed us MAYBE three days passing since the events of 15.19). So like... did Dean have a personality transplant or what. Sam says Cas’s name in the ep, Bobby says it in Heaven. Dean... never does. Which is weird, considering how many times he’s said Cas in canon over the years, to the point it’s literally become memes...

-jumping around a bit here, but why Masked Vampires? Why had John failed to figure out they were vampires originally? Because he believed vampires were extinct? because he hadn’t been told they existed at all yet when he’d confronted them in 1986? Was John suddenly just A Bad Hunter after years of canon reinforcing that he was actually a really good hunter?

-and why THIS WEIRD CONGLOMORATION OF JOHN-RELATED CASE NONSENSE? From his journal to the murder clowns to rando vampire from their first vamp hunt? It’s like the perfect storm of erasing the last 15 years just to “bring it back to the start” to end it all like it could’ve had this been s1 still.

-speaking of John, and the El Sol in Heaven... WHY would Bobby hand Dean “John’s Beer” in Heaven? Especially since Dean expressed the fact that he didn’t even like it? Like... why wouldn’t he have been handed a beer he actually ENJOYED in Paradise? Why force a John Beer on him when he could literally have anything he wanted?

-and why was Heaven for Dean, in a place where he could literally have anything he wanted, go anywhere and do anything, why was he just driving through the woods along back roads? After years of talking about how he wanted to go “toes in the sand,” take a vacation, go fishing, or even finally get to eat a piece of pie? Or like ANYTHING he’d talked about wanting to do over the years that he never had a chance to... but apparently the thing he’d arguably spent the most time during his life doing is the only thing he wanted to do now that every possibility was open to him? Yeah, no that’s stupid...

-Tree (the final shot of 15.04 with bobblehead Sam and Dean by the tree like they didn’t have a thought of their own, Chuck’s plastic figurines dancing on his orders, very much like where they randomly parked and had the “vamp mime” conversation)

-Dean casually resorting to the threat of torture after YEARS of the show condemning this choice. Dean gratuitously being “a killer” when his acceptance of the fact that that’s not who he was in the previous episode was literally the thing that defeated Chuck... like... this was entirely stupid...

-just... the pacing of the episode was so weirdly wonky, with random cuts and no sense of time passing anywhere, nor interconnectedness between scenes, and the weirdly uncomfortable interminable death scene. Like, it looked like the death scene of a soap opera heroine. It was upsetting when Dean hit the spike and realized what had happened, but then he just... lingered... dangling on the hook for Sam’s benefit. Like Dean was nothing more than set decoration like a framed portrait for Sam to hang up and walk away from. Which is weird... and stupid... Dabb knows how to do pacing, and it’s like he forgot everything he ever knew about writing to force this “good way to die” trope, as if the previous 15 years of the show hadn’t been spent denouncing (and Dean finally overcoming) this mindset of “I always knew I’d go down swinging” or whatever. WHY. IT WAS STUPID.

-Wig

there’s probably more, but I’m tired and have reached my daily limit for the wtf of this episode >.>

Anyone else, please feel free to add more.

#spn 15.20 #Anonymous

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my-sherlock221b · 3 years ago

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Supernatural Rewatch Ramblings: Bloodlust

2020-21 has been a huge transformative time for many of us. Whether we wanted it or not, we have been forced to stop, switch gears, rethink, reflect, let go, make new priorities, discover who we really are and who we want to be in the face of adversity.

One of those transformations for me has been giving up on control and finding a way to surrender to the power of the universe. Another has been to not let perfection be the enemy of good.

You may well wonder---What does all this have to do with the Bloodlust rewatch and review??!

Probably nothing LOL except for the fact that I still have to write up my review on Bloody Mary and have been unable to write for various reasons. And then because the Bloody Mary review was still incomplete I could not write about the next one etc etc etc.

So when we watched Bloodlust two days ago in the continuing re-watch, I decided that I am going to re-start the review, and from exactly where I am right now!

If time and life permits I might fill in the gaps later. If not, well, life is unpredictable and weird and we keep calm as it carries on….Thank you for coming to my Philosophy talk….:)

Read below for the Boodlust review, Season 2 episode 3 and look out for the post from @soulmates-for-real on this rewatch too!!

The opening scene is the perfect switch and bait because we as an audience have been trained to latch on to types and identities and representations.

Woman in white night gown screaming and running--victim

Person who brutally beheads her—villain.

A few minutes into the episode we realize that we were wrong.

A good few minutes later we realize that we were wrong about being wrong.]

Haha.

We are idjits, swept away on the eddies and currents of this masterfully written and directed episode. Thank you Sera Gamble and Robert Singer!

The acting and the mesmerizing beauty of the two leads is worthy of an entire essay of its own but in order to have a life and finish this review I shall only say this—Oh my goodness HOW gorgeous is Jensen Ackles?!!

It is sometimes impossible to look at him in this episode because my eyes didn’t know where to land! That perfect face? The lips? Those eyes?? The quirk of the eyebrows? Those micro expressions that are constantly weaving across his face? The smile? The way his lips move when he talks?? His hair? The Samulet?

And then the shot pans out and includes his hand and the ring and honestly it’s a miracle I could follow the plot at all.

So the images I am going to include in this review, much as I love Sam Winchester and Jared Padalecki, are all of Dean Winchester. It’s a criminal waste to not do so when the man is just an ode to perfection.

Sheila O’Malley’s review of this episode is in itself a work of art and a thing of beauty so I will direct you most enthusiastically towards it and only add here my little pennyworth bits. Do click on this link but be prepared to sink into a one hour read which will make you feel like you were dropped into the episode itself.

https://www.sheilaomalley.com/?p=87187

Here is a quote from her review which is so insightful.

These are the details that a director like Robert Singer never misses, and at this point his relationship with Ackles and Padalecki would be almost telepathic (it’s probably 100% telepathic now). He has said before that he and Kripke were such a good team because Kripke’s primary concern is Plot/Gore/Horror and Singer’s primary concern is Character/Relationship. And they both end up in the same place. It’s a good mix. If Singer were also Plot/Gore/Horror focused, we wouldn’t have the depth of relationship which is the real point of the show, its real hook.

For a much briefer and far less technically adept and analytical review, read on here!

The opening of this episode shows us the Impala from every possible angle. Gleaming, gorgeous, road -worthy. This is mirrored by Dean. He is also gleaming, gorgeous and roadworthy. He is in a happy mood that not even Sam’s little brother snitty comments can deflate.

Here is the soundtrack of this episode for those who are interested.

https://www.imdb.com/title/tt0835248/soundtrack

Here is some random but fun trivia:

Dean tells Sam in one scene "If it's Supernatural, we kill it." One of the rare times the title of the show is actually spoken in the dialogue.

This is the first episode where Sam began parting his hair down the middle, the hairstyle he'd keep the rest of the series.

( I didn’t like his hair too much in this episode honestly but then again I could barely see anyone beyond Dean :D)

During the filming of this episode Jared injured his hand when he fell badly during a stunt. He thought it was merely sprained and went straight into filming the next episode without having it checked. But it got more and more painful and finally he went to the doctor and discovered that his hand was, in fact, broken. Because he had already begun filming, he couldn't bandage the hand until filming for that episode was finished. The writers ended up writing in an accident for Sam and his line "I think she broke my hand" to explain the fact that for the following few episodes he would be wearing a cast.

When Dean kills a vampire, blood is sprayed on his face, mostly on his right cheek. In the next shot the pattern is different, and notably the right cheek is almost clean. Furthermore, his mouth was agape when he made the kill, risking the blood getting into his mouth and turning him into a vampire. While the brothers didn't yet know how a vampire is made at that point, Gordon did and should have been alarmed that Dean might have gotten some of the blood in his mouth.

A random behind the scene shot from the episode:

Guess who she is? Apparently this is Jensen’s sister in a super brief role in Bloodlust!

On to the review, or rather some of my thoughts during the re-watch.

The first scene with the Sheriff they are interrogating him about the cattle mutilations is hilarious. The way they bluff their way into the morgue is hilarious. Dean always leading and Sam following.

Random trivia: When Dean enters the morgue with Sam and sees the name tag of "J Manners", it has been thought the name was to honor Jeffrey Dean Morgan and series producer Kim Manners. Dean guesses "John" - Jeffrey's character name - and the intern corrects with "Jeff"

It a testament to the way Supernatural has trained its audience that we barely blink when they pull out a decapitated head in the morgue, squabble over who is more chicken, dig into the mouth and eventually discover vampire fangs.

Yes, of course they do.

Next scene: Two hot guys walk into a bar…..

…….where the adorable Benny, who is not Benny in this episode but a random dude ( spoilers—later we find out the dude is a vampire), gives them directions/ mis- directions to a possible vampire nest.

We see the first glimpse of Gordon Walker, amazingly played by Sterling K. Brown, and making us worry about and dislike him almost right away. The way he is shown with the light and shade bars on his face from the window blinds is so menacing.

The next few scenes continue to build that sense of unease where the Winchester brothers, apparently telepathically, decide to double back and catch him following them, then he shows them his car and his weapons, where he references their dad and then refuses their offer for help.

The scene where he shows them his car is like a painting. (The car by the way is just as inconspicuous as the Impala ��which is to say NOT AT ALL!! How do these people stay below the radar of the regular law enforcement is a mystery….).

The dust highlighting the rays of light, the two brothers on one side of the car and Gordon at the other, it’s all so consciously set up for a few seconds worth of screen time. Impressive!

Next comes a truly brutal kill, at Dean’s hands, which we don’t even see except as a spray of blood on his face. Poetic! But it is Dean’s expression that makes my stomach clench. His eyes are dead and he is somewhere deep that even Sam can’t reach, as we can see from the distress on Sam’s face.

Gordon of course is all chipper and full of bonhomie and offers to buy them drinks.

That following scene is the one which gives Wincest brother-wives vibes like 100%.

Sam plays the role of the disgruntled ‘wife’ to perfection. No one but hubby is allowed to use the nickname. He hates the male bonding going on with Gordon and the more Gordon seems to slip into Dean’s inner circle, the more uncomfortable Sam gets, until he finally decides that he just cannot physically be there any more.

Dean’s smug expression when Sam tells Gordon off for calling him Sammy, his instant worry at Sam going back alone, his hand raised in exasperation to convey to Gordon—look what I have to put up with-- the tossing of the keys to his car----it is all a symphony of Dean playing his part in the brother-wives orchestra.

The last line?! ‘Remind me to beat the buzzkill out of you later.’ And Sam’s expression at that? That’s exactly the way a bullying /abusive husband would react to a nagging wife who doesn’t like his toxic friends and wonders how he can be so blind as to not see them for the bad influence they clearly are.

( Bad Dean!!!)

Sam goes back to the motel and does his due diligence by checking with Ellen, gets kidnapped by vampires, released and on his return is disgusted to find Gordon inside their motel room.

The next scene is where Dean erupts, having clearly had enough of the shifting power dynamics between them over the evening. Sam has been silently judging him since the kill and Gordon has managed to ‘other’ Sam and make Dean feel validated in his own bloodlust as a hunter.

Dean clocks Sam one.

Wow. I did not see that coming. And what shocked me at this re- watch is that Sam just takes it.

Like an abused wife, he just takes it. Not only that, sometime later in the episode he tells Dean to hit him again if it is going to make him feel better.

NO Sam! NO!!! This is NOT healthy and this is NOT the way to deal….ugh. Sigh.

Then the second half of the episode swings in and the moral dilemma they face becomes clear when the victim and villain switch roles and Dean is shook enough to question his dad’s judgement!

Dean is still kind of trying to give Gordon the benefit of the doubt even though he sees him literally torturing the vampire. But of course all bets are off the instant he touches Sam. Dean pulls his gun on him. I was surprised that he didn’t shoot him just on principle later simply because he hurt Sam even if it was a small cut.

That is Dean’s definition of monsters-- Anything that hurts Sam. 😊

We don’t know it at this time, and spoilers ahead, but maybe Dean has been so annoyed and violent with Sam at the idea that he is standing up for MONSTERS is because he might also be one….and the way he looks at the end when he realizes that his whole life’s philosophy has been upended.

There are the details about the vampires who drink cattle blood so they don’t harm humans and therefore want to be treated as the good guys. Of course it is all about the inherent struggle between who you are and what you do—something that shows up hugely magnified in the later seasons when Sam is struggling with his own demon blood addiction and the knowledge of the demon blood inside him.

He needs desperately to believe in this as the utmost foundation stone of his life and its purpose—what you DO is more important than what you ARE!

So even if you are a monster, if you don’t behave like one—that is your redemption.

But it’s not just anybody whose faith he wants in his struggle to prove to himself that he is not a monster. He needs it from Dean.

Remember the dialogue from the panic room “Don’t you say that to me. Don’t YOU say that to me.”

And the fake voicemail set up by Zachariah exploits this at the time of the breaking of the last seal.

Of course he doesn’t know any of this yet, but that’s Sam fucking Winchester for you –always purer and better than his circumstances allow. Always struggling to do better, be better.😍

It is fascinating how the visuals and the roles these two play are of rugged handsome men, badass heroes-- Dean of course super macho role playing all the time. But there are so many layers upon layers and honestly if it wasn’t for Jared and Jensen’s fine nuanced and impeccable acting adding depth to the characters, the show would not have held our interest for this long.

We are shown Sam as the brains with his lore and research, but then in the very next episode (Children Shouldn’t Play with Dead Things), we see Dean connect dots faster than Sherlock Holmes.

Dean is shown as the instinctively violent one with the gun under his pillow, trigger happy, and in this episode even that brutal kill of the vampire on the docks. But then please remember the way Sam kills Gordon finally. Or the insane way he bites himself to get blood for drawing sigils. Or the way he just simply shoots the crossroads demon point blank!

We see Sam as the soft hearted one and he does rescue kids once in a while, but he is never shown to bond with them even a fraction of the way Dean does—so effortlessly. Also the ladies of course, all of whom have a soft spot for Dean. The exceptions being Sarah and Madison, both of whom completely ignored Dean. Oh and that doctor from Sex and Violence.

Dean has had his share of bad dates of course with Cassie, the woman who gave birth to his magical superfast growing daughter ( who was killed by Sam), and the whole Lisa arc, but somehow we are shown Sam as the one who is invested in relationships. Hello?! Sam was planning to marry Jessica without having told her a thing about his life while Dean told Cassie the secret as soon as he thought he was in love and wanted a relationship.

So anyway, just to say that a rewatch is so brilliant because we know more about them at this point than they do and the character arc is such a thing of beauty to see unfolding!

That last scene where Dean is in a thoughtful frame of mind, the sun is rising overhead ( as a metaphor for him seeing the light, maybe?)--that insanely gorgeous shot of Dean with the ring of fire and light and his absolutely perfect face in a close up…sigh.

Then he thanks Sam for pushing him to see this grey area and for the first time in that episode Sam finally smiles.

His big brother is back with him.

And then he commits to Dean too. Ah…how it warms my heart to hear this dialogue!

DEAN I wish we never took this job. It's jacked everything up.

SAM What do you mean?

DEAN Think about all the hunts we went on, Sammy, our whole lives.

SAM Okay.

DEAN What if we killed things that didn't deserve killing? You know? I mean, the way Dad raised us...

SAM Dean, after what happened to Mom, Dad did the best he could.

DEAN I know he did. But the man wasn't perfect. And the way he raised us, to hate those things; and man, I hate 'em. I do. When I killed that vampire at the mill I didn't even think about it; hell, I even enjoyed it.

SAM You didn't kill Lenore.

DEAN No, but every instinct told me to. I was gonna kill her. I was gonna kill 'em all.

SAM Yeah, Dean, but you didn't. And that's what matters.

DEAN Yeah. Well, 'cause you're a pain in my ass.

SAM Guess I might have to stick around to be a pain in the ass, then.

DEAN Thanks.

SAM Don't mention it.

Transcript here http://www.supernaturalwiki.com/index.php?title=2.03_Bloodlust_%28transcript%29

Guess Sam does stick around for the next 15 years to be a pain in the ass 😊

Some quotes from the writers about this episode:

· "The episode was really about what Dean would become if he didn't watch out: that Gordon was Dean in ten years if Sam didn't ask the difficult questions and keep him from getting too militant." - Executive story editor Sera Gamble

· "We set out to create a monster episode where you weren't entirely sure whether these monsters should be killed." - Eric Kripke

· "For me, the show is at its best when the supernatural story reveals something new about the brothers, or forces them to change in some way. Sam and Dean's realization that they've basically been raised as 'monster racists' was really meaty stuff. Exploring these characters' flaws is just as important as showcasing their heroism - these are the things that make them human, that make us invest in them." - Raelle Tucker

Check out this site for more amazing trivia and stuff

http://www.jonescave.com/supernatural/Episode/Episode.php?s=2&e=3#PopCulture

I have already finished watching the next episode ‘Children’s Shouldn’t play with Dead Things’….so let’s hope I get around to writing a review sometime soon !

#spn #spn review #spn meta #sam and dean #bloodlust #the epic love story of sam and dean #wincest #brother wives

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sunlightdances · 4 years ago

Text

Two Hearts on Fire

Title: Two Hearts on Fire Author: Katie @sunlightdances Pairing: Dean Winchester x Female Reader Prompt: “If you need my shoulder, or my hand, or a hug-” Rating/genre/warnings: PG-13. Mentions of alcohol, canon-typical violence, and swearing. Summary: 3 times Dean was there for you when you needed it + 1 time you were able to repay the favor. Disclaimer: I don’t own Supernatural or Dean Winchester. Please don’t repost my work on any other sites without my written permission! Reblogs are encouraged! Please, please, please reblog creators’ work if you like it. Likes are amazing and beautiful, but sharing your favorite work has such a big impact and really makes my day. Author’s Note: I reference the Reader’s military history only because I just rewatched Generation Kill and have First Recon on the brain. I’m aware that the Marines don’t allow women into that Battalion, but let’s just pretend they do.

Links to my full masterlist can be found on my blog!

One.

You’re in a bar, the kind your mother always told you to stay away from, but you’re a little drunk, a little reckless, and a lot sad.

You concentrate on the amber liquid swirling in the glass in front of you, the sounds of the jukebox in the corner as some old, sad country song plays, and the way the world is just a little fuzzy at the edges.

Someone sits down next to you.

Not too close, but close enough that you can smell the musky scent of his cologne, and something sharp and metallic underneath. He’s tall. Broad. He glances at you, double takes. You mentally roll your eyes, preparing yourself for the inevitable pick-up line, but it never comes.

He drinks slowly, like you are. He doesn’t say anything, just a few murmured words to the bartender when he wants another glass.

He doesn’t even look at you, really, until someone sits down on your other side. Too close. Wandering eyes. Your shoulders tense. You prepare yourself for the inevitable line - what’s a girl like you doing in a place like this, or some similar variation, but it doesn’t come.

Instead, a hand, low on your hip, a threatening voice in your ear.

“One wrong move and I’ll kill you and the girl my friend over there just met in front of this entire bar,” he says, and you struggle to keep your face neutral as you look across the bar, a girl who can’t be older than nineteen giggling as a man twice her age whispers to her, his eyes locked on you.

“What are you?” You ask conversationally, taking another sip of whiskey.

“Like you don’t know.”

“I’m not hunting you.” You tell him, and his grip on you falters. It’s the truth - you’re a hunter, but you’re not hunting. Not tonight, anyway. You would laugh if you weren’t in a potentially life threatening situation - it figures the one night you want to take a break and relax, you end up mixed up in someone else’s hunt.

“What the fuck are you talking about? We scented you outside--”

“She might not be hunting, but we are.” The man on the other side of you speaks up, and you glance at him sharply, wondering how much of this entire exchange he heard. He tilts his head in the direction of the door. Another man dressed similarly in plaid and jeans stands there, twirling a knife in his hands, eyes hard.

“What the hell is this,” the man at your back growls.

“You’ve been terrorizing this town long enough. Time for your friend and you to eat one.” The man says, gulping the last bit of his drink, before standing and facing the two of you.

Despite yourself, your pulse starts to race. This isn’t ideal - a threat at your back where you’re vulnerable, a girl who has no idea what she’s walked into across the bar, probably close to being dinner for the men you’ve figured out are werewolves.

“Seems like a lose-lose,” you say casually, making eye contact with the hunter in front of you, trying like hell to figure out his next move.

The air is tense, and almost as if you’ve practiced it before, a wink from the hunter is your cue to elbow your assailant in the ribs hard, stomping on his feet at the same time.

You duck, just in time for the hunter to sucker punch the wolf with a hard left hook, his grip loosening enough for you to get out of the way. The man across the bar growls loud enough for you to hear, and you only hesitate for a half second before you’re moving, him meeting you halfway.

The other patrons are scrambling, the bartender yelling, but you ignore it all, concentrating with all your might on subduing him enough to get yourself and this innocent girl out of the bar.

You dodge a few swipes, alarmed when you see his claws out, and you curse under your breath, your reflexes slowed by alcohol just a bit, enough to make you nervous. The fight closer to the bar continues, and just as you think you’re about to bite it, another hand grips your shoulder, shoving you aside in time for you to regain your footing.

The two werewolves fully engaged, you grab the young girl’s arm, her eyes wide and filled with tears. You drag her outside, ignoring the fight behind you as people spill out of the bar, the bartender yelling that he’s called the police.

“Listen to me. You need to get on a bus, and get the hell out of town. Don’t come back for a week or two, maybe longer.” You find your wallet, shoving a few bills in her hand. She just stares at you. “Do you understand? Go!”

She nods frantically, taking the money and turning before running down the street.

Sighing, you turn back towards the bar, cracking your knuckles. Before you can do anything else, the noise stops, and the door opens. The hunter who had been with you at the bar looks around quickly before his eyes land on you.

“You okay?” He asks, gruff.

“Fine.”

“They’re dead,” he says bluntly. “Knocked the bartender out long enough to get them outside. The police are on their way, though.”

You nod. “Need help with the bodies?”

He considers it, but shakes his head slowly. “We got this one.” He tilts his head, “You really weren’t after them?”

You grit your teeth. “It’s my night off.”

He stiffens. “We don’t get nights off.”

You roll your eyes. “Well, whatever. Thanks for your help, but I--” really, really don’t need this tonight, you think, but decide just to stop talking. “I have to go.”

When the other hunter comes out of the bar and stands there, tall and imposing, you realize who they are. And you definitely don’t need to get involved in whatever shit the Winchesters are dealing with these days.

“Good luck,” you say, waving a hand nonchalantly before heading out to your car, passing the infamous black Impala on your way. You’d laugh if you weren’t so depressed.

They’re still there watching you when you glance in your rearview as you drive away.

Two.

“Any day now, Claire,” you say through grit teeth as you shove all your body weight against the closed door at your back, trying like hell to keep this angry spirit out, though a voice in the back of your head tells you it could just give up and go right through the wall.

“Going as fast as I can!” The younger girl tells you, and finally, finally the lighter in her hand whooshes to life, the canvas in her other hand lighting quickly.

The lights flicker like mad as the spirit screams, and then it’s all quiet, and you slump against the door, nodding at Claire across from you. “Good job, kiddo.”

Footsteps on the stairs startle you, as does the doorknob rattling.

“Shit, not again,” Claire swears, and then the unmistakable voice of Dean Winchester is on the other side of the door.

“Claire, open up!”

“Oh, come on…” You groan, pulling away from the door so you can open it. Yanking the door open, you’re greeted with Dean’s surprised expression.

“Oh.”

“What are you doing here?!” Claire nearly wails, clearly upset. “I told Jody I had a partner for this one, I had it under control!”

Dean, to his credit, looks a little chagrined. “She just said--”

“That I need a babysitter?”

You look back and forth between them, really not wanting to get in between whatever pseudo-family drama is brewing here.

“I think that’s my cue,” you say quietly. “So I’m just gonna--”

“How come she doesn’t get yelled at?” Claire asks, and you’re suddenly reminded about how young she is.

Dean snorts. “Because she’s a grown ass woman, and Jody didn’t send us here to yell at her.” He looks over at you, a smirk barely repressed.

You roll your eyes. “I don’t really do family drama, so if you’ll excuse me--”

“Wait!” Claire calls, and when you turn around, she’s already there throwing her arms around your shoulders, hugging you close. You stiffen. You’re not used to this affection - the way the young hunter is still so full of life and enthusiasm… it’s the way you remember being a long, long time ago. “Thank you,” she whispers before letting you go.

Head down, you smile gently. “No problem, kiddo. Stay out of trouble.”

You shrug past Dean Winchester in the doorway, his impossibly imposing figure making it hard to get by without brushing against him a little, and you scowl when he grins at you. Antagonizing little shit, you think, but you’re smiling a little too.

He finds you later at the 24-hour diner down the street, like you suspected he would.

A cup of steaming coffee is set down in front of you, and then he’s there, like he’s been conjured out of thin air.

“Fancy meeting you here.”

You hum in agreement.

“You don’t say much, do you?” He asks, but it’s not tinged with annoyance or mocking like you’d expect.

“I don’t know you. What do you want, my life story?”

He shrugs. “Your name would be a start.” He winces at himself, “that sounded like a line. Not how I meant it.” He takes a sip of his own coffee. “Claire talks about you like you’re old friends.”

You meet his eyes. “She’s a good kid.”

He nods. “I know she is. Just gets in over her head sometimes.”

You’re both quiet for a second. You have purposefully isolated yourself from anyone else in the hunting community because you’ve had enough camaraderie to last a lifetime. It never left you with anything but a broken spirit. Why Dean Winchester thinks he’s going to change that, you have no idea, but you suppose you can’t fault him.

You’ve heard all about him - the most surprising thing (heard from Claire and from Jody) being the way he seems to adopt every single person he meets. Everyone becomes part of the family whether he wants them to or not.

You tell him your name.

He frowns. “Why do I know that name?”

You tense up again, and he looks at you dead in the eyes, really looks at you.

“You don’t have to tell me.”

“You’ll figure it out eventually,” you sigh. “I was in the Marines. First Recon. I was a medic, and it was a total shit show. When I came back, I wasn’t the same person. I couldn’t fathom working at an office or some other shitty job. I met a friend of a friend who had a connection to hunting. Really hush hush. I had the skills. They needed help. The end.”

He looks surprised, but he regains his composure quickly. “And the friends?”

Your hard stare meets his. “Gone.”

He doesn’t press you. Doesn’t ask you who they were or what happened, he just takes the information for what it is - a story a thousand hunters have about a hunt gone wrong and an accident. No one’s fault, except you had your share of not-your-fault incidents in Iraq that still led to your friends dying. You were tired of it.

“Well. If you ever need any help or get in a pinch, we’re happy to help.” He says.

You know you won’t take him up on it. By the cautious look in his eyes, you think he knows that too. Still, it’s the thought that counts.

After he leaves, a waitress slides a slice of pie in front of you.

Confused, you look up, “I didn’t order this.”

“Your friend did.” She says, winking.

Dean Winchester, you think, the exact sort of friend I don’t need.

Three.

You’re pretty sure this is it.

There’s a blade at your throat, and the only reason you aren’t already dead is because the fucking vampires can’t stop arguing with each other.

You wonder if you’ll see your guys again in heaven, if that’s where you end up. Judging by the amount of civilian death you saw in Iraq, you’re not so sure. You picture the men you couldn’t save, the blood that you swear still stains your hands, and think that it’ll be nice to see them again. If only so you can properly repent.

You wonder if your hunter friends will be there too.

You’re distracted from your admittedly morbid thoughts by a knock on the door. It’s loud.

The vampires stop.

“Who is knocking?”

The other one literally shrugs. You roll your eyes. Is this a buddy comedy or a hunt?

One vamp tiptoes close to the door, and before they can do anything, the door flies open, splinters raining down, and the vamp is nailed in the face with the door, falling to the floor unconscious.

“Sorry to barge in,” Dean says. “You’ve got something I want.”

You snort, and have to laugh when you can see Sam Winchester over Dean’s shoulder rolling his eyes.

“What is this, SVU?”

“A little gratitude would be nice.” Dean says, frowning.

The vamp still holding a blade to your throat makes a choked noise. “Excuse me?!”

Dean’s eyes flick to his. The green in his eyes goes from warm to icy in a second. “Sorry, am I keeping you from something?”

“One more step and the girl dies.”

Sam steps into the room and smiles sunnily at you. “I feel like we’ve done this before.”

“Seems familiar, yeah.” You reply.

“Enough!” The blade digs into your throat.

The bickering and bantering has given you more than enough time to saw through the bindings on your wrist, but you’re in no hurry to give away the game. You feel a trickle of blood run down your neck and see Dean’s eyes narrow in on the spot. You just hope he keeps his cool long enough for you to work your way out of this.

“Let her go.” Sam says coolly.

“I don’t think so. Just to get my head chopped off?”

“Seems like a you problem.” Dean says.

“Boys, it’s been fun. But I have to go.” You say, seconds before you rear back, headbutting the vamp behind you. He drops the knife, sending it clattering to the ground, and you’re out of your seat to throw a hard right hook before he can react.

Sam and Dean react quickly, brandishing machetes and taking care of business while you check the other rooms in the house to make sure you’re alone.

Meeting back in the kitchen, you’re already recovering your bag that was taken from you and digging through it for your aid kit.

“How’d you do that?” Sam asks quietly. His eyes stray down to your neck as you wince, pressing a pad of gauze to your wound. “Get out of the ropes, I mean.”

You take out a long bandage, winding it around your neck. Without prompting, Sam steps closer and takes the loose end, helping you tuck it in where you can’t see.

“Thanks,” you say, distracted. “I keep a knife taped to my forearm,” you say. “Took forever to get it loose, but they didn’t check before they tied me up.”

Sam nods. Dean walks in a second later, eyes narrowing at the point where you and Sam are touching. You’d roll your eyes if you weren’t trying to make sure you don’t bleed to death.

“Need stitches?” His voice is gruff.

You shake your head. “No. Should be fine. Just a graze.”

He nods.

“How’d you know I was here?”

“Jody called. Said you were supposed to meet up and you never showed. Tracked you down from there.”

Digging through your bag one more time, you find your phone. “Feels like this is beginning to be a habit. You might as well put your numbers in.”

Dean looks like he wants to make a smart remark, but he doesn’t. You’re grateful. “Are you good?” He asks, eyes on your neck again.

“I’ll be fine.”

“Don’t get all emotional or anything.” He teases, and you roll your eyes yet again.

“Asshole.” You murmur, but there’s no heat behind it. “I have to go.”

They give you a ride back to the rest stop where the vamps ambushed you. You’re so tired you wonder if you shouldn’t take them up on the offer to keep you company, but then the faces of all the friends you’ve lost swim in front of you, and you remember why you can’t get close to them.

The Winchesters are too much trouble, even for you.

You keep dreaming that your phone is ringing.

You wake up to someone pounding on your door, your heart racing, and you grip your gun tight as you make your way to the door.

“Open up!” A gruff voice demands, and your shoulders slump.

“Christ,” you mutter. Opening the door, you’re greeted with a pale and shaken Dean, Sam’s arm slung over his shoulder. “What the fuck happened?”

“Stabbed,” he says in a rush. “I didn’t know where else to go.”

“Get him inside and on the bed.” You say quickly, darting to the bathroom to dig out the med kit you keep fully stocked but luckily haven’t had to use since Iraq.

Back in your bedroom, Sam is groaning, and Dean is muttering platitudes.

“Sam? Sam, hey.” You say, hovering over him. “Look at me, Sam.” He meets your eyes. Luckily his pupils are both the same size, and you smile at him. “There you are. Hi, Sam. You’re going to be okay.”

Dean hovers, and you try to ignore the feeling of his eyes on you as you work.

“I’ve got to get the shirt off,” you tell Sam. “Don’t read anything into it.”

He smiles despite the pain he’s clearly in.

“Sam, can you breathe okay?”

He doesn’t answer. He’s writhing a little, and you force yourself to concentrate.

“Sam,” you repeat, more forcefully, trying to get his focus. “Can you breathe?”

“Yeah, I can breathe. Jesus Christ.”

“Good, that’s good. You’re going to be okay, Sam.”

The wound isn’t too deep. Missed anything important. You relay the information to Dean, who settles a little, perched on the side of the bed as you begin cleaning Sam up.

“Stop squirming,” you chide softly. “Dean, grab his hand or something. He needs to stop moving so I can stitch him.”

The process of cleaning him up and getting him stitched is almost robotic. You can’t count how many times you’ve had to do this in the Marines. You just pray that this time ends better than some of the others.

“Sam, can you squeeze my hand?” You ask, stopping what you’re doing and reaching for the hand that’s not currently being held by Dean. He squeezes tightly. “There you go,” You soothe. “Gonna have a scar, Sammy. I’ve been told women like that sort of thing.”

“Shut up,” he mutters, but he’s smiling when you look up. “Fuck, that hurts.”

“Sorry,” you say, pulling the last stitch and tying it off as quickly as you can. “You have to stay put for a while, okay?”

“I was going to run a marathon.” He deadpans.

You chuckle and meet Dean’s eyes. He’s not smiling, not even a hint of his lips twitching, and you start to panic that he might be hurt too before he lets go of Sam’s hand and heads towards your kitchen.

Finishing up with Sam, you tell him to rest and that you’ll check on him in a few minutes. He squeezes your hand again, and then you head to check on his brother.

A glass clinking draws your attention to the kitchen table. Dean’s found your whiskey stash.

“Dean?”

He looks up. “Sorry for barging in here like this.”

You shake your head. “Don’t be.” Sitting across from him, you watch him carefully. “He’s going to be okay.”

Dean takes a deep breath. “I panicked. I’ve stitched him a million times, but he was bleeding so much-- I didn’t know what else to do.”

“That’s okay, Dean.” A beat, and then you add, ““If you need my shoulder, or my hand, or a hug-”

He lets out a watery laugh. “Shut up.”

You grin, plucking the glass from his hand and taking a sip.

“You don’t do hugs.” He adds.

You shrug. “I don’t know. I might, for you.”

His eyes are dark when they meet yours. “I’m really glad I met you,” he says softly.

It sounds crazy, but you think you can literally feel some of the darkness that’s hovered over you for years starting to clear. “I’m glad I met you too.” You reply, just as quiet, the two of you sharing the same glass of whiskey until it’s gone.

Maybe this is how you find your peace. Maybe you let these two guys in, let them be there for you in a way you’ve rarely let other people.

Maybe there’s something more here than just you watching your own back at every turn.

Later, when the two of you are squeezed onto your bed on either side of Sam, trying to catch a few hours of sleep while keeping an eye on him, you meet Dean’s eyes again. Wordlessly, his hand reaches for yours and gives it a squeeze.

You don’t let go, and neither does he.

You finally fall asleep, your heart already feeling lighter.

For the first time in almost a decade, you have no nightmares.

#dean winchester x reader #dean x reader #spn reader insert fic #3+1 fic

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luxshine · 4 years ago

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The Great Supernatural Rewatch - Devil’s Trap

I started writing this Supernatural Rewatch way back when I finished season 9, due to the constant arguments about how Sam was a perfect Saint while Dean was an abusive controlling brother, versus Sam as a horrible hypocritical monster who was a thorn on Saint Dean’s side. And while I do admit I have a bias for Dean, I wanted to know if my position was based on fact and numbers, or if I was just being blinded by the fact that Jensen acted Dean a lot more empathic than Jared acted Sam.

There was also my wish to point out how many times Sam has made non-apologies because man, he is a master at those.

At some point I lost the free time I had to rewatch and tally the episodes, and the series kept going and… it ended. And it ended with such a… controversial final three episodes, that I ended back in the fandom. And at first I thought, ok, I can finish this meta with Season 1, call it a good sample for the brother’s relationship, and that’s it.

I am not sure that’s a good point to end. I kind of want to keep going and while I don’t know WHEN I will finish it (Seriously, 15 seasons are A LOT people), at least I know that as long as there’s interest (and I mostly mean MY interest, to be fair… I don’t want to give you all false hopes), I will keep going.

Because MAN, it’s amazing how the writers managed to write a semi-coherent series when they kept forgetting continuiy from one episode to the next.

So without more ado, let’s dig into Devil’s Trap and finish the first Season of Supernatural, back when everyone were babies.

General stuff

Do you have any idea how weird it is to see a The Road so Far in the last episode of the season WITHOUT Carry On my Wayward Son? Because it is and now I have the theory that they didn’t plan at all for it to become the unofficial theme of the series despite the fact that, in hindsight, the lyrics represent the boys perfectly. Except for the whole “peace when you are done” thing that was done so badly. AHEM.

In any case, this time “The Road so Far” is literally “last episode edited in a weird way to make it look as if it had been a season wide arc and just in case a week was enough for you to forget everything that happened”. I checked. There are no scenes from any other episode. So with the already established idea that we’re getting a season-wide summary, now it seems as if John had been with them since the beginning.

And now I do wonder if certain parts of the fandom only remember said Roads so Far because it would explain some things.

Anyway, we start where we left off: Sam furious at Dean because his brother didn’t let him do a kamikaze run into a house on fire, and Dean calling his father’s phone to get the call answered by a very angry Meg.

And here? Oh boy, we start with a lot of baggage for just a minute or so of story. Literally. Because the SECOND Dean realizes that the demons have their dad, he goes into strategy mood. Yes, Dean, the brother the writers insist is the dumb muscle, the one who can’t lead, the one who only knows how to follow orders. It is really frustrating to hear those lines parroted when we have this dialogue:

Dean: They’ve got Dad.

Sam: Meg? What’d she say?

Dean: I just told you, Sammy. Okay. Okay.

Dean takes the Colt and tucks it into the back of his jeans.

Sam: What are you doing, Dean?

Dean : We got to go.

Sam: Why?

Dean: Because the demon knows we’re in Salvation, all right. It knows we got the Colt. It’s got Dad – it’s probably coming for us next.

Sam: Good. We’ve still got three bullets left. Let it come.

Dean: Listen, tough guy, we’re not ready, okay? We don’t know how many of them are out there. Now, we’re no good to anybody dead. We’re leaving.... now!

I am not counting this as Dean forcing Sam to do something because it’s a logical thing to do, btw. If roles were reversed, it wouldn’t be Sam forcing Dean to do something.

Anyway, just to be impressed: While Sam, the “logical” brother who left hunting because he thought getting revenge over his dead mother was stupid (remember the Pilot? The writers don’t! ) is ready to kill himself in a western showdown with the demon as “they still have three bullets” while Dean is already making a plan. It’s not a very good plan as far as we know as it’s basically “We’ve got to run as we have no idea what’s coming”, but it’s better than “let’s stay and hope it’s only three demons”.

And the timing is also interesting: Dean has, so far, been willing to listen to Sam’s ideas in every episode. Most of the time, as we’ve seen, has let Sam plan the things. Same with John. Second John arrives, Dean takes a backseat and lets them work out the details. HOWEVER, the instant his family is in REAL danger of dying, when it’s obvious that their plans were the ones who got them there and Dean is about to lose the only people in the world he thinks give a crap about him? (Because we’ve established that Dean cares a lot about other people, and other people care for Dean even if he doesn’t believe it, even in season 1), then he’s not going to stand for their foolishness and rashness. Then it’s time to put everything he has learned (and later, much later, we’ll learn that hunting alone Dean ended up being better than his father), and make sure everyone gets out alive.

And Sam is not going to stand for that.

Well, he is, since next scene they’re driving out of dodge on the Impala, but Sam is giving us Bitchface #1 (It wasn’t that present back in season 1, it wasn’t until later when it would become Sam’s stereotypical response to anything he disliked), and he insist that they could’ve taken the Demons and that it’s most probable that John is dead.

Once again, we see the contrast between the brothers, and it’s a weird mirror to the conflict through the whole series that in theory shouldn’t work, because it is literally contradicting everything the narrative has told us about Dean and Sam for 21 episodes, but it works thanks to Jensen and Jared’s acting. I know in other meta I’ve been critical of Jared’s acting in future seasons, but here? He’s top notch.

Because we have Sam insisting that they have to keep going, try to kill the demon and “finish the job” because “it’s what Dad would’ve wanted” (Which is, except for the past tense, exactly what Dean told Sam back in Wendigo), while Dean literally says “Screw the job” and “We can’t do this alone, we need help.”

And it can’t be considered “Character growth” because for Sam it would be going backwards, and for Dean… well, it would be if it wasn’t because through the whole series he has been more interested in saving people, which is exactly what he is doing here. Finding a way to save their dad, no matter what, and revenge can take a back seat.

We also keep seeing how fast thinking he is, as at this point he already has a plan to exchange the Colt for their father, even if Sam thinks the demons have already killed John, and figure out their location by going to Lincon first.

But when Sam points out the demons may not have left any signs or clues, Dean, whom I may remind you has been painted by the script and writers as the controlling older brother who manipulates Sam and forces him to hunt, listens to Sam and agrees. They need help.

And here we get introduced to one of the mainstays of the series until season 7: Singer Auto Salvage, and Bobby Singer, Jim Beaver himself.

I could write at least other 10,000 words on why Bobby is SO important to the Supernatural Mythos, a figure akin to Joe Dawson in Highlander, to Giles in Buffy, and probably the one character that 90% of the fandom loves even if he had a couple of missteps in seasons 4 and 6. But right now is not the time to do so.

So we meet Bobby, who is immediately presented to us as a sort of opposite of Missouri, speaking about old friends of the family who are into hunting. Because Missouri obviously only tolerated Dean, and was still in good terms with John, while Bobby is introduced to us by offering Dean a drink, automatically putting him on Dean’s side, so to speak, and his relationship with John was… well, weird.

Dean: Bobby, thanks. Thanks for everything. To tell you the truth, I wasn’t sure we should come.

Bobby: Nonsense. Your Daddy needs help.

Dean: Well, yeah, but last time we saw you, I mean, you did threaten to blast him full of buckshot. Cocked the shotgun and everything.

Bobby: Yeah, well, what can I say? John just has that effect on people.

And truer words were never said in Supernatural Season 1. Because even if the worst of John was yet to come, about half the fandom was already agreeing with Bobby at this time.

We never find out, at least not in the series’ canon (I’ve written about what is canon, what is secondary canon), why Bobby and John had this particular conflict. Later on, fandom has decided that it was something to do with Bobby absolutely disagreeing on how John raised his kids, and to be fair, it’s the most probable reason given how much Bobby loves the Winchester’s boys and how little time he has later on to say good things about John. But here? It seems he still has some love to lose for the Winchester patriarch. Or so much for the brothers that he’s willing to forgive and forget.

Also, in what I think is another great example of old Supernatural establishing shots, we get how AMAZING Bobby is as a hunter. I mean, yes, in the future Dean and Sam will be legends, but Bobby Singer? Bobby Singer was THE Hunter. Not only his house is full with books full of lore that the guys had NEVER seen (Books that we can assume not even the Men of Letters had, given how… lackluster the Men of Letters were in the past, as we learn in season 8), but also, given that we have literally no time between Sam looking at the Key of Solomon and Meg coming bursting in, and by then Dean and Bobby ALREADY had the plan to catch her, AND the Devil Trap we see is not painted but BURNT into the ceiling? It means that Bobby HAD that Devil Trap before the brother’s came in.

It means that either he already had it despite the fact that he knew of no more than 5 demon possessions a year, except for the last one when they spiked, or the SECOND he heard that two of John Winchester’s old contacts were killed, probably by a demon? He had his house protected ENOUGH so that he could trap and interrogate a Demon should any come knocking.

Seriously, Boy Scouts have NOTHING on Bobby Singer, Hunter Extraordinaire.

And of course, that’s why he had to be fighting with John. Because if he hadn’t then we’d be questioning why the hell the brothers didn’t go to him earlier in the series as seriously, this man is amazing.

Ahem. Sorry. I get very vocal about Bobby Singer, especially early seasons Bobby Singer.

In any case, Meg comes bursting in, and while she ignores Dean at first, by telekinetically throwing him towards some books, and threatens Sam asking for the Gun, this is all part of the Brother’s plan to lure her under the Devil’s Trap.

Which, btw, is a bit weird also because I already established how we know that the trap HAD to be there BEFORE the brothers came in, but Sam seemed to be JUST finding out about it when he saw the book so either he didn’t pay attention to the plan and just stumbled into doing his part by accident (Which once again make us wonder why the writers keep doing this thing where Sam looks as uninterested in anything not related to him), or the only reason for him to ask if the circles work while READING THE BOOK instead of looking up or being, I dunno, finishing painting the trap itself, is… kinda bad writing.

I swear, I love Supernatural, but when I start picking at it, it unravels like one of my knitting projects.

And NOW we get the title card and I am in page five of this Meta so we know this is going to be long and painful.

With Meg trapped and tied, Dean goes right into interrogating her to figure out where they are keeping John. At first, he’s calm and collected, but then Meg touches a very, very sore point for Dean.

Dean: Where’s our father, Meg?

Meg: You didn’t ask very nice.

Dean: Where’s our father, bitch?

Meg: Jeez. You kiss your mother with that mouth? Oh wait, I forgot, you don’t.

And then, and only THEN, Dean hits her.

Which is really interesting, as Meg is the second person in the show to weaponize Mary’s memory against Dean… and the first was SAM.

Now. This is not to say that Sam is as bad as a demon –although this episode in particular ends up with a lot of parallels on how Dean’s family doesn’t treat him as nicely as some demons do- but as a very interesting parallel that the writers either tried to make or stumbled on by accident by squaring Sam DIRECTLY with the Hell side in the narrative, and thus, opening the door to Sam trying to be better, trying not to be a demon. Or at least they would if Sam had any reaction to that that wasn’t “Oh, I am confused”.

Sigh, writers. You had such a nice raw material to make a more interesting story arc for Sam than the usual Chosen One trip and you totally wasted it.

In any case, as Dean gets a bit more vicious with Meg and claims she’s not a girl, Bobby finally interferes and gives us THE line that will bring the fandom a TON of headaches later regarding meatsuits, vessels, consent and metaphors for sexual abuse that sometimes ARE metaphors for sexual abuse and sometimes aren’t because the writers weren’t thinking.

Bobby: Dean, you got to be careful with her. Don’t hurt her.

Dean: Why?

Bobby: Because she really is a girl, that’s why.

Sam: What are you talking about?

Bobby: She’s possessed. That’s a human possessed by a demon. Can’t you tell?

Now. This brings us TWO problems. One that is the aforementioned ton of headaches because no one in fandom agrees as to WHAT the writers were trying to portray with demon possessions and that in season 3 ended up with the heroes of the story becoming literal serial killers because they stopped caring for the humans being possessed because… well, reasons, I guess. But that is a continuous issue that we will discuss every time it changes so it’s not the one I want to talk about.

The SECOND problem is that Bobby IMPLIES that there are demons walking around that DON’T possess people. Because “that’s a human possessed by a demon” alone could be just establishing the rules of the world, and that’s ok since this is only the second time we have a demon standing next to the Winchesters (I still miss bungee jumping demon), but the next question “Can’t you tell?” is… problematic to say the least.

Because if he was trying to remind them that all demons on earth are possessing humans, as it will be in the future, Bobby SHOULD have said “Remember?” or “Didn’t your Dad teach you anything?” or something like that. But he says “CAN’T YOU TELL?”. Which implies a) there are demons who don’t need to possess people to walk on earth, and b) that they’re hard to distinguish from normal humans but not impossible to, as Bobby CAN tell.

And we NEVER, EVER mention that again, which is a thorn on my side as the whole meat suit/vessel thing introduced a lot of issues in the narrative by season 4 and here they had the solution to it all: To have SOME Demons and Angels possess people, and OTHERs, in particular the ones they wanted to redeem or keep in the good side, NOT need that.

But again, that’s for the future and for now, I will just tally it as a frigging dropped plot point that was about both brothers.

This is also the first time in the series where we see Dean hit a human-looking woman and the anger and rawness of the moment shocks even Sam. It’s quite noticeable, the way he and Bobby look at Dean as he is ready to keep hitting Meg, but also because it takes Meg mentioning their mother Mary to make him cross that line.

Yep, even this early on we know that you do not use Mary as an emotional weapon against Dean Winchester.

In any case, Dean takes this to be good news and immediately changes his plans, because again, the “dumb muscle” is the one who gets all the strategy.

They start exorcising Meg, trying to make her confess where the demons have John. This is a very raw scene, that puts Dean as the interrogator while Sam reads the exorcism stopping only to allow Dean to ask questions. The only time Sam interrupts is when he asks about Azazael despite Dean not caring about him at the time, and when Bobby points out that, should they exorcise the demon, they’re literally killing the girl inside as she would not have survived her fall in Shadow.

And boy, this is again a scene that could’ve been considered foreshadowing if I really believed in the “five year plan” myth because at some point, as Meg insist John was dead, Dean utters this chilling threat:

Dean: For your sake, I hope you’re lying. Cause if it’s true, I swear to God, I will march into hell myself and I will slaughter each and every one of you evil sons of bitches, so help me God!

The way Jensen delivered the line? If I had been Meg, I’d consider telling my bosses to change our plans about the Seals because it is clear he means it. Had they found John dead? No demon would’ve been spared Dean Winchester’s wrath.

I have to also give the proper credit to Nicki Aycox, Meg V 1.0. I know the fandom adores Rachel Miner, and don’t get me wrong, I do too, but Nicki made me not only fear Meg as an adversary, she also made Meg “Meg” in this scene. She is evil, manipulative and self serving. She holds out as long as she can, and then tries to play the heartstrings of the brothers, just to stay topside. She is magnificent, and as much as I love Rachel, I do wonder what would’ve been if Nicki had been called to reprise her role.

Once Dean is satisfied that he has the truth, he tells Sam to finish the exorcism, but Sam wants to keep the demon trapped to interrogate her about Yellow Eyes. It’s here when Bobby mentions that the girl, the human girl, is only alive thanks to the demon, and thus the exorcism would kill her, and here we get again to how moral Dean Winchester is, and how complicated as a hero he is to the audience.

Bobby: You said she fell from a building. That girl’s body is broken. The only thing keeping her alive is that demon inside. You exorcise it – that girl is going to die.

Dean: Listen to me, both of you, we are not gonna leave her like that.

Bobby: She is a human being.

Dean: And we’re gonna put her out of her misery. Sam, finish it.

This is, after all, an early version of “At least he dies human”. But I need to point out that he is the only one that sees what is going on with Meg (the human) as torture, as misery. Bobby and Sam, who, ironically, will be the ones in this group to know what it is to be possessed by a Demon while Dean WILL become a demon, but not be possessed by one, and won’t be possessed by an angel until season 13, 12 years up the line, seem to think that human Meg would be ok being trapped in her own body as long as she’s alive, while Dean sees what it’s going on as a horrible fate.

And human Meg agrees, because she survives the exorcism and her first words to the brothers, as she’s dying, are “Thank you”.

Once again, Nicki Aycox gives us an amazing portrayal: We know Meg is dying, we know she won’t survive enough for 911 to get there, but she is determined to give one last fuck you to the demon who did it to her. She doesn’t blame the Winchesters, instead, she wants to help. She tells them she was possessed for a year (And anyone paying attention knows that means she was possessed probably as soon as Jess died and because she looked like Sam’s type), that John is alive, and that it’s a trap.

Sam, who had been against this from the beginning, still insists on asking for yellow eyes, but Meg doesn’t know about that. She can only tell them “By the River, Sunrise” about John, and dies, while Dean looks obviously guilty and conflicted despite the fact that Meg died thanking them for her freedom.

And I pause here to give a standing ovation, to Jensen, Nicki and Kim Manners, who directed the episode and gave us such a chilling scene even if he didn’t know at the time it would help to foreshadow a LOT for the future of the show.

Once Meg is dead, Bobby sends the brothers to save John and offers to be their safe house once they do by pointing that they can bring him there, and “he won’t even try to shoot him”, which again, says tons about Bobby’s relationship to the Winchesters, and how well Jim Beaver constructed him since right then and there we know that the brothers are no longer alone. That they can come back and plan properly to get Azazael out of the game, once they save John.

Once they get to the location given by Meg and, well, human Meg, Dean starts getting ready while Sam –who until now has been quite passive in the planning- checks the Key of Salomon, loaned by Bobby and starts painting two devil traps into the trunk. This brings a very annoyed yell from Dean and the following exchange:

Dean: Dude, what are you drawing on my car!

Sam: It’s called a Devil’s trap. Demons can’t get through it or inside it.

Dean: So?

Sam: It basically turns the trunk into a lockbox.

Dean: So?

Which brings us to two very interesting things.

First, the writers REALLY need to decide who is giving exposition when, as not ten minutes ago, Sam WAS with Dean when Bobby explained the Devil Traps, AND when Bobby and Dean trapped Meg in one of them. The fact that Sam repeats this here? Makes it look as if he doesn’t trust his brother to remember that information. He didn’t need to explain to DEAN that Demons can’t get through the Trap, he needed to tell it to the audience, but the way they made it, it looks as if Sam thinks Dean is a moron.

Second: This is the FIRST time we see Dean obsessed with Baby’s well being. She’s still not called Baby, she’s still “My Car”, but it’s very interesting to see how it happens in an episode where they’re saving John when the LAST time they met with John, the thing John did to “let steam” out after arguing with Sam was to reproach Dean for how he was taking care of the Impala.

Little things that I doubt the writers, in this case the very same Eric Kripke who insisted on not keeping track of what he wrote by not having a series ‘ Bible, ever remembered but that constructed a very complex character in Dean.

My question here is, since it’s the first time we see Dean’s obsession with Baby is… Is he mad that Sam drew on her without permission? Or is he mad that he drew on her at all? WHAT was the aim for that moment from Kirpke, besides getting a start on the following argument? Why did we have to see that Sam doesn’t really considers the Impala “Dean’s car”, as much as “their car”, even if he hadn’t been around for years? Why do we have to know that Sam, in the end, doesn’t respect what Dean considers his own property, the same way he doesn’t respect Dean’s boundaries?

Mind you, this is season 1. We still haven’t gotten to the REAL conflicts between Sam and Dean, and yet we have this tiny moments where the text may be saying that Dean is the “controlling” one, but the images and the narrative show a very different take.

Which bring us to the REAL argument, which is, unfortunately, not about Dean’s boundaries but once again reveals a LOT of what will be the conflict in the future (Even if it was accidental)

Sam: So, we have a place to hide the Colt while we go get Dad.

Dean: What are you talking about? We’re bringing the Colt with us.

Sam: We can’t, Dean. We’ve only got three bullets left. We can’t just use them on any demon, we’ve got to use them on the demon.

Dean: No, we have to save Dad, Sam, okay? We’re gonna need all the help we can get.

Sam: Dean, you know how pissed Dad would be if we used all the bullets? Dean, he wouldn’t want us to bring the gun.

Dean: I don’t care, Sam. I don’t care what Dad wants, okay? And since when do you care what Dad wants?

Sam: We want to kill this demon. You used to want that, too. Hell, I mean, you’re the one who came and got me at school! You’re the one who dragged me back into this, Dean. I’m just trying to finish it!

Dean: Well, you and Dad are a lot more alike than I thought, you know that? You both can’t wait to sacrifice yourself for this thing. But you know what? I’m gonna be the one to bury you. You’re selfish, you know that? You don’t care about anything but revenge.

Sam: That’s not true, Dean. (Dean scoffs) I want Dad back. But they are expecting us to bring this gun. They get the gun, they will kill us all. That Colt is our only leverage and you know it, Dean. We can not bring that gun. We can’t.

Dean: Fine.

Sam: I’m serious, Dean.

Dean: I said fine, Sam.

So, once again, we see the priorities of each brother are very clear. Despite Dean having lived all his life under John’s rules, in theory looking for the demon, he really doesn’t care for revenge as much. And we, as an audience, have know that since Wendigo. Sure, he will get mad if you mention Mary, especially if you do so in anger, but he doesn’t care about REVENGE. His idea is “Saving people”, making sure no one else suffers as he did. Sam, however? Doesn’t see it that way. He, despite having known Dean for longer than the audience, seems to have forgotten all the times Dean not only said that saving lives was far more important than hunting the demon (usually in fights with Sam) but also, that Dean HAS been trying to give him outs from the hunting life at least for three episodes now (Which, depending on how the timeline works, could be between four and two months).

Sam, despite it all, doesn't know his brother, doesn’t care to know his brother, and is very eager to blame Dean for what was, in the end, Sam’s own choice. He forgets that Dean only asked him for help in ONE hunt, and that the rest were chosen by Sam as he wanted to avenge Jess.

It’s only when Dean lays out clearly that what he wants is his family safe, that he doesn’t want to lose them to the demon as he lost Mary (something that Sam would know if he had listened to half of what Dean said to stop him from going into the fire in the last episode, but I digress), when Sam finally brings out some logic to his argument, and shows the makings of a plan: The demons expect them, and expect them to have the gun, so it’s obviously a trap. It’s only then when Dean, not quite convinced, agrees and leaves the Gun, even as Sam seems to want to keep arguing even after he won.

Once again, funny how we’re told Sam is the one “Forced” by Dean to do things, when Dean capitulates more often than not, isn’t it?

(Yes, I know that Dean DID end up taking the gun, so, in case you’re wondering, no, I am not tallying this as Sam forcing Dean to do something, but it IS important to notice WHEN Dean capitulated, even if it was just an act)

The brothers leave baby behind and start walking through the city, until Dean spots a building named Sunrise, putting together the description demon Meg gave them and the last clue human Meg said. Sam points out this puts them at a disadvantage, since the demons know how they look while anyone inside could be a demon and they have no way of knowing who (I mean, it’s not as if there was a word they could say to figure it out, right? This is exactly what I mean when I say that the series needed a series bible from day one. How could they forget “Christo” in less than 12 episodes?) so Dean figures out a quick plan: they will pull the fire alarm, get the civilians out, and then sneak in while the firefighters are figuring out what’s going on.

Which brings us back to “Dean makes the plans, but Sam is the SMART brother”. Sigh.

The plan goes without a hitch, with the extra step of Dean pretending to live there to distract a fireman while Sam steals two uniforms. I love that scene, because Dean’s act as a worried owner for his dog –despite my long held, but debunked headcanon that Dean is more of a cat person- is perfect.

As the brothers get inside the building, we get another tidbit of Dean’s backstory that has been completely forgotten by writers and fans alike, at least in fan fic, that I need to point out because it goes again to show how little Sam cared to get to know his brother, despite “the brotherly bond” being the high selling point of the series:

Dean: I always wanted to be a fireman when I grew up.

Sam: You never told me that.

And boy, there’s a lot to unpack here and we’re already in page 13 of this thing in word. I swear, this series makes me want to unravel every little thread.

First of, the fact that Dean specifically WANTED to be a fireman is quite telling: After all, firemen were the ones who saved the Winchester’s house, if not the Winchesters themselves, when Mary died. It’s not an admiration born out of being taken out of the burning house –we know Dean was already on his way out with Sammy and John did the extra steps of carrying them both before the house exploded- but it’s still a very interesting thing that, had he not been a hunter, he’d be fighting the OTHER thing that killed his mother. A job that is literally “Saving people”. (and as an aside, I really wonder why the hell whenever people write Dean in AUs where he’s not a hunter, more often than not he’s a Mechanic while Firefighter Dean is quite rare)

Second, Sam’s claim that Dean “never told him that”. I don’t if you’ve been around kids, but once they choose “what they want to be when they grow up” they DON’T SHUT UP about it. Be it something realistic, like Veterinary or Astronaut, or yes, Firefighter, or something completely fantastic like Dinosaur tamer, or Unicorn breeder? Kids will TELL you about it. And everyone who cares to listen or not to listen. So either Sam simply forgot all the times Dean expressed admiration for Firefighters, or even wanting to be one or saying “if we weren’t hunters, I’d totally go to Firefighter training”, which doesn’t say much about Sam’s interest in his brother, or Dean simply never expressed said desire out loud because he knew, even when he was 7, that he’d never get to be anything but his father’s soldier, and just ignored the fact that maybe hunting was not his life.

And I don’t know which one is more depressing, to be honest.

We don’t get Dean’s reply to Sam’s claim however, as his amazing homemade EMF reads high activity.

I have to admit, seeing the brothers so young, so ignorant of what’s going on, and still having a perfect plan to fight whatever it is that they need to fight? It reminds me of why I kept watching the series despite my distaste for “chosen one” narratives. I mean, let’s break it down since we’re already way past the “too long” limit: They covered their faces, so they can win a couple of seconds against the demons, despite knowing the demons would fight any human no matter what. They use the door of the apartment as a first shield so they can use the water tanks that come WITH their disguises, filled with holy water and use that to disorient the demons, far stronger than them, to lock them in a closet and then line the closet with salt so that the demons can’t get out.

Two demons down, no causalities.

Dean gets into the room where the demons kept John, tied to a bed, and confirms that he’s breathing. Before he can free John, Sam stops him to remind him that John could be possessed and, just to make sure, throws holy water at their dad, who doesn’t starts smoking immediately, so they continue their plan to free him, sure that it’s John –who is completely out of it. Sort of awake, yes, but so full of drugs that he’s basically dead weight.

Outside, demons possess a man and a firefighter to go and chase the brothers, who manage to escape through the fire escape (The demonic possession, btw, is a lot more discrete and less dramatic than when the bungee jumping demon did it, which will come into play in a few minutes). Outside, as Sam is checking how to run away, he’s attacked by the same demon that shot Meg, who starts hitting him so hard that Sam can’t defend himself, and force-throws Dean away –after Dean left John sitting next to the building, alone and unprotected.

But before he can make Sam into a pulp, he’s shot in the head and dies. The camera pans to a grave looking Dean, holding the Colt.

This whole sequence is shot and directed beautifully, so please, another minute of silence to the memory of Kim Manners, the best damn director Supernatural ever had.

Next we know, the brothers are holed up in a cabin in the woods, and Sam is salting the windows. WHY didn’t they go directly to Bobby? Well, Sam asks if they could’ve been followed, and Dean replies he doesn’t think so, so I believe it’s implied they didn’t want to put Bobby in more danger, but let’s be honest, it’s because at Bobby’s house with the Devil Trap and all, the following scene would be impossible.

And here’s where the pain starts.

Sam thanks Dean for saving his life, not realizing that Dean is being haunted by that action. At that point, Dean, who later will be known as “emotional repressed” by most of the fandom, writers, and people involved in the show, opens up immediately about the problem:

Dean: You know that guy I shot? There was a person in there.

Sam: You didn’t have a choice, Dean.

Dean: Yeah, I know, that’s not what bothers me.

Sam: Then what does?

Dean: Killing that guy, killing Meg. I didn’t hesitate, I didn’t even flinch. For you or Dad, the things I’m willing to do or kill, it’s just, uh .... it scares me sometimes.

What Dean doesn’t say, but that we can see in Jensen’s acting, is that what he did was kill an innocent (Well, two in his mind, although he didn’t kill Meg AND the human Meg thanked him for letting her die human, but Dean is not seeing that difference and Sam is not going to point it out). For Sam and John, not for Revenge, Dean is willing to break his own ethos. And this is important to point out, because it will be the main conflict and drive of the series from here on: There’s ABSOLUTELY NOTHING Dean won’t do for those he considers family. And as he says himself? It scares him because of what it says about him.

And while I have said before that I know that the writers had absolutely no plan for Dean besides “Sam’s Sidekick” at this point of the series? I can absolutely believe that this scene was the seed to the “Righteous Man” arc, because Dean, in the end, can’t forgive himself for killing an innocent, not even for the Greater Good (just as he can’t stand the idea of someone dying for him, as we learned in Faith)

John comes in, and well, let’s rip this bandaid right away. As he tells a VERY uncomfortable Dean that he’s proud of him for saving them, there are signs that the demon is close. Noticing this, both brothers default to John’s orders who immediately gets Sam out of the room, ordering him to check that he salted all doors and windows, and once Sam is away, asks Dean for the Colt.

Dean, after a small hesitation, lifts the gun and points it at John, because he knows that it’s not his father the one who’s at the wheel.

Sam comes in, and while he doubts Dean’s claim that John is possessed –mostly because Dean’s only reasoning at this point is “He’s different” –he comes to Dean’s side. Unfortunately, as John dares Dean to kill him, he also realizes that the jig is up, so he stops pretending, and shows his yellow eyes in all their glory, pining both Sam and Dean to the wall.

This makes Dean drop the Colt, so the demon picks it up.

Azazael (because let’s be honest, we all know his name so why keep calling him John or Yellow Eyes?) taunts Sam when Sam tells him he’s going to kill him, and puts the Colt down, daring Sam to make it “fly to him”. Meanwhile, he puts all his attention to Dean, because he wanted to kill him specifically using John’s body as revenge for exorcising Meg and killing the other demon, because they were his son and daughter.

I make a note here to point out this is the very last time we hear about demons having families, and the fact that Meg is still alive doesn't even register in Azazael’s future episodes. Same as the idea that demons could NOT possess humans, and the series mythology is already a mess.

Sam asks why, and Azazael points out he killed Jess and Mary because they were “getting in the way” of his plans for “children like him”. Dean interrupts to call the attention of Azazael into him again, and manages to turn the tables emotionally a bit, when he reminds the demon that he killed his kids.

Which is when Azazael starts using his powers to make Dean bleed, and Dean begins yelling for John to fight the demon and save his life.

And it WORKS, which I will not tally officially, but I should mention it’s the first of many times when Dean’s voice in pain makes someone get the strength they need to fight a possession.

John manages to fight Azazael’s for control long enough to free Sam, who shoots Azazael on the knee, which disrupts Azazael’s powers long enough to get Dean free. Then John begs Sam to kill him, as he can still feel Azazael inside, but just as Sam gets ready to do so, to “put an end to everything”, Dean begs Sam not to do it. And for once, Sam listens to Dean and lowers the gun, giving Azazael a chance to escape, leaving a very angry John behind.

As the only member of the family not currently bleeding from new holes, we end the episode with Sam driving the Impala, John in shotgun and Dean, half unconscious, in the back. Sam is asking Dean to resist, as the hospital is ten minutes away (despite they being “in the middle of nowhere” five seconds ago), while John is complaining that Sam didn’t kill him, because “Killing this demon comes first” while Sam, who ended last episode saying the exact same thing, repeats what Dean managed to get into his head “No, sir. Not before everything.”

However, we don’t get to breathe easily, as a eighteen wheeler slams the Impala at full speed, and we end the episode looking at the possessed driver and the bloody, unconscious bodies of the Winchester.

How’s THAT for a season finale?

Violence

Despite everything that happened in the episode, that was a lot, there’s no inter-brother violence here, and no violence from John towards his sons (Azazael is a different story). Given how heavy the episode feels? I am counting this as a nice win.

Emotional Violence

I will admit, this is one of the episodes I was dreading because I knew it was going to be painful. It was going to be painful revisiting it after season 11’s premiere, and now that the series is over? It’s heartbreaking. And it all comes to one single phrase by Dean:

He wouldn’t be proud of me, he’d tear me a new one.

But let’s start at the beginning of said scene. I mentioned before that when “John” praises Dean, Dean looks visibly uncomfortable.

John: It shouldn’t. You did good.

Dean: You’re not mad?

John: For what?

Dean: Using a bullet.

Dean swallows before asking if John is not mad, and John looks honestly confused as to why Dean would think he’d be mad. It starts like a perfect moment to mend the issues, especially as John continues with what may be the nicest thing anyone said to Dean in the whole season:

John: Mad? I’m proud of you. You know, Sam and I, we can get pretty obsessed. But you – you watch out for this family. You always have.

Something that later will get repeated by many characters, the narrative itself, and will become Dean’s most defining trait. But at the moment, Dean only looks even more uncomfortable, and just mumbles a pained thanks.

And while WE don’t know it yet, that’s the exact moment in which Dean knows he’s not talking to John. And upon rewatch, it’s noticeable that Dean is not swallowing, but that his jaw tightens. He knows he and Sam are in danger, that he needs to save his father, and that he needs to play along.

But I am not analyzing this on the normal summary because it’s also a very difficult moment for Dean, because for the first time in the series, someone is weaponizing his love for his family against him, and Dean CAN’T react as he usually does. He shows growth here, by biding his time.

Dean: Dad, Sam tried to shoot the demon in Salvation. It disappeared.

John: This is me. I won’t miss. Now, the gun, hurry… Son, please.

This is the breaking point. Before, when it was just John saying that he was proud of him, Dean was just uncomfortable. But the SECOND John says “please” instead of ordering Dean to hand over the Colt? That’s when Dean steps back and gets in a defensive position. And once again, without lines, we get ton of implied things.

Like, probably Dean was hoping he was wrong, that John would really be proud of him for saving Sam. That if John wasn’t possessed when they found him, the demon had gotten in him when Dean left him alone to save Sam (we later know that’s not true, it’s just that Azazael is such a sparkly magical demon he can resist holy water). That John would never, in a thousand years, ask Dean nicely for something.

And so, he raises the gun and voices his suspicions and seals the fact that John Winchester was a terrible father:

Dean: He’d be furious.

John: What?

Dean: That I wasted a bullet. He wouldn’t be proud of me, he’d tear me a new one. You’re not my Dad.

Sam arrives, and hesitates a second before siding with Dean, whose eyes are brimming with tears as he keeps the Colt pointed at John’s body. Which is when Azazael twists the knife a little bit more into Dean’s heart:

John: Fine. You’re both so sure, go ahead. Kill me.

Which Dean, of course, can’t do.

Later on, during the torture as Azazael is slowly killing Dean with horrible scratches in his chest that can’t but remind me of the hellhounds from the future seasons (Despite knowing it wasn’t planned), Azazael delivers yet another horrible line that will define Dean’s story arc for the next 15 seasons.

John: You know, you fight and you fight for this family, but the truth is they don’t need you. Not like you need them. Sam – he’s clearly John’s favorite. Even when they fight, it’s more concern than he’s ever shown you.

Which is a half truth, as demons lie. Fact is, without Dean? Sam would’ve killed John. Or gotten himself killed long before this moment. And we know that Dean hunted more or less alone for four years, and, in hindsight and thanks to future episodes, that Dean flourished without John and Sam around (unless he believed Sam was dead, but that’s a different situation that will be addressed in season 6). But yeah, Sam is John’s favorite, and John has shown more concern, even in these episodes, than for Dean.

And while we will speak more of this in the next season, for now, it only ends with the fact that the biggest hurt that Dean got in the whole episode was that no-one contradicted Azazael at all. John, in particular, may have been able to fight Azazael upon hearing how Dean was suffering, but after that he never once said anything about Dean’s well being.

Speeches and Apologies

There are no big speeches here to analyze, except for Dean’s realization that he will do anything for his family. But as I already went on an on about that, we can consider this section vacant for the episode.

Double narrative standards

It’s very interesting to note how the brothers, and thus, the writers, used to deal with demons back then. The fact that Dean killed one (and exorcised another, even when that only meant she got expelled from the body she was occupying and sent back to hell, even if Azazael acts as if she had been killed) is seen by Dean and the narrative as a crime: He killed an innocent, even if said innocent at the time was being an instrument to harm Sam. The fact that Sam has, many times before, acted as if bystanders were acceptable losses is never once mentioned, and thus, the narrative seems to want us to believe that the only Winchester directly with blood in his hands is Dean –because even when John begs Sam to “shoot him in the heart”, Sam doesn’t. Never mind that Sam doesn’t because at the same time, Dean is begging him not to shoot, while Dean didn’t need said reassurance to being unable to shot John previously AND judging himself for exorcising Meg.

Final Tally

This was the last episode of the season, and oh, boy, the numbers are quite surprising to be completely honest. While you can check the actual numbers below, I want to point out that Dean didn’t lie to Sam or anyone else for that matter in the whole season, nor tried to manipulate or force Sam into doing things at all. He made fun in a mean way Six times in total, versus 31 different occasions in which Sam demeaned and made fun of Dean’s habits or stuff. Six versus 31, that gives us a difference of 25, which is quite the lead for “the empathic” brother.

Most telling, despite the idea that Dean “always” was controlling and overbearing, we have 7 different occasions in which Dean respects Sam’s boundaries, against 14 times when Sam doesn’t respect Dean’s. In the same vein, we have 5 different occasions in which Sam blamed Dean for something Dean didn’t do, while Dean has not blamed Sam for anything Sam didn’t do.

Finally, for all the talk of the series being “about two brothers” in the beginning, we have that the season is divided in 7 arc episodes dedicated solely to Sam, 6 filler episodes dedicated to Sam and his needs and backstory, NO arc episodes dedicated to Dean, 4 filler episodes dedicated to Dean, and 3 arc episodes dedicated to both brothers (Or none, meaning that it’s about just advancing the plot). Also, there were 2 plotlines about Sam introduced that were later discarded and never mentioned, versus 1 about Dean, which in general proves that, at least as far as Season 1 goes? Dean was not treated as a main character at all, as the majority of the Season was ALL about SAM.

Let’s see how this continues in Season 2.

Numbers (or the TL;DR summary)

(Episode/Total so far)

Times Dean has lied to Sam or to a loved one: 0 / 0

Times Sam has lied to Dean or to a loved one: 0 / 3

Times Dean has been caught in a lie: 0 / 0

Times Sam has been caught in a lie: 0 / 1

Times Dean has hit Sam in anger: 0 / 1

Times Sam has hit Dean in anger: 0 / 4

Times Dean's lies or secrets have caused someone's death: 0 / 0

Times Sam's lies or secrets have caused someone's death: 0 / 1

Times Dean has abandoned (Or wanted to abandon) a hunt in the middle for his own needs: 0 / 0

Times Sam has abandoned (Or wanted to abandon) a hunt in the middle for his own needs: 0 / 7

Times Dean forced Sam to do something: 0 / 0

Times Sam forced Dean to do something: 0 / 7

Secrets kept by Dean: 0 / 1

Secrets kept by Sam: 0 / 2

Times Dean has blamed Sam for something: 0 / 0

Times Sam has blamed Dean for something: 1 / 5

Times Dean has apologized with words to Sam: 0 / 3

Times Sam has apologized with words to Dean: 0 / 2

Times Dean has respected Sam's boundaries and/or rules: 0 / 7

Times Sam has respected Dean's boundaries and/or rules: 0 / 0

Times Dean hasn't respected Sam's boundaries and/or rules: 0 / 0

Times Sam hasn't respected Dean's boundaries and / or rules: 1 / 14

Times Dean has made fun of something Sam does or has: 0 / 6

Times Sam has made fun of something Dean does or has: 0 / 31

Times we focus on Dean's needs: 0 / 1

Times we focus on Sam's needs: 0 / 6

Arc episodes dedicated to Sam: 0 / 7

Filler episodes dedicated to Sam: 0 / 6

Arc episodes dedicated to Dean: 0 / 0

Filler episodes dedicated to Dean: 0 / 4

Arc episodes dedicated to both brothers (or to none): 1 / 3

Filler episodes dedicated to both brothers (or to none): 0 / 2

Dean's Dropped Plotlines: 0 / 1

Sam's Dropped Plotlines: 0 / 2

Mythology Dropped Plot points: 1/1

#The Great Supernatural Rewatch #Supernatural meta #spn meta #Dean Winchester #Sam Winchester #Cardboard Borechester #John Winchester #is a terrible father #Bobby Singer #season 1 #1x21 #Devil's Trap

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