#s3 they care so much but there’s so much baggage and they’re so similar. they repel each other like identical poles of a magnet

[sparky-is-spiders]

Jonmelanie would communicate near exclusively in arguing and nobody would find out that they were dating for three years.

[dogbearinggifts]

What are your thoughts on tua S2? Did you feel like the characters grew? What did you like? What did you not? I’m interested in your perspective. Your analysis are super thoughtful and interesting!

Aw, thanks, Anon!

Overall, I really enjoyed S2 and thought it was a solid follow-up to S1. I do have my quibbles about it, so I think (for ease of reference and because my thoughts are a little scattered today) I’ll list some of my personal highlights (in no particular order) before getting into what I didn’t like as much.

Big spoilers ahead.

Allison. I thought they handled her storyline especially well. Of all the siblings, I think she had the most difficult obstacles placed in her way (not only is she a Black woman landing in 1961 Dallas, but she’s a Black woman landing in 1961 Dallas who can’t even speak in her own defense for a year) and they sugarcoated exactly none of it. The writers pulled no punches when showing what civil rights protesters went through, which just made their nonviolent response all the more breathtaking. Allison’s fear and anger during those scenes were palpable even as she kept them hidden. But along with that horror, we see the kindness and warmth of the Dallas Black community, the women who take her in simply because she needs their help, and her love for Ray, perhaps heretofore THE most thoughtful husband ever portrayed on screen. I loved him, and I loved him and Allison together. While I understand and respect his choice to stay in 1963, I wish they’d gotten more time together. They both deserved it.

Vanya. We got to see how much the baggage from her past affected her by glimpsing what she might be like if it were taken away. It’s an interesting philosophical question, and it was explored well, in my opinion. She finds it easier to love and be loved, and she stands up for herself more readily—but she also doesn’t hesitate to use powers she can’t quite control and threatens Five without fully realizing how dire her threat is (or how it might dredge up traumatic memories she doesn’t know exist). The moment where Ben finds her curled up, fully convinced she’s a monster, was heartbreaking. I loved watching her find happiness with Sissy, even if that was fleeting (and dear god, Sissy deserved her happy ending with Vanya, dammit, I don’t care if it would fuck up the timeline). Her patience and sweetness with Harlan were just beautiful. And the way she used the confidence she gained during her amnesia to fully come into her own not to exact revenge on her siblings, but to save them, was fucking phenomenal.

The humor. There was a lot more humor this season, and it was awesome. So many iconic scenes—Olga Foroga, Luther babysitting two homicidal Fives, Elliot awkwardly lecturing his guests on the history of Jello, “NEW TIMELINE NEW ME,” “Your vagina needs glasses,” AJ the fish gobbling up the cigarette bubbles, Five getting to say “fuck”….this season was a lot funnier than the previous one, and I think that was one of its strengths.

Klaus’ cult. It was played for laughs, which I both expected and thought was the best way to handle it. He didn’t want to start a new religion with himself at the center; he just wanted to not get thrown out of any more diners, but Destiny’s Children had other ideas. The “I too am a fraud!” scene was hilarious and tickled the question of whether or not a religion founded on false pretenses can still help those within it find meaning.

Luther. Getting him away from his dad, his siblings, and the Academy was exactly what he needed to become the pure of heart and dumb of ass genius we always knew he was, but his first major step in that direction was heartbreaking. We all knew he’d be rejected once he got to the Academy. We all knew Reginald would rip his heart out and stomp on it in his admittedly fashionable shoes. It gets Luther out on his own and forces him to become his own person apart from his dad, but that doesn’t make it any easier to watch. He got the positive character development he needed, but the catalyst was tragic.

Diego. We see, for the first time, exactly how Reginald kept him in line—not with meds or with PTSD-inducing torture, but with words. Even when he knows Diego as little more than a stranger, Reginald is able to rip off his skin and fling it in his face with a single diatribe; and even at 30, with years away from his dad, Diego is left unable to speak, feeling as if all of his accomplishments up to that point were the work of a dumb kid who thought he was smarter and more capable than he actually was.

Luther and Diego sharing a braincell. Luther has bad ideas. Diego has bad ideas. When they put their bad ideas together, they get terrible ideas. I loved watching them work together as a team, rather than being at each others’ throats for most of the season, even if I’m left hoping Olga Foroga had a pleasant and quiet day after that phone call.

Reginald. At first glance, it may look like the writers were trying to make him likable so they could parade him around as your average abusive-parent-with-a-soft-side. But it’s more nuanced than that. Abusive parents (and abusers in general) often fly under the radar because they fool outsiders into thinking they’re good people. They’re active in their communities. They give to charity. They have friends who attest to their virtue, significant others who think they’re the greatest. And that’s what we see with Reginald. We see him as the rest of the world did: an intelligent, eccentric man with a sharp sense of humor who cared deeply about scientific advancement. That’s how he evaded suspicion—because there were stories from years past of lively parties at his mansion, of what a gentleman he was to Grace and of how he did everything he could to save little Pogo. But those stories would all have come from people he considered his equals. When he’s with people he considers his inferiors—aka, the Umbrella kids—he’s openly condescending and demeaning. We get to see how he fooled the world, and it is chilling.

Elliot. He deserved better, and you can ship him with any one of the Hargreeves kids and get the cutest thing ever. 

The Swedes. They said so much while speaking very little.

Ben. He got more personality and screen time, and it was glorious. His love of his family and resentment toward Klaus practically leapt off the screen. The way he says “I’ve missed you all…so much” once they’ve all left was one of those right-in-the-feels moments; and watching him get so much of what he’s wanted for years when he possesses Klaus was beautiful.

Now, as for things I took issue with….

Ben. I understand why they ended his arc the way they did. I get that they were probably afraid the Klaus/Ben dynamic would grow stale if they didn’t change it somehow and wanted to give him a larger role in S3. His death(???) was heartbreaking and extremely well-done. But it also wasn’t foreshadowed. We never got any sense of what ghosts in the TUA ‘verse are, so the fact they can be destroyed by a ton of sound-turned-energy or by going too far into someone’s psyche or whatever happened….it’s not that it doesn’t make sense so much as there’s not enough evidence to determine whether or not it makes sense. It feels like the writers just kinda made that up so they’d have a reason to change Ben’s relationship dynamics, but if that’s the case, couldn’t they have done it another way? Couldn’t they have made it so the immense energy or psychic woo-woo or whatever gave him a power-up instead of destroying him? Vanya transferred some of her energy into Harlan and brought him back to life. Couldn’t something similar have happened with Ben? And if it tied him to Vanya as well as to Klaus, great! More fodder for angst and humor! (”Vannyyyyyyyy, stop hogging Ben!” “You got him for 17 years, Klaus, you can part with him for 20 minutes.” “Guys, don’t I get a say in this?”) I’m glad they didn’t write him out of the series entirely, but I still wish they’d kept him and all the character development he’d gotten throughout S2.

Episode 10. It looks like they tried to cram half a season’s worth of developments into 45 minutes. Twenty minutes in, I’d already said “Wait what the fuck” half a dozen times. A lot of those moments were explained later on, and I was able to make enough inferences to fill in any lingering plot holes, but…still. Too much stuff, too little time. E9 was a perfectly satisfying ending to the season. Yes, it leaves the siblings stranded in 1963, but they could’ve tied up those loose ends in the S3 premiere.

Lila. She’s an incredibly fun character, but her arc is kind of a mess. Most of that is due to E10, and I do feel that more time to let her arc breathe would’ve worked wonders, but I’m left feeling like her turn from “Handler is the best mom ever and I lurve Diego too” to “KILL DIEGO AND HIS EVIL FAMILY” to “Handler is a bad mom and Diego is right” happened too quickly.

The Commission. Okay, so, the Handler announces the entire Board has been killed, and she’s stepping in as director even though everyone appears to know she’s been demoted (and demoted pretty severely—she went from having an office bigger than some apartments to being a case management drone). There’s suspicion and lots of it. But then, La Resistance is….ten or so people in a single room? And when she calls the temps agents to her side, thousands of them show up ready and willing to fight and die? I dunno. Just seems like there should’ve been more splintering going on there. Again, I think they needed more time to tie everything up.

Aside from those complaints, I loved the season. I set aside most of a day to binge it, and I do not regret that decision at all.

[gra-sonas]

I know I’m being stupid but it really annoys me how much some Alex stans care about F*rrest while constantly talking sh*t about Michael. They go on and on about how great F*rrest is and how he and Alex deserve to be happy together, and Michael should be miserable when he sees them. Like I get they’re mad at him for choosing Maria, and they can ship whatever they want, I don't care but I wish they would stop putting Michael down to make F*rrest look superior. (1/2)

It's not like Michael was a jerk for funsies. He is traumatized, he was a victim of a hate crime ffs and he was hurt by Alex hiding him, walking away from him for 10 years and rejecting him again in S1. We know why Alex did all of that but Michael doesn't. I just can’t understand all this love for a character who has like 5 minutes of screen time with no backstory except being a Long, and the hate towards a main character we know, who has been through so much pain since he was a child. (2/2)

Hi nonnie!

I get why you’re upset. While Michael’s definitely been an ass to Alex this season more than once, it wasn’t just for the sake of being an ass, he had A Lot™ going on, and thanks to the writers, no time (or help) to deal with any of it in an adequate fashion. That doesn’t make his behavior okay, but he’s far from being irredeemable imo. He’s got a lot of growth to do still, but I believe ultimately Michael is a good person, and I’m sure he will be a great partner for Alex one day.

Am I mad at him? A little, yeah. Do I hate him? No, not one bit. I love him, and I want him to become better, bc rn, he’s hurting and he still hasn’t unpacked even a fraction of the trauma life’s heaped on him.

But that’s me (and you, obviously!), and while it makes me sad to see rather negative comments about Michael, I can understand why some fans are kinda fed up with him (at least for now).

Ngl, last year, after the S1 finale, I was mad at Maria. Her betrayal (that’s what it was imo) hurt, and I just couldn’t understand why she’d go behind Alex’s back like that. And there were quite a few people who felt similarly. And there were posts about it, there was “spite fic”, there were all kinds of things going on in fandom, and I’d lie if I didn’t admit that reading those posts and fics felt good at the time. It helped me deal with my own disappointment, it felt cathartic.

Sadly, over the course of the last unbearably long hiatus, some of that dislike turned into outright hatred and racism towards Maria, and I don’t think the character has recovered from that yet. :(

Michael’s an overall well established and well liked character tho (ALSO, HE’S A DUDE) and I don’t think the current level of Michael dislike will ever even remotely reach the levels of dislike people had (and in some cases still have) for Maria, nor will it do much (if any) damage to him in the long run. In fact, I think that most fans are willing to forgive him, or already have forgiven him.

Anyway, as for putting one character down in order to lift another up - it sucks (way more when done irl tho), sure, but like I’ve pointed out above, a little spite goes a Long (ha!) way and it can feel very cathartic.

I think many of us this season had at least one, if not several moments, where we would’ve LOVED to see Michael be put in his place, for someone to tell him he’s an ass and ask him what makes him think hurting Alex like that is okay. We didn’t really get that, neither did Alex get a chance to move on until the last moment.

On a very abstract level, it’s a somewhat similar situation to the one we had last year. The show’s left us hanging, it didn’t address Michael’s asshole behavior on screen in most cases, and all that pent up disappointment’s lead to some (comparatively mild) Michael backlash.

As for Forrest: he's still pretty much a blank sheet. We know very little about him as a person, but we’ve seen him make Alex smile and look genuinely happy in a season that didn’t give Alex many happy moments to begin with.

It’s easy to project a lot of good things, positive character traits and whatnot onto him, because so far canon hasn’t told us otherwise, and he comes with zero emotional or traumatic baggage. The only canon blip on the radar so far is his Deep Sky ring, but since the show hasn’t addressed it in S2, there’s no real reason for fans to take it into account either.

And apart from the kiss at the end of S2, canon hasn’t told us anything about what their relationship will be like in S3, which means right now, the sky’s the limit and every possible future for Forlex can be freely explored in fics and fanworks without paying much attention to canon. That’s a pretty cool premise for Forlex shippers.

Malex shippers on the other hand are dealing with a triangle situation during a hiatus for the second season in a row. And if fans take the S2 finale as their jumping-off point for fanworks, there’s two options to deal with it: either more than the 2x13 Forlex kiss never happens, or Forlex happens and in order for Malex to get together, a Forlex break up is inevitable. And that sucks tbh, bc I think most of us at least like Forrest and don’t necessarily want to see him hurt.

But it's the situation we’re dealing with, and I just hope that since many Forlex shippers also seem to be Malex shippers, the rift between both groups isn’t or won’t grow as large/deep as the one between Malex and M/M shippers, and maybe the urge to be a little spiteful will mellow down over the course of the hiatus.

Hopefully we can all agree on being kind to each other and just let everyone like what they like (PLEASE, FOR THE LOVE OF GOD), and as long as anti-character stuff or character negativity is tagged properly, I don’t see why we shouldn’t be able to make it through another long hiatus without igniting fandom war 2.0.

I’m sure, Alex Manes would approve! ❤️

[lightsandlostbells]

Skam France season 3, episode 2 reaction

Skam France is really leveling up

Eliott Demaury, raccoon enthusiast is the best creative decision they’ve ever made

Episode 2

Clip 1 - surejan.gif

Is the B-roll or w/e at the start of the clip the same place Lucas was brooding in the first clip of the season? It’s probably reading too much into it but I like that those two dudes on the bench are there for a reason, like mirroring Lucas and Eliott at the end of the last episode, sitting with space between them (no Chloé in the middle, though).

Lucas scrolls through his phone looking for Eliott. He doesn’t find him, but he does find a friend request from Chloé, which he accepts after a moment’s hesitation. Son, she’s going to take that as a marriage proposal.

Mika plops down beside him and nags Lucas about the rent. Now that Manon’s parents are no longer financing Lucas’ rent, seems like he’s behind. Can I just mention that Mika and Lucas look like they could be related? I know it is a running Skam fandom joke that the Evak couples look related (sometimes said with underlying homophobia IMO BUT I’m not going to go into that rant now) and I’ve seen people say Lucas and Eliott look similar, but Lucas and Mika are the ones who stick out the most to me. Actually, Lisa too. If you told me that this was an apartment of like ... three siblings being gay and cranky at each other, I would buy it. 

Notifications are going off on Mika’s phone. It’s because Mika changed his profile pic, which he helpfully shows to Lucas/the viewers - I mean, I can get why his phone is blowing up, not gonna lie. No dick from what I can see, but you know. Suggestive. Pubes are clearly visible.

Lucas is like, I don’t want to see that! Well, I don’t think Lucas objects to naked men but I believe him in this instance because Mika is fulfilling the big brother role. Mika teases him about seeing what a man’s body looks like. Don’t worry Mika, in like a month Lucas is going to have very thorough knowledge of what a man’s body looks like.

Mika then asks for Lucas’ advice on a straight dude who wants a blowjob. Does he want it for himself or to do it to Mika? He helpfully imitates a blowjob that freaks out Lucas. I mean, it kinda freaks me out, I had war flashbacks to that grapefruit technique video. (If you have not seen that video, all I’m going to say that it is highly NSFW, not to be watched in public or if you have a heart condition, and I’m sorry.)

Mika is like, if you want to suck dick, you’re not that straight. Lucas is like, well, maybe he wants to try. Maybe that guy is just curious! HMMM Lucas, interesting train of thought. I’m sure you have no personal investment in this debate whatsoever. Mika helpfully shows Lucas’ a picture of the “curious” guy’s butthole. That Mika, being so helpful today.

Lucas gets up because he doesn’t want to spend his weekend looking at naked guys. Well, maybe not guys, plural. Again, in about a month you’re going to look back on that comment and laugh, bro. 

Mika and Lisa agree that Manon was funnier. Lmao, I kinda love how they’re so unimpressed with Lucas. 

Clip 2 - Light and dark

Lucas walks into school on Monday morning and … goes through an attendance book? He didn’t even hesitate, this guy does not give a single shit, does he? He’s just going to grab love by the balls. The camera puts us in Lucas’ POV by focusing from top to bottom like it’s imitating Lucas scanning the list, which is a good detail. Skam France had some POV issues I didn’t care for in previous seasons so this feels more carefully thought out. 

Just as I’m noticing Raptor Alex’s name above Eliott’s, the man himself appears. Oh yeah, they’re supposed to be pals now. They have a short conversation where Lucas is like, WHOOPS, silly me taking the wrong book! When Alex asks for the register, Lucas snakes out and distracts him by congratulating Alex on him and Emma. Alex is like, “Huh? Did Emma tell you that?” Well, they were obviously making out at the party and hanging out together in their IG stories, so while it’s maybe an assumption that they are 100% a couple, there’s obviously something going on between them.

I’ve never really been like ... dying for Isak/P-Chris friendship or interaction post-S2, although I think it could have been interesting. Plus, Chris had graduated by S3 so there weren’t as many opportunities for them to interact. But it’s a nice follow-up here since Raptor Alex is still in school with them. (Was he supposed to graduate along with Charles last year, though? I totally forgot. It feels like those seasons aired forever ago.)

Bell rings, Lucas scampers off with the register. I was like, “Wait, did he even put it back?” until Alex calls after him for it, lmao. I like to imagine that it’s just gone forever, a casualty of love.

In the classroom, Lucas looks up Eliott on his phone. Unlike Isak, he has the wisdom to plug in earbuds before listening to anything.

He’s looking at a crowdfunding page for a project of Eliott’s. It’s noted that the project closed and that the funding was not reached, and that detail punched a hole in my heart. Instant poignancy, instant affection for Eliott. We don’t know the circumstances yet of why he didn’t meet his goal, and if it was at all related to his manic/depressive episodes - perhaps a nice bit of foreshadowing if it turns out they are related - but it’s automatically sympathetic to learn someone had a dream that went unfulfilled. 

In a video, Eliott is talking about his project - a film called Polaris, about two characters and a tunnel. One is a boy, and one is not specified, (a boy, a girl, a creature) which I think is hinting at Elliott’s pansexuality, that he’s okay with any gender, it doesn’t matter to him. The second character does not leave the tunnel, because they are afraid of the light, and they meet the boy, who’s afraid of the dark. They can’t live in each other’s worlds so they chat at the border without ever seeing each other. They talk and fall in love but never meet until one of them decides to conquer their fears and go to the other’s world.

So there’s a lot of obvious symbolism here. Tbh, it’s pretty on the nose and I wish they’d toned it down just a smidge, since this is like … probably exactly what is going to happen with them for either their first kiss or their version of O Helga Natt (or both), but I still appreciate the effort a lot and am eager to see it in action. This is what I wanted from S3 remakes, for each of them to develop their own symbolism that fits their characters, because Isak and Even’s symbolism is so specific to them, their names and their story, that you inherently lose something when you transplant it to other versions of them. The concept of rebirth is really beautiful in a gay love story about coming out and being born as one’s authentic self; I think the idea of light and darkness being used in a similar way - especially in terms of a coming out narrative, being in darkness, coming into the light - could also be beautiful, and of course there are the ideas of having to be brave in order to live with each other, very relevant for an m/m couple in a homophobic society and for someone like Eliott who would be afraid to get close to someone due to his mental illness. It also works in the sense that neither of the characters in the film see each other until they get over their fears - both Lucas and Eliott have baggage and neither will really “see” or understand each other truly until they confront their respective issues.

Right now it seems like Eliott would be the one in the tunnel and Lucas is the one who’s afraid of the dark, and Lucas is going to have to leave his world to be with Eliott. Because well, this is supposed to be Lucas’ story, and the name “Lucas” is associated with light, or meaning “light-giver” or something similar. We know that one episode is called “the boy who was afraid of the dark” and that’s probably referring to Lucas since it’s his POV. At this point in the story, too, we aren’t supposed to know that Eliott is mentally ill, we don’t know he’s struggling, so we might also think that it’ll all be on Lucas to change in order for them to be together. But I think it’s also plausible that maybe they’ll switch roles over the course of the season, they both take turns in the light and in the dark. Maybe Lucas steps into the dark for the first kiss, conquering what he’s afraid of, then he steps into the light for the O Helga Natt equivalent. Or Lucas steps into the dark for the kiss, Eliott must step into the light for O Helga Natt. There are many ways it could go. But this is also what I like about them changing the symbolism, it leads to this kind of speculation. 

I’d like to see Lucas and Eliott being a little more strongly contrasted, too, sort of like they’re ... polar opposites, eh? OK, not that corny and not that they need to be so different that they can’t get along. I just think it’d be interesting with the light and dark metaphor to have them be clearly different in some ways, personality-wise, arc-wise. I want to see their separate worlds highlighted at some point.

Also want to mention that you could perhaps apply this imagery to certain scenes already, like in the first clip of the season you had Lucas in the daytime, light reflecting off the water and through the trees, but he’s not really comfortable there, he’s alone and detached. Later that night, Lucas making out with Chloé in the hallway sort of put him in shadow (or that might be Skam France’s lighting in general, IDK). Might be a reach but it’d be interesting if those choices stacked up throughout the season and reflected the larger metaphor, when we see who’s playing what role.

Polaris itself is “the brightest star in the constellation of Ursa Minor” so that’s another nice allusion to light in itself.

Imane shows up and scares the bejesus out of Lucas. She was going to give him the weed, but he ruined it by being a weenie. However, he redeems himself by expressing interest in the common room project and saying he’ll be at the next meeting. I wonder what changed his mind? Daphne’s enthusiasm? No matter, Imane must see some progress in Lucas, like he needs a reward for good behavior, because she decides to give him back the weed.

He’s grateful, but the teacher sees their drug exchange and wants to know what’s going on. When she asks to see what’s under the table, Imane whips out some tampons and says Lucas brought them to her. LMAO, that’s pretty funny. 

She calls out the teacher for humiliating her in front of everyone, which is also funny, although I kind of feel bad for that teacher, lol. We haven’t seen her be a racist yet like Isak and Sana’s teacher, and I mean ... her students were passing drugs under the table, she wasn’t wrong about them being shady.

Arthur and Alexia laugh at them in the background. I want to know what’s going on over at that table! We can have two pairs of classroom buddies!

Lucas and Imane both laugh so that’s really the kickoff to their friendship. Tampons: saving the day, bringing people together. Tampax should make it into a commercial.

Clip 3 - Questionnaires

It’s the common room meeting, just the girl squad and Lucas, and they’re going over the questionnaires that people filled out. The consensus is that the common room sucks, and people make dirty comments when anonymous (literally the least surprising thing ever if you have ever seen a bathroom stall or any comments section on the Internet).

Daphne kicks out Emma when she gets a phone call and Lucas laughs along with the others. He seems way happier and more comfortable with the girl squad than with anyone else so far, and I think a lot of that is because there isn’t the pressure to maintain a typical hetero fuckboy persona with them as with the boy squad. They’re just girls engaging on a dorky project, so he can just relax.

Alex reads another questionnaire and the answers are all about Daphne. Lucas confirms that the phone number on the page is Basile’s. Daphne looks done with it, she’s caught him staring and drooling, she doesn’t get why he’s into her all of a sudden. Man, I’m already sick of Basile, he’s like Magnus from hell. Especially because Daphne is so not into it, and the fact that she’s noticed him salivating him over her makes it worse. I think it’s for comic relief but it quickly went to creepy territory, and I hate that they’ll likely hook up at some point. Please please don’t go there.

A lot of the questionnaires mention they dislike the mural, so I bet they’ll paint another one at some point, and I bet Eliott will have an idea that they use, being the artsy guy he is. Also, everyone wants them to throw a party so I’m sure that’ll be the setup for either the neon party or the Christmas party (whatever takes the place of those scenes).

Lucas reads another questionnaire that requests a vending machine (reasonable) and a nudist day once a month (not so reasonable) and I was gonna say it was Eliott’s form, because of the vending machine connection and probably some painful foreshadowing toward the hotel naked incident, but actually it’s Alexia’s form, LMAO. She wants the eye candy of naked guys and girls. A nice way to integrate her bisexuality since she’s into naked guys and girls. 

I notice that Alexia has a little rainbow patch on her jeans, so I’m hoping that they’ve taken feedback from earlier seasons and will more directly address her sexuality. I know her ex Clara has been listed in the credits, so that’s very promising. I hope they keep it up and maybe Lucas can connect with her over being LGBT, well, G and B, respectively.

Emma comes back and complains that Alex thinks she’s been telling people they’ve been going out when they’re just hooking up, but Lucas does not care (even though he is responsible for giving Alex that impression) because Eliott walks by the window. Lucas hauls ass out of there and goes out to find him - give him some credit, Lucas is being pretty upfront about approaching Eliott, or going after what he wants so far. What is that gonna end up meaning to his overall character arc? I’m fine with that approach to Lucas’ character, I’m just curious how it will affect his overall characterization from beginning to end. Because Isak wasn’t a total wallflower, he did pursue Even in his own way, but I felt like because he also could be reserved and shy about Even, it was narratively significant when he took certain steps for clear reasons to his personal growth. (I think Lucas and Isak are maybe not all that different about their approaches so far, just slight ways that make it seem Lucas is bolder - like going up to Eliott at the vending machine himself, grabbing the register instead of walking by a list, running after Eliott instead of standing still and locking eyes with him).

Before Lucas can go stalking, he runs into the boy squad. Yann is like, were you in the common room? Spending a lot of time with the girls, eh? Like is he just being a dick about that, because Lucas is choosing the girls over the boy squad, or does he think Lucas wants to hook up with one of those girls? Or is this more about the common room project seeming stupid to him?

Of course Basile has to ask about whether Daphne is thinking about him, GOD please shut him up. Arthur tells him Daphne doesn’t care about him. The hero we need. 

Lucas looks around the courtyard but no Eliott in sight. ur boys cockblocked u, bro

Chloé and Maria come up and invite the boys to their party on Friday. Maria’s fucking cute when she’s not puking, she does a little dance with the invitation. Lucas tries to say they have plans but Arthur’s like, no we don’t! We’re coming! No, Arthur, don’t say that, you know Basile is going to be a creep about it.

The squad gangs up on Lucas for saying no, because you’re always supposed to say yes to partying with girls, and it’s played for laughs with their reactions and stuff but really it is shitty how these guys don’t want to listen to their friend. I mean, let’s say situations were reversed and Lucas was a girl who said “this guy is stalking me.” We’d all be like, get away from that dude, you don’t have to spend time with him, right? Or we’d hope that girl’s friends would say so.

Lucas says Chloé has been clinging to him and it’s stressing him out, and Arthur’s like, I don’t get you, she’s into you, but you’re stressing out? Lucas is clearly stressed by this conversation and that he can’t tell the boys what’s up. All that pressure to like girls is draining him.

I think it is important to keep in mind that Isak also felt isolated from the boy squad at this point in the story, for similar reasons: he had a big secret that he couldn’t tell them, and he felt like he had to like girls to fit in with them, and they put pressure on him to hook up with girls, talk about girls, go to parties with girls. What I think is the big difference, and why it feels perhaps more noticeable with Lucas, is that Isak didn’t have the interaction with the girl squad other than Sana blackmailing him and Vilde annoying him, so we didn’t see him have this friendly outlet where he’s relaxed. In fact, the first time in his season we see him really start to relax and be himself is with Even. I think that contrast was valuable toward establishing Isak’s connection with Even, showing Even as someone who brings Isak out of his shell. But with Lucas, first he is able to laugh together with Imane - Isak and Sana had a moment but they weren’t like giggling together after Isak told off the racist teacher - and second he seems to be having a good time at the common room meeting. Then he goes to the boy squad and it immediately becomes tense. However, I don’t have a huge problem with Lucas laughing a bit with the girl squad here. It makes him seem somewhat less socially isolated, since he seems relaxed with them (even if this isn’t the deepest or most intimate interaction), but it still provides contrast to his interaction with his male friends. It would be nice if the story highlighted this a little more later on, as to why Lucas might feel more comfortable with the girl squad and not the boys when he’s closeted. 

Clip 4 - Polaris

At home, Lucas watches the animated storyboard for Eliott’s Polaris video. A guy and another person of ambiguous gender meet just outside the tunnel in the rain and finally kiss.

I like that Lucas got to watch the project itself (or a storyboard of it) and be invested in it. That’s something I loved about Isak watching Even’s video and then watching R+J - he got to fall for Even watching him be funny and strange talking about his Cap/Putin video, and then he got to watch a movie that Even loved and that awakened these very emotional parts of himself. He got to see a great love in action and wish for that for himself, he got a glimpse of Even’s soul from the art Even loves. Lucas does something similar here in that he gets a glimpse of Eliott’s creative mind, something very personal, and fall for him further, and Eliott’s video is also about great love that Lucas feels that he wants in his own life, it chips away at that facade he’s put up, the lie he’s living. Good adaptation.

The only thing is I suspect that their first kiss or O Helga Natt is probably going to go heavily like that storyboard, if not exactly, which will likely be beautiful, but again, slightly on the nose for me. To be fair, obviously Isak and Even’s first kiss imitated Romeo + Juliet closely; I guess this being Eliott’s own creation/vision vs Even’s fanboying a film by his favorite director makes it a little more OTT, like if a scene from a novel I’d written came into my life, I’d feel weird and self-conscious about it. But that’s just me! I can also see why it’d matter to Eliott, to take this longing and make it a reality. But I think I’d rather just see him make his actual film, accomplish his passion project, than to recreate it in his own life. Maybe because, filming a beautiful love story and falling in love in real life fulfill two different parts of one’s self -  one’s artistic creations are not substitutes for one’s social connections and vice versa - and Eliott’s unfunded film is a thing on its own that’s very poignant and begs to be carried to completion. Does that make sense? IDK, I’d like those big scenes to have similar themes and imagery but not like his storyboard come exactly to life. We’ll see how it goes.

I think it’s a little murky why Lucas searches for the “gay chat” - like is he trying to find Eliott there, or is he looking for any type of connection? Think it’s the former since that was shown more explicitly with Isak, but I guess you can say he’s just testing the gay waters.

The gay app that Lucas downloads features the picture of Skam France director David Hourrègue, much like Skam Italia had their male director in the gay app. (The directors look a tad similar, or is that just me?)

Lucas looks through pictures mainly of disembodied abs and bulges, until he stumbles upon Mika’s picture, and HA, that’s a REALLY good gag, hats off to Skam France. I remember being annoyed because they recreated the Jonas cunnilingus walk of fame in their season 2, except with none of the build-up that made the Jonas scene funny and emotionally resonant (with Eva’s reaction), so it lacked the impact and was just kinda there. This actually had some setup, good job.

Clip 5 - Two bros chillin’ at a bus stop

The boys are getting ready to go to Chloé’s party later and Basile starts talking about how he’ll get with Maria and I’m already so over this, please God let them talk about anything else. I get that this girl talk is establishing the overwhelming heteronormativity and pressure to pursue girls among these teenage boys, but like, let’s hear from Arthur about his hookup techniques, or if there’s a girl Yann likes, anything but Basile being a creep yet again.

He talks about calling himself “Daddy” to Maria as if I wasn’t already thoroughly horrified out by him. FUCK no. 

And the guys are like, I thought you were all up in Daphne’s business? Basile basically doesn’t care, one girl or the other will do, ughhhh GODDDDD.

They tell Lucas that he’s paying for the beer because they’ve taken their turns paying. Lucas waits at the bus stop, texts his dad for rent and grocery money, then texts Mika for money (presumably to buy the beer). MEANWHILE, a figure in a familiar brown coat sits down. I can’t quite tell from the angle, is he sitting in the next seat or is there still one between them? You’d think Eliott would learn from the past not to leave space for any Chloés who might come along. (At the end of the clip I still couldn’t tell, lmao. Feel free to clarify if you have better spatial awareness than I do.)

It’s Lucas’ turn to get startled by a dude just staring at him intensely. They have some banter, Mika texts back that he’s working, Eliott notices something is up, Lucas explains that he has no money to buy beer for a party, so it’s Eliott’s suggestion to come back to his place and get the beer he has. Not Lucas asking him for help, like Isak did. Lucas has seemed somewhat more forthright in pursuing Eliott so this is a bit of a surprise, because a noticeable example of Isak asking Even for something was switched to Eliott offering. I guess you could say it’s Eliott’s development, if he’s the one in the dark and is holding himself back? We’ll see.

Clip 6 - Eliott confirmed weirdo

They go to Eliott’s place and Lucas checks out Eliott’s drawings. They’re cute. Dude really loves raccoons. They look at the drawings together and Eliott says they’re old and that he’s better at drawing himself now. Lucas is like … that’s you? LMAO, Eliott is so fucking weird, I kind of love him. He likes that raccoons have a mask. Well, we know Eliott has his own mask, so it’s fitting, I suppose.

Okay, French fans, I have to ask - what are the perceptions of raccoons in your culture? I found this article saying that the raccoon was introduced to France in 1966 and is considered a pest. They’re considered pests in North America, too, and spread disease, and sometimes they fall through ceilings, but like ... they’ve always been here, so there’s something about them that’s normalized, I guess? 

Lucas asks if Eliott had to draw him what would it be. Well, that’s fucking forward. Eliott studies him and says he doesn’t know. So Eliott basically can’t figure out Lucas yet. What are the odds his later notes to Lucas will include his and Lucas’ fursonas? I know all Isaks are snakes but Lucas reminds me of a woodpecker, personally.

Or maybe they will both be raccoons for the sole reason that I want to start calling Lucas Little King Trashmouth.

MISSED OPPORTUNITY for Lucas to say “draw me like one of your French girls” or something along those lines, though.

Clip 7 - What ... the fuck ...

Lucas and Eliott smoke and talk. While Eliott gets up to change the music, Lucas checks his phone and he’s got messages from Chloé waiting for him.

Lucas blames his absence on the other guys lacking motivation and THAT is the least believable excuse I have heard in my fucking life, come on, Lucas. As if those dudes aren’t panting after those girls. Did you even meet Basile? If you talk to him for ten seconds you’ll already know the names of five girls he wants to fuck.

And of course he types this as Yann is trying to get in touch with him about the party, very much motivated to go.

One of these days an Isak just needs to lie in a plausible way. “Sorry I’m sick, I think I have food poisoning, I’ve been shitting my guts out for the last hour.” If you overshare and make it disgusting, they’re not going to question you further AND Chloé will probably back off and stop chasing you. 

Lucas guesses that Eliott will be putting on some Chopin or Dad Jazz because the turntable makes him seem like a vintage collector but ACTUALLY Eliott is one weird motherfucker and I have to say, not even Even would pull this stunt this soon in their relationship, because what he puts on is dubstep and Eliott starts banging his head and jumping around in a completely unashamed way, and like, even Lucas in all his infatuation with this guy cannot help but stare at him like “what the fuck is going on.”

When Eliott asks about it Lucas responds, “....it’s cool!” in the same way I do when an older relative asks me what I think of The Big Bang Theory or the Minions.

Eliott asks Lucas about his tastes and Lucas is more into rock, like very famous bands, Nirvana, Rolling Stones, Beatles, The Clash. Eliott offers to put on Queen and luckily for the music licensing department Lucas is like, no, I like discovering new things. By which he means “I like discovering new boys.”

Eliott blows a perfect ring of smoke so we know he has more smoke skills than Lucas, going off Lucas’ messy shotgunning in episode 1, and then Lucas also starts to rock out to the music and I’m kinda feeling secondhand embarrassment but also, I guess this means they’re meant for each other?

Clip 8 - Piano man

They’re both sitting there stoned as fuck, Eliott doesn’t want to get up to change the record, so Lucas gets up and puts the record to the side. But instead of selecting a new one, he lifts the lid the piano and asks Eliott if he plays. Eliott says he can play the Star Wars theme - so he has Star Wars fanboying in common with Even, heh.

Lucas then sits down and starts to play perhaps too well for someone who’s probably pretty stoned by now (but I’ve never tried so who knows) and Eliott sits up. We get him smiling at Lucas, eyes shining. At one point Lucas looks behind him and seems to get encouraged by Eliott’s enchanted reaction.

Mmmm ... unpopular opinion, but while this is a really lovely scene, I kiiiinda wish they’d taken it down a notch or put the focus more on Lucas? Because there’s like ... not really any ambiguity about what Eliott feels after this, with his enamored stare at Lucas, and I think in context of the larger story, it takes a little tension out. I think with Even, the attraction was conveyed more in small looks and glances, and while I definitely thought he was always into Isak, from Isak’s POV you could see how the arrival of Sonja threw that into doubt, there was room to question whether Even really had feelings for Isak. Whereas here it’s like ... girlfriend or not, Eliott is smitten with Lucas, I don’t really feel that the ending reveal carries as much weight. I guess I’d put more focus on Lucas’ expressions as he plays, showing him getting into it and letting himself put down his emotional walls and express himself, showing him more open here with Eliott than he’s been so far anywhere else - this is his POV season, after all - and cut back on Eliott’s reactions to preserve a little mystery.

What I think is good about this moment is that Eliott got to share a part of himself, with his drawings (and his questionable taste in music), and unbeknownst to him his Polaris project, and now Lucas gets to share a part of himself with his piano playing, and so they’ve both let each other in to their artistic sides, perhaps establishing them both as creative types. It’s cool that we both see their respective interests. They might even complement each other’s, like Lucas’ music might end up serving Eliott’s vision for his film or something. And this was obviously a turning point for Eliott, he may have noticed Lucas on the first point of school but this is what took his interest in Lucas to another level as he saw Lucas just unleash this piano piece, catching him off guard with something beautiful. 

When Lucas is done, Eliott says it was impressive, and that Lucas is surprising, and he likes surprising people. Well they’re just being blatant as fuck, aren’t they.

Unfortunately, the night must end as Eliott has people to meet and Lucas has a party to endure. Eliott walks Lucas out and says it was great, they need to hang out again, Lucas agrees. I like this moment a lot because it is somewhat more ambiguous - like on the surface this could be a platonic conversation, just wanting to hang out as friends, but there’s just a little too much intensity, a bit too much of a pause in the delivery, to think this exchange is so casual. 

Just as Lucas is going Eliott adjusts his hair? I don’t even know what he was doing because I do not notice a single change in Lucas’ hairdo but Eliott sure did it as a memorable parting gesture. Lucas is internally screaming, probably.

Lucas goes out the door and outside he checks his phone, of course Chloé is pissed, Yann asks why Lucas is lying, Chloé has been posting ���men are trash” messages on IG. I repeat: just tell them that you have unstoppable explosive diarrhea and people won’t be so quick to judge. 

Behind him, Eliott leaves his place and Lucas sees him greet a girl with a kiss. OK now that is actually a pretty big change because Eliott does not know that Lucas saw him with a girlfriend and like, I always thought Even was overcompensating with Sonja when he started to compliment her and make out with her, but Eliott was just casually greeting his girlfriend with a kiss, without knowing Lucas was there. He’s not going to know Lucas knows about his girlfriend the next time they meet. If Lucas is irritated with him, he’s going to be like WTF.

There’s piano music at the end, and with its inclusion in the clip itself, I’m thinking they’re going to use a lot of piano on the soundtrack this season. They already did it in episode one.

Social Media/General Comments

Lucas apparently ran away from Chloé at the bus stop, heh. She texted him to “subtly” see if he wanted to hang out and insinuated that she wanted to swing by Lucas’ flat some time. Or not subtly. Nothing about her is subtle. She’s wearing a sign that says BANG ME LUCAS.

Lol, as I mentioned above, Emma was hanging out with Raptor Alex and posting pics and stories on IG, I don’t know why they’re surprised people might think they’re an item after they also just hooked up at a party. Like not necessarily together-4ever but it’s not an unreasonable assumption they have a ~thing.

Lucas and Imane laugh over the tampon thing via text later, it’s a sweet moment. I wonder how they’re going to play the religion discussions since the two are already warming up to each other, Lucas being like, “Why are you religious?” in a confrontational way would kill the vibe.

Manon was supposed to see The Book of Mormon with Charles, then later she posted “Night in after all.” Dramaaaaa. Manon, fuck Charles and go by yourself. If some dude bailed on me that night I’d be like, whatever asshole, we paid to see these singing Mormons and I am going to goddamn see some singing Mormons. (Also, lmao at her dramatically posting that publicly, talk about a passive-aggressive swipe at Charles.)

Let’s talk about Basile, goddamn Basile, because he is by far my biggest issue with the season so far. Everything else is pretty solid, any other quibbles I have pale to my rapidly developing kneejerk GTFO when he appears on screen.

Some of the issue is that this dude is so one-note and in a really intense way, like you know when you’re a toddler and your parent hands you a pot to bang on and you hit it with a wooden spoon over and over? That’s Basile. There’s also just the element of overexposure. He tends to take over the boy squad scenes just because he wants to get laid. It feels like we’ve already had as much of Basile thirsting after Daphne and Maria in two episodes as we did Magnus crushing on Vilde spread over the whole season. 

You might say Magnus was similarly desperate to hook up with a girl, and that’s true of course. And look, Magnus isn’t perfect and he said some dumbass shit during the season, but at the same time, there was a kind of weird innocence to him? Even when Vilde is complaining about the first year girls taking the older guys, and he says he’s available to fuck if she wants, it’s an outrageous statement but the way it’s played has a bizarre purity to it, like hey, this girl thinks there won’t be anyone for her to fuck, I should offer! With Basile there’s more sleaziness to his behavior, like dude has been on Reddit too long and has read too many forums about embittered men seeking to get laid.

I think some of it also is that a lot of Magnus was not actively and aggressively pursuing specific girls and bothering them for the most part - after that first offer to fuck Vilde, we don’t see him nagging her or crossing her boundaries, from what I recall? The flirtation gets mutual. He mentions stuff like the Vilde sex dream to the guys but it’s not like he’s telling that to her. With Basile he’s directly going after Daphne in a very persistent way.

One way they could redeem Basile is have his behavior act as a criticism of toxic straight boy bullshit, to go along with the heteronormative pressure. We still have a bunch of episodes to go so perhaps Basile will have character growth.

One thing I didn’t care for was them breaking up the Friday clip into multiple parts and airing them one after the other. I suspected that it was due to time restrictions and I was right, according to the screenwriter on IG. It’s too bad because I think it interrupts the flow of the story. With Skam, we got to see Isak himself change over the course of the afternoon - he went from shy and reserved to opening up and being able to laugh and joke around with Even, and the fact that it’s all one clip makes it more noticeable. The length makes it feel like the lazy afternoon Isak and Even spent getting to know each other. Not Skam France’s fault they had to break it up, just a shame because it felt choppier - watching it clip by clip meant I kept going back to what I was doing in real life and losing the mood instead of sinking into it. But I appreciate what they were trying to do when they couldn’t have a long scene and I think the ways they cut the scene were probably the best places to end/start the clips, tone-wise.

On that note, I’m trying to avoid the BTS commentary but I ended up reading it when I saw the reaction to the Skam France writer’s thoughts on Isak. I get what the guy was going for, Isak was more reserved and shy than Lucas is and Even was doing a lot of the initiating, although yeah, I think his description was worded in an oversimplified way - I don’t think Isak was entirely naive and innocent, more like inexperienced (which is a different thing) and he was certainly the hero of his own story, he was brave. Just because he wasn’t as outgoing doesn’t mean he wasn’t taking control of his own story - I’d say that’s part of what makes his character development so powerful, that because he is more repressed, his choices to kiss Even, to come out to his friends, to learn to be himself, have even more impact. But I don’t think Niels meant to bash Isak or anything, and it’s very clear from his notes that he loves and respects the original season. I think his main point was just like “Lucas is more upfront in his actions,” lol.

Though on a related note, the experience of watching the remakes has made me think that a lot of people don’t get who Isak is as a character, and especially have some extremely bad faith and unsympathetic readings of him. But that’s a rant for another time. 

Tbh I think the behind-the-scenes notes about production stuff like “Axel wasn’t a trained pianist but he practiced hard for this scene” is fine and fun, it’s more the stuff that’s like “Here’s the interpretation of the scene itself” that I wish would wait until the season ends. But lmao, I’m just gonna try to avoid that stuff again.

I actually did like this episode. I’m not sure Skam France is ever going to be my favorite remake, because there’s something about the way it’s filmed that feels more slick and well, TV-like than is my preference, but I can definitely see that they’ve upgraded from last season, and that they’re trying hard to give this story its own spin. The Polaris symbolism is the biggest sign of that so far.

If there’s something I do wish we could get more of with Skam France, it’s subtlety? As a show it often feels more dramatic and this episode leaned heavier on the blatant romance, which might be a cultural thing, and I can absolutely get why people are more drawn to that. There’s plenty of TV shows and movies that I like that are not subtle in the slightest. I guess I’ve just been thinking that I wish the remakes would not be afraid to rely more on subtext for parts of this season, especially building up this relationship. Like there’s nothing blatantly “romantic” about the Evak version of this clip - everything is heavily show don’t tell, and we have to read into the littlest moments, the shared glances. How Even smiles to himself for just a brief moment after Isak compliments his drawings, or how Isak gets flustered after Even teases him for not knowing who Nas is (because he wants Even to think he’s cool) and how Even says that they’ll listen to Nas later - the implication that Isak is going to stay a while and Even will share this with him. “We can’t go back now” is in relationship to the cheese toasties, except you know, it’s not really about the cheese toasties. With Lucas and Eliott, it’s really easy to pick out that Eliott is flirting when he’s flat-out telling Lucas how special he is and how he’s intrigued by him, and sure, that’s where they’re going with Eliott’s character and making him more direct but it’s also related to the overall method and effectiveness of the storytelling. (I mean ... having Eliott be like “You are this-and-that, Lucas” is the definition of telling, not showing, lol.) And I completely get why that works for a lot of people, it doesn’t NOT work for me, but the understated stuff is what makes me watch clips a dozen times to pick up on it all, the subtext is what gets under my skin. My favorite moment was their goodbye at the door because it was a typical friendly exchange on the surface but with more going unspoken, and I felt that on the screen. So not to whine, because I did legitimately enjoy the Lucas/Eliott interaction, those are just my preferences. (The show is not made for me personally etc etc., cultural differences etc etc. I’m aware.)

I am finally warming up to Lucas, after two seasons. I really don’t think that I didn’t care for him before just because his character was closed off and snaky, because I’ve liked every other Isak in the first season of their show even though they’ve also kept secrets and done shady shit. I think they’ve just found a way to portray his character more effectively after having to copy + paste S1 and S2. They can make the character feel more organic. Also, not gonna lie, it felt like they cut back on the serial killer looks (partially because Lucas has more smiley and relaxed moments) so A+ work, Axel.

Also, knowing that they had to redo the first two seasons so closely doesn’t really change my opinion of the quality of the first two seasons, but it does make me more sympathetic toward the cast and crew for having to color inside the lines, so to speak. 

Eliott is a fucking weird ass human being and I’m really feeling his character. They made his absurdly good looks more approachable by turning him into a dubstep-stanning furry, and I am here for whatever shit they tell us about him next. 

I also think think the use of music was much better than in previous seasons. There were some very deliberate choices in this episode, obviously, but it felt like they’re learning to use silence more effectively and not shoehorning the soundtrack as much.

Feel free to chime in or correct me about French culture/translation/other issues.

If you got this far, thank you for reading!

[v-e-l-v-e-t-g-o-l-d-m-i-n-e]

me: *tries to have deep thoughts about a show* me: *immediates correlates it with hannibal*

  ok so i've been seeing on twitter a lot of people so angry in the Killing Eve fandom, and it's funny that I'm seeing it because a) i'm not even part of any fandom on twitter, how i came to read all the wank is beyond me b) man people really simple do not know how to read and understand what a piece of text is saying, uh

  but anyway this is not about the wank per se lol Villaneve is canon. This isn't up to debate, it /is/ very clear canon on the actual text of the actual show. Not up to debate. But it's just that it made me think about the villaneve relationship and how it is portrayed in the show and ofc this leads me back to Hannibal

  on the surface KE and hannibal are pretty similar in the subject of its main relationships - a murderer (a serial killer for his own pleasure/a hired assassin that likes to have fun with her murders) obsessed with a FBI agent/MI5 operative who has dark tendencies that grows darker and darker with time

  ofc they're also very different shows. I wouldn't call KE a fun, light show, but... it's certainly lighter than Hannibal. KE's humor is much more modern and hysterical, while Hannibal was a very dark humor, sometimes absurd and even 'goofy dark' (yes i'm calling the cannibal puns goofy, shut up). Villanelle's murders are filmed in a way that they don't feel as heavy as they should be because we're always in Villanelle's shoes in these scenes, while Hannibal's murders varies between (disturbing but) pretty aesthetic indifference/malice and genuinely gross/horrifying, etc etc etc

  and the main difference between the main relationships in the show is that villaneve starts in a place of... let's say, a place of truth, because Eve pretty soon knows what Villanelle is, what she's capable of and she still develops a mutual obsession with her, while the hannigram relationship starts in a point of lies and deceit tangled with genuine fascination about their true natures, etc

  and the result in my interpretation is that hannigram ends up having so much emotional intimacy and baggage in mutual ways, and not even the abuse, and Will's feelings of betrayal and hatred, and all the horrible fucked up things hannibal did to him and others can make will truly discard this relationship. they share an intimacy so powerful that neither hannibal nor will can shake it off and truly come back to the way they were before knowing each other, no matter how hard they try,

  and while this is their mutual obsession at finest it's also the fact that they genuinely connect. that Will, thinking that Hannibal was no more than a good friend and his psychiatrist, was willing to sweep under the rug the fact that hannibal and abigail lied to the FBI and actually had hidden a body, because he cared that much, it's hannibal genuinely worried about will and relieved that will was alive despite the fact that he had sent a serial killer direct in his way. a powerful intimacy, so unique in the fact that they truly see each other that they can't really escape it, even knowing how mutual destructive this is to them and to everyone else in their way

  now the villaneve relationship... in the early stages is totally based in their mutual obsession, really, that from the instant that eve and villanelle looked at each other's eyes something clicked, and they were doomed to obsession, but

  but

  while obsession is the starting point, I wouldn't say is the final call. obsession always remains, but curiosity soon enough plays a big role, curiosity because villaneve doesn't have much in KE s1 what hannigram has during s1 (and most of the others seasons as well); face-to-face interaction, time to know each other. all villanelle and eve have is curiosity and obsession and, i would say, fascination as well. and villanelle soon enough upped things up by killing Bill, turning their cat-and-mouse chase truly in something personal for Eve, not just another job, no

  but s2, i was reflecting, quite changed the things and changed their dynamic with how much more time they spent together, far more than the stabbing did, in my perception. inevitable; having finally very concrete interactions with the object of their perception had to change things considerably. their relationship bizarrely enough turned sexual without them ever touching this way, with Eve having sex with Niko and then Hugo and thinking of Villanelle, Villanelle's "i'm not with them when i'm with them", very lewd, very chrystal clear, especially when during the same scene that villanelle says that Eve is the only one who makes her feel things,

  and that's interesting, because it brings the other things that Villanelle does/feels this seasons. Heartbreak that Eve didn't show up to see her murder, giddy glee at doing random things with her, her kind of genuine tears at the group therapy, her rage and lack of composure when she hits Aaron Peel with the book, Konstantin,'s "You've gone soft" comment...

  Eve's capable of awakening feelings on Villanelle, something clearly precious and rare for her, and that reason alone would be enough to justify how smitten Villanelle is towards Eve, really. Smitten enough to automatically assume that surely, it's gonna be the same for Eve, nothing else matters...

  ... but Eve operates differently than her. Eve's more integrated in a normal society than Villanelle ever was, has more barriers to break towards normalcy, and she can't. just break it. the way villanelle wishes she would

  and that's like... my main curiosity for s3. What will Eve do, and how will she react? Despite her rejection of Villanelle, she was crying as she turned away to go. What will she do after being shot? What will she feel?

  what does Eve feel?

  Eve's mindset is hard to get for me - harder than Villanelle's, even. She starts with obsession, and it gains an air of vengeance after Bill's murder, but it keeps changing and changing and changing.

  Stabbing Villanelle. Thinking about it all the time. Not really telling anyone (but Kenny) about it. Wanting her husband, but not really wanting him. Downright using people around her with little remorse.

  what does Eve want?

  eve kills a horrible man to save Villanelle's skin, but won't run away with her when she learns that Villanelle manipulated her in this kill. eve, in shock for the murder, outraged by the lie,  won't run away with villanelle, but she was willing enough earlier to leave Hugo bleeding, possible to death, to save Villanelle - who really didn't need much saving, after all.

  what will Eve do?

 i'm still not sure, but i'm very much looking foward to this answer in s3.

[shadowsong26fic]

Let’s Go Steal A Crossover: Part 1

No real plot here, this is mostly the background/backstory details.

Note/Disclaimer: this particular outline features an OC of mine and as a result is fairly self-indulgent. Because what else are crack outlines for?

That out of the way, here we go!

For the Leverage crew:

This is more or less in a S3 sort of environment--they may or may not be chasing Space Damien Moreau, but in terms of their team dynamic, etc., that’s where they are.

(Let’s be real, though, they are TOTALLY chasing Space Damien Moreau.)

(Who is, as in Leverage canon, very much a power-behind-the-throne kind of guy.)

(I.e., he is not a Moff or an Admiral or a planetary ruler or a sector governor or anything like that.)

(He just happens to have quite a few of them in his pocket.)

(He’s not affiliated with Black Sun or any of the Hutts or any other established syndicate, either. He’s his own thing.)

Nate--

He’s from a fairly prosperous Mid Rim world, went to a Core World university (probably either Coruscant or Alderaan).

The Clone Wars started right around when he graduated, if I’m parsing the timelines and ages right.

So, granted I’m making this up on the fly based on things I half-remembered, but while there are non-clone non-Jedi military officers, they’re mostly High Command types.

However, Nate does not have the background, experience, or connections for that kind of work.

He spends the War working for his home sector/planet's senator, as an investigator/learning about security/etc.

(How he manages to pull this off, despite his father’s legit Shady Past, is probably a Story in and of itself.)

Postwar, he goes into the private sector, working for an insurance company.

(Where he meets Sterling.)

(And Maggie.)

(And Sophie.)

Incidentally, while he doesn’t have the inside information to really disbelieve the late-stage propaganda, he’s a little Perturbed by exactly how quick and bloody the end of the war and the transition to the Empire was.

Something Is Not Right here, but he’s not sure exactly what, and is not yet so disillusioned to do anything about that doubt. But it remains, in the back of his mind, to resurface when everything falls apart.

This is, however, a large part of why he leaves public service.

From here, Nate’s backstory is more or less the same as in canon.

(I did toy with having Sam dead of Inquisitors instead for a while, but that would not translate right and, more importantly, is too mean to Maggie.)

(I love Maggie, have I mentioned that?)

Sophie--

What can one say about Space Sophie Devereaux.

...about as much as one can say about the canon version, honestly.

She’s Kuati, that much everyone knows for sure.

Whether she’s actually of the minor nobility is up for some debate.

(Yes, there was an equivalent of the King George Job)

She was in her early/mid-teens when the Clone War happened. Kuat itself seems to have been mostly untouched, but under heavy military guard because of the valuable shipyards.

She left Kuat three or four years postwar, and began creating her various aliases and legend.

(And occasionally working as an actress, of course.)

...yep, that’s pretty much what I have here.

Hardison--

Also pretty similar to his canon backstory, except that he’s slightly younger--probably closer to Jyn Erso’s age/two or three years older than the Skytwins.

Like Nate, he’s from the Mid Rim, but he’s from a planet that was heavily contested during the War.

(i.e., it ended up pretty bombed to hell)

(his parents died towards the end of the war, which is how he ended up with Nana)

His particular brand of invention/cleverness is particularly useful in a slowly-recovering warzone, though.

Parker--

Parker is actually from Coruscant.

The underlevels.

One of the kids who consistently slipped through the cracks, under both the Republic and the Empire.

Until Archie Leach found her.

And then unleashed her on the Galaxy.

And now, the fun part--Eliot!

Eliot is, in fact, a clone.

He was part of the so-called Last Batch; born (decanted?) about six months before the end of the war, so he never saw action during that conflict.

There were whispers, among the older cadets--the ones who were mature enough to hear echoes of a voice in their heads, who knew at least bits and pieces what the adult clones had done and why.

(The whispers are carefully, carefully encouraged by some of the adults who were able to fight through the compulsion. Not well enough, or fast enough, to save their Jedi, but damned if they wouldn’t protect their little brothers. Who will grow up to be men, not weapons. Which means that most of the Last Batch and varying proportions of the older cadets had their chips removed before leaving Kamino.)

(....and now I’m going to have to do something completely unrelated with the Last Batch and their relationships with their various older brothers at some point, aren’t they.)

Eliot, like most of his generation, goes into the Stormtrooper corps when he’s mature enough.

He stays in for a while--a good couple of years. He’s separated from his brothers, for the most part, but a few are with him. One by one, they die or desert--he covers for the ones who get away.

He’s the last. He bonded with a few of the non-clone troopers, and it isn’t until there’s no one in his unit he feels like he needs to stay for that he leaves.

(He promises himself, when he leaves that armor behind, that he’s not going to find himself in that situation again. He has only himself to look after now, and he is damn sure going to stay that way.)

He starts wandering, working as a bounty hunter/assassin for hire.

(He does have one brief, slightly surreal encounter with Boba Fett.)

(Who is Not Thrilled that one of the millions of men with his face is trying to do his job.)

Occasionally, he’s even hired by the Empire.

(Any jobs he does for them, he of course does from safely behind a mask.)

He spends some time on Mandalore, carefully connecting with his roots and finding plenty of work in that planet’s increasing unrest.

(There is a Story to tell here, I’m sure, possibly one involving Bo-Katan and/or Korkie Kryze...)

And, of course, he spends about six months working for Space Damien Moreau.

He occasionally, in his travels, has come across his brothers--ranging decommissioned Clone Wars vets, to older cadets, to others of the Last Batch.

He tends not to seek them out, though, and to avoid interacting when he can.

There’s too much baggage, positive and negative, with all his brothers of every generation.

Besides. He promised himself he wouldn’t put down roots with a unit or a team again.

Miscellania--

Their first job together runs much as in canon, and they settle in as a team and loosely follow the same overall storyline as in canon.

Nate knows damn well that Eliot is a clone, though he didn’t until they met in person.

(While he didn’t work directly with the GAR and never met any Jedi, he did meet several clone soldiers. It’s a hard face to forget, when you’ve seen it several times over the course of three years.)

Sophie figures it out, too--she met several soldiers assigned to guard the shipyards.

Their marks generally don’t figure it out, actually.

Not a lot is known about the Last Batch.

I mean, sure, if any of these industry/corporate titans actually thought things through, they’d remember that the clones were in production up through the very end of the war, so obviously something must have been done to the ones who were too young for combat at that point.

But, honestly, even if some part of you is aware/acknowledges that there are younger clones running around, are you really going to expect one to wander through your door pretending to be a chef/caterer or a pro baseball player or a country music star or an IT tech or...

(Parker and Hardison figure it out when one of their marks actually does identify Eliot as a clone.)

(They don’t particularly care, except Hardison remembers/learns about the rapid aging factor and starts using his downtime to try and find a fix for that.)

(When he’s not playing Space WoW, anyway.)

(Or helping Nate with whatever sketchy and underhanded Long-Term Scheme he’s got in mind right now.)

(They’re not on the black box yet, of course, but probably right now most of Hardison’s not-active-job time is spent on tracking Moreau.)

(He and Parker have probably been tossing ideas back and forth about robbing Kamino to try and find a fix, though...)

(Or at least the Last Batch’s records.)

(But that is a plot for another fic. And possibly one of the things they end up doing during the six-month break between S4 and S5.)

The Skytwins’ Team:

Here’s where the super self-indulgent part comes in.

So, this is technically an offshoot of an offshoot of Masks!Verse, which is a very near-canon AU (what I call an In Spite of a Nail AU) where Lavinia exists. Essentially, in Masks!Verse, nothing we see onscreen during the OT happens any differently, but there’s some Interesting Stuff happening elsewhere that sets up a different post-ROTJ timeline. Nothing at all changes until three years after ROTS, when Lavinia is born, and after that only things she’s Directly Involved In change, and most of that is internal Imperial power plays, at least through ROTJ.

(TFA more or less happens because I like it, but the road there is a little bit different and the canon I was operating from is locked there. I.e., due to what Lavinia and her daughter in this timeline end up doing, things go much more AU starting with the opening sequence of TLJ.)

Masks!verse, incidentally, is technically Lavinia’s core timeline, in that it’s the first one I created of the three base timelines I have for her (Masks, Precipice, and PT-generation), but that’s a whole separate conversation. It does probably explain why Masks!Verse has like a million variants/offshoots, though...

Anyway. Digression aside, this crossover actually draws from a Masks!Verse offshoot that I call the Lavinia Organa AU.

(You can probably guess where this is going.)

(It’s very much an Exactly What It Says On The Tin type thing.)

(And, honestly, could do with its own outline for the rewrite of ANH alone...)

But the Cliff Notes version:

When Lavinia is born/announced, Breha goes to Bail and says “we managed to successfully rescue/kidnap one Sith Lord’s baby daughter, we should rescue this one, too.”

They had never really decided on only having one kid, after all. Just at least one, and they wanted a daughter.

(It just ended up not happening in canon because of the need for secrecy/not wanting to complicate things and put Leia at risk.)

(I saw a meta post the other day that points out that Bail was clearly ready to take both Skytwins, but then Yoda said to separate them.)

(This may or may not have come up in primary Masks!Verse, incidentally, but there, they decided it was too risky and they had to focus on protecting the daughter they already had.)

(It’s arguable how much kidnapping was technically involved in adopting Leia. But they do just straight-up kidnap Lavinia. They also fudge some records and release carefully-timed photos and do not make any in-person appearances with her so they can claim she’s three months younger than she actually is.)

How do they pull this off? ...IDK, magic? Handwave for now, it is out of the scope of this project.

Leia and Lavinia grow up pretty close.

(Not that they never fight--they bicker constantly, especially in the years before Leia starts taking a more active role in the Rebellion and a more official role in Alderaan’s government.)

(Lavinia, at thirteen, isn’t really allowed to do much at that point, but she backs Leia in everything and helps a lot with the background research/legwork.)

A couple notable details: Bail and Breha decided pretty early on that they wanted to tell each of their daughters a shell of their bioparents’ stories, leaving out the key details but sticking more or less to the truth as best they could without putting their girls at risk.

So, Leia knows basically what she was told in canon--that her birth mother was a close friend of her parents, they didn’t know her birth father well, and both her bioparents died at the end of the Clone War.

That’s enough for her. She knows who her real parents are, and doesn’t especially care about her bioparents at this point. She has other things to worry about/deal with.

Lavinia is told that her birth mother died shortly after she was born, and her birth father was Not A Good Person and lost custody of her.

So, the thing about Lavinia--it’s less prominent in this AU because she had a functional childhood and parents who treated her like a person and not a spy/asset, but she’s very...the way she puts it in Precipice!Verse is that she doesn’t like walking into a room unprepared. And this shell of a story about her birth parents feels like the kind of thing that could bite her actual parents and her sister (and her) in the ass in a major way.

So, very quietly, around the time Leia starts working as an active Rebel agent, she starts digging into it, trying to identify her bioparents.

She doesn’t find any stories around her official age that match what her parents told her, and she doesn’t think they would lie.

But, she reasons, they might have skewed things or lied about her age to protect her from her biofather.

And then she learns Emperor Palpatine had a daughter, who died, who’s approximately the right age.

When she asks her parents about this, they don’t lie. They confirm it for her

(They would have done the same for Leia, if she had done the legwork and asked them point-blank, but like I said it’s not something she particularly cares about at this point.)

Lavinia then asks if she can tell Leia--they’ve actually been getting closer since Leia suddenly developed all these Adult Responsibilities, and the events of the Princess Leia novel happened.

This pretty much cements their relationship. While they still bicker a fair amount--they’re both pretty strong personalities, and not always compatible ones; Leia being a Soldier and Lavinia being a Spy, plus they’re teenage sisters who are fairly close in age--but they are Ride Or Die Full Stop from this point out.

By the time ANH actually rolls around, they’re both active Rebel agents--Lavinia works mostly with Intelligence and to a point with supply/other support forces, because she’s good at reading people and mapping interpersonal networks and figuring out who to approach, while Leia does more or less what she does in canon.

Again, the actually rewrite of ANH would be its own outline, so the important bits (with minimal detail in case I do end up doing this one properly at some point):

Lavinia and Leia are both on the Tantive.

Lavinia takes a shuttle/tender ship/something and separates, hoping to act as an additional decoy, that Vader will assume that the big ship is the Obvious Decoy and focus on her instead so Leia can get the plans to Kenobi safely.

Vader, of course, has the resources to track both of them so this doesn’t work.

Lavinia ends up tagging along on the Falcon and ending up on the Death Star with the others.

Everyone, including Obi-Wan, actually makes it off the station alive.

Lavinia was running around in the air vents for a while, and left behind a blood sample. On impulse, Vader runs it--he wants to identify all of Obi-Wan’s co-conspirators as quickly as possible and while there are no clear shots of her face on the surveillance footage he has, this is an available resource he can use.

Obi-Wan tells Luke and Leia who they are to each other (though sticks to the Certain Point Of View story about their biodad for the time being).

They have a moment of “...well, that explains a lot” and just accept it and move on.

So, at this point, there are some Key Secrets going on:

One, that Luke and Leia are the twin children, biologically, of Anakin Skywalker and Padme Naberrie Amidala.

People who know this: Obi-Wan, Luke, Leia, and Lavinia (they tell each other pretty much everything of this level of importance.)

Two, that Anakin Skywalker is now Darth Vader.

People who know this: Obi-Wan, Vader, Palpatine.

Three, that Lavinia Organa is Palpatine’s biological daughter.

People who know this: Lavinia, Leia, Vader, Mon Mothma (who they told in a “so this might be a Thing and we want to make sure Someone in High Command is prepared JUST IN CASE).

(They probably tell Luke before too much longer, but they do not share this detail with Obi-Wan.)

Right, so. Those are the Most Important Details for the purposes of understanding Let’s Go Steal A Crossover, I think.

Anyway, I’m drawing from this AU for two reasons:

(Or, three, if we include the fact that I Like It And I Can.)

First, it’s an easy way to get the Skytwins’ team connected/integrated with a minimum of Drama.

Second, because it’s kind of where the whole crossover concept came from. I was babbling at my very patient roommate about the Lavinia Organa AU (specifically about potential ESB/Cloud City plot points), and realized “lol, I could make a religion Leverage team out of this.”

“....WAIT I COULD MAKE A LEVERAGE TEAM OUT OF THIS!”

Here’s how it works:

Hitter: Leia. Who is a tiny ball of rage a lot of the time, and takes after both her bioparents in a large degree. She is definitely, definitely their combat specialist, even if she hasn’t really played that role in her previous work.

Hacker: Han. He’s the one who’s good at improvising tech, etc.

Grifter: Lando. Quick, act shocked.

Thief: Luke. Very different style from Parker, of course, but still.

Mastermind: Lavinia. Who, while not in any way going to use it as he did, inherited her biological father’s aptitude for strategy and manipulation.

The dynamic isn’t 100% the same, of course. For example, Lavinia may be the strategist, but Leia is more the team lead in the field. But it still lines up really great and then I started poking at the Leverage backstories above after the initial concept occurred to me and here we are.

Miscellania:

This crossover takes place in a vague “timelines mean nothing” sort of state. As I said before, the Leverage team is more or less in S3. We’ll say the Skytwins team is somewhere around ESB, though obviously the background leading them there is going to be Very Different.

The actual plot is going to start with The Two Live Crew Job In SPACE and go from there.

(Possibly getting more complicated, as we throw in Sterling and/or Vader and/or Obi-Wan and/or the Ghost crew.)

(In that last case, the Ghost crew never split up/Kanan never died/Ezra never went on a road trip with Thrawn and a bunch of space whales.)

And...that should cover it! Sometime this week (I’m hoping before Solo comes out), I’ll put up Part Two, which will cover the Actual Plot.