#sadiya

[the-art-ghost]

I have brought an offering for zalgo!

Tis a silly doodle!! ヽ(´∀｀ヽ)

𝔒𝔥 𝔥𝔬𝔴 𝔱𝔞𝔩𝔢𝔫𝔱𝔢𝔡 𝔱𝔥𝔢 𝔩𝔬𝔱 𝔬𝔣 𝔶𝔬𝔲 𝔞𝔯𝔢! 𝔚𝔢 𝔞𝔩𝔩 𝔞𝔭𝔭𝔯𝔢𝔠𝔦𝔞𝔱𝔢 𝔶𝔬𝔲 𝔰𝔬 𝔰𝔬 𝔪𝔲𝔠𝔥

𝔐𝔶 𝔡𝔞𝔲𝔤𝔥𝔱𝔢𝔯𝔰 𝔢𝔫𝔧𝔬𝔶 𝔦𝔱 𝔞𝔰 𝔴𝔢𝔩𝔩~ 𝔚𝔥𝔢𝔫 𝔴𝔢 𝔯𝔢𝔱𝔲𝔯𝔫 𝔥𝔬𝔪𝔢 ℑ’𝔩𝔩 𝔥𝔞𝔫𝔤 𝔦𝔱 𝔲𝔭 𝔰𝔬𝔪𝔢𝔴𝔥𝔢𝔯𝔢…𝔪𝔞𝔶𝔟𝔢 𝔱𝔥𝔢 𝔣𝔯𝔦𝔡𝔤𝔢

𝔚𝔞𝔯𝔪 𝔯𝔢𝔤𝔞𝔯𝔡𝔰, ℨ𝔞𝔩𝔤𝔬

[uncannyencore]

some more of my creepypasta art I’ve been working on!

characters:

sally williams

candy pop

Sadiya

[lazari-returns]

If you don't live with Slender Man anymore, where do you live?

Title drop

Jesus this one took a lot out of me. But it was one of the big questions I was hoping someone would ask! Not only to introduce my design of Sadiya but also cause now I can reveal the new mythos and lore Im adding to this AU! That and the setting and premise of this story. A whole town of creepypasta and internet horror characters! That and also the name of this story. Hollowtown.

I hope the backgrounds don't look too bad.

photo I completely defiled with effects by @weebiemcweebington

[fclearcove]

[Sadiya flies above Finn, gracefully landing next to him. They brush themself off before looking back at him.] “Don’t make too much noise, we might get caught,” [They say, tucking their wings in.] “How are you holding up? With everything going on and all.”

— @sadiya-of-scarabia

Finn didn't answer at first. He seemed distracted, fidgety. "I-" He started slowly, his voice a filament-thin whisper. "I'm ok, thank you, but... I haven't seen Azul in a while..." He didn't say he was worried out loud, but it was pretty obvious that's how he felt.

[arup-saikia]

BIHU:ORIGIN ,TRANSITION AND MODERNITY  By Arup Saikia

India is land of festival. Culturally regional nationalism is main uniting thread of socially, politically diverse country like India. Bihu is national festival of entire Indian state of Assam. 

                    Nobody knows when or how bihu was created ,but it is invariably confluence of three major cultures of Austro-Asiatic,Indo-Aryan and Tibeto-Burman.Later many immigrants from India and abroad including Muslims imbibe the Assamese culture and subscribe to flourish Bihu syncretizing with their own cultural elements and finally attained today's form.There is three different types of Bihu-Kati,Magh and Bohag celebrated in three agricultural period of life.

BIHU WORD:Deori people called Bihu as BISU(excessive joy). With historical evidence Bihu was carried by Deori, Chutiya and Kachari people from late twelve century in Sadiya based Chutiya Kingdom.But other Bodo kachari tribes like Tiwa,Rava,Mikir,Dimasa celebrate Bihu as Busu,Pisu,Busy Dima or Dumsi etc.But Bodo has uniquely address Bihu as Baisagu.Later simplified and partially sanskritised name popularly became Bihu.

RELIGIOUS ORIGIN OF BIHU: Bihu has been celebrated by various tribes of Bodo-kachari origin since ancient times. But as  stated above mediaeval Bihu is started from Sadiya Kingdom led by Chutiya.Copperplate inscription was found in Lakhimpur district (Erstwhile part of chutiya empire). Where, clearly mentioned,king Lakshminarayan on 1401AD granted land to Brahmins on auspicious occasion of Bihu.

                                  Bihu performance started from first week of Assamese month CHOT to last intervening night until start of month BOHAG.On the floors of THAAN(temples) dedicated to KECHAI-KHATI,DIKKARAVASINI or KOLIMOTI.Youngsters danced throughout night until last intervening night of CHOT.Being performed in night, this is called Rati(night) bihu. Very vigorous dancing postures of dancers believed to be attributes of Goddess.This is considered as indication of Goddess (Kolimoti)descended from heaven. Urukuwa or uruka start after perceived arrival of Goddess Kolimoti or Kechai-khati on earth in the end of month chot.Urukuwa or uruka is Sadiya-Kachari term means to end.

                           Next day of Uruka is Goru(cattle)bihu.On night of Goru bihu young people again danced in temples sacrificing animals to Deity.Then young people in folk visited village households to perform bihu which is called HUSORI.The tradition of starting HUSORI from temples by Sadiya-Kachari and other Tibet-Burma people gradually replaced by NAMGHAR(Assamese prayer house)for Arayan influence.Human sacrifices were also done on altar of Sadiya.But on occasion of Bihu it's clearly not known.

THEME OF BIHU:

Bohag or Rongali bihu is originally dance-centric natural platform for youngsters to express love and joy. First lyrics of bihu were called 'Bonoriya Geet 'i.e wild song of young hearts longing for lovers. 'Bonoriya Geet'(wild song)or bihu rooted its origin in paddy fields, jungle while grazing cattle far away from human settlements- suitable place to express suppressed longing and craving through these songs. Therefore songs have erotic undertone. 

BIHU AND BHAKTI MOVEMENT:

During bhakti (devotion)or neo vaishnavite movement from 15th century onwards under Assamese polymath,social reformer Saint Sankerdeva and teachings of his newly created religion EK SARAN(Motto-one supreme soul in universe)more energetically synthesized Assamese society breaking strict age old boundaries of caste or class system.

Although there was no direct influence on bihu for social renaissance-Sankerdeva has initiated by preaching his revolutionary religion (EK SARAN or devotional movement).But way and outlook of bihu perfomance had been changed dramatically. Some spiritually refined words and name of some hindu Gods taken in HUSORI(one kind of male bihu).Praying and blessing in the name of hindu Gods in Husori is effect of Bhakti movement. 

ROYAL RECOGNITION OF BIHU :

During heyday of Ahom dynasty on 1696 Ahom monarch Rudra Singha patronized bihu for the first time by inviting or permitting to perform in courtyard of Ranghar (house of joy).Immediately once considered a low key festival celebrated by few in riverbank or cultivation field,became widespread festival embraced by all people traversing different ethnic groups, caste and communities. Consequently  a new form of Assamese cultural nationalism had emerged.Songs are changed  from erotic or sensuous to panergyric type i.e-song sung praising king and his deeds. 

PARTICIPATION OF FEMALE:

Exact date isn't known when male and female allowed to dance together, which once considered social taboo.It's probably after royal recognition under Ahom monarchy,both sexes were started to participate together in bihu. 

BIHU UNDER BRITISH RULE:As a result of treaty of yandaboo(1826)signed between British and Burma, British entered and began to rule Assam. Before advent of British,Assam was politically ruled by two administration-one by Ahom dynasty in almost upper Assam upto Nowgong and lower Assam from Nowgong onwards by koch  kingdom .British virtually unified Assam and cultural exchange began between two prior disbanded state.Eventually popularity of bihu spread to lower Asssm also and incarnated as festival of whole Assam. 

               However in nineteenth century some new english educated Assamese intelligentsia like Haliram Dhekial Phukan, Anandaram Dhekial  Phukan, Gunabhiram Baruah, Kamalakanta Bhattacharya demoralized Bihu as dance of vulgar and barbarian. But by grace of cultural maestro Jyoti prasad Agarwala, literateur Lakshminath Bezbaruah, Poet Raghunat Choudhury, social worker Radha Govinda Baruah, Bihu had been widely promoted.

TYPES OF BOHAG BIHU:The most popular unique show of Bohag bihu is dance ,variably associated with different kind of bihu.

(I)HUSORI=Performed on courtyard of villagers started in 1896 in the courtyard of Ranghar (house of joy).Previously male only troupe, but now females also participate. 

(II)MUKOLI BIHU =Performed in open space, boys and girls mingling together. 

(III)JENG BIHU/RATI BIHU=Traditionally it is  direct counterpart of men only HUSORI. Performed by women  folk only.In JENG bihu no musical instrument is used.RATI Bihu is supposed to celebrate  at night away from men's eye symbolizing women liberation. Repertoire is the same of JENG bihu.

(IV)GOS TOLOR BIHU=Bihu under a banyan or big tree.It is previous version of MUKOLI bihu.

(V)FAAT BIHU =Prevalent modern postures of Bihu dance imitated from Faat bihu.Celebrated in Mohguli Chapori near Charikoriya river of Dhakuwakhana. It is one of the oldest Bihu of Assam.Faat means trading place or torn out. It's believed that traders from different places assembled there for bihu celebration.Moreover sections of people dispersed from Sadiya for Ahom-Chutiya conflict believed to be main motivational force behind this festival.For uncontrolled excitement and gaieties performers clothes were torn into strips and musical instruments were cracked. So this Bihu may be named as FAAT Bihu.

DIFFERENT DANCE AND ORCHESTRA 

(I)KHUPAT DHORA DANCE =Female bihu dancers dance swaying to orchestra of Dhol(drum),Tal(cymbals) Hutuli(made from mud),flute, Toka and Gogona(both are made of bamboo).This dance posture is to place dancers' hands at the nape of their neck. 

(II)TAKURI GHURA NACH=Dancing very speedily and pirouetting at the same place,dancers partially became invisible. 

(III)POKHILA URADI NACH=Dancing like butterfly. Hands move like wings of a butterfly. 

DIFFERENT FOOTSTEPS IN DANCE :

(I)MOKORA BULONI=Dancers move their feet like a spider.

(II)PORUA BULONI=The feet motion of a dancer is like an ant,goes in row to particular direction.

PRESENT BIHU =Bihu survives since time immemorial through many socio-cultural upheavals changing its form as time demands. Starting from farmland ,Bihu reached digital world via stage, will remain alive as long as Assamese live.

ABOUT WRITER:Arup Saikia is an alumnus of Delhi University. He is noted cultural activist, actor, scriptwriter and poet-authored two poetry books namely SILPI SATTA and SABDA.As director ,actor and translator he has performed BHAONA in English language for the first time from Assam in India and abroad.

email id-arupsaikia07@gmail.com phone -+919954050690

[dangerousnbeautiful]

I'm literally so honored to be on this list Sadiya. 🥺

I don't feel like I deserve it honestly, but to know you believe I do makes me so happy. I love you.

I hope fanfiction writers know that I think of them like celebrities

I literally scream a little bit whenever one of them interacts with a comment i made on one of their posts like they are literally famous in my mind

thank you fanfiction writers you are literally sometimes the only thing keeping me alive 

[qsadiya]

we could be waking up as a princess now but we're not, we could be good with what we want to be but if i overthink everything, if we were princesses and the things we want to be, we could be wanting a different thing

[pieceofpoems]

میں نے اِدھر اُدھر دیکھا کہ روشنی کہاں سے آرہی ہے، وہ مجھ سے ہی نکل رہی تھی۔

I looked around to see where the light is appearing from, it was appearing from me

—Sadiya Ajaz

[girlwhodoeskratom]

Sadiya Guèye @ Emanuel Ungaro Spring/Summer, 1988 Ready-to-Wear

[the-art-ghost]

Can we meet your daughters, Zalgo?

𝔚𝔢𝔩𝔩…𝔱𝔴𝔬 𝔬𝔲𝔱 𝔬𝔣 𝔱𝔥𝔯𝔢𝔢 𝔦𝔰 𝔭𝔯𝔢𝔱𝔱𝔶 𝔤𝔬𝔬𝔡 𝔦𝔫 𝔪𝔶 𝔟𝔬𝔬𝔨𝔰, 𝔶𝔬𝔲’𝔩𝔩 𝔪𝔢𝔢𝔱 𝔥𝔢𝔯 𝔩𝔞𝔱𝔢𝔯 𝔬𝔫 ℑ 𝔤𝔲𝔢𝔰𝔰

𝔐𝔶 𝔰𝔢𝔠𝔬𝔫𝔡 𝔢𝔩𝔡𝔢𝔰𝔱 𝔖𝔬𝔫𝔶𝔞 “𝔖𝔱𝔯𝔦𝔭𝔢𝔰” 𝔞𝔫𝔡 𝔪𝔶 𝔪𝔦𝔡𝔡𝔩𝔢 𝔡𝔞𝔲𝔤𝔥𝔱𝔢𝔯 𝔖𝔞𝔡𝔦𝔶𝔞, 𝔟𝔬𝔱𝔥𝔢𝔯 𝔞𝔯𝔢 𝔰𝔲𝔠𝔥 𝔞𝔪𝔞𝔷𝔦𝔫𝔤 𝔶𝔬𝔲𝔫𝔤 𝔴𝔬𝔪𝔢𝔫

ℑ 𝔩𝔬𝔳𝔢 𝔱𝔥𝔢𝔪 𝔡𝔢𝔞𝔯𝔩𝔶

𝔚𝔞𝔯𝔪 𝔯𝔢𝔤𝔞𝔯𝔡𝔰, ℨ𝔞𝔩𝔤𝔬

[uncannyencore]

some random creepypasta headcanons (P.1)

Suicide Sadie, Nula, and Laughing Jill do NOT play around when it comes to children’s safety.

Zero and Laughing Jack are like- bestiezzz<3

Slenderman is friends with Hachishakusama.

Kuchisake-Onna (Aka the Slit mouthed woman in Japan) is Jeff the killer’s cousin (non biological)

Nurse Ann does not find love that interesting anymore, however, Dr. smiley is a little simp gremlin for her lmao.

Lazari lives with Sadiya, Puppeteer is Sadiya housemate.

Nina is omnisexual for women, and dating Clockwork!

Clockwork is Toby’s ex.

Lulu and Jeff get along very well.

Eyeless jack is an older brother figure to Lulu.

Sally likes to have tea parties and even play dress up with Laughing Jack, Candy Pop, and Jason the Toymaker.

Lazari and Sally are sister figures to each other!

Some of the creepypasta demon’s and pastas that aren’t seen around the mansion much like to chill in the Slendermansion’s attic (Kagekao, LJ, Candy Pop, Zero, Hobo heart, Nathan the Nobody, Killing Kate, and more.)

Liu has his own cabin in the Slenderforest.

Jane and Mary live in actual civilization together.

Lifeless Lucy doesn’t trust adults, and is quite rude and disrespectful towards new people.

Lost silver sometimes calls Herobrine “dad”

Ben doesn’t like deep bodies of water.

Eyeless Jack is one of the most responsible Pastas.

Clockwork has more balls than any of the creepypasta guys.

Sally doesn’t trust Offenderman, Papa Grande, Dr.pain, Zalgo, Hobo heart, SkinTaker and when she had first met eyeless jack, she didn’t like him and was afraid of him. But now, they are like siblings!

Sally treats the rake like a dog!

[nrcsfavoriteshrimps]

sadiya:

[jirai-bun]

happy new years !!

[lazari-returns]

THIS IS A DIRECT TRANSMISSION FROM IVIL ITSELF! REBLOOOOG!!!

Lazari Lucias Hollow will be moving to a new, unfamiliar location (A new blog that will make things easier for me)

So sorry if this is a hassle, but this is for the best on our end.

The full series will be posted on this blog as well, and we'll be moving all the stuff on this blog to the new one as well.

So if you follow this blog... Pleaaaaase follow the new one at

This one! Please reblog!!!!!

[usefulquotes7]

"We're not friends, not lovers or enemies, we're not even strangers, we're nothing at all" —Sadiya Ajaz

[candzeekitu]

Zalgoid Girlies!