#sadi's is just beginning
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wtftaylr · 7 months ago
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Falloutober Day 1 - Okey Dokey
amnesiac courier has arguably inappropriate reaction to nearly getting murdered by Jackals
cheeky closeups under the cut!
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ladysadiekane · 2 months ago
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literally no one haunts the narrative more than ruby kane
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inky-bun · 1 year ago
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Sometimes confiding in those that understand your pain can be the best comfort there is.
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shewantsitall · 1 month ago
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Preparing to make perhaps the most important ball game bingo card of the year ✨
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slashingdisneypasta · 2 years ago
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Please Reblog if you participate! ^^ We need to spread the old lady love! XD
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thatartiststudios · 1 year ago
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I know it's been literally forever since I've updated Let The Games Begin, but I have now! And I've released two chapters at once as a special treat!
Let The Games Begin Chapter 9
On deck the next day, under the vast expanse of the sky, the hologram device hummed to life, projecting the ominous figure of The Collector.
Callum turned to Rayla, concern etched on his face, “Are you sure you’re ready for this?” he asked.
Leo chimed in, “Yeah, we can take all the time you need. No rush, Rayla.”
Rayla gave Callum’s hand a reassuring squeeze and nodded, “I’m sure. Let’s not wait any longer.”
As they approached the hologram, The Collector’s imposing image addressed them, “I’m glad you’re ready. This trial will be different. Instead of facing material enemies, you two will witness a past event, casting Historia Viventum five times. Each time, you’ll earn a shard of the final key. Once you’ve seen the full event and collected all five shards, they will merge into your last key.”
Confusion and unease spread among the heroes as The Collector explained the nature of Callum and Rayla’s trial. Callum voiced the question on all of their minds, “Why is our trial different?”
The Collector chuckled, “The Game demands it, dear Callum.”
Jason couldn’t help but ask, “What does that mean?”
The Collector, mysterious as ever, responded, “No matter. I shall ensure your safe travel to the location, and,” he turned to Leo, “I will allow you to accompany the others this time.”
With that, The Collector vanished, leaving the heroes to exchange uneasy glances. The weight of their next challenge hung in the air, and uncertainty rippled through the group.
 Silence lingered for a moment after The Collector’s projection faded away. 
Leo broke the quiet, scratching his head. “Well, that was cryptic. Anyone have any idea what he meant by ‘The Game demands it’?”
Sadie, ever attuned to mystical explanations, offered her perspective, “Maybe there are rules to this magical game we’re not fully understanding. The Collector seems to be the keeper of those rules.”
Carter raised an eyebrow, “But why change the rules for Callum and Rayla?”
Piper, contemplating, suggested, “Perhaps it has something to do with the nature of their magic, being from another world and all.”
Jason, always skeptical, chimed in, “Or maybe The Collector just enjoys keeping us on our toes.”
Callum, still processing the revelation, shook his head, “I don’t like the idea of witnessing a past event.”
Rayla, her eyes reflecting a mix of curiosity and concern, added, “What event are we supposed to witness?”
Leo, trying to lighten the mood, said, “Well, at least we have Leo Valdez, the fire guy, to accompany you this time. Maybe I can add a little flair to your magical show.”
Jason, giving Leo a side-eye, teased, “Just make sure not to set the past on fire.”
Continue on AO3
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threadbearsweater · 4 months ago
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one warm day is all i really need | arthur morgan
When you find yourself taken in by a gang of outlaws, the last thing you expect is to grow sweet on one of them- and have the feelings reciprocated. Arthur Morgan doesn't have time for romantic nonsense, but a few memebers of the gang want to make sure that he gets to indulge in his obvious affection toward you. Tags: 3.9k words, an unlikely romance, meddling gang members (with the purest of intentions, one might suppose); female reader, alcohol use, smoking, emotional smut. A repost from a (regretfully) deactivated blog.
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Arthur first notices your eyes on him one evening around the campfire at Shady Belle. He won’t accuse you of staring– Lord knows he’s been known to look at you with the same foolish grin you’re wearing now– but he tips his hat to acknowledge you. The heat in your cheeks is suddenly warmer than what the fire has already provided; your grin only grows until your teeth are showing, and you duck your head into your shoulder to hide. Arthur takes a long swig from his whiskey bottle and grimaces as it goes down. He hasn't had a drop of anything in days, and the burn takes a little while to grow numb to now.
“Think she's sweet on you, Morgan,” Sean says in his Irish lilt, giving Arthur an elbow in the ribs.
“Naw, she's lookin’ at you,” Arthur deflects, though he hopes he's wrong. He thinks he knows.
“She told me last week to keep my eyes on my own work,” Sean continues. “I really don't think it's me she wants, Arthur.”
You turn to whisper something to Sadie, who laughs out loud with her face tilted toward the stars. You dare a glance back at Arthur, who is, in fact, looking at you.
Maybe there's some truth to what Mary Beth told you yesterday.
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“Arthur's been awful quiet lately.”
The sun shines through the trees and dapples the table where you're seated with bright spots of pale yellow. It's your third round of dominoes with Mary-Beth, and she's whooping your ass, as usual. You don't know how she does it, but each game you play, you're a little more privy to her prowess.
“You think so? I don't know him as well as you.” You hope it isn't obvious that your heart started beating a little faster at the mention of his name. It leaves you breathless.
“Oh yeah,” Mary-Beth continues. “He's been scratchin’ away in that journal of his a lot more, too.” She leans closer, conspiratorial, her eyes twinkling with the gossip she's about to share. “Karen said he went to town twice last week to have a hot bath. If you knew Arthur like I know Arthur, why…you'd know that's highly out of character for him.”
“But you said he'd been quiet. Is that unusual for him, too?”
She hums and purses her lips. “Well you see, Arthur isn't usually a man of many words on a good day. But it's been real bad lately. He don't even give John a hard time like usual.”
You ponder the dominoes for a moment and then make your move. It doesn't earn you any points, but at least you didn't have to draw. “What do you think the problem is?” you ask, nonchalant as possible.
Mary-Beth smiles. Big and bright and sparkling. “Oh, it's not a problem at all.” She lowers her voice and cups her hand to her mouth. “Arthur's in love.”
You gasp, then giggle behind your hand, and Mary-Beth follows suit. Hosea looks on and shakes his head, so you quiet down, reaching across to grab Mary-Beth's hands. “Who do you think it is?”
Her cheeks are tinted pink, and she looks around to make sure there aren't any ears to hear. Word travels fast around camp if one isn't prudent. “I think it's you.”
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A thunderstorm rips through Shady Belle a little over a week later. Your little tent that you share with Sadie is ripped straight off its supports in a terrible gust of wind, and you and the others hightail it inside the house to take cover just as it begins to hail. There's quite a ruckus as everyone huddles inside, windblown and rain-soaked. A few of the men hold up lanterns to illuminate the darkness while you watch the lightning and feel the thunder shake the old bones of the house.
“Everyone just calm down,” Dutch calls, descending the stairs, wearing some ridiculous robe with his arms spread wide. “Are we really gonna let a little old thunderstorm keep us from getting a good night's sleep?”
“Says the man with a bed inside the house,” Arthur bites, rounding the corner from what used to be the kitchen, holding a lantern up high in front of him. “Dutch, you better allow these ladies to take cover in here for tonight, or I'll–”
“Or you'll what, Mister Morgan? Pray tell, what kind of man do you take me for?” Dutch's eyes are fiery as he stares Arthur down; a display of dominance. A veritable cockfight.
Arthur's jaw twitches, but he doesn't back down. “The kind of man I should hope would have some goddamn respect for his family.”
There's a tense moment or two where everyone is quiet, then Dutch relents. “Fine, fine! But I expect everyone out there pitching in to clean up in the morning.” He points at Arthur and raises his voice again. “That includes the other man with a bed inside the house,” he sneers.
Arthur shakes his head, then looks away only to catch sight of you, shivering in your wet undergarments, huddled close to Mary-Beth for what little warmth the two of you can share. For a minute, he forgets to breathe, then composes himself enough to cross the room.
“Come on in here. Get yourself warm and dry by the fire.” His hand on your elbow is rough but warm as he leads you toward the fireplace. You nod and look back at Mary-Beth, who shoos you away with a flick of her wrist and a wink; you notice that her teeth are chattering. Despite the humidity that hangs heavy in the air, the temperature has turned chilly with the storm.
Arms crossed over your bosom to preserve any shred of modesty you might have left, you allow yourself to be led away by Arthur. Dutch and some of the others head upstairs while Charles and Javier keep watch from the front porch.
“You alright?” Arthur asks. He covers your shoulders with one of his heavy winter coats, and you pull it around you, grateful for the weight and warmth of it. Another clap of thunder shakes the house and you jump. Arthur chuckles.
“You laughin’ at me?” you quip, placing your palms flat in the direction of the fireplace. You don't even bother to hide the grin you feel curling on your lips.
“No madam, I am not,” Arthur says earnestly, taking a seat beside you on the old wooden crate he's set up as a makeshift bench.
“Then just what do you find so funny, Mister Morgan?”
He scratches the back of his neck, looking into the flames. “Aw, I dunno. I'm sorry. It's just that you're…”
You bump him with your hip, unable to stop the giggles that bubble up from your chest. “I'm what?” you pry.
There's a clatter of something falling on the front porch, and Arthur uses it as a good excuse to get out of this hole he's dug for himself. “I better go see what's going on out there. Charles might need my help.”
“I'm what, Arthur?!” you call, to no avail. He's gone before he can see the proverbial hearts in your eyes.
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The saloon in Rhodes is a little nicer than the ones you visited in Valentine, though it's a far cry from the ones you used to frequent in Saint Denis. Still, when Sadie and the other girls decide that it's high time you have a little fun in town, you throw on your best dress and let Karen curl your hair and even apply a little of the makeup you snagged from a homestead up north. For the first time in months, you feel like a proper woman. There isn't time to be melancholy about the past, though, when the boys start whistling and cat-calling upon the sight of you and the other girls.
“Aw, knock it off!” Sadie hollers. She's decided to dress up a little tonight, too, much to everyone's surprise. But she hikes up her skirts to hop into the wagon, calling for the rest of you all to hurry it up. “I've got a bottle of rum with my name on it that's waiting for me to come drink her all down!”
You catch the sunset on the way to town. It's dazzling over the meadows, all golden light and warm, blazing oranges and reds that settle into a brilliant pink by the time your reach the main road into Rhodes. You wish you could see Arthur's eyes, but he's got a handle on the reins next to Charles in the front of the wagon. You've seen him watching the sunset before; he always looks so peaceful those evenings at camp, and you often wonder what he thinks about in those few minutes before the horizon is painted in pastel hues.
Karen starts singing a song that everyone eventually joins, and before you know it, you're pulling up in front of the Rhodes Parlour House. You can already hear the piano and a few voices from outside; the sound of it stirs something in your soul that makes you long for the familiarity of home, but you quickly shove it aside in favor of the company of your new family.
“Madam.” Arthur's voice brings you out of your thoughts and back into the present, where he waits at the back of the wagon with his hand extended to you. You beam at him, and he feels dizzy. And when your soft hand fits into his, he straightens his knees so they don't buckle and betray him.
“Why, thank you, kind sir,” you say, lifting the hem of your skirts to step out onto the dirt road.
Arthur leans in, dangerously close to your ear. You can smell the whisky and cigarettes on his breath, along with the faint tang of gunpowder and hair pomade. “You sure do look nice in that dress.”
You demure and fan yourself with your hand. “Just how much have you had to drink already tonight?” you giggle.
“Ahh, just a little nip to take the edge off.”
“Mm-hm. Sure, Arthur. Whatever you say.”
The night starts off relatively calm, as most nights do. You and the other girls find an empty table to sit and pick up on the town gossip, and the men start a hand of poker. It grows loud and crowded sometime around midnight, and it's hard to have a conversation without shouting over the din of voices, the clink of glass bottles, and the slow drag ragtime music from the piano. The ambiance is charming and lighthearted, and there are even a few couples drunkenly dancing on the porch.
You push back in your chair and find that when you stand, you're a little more wobbly than you thought you would be. The alcohol has loosened you more than you realize, and you grip the table for support until you feel a firm arm around your waist. “Whoa there.”
It's Arthur, who has won the last round of poker and has come to check in on you and the other ladies. You're pulled tight against his chest for one fleeting moment, and you look up into his eyes. He, too, seems drunk, with his eyes gleaming and drooping at the corners, his smile easy and his cheeks flushed.
“My knight in shining armor,” you slur, pretending to faint in his embrace. He only pulls you tighter against him, both of his broad hands splayed across your back. You laugh, and he smiles.
“You weren't getting another drink, were ya?” he questions with a raise of his brow.
“‘m thirsty,” you whine, lifting your empty glass entirely too close to his face. It knocks against his nose, which sends you into another fit of laughter.
Arthur takes your wrist– gentle but firm– and lowers the glass away. “Think you need to drink something that's not whiskey,” he drawls. You can't help but watch the way his lips form around the words; the slip of his tongue between his teeth, the way his mouth turns up into the hint of a smile when you pout. Before you can think too long and hard about it, you lunge forward and kiss him. Hard and clumsy and impulsive. You don't give him time to react. You're far too involved in the kiss to notice, but the girls at the table behind you have all gone silent. Arthur slides his hand along the side of your face and presses his fingers upon the nape of your neck, kissing you back like he really means it. (He really does.)
You pull back suddenly, breathless and reeling, swiping the back of your hand over your mouth. You're still held firm in his embrace, but the playfulness in his gaze has been replaced with an intensity that makes your knees weak all over again.
“What'd ya do that for?” he asks.
“Could ask you the same thing.”
“Well, you started it.”
“And you finished it.”
“Oh, I ain't finished with you, yet.”
“That a promise or a threat?” Your pulse is thumping wildly in your ears.
“Ya know, they got rooms upstairs for that!” Sadie shouts. There's a ripple of laughter across the table. Arthur's hand on your cheek feels like a brand, his arm about your waist an anchor. The rest of the room comes back to you in a woozy blur, and you look around, a little lovestruck and a whole lot drunk. Arthur's lips at your temple make your eyes flutter shut, and the room fades to black as tIt'weight of you slumps against him. He staggers only slightly, but holds you firm, chuckling softly.
“It's a promise,” he whispers.
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You come to some hours later. Your mouth is dry as the desert, your head feels like lead, your skin broken out in a cold, uncomfortable sweat. At some point, it seems you were covered with a downy soft blanket, and the pillow at your head is much more fluffy than the makeshift one you made out of a bedroll at camp. At first, you think you're dreaming. Then, you wonder very briefly if you're back at your childhood home in Saint Denis. You almost call out to your mother when you hear a soft snore from the other side of your bed.
The room spins when you turn your head, and you rub your eyes until Arthur comes into focus. He's sprawled in an armchair a few feet away. His arms are crossed over his chest while his chin is tucked into his chest. Off to the side, you spy his boots; his big toe pokes through a hole in his sock and you smile at how vulnerable he looks.
“Arthur,” you whisper, shifting slightly as you pull the blanket up around your chin.
He grunts and lifts his head slowly. He frowns a little at first, but when he focuses on you lying there, so close he could reach out and kiss you again like he did last night, there's a slow, easy smile that spreads across his face.
“Hey there, party girl. You feeling alright?”
You could kick yourself for all the giggling you've done around him lately, but you can't help it. He brings out something giddy and downright foolish inside you, so you toss a pillow at him and bury your face in the sheets.
“Aw, come on now. I'm just messin’ with ya.” He leans forward and rubs your head affectionately. “I'd say you were feeling pretty good last night.”
It's in that moment a white-hot jolt of sheer panic shoots down your spine. Quickly, you check to make sure you're still wearing clothes. Aside from your breasts being a little lopsided in the confines of your bodice, you're relieved to find that your dress is still intact and– more importantly– on your body. You dare another peek at Arthur and notice that his shirt is unbuttoned down to the middle of his chest and he's discarded his vest somewhere, but he, too, is fully clothed. Thank the good Lord above.
You must've said that last part aloud, because Arthur laughs. “Don't worry, nothing happened. Though it weren't for lack of tryin’ on your part,” he says, scratching the back of his neck. “Thought I was gonna have to lock you in here like some feral cat till you settled down.”
Oh. Oh Lord. You try to recall what happened that led you to this room, but all that comes to mind is a lot of loud conversation, some dancing, a spilled drink across Sadie's lap, and Arthur's hand on the side of your cheek. “Oh…”
Now you remember it in vivid detail.
“Didn't know you cared for me like that,” he says. It's earnest and tender, a few shades less intense than the kiss you now recall, the one where it felt like he wanted to eat you alive right there in the middle of the saloon. Now, he thumbs your cheek and looks at you so fondly you swear your heart jumps right up in your throat. “I mean, I'd been hoping. Wasn't sure you was looking for a romance.” He huffs a short sigh, frustrated with himself. “Aw, hell, what am I saying? ‘Course you weren't. You're just looking to survive, just like the rest of us, and here I–”
“Shut up,” you say, taking hold of his hand and tugging him closer. He resists until you pull even harder, watching the fire in your eyes blaze to life. “You talk too much, Yankee.”
“I ain't no damn–”
“Kiss me.”
He's over you in an instant; you're pressed flat against the bed, completely and totally at his mercy. This kiss feels different than the drunken one last night. It's sober and honest, if not a little hesitant, as if he's holding himself back from devouring you wholly. The warmth of his body against yours takes your breath away. Or maybe it's the way his tongue laves heavy into your mouth, unashamed of how badly he craves the taste of you. You grip his hair at the roots and tug him down to kiss him harder, lifting your upper body to meet him until he presses down, his chest flush with yours.
Things get heated quickly.
His mouth moves across your cheek, down your neck, and he groans against your skin, rutting his cock against your thigh. You fleetingly wish that he had managed to get you out of that dress before he presumably tucked you into bed and passed out in that chair, because there’s a whole lot of fabric between you and him that really pisses you off right now. Arthur must feel much the same, because he’s bunching your skirts up past your knees while you’re fumbling with his belt buckle, desperate to feel him against you, inside you. It’s clumsy and crazed, rushed and rough, but you manage somehow to shuck off every last bit of your clothes and his until you’re breathless and so, so eager beneath him.
“Need you now,” you whine. You feel insane. Dizzy and dehydrated, impossibly turned on, every nerve ending on fire when his callused hands grip the fat of your thighs and open you to him.
“Greedy little thing, ain’t ya?” One of his hands slips between your legs to find you wet and swollen. He presses the pad of his thumb against your clit and pushes a finger inside you; the sound you make nearly has him finishing there on the sheets, so he wastes no time in getting himself as close to you as humanly possible.
“Never wanted something so bad,” he murmurs into the dip of your shoulder. He wants all of you– all at once– wants to fuse his hands against your skin and sink himself into you so deep that it would be impossible to tell where he ends and you begin. The heat from his body takes away what little breath you have left, his mouth on each part of your body building the buzz in your chest until you feel like you might just burst open. You grabbed at each other like it was the first and last time you might have this opportunity, as if you wanted more than what the other of you was able to give.
Considering the kind of life you’ve both led so far, it’s a good possibility that you might never get to do this again.
“Give it to me,” you plead, opening yourself further to him, fingers wrapped firm around the base of his cock. “Please.”
Arthur Morgan is a man of incredible strength and self restraint, except when it comes to a woman like you.
There’s nothing gentle about the way he takes you. It’s primal, sweaty, filthy, rough. Arthur pushes as far inside you as he can go, then pushes further when you beg for more. He cups your knees with slick palms and presses you open as far as you can bend; you tug roughly at his hair and bite down on his shoulder when the pleasure builds to a blinding ferocity. The wooden bedframe knocks angrily against the wall with each thrust, but you can’t bring yourself to care if anyone hears. You can’t focus on anything beyond the feeling of him filling you with every stroke of his cock, of the taut, corded muscle in his back and shoulders as you grapple to hang on as tight as you can. Your orgasm hits your hard and fast, and he encourages you through it, taking his time to give you long, controlled strokes. It’s as pleasurable for him as it is for you. “‘Atta girl,” he rasps, lips moving against your ear. Your hand flies to your mouth to muffle your cries, but he pulls it away and threads his fingers with yours, pressing it onto the pillow. “I wanna hear it.”
Your moans are what drive him over the edge.
He buries his face against the side of your neck, panting heavily as he comes, driving into you so hard that you can almost feel the mattress beneath you begin to sag under the weight. You cradle his head in your hands and link your legs around his waist, boneless and languid in the aftermath of your own pleasure. When he moves, you move with him, riding out the waves together until you’re both too tired to move another muscle.
Neither of you speak for a while. He lies on his back with an arm around your shoulders while you curl against him, tuned into his heartbeat and swirling little patterns into the hair on his chest. It’s comforting to feel him next to you, to watch his chest rise and fall as he steadies his breathing, to soak up the warmth of his skin against yours.
You’re the first to break the silence. “Did everyone else go back to camp last night?”
Arthur nods slowly. “Something tells me they planned all this.”
“Planned it? You mean…” You lift your arm slowly and flick your wrist to acknowledge the room you’re laying in. “This?” You lift your chin and grin at him. “Or getting us together?”
“Room was paid for before I even had a chance to ask if they had one,” he explains. “Think it was Mrs. Adler.”
You vaguely recall her shouting something about a room after you kissed Arthur last night, and you shake your head. “You complaining?”
He turns to his side, draping an arm across your hip. “Me? Never.” You’re suddenly pressed beneath him once again; from the looks of it, you won’t be getting out of this bed anytime soon. “Specially when I’ve got you here to help me keep warm.”
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odinsblog · 1 year ago
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“I first started noticing the journalists dying on Instagram. I'm a journalist, I'm Arab, and I've reported on war. A big part of my community is other Arab journalists who do the same thing.
And when someone dies, news travels fast. Recently, I pulled up the list that the Committee to Protect Journalists has been keeping and looked at it for the first time. There are 95 journalists and media workers on it as of today.
Almost everyone on it is Palestinian. Scrolling through, I started to get angry. These were the people carrying the burden of documenting this whole war.
Israel is not allowing foreign journalists into Gaza, except on rare occasions with military escorts. These people's names are being buried in a giant list that keeps growing. What I want to do is lift some of them off the list for a moment and give you a glimpse of who they were and the work they made.
I'll start with Sadi Mansour. Sadi was the director of Al-Quds News Network, and he posted a 22-second video on November 18. That was a report from the war, but it also gave me a picture into his marriage.
Sadi's wearing his press vest and looks exhausted. He's explaining that cell service and the Internet keep getting cut off, and it's often impossible to text or call anyone, including his wife. So they've resorted to using handwritten letters to communicate while he's out reporting, sending them back and forth with neighbors or colleagues.
He ends the video with a picture of one of these letters from his wife. In it, she writes,
‘Me and the kids stayed up waiting for you until the morning, and you didn't come home. We were really sad.
I kept telling the kids, Look, he's coming. But you didn't show up. May God forgive you.
Come home tomorrow and eat with us. Do you want me to make you kebab or maybe kapse? Bring your friends with you, it's okay.
And give Azeez the battery to charge. What do you think about me sending you handwritten letters with messenger pigeons from now on? Ha ha ha.
I'm just kidding. I want to curse at you, but we're living in a war. Too bad.
Okay, I love you. Bye.’
A few hours after he shared that letter, Sadie and his co-worker Hassouna Saleem were at Sadie's home, when they were killed by an Israeli air strike that hit his house.
His wife and kids, who weren't there, survived.
Gaza is tiny, and the journalist community is really close. Reading the list, you can see all the connections between people. Like with Brahim Lafi.
Brahim was a photojournalist, one of the first journalists to die. He was killed while reporting on October 7. He was just 21, still new to journalism.
On his Instagram, you can see that in his posts just a few years ago, he was still practicing his photography, taking pictures of coffee cups and flowers. Then he started doing beautiful portraits and action shots. You can really feel him starting to become a journalist.
Clicking around on Instagram, I found a tribute post about Brahim from his co-worker Rushdie Sarraj. In this photo, Brahim staring intently at the back of a camera, his face lit up by the light from the viewfinder. He looks so young.
The caption reads, My assistant is gone. Brahim is gone. Rushdie himself was a beloved journalist and filmmaker.
And I know that because he's also on the list. He was killed just two weeks after Brahim. I read the tribute post to him too.
I saw this over and over again. Journalists posting tributes, who were then killed themselves soon after. And a tribute goes up for them.
And then the pattern continues.
Thank you.
Something else I saw over and over on the list, journalists later in the war who had become aware that they could be making their last reports. They'd say it at the beginning of their videos. And those were the hardest to watch, especially when it was true.
One video like that was posted by Ayat Hadduro. Ayat was a freelance journalist and video blogger. Her videos before the war covered a wide range from what I can tell, interviews about women in politics.
She even appeared in a commercial for ketchup-flavored chips. She clearly liked being in front of the camera. Once the war started, Ayat's pivoted to covering bombings and food shortages.
On November 20, she posted a video report from her home. You can hear the airstrikes hitting very close to where she is. It's scary.
‘This is likely my last video. Today, the occupation forces dropped phosphorus bombs on Beit Lahya area and frightening sound bombs. They dropped letters from the sky, ordering everyone to evacuate.
Everyone ran into the streets in the craziest way. No one knows where to go.
But everyone else has evacuated. They don't know where they're going. The situation is so scary.
What's happening is so tough, and may God have mercy on us.’
She was killed later that day.
Targeting journalists, in case you didn't know, is a war crime. So far, the Committee to Protect Journalists has found that three of the journalists on the list were explicitly targeted by the IDF, the Israeli military. Investigations by the Washington Post and Reuters, Human Rights Watch and the United Nations have also raised serious questions in these three cases.
And the Committee to Protect Journalists is investigating 10 other killings. When we reached out to the IDF for comments, they said, quote, the IDF has never, and will never, deliberately target journalists. That's the answer they always give in these situations.
Meanwhile, dozens of seasoned reporters have fled Gaza. Journalists who worked for Al Jazeera, the BBC, the New York Times, the Washington Post, Reuters, Agence France-Presse. So many media offices were demolished in Israeli airstrikes that the Committee to Protect Journalists stopped counting.
It's not just individual lives that have been destroyed. It's an entire infrastructure.
Thank you.
The name on the list that was hardest for me to look at was Issam Abdullah, because I'd crossed paths with him once. Issam was a Lebanese journalist, a video journalist for Reuters for many, many years. He had just won an award for coverage of Ukraine.
I'm Lebanese and still report there sometimes, and I'd worked with Issam a couple of summers ago. He helped me film a sort of random story in Beirut. I was interviewing this entrepreneur who had started a sperm freezing company after an accident where he spilled a tray of hot coffee on his private area, burning himself.
I know, ridiculous. It was a really silly shoot. Right after we said cut and started to rap, Issam started this whole bit about being in his late 30s, reconsidering his own sperm quality and everything he now realized he was doing to hurt it, and no one could stop laughing.
It was a really good day that felt good to remember and to remember him that way. Issam was killed by the IDF on October 13. His death was one of the three that the Committee to Protect Journalists has identified as a targeted killing.
He was fired upon by an Israeli tank while standing in an empty field on the Lebanon-Israel border with a small group of other journalists. Everyone was wearing press vests with cameras out. They were covering the Hezbollah part of this war.
A few other journalists were injured in the attack, which was captured on video. The IDF says they were responding to firing from Hezbollah, not targeting the journalists. But multiple investigations, including by Reuters, the United Nations, Amnesty International and the AFP, found no evidence of any firing from the location of the journalists before the IDF shot at them.
The journalists in the group and video footage confirmed that there was no military activity near them. I had only met Issam once, barely knew him, but it affected me so much when he died. I know that he understood the risks of his job, but somehow it still felt so random and unfair that he would be struck down like that, following the rules, wearing his press vest and helmet, and a pack of reporters on a sunny day in an open field.
I find myself thinking about him all the time. His last Instagram post was commemorating another journalist, this iconic reporter Shereen Abou Aql who had been killed by the IDF. When I first saw that post in October, I thought how ironic because a week later, Isam also was killed by the IDF.
But then, after spending time reading the list, I realized how common this had become. I still haven't finished going through the list and looking up the people on it. I keep finding things that stick with me, like the funny way this one radio host would cut off a caller who was rambling on for too long.
A tweet from reporter Al-Abdallah that quoted Sylvia Plath. It read, What ceremony of wars can patch the havoc? I'm going to keep going down the list, even though this story is over now.
Just for myself. My own way of bearing witness. Which is, in the end, all that these journalists were trying to do.”
—DANA BALLOUT, The 95. Dana sifts through a very long list—the list of journalists killed in the Israel-Hamas war, and comes back with five small fragments of the lives of the people on it. Dana is a Lebanese-American, Emmy-nominated documentary producer.
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edenspoem · 3 months ago
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𝐜𝐨𝐰𝐠𝐢𝐫𝐥!𝐞𝐥𝐥𝐢𝐞: 𝐚𝐧𝐝 𝐡𝐞𝐫 𝐯𝐮𝐥𝐠𝐚𝐫 𝐜𝐥𝐨𝐭𝐡𝐢𝐧𝐠 𝐜𝐡𝐨𝐢𝐜𝐞𝐬.
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note: every gayass fucker i know has been going thru country!ellie ovulation rn—including me—so i thought i would create somethin' for the grand potluck. encouraging others to share as well (please). mdni. sexual themes. discord server.
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nah, it's for certain not credible to claim that all of her clothing choices are indecent, or in other words—exhilarating; when you step into the boots of swooning-eyed women versus their cross-bearing mothers, the perspective tips like stones on a scale. droves would claim that it's plain distractin'. but, it's also for certain that it's gotten you into bushels of trouble! you aren't gettin' paid to ogle up the sheriff's daughter; hold your horses.
chances are, some faith would do you good—your mother said once. nothing is blasphemous in her eyes, but the toll a wild-hearted gal can take on responsibleness and practicalness is a dangerous one. from the top of her dotted sternum, which is prideful and free in an open button-up, to the pulsing sight of her belt buckle, dangerous things are written. and, with inhibitions loosened—mind you, there were evenings that led your fingers down both. in sadie-lou's parlor (the saloon you often bump into her at, coincidence or not), intoxicated to the length you both begin to swell specters of odd personalities, a dance-off across the bar gets you to whip out a couple crisp bills.
you watched—teeth pinching your lips—at intimate positions with her bootcut calves, groping and lulling her to get down low. “c'mon, williams, 'wanna give you somethin' worth your time!” you hollered, too sucked in the moment to mind the other bar-goers, and convinced her with soft fingers to kneel. she smiled, rolled her tongue over her lips, and said, “thought you said gettin' drunk wasn't worth it—these dance moves change your mind, baby?” before her teeth bit her own, interested in figuring out what exactly she felt pushing past her leather belt—it'd been none other than you: stashing a crumpled 20 in that faithfully-tucked crevice. her smile grown was worth a couple pennies more. “huh, guess it did.”
and, about that more pretentious, more offensive opening under her stupid grin, it had been dealt with on some occasions. once, in particular, cost you a room at the time-old inn. “fuck, that's it—ah, that's fuckin' it, sweetheart. goddamn, you're so good to me.” a rough junction ruts against you; ellie felt that she was entitled to gettin' herself off—if you were helpin' her along; pursed mouth around her nipple. one long roll of her hips elicited a long, grated whimper out of her, and everything about that southern song made your clit thump. pressed tits in your face and sibilant sounds through mouths after each stare caught while you—do that thing that fucks with her head: now that is a definite danger. real dangerous, if you continue and find her belt undone before you can do it yourself. “thought i'd get it outta 'ur trail,” she mutters, sun-tanned thumb pushing her panties just low enough that auburn hairs spring up behind it. wetness glistens in dripping lines. “hope you don't mind.. helpin' a little more?”
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not-neverland06 · 4 months ago
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𝚂𝚒𝚕𝚎𝚗𝚝 𝚆𝚊𝚝𝚎𝚛𝚜
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Pairing ˏˋ°•*⁀➷ Arthur Morgan x fem!reader
Next Part - Hell Hath No Fury Series
Summary: Jack's gone missing and there's only one place that's going to have the answers you need. St. Denis may just be one of the dirtiest places you've set foot in. Still, if stomaching a mobster chatting you up, means getting the boy back, then you'll just have to deal.
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A few weeks later
Arthur’s shoulder is still sore where he’d been shot. You lay under his left arm rather than his right so you don’t irritate it any further. After he’d started moving around on his own again, you’d gone back to sleeping in the women’s tent. 
He knows how uncomfortable the cramped tent is now that they have to make room for you and Sadie, so he let you sleep in his tent on days he wasn’t in camp. One night, he’d come back earlier than expected after a hunting trip and you’d been asleep on his cot. When you’d woken up, his good arm was wrapped around you and you had been tucked into his chest. Neither of you said anything about it, you just continued sleeping there, even on the nights that he was around. It’s comforting, having him watch over you again just like when he had first saved you in the mountains. There’s a familiarity to it that you’d been missing. 
Still, as comfortable as you are sleeping beside him, your nights are restless. You’re plagued with guilt for what you’d said while he was sick. It almost feels like taking advantage of him while he was at his most vulnerable just so you could whisper what Dutch might call ‘your poison’ into his ear. You had a personal agenda, even if it was for his benefit too. You wanted Arthur for yourself, together and away from this life. Mostly, you wanted him out from under the control of Dutch, and safe. Still, you had no right to preach about Dutch being such a conman when you’re doing the same thing. 
Tonight, you’re awoken by the same nagging thoughts. Your eyes flutter open as your stomach twists with a painfully familiar guilt. Huffing, you adjust yourself higher up Arthur’s chest, trying to force yourself to get comfortable again. His arm flexes around you as he shifts onto his side. 
You tuck the rough wool of Arthur’s blanket under your chin but it doesn’t do anything except irritate you further. Trying to make sure you haven’t disturbed him too much, you risk a glance up at Arthur’s face. He’s the most at ease when he’s sleeping. It’s the one time you’ve seen him look his age, as the stress and tension melt away from him. 
He’s healthier now and beginning to look alive once more. His cheeks are filling out, no longer so gaunt and hollow that the bone nearly pokes through. When he greets you in the morning his eyes are warm and bright. They don’t carry the flatness of fever and the threat of death. He’s slowly started to regain his appetite, clothes no longer hanging so loosely off his frame. And he finally shaved that horrendous beard he’d grown while he’d been sleeping. It’s a relief now that the reason for staying up all night isn’t because you're making sure he doesn’t stop breathing in his sleep. 
Sighing, you carefully maneuver your way out from under his arm, sitting up in the cot. His hand drops from your shoulder to your lap as he readjusts himself to your absence. You look back at him and grimace. Just another secret to keep. 
You killed your husband and no one except Charles and a whore will ever know about that. But that had felt right like you’d done the world a service getting rid of him. And you know, that getting Arthur to see past blind loyalty to the gang and to Dutch is better in the long run. But taking advantage of the fact that he was bed-ridden and couldn’t run away from having that conversation was wrong. You’re feeling like the scum you make Dutch out to be. 
You brush your hair back and get to your feet, deciding to go sit with Charles while he’s on watch. It’s usually what you end up doing when you can’t sleep. Neither of you will talk but it's comforting just to have his calming presence near you. Your fingers are on the knots of the tent flap when a scream rips through the cold night air. 
Eyes wide with fear, you stumble back a step. Arthur shoots up in bed and you whip around just in time to see him drag his revolver out from under the pillow. “What’s wrong?” He barks out the question as he leaps to his feet, coming to stand in front of you. 
Your eyes dart between him and the gun. He’s wide awake like he hadn’t been deep asleep only a minute ago. And you didn’t even know that gun was there. You forget, sometimes, just how on edge these people have to be to survive. Thinking it’s you who screamed, Arthur snaps your name out when you don’t respond.
A shout rings out now, coming from just outside the tent. It’s a woman’s voice but you don’t know which one. Arthur guides you behind him and goes towards the tent flaps. When you try to follow him he barks out a brisk, “Stay” and runs out of the tent, half-dressed, gun in the air, looking crazed. 
Ignoring Arthur, you push open the canvas just enough to poke your head out. Most everybody’s been woken up by the commotion. They’ve all got their guns out, looking for whatever threat has someone hollering like a dying animal. You look past them and towards the fire where Abigail is beating on John with every ounce of strength she has. 
The fire casts a shadow against her wild eyes, making her seem larger than life, near inhuman. “You bastard!” She screams, slapping John so hard across the face you can hear it connect from where you are. “How can you just stand there!” 
Arthur gets to them first. He tucks his gun away and grabs Abigail’s wrists, ripping her away from John so she’s forced to stop hitting him. He’s muttering something to her and you can’t hear it but you imagine he’s trying to calm her down and get her to explain herself. 
John and Abigail don’t get along on the best of days, but this is odd even for them. You’d thought you’d seen her at her angriest when she’d found out what Karen and Sean had done in her bed, but this was an entirely different beast. 
“They took him!” Choking back tears, she shouts, “They stole my son!”
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 Despite the urgency of Abigail’s situation, the priority remains to keep those still in camp safe.  Jack’s kidnapping was a wake-up call. The gang will never have a moment to feel safe again. No matter where you run to or who you partner with, there will always be a threat hanging over your heads. Dutch has Arthur and Charles out looking for a new place to set up while the rest of you remain behind and pack. 
Before, you would have helped the women pack up their tent and any other miscellaneous items. But your duties have shifted from working with them to what feels like Arthur duties. You take care of his things now, pack up his wagon while he’s gone, and throw your meager belongings in beside his. You feel remarkably wifely as you fold up his clothes and it sends a cold chill through your stomach. This is not a pleasant familiarity. 
It’s not like you haven’t seen the transition from helping around camp to solely taking care of Arthur. At first, you had assumed it was simply because he was so ill that he needed the aid. But now it seems as though they changed your handler from Mrs. Grimshaw to Arthur. She no longer demanded anything of you or tried to take charge of how you act. 
You wouldn’t say that Arthur has taken advantage of the situation. He never asks anything of you, what you do for him you do of your own free will. But it doesn’t ease the sense of dread you feel. You take care of him, his clothes, and his belongings because you don’t know what else to do. Never have you had the opportunity to choose another way of life. You had been born as an object to be bought and traded, sent to a finishing school that disciplined you in the arts of being a wife. You don’t know any other way and that terrifies you. 
There’s a deep-seated worry that this infatuation with Arthur is only a way for you to survive. By latching onto him, you’ve given yourself someone to take care of and someone who will protect you. There’s no chance of abandonment now that the two of you are so connected. 
It’s shameful, this fear of yours. Still, though, it lingers even when it’s unwanted. 
Lady grazes lazily in the grass beside you. Her tail flicks with boredom, her head always perking up when she hears another horse huff and thinks Diablo might be coming back. They’ve grown remarkably attached and you can’t say that you haven’t noticed she’s been a lot calmer lately. You think being around him so much helped ease her into her new environment. You wonder if that’s what happened between you and Arthur, but you just never managed to fully assimilate. 
Taking Lady’s reigns you hitch her up to the wagon and jump onto the driver’s seat. Without Arthur, you won’t have anyone else to ride with.  Leaning back against the wood, you watch as Molly struggles with some crates. She stumbles, nearly tripping into the mud as she tosses them on the back of the wagon. Dutch doesn’t offer her help, he’s too absorbed in his hushed conversation with Hosea. 
The way Dutch treats her, the dismissive coolness, and then the sudden surge of love every few weeks, frays at her mind. Her patience and sanity have slowly been dwindling and you can see it plainly on her face. She’s gone mad and temperamental and is never happy anymore. Is that the fate of any woman who loves an outlaw? 
Trelawney has a family in the city somewhere. How often does he see his wife or his children? 
Abigail and John are no great love story. She’d been the gang’s favorite whore before John got her pregnant. Then, he’d had no other choice but to take care of her and their child. Their relationship was born out of resentment and necessity. The most affection you’ve ever seen between them was her yelling at him for getting clawed up by a wolf. 
Mrs. Grimshaw watches Molly struggle for a minute or two before coming over and silently offering her aid. They don’t speak and the tension is clear between them. Mrs. Grimshaw, Dutch's former lover, and his current jaded woman. Susan had the intelligence to get out before Dutch broke her completely, now she was nothing more than an associate to him. How quickly do the affections of outlaws fade?
But Arthur isn’t John and he certainly isn’t Dutch. You can’t compare him to anyone because you’ve never met another man like him. He’s not your husband. There’s no ties keeping you together. No oaths to break or rings to bury. You can leave anytime you want, the only reason you’ve stayed so long was because it was your choice. 
If you keep looking for your old life in every aspect of your new one, you’ll never move on. If you keep looking backward, you’ll be terrified of everything. You can’t allow yourself to live like that again. 
Grabbing the reins you take a deep breath and close your eyes. You picture your old house, the cracks in the foundation, and the holes in the walls. Still, you hear your husband’s voice carrying through the halls as he shouts at you. There’s nothing like that here, nothing to fear. The memory doesn’t carry any of the pain it used to. It’s like a ghost of a past you’ve nearly forgotten. You just have to finish letting it go. 
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Shady Belle’s name carries a certain elegance with it. It sounds like a dignified estate, one you might not find in the city but would certainly find near plantations. In your mind, the name brings about images of your childhood home. The same one that had been taken care of by your family for generations. 
However, the rotting monstrosity of termite-infested wood and stinking mud is certainly no great estate. When Arthur proudly shows you the new camp he and Charles have found, it is an exercise in control not to grimace in disgust. You know you’re spoiled by the way you grew up. To these people, simply having a roof is a luxury. 
Arthur looks at you expectantly as he gives you a hand off the wagon. You bite your lip, brows furrowed as you try and think of anything complimentary to say about the house. It’s difficult to think with the stink of the marsh flooding your senses. “It is certainly something,” you mutter, narrowing your eyes at the door that’s not screwed on right. 
You suppose, in a way, it reminds you of your husband’s estate. When the coffers were run dry and your husband had scared away the rest of the cleaning staff. Arthur chuckles and helps you around the puddles of mud blocking the entrance to the home. 
“I know, I know,” he relents, sounding slightly amused by your clear disdain. “It is pretty ugly. But,” he grabs the door’s handle and shimmies it roughly a few times before the rusted hinges let out a loud groan and it goes swinging open. “We do get our own room.”
He motions you towards the stairs and your brows perk with interest. “And,” you glance over your shoulder at him and grin, “what, pray tell, would we need the privacy of our own room for?”
He rolls his eyes at your question and gives you a not-so-gentle nudge up the stairs. “I’m sorry, when did I start speakin’ to the Lady Rowe?” You turn around intending to playfully swat at his shoulder when he unexpectedly grabs your wrist and pulls you to him giving you a rough kiss.  
Pulling back breathlessly, your surprised eyes dart toward his lips, “Well, you’re a real charmer, aren’t you?” You tease. Taking the lead, he guides you through the winding hallway until you reach the very last door in the house. He seems eager to show you and it almost has you excited. 
However, from the way the wood floor creaks under your feet and you can feel the house swaying in the wind, you don’t have high hopes for the state of the room. Besides, when was the last time Arthur or anyone else in the gang had actually slept in a real house? You’re sure he’d get excited by anything at this point. 
He gives you a small smile and throws the door open. You relax your expression, trying to make sure no unkind thoughts show on your face as you step through the door. Your eye twitches slightly and you bite your tongue. This was deplorable. 
The “window” is a hole in the wall that looks like someone had been thrown through. When you look up you can see the sky through the roof. It’s about as small as your old closet and the moist smell is nearly unbearable. The humidity out in these parts is going to be the death of you. You go one step further and swear your heel nearly goes through the floor. 
However, despite all of these issues, there is one very wonderful thing about this room. The bed pushed up against the wall actually looked half-clean and was far larger than Arthur’s tiny cot. “Well, Mr. Morgan, this is something indeed.” He lets out a proud huff and your gaze drifts through the “window.” You grimace as you spot a gator clamping down on a deer in the marsh outside. 
Outlaw life you could handle, but living in the moors was certainly asking a lot. 
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If there were any trails left leading to Jack, they would be found in St. Denis. It was suggested that you use your former connections to try and find information on the boy’s whereabouts. The gang didn’t seem to understand that you had no connections of your own. They were either your husband’s or your father’s. And you certainly didn’t want to call upon any of your father’s old partners, that would lead to nothing but trouble. Though, you wouldn’t be surprised if you ran into them. As disgusting and poverty-ridden as the city is, it’s exactly where men like that love to linger.
“I’m still not sure bringin’ you along was a good idea,” Arthur frowns at how you have to ride side-saddle in the skirts you’d donned for this. As much as you’ve grown to love pants, that kind of modern-day fashion isn’t going to work for what you need to do. 
After what happened in Valentine, you know Arthur doesn’t like dragging you into the gang’s business. But you’re reluctant to let him out of your sight now. You can’t trust Dutch to take any care or precautions for Arthur’s safety. Besides, Cornwall and the Pinkertons wouldn’t be so desperate as to start shooting at you in the middle of the street. There’s too much risk they might hit the wrong congressman and lose themselves their funding. 
“Arthur, might I remind you that I’m more at home here than I am in camp.” A mangy mutt barks at the horses as you pass by. You can just imagine the fleas crawling through his coat, mud matted into what little fur he has left. A boy not much younger than Jack runs up to him and tosses him a stick. You can see the ribs poking through both of them. 
Arthur lets out a heavy sigh and sets you with a firm look, “Really? This is home to you?”
Slowly, the run-down huts around you give way to smoking factories and haggling merchants. Smog and filth pollute the air, the fog parts just enough for you to see the high-end estates in the distance. The rich, watching their fortunes grow as their factory workers and servants die a slow death. 
“Poor choice of words,” you acquiesce. “No, I’m much happier out in the wilderness. I only mean this is where I was raised to be born, bred, and die. There’s a culture to the sniveling men who live here, and I happen to be quite familiar with it.”
“Well,” Arthur sniffs and you watch him toss a coin into a beggar’s outstretched bowl. “I don’t feel like gettin’ comfortable here. Why don’t we make this quick?” You want to laugh at his impatience, but you can’t deny how your stomach is twisting at all of the decay bordering the city. 
You nod your head, nudging Lady on a little faster. It doesn’t take long for the poverty to fade and make way for the “grandeur” of St. Denis. You still see filth, crime, and unseemly business tucked away into the corners of the city. No matter how hard the wealthy try, they can’t keep the dirt off their hands. It’s impossible to turn a blind eye to the murkiness of what you once thought was a black-and-white world. 
“Where do we even start?” Arthur asks, nose turned up in disgust at the city. You don’t want to make him stay here any longer than you need to. If this is what the future of your country is to look like then you have no qualms becoming a feral mountain woman. 
“If there’s anything rich men love more than making money, it’s losing it.” You nod toward the saloon up ahead and smile. “If anyone has information they’ll be there. Either at the poker table or watching it.”
Arthur nods and you see him nudging Diablo to go faster but you hold out your hand, stopping him. “Wait a moment, Arthur. We’ll need to get our story straight if we’re going to get anything useful out of this.” 
“Oh, come on,” he huffs impatiently just wanting this to be over and done with. “We don’t need a story for this.”
“We most certainly do,” you admonish. You click your tongue disapprovingly at him and shake your head. “They’re not just going to talk to any hick off the street.”
“Hey-“
“You’re to be the help,” you continue, ignoring his protests. “Or, my escort,” you amend when you see the disgruntled look on his face. “They don’t let women at the betting tables so I’ll leave you to the men there.”
“And you?”
“I’ll work those at the bar. They’ll be the most loose-lipped anyway.” You lead the horses to the hitch posts by the side of the saloon. Arthur gets off Diablo and comes to stand by your saddle. He holds a hand up towards you and you swat it away with a rude huff. “Mind your place, sir. The help does not touch,” you inform him, nose turned to the air. It takes a herculean effort not to laugh at how easily his face screws up in irritation. You are enjoying this far too much. 
The annoyed look drops when he sees you struggle to shift your legs to the other side of the saddle. He backs away, hands in the air and a smug look on his face. You peer over the edge of Lady and grimace. You seem to have forgotten just how tall your mare is without Arthur’s usual assistance. “Sure you don’t need help?” He asks, crossing his arms over his chest and leaning against the post of the saloon. 
“Sarcasm doesn’t suit you, Arthur.” You drop from the saddle with a jolt and wince a little at the impact on your ankles. He rolls his eyes as you pass by him. 
“Come on, this is ridiculous,” his voice is pleading with you to not go in there. You don’t know if it’s because he doesn’t want you involved or just because he doesn’t want to talk to the men waiting for you inside. 
“This will work,” you insist. “As long as you’re not too familiar with me.”
His face drops and his eyes narrow into slits. “Familiar?” He grumbles. You give him a dainty nod, dodging away from the hand that tries to snatch up your wrist. “Fine,” he snaps, spirit finally broken by your own stubbornness. 
“But if this don’t work,” his hand drifts down to the revolver holstered on his hip. “I got somethin’ that will.” When will men learn there are better ways of getting what they want than whipping out their pistols?
“What?” You deadpan, “You’re gonna shoot every man you see until you get your answers?”
He shrugs his shoulders, stalking past you and towards the entrance. “Maybe.”
“Oh,” you scoff and pick up your skirts, rushing to keep up with his easy stride. “Come on you stubborn fool,” you grouse. 
Right before you both reach the entrance, you clear your throat. He pauses, turning around with a glare. “I do believe it’s ladies first,” you remind him. His lips purse and he takes one reluctant step back. “Thank you,” you use your prissiest voice just to rub some salt in the wound.
“I hate this already,” he grumbles, glaring daggers at your back. 
“Hush,”  you bite your lip to stifle the laughter threatening to surface. You must admit, you’re getting a bit of a power rush being able to command him around like this. You’re so used to taking orders that you’ve forgotten what it feels like to give them out. You had once run your house until your husband took over. It’s been a long while since you fell into this role. 
Taking in a deep breath, you straighten up your shoulders and close your eyes. Remembering the vanity that comes along with a role like this, you smooth out your skirts and open the door to the saloon. The chatter and cigar smoke bring you back to memories of sitting in your father’s office while he filled out his reports. He was so cruel if you’d made too much noise while he was working. His favorite thing to tell you was always, “The proper way of the lady is to be seen and not heard. Women are something to be admired, not understood.”
Looking around at the men in this room, you know they’d tell you the same thing. Women aren’t wanted here unless the men have a hand up their skirts or a business deal with their husbands. Even after all your time with the gang, you still find yourself being cowed. You almost want to turn back around and leave. But it’s Jack’s life on the line and you can’t let his mother down simply because you got scared. 
You pull a wad of cash out of the beaded purse on your arm and lead Arthur toward the poker table. After haggling with Dutch for an hour, you’d manage to convince him to hand over some of the camp's funds. He didn’t need to know how much of it you were planning on pocketing for yourself. 
The men around the table glance at you suspiciously out of the sides of their eyes. But they don’t say anything to you until you start to pull a seat out. “Woah, little lady,” one of the men raises his hand and quickly grabs the arm of the chair, jerking it from your grip. He chuckles patronizingly and shakes his head, “I’m afraid there’s no women allowed at this table.”
“Well,” you give him a sickly sweet smile. “It’s a good thing I’m not playing.” Arthur comes to stand beside you and the man’s face pales. With the brim of his hat just barely blocking his eyes, the only thing they can see of him is the revolver on his hip and the nasty looks he’s sending them. He grabs the back of the chair and jerks it out of the man’s grip, nearly sending him flying. 
“My escort, here, will be playing for me.” Arthur takes his seat without another word and you slide the bills into his hand. Leaning over the edge of his chair, you whisper in his ear, “Try not to lose all my money, sweetheart.”
He tugs a cigar out of his vest and lights it up. He puffs silently on it and you spot the way his lips curl slightly at the edges. You can tell he’s doing his damnedest not to laugh at the little show you’re putting on for him.
“How are we doin’ today, gentlemen?” Arthur addresses the men at the table, voice rough and you can already see them getting antsy just being near him. He should have no trouble getting what he wants from them. He doesn’t even have to wave his gun around, he just needs to sit there and look terrifying. 
You leave him to play his part and move towards the bar at the back of the saloon. There are a few men sitting around, but you have to be careful about who you choose. Someone too drunk won’t be of any use to you. And someone stone-cold sober is going to get very suspicious of a friendly woman who isn’t a whore asking them too many questions. 
Rounding the tightly packed poker tables, you stand by the edge of the counter. There’s no point trying to order, they won’t serve a woman. Unless you’re one of the ladies employed by the establishment, you won’t be getting much service. You hop onto one of the stools, taking in the men slumped against the bar. 
One of them is clearly a laborer who wandered into the wrong bar and was too embarrassed to leave. A few others aren’t too drunk, but they’re talking amongst themselves. You’d nearly left when you saw how crowded the place was, you won’t be able to handle a whole group on your own. The rest, except for one at the end of the bar, look like they’re about to tip right off their stools. 
The man at the end is well dressed, his suit finer and clearly more expensive than any of the others in here. He’s nursing his glass of whisky, the bottle by his elbow and only a quarter-empty. He holds a cigar between his fingers, the smoke curling up into the air around his head. The expression on his face isn’t particularly inviting, but he seems like the best shot you have at finding something that makes this whole trip worth it. 
Slipping from your spot, you drift towards his side, keeping only a stool between the both of you. The goal is to not draw too much attention to yourself. You only need something small for him to notice you, it can’t be obvious that you’re trying. Experience has taught patience in letting them come to you, not the other way around. Reel them in too early and everything falls apart. 
“Excuse me,” you call out to the bartender, a small tilt to your lips as you give him a dainty wave. The man beside you only gives you a brief look before turning back to his drink. But you notice the way he’s turned slightly towards you, most likely intrigued by what a lady like yourself is doing in a place like this. 
The bartender glances towards you with a nearly affronted expression. “Could I get a drink?” You force the pitch of your voice higher yet softer than it normally would be. You know the appeal of innocence and virtue to men like this, as disgusting as it is, it works. 
The bartender shakes his head, voice gruff, “Don’t serve women here. You’ll have better luck somewhere else.” 
“Well,” your shoulders slump and your face falls as you feign disappointment, “That’s a shame.” You feel the stranger watching you and turn like you’ve just noticed him. “I can’t exactly leave,” you explain to him. His brows perk, an invitation to continue even as he remains silent. 
Waving behind yourself, you point out Arthur. “I’ve stolen my daddy’s favorite toy. I can’t leave until he’s won me enough money for this pretty necklace I saw the other day.” There was a time when you actually spoke like this, even thought like this. It almost feels simpler, those days when the most important thing was having the prettiest dress in the room. Given the option, though, you would never go back. Not now that you can see the world so much more clearly. 
You’re entertaining him if nothing else. There’s a quirk to his lips as he listens to you talk. He doesn’t truly care what you have to say, but he likes the company. Turning towards the bartender he snaps and grabs his attention once more. “A drink for the signora,” your brows furrow together at the thick Italian accent. 
You’d heard once, through your husband, that more Italian immigrants seemed to be moving to bigger cities like St. Denis. Italian mobsters seemed to flourish here. You just hadn’t expected to find one in this bar. 
The bartender’s shoulders stiffen, his hands freezing in their idle movements of drying out a glass. You drop the ditzy look from your face for a moment, eyes narrowing in on the odd interaction. The bartender puts a glass before you, his hand trembling as he does. The Italian man watches it all with an eagle-eyed smirk. You can’t help but feel like you’re witnessing some show of dominance. 
The Italian man waves him away and he pours some of his whisky into your glass. “It’s bold of you,” he tells you, not offering further explanation. 
“What is?”
He smirks and takes a deep drag of his cigar. The smoke billows from his mouth like a cloud, wafting over your face and smothering the air around you. Your teeth dig into your lips hard enough to hurt as you struggle not to cough. 
His eyes rove over you and you feel like a diamond under the scrutinizing eye of a jeweler, being checked for flaws and value. “Coming in here unmarried and without your father knowing.”
“Oh,” you wave him off and giggle, your hand drifting towards the back of his arm. He looks smug at the touch like he’s won something. The hair on the back of your neck stands up and you feel as though you’re being watched. Risking a glance over your shoulder you see Arthur already staring back at you. His eyes are practically slits when he sees the hand you have on the Italian’s arm.
You clear your throat and quickly take your eyes off of him. “Do you see how big my escort is?” You ask, practically talking down to him. “I don’t have to worry much when I’ve got him standing beside me. It’s just too bad,” you trail off as you reach for the glass beside you.  
“What?” He prods, straightening up as you take your hand off him. You take your time answering, pressing your lips to the rim slowly and taking a long drink. It tastes of bog and burns the whole way down, and you have to turn away to hide your pinched as you struggle to swallow it. Still, when you turn back to him you manage to look pleased. 
“To be quite honest, he’s touched. Got kicked in the head by a mule a few years back and isn’t good for much more than fighting and labor.” God, Arthur’s going to kill you if he hears any of this. You can’t risk looking back at him again, though. Right now, he’s nothing more than a prop. 
“Still, an unclaimed, beautiful,” he adds as though that makes you sound any less like a piece of land, “woman out and about like this. I can’t imagine your father’s pleased.” 
You titter, batting your lashes and shrugging. “What daddy doesn’t know won’t hurt him. Besides, I’ve got serious business to deal with in the city.”
“Right, your pretty necklace?” His tone is familiar, you’ve been hearing it all your life. He’s not listening to you, he doesn’t care what you have to say, he’s just imagining what you’d look like on his arm. Or under him. It makes your skin crawl but you’re not so stupid that you don’t use his attraction to your advantage. 
An Italian man who can terrify a bartender with a single word, lurking in the dark corners of St. Denis. He seems like just the man you’re looking for. You play into what he wants, making your voice lighter, younger than it is, and leaning so he can see the way your corset perks up your cleavage. 
“Well, beyond the necklace. Though, that is just as important. I have this friend, Abby. Poor thing got born on the wrong side of life and had to do awful things for a living. Then, some no-good outlaw gets her pregnant. So, she’s stuck traveling with him now. And if that’s not bad enough, her poor little boy got stolen from her a few days back. I was hoping I might help her out somehow. Maybe send her a pretty dress.”
You shrug noncommittally as though it truly means nothing to you. He hums under his breath, putting his cigar out on the tray beside him. “I think I can help you out, signora. I’m having a party at my home tonight. I know a lot of,” he trails off, tongue licking across his lips like a hyena lapping at its maw. “Influential people,” he finishes. “If you’re willing, you can attend,” you’re about to agree when he adds one little stipulation. “As my date.”
“Oh, well,” you glance over your shoulder at Arthur now. He’s talking to some of the men around him but he’s still got one eye trained on you. When he sees you looking he frowns, turning to face you fully. 
You want to say no so badly. You don’t want to deal with another man like this for the rest of your life. In fact, you’d be much happier going back to camp and pretending none of this ever happened. But he might have the connections you need, not just for helping Jack, but possibly to help the whole gang. You swallow down your discomfort and force your most flattered smile. 
“I’d love to.” You answer, feigning a dreamy lilt in your voice. He pulls a fountain pen out of his jacket pocket and writes something down on a napkin. He slides it over to you and stands, taking your hand in his own he bends to press a kiss to your gloved knuckles. 
“My estate, signora, eight o’clock.” You watch as three men in different parts of the saloon all get to their feet and surround him. He nods forward and they march like proper soldiers, your eyes drift toward the guns on their hips and you let out a rough sigh. 
You take a glance at the napkin and see that he’s written an address on it. Wonderful, you’ve just gotten yourself a date with the mafia. You see Arthur out of the corner of your eye as he cashes out and gets to his feet. You bite your lip and frown, how in the hell are you going to explain this to him?
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“This is absolutely ridiculous,” Arthur snaps as you both walk into The St. Denis Tailor. 
“Arthur,” you bite your tongue, holding back the insult dancing just on the tip of it. “I’ve already told you that this is necessary.” He tilts his head with a disbelieving look and you throw your hands up in the air in defeat. “He might know how to get Jack back.”
“Yeah, but did you have to tell him I was your ‘daddy’s simple servant’?” He demands, taunting you with the rude words you’d used earlier. 
You take in a deep breath, preparing yourself for a real and true argument, just as someone clears their throat behind you. Turning, you find a sheepish tailor standing behind the register. He waves slightly at the both of you, face flushed from hearing you bicker on your way into the store. 
“Could I help you find something today?” You shoot Arthur a glare over your shoulder and approach the man with a tense smile. 
“I need a suit and a gown for an event tonight.” You start pulling out the money from your bag as Arthur scoffs loudly behind you. 
“A suit,” Arthur begins to protest. 
“Yes, a suit!” You snap, turning around and giving him a sharp look. “You want me to go to this alone?”
He crosses his arms and sets you with an aggrieved look. “Obviously I don’t, woman. But if I’m just your fool of an escort, why do I need to dress up?” He looks smug, as though he’s caught you in a trap of your own design. 
“Oh,” you’re close to stomping your foot like a child as you screw your face up at him. “You are impossible, Arthur. Do you want to find Jack or not?” He doesn’t answer you. Instead, he huffs and throws himself down on a seat by the door, refusing to meet your eye. 
You turn back to the tailor with a strained smile and slam the bills down on the counter. “A suit and a gown,” you reiterate, already knowing this is gonna be hell to get through with Arthur. 
The man takes the money, glancing between the both of you with trepidation. You pass him another ten and his face lights up. “Of course, madam, right this way.” He pulls back a curtain behind the counter and motions you both towards the fitting rooms. 
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The tailor won’t have time to make a custom dress for you tonight. You’ll just have to hope he has something close to your size. Still, you find yourself browsing through the fabrics and laces he has laid out in the front. Your fingers drift over the more expensive silks and it drags you back to the parties you used to attend with your family. 
They were always filled with mindless drivel that was simply a cover for their true purpose. Conversations that always bored you were meant to probe your family for weaknesses. Being back here feels like throwing yourself back to the coyotes. Every face you pass, every conversation you hold, is carefully curated to present the image that person wants you to see. There’s nothing genuine about high society. 
“I don’t want that damn bow tie,” Arthur snaps at the tailor behind the curtain. You roll your eyes and take a seat near the fitting room. You should have just gotten Arthur’s size and picked the suit out yourself. You hadn’t realized how difficult he would be about this. 
You’re certain he’s only mad about you going behind his back and getting an invite to the party. Not only have you involved yourself in the gang’s business, you’ve placed yourself directly in the middle of it. It’s not as though you’re eager to be getting involved like this. 
It’s just after what happened to Arthur, every time he leaves camp you’re starkly aware that there’s no promise of his return. Perhaps it’s given you this itch to be closer to him than normal, but you feel as though it’s a perfectly natural reaction after painstakingly caring for him for weeks. You and the other women had been the only thing to stand between him and death, you’re not willing to let Dutch throw him back into danger without a care. 
The curtain slides back and you straighten up, waiting for Arthur to come out. One shiny black shoe slinks out, slowly followed by his leg. “Honestly, Arthur, you act like this is a punishment,” you complain as he takes his sweet time coming out. 
“With the way this collar is choking me, it might as well be,” he snaps, finally stepping all the way through. Despite the way he roughly tugs at his bow tie, the suit fits him quite well. He could almost look like a gentleman if it weren’t for the sour expression on his face. 
Letting out a soft sigh you stand up and walk towards him, “You look handsome, Arthur, really.” He shoots you a doubtful look and you send him a teasing smile, swatting his hands away from the collar. You loosen the bowtie for him and he gives you a grateful look. 
A little bit of the tension ebbs away from you both, a bridge slowly rebuilding. “I feel ridiculous,” his tone contains just a tad less of the irritation from earlier. 
The problem between you is that each of you desires to protect one another. Arthur wants you as far as he can get you from the gang. You don’t want to let him out of your sight. Neither of you are ever going to give in, it’s always going to be a constant push and pull of stubborn desires. Pockets of peace can be found in a simple moment like this, but you worry that there’s always going to be a divide. 
“You certainly don’t look ridiculous sir!” The tailor calls out cheerfully, eyeing his suit on Arthur with pride. 
Arthur huffs out a small laugh, “Alright,” he relents, “guess I’ll take this one.” You pick a piece of lint off his shoulder and take a slow step back. 
“Your turn, madam,” the tailor parts the curtain for you and you give Arthur one last brief smile before stepping behind it.
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It doesn’t take you long to find the dress you want. You don’t have many options so you choose the one that will fit, and the one that will hurt Dutch’s pockets the most- a rather exuberantly-priced ruby red evening gown. 
Red gossamer wraps around your shoulders and one of the more comfortable corsets you’ve ever worn cinches your waist. Red silk ruches around your hips and back to give you more curves than necessary. It broaches the line of scandalous but it’s one of the only options the tailor has for you. Admittedly, it would better fit a lady of the night, but your goal isn’t to make a good impression. You only need information tonight, what the people you speak to think of you means nothing. 
You pull the heavy fabric of the curtain back as the tailor stares with pride at his creation. Pulling the white gloves up your elbows you walk towards Arthur. “Well?” You hold your arms out, excitedly spinning to show off the back of the gown. You tip your head over your shoulder, anticipating a look of awe, a compliment, maybe even a kiss that will leave the poor tailor scandalized.  
Instead, Arthur looks you up and down, giving away nothing. You smile broadly at him, heart picking up the longer he’s quiet. The tailor peers around the curtain, brows furrowed as he glares at your companion. “Sir?” He prods. 
Arthur shrugs, “It’s a dress. Whaddya want me to say?” You hear the tailor gasp quietly in offense. 
“Well,” your lips thin as you laugh, it doesn’t quite mask the sting of rejection, but you try. 
You turn and look at yourself in the mirror. The woman staring back at you in the mirror isn’t someone you recognize. Circles under your eyes, wrinkles from squinting against the harsh sun, and skin that’s been wind beaten. It’s all so glaringly different to the woman you used to see. Months of muddy pants and cotton shirts have worn away the softer edges of your reflection, and this is the closest you’ve been to feeling feminine since the mountains. You’d been hoping for something less dismissive. 
“You sure know how to make a girl feel pretty, Mr. Morgan.” Your voice is sharpened by hurt and anger. His face slacks and he winces like he���s finally realized just how callous he sounded. You shake your head, whip the curtain closed, and step back. The heat of disappointment strikes hot in your chest. What did you expect? Outlaws don’t know the first thing about courting ladies.
“You look gorgeous, madam,” the tailor tells you as he hands you your other clothes. You force a weak smile in return. Compliments like his are weightless. What would they mean from someone like Arthur?
It would’ve taken so little to spare you a kind word or even an appreciative glance. It makes you think of your husband, how kind he used to be before he grew tired of you. He’d been a “proper gentleman” raised in the knowledge of how to court and care for ladies. That ended with him in the belly of animals. 
A lady and an outlaw, worlds apart in what they need and understand. How could a story like that end? 
You feel your throat tighten, stomach-churning, as too many fears hit you all at once. You’re lightheaded and unsteady on your feet as you wonder if the divide between you both is too wide to cross.
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Next Part
end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.
Hell Hath No Fury Taglist: @buckysblondie @littlebirdgot @heloixe @summerdazed @committingcrimes-2047
@m1stea @pokiona @fleouris
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crowleysgirl56 · 9 months ago
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Updated with edits!
Timeline of the last 12 months 15 months of the Good Omens fandom.
July 2023 - Good Omens season 2 drops. Fans watch on the presumption this season is based on the sequel idea Terry and NG spoke of in the 90’s and 2006. Reactions are mixed but mostly positive. We’re happy with fluff. Initial thoughts: “I don’t see how this story could have been fleshed out into an entire novel, but I guess it was only ever just initial ideas, so I suppose that works.”
July 2023 - THE KISS.
Fandom reaction: NNNNNOOOOOOOOOOO!!!!!
August 2023 - NG responds to fandom
NG: “Season 2 isn’t actually based on the idea Terry and I spoke about.”
Fandom: “What?”
NG: “Season 2 is just a bridging story to get us to season 3. That will be the story that Terry and I discussed.”
Fandom: “What!?”
NG: “Season 3 hasn’t been greenlit by Prime yet so we might not get it.”
Fandom: “WHAT?!”
NG: “Also I wrote the kiss that way by giving the fandom what you want without actually giving you what you want. So like, stop asking me for things or I won’t write them.”
Fandom: “AAARRRGGGHHHHH!!!”
August to November 2023 - The fandom, now lost and depressed, mope through the halls of Tumblr and Reddit, desperately clinging to any piece of information dropped by NG, sharing fan art, creating headcanons and theories, and writing the angstiest of angst fanfiction ever written. Some weep in a corner mumbling about the South Downs. Most just trudge through their daily lives, listless and despondent.
December 2023 - Prime greenlights Good Omens Season 3.
Fandom: YES! OMG HOORAY! WAHOO! Dancing in the streets. Fanfiction turns to fluff and smut. NG is active and happy, answering many questions without actually answering them. Gives us the hilarious gift of Dottie and Sadie.
January 2024 - speculation of when season 3 filming will begin commences. Realisation that it could be quite a while starts to sink in. Actors and writers strike has caused delay to the scripts being written. David and Michael have taken on theatre work which will delay their filming schedules. Douglas McKinnon announces he’s stepping away as director. Fandom has slight freak out, but NG reassures everyone it’s nothing to worry about, and linked to the recent strikes.
Early to mid 2024 - “The invisible and unbreakable line that joins Crowley and Aziraphale”.
Fandom: AAAAAAAHHHHHHHHHHH!!!!! We inevitably become even more feral. Much fanart is made.
March 2024 - David hosts the BAFTAs and Michael helps him during the opening. David is then nominated for TV BAFTA for Good Omens.
Fandom: OMG YYYYYYYAAAAAAAAAYYYY!!! Much dancing and celebration is had once again. We are so in love.
May 2024 - filming schedule for GO season 3 is announced. It will commence January 2025. The fandom reacts.
Fandom: “That’s still so long away!” “Michael and David will have their hair dyed white and red for the awards season!” “Going by the previous production schedule this means season 3 won’t reach our screen until 2026! No!” “Cannot wait for this to start filming we are going to be so feral!” More fanfiction, more fanart.
June 2024 - David hosts Pub in the Park. Michael joins him.
Fandom: THEY ARE SO CUTE! HOW CAN THEY BE THIS CUTE, WE DON’T DESERVE THEM.
Early July 2024 - horrible allegations are laid against NG and the fandom comes to a terrible crashing halt. Much debate and discussion is had back and forth: “Believe the victims”. “Separate the art from the artist”. “Drop the fandom entirely”. “Step back for a moment”. There is a lot of arguing, but there is also still a lot of love. NG has fled all social media.
Late July 2024 - until it’s January, and the show actually starts filming, Good Omens season 3 has now become Schrödinger’s Series. It both now exists and doesn’t exist. Prime at any moment may pull the production due to the backlash against NG. The fandom now re-examines McKinnon’s departure speculating if he left for other reasons. We once again despondently trudge the halls of tumblr and Reddit feeling the same feeling of this time last year.
This section of the post was made in late July was this was original posted: And that pretty much brings us up to date. Anything could happen in the next six months, which is why I feel we’re all worried. It’s why I’m worried. So instead, keep sharing the art, keep writing the fanfiction, keep speculating with theories and headcanons. Let’s be here for each other. Because we created this fandom for each other. It doesn’t belong to NG anymore. Let’s do this for Terry. Personally, I can’t wait to come back to this timeline and add January 2025 - filming begins.
28 July 2024 - Michael Sheen, the absolute angel that he is posts a picture of his tartan socks clad feet alongside the caption “To our world”. Such a beautiful, beautiful man!
10 September 2024 - Amazon Prime announces production for season 3 is paused. Everyone loses their shit. There is much lamentations.
Unsubstantiated posts start circulating that the show is cancelled. People who have a friend whose cousin’s gardener’s former roommate claim they are involved with the production and therefore they KNOW the show is cancelled. More lamentations.
Amazon stays silent for EIGHT. FUCKING. WEEKS.
The fandom walk around in a god damn haze again akin to what August to December 2023 felt like. Will we be left with the final 15 forever?
Mid October 2024 - for about 3 days straight the fandom receives information that is akin to a rollercoaster of emotion. Head graphics designer Mickey tweets out a now deleted post that everyone is going back to Scotland. Then Peter Anderson Studio tweet out a now deleted post referencing the South Downs cottage. Then random casting company updates their subscription website advertising Good Omens: The Finale a TV movie. Entertainment website releases an article referencing this. The fandom LOSE. THEIR. SHIT. AGAIN. We honestly can’t take much more of this.
25 October 2024 - Amazon finally announces the news we’ve been half expecting half dreading with positive and negative ramifications. Neil Gaiman is gone. GOOD! Season 3 will still happen. GOOD! But now it’s just a 90 minutes finale. WAIT, WHAT, NO! But it could have been worse. It was a hairs breath away from being completely cancelled. GOD BLESS RHIANNA PRATCHETT AND ROB WILKINS.
It’s been a wild ride everyone. I’ve already posted earlier this morning (25 October 2024) my thoughts about the whole situation so go read that there. But for now? Gaiman is gone, and we get our ending.
For now here’s to seeing our boys with their red and white hair again.
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shewantsitall · 3 months ago
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There’s something so magical and so fun about the winger that’s been yelling at the center forward the Entire Game providing the assist that leads to his first professional goal and then snatching him up in the fiercest hug I’ve ever seen
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thecurseofcassandra-if · 11 months ago
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[DEMO] [Last Updated: March 19, 2025]
"Hold fast, Child of Cassandra. Those who heed not your words will understand in time. What approaches cannot be contained."
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You’ve been on the road your whole life. Orphaned at birth and failed by the systems meant to keep you in line, you’ve learned how to take care of yourself. After years of being haunted by strange visions that nobody believes, you stumble across the small town of Charity’s Cross - and everything begins to fall into place.
Play as a young wayward prophet, haunted by visions and cursed to never be believed. Inspired by mythology and ancient folklore, The Curse of Cassandra is an urban fantasy story about family, belonging, and the places we call home.
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Explore the town of Charity's Cross, and uncover long-buried secrets that really should have been left untouched.
Run into a group of misfits, and become part of a family that accepts you flaws and all.
Queer joy! Just a whole lot of queer joy and celebration <3
No romance (sorry, not sorry). This is a game about love, but romance is not the focus. You're allowed to headcanon whatever you'd like about your prophet's sexuality, but your interactions with the cast will always be strictly platonic.
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The Prophet - That's you! Human, but with a touch of bloodline magic that haunts your every step. In other words, you're cursed, and it's a real pain.
Daniel Weaver [he/him, 52yo] - Werewolf, kindergarten teacher, all around softie. Would do anything to protect his family, and that includes you.
Arthur "Art" Shields [he/him, 45yo] - Werewolf, caretaker, one of two people in the family who actually knows how to cook. The house is his happy place, and he makes sure it's welcoming and comforting for whoever may walk in the door.
Catrin Galanis [she/her, 49yo] - Gryphon, antiques dealer, gives hugs like handshakes. Once the guardian to a magic stash of treasure, she now guards her own treasure: her children.
Carmine Levesque [she/her, 137yo] - Vampire, fashion designer, the person that's always in the house despite not technically living there. That bat up in the rafters might not be her... but you'd better wave just in case.
Ari Galanis [he/him, 21yo] - Werewolf, college student, sunshine personified. He's earnest (perhaps a little too eager) to meet someone new and bring them into the family's dynamic.
James Weaver [they/them, 17yo] - Werewolf, high schooler, introvert extraordinaire. Getting them to participate in family game night is like trying to wrangle a cat into a bathtub.
Sadie Graves [she/her, 13yo] - Banshee, middle schooler, going through a bit of an angsty phase. She's not exactly the most pleasant to interact with sometimes, but her family supports her wholeheartedly.
Eleni Doran [she/???, 4yo] - Changeling, kindergartener, weird little girl. Nobody's quite sure anymore where she came from, or even what she is, but she's the one person that actually believes your visions.
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yandereunsolved · 2 months ago
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Yandere darling.
Let the VDL gang suffer.
Or enjoy, idk lmao
— Silly
They would enjoy more than hate it.
Dutch would use it for his advantage. Dutch loves a yandere partner. Call him a switch the way he'd end up on a leash after he put you on one. ♡
Hosea can't help but scold his partner for some of their more seamless tendencies. He just doesn't want em' getting hurt for him. However, he's bashful and incredibly honored that you treat him so well―that you believe he is worthy of your love and affection. ♡
Arthur also likes his yandere partner. Sure, they have their flaws. But they're crazier than him. They match his freak. ♡
John is 'nuh uh'. You can't be enamored with him. He's in love with you! Stubborn. Tries to impress you―even though you're already whipped for him. ♡
Charles is... disappointed. You should have better self control. He does have a tendency to ignore his morals when it comes to you. There's just something so attractive about it. Will still try to get you to change for the better. You may break him down before he gets to that point. ♡
Javier seems coy but has thick emotional walls up. Eventually gives in. Likes watching you kill people for him. Double points if you use his knives to do so. ♡
Abigail is more confused in the beginning. You think she's worth this? Your affections? You're really obsessed with her? Is oddly into it. She feels happy that someone finally cares for her and Jack. Will lightly reprimand you after being in love with you for awhile. She's hesitant at first because she doesn't want to scare you off (as if she could). ♡
Sadie finds it endearing. Her darling doe is a bit possessive of her, eh? Earlier in the game she's more restrictive on your tendencies. She may reject them completely. By the end of the game she fully supports them. She may even reciprocate. ♡
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but-a-humble-goon · 4 months ago
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It feels so fucking weird that Rockstar of all studios somehow created one of the most subversive and well written female supporting characters in gaming's recent years.
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Sadie's introduced, shall we say, exactly as you'd expect a woman to in these kinds of stories. She's a damsel in distress, horrifically victimized by a gang of violent thugs who the "heroic" Dutch gang demonstrate they are better men than by rescuing and comforting her then being motivated by her suffering into taking action to kill the guys who did this to her. And if that had been the last we'd ever seen of Sadie she would fit right in with so many women in the background of so many westerns.
Instead though, she sticks around for the whole story, learns the gun, eventually becomes one of the most reliably skilled (and unhealthily enthusiastic) killers in the gang and wreaks her own bloody path of vengeance against what's left of the O'Driscolls, mercilessly hunting them to the last man in a fashion so violent even the hardened lifelong criminals are a little taken aback.
Now that's already doing a lot to be subversive but I think the thing that most got me about her story is it avoids becoming straightforwardly a "good person becomes corrupted into a monster by trauma and violence" story. Sadie goes very, VERY dark sure and she even gets the Unforgiven/Shane ending where there's no going back from the killing for her. John Marston gets to go live a mostly peaceful domestic life on a ranch with his family (at least until RDR1 happens) but Sadie decides this is all she has left and becomes a bounty hunter
Despite all that though, Sadie Adler never really stops being a good person. At least good relative to RDR2 where everybody's a criminal and a murderer. She takes charge, saves the whole gang and holds them all together when things are at their worst and even when the chips are down and the gang turns on itself and begins to drown in its own blood she remains one of the real ones. She comes to be one of the last people Arthur can rely on in the world. She consistently protects the others and puts them before herself. She always helps without ever needing to be asked. She never leaves anybody behind.
Something that stands out to me is there's multiple times where she assertively protects the male protagonists. She orders Arthur to stay well behind while she goes in to save Abigail by herself because he's sick and she keeps trying to talk John into going home to be with his family because unlike her he has something to lose.
Basically Sadie Adler is great and I love her. She's so much more textured, nuanced and just plain awesome than we normally get especially in stories of this kind and her story is handled with an honestly shocking amount of sympathy that I have come to really not expect from Rockstar.
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lesbian-for-arthur-morgan · 2 years ago
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Middle Class Lady Who has the Gang Sneak in Her Window
"The gang falling for a woman of a higher class and a father that doesn't approve of them so they usually sneak through their window to be together" @livingdeadgirly​
Genre: Fluff - some angst if you squint (Fem Reader uses she/her pronouns) Featuring: Arthur, John, Dutch, Javier, Charles, Sean, and Sadie Warnings: Mentions of guns, outlaw type of stuff
AN: I'm so sorry these took me forever to write! if some of them seem a little out of character please ignore it and pretend they aren't :D ---> Requests are open! Check out my guidelines if you have any questions
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Arthur Morgan:
Your father owned his own saloon which gave him an incredible insight into the type of men who frequented his establishment. He thought of this as a blessing once you started growing older and wishing to be courted, he could keep an ear out for anyone that he deemed unworthy for you.
Unsurprisingly, anyone who frequented the bar was not someone your father wanted anywhere near you. Especially when it came to an outlaw by the name of Arthur Morgan. The two of them had a long-standing feud (actually it was your father who hated Arthur and Arthur was too busy being infatuated with you to notice).
The first time Arthur was seen speaking to you in front of the saloon, your father came barreling through the doors to usher you inside. He instructed you to never speak to him again. Of course you didn’t listen.
Months go by and Arthur has made an extreme effort to get as close to you as he can without your father’s knowledge. The two of you will just so happen to go to the same general store at the same time every Friday by ‘accident’, you just so happen to run into him when you take your horse for a little trail ride to exercise, and every once in a while you both somehow end up behind the theater at on show nights by some strange chance of fate.
After a while, you’re so sick of having to keep your interactions short and sweet and secret in the public eye (lest anyone witness it and run off to tattle to your father). You write a quick letter to Arthur one day asking him to meet you at the side of your house at midnight.
When he gets there and you’re nowhere to be found he’s beyond confused; it’s not until he hears a sharp whistle and looks up to see you waving at him from your second story window that he understands your plan.
“The things I do for you, woman.” He grumbles with a smile and begins hoisting himself up the tree conveniently located right by the window.
You’ve already got the window open as he reaches the top and you begin helping him crawl inside. Now Arthur is a large, bulky man he isn’t exactly as nimble as he might have been once upon a time. You can barely contain your giggles as he lumbers into the room ungracefully and nearly face-plants into the rug on your floor.
“I ain’t had to do this since I was a boy,” He smiles down at you once he steadies himself as you grin up at him widely.
“You’re still young enough to climb through a lady’s window yet, Mr. Morgan.” You tease.
It’s the first time the two of you have ever truly been alone since you met and the tension in the air is palpable. Arthur looks between you and your carefully cleaned and decorated bedroom, then down at his dirty boots on your rug and worn denim pants. He was the complete opposite of you - he didn’t deserve to ruin your space with his grimy life and clothes.
“What you thinking about, Cowboy?” You place a hand on his cheek and turn his head to make him look back at you. He’d confess a few of his doubts, not trusting himself to tell you that he doesn’t deserve you flatout, and you’d shake your head and lead him over to your bed and have him sit down.
You’d kiss him and quiet his thoughts, allowing your actions to say more than words ever could and from that moment on he’d find himself climbing up a tree every other night.
Your father didn’t figure it out ever, even though Arthur and you were hardly ever quiet.
John Marston:
You were the most beautiful person that John had ever seen in his entire life. You were walking in the middle of town with some man nearly twice your age and John figured you were married to him - some lady victim to a man with money and a ring.
John fantasized about swooping you into his arms and saving you from a life of excruciating monotony. He’d tell the old man to kick the bucket, maybe rob him of whatever cash and valuables he had on him, and let you live your life free with him.
When he overheard you refer to the man as your father John felt absolutely giddy. He took his hat off and tried to smooth his hair down as he moved to approach you and introduce himself.
Your father watched the outlaw walk up to the two of you with a skeptical eye. He was hoping the cowboy would walk past you, but he stopped right before you and held out his hand to you. “John Marston, Miss….?” He prompted.
Your father shut it down immediately. He was so incredibly unamused that he stepped between you and John and shoved his arm down. He told John to basically get lost, but John ignored him and kept his eyes on you.
It was like love at first sight.
You couldn’t tear your eyes away from his and couldn’t hide the growing blush that heated your cheeks as he ever-so-slightly smiled at you. A small smile that disappeared as your father demanded his attention.
“Now son you get out of here before I get angry. I don’t want you anywhere near my daughter, you got that?”
John wanted to laugh at his vague threat. Who did this guy think he was? John put both hands up to show he meant no harm and took a few steps back.
“Didn’t mean nothing by it, sir,” He shrugged, “Was just being friendly.”
Your father scoffed saying he didn’t want any of John’s kindness and neither would you. You caught John’s eye while your father was speaking and mouthed ‘sorry’ with a sweet smile.
John was smitten immediately. He may seem like a big tough outlaw, but the guy is secretly a huge soft romantic. He was already envisioning your wedding and the type of house you two would build together in the middle of the prairie where no one would bother you and you could leave your respective lives.
He may have been getting ahead of himself.
Your father dragged you away and into the general store, John went off to finish a few more errands. He didn’t think he’d actually ever see you again until the moment he went back to his horse to ride back to camp.
He felt a quick tap on his shoulder and there you were looking at him with a mischievous glint in your eye.
From that moment on the two of you had to meet in secret - away from the watchful eye of your father. John took to sneaking in your bedroom anytime he got the inclination to see you (which was a daily occurrence tbh).
He’d take a stroll around the house to make sure your father’s room lights were off and see if yours were on and you were still awake. Due to his frequent visits, you were always up late waiting for him to call on you.
It was all fun and games until he’s waking up at the ass-crack of dawn to climb back out of your window before your father woke up to find him lounging in your bed. That would be a messy scene.
Dutch Van Der Linde:
Dutch thought he was too old to have to worry about meeting parents and getting the approval to see the lady he fancied. He was an old dog; he liked younger women of course but never the type who were of a higher social standing than him and needed that.
Then he met you.
You swooped into his life with your pretty dresses and sweet words and you didn’t want him at all at first. It made him want you even more.
It’s no secret that rich men are corrupt and willing to meet with anyone to make a quick buck. Your father met with Dutch to provide some intel about a train full of valuables and treasures that were interesting to both parties involved. Your dad wanted a cut of what was on that train provided the Van Der Linde gang robbed it.
Your father wasn’t a good man. He enjoyed money a little too much, and saw you as property more than his daughter. He was overprotective of you - to the point that he refused to ever let you out of his sight for even a second.
You went to every meeting between the two men and at first didn’t give a damn about Dutch. You thought he was handsome, but not the type of man you’d ever be interested in. Not until your father warned you to stay away from men like that.
He even went so far as to comment that he didn’t like the way Dutch looked at you. It fueled something inside of you. The idea of rebelling in such a way. Dutch was attractive, he had money, an exciting life, and most of all it would piss your father off if you courted the gang leader.
The next time there was a meeting between the three of you, you bat your eyelashes and laughed at Dutch’s jokes a little too hard.
Dutch bid you farewell by kissing the knuckles on your hand, and you loved the way your father basically had smoke coming out his ears at the action.
Your father didn’t bring you with him the next time he went to a meeting with Dutch. He locked you in your room, and only unlocked the door to check on you before bed that night.
You were pouting and writing a long sob-story in your diary when you heard a soft tap on the glass of your window.
You pulled back your blinds to see Dutch crouching in the dirt by your window with a wicked grin on his face.
“Can I come in, Darlin’?” He cooed with a sweet voice. You opened your window immediately and he ducked through the frame.
“You didn’t come with your father today, he said you didn’t want to attend the meetings anymore.”
You explain that you’ve basically been kept a prisoner in your room all day since your dad was convinced Dutch was trying to steal you away from him. You grumble out a few curse words after you explain and roll your eyes.
“What if I am tryin’ to steal you away?” Dutch whispered, his eyes dark and sparkling in the lamp light. You didn’t realize how pretty he was.
You bite your lip and smile, trying to keep on a tough act at his words. It’s no use, though. He’s charming, it’s why he is who he is.
“Maybe I’d let you,” You reply in a sultry low tone.
That’s all Dutch needed to hear. He helped you pack a small bag of items to bring with you and he brought you back to the camp where the gang was staying.
On your bed, you left a note telling your father you were running off with a man. Shortly after that Dutch mailed out a post saying he didn’t want to do business with your father anymore. It was all settled.
He stole you away to join him at camp, and that’s where you stayed.
Javier Escuella:
You met Javier by chance one night when you were being harassed by a local lawman after a night out at the theater. Javier rushed to the alley when he heard your shouts ordering the man to stay away from you.
Javier saw red and let his instincts take over him. He grabbed the man by the collar of his very nice shirt and used it to throw him to the mud.
“The lady asked you nicely to leave her alone. Now, I won’t be so nice if I have to ask. So, tell me, do I have to be the one to request you leave her alone?”
The man scrambled in the mud, splattering it on his dress pants and coat, as he picked himself up and ran away.
Javier introduced himself and offered to walk you home. You were a little wary of him at first, what with the guns at his belt and the knife at his thigh, but he assured you that he was not a threat. He just didn’t want you risking getting harassed again on your journey to your house.
You took him up on his offer and as he dropped you off at your front door you gave him a quick, shy peck on the cheek and asked if he wouldn’t mind coming to visit again in the future.
Javier is a blushing bumbling mess but somehow finds the words to agree and see you again later on in the week.
From that point on, this man spoils you in every possible way. He brings you flowers, fine pelts, jewelry (don’t ask where he got it), and little poems he writes or likes just so that you have a little piece of his heart.
Does your father care about all of that? No. He just cares about Javier’s status as an outlaw, a killer. He’s heard the rumors about the Van Der Linde Gang and he refuses to allow one of the members anywhere near you.
Javier is willing to do anything to see you, though.
You started leaving your windows perched open during the warm summer nights, and a low whistle alerted you to a person sitting right outside the glass. Your curtains were fluttering slightly with the wind and so all you saw was the shadow of a figure causing your mind to think of the worst scenarios possible.
You drew a knife from your vanity and clasped it in your hand ready to call for your father, but you heard a familiar voice lowly call out.
“Mi amor?”
You let out a sigh of relief and pulled the curtains back fully to see Javier smiling at you with a bouquet of wild flowers in his hands. “I wanted to see you and I couldn’t wait any longer.”
You asked him to wait outside while you barricaded your bedroom door with a stool, then opened the window wider for him to duck inside.
At first he didn’t really know what to do with himself, he planned to give you the flowers and have a quick kiss before needing to leave -  he did not expect you to usher him inside.
You took the flowers from his hands and placed them on your dresser next to the box of trinkets and gifts Javier has given you before.
You sit on your bed and make a spot for him to sit beside you. He isn’t really sure what the gentlemanly thing to do is in that situation, but just to be safe he sits on the floor by your feet. He’s gazing up at you as if you were the moon itself and doesn’t even try to hide the way his breathing quickens every time your eyes meet.
It becomes routine for him to visit you nearly every night and wait for you to barricade your door before allowing him in. Eventually he gets more comfortable and feels better about sitting next to you on your bed - though he knows it was not the proper thing to do.
He really wanted to court you the proper way, but with your father being so hesitant to know him outside of his status he had to be a little lenient on conventional courting methods.
Charles Smith:
Charles has been sneaking into your room for years.
You were childhood sweethearts, but your father had hated the relationship from the moment you expressed any sort of soft feelings for the boy.
When he first started sneaking in, it was just because your father didn’t want you to be friends. You and Charles were inseparable, so he’d sneak in when he could to read your books and play with your toys while your father was at work.
As you grew older, your feelings grew too.
You developed a strong crush on Charles and he was completely oblivious to it. At first, since you didn’t know how to express your feelings, you pushed him away and told him to stop visiting you.
Charles was crushed when you essentially told him to get lost. He couldn’t understand what caused your change of heart - he figured maybe your father had finally gotten to you and you realized you were too rich, too pretty to be his friend.
Charles stopped climbing through your bedroom windows and started only seeing you in public spaces or whenever you took your horse out for a ride.
Eventually, though, even those interactions dwindled and Charles stopped seeing you altogether.
It broke you when you didn’t speak with Charles anymore. You thought it better that way. He couldn’t find out your feelings for him - especially since you were certain he didn’t feel the same way.
Years go by, you stop seeing Charles even in fleeting moments. You heard he ran off and was living alone in the wilderness.
It was your fault, you thought. You pushed him away during his time of need and now there was no way of knowing what became of him. Whether he was alive or dead.
You grow older, your heart growing cold and calloused, and you never really recovered from the hurt you put yourself through.
One night, you’re a passenger on a train taking you deeper into the west of America when there was a loud commotion at one end of the passenger car you were in.
You put down your novel and see a group of masked men with weapons demanding valuables from every patron they pass by. They were slowly moving down the aisle, approaching where you were sitting at an alarmingly fast pace. You couldn’t think of a way out of the situation without giving away every last bit of money you had on you.
That is, until one of the masked men gets to you and instead of the harsh demands and pointed threats you expected to hear, you hear your name being whispered softly.
You look up, skin ablaze with fear and eyes watering. Through your tears you can see a familiar set of dark brown eyes peering down at you as if you were a ghost.
“Ch…Charles?” You squint. You questioned if it was just a mirage, a trick of your brain due to fear, but there was no doubting it. Those were Charles’ eyes.
He softly grabbed you by the arm and helped you out of your seat.
“Come with me,” He whispered as he pushed you through the aisle towards the exit. “I promise nothing will happen to you.”
It was stupid, but you blindly agreed as he led you out of the train and onto the dusty earth.
Charles and you caught up as the rest of his posse finished robbing the passengers of the train. You learned that he had been taken in by the Van Der Linde gang and was making a living as an outlaw. After seeing what you did on the train, that part of his story checked out.
You caught up with him as well, you informed him of your father’s fate and how his will left everything to you. How you regretted pushing him away as a teenager and how you wished he could forgive you.
“I never even hated you for it,” He said softly, “There is nothing to forgive, it’s how the world is sometimes. Cruel.”
You tried to explain your feelings at the time, but the embarrassment of it never let you fully explain.
Charles offered to take you home, but you wanted nothing more than to continue catching up with him and learning about his new life, his new family. Charles took you back to camp, and you ended up staying there with him for a few weeks. (For a fee of course, as Dutch had so cleverly thought up)
Your feelings for Charles rose to the surface once again, and you weren’t sure when or if there would ever be a time to explain how madly in love with him you were.
Sean MacGuire:
The first time y’all met was when he was sneaking through your window late one night.
Dutch had given Sean a vague plan about robbing a local lawmaker’s house while the man was scheduled to be two towns over for some political business. Dutch figured it would be a quiet, simple mission to grab some extra loot and not worry about being caught.
Sean paced around your house a few times after midnight the day your father left, and when he didn’t see any lights on or movements he figured it was safe to go in.
He checked a few key points of entry, but the windows on the ground-floor were locked and he didn’t want to risk leaving any evidence of there being a break-in for when the lawmaker came back.
Sean noticed that a window on the second floor was open the tiniest sliver, he’d be able to use a dagger to wedge it open wide enough to slip his hand in and open it fully.
He climbed up some vines growing on the side of the wood paneling and pulled his dagger to wedge it open. Once he got himself inside, he turned towards the window to close it.
His entire body stiffened when he heard the metallic click of a pistol being cocked from behind him.
“Now I’ll only say this one time, Mister, you need to get outta here before I blow a hole in you and make a mess all over these clean floors.” The threat was serious, Sean knew that, but he couldn’t help but perk up at the sweet sound of your voice as you told him you were going to shoot him if he didn’t leave.
He put his hands up, dropping the dagger he had, and turned to face you slowly. The house was dark. Shadows danced across your face and shielded your eyes making you look lethal with the gun pointed at his chest. Sean thought you were beautiful.
“I mean no harm, Miss. Just business ‘s all,” Sean gave you a toothy smile which only made you narrow your eyes.
You told him you were going to give him one chance to leave and he’d only stay if he had a death wish.
Sean wanted nothing more than to stay with you and use whatever methods he could to woo you, but he was familiar with the look in your eyes and the tone of your voice. He was scheduled to meet the gods above if he didn’t slip back out that window and into the night.
After he left, he was already planning the ways he could meet you again - under more favorable circumstances of course. He decided to visit you the next day with a peace offering and a smile.
Once dawn broke over the horizon, painting the world in a golden orange light, Sean was already up and out of camp heading to your large house on the hill.
He knocked on the door and you answered after a few minutes. Your hair was messy from sleep and your nightgown was covered by a long robe that was hastily thrown on to save your modesty.
“What the hell?” You grumbled and looked at Sean as if he had grown three heads. “Either you are the stupidest man on the planet for comin’ back here, or you truly do have a death wish. If it’s the latter give me a second to grab the gun.”
Sean was in love immediately.
“I wanted to apologize for last night. I never woulda thought ‘bout stealing from a man with such a pretty woman living under his roof.” He handed you a small box saying that it was a piece offering. Inside was a large silver coin and a note that said ‘thanks for not shooting me’.
You rolled your eyes and scoffed, but pocketed the coin and note nonetheless. You invited him in, but warned him any funny business would not end favorably for him. He only shot you a coy smile and promised that he was only coming as a gentleman, not an outlaw.
The two of you grew as friends at first but once things seemed to grow more romantic, you had to start sneaking around and avoiding your father finding out about the relationship and how it started.
Sean was glad he got the practice sneaking in your window that first night, though, because it was common practice while the two of you had to keep your romantic relations a secret.
Sadie Adler:
Sadie was a shell of herself when you met her.
She was still mourning the loss of her husband and trying to become accustomed to her new life as a member of the Van Der Linde Gang when you stumbled into her one day.
She was just starting to get back on her feet and was at the tailors in town when you strolled in with your fancy clothes and styled hair.
She wasn’t intimidated per say, but she felt a little inadequate in comparison. What with her ragged hand-me-downs from Miss Grimshaw and her few coins that she saved to buy a new linen shirt - you were like royalty compared to her.
You approached her first at the tailors. You asked if she had been in town long as you didn’t recognize her, where she came from, where her husband was (assuming she was married). Sadie didn’t know how to answer all the questions you threw in her direction.
You broke down her walls, though. You bought the shirt that she wanted and even invited her to tea with you at your house to talk about what had been plaguing her the last few weeks.
She didn’t want it to help, but Sadie could physically feel the relief flood her chest as she stopped holding on to her emotions and let them flow freely. A friendship between the two of you grew quickly and rapidly.
Then, it grew to be a little more.
Sadie had been working on jobs with Arthur and gaining her confidence back. In doing so, she finally got the nerve to kiss you goodbye one night when she was getting ready to go back to camp.
She gazed at you nervously after she did it. She couldn’t figure out what your expression meant - whether she went too far, or if you even liked her back in that way.
Tears slipped from your eyes as you looked up at her and grabbed her cheeks, shoving your lips against hers. Her kiss was sweet and gentle, but yours was aggressive and needy. You didn’t realize she felt the same way about you, and knowing that she did created a swell in your heart that never went away.
After your first kiss, you had to keep your relationship on the downlow. Your father knew that the two of you were friends (he hardly liked even that), if he found out that y’all were girlfriends he would separate you for good.
Sadie came up with the plan to visit you during the day as a good honest lady of society, but at night she would climb up through your window to enjoy spending time with you as a partner instead.
Friend by day, girlfriend by night.
Sadie slipped through your window every other night, quieter than a shadow when she came in. Sometimes you’d turn around and she would just be getting in and it would make you squeak a little as it startled you.
She kissed you to keep you quiet when that happened, though (teehee)
Sadie would spend hours with you at night. You’d help her brush her hair when there were missions she was on that took days and she wasn’t able to care for her locks. You’d let her borrow your nightgowns if she ever wanted to stay and relax in your bed until dawn.
The two of you would hold each other and talk until the mourning doves sang their melancholy songs in the early hours of the morning.
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