#royal paulownia tree

[aisling-saoirse]

Princess Tree - Paulownia tomentosa

Today's Plant Profile is a little different, I wanted to cover an 'invasive' that fascinated me.

Before I begin I wanted to dissect my terminology on invasive, the term is often thrown at plants without considering a racialized and often problematic methodology on how we relate to these species. Invasive species are typically advantageous in the face of disturbance and quick to colonize altered areas, the monumental spread of invasives is a direct result of euro-centric land commodification, international trade and colonization. These species would not be as 'destructive' as they are without dramatic change to wildspaces/once-thoroughly-managed landscapes. You don't have to love these plants but understand that they often occupy spaces we disturbed, and that doesnt mean i want monocultures of introduced species but we should analyze what makes them thrive the way they do. I usually cover natives species to a document a dramatic loss I noticed in my lifetime however every plant has a good story behind.

To start let's identify the Princess Tree! Best known for their showy pink-lavender foxglove like flowers, perfect structural form, and massive leaves. This tree can grow up 90 feet, it's extremely fast growing, full trees can form between bricks (see 2 images below). The massive leaves are heart-shaped cataylpa-like often exceeding a foot in size (I see people use them as umbrellas in a pinch). The bark is pretty light in color, younger bark is speckled then becomes furrowed with age. The flowers are rather large, about the size of my palm (image 2), typically growing in large triangular clusters. In fall and winter, flowers typically form this large rough shell (see branch cuttings below) that splits overtime, more about that later.

The Princess Tree has a very rich folklore and introduced history behind it. According to my Chinese classmates the Princess Tree gets it's name from an old story about a beloved betrothed Princess who was transformed into this tree by a trickster, her husband-to-be was transformed into a Phoenix and it's said that when a ruler as great as she returns the Phoenix will land on its branches. I see (mostly western anecdotes) claim that this tree is planted when girls are born and the wood is used as a dowry, my classmates did not agree with this (take note these are landscape students). The wood is very sought-after in east Asia as it is sturdy and light, occasionally some american cities will sell the wood from invasive groves back to China, how fascinating!

The introduced history comes in two parts. The first the tree was initially sold as an ornamental originating from the Dutch east India company, the tree reached America by the 1830s. Due to the structure of the tree itself up into the mid century, modernist designers LOVED this tree, I've seen so many architectural drawings lovingly depicting it's big leaves. The second interesting facet about this tree's spread is that certain Chinese porcelain companies used to use the seed pods as a form of packing peanuts. Since the porcelain was primarily shipped by train in continent the tree quickly took hold around rail lines, if you look in philadelphia the oldest trees are around the railroads. The tree was able to survive in the desolate railway soils because it (like most invasive species) is able to derive nitrogen directly from the atmosphere into its roots. That's why you see these babies growing directly in a brick wall like below, crazy right?

The Princess Tree's native range is central to Western China, not much is know about it's natural habitat because literal millenia of civilization scale landscape changes. What is known is that the tree was typically found in dry-ravines and open valleys. Due to the movement of interesting botanical species the tree found found itself everywhere, even in Catherine the Great's royal garden and eventually into colonial-core markets. In America its currently invasive from Pennsylvania to Florida but can be found in almost every major city.

As said before it typically only invades disturbed locations, it's a pioneer species therefore it's advantageous in areas of full sun, poor soil, and generally super dry. The tree can honestly grow anywhere but typically only thrives in that disturbance niche, it has trouble invading older growth forests. The tree itself usually doesn't live more than 70ish years and after that a new ecology typically sprouts from the area it formerly inhabited, this tree is very good at building a fertile soil network from its nitrogen rich leaves. It must be said that this tree does rootsprout vigorously, and these sprouts can grow a shocking 15 feet in one growing season!!! Trees derived from seed usually take 3 years to reach that size (see my alleyway below)...for basically any oak it would take like 10 years to maybe reach that.

As for ethnobotanical usage, this is invasive so I'm going to recommend you just use this tree to death honestly. The massive leaves are very rich in nitrogen and make great compost. Leaves also make an umbrella in a pinch. The tree is super vigorous and a rapid grower so you can imagine it makes great coppice (and for my silvoculturists: leaves makes good animal fodder). The flowers have a lovely scent and look like foxglove without the poison (and they last a while). The wood is quite light lovely and workable, it reminds me of a lighter colored black locust. Apparently this tree also utlizes C⁴ photosynthesis which utilizing a different compound of carbon to derive energy, that's kind of interesting. It has a lot of great qualities honestly, as far as invasives go I really like this tree.

If you want to plant this tree...don't <3...there's enough, go to any city to experience it. In Eastern America some good alternatives are northern catalypa or black locust. If any of my Chinese followers know the full Princess story I would love to hear about it! As always happy hunting!

[berserkyuya]

Kirigaya

Meaning: Valley of paulownias

Paulownia meaning: a small Southeast Asian tree with heart-shaped leaves and fragrant lilac flowers.

Other Paulownia meaning: it's also called Royal Empress and Princess, the Kiri tree also called "Princess tree"

Folklore: "when the tree was planted close to the house, a Phoenix would come and bring them good luck "

Symbolize: good luck and of life

[contra-positive]

today i unpacked the last box of books that we had rescued out from my father's hoarder apartment. it has been sitting in the garage for three years. my father wrote two books in his lifetime. three, if you count the last project he had before he died, but I try not to. he was not a very good writer, in truth. he kept some of his rejection letters, pressed between the leaves of the cover page of the manuscripts, typewritten letters stark against the yellowed paper.

the first manuscript was sent out at least once in 1971. "It was, he remembered, smooth." that is the first sentence. "Like a slow train coasting into a rural station sliding waiting for the signals to change." that is the last sentence. the editor who rejected it was named robert. the publishing house he worked for was absorbed by random house. he told my father, "But there are other editors and you'll write other books so don't be discouraged. Good luck."

the second manuscript was sent out at least once in 1975. "Jingerton looked back to the bottomlands of one hand." that is the first sentence. "but I don't think I can find the words." that is the last sentence. the editor who rejected it was named betty. the publishing house she worked for was absorbed by random house. she told my father, "It is all that you say it is, explosive, poetic and all in all a marvelous conception. … Thank you so much for letting us consider the novel. You are a fine writer and I wish you the best of luck with the novel."

both editors were very kind to him in their rejections. i think guiltily of his last project before he died, when he sent me the first chapter in email. i remember staging dramatic readings of it with my close friends in college, breaking down in fits of giggles. i remember drawing unfavorable comparisons with winners of the bad sex award, not because it had bad sex in it, but because of the caliber of writing. i remember wondering how i would lie to his face if he asked me what i thought of it. it didn't end up mattering - he never did, despite having plenty of opportunity to. maybe he was waiting for me to bring it up. i don't know.

among the old book manuscripts in the box was other commercial books. one was 'the international book of trees' by hugh johnson, which, if you ask me, is the kind of name you give on prank calls. just within the front cover, pressed carefully between letterhead-stamped scrap paper, were leaves, all older than i am, and then some, carefully glued in place by the stems. the letterhead is for a company that doesn't exist any more.

the first, labelled in his neat hand - sometime before he started printing everything in block capitals - "Royal Paulownia - Central Park - 8/82". it is velvety on the underside and there is a small hole in it where some bug chewed through. it leaves a yellow ghosted stain on the paper underneath. the last is labelled "American Basswood - Central Park 8/82". the same leaf collecting session, probably. i imagine my father in 1982 taking a train to manhattan from queens. (did he still live in queens, in 1982?) i imagine him collecting leaves in the late august light, placing them in an envelope, bringing them home and pouring over the book by lamplight to identify them, labelling each on the letterhead-stamped scrap paper, carefully gluing each stem down. he would have been 32 years old.

[homeimprovementway]

What is Paulownia Wood: Discover the Power of this Versatile Timber

Paulownia wood is a lightweight and durable timber known for its fast growth and versatility in various applications. This highly sustainable and renewable wood is sourced from the Paulownia tree, which is native to Asia. With a fine grain and a pale yellow hue, Paulownia wood is favored for furniture, cabinetry, musical instruments, and architectural finishes. Its low density makes it particularly appealing for crafting objects that require both strength and maneuverability. Paulownia wood is also prized for its resistance to warping and its ability to take on different finishes, making it a favorite choice for those seeking a sustainable and versatile material.

The Origins Of Paulownia

Paulownia wood is known for its lightweight and durable properties, making it an ideal material for various woodworking projects. Originating from China, Paulownia trees are fast-growing and sustainable, making them an eco-friendly choice for furniture and construction. The wood is valued for its strength, versatility, and beautiful grain patterns, making it a popular choice for many woodworkers. H3: A Tree with Royal Roots Paulownia wood is an incredibly versatile and sought-after material in the world of woodworking. This lightweight and strong wood comes from the Paulownia tree, also known as the Princess Tree or Empress Tree. The origins of this remarkable tree can be traced back to the heart of Asia, where it has deep cultural significance and a fascinating history. H3: Cultural Significance The Paulownia tree holds a special place in Asian culture, particularly in China and Japan. In China, it is often referred to as the "Tree of Life" or the "Phoenix Tree," symbolizing resilience, longevity, and prosperity. The tree is associated with the phoenix, a mythical bird that represents rebirth and renewal. This symbolism makes Paulownia wood a popular choice for creating decorative and auspicious items such as chests, boxes, and musical instruments. In Japan, the Paulownia tree is considered a noble tree and is associated with the imperial family. The royal emblem of Japan, known as the Paulownia mon, features the distinctive leaves and flowers of the Paulownia tree. The wood is highly treasured, and historically, it was reserved for the construction of the highest quality furniture, tea houses, and ceremonial objects used by the nobility. The cultural significance of the Paulownia tree extends beyond its symbolism and historical usage. It is also valued for its sustainable and eco-friendly properties. The rapid growth rate of the tree, coupled with its ability to thrive in diverse environments, has made it a valuable resource for reforestation projects and sustainable timber production. Thanks to its cultural significance, remarkable properties, and widespread availability, Paulownia wood has gained popularity worldwide. Its unique combination of strength, lightness, and versatility make it a favored choice for a wide range of applications, from furniture and cabinetry to surfboards and acoustic guitars. In conclusion, the Paulownia tree has deep-rooted cultural significance and a rich history in Asia. Its association with royalty, resilience, and prosperity has made it a beloved symbol and a highly prized material. Whether you're drawn to its cultural significance, its sustainable properties, or its exceptional qualities as a woodworking material, there's no denying the allure of Paulownia wood.

The Unique Qualities Of Paulownia Wood

Paulownia wood, derived from the Paulownia tree, possesses several unique qualities that make it highly sought after in various applications. This lightweight and strong wood offers versatility and durability, making it an excellent choice for a wide range of projects. In this article, we will explore the distinctive characteristics of Paulownia wood and how it can enhance your next woodworking endeavor.Lightweight And StrongOne remarkable quality of Paulownia wood is its exceptional combination of lightweight and strength. Despite its feather-light feel, Paulownia wood maintains an impressive strength-to-weight ratio that surpasses many other popular hardwoods. This characteristic makes it an ideal material for those seeking durability without unnecessary weight.Being lightweight, Paulownia wood is easier to handle and work with compared to denser woods like oak or maple. It enables effortless transportation, decreases the strain on structures, and simplifies installation processes. Whether you're constructing furniture or building structures, this lightweight attribute of Paulownia wood allows for easier maneuvering and quicker completion of projects.Versatility In ApplicationsOne of the most appealing aspects of Paulownia wood is its versatility in applications. This wood type can be utilized in various industries and projects, demonstrating its adaptability and strength. Builders, carpenters, and craftsmen all appreciate the versatility of Paulownia wood for its ability to fulfill different requirements.The attractive grain pattern and smooth texture of Paulownia wood make it highly suitable for furniture making. From tables and chairs to cabinets and bed frames, this wood imbues an elegant and natural aesthetic into any interior design. Its exceptional stability and resistance to warping also ensure that furniture crafted from Paulownia wood will stand the test of time.In addition to furniture, Paulownia wood serves well in the construction industry. This durable wood is commonly used for structural framing, flooring, and siding. Its inherent strength and resistance to decay make it an excellent choice for outdoor applications as well.Moreover, Paulownia wood has gained popularity in the world of water sports due to its buoyancy and resistance to water damage. It is often used in the production of paddleboards, surfboards, and sailboat parts. The lightweight nature of Paulownia wood allows these watercrafts to glide effortlessly on the water, enhancing the overall experience for enthusiasts.Overall, due to its lightweight nature, strength, and versatility, Paulownia wood has become an indispensable choice for craftsmen, builders, and creators in various industries. Whether you're constructing furniture, building structures, or venturing into water-related projects, Paulownia wood is a reliable and versatile material that will elevate your work to new heights.

Environmental Benefits

Paulownia wood is known for its exceptional environmental benefits, making it a sustainable and eco-friendly choice for various applications. From rapid growth to carbon-sequestering properties, this type of wood offers a range of advantages that contribute to a greener and more sustainable future.Rapid Growth And SustainabilityPaulownia trees are renowned for their rapid growth, which allows them to reach maturity in a relatively short period compared to other tree species. This fast growth rate makes them a highly sustainable source of wood, as the time it takes for them to replenish far exceeds the time it takes to harvest them. In addition, their ability to thrive in a variety of soil conditions further enhances their sustainability, requiring minimal resources for cultivation.Carbon-sequestering PropertiesOne of the most notable environmental benefits of Paulownia wood is its carbon-sequestering properties. These trees have the remarkable ability to absorb large amounts of carbon dioxide from the atmosphere, helping to mitigate the effects of greenhouse gas emissions. As a result, the use of Paulownia wood in various products and construction projects can play a significant role in reducing carbon emissions and combating climate change. Credit: www.facebook.com

Challenges And Considerations

When considering the use of Paulownia wood, it is essential to be aware of the challenges and considerations associated with this type of wood. From managing harvesting practices to understanding the regulations and responsibilities involved, it's important to be well-informed before utilizing Paulownia wood in any project.Managing Harvesting PracticesPaulownia wood comes from the fast-growing Paulownia tree, which has become popular due to its rapid growth rate and versatility. However, managing the harvesting practices can pose challenges. Given the quick growth of the tree, it is crucial to carefully monitor the growth and ensure proper pruning techniques are employed to maintain quality wood.Regular inspections and monitoring of the plantations can help identify any pests or disease outbreaks. In case of any issues, prompt actions should be taken to prevent the spread and protect the overall health of the Paulownia trees. By implementing effective management techniques, the quality and yield of the wood can be optimized.Regulation And ResponsibilityLike any other natural resource, there are regulations and responsibilities associated with the use of Paulownia wood. These regulations vary depending on the country and region, and it is crucial to stay informed about local laws and guidelines regarding Paulownia wood harvesting and usage.Responsible sourcing plays a significant role in the sustainability and eco-friendliness of Paulownia wood. It is essential to work with suppliers who follow ethical practices and comply with local regulations. This ensures the wood is harvested in an environmentally friendly manner and helps promote the preservation of natural resources.Moreover, being responsible also includes considering the impact on local communities. Engaging with local communities and ensuring fair and transparent practices can foster positive relationships and contribute to the overall well-being of the community.By being mindful of and adhering to the regulations and responsibilities associated with Paulownia wood, it is possible to support sustainable practices and utilize this versatile wood in a responsible manner.

Innovation And Future Prospects

The innovation and future prospects of Paulownia wood are promising, as advancements in research continue to unravel its unique properties and the role it plays in sustainable solutions.Advancements In Paulownia ResearchResearchers and scientists have made significant strides in understanding the potential applications of Paulownia wood. Studies have shown that this remarkable hardwood has excellent strength-to-weight ratio, making it an ideal material for a wide range of uses. Its lightweight nature also contributes to its versatility and ease of processing.Furthermore, ongoing research has revealed that Paulownia wood possesses a natural resistance to rot, decay, and pests, eliminating the need for hazardous chemical treatments that are often used in other wood types. This natural resilience enhances its suitability for outdoor applications, such as decking, fencing, and outdoor furniture.The Role Of Paulownia In Sustainable SolutionsPaulownia wood is not only known for its exceptional physical properties, but also for its environmental benefits. This fast-growing tree species has a rapid growth rate, enabling it to reach harvestable sizes in a relatively short period. Its ability to sequester large amounts of carbon dioxide from the atmosphere makes it a valuable tool in mitigating climate change.The sustainable cultivation of Paulownia trees also contributes to land restoration efforts. These trees have been successfully used in reforestation programs, soil erosion prevention, and water purification initiatives. Their extensive root systems help stabilize soils and prevent nutrient runoff, making Paulownia an essential component of sustainable land management strategies.Additionally, the cultivation of Paulownia trees offers economic opportunities, especially in regions that have suitable climatic conditions for their growth. The fast growth cycle of Paulownia allows for regular harvesting, providing a steady supply of timber for various industries.Overall, advancements in Paulownia research have unlocked its vast potential as a sustainable, versatile, and environmentally-friendly material. As more industries and individuals recognize the numerous benefits it offers, the future prospects for Paulownia wood are indeed bright.

Credit: www.walmart.com

Credit: www.amazon.com

Frequently Asked Questions Of What Is Paulownia Wood

Is Paulownia Wood Good Quality? Paulownia wood is of good quality, known for its lightweight yet strong characteristics. It is highly durable, resistant to rot and fire, making it ideal for various applications such as furniture, construction, and musical instruments. What Are The Disadvantages Of Paulownia Wood? Paulownia wood has a few disadvantages. It is prone to cracking and warping due to its softness. It is also susceptible to damage from insects and decay. Moreover, its low density can make it less durable in certain applications. Is Paulownia Wood Better Than Pine? Yes, Paulownia wood is better than pine due to its lightweight, strength, and resistance to warping. It is also favored for its sustainable growth and versatile use in various applications. Is Paulownia Wood Water Resistant? Yes, Paulownia wood is water-resistant due to its cellular structure and low density. It resists water absorption and is less likely to warp or decay compared to other types of wood.

Conclusion

Paulownia wood is a versatile and eco-friendly material with a wide range of applications. Its lightweight yet sturdy nature makes it popular for furniture, musical instruments, and even construction. With its sustainability and rapid growth, Paulownia wood is an excellent choice for both environmental and practical reasons. Whether you're a consumer, designer, or builder, considering this remarkable wood could be a game-changer for your next project. Read the full article

[fuckyeahyonicsymbols]

Wall Pods is a series of works, usually shown collectively, by American ceramic artist Alice R. Ballard.

Drawing inspiration from nature, in particular the seed pod of the Royal Empress tree (also known as the Royal Paulownia), Ballard has created an on-going series of sculptures exploring the possibilities and diversity of the form.  The pods range in appearance from fresh and juicy-looking things to heavy, earthy shapes.  

“Pods have long been interesting to me as a form and as a metaphor for the feminine, the womb, and potential. I’ve also been intrigued by how many different sizes, shapes, textures and colors they come in; the possibilities are almost limitless when you start combining and evolving individual elements. Despite the fact that I have been working with idea of pods for many years, I am still fascinated with both the form and the multitude of ideas that continue to inspire and guide my work.” - Alice Ballard

There are spikes, scales, lips, leaves, protrusions, folds, sprouts.  The collection of pods is a riot of diversity around a central common shape, all richly organic.

Of the yonic themes in this series, Ballard is neither shy nor coyly poetic.  She describes the pods as “dynamic, yet feminine; soft at times, dark and crusty at others.”  As with much of her other work, Ballard actively engages with the narrative of mother and child, womb and seedling.

Much of Alice Ballard’s other work also references ideas of sprouting and growth, often with devastating elegance.  One of the things which struck me most about this series is that all of the pods seems wholly things of nature.  Looking at any of them, you could easily believe it to be a naturally-formed thing, the seedpod of some exotic tree, found in the basement of a natural history museum. The hand of the artist all but disappears from the picture.  Even saying that, there is a certain warmth to the pods that is difficult to describe - they feel filled with the possibility of new life, even though they do not represent real plants.  Even in photographs, I am having a hard time not trying to touch these (I bet they feel beautiful, too).

Check out more pods and Ballard’s other work on her portfolio site.

[wealthypioneers]

Exotic Rare Paulownia Tomentosa Fragrant Purple Empress Tree Seeds, Organic B25 Paulownia Tomentosa Fragrant Purple EMPRESS TREE Seeds / World's Fastest Growing Tree Count: ~ 25 Sun Exposure Full sun from an early age Light shade when young Frost Tolerance Severe Water Requirements Moderate Drought Tolerance Yes Wind Tolerance High Tolerance of Coastal Conditions Yes Botanical Nomenclature: Paulownia tomentosa Common Name: Princess Tree, Empress Tree Family: Scrophulariaceae Easy to grow from seed. Fragrant, fast-growing, drought and heat tolerant, disease and pest resistant. Will grow 8-15 feet the first year. Unlike most fast-growing trees, these are hardy and have a long life....85 to 100 years. Will grow in many varied conditions and in almost any type of soil. Will reach a height of 40-50 feet tall and a width of 30-40 feet. Purple, sweet vanilla-scented flowers appear in spring....in clusters 14 inches long. In summer they are covered in a dense canopy of large heart-shaped leaves.....making them wonderful shade trees. Winter finds them covered with furry pea-sized buds. At the first sign of spring, the tree explodes with purple flowers. The Royal Empress Tree (Paulownia elongata) is native to China but has found a welcome home in the U.S. as the world's fastest-growing shade tree. Many trees come and go as fads, and the Paulownia is one those. Although the Paulownia has become popular as a "Get Rich Quick" in the wood-growing market, they are popular for the shade and beautiful fragrant flowers they produce. There are several species of Paulownia - Paulownia elongata, Paulownia kawakamii, and Paulownia tomentosa, all native to China, and have been planted in the US for many years. There are several other names for this tree, Royal Paulownia, Empress Tree, and Princess Tree are among them. They are rated for Zones 6 to 10, and found from New York to western Texas, and along the Pacific coast states, and as far south as Key West. The southeastern states seem to have quite a lot planted also, as the climate is very favorable in stimulating the Paulownia's fast growth. What's popular about the Paulownia is that they grow very fast, where 8 to 12 feet a year is considered common, some sources have had growth of 15 to 18 feet in a year! The Paulownia also has large ten inch long masses of fragrant violet to dark blue flowers that come out between April and May. The Paulownia tends to be medium-sized trees, where the Paulownia kawakamii gets up to 30 to 40 feet, and the Paulownia tomentosa gets 40 to 60 feet tall. The Paulownia elongata is used as a timber tree in China, and gets upwards of 100 feet tall. A medium-sized, deciduous tree to about 15 m tall with large leaves and very attractive, bell-shaped, purple flowers. It is easy and fast-growing and a popular ornamental in warm temperate regions around the world. http://springsofeden.myshopify.com/products/exotic-rare-paulownia-tomentosa-fragrant-purple-empress-tree-seeds-organic-b25-1

[ga-yuu]

~Kurama~Main Story Chapter 15~Part 2

I made a small mistake in my previous posts. I know that Kurama calls Yoshino his toy in his main story but it was not until this chapter, Before this, he kept calling her prisoner. So I have to go back and edit my posts.

Warning!! Sexual content below!! (Because Kurama just finds any reasons to make out with Yoshino.)

Part 1

*

*

*

---------Part 4---------

Kurama: "I don't understand. But I approve of the way you think."

(Eh?)

He looked straight at me and my cheeks heated up when he touched it.

Kurama: "Include that as a 'Thank you' too."

Yoshino(blushing): "......Thank you."

(The way I think is completely different from Kurama.)

(There were times when I thought there was no way to bridge that gap....)

The depth of the ditch remains the same, but the bridge was built there today by Kurama.

(So now, I wanna cross the other side.)

Yoshino: "I still want to know more about Kurama. Because I want to know you for who you are, not just as a demon or an enemy."

As the cherry blossoms quietly fall, I remember as if it were yesterday what I said to him that night.

-------FLASHBACK---------

Yoshino: “Instead of having wings that can fly you to your destination like Kurama, or the power to kill an enemy with a single blow. Humans value their beliefs and the bonds they have with those around them. Isn’t that why you didn’t take Yoshitsune’s life right away, because you knew that? Because if he really wanted his soul, Kurama could have taken it without question.”

Kurama: “I don’t get it. I don’t understand you.”

Yoshino: “I want to understand Kurama.”

Kurama: “…………….Shut up now.”

Kurama: “I must have been mistaken in thinking you were in any way interesting. Understanding is an emotion that does not contribute strength. Will you still be able to think like that when you’re overtaken?”

------FLASHBACK ENDS-----

(I know I offended Kurama at the time with those words, but I want to tell him straight again.)

Kurama: "You want to understand me, huh?"

Yoshino: "Yes. Can I?"

Kurama reaches for me with a speed so gentle as the petals fall.

The gesture seems like he was giving me a chance to run away, but----

(If I want to run away, it's probably now or never.)

(But that means, Kurama and I can still have a close yet distant relationship. But....)

(I won't run away.)

Kurama's fingers finally touch my cheeks.

I put my hand on his, with an impulse that came from the bottom of my heart.

Kurama: "....... All right. But you have to pay me."

Yoshino: "Pay you? What do you want?"

Kurama: "It's not something you should do. I'm going to do something to you."

(Ah)

He pulls me close and sets his teeth on my neck.

Yoshino(blushing): "Ohh...."

Just before I felt a strong pain, his tongue slithered over the spot.

Yoshino(blushing): "Ku...rama..."

Kurama: "Don't move."

Yoshino(blushing): "But....Mmm.....Ahh...."

His lips gently slide down to my exposed breasts.

Kurama: "The face you're making right now is not bad, I'll give you that."

(Is this what I have to pay....?)

Yoshino(blushing): "Mmm....that..should be ahhh....enough...!!"

Kurama: "No. Don't look away."

As if to cut off my feeble words of resistance, a strong look was screwed into the depths of my eyes.

(I feel...hot...)

His long fingertips pull my kimono further down from my shoulders.

My body shivered in the open air.

Yoshino(blushing): "...But, in...place like this...."

Kurama: "Does the location matter?"

Yoshino(blushing): "I mean...It's just...!!!"

When I realized that I had implicitly affirmed the act itself, my body burned with shame.

Kurama: "From the very beginning, I put up a barrier to prevent anyone from interrupting our time together. No one will ever see it."

Yoshino(blushing): "Even if you say that...."

(Embarrassing things are EMBARRASSING!)

Kurama: "What does it matter if someone sees us? All you have to do is think about me and writhe in agony at the stimulation I give you."

-------Part 5------

Kurama: "All you have to do is think about me and writhe in agony at the stimulation I give you.

Yoshino: "....Hmmm.....Ahhh......"

His lips start to peck the soft skin that I usually cover.

(Why can't I resist....?)

The tip of his red tongue slowly goes down, as his fingers kept opening my kimono.

As I realized on the verge of revealing myself to the point of no return-----

Yoshino(tomato red): "No! No more....."

I grabbed his hand desperately and Kurama stopped moving.

Kurama: "Still not surrendering? Well, for now, I'm satisfied. This is a better way of satisfying my hunger for battle. Keep up the good work and relieve me of my boredom."

Yoshino: "Again, you're just being selfish...."

Kurama: "I know."

Kurama continues as if he has just thought of something.

Kurama: "Oh, by the way, after last night's party, I said I had reservations about your treatment....I've decided now."

Yoshino: "And that is?"

Kurama: "From now on you're my toy.....Entertain me to the fullest instead of Tamamo."

Suddenly, his words were accompanied by another memory....

------FLASHBACK-----

Kurama: "I don’t know about you, but know one thing. Yoshino, from this day on, you are my prisoner."

-----FLASHBACK ENDS-----

(I feel like I've come a long way even though not much time has passed since then.)

Yoshino: "From a prisoner to a toy....I don't know if that's an upgrade or a downgrade."

Kurama: "Rejoice, because I've become more pleased with you than ever."

(I really can't help it, but Kurama is so arrogant....)

Kurama respects the person as much as the value he acknowledges.

Knowing this, I could no longer see Kurama, who smiled arrogantly, as just another tyrant.

..................

Ten days after that incident, we were at Heikichiro-san's house......

Heikichiro: "Welcome, Yoshino-san."

Yoshino: "Thank you for having me. You suddenly said we were going out, so it was to Heikichiro-san's. house, huh."

Kurama: "You're right. Sit down quickly."

Kurama points to the floor of the hut, where the sun has set.

Heikichiro-san, who seemed to be used to his attitude, offered me a cushion.

Yoshino: "Why did you bring me here, Kurama? Heikichiro-san's check-up was over three days ago."

(Kurama must have been by his side to keep an eye on him, right?)

Kurama: "I know. Because today is----"

Heikichiro: "His order has been completed."

(Oh)

Kurama(glaring cutely): "Don't interrupt me."

Kurama glares at Heikichiro-san.

Kurama: "But I'll give you credit for completing it by not killing you."

Heikichiro: "I'm honored. Also, thanks to you, I'm very confident in my work."

(Kurama......I knew your attitude towards Heikichiro-san was different from that of the other humans.)

Even if Yoshitsune-sama and the others are exceptional, they are clearly not treated in the same way as the servants and retainers of the mansion.

Yoshino: "Congratulations!

(Umm, but.)

Yoshino: "But, why am I here?"

Kurama: "You said you wanted to know about me, remember? "

Yoshino: "Ohh..."

Kurama: "What? You forgot.....?"

Kurama looks at him as if he is looking at me in shock, and I shake my head in panic.

(Of course, I remember that, silly.)

Yoshino: "And you remembered it too!" (They're literally flirting in front of that old man.)

Kurama: "I've told you before, I'm not the type who goes back on my words after I made a promise."

(He did. Once Kurama said it, he never said it differently.)

My heart starts to feel warm.

Yoshino: "Thank you, Kurama."

Kurama: "You don't have to thank me."

Kurama scooped up my chin with his fingertips and intertwined our eyes.

Kurama: "In the first place, this work would have been unfinished if you had not helped Heikichiro. So I'll give you the opportunity to see the brilliance of what you have protected."

~~~~ "I Won't Ever Be Kind to You." (Normal Story)~~~~

Kurama: "In the first place, this work would have been unfinished if you had not helped Heikichiro. So I'll give you the opportunity to see the brilliance of what you have protected."

(I know it sounds pompous, but it's frustrating,.....and I'm very happy.)

Kurama looks at me with a smile on his face and calls out to Heikichiro-san with a sour look on his face.

Kurama: "Come on, get it out. You know I don't like to wait."

Heikichiro: ".......Yes."

Heikichiro-san, looking very nervous indeed, placed the paulownia box gently in front of us.

Heikichiro: "Here."

(Woah!)

The moment the lid is opened, I gasp at the silvery glow.

Kurama: "Wow...."

Inside the box was an ornament in the shape of a bird's wing.

Yoshino: "It's beautiful, but what is it?"

Heikichiro: "It's called a crown. It's almost like the ones worn by royalty in foreign countries but I've never seen a real one before."

Yoshino: "Is that what you ordered Kurama?"

Kurama: "I only ordered him to make what I would like."

Heikichiro: "I looked at him and after a lot of thought....I came up with this."

(Yeah, when you say "Royal Crown" it sounds like a perfect fit for Kurama.)

Heikichiro: "I knew at once what I wanted to make, but for a long time I was struggling with deciding on the designs. The designs of the pair of wings on either side of the crown were changed and are placed in the middle....after I had fallen and been rescued."

(That means...)

Yoshino: "----You mean, they're Kurama's wings?"

Heikichiro(blushing): "Yeah."

Kurama: "My wings are the color of darkness. There is no resemblance."

Heikichiro-san gave a wry smile to Kurama who looked confused.

Heikichiro: "Well, what you see is not always what you get. At least this is how dazzling your wings were to me that day."

Kurama: "......"

His eyebrows twitching, Kurama takes the crown from him and looks at it suspiciously.

The silver decorations on the wings glittered brightly in the light of the candle.

Kurama: "I don't understand. Yoshino, explain to me." (My baby Kurama is trying his best!)

(Huh, me?)

I suddenly panicked and then thought for a moment, before replying.

Yoshino: "I don't know if my explanation will work, but....The emotions you're feeling at the moment can change the whole landscape around you. It's like when you feel sad, you'll feel the sky looks gloomy. Or when you're happy, you can hear the birds and the trees buzzing."

Kurama: "Hmmm..."

Looks like I have to come up with another analogy-----

Yoshino: "It's the same as....when you fall in love with someone, the other person might seem beautiful to you."

Kurama: "I don't understand that either."

(You have said that before.)

Kurama: ".....Have you never been in love?"

(You've lived for centuries and never once?)

Kurama: "What good is love to me? If you just want to spit out your lust, there are many ways to do it."

Heikichiro: "Certainly, it is of no use. But love is a precious thing. It can change people in amazing ways."

He had a warm look in his eyes as if he was reminiscing about the past.

Kurama: "No matter how precious it is, it's no use if we'll rot in solitude, as you are now."

Yoshino: "Wait, you're a bit----"

He raised one hand to block my protest and Kurama turns to Heikichiro-san.

Kurama: "But the crown you've made is....magnificent."

Heikichiro-san and I both caught our breath at the sound of his voice, which quietly melted in the night.

Kurama: "Do humans make something as brilliant as this because it contains incomprehensible emotions?"

Yoshino: "Kurama...."

(Is Kurama trying to come to terms with human emotions....?)

Kurama asks himself a question but didn't let us answer it.

Kurama: "I like this. This crown is mine and I will pay you as much as you want. I will also reward you by allowing you to continue to create shiny items like these in your few remaining years."

Heikichiro(smiling): "Haha...thank you very much."

Hekichiro-san smiled with relief, tears quietly welling up in the back of his eyes.

....................

It's midnight, and we rushed back to the Rebel Mansion----

It was already dark and there were barely any people, so we flew back home.

I looked up at Kurama who was walking by my side, in the quiet garden.

Yoshino: "Are you not going to hide your wings, Kurama?"

Kurama(smiling): "Why should I? No one is awake at this time."

The sliver crown in his hand shined brightly in the moonlight.

(He looks very happy. He seems to love it very much.)

Yoshino: "Don't you want another box to keep it safely?"

Kurama: "I won't be able to see it shine under the moonlight if it's inside the box."

The simple paulownia box that Heikichiro-san had prepared for us had long since been thrown away. (#RIPpaulowina)

(It's very beautiful, indeed.)

Suddenly a simple question comes to my mind and I ask.

Yoshino: "But crowns are for wearing, aren't they? Are you going to put it on?"

Kurama: "What are you talking about? If I wear it, how can I see it myself? (Don't you have mirrors?)

(Oh...)

Yoshino: "What a shame. I was curious as to how Kurama will look like wearing that crown."

Kurama: "Really?"

Kurama stares at me for a moment.

Kurama: "Yoshino."

Yoshino: "Hm?"

Kurama: "Come here."

Suddenly, Kurama sits down under a tree and invites me in.

As I approached him, he handed me the crown.

Kurama: "Put it on."

Yoshino: "!"

Kurama: "Don't make me repeat the same thing over and over again."

I kneeled in front of Kurama in a hurry.

I boldly reached out and touched his jet-black hair, which was the same color as his wings.

Yoshino: "Okay...."

Running my fingertips through his soft hair, I gently adjust the crown.

Kurama: "...................."

Kurama's slight tilt of his head made me nervous for no reason.

(I'm way more....nervous than I thought.)

The silver of the moonbeams, the elegance of his black hair.

It doesn't detract in the slightest from the intensity of the blood-red eyes.

Yoshino(blushing): "....It's done."

Kurama: "Now, come closer."

(Ohh!!)

While I was admiring him, he pulled me by the waist and I found myself riding on his lap.

Yoshino(blushing): "What do you want!!?"

Kurama: "Don't squeak."

He puts his finger on my lips and my cheeks heat up.

(Why are you acting like it's my fault....)

But any small complaint is swallowed up by the glint in Kurama's eyes as he moves closer.

Kurama: "----In this distance, I can see my reflection in your eyes." (Get a mirror! For god sake....also there's a huge pond in the garden. Look at that. Don't stare into my eyes....you make me nervous!!)

Yoshino(blushing): "Ah..."

(You want me to act as your mirror?)

Kurama: "Don't move."

Kurama stroked the nape of my neck as if I was a kitten.

Kurama: "Good. If you keep staying like that, I won't do anything."

(Eehh...)

Yoshino: "I'm glad you won't do anything, but.....can I at least get off your lap?"

Kurama: "Not possible. Now be quiet or I won't keep my promise."

Yoshino: "Fine."

(This position is embarrassing, but it's better than playing his games, right?)

I relaxed and entrusted my body to Kurama.

(.....I'm still feeling restless.)

Yoshino(blushing): "How long should I stay still like this?"

Kurama: "Till I'm satisfied."

Yoshino(blushing): ".....Will Kurama be satisfied if we stick together like this?"

Kurama: "I just do it on a whim. But, it feels good it's with you."

Yoshino: "Liar! How can 'the Kurama' be committed to someone?"

Kurama: "You insolent little puss."

I giggled lightly, as Kurama glares at me.

Kurama: "But, it's true....I never thought I would feel good talking to a little human girl, before."

(......It's not fair when he suddenly says something so sweet.)

Kurama: "But, you're always treating me like a toy."

Kurama: "Toys will always be toys. But there are also special toys."

His mischievous long fingers followed my cheek and went down to tickle my throat.

Kurama: "No matter how much I play with you and make you cry, you always look straight at me in the eyes. .....I'm strangely intrigued by that."

He whispers to me in a seductive low voice and it made my body heat up.

(If I think about the meaning of what he just said.....it's dangerous.)

Yoshino(blushing): "Ah....."

I felt Kurama's face slowly approaching under the moonlight.

The approaching red eyes made me forget how to move and I unintentionally closed my eyes in time.

Then I felt a soft touch on my eyelids.....

(That was....)

By the time I realized that the kiss on my eyelids was over, I opened my eyes in confusion.

Kurama(Pikachu meme face): "..................."

(Why are you surprised? This is what you always do, right?)

Before the heat of the kiss could sink in, I noticed that Kurama's eyes widened in surprise.

Yoshino(blushing): "Kurama....?"

Kurama: "Shut up."

In the depths of his red eyes, which were unusually downcast, some great impulse flickered like a flame. (This scene is so great. I wouldn't mind if they go to the room and make out.)

Kurama: "-----Why didn't you resist? It's boring if you don't resist."

Yoshino(blushing): "Whaaa----"

Kurama stands up and turns his back to me.

Kurama: "Your room is just around the corner. I won't have to babysit you for today anymore."

Kurama left without saying anymore or even looking back.

(What the hell....was that right now?)

(It was like that night. The way he touched me and kissed me today was genuinely caring.)

A step later, the shock catches up with me and I slump to the ground.

And I could also hear my heart beating faster.

Chapter 16

[crudlynaturephotos]

[adventureswithteddy]

Teddy stretched up as far as he could reach to get near the blooms of this Jacaranda Paulownia Tree. The other common name, Royal Empress, seemed somewhat fitting since he found this tree in the Royal Botanical Gardens of Sydney.

[littleeyesofpallas]

BLEACH - Name Games

Part 2 of the Royal Guard; This one’s much briefer, I promise...

Nimaiya[二枚屋] Ouetsu[王悦]:

Ni[二] = “Two,”  Mai[枚] = a counter for thin objects, “sheets”/”leaves”/”plates,” and Ya[屋] = “Roof”/“House”/“Store” or “Vendor”/“Seller.”  I’m not entirely sure how to read this one.  I could see it reading “Two-Sheet Vendor” where the “sheets” refer to metal sheets, tying into Ouestu’s role as a sword smith.  But I can also see it meaning something like “Two-Tile/Shingle Roof,” which has certain sparse vibes that feel like it might evoke poverty?  It’s kind of a stretch, but Nimaiya’s house is a very small looking hut (at least from the outside).  In either case it appears to be a fairly literal description of where he comes from, either geographically or professionally.

As for his given name, Ou[王] = “King,” and Etsu[悦] = “Rejoice”/“Ecstasy”/“Delight” which I think is pretty aptly reflected in his personality and demeanor as a loud and boisterous hedonist type.

Shutara[修多羅] Senjumaru[千手丸]:

One of the ones I’ve actually been most eager to get to....  Shu[修] = “Discipline”/“Study”/“Mastery,” Ta[多] = “Many” and Ra[羅] = “Silk(s).” Sticking with the pretty literal job descriptions for the whole squad here...  Despite some of his usual wordplay, it honestly kinda sounds like Kubo didn’t give these a lot of thought conceptually; they’re all very one-note kind of themes.

Sen[千] = “Thousand,” [手] = “Hand” Maru[丸] = a common suffix for names, not typically meant to impart literal meaning.  The “Thousand Hand” bit is an obvious literal reference to her many mechanical arms, but also evokes the very recognizable image of a many-armed bodhisattva, keeping with the Royal Guard’s theme of divinity or godliness. (A monk, the heavenly Kirin, “King” in Ouetsu’s name, and now a bodhisattva...)

One thing I do want to note is that the suffix -maru, when used in a given name, is typically indicative of a masculine name.  There can be some exceptions, but even those are typically used for the specific gag where someone hears the name without meeting the person first, and just naturally assumes its a boy.  Point here being that Senjumaru is very probably so variation on nonbinary; either a trans woman or a crossdresser. (She does have something of a kabuki reminiscent look, and as an all male theatre form, all female roles are played by Onna-gata[女形] “Woman style” actors, i.e. men in drag.)  I’m actually pretty convinced that Giselle’s whole not-very-tactfully-handled gender issue was actually something Kubo meant for Shutara, but that he pushed onto Giselle when he realized the Royal Guard weren’t going to get any real screentime.

Also, this might seem like a weird claim, but I don’t think Shutara has her own arms?  Like... she appears to keep her arms inside her outer most shawl/mantle/cloak thing at all times and only ever uses her doll arms to handle stuff.  On the one hand, they might just be there under the cloth, but the fact that she doesn’t even seem to use them to pose, and that they don’t seem to move around at all even when she’s in action, or panicked, or even when she apparently dies makes me think there just aren’t limbs past the shoulder.  

Hikifune[曳舟] Kirio[桐生]:

So super awkard, but the name Hikifune[曳舟] just means “Tugboat” or “Towboat.”  No weird or obscure references or word play there... Although the particular phrase hikifune michi[曳舟道] generally translated as “tow path” refers very specifically to a kind of road made along river banks to facilitate people who had to tow their ships inland where sailing or current direction weren’t favorable.  But the industrial revolution and introduction of steam ships rendered these largely obsolete.  I’ll be honest, I’m not entirely sure what to make of that association though...  The name does carry a certain dated vibe to it, which carries with the Royal Guard’s broader themes of being a collection of older shinigami, each the inventor of a now staple facet of soul society and the gotei 13.

And Kirio[桐生] is written Kiri[桐] = “Paulownia” and O[生] = “Live”/“Grow.”  The Paulownia blossom’s color is where Kirio gets her violet hair color.  The Pauwlonia is a very rapid growing species of tree, and one of good quality with versatile uses in traditional crafts.  It is also known as a “Princess tree” in Japan.  During the Meiji Restoration, it was adopted by the office of the primeminister as the official crest, so it holds a similar reverence to the chrysanthemum crest that represents the Emperor and the Japanese throne.  Kind of a clever play with the godly and noble theme of the rest of the team; and the most recent addition to the Royal guard, the older members are rooted in god and king imagery, but Kirio is from a post-monarchy era, so she’s just Primeminister.

And we can add another one to the pile...

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13]

[maugin]

‘paulownia tomentosa’

Royal Empress Tree

(link in photo)

[a-safe-and-quiet-place]

Feng-huang

Feng-Huang (Chinese: 鳳凰; Pinyin: Fènghuáng; Japanese: 鳳凰 hō-ō; Korean: 봉황 bonghwang; Vietnamese: Phượng Hoàng) is the name of two Chinese mythological birds that were central figures in ancient Chinese cosmology. Sometimes called the Chinese Phoenix, the Feng-Huang is a symbol of summer and spiritual balance, and along with the dragon, qilin and tortoise, is one of the most highly revered creatures in Chinese tradition. Its appearance is said to indicate some great event, or to bear testimony to the greatness of a ruler.

Often viewed as the sacred union of male and female, Feng being male and Huang female, the Feng-Huang can also be regarded as a female entity in relation with the male dragon. Thus, images of the Feng-Huang and dragon together can represent conflict or marital harmony.

Beautiful, graceful, loyal, and honest, the Feng-Huang represents all the virtues, calling us to a higher level of life, filled with justice, peace, prosperity, and faith. Such symbolism needs no physical counterpart; the Feng-Huang already has the best of this world in its imagery. It is up to humankind to manifest these virtues substantially on the earth.

Description

While it is depicted as one being, Feng-Huang is actually a composite of one male and one female bird. The Feng is the male, and the Huang is the female, although both sexes are depicted the same. (Modern tradition combined the Feng-Huang into one bird.)

The Feng-Huang is said to be made up of the beak of a cockerel, the face of a swallow, the forehead of a fowl, the neck of a snake, the breast of a goose, the back of a tortoise, the hindquarters of a stag and the tail of a fish. Its body symbolizes the six celestial bodies. The head is the sky, the eyes are the sun, the back is the moon, the wings are the wind, the feet are the earth, and the tail is the planets. Its feathers contain the five fundamental colors: black, white, red, blue, and yellow.

Unlike the Phoenix of the Western World, the Feng-Huang is immortal without needing to go through a cycle of death and re-birth. The bird is attracted to music and nests high in the K'unlun Mountain range.

This sacred creature never kills. It eats only plants, never even eating living insects. It never spoils plants without reason, living on paulownia trees, its natural habitat, and eating only bamboo seed.

Origin

The exact origin of the Feng-Huang myth is obscure. Some scholars have suggested that it may be a representation of a large pre-historic bird, similar to an ostrich, which were common in pre-historic China, similar to how some believe that dragons were mythical representations of dinosaurs.

The appearance of the Feng-Huang in Chinese culture dates to around the third millennium B.C.E., right before the death of the Yellow Emperor. According to legend, the Feng-Huang appears very rarely, and only to mark the beginning of a new era, hiding during times of trouble. It may appear in peaceful, prosperous times, or at the birth of a virtuous ruler.      As the herald of a new age, the bird descends from heaven to earth, marking the beginning of a time of prosperity. Once a new monarch had taken over, the bird came to symbolize an era of peace and prosperity, with a new, benign emperor, and was often used as a symbol of the Empress.

The Feng-Huang is an integral in the ancient cosmology of China, which stated that the world and Heavens were created by the four Si-Ling creatures, the dragon, qilin, tortoise, and Feng-Huang. Once the world was then divided up into four quarters, and the Feng-Huang was given dominion over the Southern Heaven quadrant, which symbolizes Summer. The Feng-Huang and the dragon are often shown together, either as mortal enemies or a blissful lovers.

Meaning

The Feng-Huang over the years has been seen as a symbol of power, prosperity, grace, and virtue. The witnessing of Feng-Huang is regarded as a very good omen, signifying the beginning of a new era in history. It is said that "they only appear in lands that are blessed with peace, prosperity, and happiness – they flee to the heavens during times of trouble." The spreading of its wings exhibits virtue to whoever witnesses it. It signifies divine beauty, teaching all to do the right thing, standing for humanity and justice, and arousing faith in all who see it.

The Feng-Huang was at times seen as the sacred symbolic joining of male and female, commonly seen as the Yin-Yang symbol. The Yin is female, the Yang male, and when combined, such as in the combination of Feng and Huang, it is representative of opposite forces meeting into a union that produces harmony and balance.

In the Royal courts, the Feng-Huang came to be seen as a representation of the sacred female, and thenceforth the Empress, while the Emperor was represented by the dragon, and artwork often depicted the dragon chasing the Feng-Huang, or of the two beasts coupled together.

The Feng-Huang was believed to control the five tones of Chinese music, and to represent the Confucian virtues of loyalty, honesty, decorum, and justice.When used to decorate a house, the Feng-Huang showed that the people who lived there were honest and loyal.

In Art

The Feng-huang was used in Chinese artwork for hundreds of years. When used as a household decoration it usually meant that the occupants of that house were honest people and could be considered loyal to their family and friends. It was often carved in jade, as ornaments to be worn or good-luck totems. People that wore the jewelry of the Feng-huang were regarded as being highly moral, and thus only a select few were actually permitted to posses such jewelry.

Eventually the bird was also seen on tombs and graves, marking those dead as having been virtuous in life. Paintings and mural depictions of the feng-huang often showed it in battle with the snake, its natural enemy, or in conjunction with the three other divine mythical creatures of ancient Chinese mythology.

[redmoonherbs]

Flowers fit for a princess...courtesy of the invasive but lovely Princess Tree, or Royal Paulownia (Paulownia tomentosa). These can be made into a sweet and light lavender floral syrup if you're into that. And we sure are...herbal cocktail season, here we come! http://bit.ly/2Yc2G0b

[exotic-wood]

Paulownia Guitar body blanks - vinu

Paulownia Guitar body blanks Lightweight / Finest quality / Guitar body blanks Dimensions :  Length ; 22" / Width : 7.5"  , Total width 14" /  Thickness : 2" $98 / per set Buy  Lightweight Paulownia Guitar Body Blanks with the finest quality from California exotic hardwoods. Paulownia wood is fine-grained, light, and warp-resistant. It is the most rapidly growing hardwood. It's used to make chests, boxes, and clogs (geta). The wood is used to make charcoal for drawing and powder for fireworks, and the bark is used to make dye. Paulownia wood is very unique and is used to make furniture, toys, plywood, musical instruments, house construction, and packaging. The Japanese had high regard for wood, and most Japanese homes had at least one piece of furniture made from it. The aluminium of timber, Paulownia hard wood (also known as Royal/Empress Paulownia or Princess tree), is the world's lightest to strongest ratio wood species. It has no odour and is naturally fire, salt water, termite, decay, and rot resistant. California exotic hardwoods supply best Paulownia guitar body blanks .   Read the full article

[rancholamission]

Royal empress tree is the fastest growing tree. Did you know In Japan, the tree is planted at the birth of a girl.[15] The fast-growing tree matures when she does. When she is eligible for marriage the tree is cut down and carved into wooden articles for her dowry. Carving the wood of Paulownia is an art form in Japan. In legend, it is said that the phoenix will land only on this tree, and only when a good ruler is in power. Several Asian string instruments are made from P. tomentosa, including the Japanese koto and Korean gayageum zithers. #RoyalEmpress #Tree #Flowers #Barn #BarnWedding #Ceremony #BarnCeremony #LavenderFlowers #DidYouKnow #Japan #GiantLeaves #RanchoLaMission (at Rancho La Mission) https://www.instagram.com/p/COlXbj4M4OF/?igshid=y8563cmpy24x

[wallpapernifty]

24 Advice That You Must Listen Before Embarking On Purple Ivy Plant | Purple Ivy Plant

Paul Cappiello, Special to Courier Journal Published 6:20 a.m. ET June 5, 2020

Sitting in my COVID-19 office — my dining allowance table — and alive on assorted tasks alignment from emergency budgets to bulb appraisal spreadsheets, I’ve been captivated over the aftermost few weeks with what I see out my advanced window. Never in the 20 years that we’ve lived in Louisville accept I apparent so abounding kids and families benumbed their bikes about the neighborhood. Seems we’ve all apparent “new” things to ample our time.

In the “everything old is new again” attitude of this coronavirus-imposed about-face to our circadian lives, it’s been a joy to see bodies adolescent and old balance a admired old lath game, the art of autograph an absolute letter, on absolute paper, with an absolute pen, and artlessly demography out to the adjacency streets on a arenaceous old bike to go boilerplate in particular.

It all makes me anticipate aback to my aboriginal canicule in the garden, aback afore it was a job, a career and a passion. Aback aback it was aloof one of the things you did. Dig up the geraniums in fall, pot them up in a altered accumulating of old terra cotta pots and set them on windowsills to attempt through the winter. Pull a few weeds, bulb a few bulbs, cut the grass.

The alcazar at Yew Dell Botanical Gardens has Plectranthus Red Head on its side. (Photo: Courtesy of Yew Dell Botanical Gardens)

But one of those $.

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