#sadi's is just beginning

[romances-not-tragedies]

"He has a habit," Sadi Ratan told him.

"Who?" asked Jo, sounding uninterested though he felt otherwise.

"Our...client," the lieutenant answered hesitantly. It was odd thinking of the Chinese mestizo as their client since the night they had saved him and Isidro Alcantara had compelled them to work on the young man's case...together. "It seems that he is always reaching for something under the collar."

Jo blew out a smoke after having taken a long drag from his brown-papered cigarette. "Do you suspect something?"

"Why would I say anything if it is not suspicious, Señor Gar?" asked Sadi Ratan, a bit irritated. "Madre de Dios, I do not know why I have to tell you."

Probably to show off, Jo thought to himself. Typical Lieutenant Sadi Ratan, wanting to prove to Jo that he was right. Still, having watched how the lieutenant had been observing the young survivor over the past few days as the survivor recovered from a beating, he suspected that the man had more secrets than they had believed.

Miguel Chua, Jo observed, slid his fingers under the collar of his shirt and it was as if he was reaching for something. Anxiety etched his face, followed by relief when he must have found what he was looking for before withdrawing the digits from under the collar.

Miguel turned to them and asked, "What now?" Exasperation colored his voice. He had always been acting annoyed towards them since they had approached him and offered to solve his case. While he was grateful for their help, he still regarded them with suspicion.

"Forgive us, Señor Chua," began Jo, "but I hope you don't mind what you are reaching out under the collar of your shirt."

"So the devil himself would snatch it away from me?" Miguel asked sarcastically, eyeing Sadi Ratan with distaste.

"For the love of--" Sadi Ratan sputtered as he tried to answer him. Ever since they had met, the young Chinese mestizo had considered Sadi Ratan with annoyance and disdain the same way the lieutenant had regarded the Chinese with equal disdain. "Why would you think that I would take it away from you?"

"So you would boast of the accuracy of your suspicions," fired back Miguel, "which amounts to nada."

"Basta," Jo reprimanded them with a raised hand to stop them coming to blows. "Señor Chua, if you please, we would like to know what it is you are keeping with you."

"Fine," Miguel Chua huffed, but complied with Jo's request anyway. The young survivor slid his fingers under the collar of his shirt and produced what appeared to be a pendant of a small oval shape. Both Jo and Sadi Ratan approached the young man to take stock of the small pendant--no, medallion--that Miguel had been keeping with him.

The front of the medallion depicted the image of the Virgin Mary, hands spread and rays of light radiating from her open hands, the inscription in Latin that Jo recognized (in his painfully limited Latin) as a prayer of intercession to the Virgin Mary and the year 1830 under the image of Mary. The young man turned the medallion to the back. A large "M" interlocked with the cross and bar above it and under it were two hearts, one with a crown of thorns and another piereced with a dagger, with flames above them. To finish it up, stars framed them.

He must have heard Sadi Ratan suck in a gasp, and grow still.

"Where did you get it from, Señor Chua?" asked Jo. He was in awe with the man who must have had kept his faith while he, Jo Gar, had eschewed it in favor of cold logic.

"My friend," Miguel said, his eyes dimming. "He gave it to me one night. And then..." The young man stilled as he let go of the medallion and let his hand fall on one side. "I do not know what happened next. He was gone. They said someone took him in the midst of the riots. But I do not want to believe it."

I'm sorry, Jo wanted to tell Miguel. He had known what it was like to lose a friend. Yet it was worse with Miguel Chua, as he had not known what had befallen his friend, who had disappeared for almost two years.

Jo turned to Sadi Ratan, who grew pale at the mention of the riots that happened two years ago. He had known why, though he chose to keep the reason to himself.

"Why did he give the medallion to you?" demanded Sadi Ratan, though Jo might have picked up the confusion laced through his question. "Did he have any reason why he would simply entrust you with it?"

Miguel hardened his jaw at the tone of the question. When he answered, there was a bite in his tone. "He is my friend, Lieutenant Ratan. Perhaps it is not enough for you, but there you have it. He would rather entrust this one to me than to anyone else, not even his father."

"His father?" repeated the lieutenant, shocked and disoriented by the mention.

"I cannot say much about his father," the young survivor answered, "except that he was a man you do not want to fuck with. Too ruthless for anyone's taste, even for my family's." He wanted to say more, Jo noted, but it became obvious that Miguel Chua would rather not say more about his disappeared friend's father. Something flickered in the young man's eyes as his dark eyes focused on the lieutenant as he discussed about his friend's father's character, something akin to suspicion.

It confused Jo. What did his friend's father have to do with the lieutenant? Then he remembered the time when they had saved him from certain death, and Miguel had called Sadi Ratan the name of his friend. Raul? the faint shock in Miguel's voice still heard in his head, followed by what he thought was not-quite fluent Cebuano, and the lieutenant's confusion and subsequent denial following it.

Jo had no idea where this case would head. And he didn't like it.

Not one bit at all.

[wtftaylr]

Falloutober Day 1 - Okey Dokey

amnesiac courier has arguably inappropriate reaction to nearly getting murdered by Jackals

cheeky closeups under the cut!

[inky-bun]

Sometimes confiding in those that understand your pain can be the best comfort there is.

[slashingdisneypasta]

Please Reblog if you participate! ^^ We need to spread the old lady love! XD

[royalarmyofoz]

what if,,,,katherine says something to sadie. a veiled criticism/backhanded compliment. she more or less spits it at sadie. expects her to flinch, that's how devastating katherine thinks the blow is. but whatever it is, was actually more meaningful and thoughtful than katherine realizes. and sadie's like 'red alert. abandon ship. run.' sadie's like can you just go back to telling me i'm a good girl and we not do This

[thatartiststudios]

I know it's been literally forever since I've updated Let The Games Begin, but I have now! And I've released two chapters at once as a special treat!

Let The Games Begin Chapter 9

On deck the next day, under the vast expanse of the sky, the hologram device hummed to life, projecting the ominous figure of The Collector.

Callum turned to Rayla, concern etched on his face, “Are you sure you’re ready for this?” he asked.

Leo chimed in, “Yeah, we can take all the time you need. No rush, Rayla.”

Rayla gave Callum’s hand a reassuring squeeze and nodded, “I’m sure. Let’s not wait any longer.”

As they approached the hologram, The Collector’s imposing image addressed them, “I’m glad you’re ready. This trial will be different. Instead of facing material enemies, you two will witness a past event, casting Historia Viventum five times. Each time, you’ll earn a shard of the final key. Once you’ve seen the full event and collected all five shards, they will merge into your last key.”

Confusion and unease spread among the heroes as The Collector explained the nature of Callum and Rayla’s trial. Callum voiced the question on all of their minds, “Why is our trial different?”

The Collector chuckled, “The Game demands it, dear Callum.”

Jason couldn’t help but ask, “What does that mean?”

The Collector, mysterious as ever, responded, “No matter. I shall ensure your safe travel to the location, and,” he turned to Leo, “I will allow you to accompany the others this time.”

With that, The Collector vanished, leaving the heroes to exchange uneasy glances. The weight of their next challenge hung in the air, and uncertainty rippled through the group.

 Silence lingered for a moment after The Collector’s projection faded away. 

Leo broke the quiet, scratching his head. “Well, that was cryptic. Anyone have any idea what he meant by ‘The Game demands it’?”

Sadie, ever attuned to mystical explanations, offered her perspective, “Maybe there are rules to this magical game we’re not fully understanding. The Collector seems to be the keeper of those rules.”

Carter raised an eyebrow, “But why change the rules for Callum and Rayla?”

Piper, contemplating, suggested, “Perhaps it has something to do with the nature of their magic, being from another world and all.”

Jason, always skeptical, chimed in, “Or maybe The Collector just enjoys keeping us on our toes.”

Callum, still processing the revelation, shook his head, “I don’t like the idea of witnessing a past event.”

Rayla, her eyes reflecting a mix of curiosity and concern, added, “What event are we supposed to witness?”

Leo, trying to lighten the mood, said, “Well, at least we have Leo Valdez, the fire guy, to accompany you this time. Maybe I can add a little flair to your magical show.”

Jason, giving Leo a side-eye, teased, “Just make sure not to set the past on fire.”

Continue on AO3

[odinsblog]

“I first started noticing the journalists dying on Instagram. I'm a journalist, I'm Arab, and I've reported on war. A big part of my community is other Arab journalists who do the same thing.

And when someone dies, news travels fast. Recently, I pulled up the list that the Committee to Protect Journalists has been keeping and looked at it for the first time. There are 95 journalists and media workers on it as of today.

Almost everyone on it is Palestinian. Scrolling through, I started to get angry. These were the people carrying the burden of documenting this whole war.

Israel is not allowing foreign journalists into Gaza, except on rare occasions with military escorts. These people's names are being buried in a giant list that keeps growing. What I want to do is lift some of them off the list for a moment and give you a glimpse of who they were and the work they made.

I'll start with Sadi Mansour. Sadi was the director of Al-Quds News Network, and he posted a 22-second video on November 18. That was a report from the war, but it also gave me a picture into his marriage.

Sadi's wearing his press vest and looks exhausted. He's explaining that cell service and the Internet keep getting cut off, and it's often impossible to text or call anyone, including his wife. So they've resorted to using handwritten letters to communicate while he's out reporting, sending them back and forth with neighbors or colleagues.

He ends the video with a picture of one of these letters from his wife. In it, she writes,

‘Me and the kids stayed up waiting for you until the morning, and you didn't come home. We were really sad.

I kept telling the kids, Look, he's coming. But you didn't show up. May God forgive you.

Come home tomorrow and eat with us. Do you want me to make you kebab or maybe kapse? Bring your friends with you, it's okay.

And give Azeez the battery to charge. What do you think about me sending you handwritten letters with messenger pigeons from now on? Ha ha ha.

I'm just kidding. I want to curse at you, but we're living in a war. Too bad.

Okay, I love you. Bye.’

A few hours after he shared that letter, Sadie and his co-worker Hassouna Saleem were at Sadie's home, when they were killed by an Israeli air strike that hit his house.

His wife and kids, who weren't there, survived.

Gaza is tiny, and the journalist community is really close. Reading the list, you can see all the connections between people. Like with Brahim Lafi.

Brahim was a photojournalist, one of the first journalists to die. He was killed while reporting on October 7. He was just 21, still new to journalism.

On his Instagram, you can see that in his posts just a few years ago, he was still practicing his photography, taking pictures of coffee cups and flowers. Then he started doing beautiful portraits and action shots. You can really feel him starting to become a journalist.

Clicking around on Instagram, I found a tribute post about Brahim from his co-worker Rushdie Sarraj. In this photo, Brahim staring intently at the back of a camera, his face lit up by the light from the viewfinder. He looks so young.

The caption reads, My assistant is gone. Brahim is gone. Rushdie himself was a beloved journalist and filmmaker.

And I know that because he's also on the list. He was killed just two weeks after Brahim. I read the tribute post to him too.

I saw this over and over again. Journalists posting tributes, who were then killed themselves soon after. And a tribute goes up for them.

And then the pattern continues.

Thank you.

Something else I saw over and over on the list, journalists later in the war who had become aware that they could be making their last reports. They'd say it at the beginning of their videos. And those were the hardest to watch, especially when it was true.

One video like that was posted by Ayat Hadduro. Ayat was a freelance journalist and video blogger. Her videos before the war covered a wide range from what I can tell, interviews about women in politics.

She even appeared in a commercial for ketchup-flavored chips. She clearly liked being in front of the camera. Once the war started, Ayat's pivoted to covering bombings and food shortages.

On November 20, she posted a video report from her home. You can hear the airstrikes hitting very close to where she is. It's scary.

‘This is likely my last video. Today, the occupation forces dropped phosphorus bombs on Beit Lahya area and frightening sound bombs. They dropped letters from the sky, ordering everyone to evacuate.

Everyone ran into the streets in the craziest way. No one knows where to go.

But everyone else has evacuated. They don't know where they're going. The situation is so scary.

What's happening is so tough, and may God have mercy on us.’

She was killed later that day.

Targeting journalists, in case you didn't know, is a war crime. So far, the Committee to Protect Journalists has found that three of the journalists on the list were explicitly targeted by the IDF, the Israeli military. Investigations by the Washington Post and Reuters, Human Rights Watch and the United Nations have also raised serious questions in these three cases.

And the Committee to Protect Journalists is investigating 10 other killings. When we reached out to the IDF for comments, they said, quote, the IDF has never, and will never, deliberately target journalists. That's the answer they always give in these situations.

Meanwhile, dozens of seasoned reporters have fled Gaza. Journalists who worked for Al Jazeera, the BBC, the New York Times, the Washington Post, Reuters, Agence France-Presse. So many media offices were demolished in Israeli airstrikes that the Committee to Protect Journalists stopped counting.

It's not just individual lives that have been destroyed. It's an entire infrastructure.

Thank you.

The name on the list that was hardest for me to look at was Issam Abdullah, because I'd crossed paths with him once. Issam was a Lebanese journalist, a video journalist for Reuters for many, many years. He had just won an award for coverage of Ukraine.

I'm Lebanese and still report there sometimes, and I'd worked with Issam a couple of summers ago. He helped me film a sort of random story in Beirut. I was interviewing this entrepreneur who had started a sperm freezing company after an accident where he spilled a tray of hot coffee on his private area, burning himself.

I know, ridiculous. It was a really silly shoot. Right after we said cut and started to rap, Issam started this whole bit about being in his late 30s, reconsidering his own sperm quality and everything he now realized he was doing to hurt it, and no one could stop laughing.

It was a really good day that felt good to remember and to remember him that way. Issam was killed by the IDF on October 13. His death was one of the three that the Committee to Protect Journalists has identified as a targeted killing.

He was fired upon by an Israeli tank while standing in an empty field on the Lebanon-Israel border with a small group of other journalists. Everyone was wearing press vests with cameras out. They were covering the Hezbollah part of this war.

A few other journalists were injured in the attack, which was captured on video. The IDF says they were responding to firing from Hezbollah, not targeting the journalists. But multiple investigations, including by Reuters, the United Nations, Amnesty International and the AFP, found no evidence of any firing from the location of the journalists before the IDF shot at them.

The journalists in the group and video footage confirmed that there was no military activity near them. I had only met Issam once, barely knew him, but it affected me so much when he died. I know that he understood the risks of his job, but somehow it still felt so random and unfair that he would be struck down like that, following the rules, wearing his press vest and helmet, and a pack of reporters on a sunny day in an open field.

I find myself thinking about him all the time. His last Instagram post was commemorating another journalist, this iconic reporter Shereen Abou Aql who had been killed by the IDF. When I first saw that post in October, I thought how ironic because a week later, Isam also was killed by the IDF.

But then, after spending time reading the list, I realized how common this had become. I still haven't finished going through the list and looking up the people on it. I keep finding things that stick with me, like the funny way this one radio host would cut off a caller who was rambling on for too long.

A tweet from reporter Al-Abdallah that quoted Sylvia Plath. It read, What ceremony of wars can patch the havoc? I'm going to keep going down the list, even though this story is over now.

Just for myself. My own way of bearing witness. Which is, in the end, all that these journalists were trying to do.”

—DANA BALLOUT, The 95. Dana sifts through a very long list—the list of journalists killed in the Israel-Hamas war, and comes back with five small fragments of the lives of the people on it. Dana is a Lebanese-American, Emmy-nominated documentary producer.

[crowleysgirl56]

Updated with edits!

Timeline of the last 12 months 15 months of the Good Omens fandom.

July 2023 - Good Omens season 2 drops. Fans watch on the presumption this season is based on the sequel idea Terry and NG spoke of in the 90’s and 2006. Reactions are mixed but mostly positive. We’re happy with fluff. Initial thoughts: “I don’t see how this story could have been fleshed out into an entire novel, but I guess it was only ever just initial ideas, so I suppose that works.”

July 2023 - THE KISS.

Fandom reaction: NNNNNOOOOOOOOOOO!!!!!

August 2023 - NG responds to fandom

NG: “Season 2 isn’t actually based on the idea Terry and I spoke about.”

Fandom: “What?”

NG: “Season 2 is just a bridging story to get us to season 3. That will be the story that Terry and I discussed.”

Fandom: “What!?”

NG: “Season 3 hasn’t been greenlit by Prime yet so we might not get it.”

Fandom: “WHAT?!”

NG: “Also I wrote the kiss that way by giving the fandom what you want without actually giving you what you want. So like, stop asking me for things or I won’t write them.”

Fandom: “AAARRRGGGHHHHH!!!”

August to November 2023 - The fandom, now lost and depressed, mope through the halls of Tumblr and Reddit, desperately clinging to any piece of information dropped by NG, sharing fan art, creating headcanons and theories, and writing the angstiest of angst fanfiction ever written. Some weep in a corner mumbling about the South Downs. Most just trudge through their daily lives, listless and despondent.

December 2023 - Prime greenlights Good Omens Season 3.

Fandom: YES! OMG HOORAY! WAHOO! Dancing in the streets. Fanfiction turns to fluff and smut. NG is active and happy, answering many questions without actually answering them. Gives us the hilarious gift of Dottie and Sadie.

January 2024 - speculation of when season 3 filming will begin commences. Realisation that it could be quite a while starts to sink in. Actors and writers strike has caused delay to the scripts being written. David and Michael have taken on theatre work which will delay their filming schedules. Douglas McKinnon announces he’s stepping away as director. Fandom has slight freak out, but NG reassures everyone it’s nothing to worry about, and linked to the recent strikes.

Early to mid 2024 - “The invisible and unbreakable line that joins Crowley and Aziraphale”.

Fandom: AAAAAAAHHHHHHHHHHH!!!!! We inevitably become even more feral. Much fanart is made.

March 2024 - David hosts the BAFTAs and Michael helps him during the opening. David is then nominated for TV BAFTA for Good Omens.

Fandom: OMG YYYYYYYAAAAAAAAAYYYY!!! Much dancing and celebration is had once again. We are so in love.

May 2024 - filming schedule for GO season 3 is announced. It will commence January 2025. The fandom reacts.

Fandom: “That’s still so long away!” “Michael and David will have their hair dyed white and red for the awards season!” “Going by the previous production schedule this means season 3 won’t reach our screen until 2026! No!” “Cannot wait for this to start filming we are going to be so feral!” More fanfiction, more fanart.

June 2024 - David hosts Pub in the Park. Michael joins him.

Fandom: THEY ARE SO CUTE! HOW CAN THEY BE THIS CUTE, WE DON’T DESERVE THEM.

Early July 2024 - horrible allegations are laid against NG and the fandom comes to a terrible crashing halt. Much debate and discussion is had back and forth: “Believe the victims”. “Separate the art from the artist”. “Drop the fandom entirely”. “Step back for a moment”. There is a lot of arguing, but there is also still a lot of love. NG has fled all social media.

Late July 2024 - until it’s January, and the show actually starts filming, Good Omens season 3 has now become Schrödinger’s Series. It both now exists and doesn’t exist. Prime at any moment may pull the production due to the backlash against NG. The fandom now re-examines McKinnon’s departure speculating if he left for other reasons. We once again despondently trudge the halls of tumblr and Reddit feeling the same feeling of this time last year.

This section of the post was made in late July was this was original posted: And that pretty much brings us up to date. Anything could happen in the next six months, which is why I feel we’re all worried. It’s why I’m worried. So instead, keep sharing the art, keep writing the fanfiction, keep speculating with theories and headcanons. Let’s be here for each other. Because we created this fandom for each other. It doesn’t belong to NG anymore. Let’s do this for Terry. Personally, I can’t wait to come back to this timeline and add January 2025 - filming begins.

28 July 2024 - Michael Sheen, the absolute angel that he is posts a picture of his tartan socks clad feet alongside the caption “To our world”. Such a beautiful, beautiful man!

10 September 2024 - Amazon Prime announces production for season 3 is paused. Everyone loses their shit. There is much lamentations.

Unsubstantiated posts start circulating that the show is cancelled. People who have a friend whose cousin’s gardener’s former roommate claim they are involved with the production and therefore they KNOW the show is cancelled. More lamentations.

Amazon stays silent for EIGHT. FUCKING. WEEKS.

The fandom walk around in a god damn haze again akin to what August to December 2023 felt like. Will we be left with the final 15 forever?

Mid October 2024 - for about 3 days straight the fandom receives information that is akin to a rollercoaster of emotion. Head graphics designer Mickey tweets out a now deleted post that everyone is going back to Scotland. Then Peter Anderson Studio tweet out a now deleted post referencing the South Downs cottage. Then random casting company updates their subscription website advertising Good Omens: The Finale a TV movie. Entertainment website releases an article referencing this. The fandom LOSE. THEIR. SHIT. AGAIN. We honestly can’t take much more of this.

25 October 2024 - Amazon finally announces the news we’ve been half expecting half dreading with positive and negative ramifications. Neil Gaiman is gone. GOOD! Season 3 will still happen. GOOD! But now it’s just a 90 minutes finale. WAIT, WHAT, NO! But it could have been worse. It was a hairs breath away from being completely cancelled. GOD BLESS RHIANNA PRATCHETT AND ROB WILKINS.

It’s been a wild ride everyone. I’ve already posted earlier this morning (25 October 2024) my thoughts about the whole situation so go read that there. But for now? Gaiman is gone, and we get our ending.

For now here’s to seeing our boys with their red and white hair again.

[threadbearsweater]

one warm day is all i really need | arthur morgan

When you find yourself taken in by a gang of outlaws, the last thing you expect is to grow sweet on one of them- and have the feelings reciprocated. Arthur Morgan doesn't have time for romantic nonsense, but a few memebers of the gang want to make sure that he gets to indulge in his obvious affection toward you. Tags: 3.9k words, an unlikely romance, meddling gang members (with the purest of intentions, one might suppose); female reader, alcohol use, smoking, emotional smut. A repost from a (regretfully) deactivated blog.

Arthur first notices your eyes on him one evening around the campfire at Shady Belle. He won’t accuse you of staring– Lord knows he’s been known to look at you with the same foolish grin you’re wearing now– but he tips his hat to acknowledge you. The heat in your cheeks is suddenly warmer than what the fire has already provided; your grin only grows until your teeth are showing, and you duck your head into your shoulder to hide. Arthur takes a long swig from his whiskey bottle and grimaces as it goes down. He hasn't had a drop of anything in days, and the burn takes a little while to grow numb to now.

“Think she's sweet on you, Morgan,” Sean says in his Irish lilt, giving Arthur an elbow in the ribs.

“Naw, she's lookin’ at you,” Arthur deflects, though he hopes he's wrong. He thinks he knows.

“She told me last week to keep my eyes on my own work,” Sean continues. “I really don't think it's me she wants, Arthur.”

You turn to whisper something to Sadie, who laughs out loud with her face tilted toward the stars. You dare a glance back at Arthur, who is, in fact, looking at you.

Maybe there's some truth to what Mary Beth told you yesterday.

“Arthur's been awful quiet lately.”

The sun shines through the trees and dapples the table where you're seated with bright spots of pale yellow. It's your third round of dominoes with Mary-Beth, and she's whooping your ass, as usual. You don't know how she does it, but each game you play, you're a little more privy to her prowess.

“You think so? I don't know him as well as you.” You hope it isn't obvious that your heart started beating a little faster at the mention of his name. It leaves you breathless.

“Oh yeah,” Mary-Beth continues. “He's been scratchin’ away in that journal of his a lot more, too.” She leans closer, conspiratorial, her eyes twinkling with the gossip she's about to share. “Karen said he went to town twice last week to have a hot bath. If you knew Arthur like I know Arthur, why…you'd know that's highly out of character for him.”

“But you said he'd been quiet. Is that unusual for him, too?”

She hums and purses her lips. “Well you see, Arthur isn't usually a man of many words on a good day. But it's been real bad lately. He don't even give John a hard time like usual.”

You ponder the dominoes for a moment and then make your move. It doesn't earn you any points, but at least you didn't have to draw. “What do you think the problem is?” you ask, nonchalant as possible.

Mary-Beth smiles. Big and bright and sparkling. “Oh, it's not a problem at all.” She lowers her voice and cups her hand to her mouth. “Arthur's in love.”

You gasp, then giggle behind your hand, and Mary-Beth follows suit. Hosea looks on and shakes his head, so you quiet down, reaching across to grab Mary-Beth's hands. “Who do you think it is?”

Her cheeks are tinted pink, and she looks around to make sure there aren't any ears to hear. Word travels fast around camp if one isn't prudent. “I think it's you.”

A thunderstorm rips through Shady Belle a little over a week later. Your little tent that you share with Sadie is ripped straight off its supports in a terrible gust of wind, and you and the others hightail it inside the house to take cover just as it begins to hail. There's quite a ruckus as everyone huddles inside, windblown and rain-soaked. A few of the men hold up lanterns to illuminate the darkness while you watch the lightning and feel the thunder shake the old bones of the house.

“Everyone just calm down,” Dutch calls, descending the stairs, wearing some ridiculous robe with his arms spread wide. “Are we really gonna let a little old thunderstorm keep us from getting a good night's sleep?”

“Says the man with a bed inside the house,” Arthur bites, rounding the corner from what used to be the kitchen, holding a lantern up high in front of him. “Dutch, you better allow these ladies to take cover in here for tonight, or I'll–”

“Or you'll what, Mister Morgan? Pray tell, what kind of man do you take me for?” Dutch's eyes are fiery as he stares Arthur down; a display of dominance. A veritable cockfight.

Arthur's jaw twitches, but he doesn't back down. “The kind of man I should hope would have some goddamn respect for his family.”

There's a tense moment or two where everyone is quiet, then Dutch relents. “Fine, fine! But I expect everyone out there pitching in to clean up in the morning.” He points at Arthur and raises his voice again. “That includes the other man with a bed inside the house,” he sneers.

Arthur shakes his head, then looks away only to catch sight of you, shivering in your wet undergarments, huddled close to Mary-Beth for what little warmth the two of you can share. For a minute, he forgets to breathe, then composes himself enough to cross the room.

“Come on in here. Get yourself warm and dry by the fire.” His hand on your elbow is rough but warm as he leads you toward the fireplace. You nod and look back at Mary-Beth, who shoos you away with a flick of her wrist and a wink; you notice that her teeth are chattering. Despite the humidity that hangs heavy in the air, the temperature has turned chilly with the storm.

Arms crossed over your bosom to preserve any shred of modesty you might have left, you allow yourself to be led away by Arthur. Dutch and some of the others head upstairs while Charles and Javier keep watch from the front porch.

“You alright?” Arthur asks. He covers your shoulders with one of his heavy winter coats, and you pull it around you, grateful for the weight and warmth of it. Another clap of thunder shakes the house and you jump. Arthur chuckles.

“You laughin’ at me?” you quip, placing your palms flat in the direction of the fireplace. You don't even bother to hide the grin you feel curling on your lips.

“No madam, I am not,” Arthur says earnestly, taking a seat beside you on the old wooden crate he's set up as a makeshift bench.

“Then just what do you find so funny, Mister Morgan?”

He scratches the back of his neck, looking into the flames. “Aw, I dunno. I'm sorry. It's just that you're…”

You bump him with your hip, unable to stop the giggles that bubble up from your chest. “I'm what?” you pry.

There's a clatter of something falling on the front porch, and Arthur uses it as a good excuse to get out of this hole he's dug for himself. “I better go see what's going on out there. Charles might need my help.”

“I'm what, Arthur?!” you call, to no avail. He's gone before he can see the proverbial hearts in your eyes.

The saloon in Rhodes is a little nicer than the ones you visited in Valentine, though it's a far cry from the ones you used to frequent in Saint Denis. Still, when Sadie and the other girls decide that it's high time you have a little fun in town, you throw on your best dress and let Karen curl your hair and even apply a little of the makeup you snagged from a homestead up north. For the first time in months, you feel like a proper woman. There isn't time to be melancholy about the past, though, when the boys start whistling and cat-calling upon the sight of you and the other girls.

“Aw, knock it off!” Sadie hollers. She's decided to dress up a little tonight, too, much to everyone's surprise. But she hikes up her skirts to hop into the wagon, calling for the rest of you all to hurry it up. “I've got a bottle of rum with my name on it that's waiting for me to come drink her all down!”

You catch the sunset on the way to town. It's dazzling over the meadows, all golden light and warm, blazing oranges and reds that settle into a brilliant pink by the time your reach the main road into Rhodes. You wish you could see Arthur's eyes, but he's got a handle on the reins next to Charles in the front of the wagon. You've seen him watching the sunset before; he always looks so peaceful those evenings at camp, and you often wonder what he thinks about in those few minutes before the horizon is painted in pastel hues.

Karen starts singing a song that everyone eventually joins, and before you know it, you're pulling up in front of the Rhodes Parlour House. You can already hear the piano and a few voices from outside; the sound of it stirs something in your soul that makes you long for the familiarity of home, but you quickly shove it aside in favor of the company of your new family.

“Madam.” Arthur's voice brings you out of your thoughts and back into the present, where he waits at the back of the wagon with his hand extended to you. You beam at him, and he feels dizzy. And when your soft hand fits into his, he straightens his knees so they don't buckle and betray him.

“Why, thank you, kind sir,” you say, lifting the hem of your skirts to step out onto the dirt road.

Arthur leans in, dangerously close to your ear. You can smell the whisky and cigarettes on his breath, along with the faint tang of gunpowder and hair pomade. “You sure do look nice in that dress.”

You demure and fan yourself with your hand. “Just how much have you had to drink already tonight?” you giggle.

“Ahh, just a little nip to take the edge off.”

“Mm-hm. Sure, Arthur. Whatever you say.”

The night starts off relatively calm, as most nights do. You and the other girls find an empty table to sit and pick up on the town gossip, and the men start a hand of poker. It grows loud and crowded sometime around midnight, and it's hard to have a conversation without shouting over the din of voices, the clink of glass bottles, and the slow drag ragtime music from the piano. The ambiance is charming and lighthearted, and there are even a few couples drunkenly dancing on the porch.

You push back in your chair and find that when you stand, you're a little more wobbly than you thought you would be. The alcohol has loosened you more than you realize, and you grip the table for support until you feel a firm arm around your waist. “Whoa there.”

It's Arthur, who has won the last round of poker and has come to check in on you and the other ladies. You're pulled tight against his chest for one fleeting moment, and you look up into his eyes. He, too, seems drunk, with his eyes gleaming and drooping at the corners, his smile easy and his cheeks flushed.

“My knight in shining armor,” you slur, pretending to faint in his embrace. He only pulls you tighter against him, both of his broad hands splayed across your back. You laugh, and he smiles.

“You weren't getting another drink, were ya?” he questions with a raise of his brow.

“‘m thirsty,” you whine, lifting your empty glass entirely too close to his face. It knocks against his nose, which sends you into another fit of laughter.

Arthur takes your wrist– gentle but firm– and lowers the glass away. “Think you need to drink something that's not whiskey,” he drawls. You can't help but watch the way his lips form around the words; the slip of his tongue between his teeth, the way his mouth turns up into the hint of a smile when you pout. Before you can think too long and hard about it, you lunge forward and kiss him. Hard and clumsy and impulsive. You don't give him time to react. You're far too involved in the kiss to notice, but the girls at the table behind you have all gone silent. Arthur slides his hand along the side of your face and presses his fingers upon the nape of your neck, kissing you back like he really means it. (He really does.)

You pull back suddenly, breathless and reeling, swiping the back of your hand over your mouth. You're still held firm in his embrace, but the playfulness in his gaze has been replaced with an intensity that makes your knees weak all over again.

“What'd ya do that for?” he asks.

“Could ask you the same thing.”

“Well, you started it.”

“And you finished it.”

“Oh, I ain't finished with you, yet.”

“That a promise or a threat?” Your pulse is thumping wildly in your ears.

“Ya know, they got rooms upstairs for that!” Sadie shouts. There's a ripple of laughter across the table. Arthur's hand on your cheek feels like a brand, his arm about your waist an anchor. The rest of the room comes back to you in a woozy blur, and you look around, a little lovestruck and a whole lot drunk. Arthur's lips at your temple make your eyes flutter shut, and the room fades to black as tIt'weight of you slumps against him. He staggers only slightly, but holds you firm, chuckling softly.

“It's a promise,” he whispers.

You come to some hours later. Your mouth is dry as the desert, your head feels like lead, your skin broken out in a cold, uncomfortable sweat. At some point, it seems you were covered with a downy soft blanket, and the pillow at your head is much more fluffy than the makeshift one you made out of a bedroll at camp. At first, you think you're dreaming. Then, you wonder very briefly if you're back at your childhood home in Saint Denis. You almost call out to your mother when you hear a soft snore from the other side of your bed.

The room spins when you turn your head, and you rub your eyes until Arthur comes into focus. He's sprawled in an armchair a few feet away. His arms are crossed over his chest while his chin is tucked into his chest. Off to the side, you spy his boots; his big toe pokes through a hole in his sock and you smile at how vulnerable he looks.

“Arthur,” you whisper, shifting slightly as you pull the blanket up around your chin.

He grunts and lifts his head slowly. He frowns a little at first, but when he focuses on you lying there, so close he could reach out and kiss you again like he did last night, there's a slow, easy smile that spreads across his face.

“Hey there, party girl. You feeling alright?”

You could kick yourself for all the giggling you've done around him lately, but you can't help it. He brings out something giddy and downright foolish inside you, so you toss a pillow at him and bury your face in the sheets.

“Aw, come on now. I'm just messin’ with ya.” He leans forward and rubs your head affectionately. “I'd say you were feeling pretty good last night.”

It's in that moment a white-hot jolt of sheer panic shoots down your spine. Quickly, you check to make sure you're still wearing clothes. Aside from your breasts being a little lopsided in the confines of your bodice, you're relieved to find that your dress is still intact and– more importantly– on your body. You dare another peek at Arthur and notice that his shirt is unbuttoned down to the middle of his chest and he's discarded his vest somewhere, but he, too, is fully clothed. Thank the good Lord above.

You must've said that last part aloud, because Arthur laughs. “Don't worry, nothing happened. Though it weren't for lack of tryin’ on your part,” he says, scratching the back of his neck. “Thought I was gonna have to lock you in here like some feral cat till you settled down.”

Oh. Oh Lord. You try to recall what happened that led you to this room, but all that comes to mind is a lot of loud conversation, some dancing, a spilled drink across Sadie's lap, and Arthur's hand on the side of your cheek. “Oh…”

Now you remember it in vivid detail.

“Didn't know you cared for me like that,” he says. It's earnest and tender, a few shades less intense than the kiss you now recall, the one where it felt like he wanted to eat you alive right there in the middle of the saloon. Now, he thumbs your cheek and looks at you so fondly you swear your heart jumps right up in your throat. “I mean, I'd been hoping. Wasn't sure you was looking for a romance.” He huffs a short sigh, frustrated with himself. “Aw, hell, what am I saying? ‘Course you weren't. You're just looking to survive, just like the rest of us, and here I–”

“Shut up,” you say, taking hold of his hand and tugging him closer. He resists until you pull even harder, watching the fire in your eyes blaze to life. “You talk too much, Yankee.”

“I ain't no damn–”

“Kiss me.”

He's over you in an instant; you're pressed flat against the bed, completely and totally at his mercy. This kiss feels different than the drunken one last night. It's sober and honest, if not a little hesitant, as if he's holding himself back from devouring you wholly. The warmth of his body against yours takes your breath away. Or maybe it's the way his tongue laves heavy into your mouth, unashamed of how badly he craves the taste of you. You grip his hair at the roots and tug him down to kiss him harder, lifting your upper body to meet him until he presses down, his chest flush with yours.

Things get heated quickly.

His mouth moves across your cheek, down your neck, and he groans against your skin, rutting his cock against your thigh. You fleetingly wish that he had managed to get you out of that dress before he presumably tucked you into bed and passed out in that chair, because there’s a whole lot of fabric between you and him that really pisses you off right now. Arthur must feel much the same, because he’s bunching your skirts up past your knees while you’re fumbling with his belt buckle, desperate to feel him against you, inside you. It’s clumsy and crazed, rushed and rough, but you manage somehow to shuck off every last bit of your clothes and his until you’re breathless and so, so eager beneath him.

“Need you now,” you whine. You feel insane. Dizzy and dehydrated, impossibly turned on, every nerve ending on fire when his callused hands grip the fat of your thighs and open you to him.

“Greedy little thing, ain’t ya?” One of his hands slips between your legs to find you wet and swollen. He presses the pad of his thumb against your clit and pushes a finger inside you; the sound you make nearly has him finishing there on the sheets, so he wastes no time in getting himself as close to you as humanly possible.

“Never wanted something so bad,” he murmurs into the dip of your shoulder. He wants all of you– all at once– wants to fuse his hands against your skin and sink himself into you so deep that it would be impossible to tell where he ends and you begin. The heat from his body takes away what little breath you have left, his mouth on each part of your body building the buzz in your chest until you feel like you might just burst open. You grabbed at each other like it was the first and last time you might have this opportunity, as if you wanted more than what the other of you was able to give.

Considering the kind of life you’ve both led so far, it’s a good possibility that you might never get to do this again.

“Give it to me,” you plead, opening yourself further to him, fingers wrapped firm around the base of his cock. “Please.”

Arthur Morgan is a man of incredible strength and self restraint, except when it comes to a woman like you.

There’s nothing gentle about the way he takes you. It’s primal, sweaty, filthy, rough. Arthur pushes as far inside you as he can go, then pushes further when you beg for more. He cups your knees with slick palms and presses you open as far as you can bend; you tug roughly at his hair and bite down on his shoulder when the pleasure builds to a blinding ferocity. The wooden bedframe knocks angrily against the wall with each thrust, but you can’t bring yourself to care if anyone hears. You can’t focus on anything beyond the feeling of him filling you with every stroke of his cock, of the taut, corded muscle in his back and shoulders as you grapple to hang on as tight as you can. Your orgasm hits your hard and fast, and he encourages you through it, taking his time to give you long, controlled strokes. It’s as pleasurable for him as it is for you. “‘Atta girl,” he rasps, lips moving against your ear. Your hand flies to your mouth to muffle your cries, but he pulls it away and threads his fingers with yours, pressing it onto the pillow. “I wanna hear it.”

Your moans are what drive him over the edge.

He buries his face against the side of your neck, panting heavily as he comes, driving into you so hard that you can almost feel the mattress beneath you begin to sag under the weight. You cradle his head in your hands and link your legs around his waist, boneless and languid in the aftermath of your own pleasure. When he moves, you move with him, riding out the waves together until you’re both too tired to move another muscle.

Neither of you speak for a while. He lies on his back with an arm around your shoulders while you curl against him, tuned into his heartbeat and swirling little patterns into the hair on his chest. It’s comforting to feel him next to you, to watch his chest rise and fall as he steadies his breathing, to soak up the warmth of his skin against yours.

You’re the first to break the silence. “Did everyone else go back to camp last night?”

Arthur nods slowly. “Something tells me they planned all this.”

“Planned it? You mean…” You lift your arm slowly and flick your wrist to acknowledge the room you’re laying in. “This?” You lift your chin and grin at him. “Or getting us together?”

“Room was paid for before I even had a chance to ask if they had one,” he explains. “Think it was Mrs. Adler.”

You vaguely recall her shouting something about a room after you kissed Arthur last night, and you shake your head. “You complaining?”

He turns to his side, draping an arm across your hip. “Me? Never.” You’re suddenly pressed beneath him once again; from the looks of it, you won’t be getting out of this bed anytime soon. “Specially when I’ve got you here to help me keep warm.”

[snoopychris]

Harvard

warnings: lying, two LEGAL teenagers who like each other, mentions of making out, posting from mobile(im trying my best.)

in which… nerd!matt receives a letter that would change his life

matt was nervous.

that was the entire truth. there was multiple things that he could blame it on. he could blame it on all of the projects he had to turn in. he could blame it on his missing package. he could blame it on the letter from Harvard sitting in front of him. he could blame it on you. he opts for the letter.

he’s licking his lips as he stares down at it. he so desperately wants to open the letter, but he promised himself that he wouldn’t do it alone. he told himself that he was going to have someone else there “for support.” deep down he just wanted to show off that he got into Harvard. when he got a letter instead of one of the big welcome packages, he panicked. he’s pacing around his bedroom waiting for someone, anyone, to save him from his thoughts.

relief washes through him when his front door opens and shuts, alerting him of someone’s arrival. he sprints downstairs and skips as many steps as he can. matt swears that he’s never been more relieved to see his brothers and their dumbass friend. nate smirks at the sight of the triplet running down the stairs, letting out a small laugh. “waiting for a girl or something, sturniolo?” matt shakes his head, looking directly at his brothers. he begins to speak but then the door opens again, and in walks his kryptonite.

your ponytail is swaying and you’re carrying multiple different bags from multiple different stores. “yeah sure i got it. let’s alllllll leave the girl to get all the bags.” you mumble, glaring between the three boys who had walked in before you. the bags are set on the floor as you scoff quietly. your look softens when you eye matt, sending him a wide smile. “hi matt…” you whispers, tucking your hair behind your ears. chris groans at your actions and takes a seat on the couch, taking almost full custody of it. he doesn’t know anything about all of the things you and matt have been up to as of late. it was overall a mutual decision to not tell chris about the making out in the car.

or the late night trips to the beach. or the study sessions that you’d been at the library. or the visits to gamestop you had when matt was working. or the calls you’d be on until 3am when time permitted. or the way you’d occasionally ditch your friends during lunch to hang out in Mr. Harrison’s classroom.

nick knew. he only knew because matt felt like he had to tell someone. matt promised him to drive him wherever he wanted if he kept it from chris.

nate knew. he only knew because he caught you and matt in the science room after forgetting his headphones in there one day. you still owe him a few grams of weed for his silence.

nate and nick join him on the array of couches, leaving a spot for you on the opposite end of the couch chris was on. you take your seat as matt swallows, tucking the letter away in his back pocket. a puzzled look covers your face at the action, but you get pulled away from the thoughts when chris throws a pillow at you.

“are you even listening to me right now?” you cough and shake your head, throwing the pillow right back and delving into the conversation. “yeah sorry. no i think it’d be a great idea if you asked sadie to prom… in 5 months when it actually is prom season.” matt knows that he’s just been sidelined but it’s not the end of the world for him. he’ll just wait for later to open the letter, preferably with his mom and dad around. he makes his way back to his bedroom and begins looking for ways to distract himself.

he wishes he could take you to the beach and just talk the way you’ve been doing almost every night lately, but he knows his brother is unfortunately occupying too much space in your mind right now.

he’s only organizing his pokémon binder for about ten minute when you knock on his door. “what are you up to, nerd?” you joke, walking over to him. you take a seat on his thigh and wrap an arm around his shoulder, laying your head so yours is touching his. “just thinking…” he mumbles, pressing a kiss to your cheek. you smile at the simple action, gently scratching his head. “about?” you prod, glancing to the door. chris was fast asleep downstairs, but you were still slightly worried about getting caught. “got a letter from Harvard in the mail today.” he whispers, glancing at the table that was on his desk. you shoot up from your spot on his lap, matt frowning at the lack of touch.

“are you serious? did you open it? what does it say? am i gonna have to start wearing burgundy?” matt chuckles and adjusts his glasses, gripping onto your hand. “haven’t opened it yet.” you frown at his response, twisting your face. “why not?”

“was waiting for my mom or something… i’m nervous i guess.” he whispers, his grip on your hand tightening, almost like he was trying his best to prevent you from leaving. you nod at his words in understanding as you sit back down on his lap, burying your face into his neck. “look if i get in… you say the word and i’ll stay.” your eyes widen at his words and you pull away, a breath getting stuck in your throat.

“you’d stay for me?” “course i’d stay. you’re my girlfriend after all.” he whispers, pulling away when he realizes the words that just left his mouth. your mouth is dropped wide open, blinking rapidly. matt looks at you and tries deciphering your face for any sign of anything other than the blank stare you were giving his pillows. he shakes you a few times, eyes widening. “i mean… if you’ll be… my girlfriend that is.” he asks, eyebrows lifting up at you. he almost regrets the question when you don’t answer him. he feels like he’s messed everything up and his nerves spike more than ever before. you notice the expression on his face and grip onto his hand.

“do y’think girlfriends get to sit on their boyfriends lap while they make out in his gaming chair or no?”

matt’s nervous. he’s blaming it all on Harvard. but Harvard can wait.

taglist(comment or message to be added): @ifwdominicfike @frankoceanfanpage @mattssslutbby @sophand4n4 @matthewsturnsgf @izzylovesmatt @m11rx @chris-hallelujah @sturniolotoast @mattsbrat @wastelandzella @le4hsblog @mattsd0llfac3 @st7rnioioss @yuppocarzy @isabellewhatt @gamerchrissgf

a/n: at the airport rnnnnn hope u guys #wantedthis. if u didn’t. oh well. i am setting this shit up for so much angst. kiss kiss! -gen.

dividers by @bernardsbendystraws !

[thecurseofcassandra-if]

[DEMO] [Last Updated: June 28, 2024]

"Hold fast, Child of Cassandra. Those who heed not your words will understand in time. What approaches cannot be contained."

You’ve been on the road your whole life. Orphaned at birth and failed by the systems meant to keep you in line, you’ve learned how to take care of yourself. After years of being haunted by strange visions that nobody believes, you stumble across the small town of Charity’s Cross - and everything begins to fall into place.

Play as a young wayward prophet, haunted by visions and cursed to never be believed. Inspired by mythology and ancient folklore, The Curse of Cassandra is an urban fantasy story about family, belonging, and the places we call home.

Explore the town of Charity's Cross, and uncover long-buried secrets that really should have been left untouched.

Run into a group of misfits, and become part of a family that accepts you flaws and all.

Queer joy! Just a whole lot of queer joy and celebration <3

No romance (sorry, not sorry). This is a game about love, but romance is not the focus. You're allowed to headcanon whatever you'd like about your prophet's sexuality, but your interactions with the cast will always be strictly platonic.

The Prophet - That's you! Human, but with a touch of bloodline magic that haunts your every step. In other words, you're cursed, and it's a real pain.

Daniel Weaver [he/him, 52yo] - Werewolf, kindergarten teacher, all around softie. Would do anything to protect his family, and that includes you.

Arthur "Art" Shields [he/him, 45yo] - Werewolf, caretaker, one of two people in the family who actually knows how to cook. The house is his happy place, and he makes sure it's welcoming and comforting for whoever may walk in the door.

Catrin Galanis [she/her, 49yo] - Gryphon, antiques dealer, gives hugs like handshakes. Once the guardian to a magic stash of treasure, she now guards her own treasure: her children.

Carmine Levesque [she/her, 137yo] - Vampire, fashion designer, the person that's always in the house despite not technically living there. That bat up in the rafters might not be her... but you'd better wave just in case.

Ari Galanis [he/him, 21yo] - Werewolf, college student, sunshine personified. He's earnest (perhaps a little too eager) to meet someone new and bring them into the family's dynamic.

James Weaver [they/them, 17yo] - Werewolf, high schooler, introvert extraordinaire. Getting them to participate in family game night is like trying to wrangle a cat into a bathtub.

Sadie Graves [she/her, 13yo] - Banshee, middle schooler, going through a bit of an angsty phase. She's not exactly the most pleasant to interact with sometimes, but her family supports her wholeheartedly.

Eleni Doran [she/???, 4yo] - Changeling, kindergartener, weird little girl. Nobody's quite sure anymore where she came from, or even what she is, but she's the one person that actually believes your visions.

[but-a-humble-goon]

It feels so fucking weird that Rockstar of all studios somehow created one of the most subversive and well written female supporting characters in gaming's recent years.

Sadie's introduced, shall we say, exactly as you'd expect a woman to in these kinds of stories. She's a damsel in distress, horrifically victimized by a gang of violent thugs who the "heroic" Dutch gang demonstrate they are better men than by rescuing and comforting her then being motivated by her suffering into taking action to kill the guys who did this to her. And if that had been the last we'd ever seen of Sadie she would fit right in with so many women in the background of so many westerns.

Instead though, she sticks around for the whole story, learns the gun, eventually becomes one of the most reliably skilled (and unhealthily enthusiastic) killers in the gang and wreaks her own bloody path of vengeance against what's left of the O'Driscolls, mercilessly hunting them to the last man in a fashion so violent even the hardened lifelong criminals are a little taken aback.

Now that's already doing a lot to be subversive but I think the thing that most got me about her story is it avoids becoming straightforwardly a "good person becomes corrupted into a monster by trauma and violence" story. Sadie goes very, VERY dark sure and she even gets the Unforgiven/Shane ending where there's no going back from the killing for her. John Marston gets to go live a mostly peaceful domestic life on a ranch with his family (at least until RDR1 happens) but Sadie decides this is all she has left and becomes a bounty hunter

Despite all that though, Sadie Adler never really stops being a good person. At least good relative to RDR2 where everybody's a criminal and a murderer. She takes charge, saves the whole gang and holds them all together when things are at their worst and even when the chips are down and the gang turns on itself and begins to drown in its own blood she remains one of the real ones. She comes to be one of the last people Arthur can rely on in the world. She consistently protects the others and puts them before herself. She always helps without ever needing to be asked. She never leaves anybody behind.

Something that stands out to me is there's multiple times where she assertively protects the male protagonists. She orders Arthur to stay well behind while she goes in to save Abigail by herself because he's sick and she keeps trying to talk John into going home to be with his family because unlike her he has something to lose.

Basically Sadie Adler is great and I love her. She's so much more textured, nuanced and just plain awesome than we normally get especially in stories of this kind and her story is handled with an honestly shocking amount of sympathy that I have come to really not expect from Rockstar.

[lesbian-for-arthur-morgan]

Middle Class Lady Who has the Gang Sneak in Her Window

"The gang falling for a woman of a higher class and a father that doesn't approve of them so they usually sneak through their window to be together" @livingdeadgirly​

Genre: Fluff - some angst if you squint (Fem Reader uses she/her pronouns) Featuring: Arthur, John, Dutch, Javier, Charles, Sean, and Sadie Warnings: Mentions of guns, outlaw type of stuff

AN: I'm so sorry these took me forever to write! if some of them seem a little out of character please ignore it and pretend they aren't :D ---> Requests are open! Check out my guidelines if you have any questions

<><><><>

Arthur Morgan:

Your father owned his own saloon which gave him an incredible insight into the type of men who frequented his establishment. He thought of this as a blessing once you started growing older and wishing to be courted, he could keep an ear out for anyone that he deemed unworthy for you.

Unsurprisingly, anyone who frequented the bar was not someone your father wanted anywhere near you. Especially when it came to an outlaw by the name of Arthur Morgan. The two of them had a long-standing feud (actually it was your father who hated Arthur and Arthur was too busy being infatuated with you to notice).

The first time Arthur was seen speaking to you in front of the saloon, your father came barreling through the doors to usher you inside. He instructed you to never speak to him again. Of course you didn’t listen.

Months go by and Arthur has made an extreme effort to get as close to you as he can without your father’s knowledge. The two of you will just so happen to go to the same general store at the same time every Friday by ‘accident’, you just so happen to run into him when you take your horse for a little trail ride to exercise, and every once in a while you both somehow end up behind the theater at on show nights by some strange chance of fate.

After a while, you’re so sick of having to keep your interactions short and sweet and secret in the public eye (lest anyone witness it and run off to tattle to your father). You write a quick letter to Arthur one day asking him to meet you at the side of your house at midnight.

When he gets there and you’re nowhere to be found he’s beyond confused; it’s not until he hears a sharp whistle and looks up to see you waving at him from your second story window that he understands your plan.

“The things I do for you, woman.” He grumbles with a smile and begins hoisting himself up the tree conveniently located right by the window.

You’ve already got the window open as he reaches the top and you begin helping him crawl inside. Now Arthur is a large, bulky man he isn’t exactly as nimble as he might have been once upon a time. You can barely contain your giggles as he lumbers into the room ungracefully and nearly face-plants into the rug on your floor.

“I ain’t had to do this since I was a boy,” He smiles down at you once he steadies himself as you grin up at him widely.

“You’re still young enough to climb through a lady’s window yet, Mr. Morgan.” You tease.

It’s the first time the two of you have ever truly been alone since you met and the tension in the air is palpable. Arthur looks between you and your carefully cleaned and decorated bedroom, then down at his dirty boots on your rug and worn denim pants. He was the complete opposite of you - he didn’t deserve to ruin your space with his grimy life and clothes.

“What you thinking about, Cowboy?” You place a hand on his cheek and turn his head to make him look back at you. He’d confess a few of his doubts, not trusting himself to tell you that he doesn’t deserve you flatout, and you’d shake your head and lead him over to your bed and have him sit down.

You’d kiss him and quiet his thoughts, allowing your actions to say more than words ever could and from that moment on he’d find himself climbing up a tree every other night.

Your father didn’t figure it out ever, even though Arthur and you were hardly ever quiet.

John Marston:

You were the most beautiful person that John had ever seen in his entire life. You were walking in the middle of town with some man nearly twice your age and John figured you were married to him - some lady victim to a man with money and a ring.

John fantasized about swooping you into his arms and saving you from a life of excruciating monotony. He’d tell the old man to kick the bucket, maybe rob him of whatever cash and valuables he had on him, and let you live your life free with him.

When he overheard you refer to the man as your father John felt absolutely giddy. He took his hat off and tried to smooth his hair down as he moved to approach you and introduce himself.

Your father watched the outlaw walk up to the two of you with a skeptical eye. He was hoping the cowboy would walk past you, but he stopped right before you and held out his hand to you. “John Marston, Miss….?” He prompted.

Your father shut it down immediately. He was so incredibly unamused that he stepped between you and John and shoved his arm down. He told John to basically get lost, but John ignored him and kept his eyes on you.

It was like love at first sight.

You couldn’t tear your eyes away from his and couldn’t hide the growing blush that heated your cheeks as he ever-so-slightly smiled at you. A small smile that disappeared as your father demanded his attention.

“Now son you get out of here before I get angry. I don’t want you anywhere near my daughter, you got that?”

John wanted to laugh at his vague threat. Who did this guy think he was? John put both hands up to show he meant no harm and took a few steps back.

“Didn’t mean nothing by it, sir,” He shrugged, “Was just being friendly.”

Your father scoffed saying he didn’t want any of John’s kindness and neither would you. You caught John’s eye while your father was speaking and mouthed ‘sorry’ with a sweet smile.

John was smitten immediately. He may seem like a big tough outlaw, but the guy is secretly a huge soft romantic. He was already envisioning your wedding and the type of house you two would build together in the middle of the prairie where no one would bother you and you could leave your respective lives.

He may have been getting ahead of himself.

Your father dragged you away and into the general store, John went off to finish a few more errands. He didn’t think he’d actually ever see you again until the moment he went back to his horse to ride back to camp.

He felt a quick tap on his shoulder and there you were looking at him with a mischievous glint in your eye.

From that moment on the two of you had to meet in secret - away from the watchful eye of your father. John took to sneaking in your bedroom anytime he got the inclination to see you (which was a daily occurrence tbh).

He’d take a stroll around the house to make sure your father’s room lights were off and see if yours were on and you were still awake. Due to his frequent visits, you were always up late waiting for him to call on you.

It was all fun and games until he’s waking up at the ass-crack of dawn to climb back out of your window before your father woke up to find him lounging in your bed. That would be a messy scene.

Dutch Van Der Linde:

Dutch thought he was too old to have to worry about meeting parents and getting the approval to see the lady he fancied. He was an old dog; he liked younger women of course but never the type who were of a higher social standing than him and needed that.

Then he met you.

You swooped into his life with your pretty dresses and sweet words and you didn’t want him at all at first. It made him want you even more.

It’s no secret that rich men are corrupt and willing to meet with anyone to make a quick buck. Your father met with Dutch to provide some intel about a train full of valuables and treasures that were interesting to both parties involved. Your dad wanted a cut of what was on that train provided the Van Der Linde gang robbed it.

Your father wasn’t a good man. He enjoyed money a little too much, and saw you as property more than his daughter. He was overprotective of you - to the point that he refused to ever let you out of his sight for even a second.

You went to every meeting between the two men and at first didn’t give a damn about Dutch. You thought he was handsome, but not the type of man you’d ever be interested in. Not until your father warned you to stay away from men like that.

He even went so far as to comment that he didn’t like the way Dutch looked at you. It fueled something inside of you. The idea of rebelling in such a way. Dutch was attractive, he had money, an exciting life, and most of all it would piss your father off if you courted the gang leader.

The next time there was a meeting between the three of you, you bat your eyelashes and laughed at Dutch’s jokes a little too hard.

Dutch bid you farewell by kissing the knuckles on your hand, and you loved the way your father basically had smoke coming out his ears at the action.

Your father didn’t bring you with him the next time he went to a meeting with Dutch. He locked you in your room, and only unlocked the door to check on you before bed that night.

You were pouting and writing a long sob-story in your diary when you heard a soft tap on the glass of your window.

You pulled back your blinds to see Dutch crouching in the dirt by your window with a wicked grin on his face.

“Can I come in, Darlin’?” He cooed with a sweet voice. You opened your window immediately and he ducked through the frame.

“You didn’t come with your father today, he said you didn’t want to attend the meetings anymore.”

You explain that you’ve basically been kept a prisoner in your room all day since your dad was convinced Dutch was trying to steal you away from him. You grumble out a few curse words after you explain and roll your eyes.

“What if I am tryin’ to steal you away?” Dutch whispered, his eyes dark and sparkling in the lamp light. You didn’t realize how pretty he was.

You bite your lip and smile, trying to keep on a tough act at his words. It’s no use, though. He’s charming, it’s why he is who he is.

“Maybe I’d let you,” You reply in a sultry low tone.

That’s all Dutch needed to hear. He helped you pack a small bag of items to bring with you and he brought you back to the camp where the gang was staying.

On your bed, you left a note telling your father you were running off with a man. Shortly after that Dutch mailed out a post saying he didn’t want to do business with your father anymore. It was all settled.

He stole you away to join him at camp, and that’s where you stayed.

Javier Escuella:

You met Javier by chance one night when you were being harassed by a local lawman after a night out at the theater. Javier rushed to the alley when he heard your shouts ordering the man to stay away from you.

Javier saw red and let his instincts take over him. He grabbed the man by the collar of his very nice shirt and used it to throw him to the mud.

“The lady asked you nicely to leave her alone. Now, I won’t be so nice if I have to ask. So, tell me, do I have to be the one to request you leave her alone?”

The man scrambled in the mud, splattering it on his dress pants and coat, as he picked himself up and ran away.

Javier introduced himself and offered to walk you home. You were a little wary of him at first, what with the guns at his belt and the knife at his thigh, but he assured you that he was not a threat. He just didn’t want you risking getting harassed again on your journey to your house.

You took him up on his offer and as he dropped you off at your front door you gave him a quick, shy peck on the cheek and asked if he wouldn’t mind coming to visit again in the future.

Javier is a blushing bumbling mess but somehow finds the words to agree and see you again later on in the week.

From that point on, this man spoils you in every possible way. He brings you flowers, fine pelts, jewelry (don’t ask where he got it), and little poems he writes or likes just so that you have a little piece of his heart.

Does your father care about all of that? No. He just cares about Javier’s status as an outlaw, a killer. He’s heard the rumors about the Van Der Linde Gang and he refuses to allow one of the members anywhere near you.

Javier is willing to do anything to see you, though.

You started leaving your windows perched open during the warm summer nights, and a low whistle alerted you to a person sitting right outside the glass. Your curtains were fluttering slightly with the wind and so all you saw was the shadow of a figure causing your mind to think of the worst scenarios possible.

You drew a knife from your vanity and clasped it in your hand ready to call for your father, but you heard a familiar voice lowly call out.

“Mi amor?”

You let out a sigh of relief and pulled the curtains back fully to see Javier smiling at you with a bouquet of wild flowers in his hands. “I wanted to see you and I couldn’t wait any longer.”

You asked him to wait outside while you barricaded your bedroom door with a stool, then opened the window wider for him to duck inside.

At first he didn’t really know what to do with himself, he planned to give you the flowers and have a quick kiss before needing to leave -  he did not expect you to usher him inside.

You took the flowers from his hands and placed them on your dresser next to the box of trinkets and gifts Javier has given you before.

You sit on your bed and make a spot for him to sit beside you. He isn’t really sure what the gentlemanly thing to do is in that situation, but just to be safe he sits on the floor by your feet. He’s gazing up at you as if you were the moon itself and doesn’t even try to hide the way his breathing quickens every time your eyes meet.

It becomes routine for him to visit you nearly every night and wait for you to barricade your door before allowing him in. Eventually he gets more comfortable and feels better about sitting next to you on your bed - though he knows it was not the proper thing to do.

He really wanted to court you the proper way, but with your father being so hesitant to know him outside of his status he had to be a little lenient on conventional courting methods.

Charles Smith:

Charles has been sneaking into your room for years.

You were childhood sweethearts, but your father had hated the relationship from the moment you expressed any sort of soft feelings for the boy.

When he first started sneaking in, it was just because your father didn’t want you to be friends. You and Charles were inseparable, so he’d sneak in when he could to read your books and play with your toys while your father was at work.

As you grew older, your feelings grew too.

You developed a strong crush on Charles and he was completely oblivious to it. At first, since you didn’t know how to express your feelings, you pushed him away and told him to stop visiting you.

Charles was crushed when you essentially told him to get lost. He couldn’t understand what caused your change of heart - he figured maybe your father had finally gotten to you and you realized you were too rich, too pretty to be his friend.

Charles stopped climbing through your bedroom windows and started only seeing you in public spaces or whenever you took your horse out for a ride.

Eventually, though, even those interactions dwindled and Charles stopped seeing you altogether.

It broke you when you didn’t speak with Charles anymore. You thought it better that way. He couldn’t find out your feelings for him - especially since you were certain he didn’t feel the same way.

Years go by, you stop seeing Charles even in fleeting moments. You heard he ran off and was living alone in the wilderness.

It was your fault, you thought. You pushed him away during his time of need and now there was no way of knowing what became of him. Whether he was alive or dead.

You grow older, your heart growing cold and calloused, and you never really recovered from the hurt you put yourself through.

One night, you’re a passenger on a train taking you deeper into the west of America when there was a loud commotion at one end of the passenger car you were in.

You put down your novel and see a group of masked men with weapons demanding valuables from every patron they pass by. They were slowly moving down the aisle, approaching where you were sitting at an alarmingly fast pace. You couldn’t think of a way out of the situation without giving away every last bit of money you had on you.

That is, until one of the masked men gets to you and instead of the harsh demands and pointed threats you expected to hear, you hear your name being whispered softly.

You look up, skin ablaze with fear and eyes watering. Through your tears you can see a familiar set of dark brown eyes peering down at you as if you were a ghost.

“Ch…Charles?” You squint. You questioned if it was just a mirage, a trick of your brain due to fear, but there was no doubting it. Those were Charles’ eyes.

He softly grabbed you by the arm and helped you out of your seat.

“Come with me,” He whispered as he pushed you through the aisle towards the exit. “I promise nothing will happen to you.”

It was stupid, but you blindly agreed as he led you out of the train and onto the dusty earth.

Charles and you caught up as the rest of his posse finished robbing the passengers of the train. You learned that he had been taken in by the Van Der Linde gang and was making a living as an outlaw. After seeing what you did on the train, that part of his story checked out.

You caught up with him as well, you informed him of your father’s fate and how his will left everything to you. How you regretted pushing him away as a teenager and how you wished he could forgive you.

“I never even hated you for it,” He said softly, “There is nothing to forgive, it’s how the world is sometimes. Cruel.”

You tried to explain your feelings at the time, but the embarrassment of it never let you fully explain.

Charles offered to take you home, but you wanted nothing more than to continue catching up with him and learning about his new life, his new family. Charles took you back to camp, and you ended up staying there with him for a few weeks. (For a fee of course, as Dutch had so cleverly thought up)

Your feelings for Charles rose to the surface once again, and you weren’t sure when or if there would ever be a time to explain how madly in love with him you were.

Sean MacGuire:

The first time y’all met was when he was sneaking through your window late one night.

Dutch had given Sean a vague plan about robbing a local lawmaker’s house while the man was scheduled to be two towns over for some political business. Dutch figured it would be a quiet, simple mission to grab some extra loot and not worry about being caught.

Sean paced around your house a few times after midnight the day your father left, and when he didn’t see any lights on or movements he figured it was safe to go in.

He checked a few key points of entry, but the windows on the ground-floor were locked and he didn’t want to risk leaving any evidence of there being a break-in for when the lawmaker came back.

Sean noticed that a window on the second floor was open the tiniest sliver, he’d be able to use a dagger to wedge it open wide enough to slip his hand in and open it fully.

He climbed up some vines growing on the side of the wood paneling and pulled his dagger to wedge it open. Once he got himself inside, he turned towards the window to close it.

His entire body stiffened when he heard the metallic click of a pistol being cocked from behind him.

“Now I’ll only say this one time, Mister, you need to get outta here before I blow a hole in you and make a mess all over these clean floors.” The threat was serious, Sean knew that, but he couldn’t help but perk up at the sweet sound of your voice as you told him you were going to shoot him if he didn’t leave.

He put his hands up, dropping the dagger he had, and turned to face you slowly. The house was dark. Shadows danced across your face and shielded your eyes making you look lethal with the gun pointed at his chest. Sean thought you were beautiful.

“I mean no harm, Miss. Just business ‘s all,” Sean gave you a toothy smile which only made you narrow your eyes.

You told him you were going to give him one chance to leave and he’d only stay if he had a death wish.

Sean wanted nothing more than to stay with you and use whatever methods he could to woo you, but he was familiar with the look in your eyes and the tone of your voice. He was scheduled to meet the gods above if he didn’t slip back out that window and into the night.

After he left, he was already planning the ways he could meet you again - under more favorable circumstances of course. He decided to visit you the next day with a peace offering and a smile.

Once dawn broke over the horizon, painting the world in a golden orange light, Sean was already up and out of camp heading to your large house on the hill.

He knocked on the door and you answered after a few minutes. Your hair was messy from sleep and your nightgown was covered by a long robe that was hastily thrown on to save your modesty.

“What the hell?” You grumbled and looked at Sean as if he had grown three heads. “Either you are the stupidest man on the planet for comin’ back here, or you truly do have a death wish. If it’s the latter give me a second to grab the gun.”

Sean was in love immediately.

“I wanted to apologize for last night. I never woulda thought ‘bout stealing from a man with such a pretty woman living under his roof.” He handed you a small box saying that it was a piece offering. Inside was a large silver coin and a note that said ‘thanks for not shooting me’.

You rolled your eyes and scoffed, but pocketed the coin and note nonetheless. You invited him in, but warned him any funny business would not end favorably for him. He only shot you a coy smile and promised that he was only coming as a gentleman, not an outlaw.

The two of you grew as friends at first but once things seemed to grow more romantic, you had to start sneaking around and avoiding your father finding out about the relationship and how it started.

Sean was glad he got the practice sneaking in your window that first night, though, because it was common practice while the two of you had to keep your romantic relations a secret.

Sadie Adler:

Sadie was a shell of herself when you met her.

She was still mourning the loss of her husband and trying to become accustomed to her new life as a member of the Van Der Linde Gang when you stumbled into her one day.

She was just starting to get back on her feet and was at the tailors in town when you strolled in with your fancy clothes and styled hair.

She wasn’t intimidated per say, but she felt a little inadequate in comparison. What with her ragged hand-me-downs from Miss Grimshaw and her few coins that she saved to buy a new linen shirt - you were like royalty compared to her.

You approached her first at the tailors. You asked if she had been in town long as you didn’t recognize her, where she came from, where her husband was (assuming she was married). Sadie didn’t know how to answer all the questions you threw in her direction.

You broke down her walls, though. You bought the shirt that she wanted and even invited her to tea with you at your house to talk about what had been plaguing her the last few weeks.

She didn’t want it to help, but Sadie could physically feel the relief flood her chest as she stopped holding on to her emotions and let them flow freely. A friendship between the two of you grew quickly and rapidly.

Then, it grew to be a little more.

Sadie had been working on jobs with Arthur and gaining her confidence back. In doing so, she finally got the nerve to kiss you goodbye one night when she was getting ready to go back to camp.

She gazed at you nervously after she did it. She couldn’t figure out what your expression meant - whether she went too far, or if you even liked her back in that way.

Tears slipped from your eyes as you looked up at her and grabbed her cheeks, shoving your lips against hers. Her kiss was sweet and gentle, but yours was aggressive and needy. You didn’t realize she felt the same way about you, and knowing that she did created a swell in your heart that never went away.

After your first kiss, you had to keep your relationship on the downlow. Your father knew that the two of you were friends (he hardly liked even that), if he found out that y’all were girlfriends he would separate you for good.

Sadie came up with the plan to visit you during the day as a good honest lady of society, but at night she would climb up through your window to enjoy spending time with you as a partner instead.

Friend by day, girlfriend by night.

Sadie slipped through your window every other night, quieter than a shadow when she came in. Sometimes you’d turn around and she would just be getting in and it would make you squeak a little as it startled you.

She kissed you to keep you quiet when that happened, though (teehee)

Sadie would spend hours with you at night. You’d help her brush her hair when there were missions she was on that took days and she wasn’t able to care for her locks. You’d let her borrow your nightgowns if she ever wanted to stay and relax in your bed until dawn.

The two of you would hold each other and talk until the mourning doves sang their melancholy songs in the early hours of the morning.

<><><><>

[emma-o-yt]

Rick Riordan's problematic age gaps

Apparently reddit hates criticism because this got removed from there after a few minutes, maybe I can get it back up...anyways.

The age of consent in Texas is 17, Texas is where Rick lived (according to wikipedia) up until 2013. And yet...here we are.

Where do I even begin with this bullf*ckery? How about the most egregious of all?

Luke and Annabeth

We have two lines confirming their mutual feelings, one from The Demigod Diaries:

"Overtime, Annabeth developed a crush on Luke. As Annabeth got older, Luke developed feelings for her, too."

Mark of Athena (from her conversation with Venus):

"First there was Luke Castellan, her first crush, who had seen her only as a little sister; then he’d turned evil and decided he liked her—right before he died."

Now let me remind you, Annabeth and Luke have a seven year age difference, they knew each other at 7 and 14. By the time he died, Annabeth was just 16, while he was 23. And it's implied he begun returning her feelings a little before he asked her to run away, perhaps when she was 14. He's paralleled with Percy as Annabeth is his string in the river styx. He asks Annabeth explicitly if she loved him romantically (and she denies because Percy is there).

It's disgustingly inappropriate but at the very least they don't end up together...as for when they do...

Sadie Kane and Anubis

When it comes to immortal romance, I usually go for coded age. Anubis is thousands of years old but is mentally and physically 16, which is fine and dandy except for the fact that Sadie is 12. What do you want me to say except Rick is disgusting for promoting this.

Speaking of extreme age gaps:

Calypso and Leo

When you have a philosophy that every character must end up in a relationship, you run out of sensical options to pair up. Now, I'm a Caleo hater mainly because of how it retconned PJO and also because they are very toxic.

Now hold on, doesn't Caleo fall into coded age? Calypso is 15/16 and Leo is 15, so it's A okay! I suppose, if it wasn't for Calypso's past loves.

Odysseus, he had a wife and a son who was 20 years old in his final year on Ogygia, he is well into adult age. She also mentions the privateer Francis Drake and his wife Elizabeth, he was 45 when he married her.

If your defence is that she's actually thousands of years old, then that must also apply to Caleo. You cannot have it both ways.

Hazel and Frank

It's not that bad but it's necessary to mention for the point I will be making.

The timeline is messed up but I think they're 13 and 16 and meet at 12-15. I mean, come on.

Misogyny and Racism

What do these have in common? Well in 3/4 or 4/4, the younger one is female. In 2/4 or 3/4, the younger one is a person of colour.

Remember Nico? His crush on Percy as revealed in HoH? Well in MoA, there's a cheeky little red herring that happens a bit before Annabeth's talk with Venus (where it is revealed that Luke liked Annnabeth back). She wonders if Nico had a crush on her, but denounces him as too young. Now, Nico's age is inconsistent, I am unsure of his gap with Annabeth but I do know his gap with Percy. It's 3 years 5 months in PJO and 2 years 5 months in HoO (the series we are currently in).

So in RR's messed up mind, a white boy having a relationship with someone 2 to less than 4 years his senior is inappropriate. But a black tween girl dating someone 3 years her senior is just fine, a 12 year old biracial black girl dating a 16 year old is daijoubu, a 15 year old mestizo Latino boy dating an elderly woman is relationship goals, or the reverse a 15 year old girl dating middle aged men is a tragic romance and a 12 year old girl having mutual feelings with a 19 year old man is a "love story for the ages"!

The tv adaptation is so infuriating for this, they made Annabeth black, a lot of the changes they made came off as micro aggressions but especially her relationship with Luke. It's reduced to Luke simping for Annabeth behind her back and it's even worse because you can visibly see how large their age gap is. Heck, Charlie Bushnell and Leah Jeffries have a smaller age gap than book Luke and Annabeth.

Adultification is a huge real life issue. Children of colour and especially female children of colour are seen as less innocent than their white counterparts. Rick, who is dedicated to inclusivity should've known better than to include these illegal relationships. Stans will try and make excuses but it's there, deal with it.

As a black teenage girl who has been a fan of Rick's work for 12 years, I am disappointed.

[yanderemommabean]

Mama I would suplex a boulder for a follow up to the yandere virus post pls pls pls 🥺

You can’t even think. First you’re in the hallways trying to get to your own bed, now you’re being forced into kissing and swapping tongues with two very eager women whose hands are becoming more and more invasive and demanding. Phoebe was more aggressive about how she kissed you. Her tongue lapped and flicked the roof of your mouth and coaxed out near pathetic mewls and whimpers, while Sadie made it her job to steal you away when Phoebe needed to breathe. Sadies kisses were just as eager but not as intense, like she was savoring every bit she could. Both truly intoxicating in their own right. 

You can’t even bring it in yourself to fight. Something about all of this was intoxicating (as well as terrifying. You were sure even if you did fight harder, that shock collar would make this a lot worse. Perhaps it’s best to try and enjoy what you can?) Their touches were demanding, grabbing at you and roughly yanking your shirt off. 

“N-No” you stammer, trying to reach up and cover yourself but Sadie easily pins your wrist back down, shushing you softly as Phoebe begins to feel up your breasts. 

“Shh shh shh. You’re so pretty baby. So needy and desperate. Look how hard your nipples are already! Clearly you need us to help with this. You’re so pent up, kisses is all it took to make you like this” 

Your cheeks burn, your face feels like it was molten hot, and you hated that they were right. You couldn't exactly get off lately with the stress of school and the fact that, you know, they’re your bullies. You gasp wetly as Phoebe takes a nipple into her mouth, sucking and flicking her tongue over your sensitive bud, moaning in satisfaction as you feel your body tense and your hips raise off the bed. 

Sadie just giggles, sliding her hand down into the front of your panties. You were humiliated at how wet you had become, the slick stain on the fabric being all the proof they really needed that you liked this, even if you were fighting it. You can only cry out and gasp into their shared possessive kisses, Sadies fingers rubbing teasing and slow circles on your clit before dipping lower to feel your drenched folds, her middle finger circling your hole as it flutters. Phoebe placed her fingers into your mouth to hush you, her mouth working on your other nipple as she indulged herself in every noise you made for them. It’s a shame you have to be quiet this time, but once they’re able to, you’ll be moaning until your throat is raw. 

Phoebe crawls up to push you back into Sadies lap, grinning like a wicked demon as she looks you up and down. “I know we told Naomi we’d wait but…a little taste won't hurt right? I mean she’s so cute! Desperate and mewling like a little kitten, perhaps that's a better pet name instead?” 

You arch once again as Sadie begins to suckle and bite on your neck, her fingers pressing in faster circles as she teases your dripping pussy. You couldn’t form a singular thought, not even one of protest- as if your body wasn’t betraying you anyway. A choked moan leaves your throat as Phoebe slides down, holding your legs apart. She admired every mark and blemish on your skin, her fingers possessively gripping the flesh as he kissed up and down, from the apex of your hips to your calves, making herself comfy between your thighs as Sadie made sure your arms were held down tightly. “I think regardless she makes such a cute little pet. Look at how she writhes and cries out, she’s so sensitive! Naomi really needs to hurry up, she doesn’t know what she’s missing”. 

You try in vain to slam your legs closed as a last ditch effort to defend yourself, but with how easy they managed to do everything thus far? It was pretty much laughable. Phoebe just toys with your lips, dragging her finger up and down as she watches your hips twitch and your stomach tighten, her mouth watering. “Oh she’s missing such a pretty sight. Y/N’s so wet, I bet she could cum just from her nipples being toyed and played with! Oooh, does our puppy want to test that out? Or do you want something better?” 

You swallow, wincing as Sadie massages your breasts and bites into you again and again like she’s trying to brand you. Not to be a smart ass or anything but the collar more or less does that already. “J-Just, please, I-I” “Aww, don't be scared! You’re doing so well! C’mon” Sadie coaxes, her hands traveling down to also play with your pussy, watching as your hips act on their own to roll up against her hand as Phoebe watches with hunger and amusement. “You’re being so good, Y/N. You can keep being good can’t you? Just let us take care of you, melt all that stress away” 

“P-please!” you cry out, only to feel Phoebe grip your face and steal another kiss, her voice going low as she whispers in your ear “You’re cumming for us, one way or the other. If we have to tie you down with those wands and vibrators and drain you dry, we will. I suggest you behave unless you want to watch me lose my patience”. 

You make a noise of resentment and fear in the back of your throat, knowing that they were more than capable of having you tied down and at their mercy. You wince as both women begin to kiss up and down your body again, biting and marking wherever they wished, making you jerk and hiss when their teeth break the skin. 

Before Phoebe could pull away to threaten to act on that scenario she mentioned, having been impatient for your response, the door is knocked on and Naomi enters, a sultry smile on her face at the sight of you, barely clothed and clearly being enjoyed by the other two. 

“Well…I hope I didn't miss too much,” She says, locking the door and beginning to remove her outfit. She comes to grab your face, stealing a heated kiss that once again takes your breath away, only pulling away when she absolutely had too. Naomi admires you for a moment before giving Phoebe and Sadie a certain look, before saying “Well? What are we waiting for? It’s a three day weekend, so let’s get started” (-Mommabean, I hope you liked it! Sorry if it wasn't super spectacular I got some home stuff bothering me and I had to kinda rush! Still, this was fun!)

[365sadiekane]

I do sometimes think about all the smaller ways Sadie has been let down by other characters.

I think about how she was too young to understand that her grandparents tore her away from her father and brother.

I think about how she internalized that as abandonment by her dad, and that scar never went away even when she was old enough to understand.

I think about how she was in a bad mood at the beginning of the first book because most of the time with her dad was already gone.

I think about how she initially perceived her dad taking her and Carter to the British Museum as prioritizing his work over being her dad.

I think about how Sadie questioned if her dad and brother even still loved her.

I think about how she's always the one to be unfailingly loyal.

I think about how she trusted Bast when a magician accused Bast of abandoning her duty.

I think about how she believed Amos was in control of Set's power at the climax of the third book when everyone else doubted.

I think about how she still visited Bes's comatose body, despite not liking places like hospitals and nursing homes.

I think about how no one really extended her the same.

I think about how her grandparents didn't fight to keep her at home with them in Britain.

I think about how Carter chose to go after Zia instead of going with Sadie to find the book of Ra.

I think about how that made Sadie cry.

I think about Sadie, who feels abandonment extremely acutely, was forced to sacrifice her dad.

It's just something I think about.