#roy huggins

[gatutor]

Donna Reed-Lee Marvin "Los forasteros" (Hangman´s knot) 1952, de Roy Huggins.

[oldshowbiz]

1966.

The obligatory biker gang episode of Run For Your Life.

[oskarlevant]

Run for Your Life, "The Cold, Cold War Of Paul Bryan". W/2 yrs to live a man chases good times w/the jet set, but gets caught in a high stakes card game. Classic 1st episode of this Fugitive variant (Roy Huggins created both). W/Ben Gazzara; guests Katharine Ross, Robert Loggia, Celeste Holm (1965)

I've watched about 20 or so RFYLs. I've noticed that while in The Fugitive (produced by Quinn Martin, not Huggins) Richard Kimble confronts his Kafkaesque situation in every episode, I have yet to see a RFYL where his terminal condition is the focus. Instead the emphasis is on high living among the upper crust (many episodes are set in Europe or Latin American resorts).

It makes me wonder... Huggins claimed he created The Fugitive b/c he

wanted to do a modern "drifter' series, and while audiences would accept a guy drifting around in a western, they demanded a reason for modern-day drifting.

Could RFYL have originated b/c Huggins wanted to do a jet set series, & needed a premise to put his hero there?

[starship21zedna9]

I have a podcast about ASJ!

Scream about Heyes and Kid with me!

Hiya, I'm just here to ask if you're still active anymore. I'm not new to the AS&J fandom, but I just made Tumblr and I desperately need to know if now I'M the only one on here in the fandom lol

Hey!! I'm still very active on my main (Star Wars-focused) blog @kingofattolia but unfortunately the AS&J blog has seen better days. There's just so few of us that it's hard to keep up regular posts even though I am still obsessed with the boys!

[citizenscreen]

Western comedy series “Maverick,” created by Roy Huggins and starring James Garner, premiered on ABC on September 22, 1957. #OnThisDay

[ropermike]

Shortly before becoming showrunner and chief writer of Alias Smith and Jones, Roy Huggins wrote and directed this failed pilot featuring two actors who would both go on to play Hannibal Heyes on AS&J, Roger Davis and Peter Duel.

[docgold13]

This list reflects just one individual’s personal opinion...  that said, let’s get started:

1). Sherlock Holmes created by Sir Arthur Conan Doyle 

2). Batman created by Bill Finger and Bob Kane

3). Auguste Dupin created by Edgar Allan Poe

4). Hercule Poirot created by Agatha Christie

5). Philip Marlowe created by Raymond Chandler

6). Jane Marple created by Agatha Christie

7). Frank Columbo created by Peter Falk, Patrick McGoohan and Steven Bochco

8). Sam Spade created by Dashiell Hammett

9). Virgil Tibbs created by John Ball

10). Nancy Drew created by Carolyn Keene

11). Alex Cross created by James Patterson

12). Dirk Gently created by Douglas Adams

13). Byomkesh Bakshi created by Sharadindu Bandyopadhyay

14). Jessica Fletcher created by Peter S. Fischer and Richard Levinson

15). Mma Precious Ramotswe created by Alexander McCall Smith 

16). Velma Dinkley and Fred Jones created by Joe Ruby and Ken Spears

17). Jim Rockford created by Stephen J. Cannell and Roy Huggins

18). Shawn Spencer created by Steve Franks

19). Leroy ‘Encyclopedia’ Brown created by Donald J. Sobol

20). Harry Bosch created by Michael Connelly

21). Adrian Monk created by Andy Breckman

22). Nero Wolfe created by Rex Stout 

23). Shinichi Kudo created by Gosho Aoyama

24). Benoit Blanc created by Rian Johnson

[vintage-every-day]

𝑴𝒂𝒗𝒆𝒓𝒊𝒄𝒌 is an American Western television series with comedic overtones created by Roy Huggins and originally starring James Garner as an adroitly articulate poker player.

[kwebtv]

From the Golden Age of Television

Season 1 Episode 2

The Joe Palooka Story - Two Rings for Eddie - Syndicated - April 10, 1954

Comedy / Drama

Running Time: 30 minutes

Written by Ham Fisher, Roy Huggins and Monroe Manning

Produced by

Directed by Richard L. Bare

Stars:

Joe Kirkwood Jr. as Joe Palooka

Cathy Downs as Anne Howe

Sid Tomack as Knobby Walsh

Maxie Rosenbloom  as Clyde

Charles Bronson as Eddie Crane (as Charles Buchinsky)

Mary Ellen Kay as Doris Willis

Ray Walker as Maxie

Lou Nova as "Big Boy" Metz

Jack Roper as Gym Man

[filmnoirfoundation]

NOIR CITY bonus screenings have been added!

Monday 1/30: TOO LATE FOR TEARS (5:00, 8:30) and WOMAN ON THE RUN (7:00) Wednesday 2/1: WOMAN ON THE RUN (5:30, 8:45) and TOO LATE FOR TEARS (7:00) Admission will be at regular Grand Lake Theater prices: Gen Adm $13; Child/Senior $9.50; Matinee $7.50 NOIR CITY passports will be honored for all screenings. TOO LATE FOR TEARS (1949)

For many years, all 35mm prints of "Too Late for Tears" (1949) were believed lost, but through the determined efforts of the Film Noir Foundation, enough original material has been discovered to enable a restoration, performed under the auspices of the UCLA Film & Television Archive. Based on a novel by future television titan Roy Huggins, and featuring Huggins' own brilliant screenplay, the film is a neglected masterpiece of noir, awaiting rediscovery. A suburban housewife (Lizabeth Scott) decides to keep a satchel of money accidentally tossed into her convertible, against the wishes of her husband (Arthur Kennedy). Dan Duryea plays the intended recipient of the cash and he’s not into sharing. The result? Mayhem and murder. Dir. Byron Haskin WOMAN ON THE RUN (1950)

A lost gem rediscovered! Thanks to the efforts of the Film Noir Foundation, this terrific 1950 film noir, the only American print of which was burned in a 2008 fire, has been rescued and restored to its original luster. Join the wild chase around San Francisco as a man goes into hiding after witnessing a gangland execution. Police bird-dog his wife Eleanor (Ann Sheridan), certain she’ll lead them to her husband, whose testimony against the killer could bring down a crime kingpin. But Eleanor and her hubbie are Splitsville—she never wants to see him again. When roguish newspaperman Danny Leggett (Dennis O’Keefe) charms Eleanor into helping him track down the hidden husband—there are unexpected, stunning and poignant results. This nervy, shot-on-location thriller is a witty and wise look at the travails of romance and marriage, and perhaps the best cinematic depiction ever of mid-20th century San Francisco. Dir. Norman Foster

[gatutor]

Cartel película "Los forasteros" (Hangman´s Knot) 1952, de Roy Huggins.

[gotankgo]

currently watching The Rockford Files S4.E8

Irving the Explainer, Episode aired Nov 18, 1977

Director - James Coburn

Writers - Roy Huggins, Stephen J. Cannell, & David Chase

[yummycrummy]

I can't get over the fact your incredible art and au's have gotten me to love Roy like I stim so much whenever you post art and I just wanna hug SR and UCR and make these bois happy they need to be able to laugh and smile more

UR SO SWEET AHHH thank u so much!!!! 💕💘💕💘💕💗💘💖💘💓💘💓💖 Makes me so happy when my au makes others happy too <3 They r both huggin u in spirit

[dixvinsblog]

Le ciné- club du dix vins blog : Séries Vintage - Le fugitif créée par Roy Huggins 1963

Le 17 septembre 1963, le public américain découvre sur la chaine ABC une nouvelle série intitulée Le Fugitif. Créée par Roy Huggins et produite par Quinn Martin, responsable aussi des Incorruptibles, elle met en vedette David Janssen dans le rôle de Richard Kimble, un homme contraint de fuir sans cesse la police après avoir été injustement condamné à mort pour le meurtre de sa femme. Ayant…

[mikijamcf]

Not going to even front. I loved this show as a kid and watched every episode.  It was called "the most repulsive concept ever for television" when Roy Huggins pitched it to ABC in 1960, until Leonard Goldenson of ABC called it the best idea he'd ever heard.  Such summarizes the huge effort Roy Huggins invested to get The Fugitive to television. Teaming with producer Quinn Martin, Huggins' concept was made flesh with the casting of David Janssen as Dr. Richard Kimble and British-born Canadian Barry Morse as his nemesis, Lt. Philip Gerard. Huggins and Martin worked to make a compelling weekly drama via superb scripts, top-notch guest casts, narrator William Conrad, and enticing music by Peter Rugolo, and succeeded perhaps more than they ever dared to hope.  The Fugitive remains compelling television years later. Janssen and Morse imbue tremendous sympathy into their roles and make their characters so compelling that audiences even went too far, assailing Morse by saying, "You dumb cop, don't you realize he's innocent?" It even extended to the one-armed vagrant who was key to the drama, played by stuntman Bill Raisch, who in one incident was even picked up by the real LAPD because they thought he was "wanted for something," before they realized he was just an actor.  If The Fugitive had a drawback, it was because it worked too well - it is emotionally draining watching the show because the sympathy enticed for the characters is so great that seeing them suffer is painful, such as in the two-part episode "Never Wave Goodbye" - the audience is put through the emotional wringer every bit as much as Kimble, Gerard, and the story's supporting players (in this case played by Susan Oliver, Will Kuliva, Robert Duvall, and Lee Phillips).

The series was shot in black and white in its first three seasons, but for the fourth season came the replacement of producer Alan Armer with Wilton Schiller and the switch to color. The quality of the series remained high, but it is a measure of the show's quality that early fourth-season episodes are considered disappointing, and yet are still excellent stories with genuine emotional pull. The fourth-season settled down when writer-producer George Eckstein was brought in early on to help out Schiller, and it helped bring about some of the series' best moments, notably in the episode "The Ivy Maze," where for the first time in the series, all three protagonists (Kimble, Gerard, and Fred Johnson, the one-armed man) confront each other.  The performances and all else within made The Fugitive TV's most compelling drama, then and forever.  The 120 episodes (90 in B&W, 30 in Color) of the television drama "The Fugitive" originally ran from 1963-1967 on ABC. The broadcast of the final episodes in August 1967 was a national event.

[ulkaralakbarova]

An itinerant farmer and his young son help a heart-of-gold saloon singer search for her estranged husband. Credits: TheMovieDb. Film Cast: Matt Calder: Robert Mitchum Kay Weston: Marilyn Monroe Harry Weston: Rory Calhoun Mark Calder: Tommy Rettig Dave Colby: Murvyn Vye Sam Benson: Douglas Spencer Minister at Tent City (uncredited): Arthur Shields Young Punk (uncredited): Larry Chance Prospector (uncredited): Chuck Hicks Dance Hall Girl (uncredited): Ann McCrea Bartender (uncredited): Ralph Sanford Prospector (uncredited): Fred Aldrich Surrey Driver (uncredited): Claire Andre Young Punk (uncredited): Hal Baylor Ben (uncredited): Don Beddoe Prospector (uncredited): Phil Bloom Council City Barfly (uncredited): Buck Bucko Prospector (uncredited): Roy Bucko Leering Man (uncredited): John Cliff Barber (uncredited): Edmund Cobb Prospector (uncredited): Cecil Combs Man in Saloon (uncredited): John Doucette Prospector (uncredited): Tex Driscoll Dance Hall Girl (uncredited): Geneva Gray Wagon Driver (uncredited): Al Haskell Gambler (uncredited): Ed Hinton Prospector (uncredited): George Huggins Prospector (uncredited): Michael Jeffers Prospector (uncredited): Dick Johnstone Prospector (uncredited): Mitchell Kowall Prospector (uncredited): Richard LaMarr Young Punk (uncredited): Anthony Lawrence Saloon Dancer (uncredited): Jarma Lewis Prospector (uncredited): Jack Low Council City Townsman (uncredited): Hank Mann Card Table Dealer (uncredited): Jack Mather Young Man (uncredited): Harry Monty Dancer (uncredited): Fay Morley Prospector (uncredited): Charles Morton Prospector (uncredited): Paul Newlan Blonde Dancer (uncredited): Barbara Nichols Prospector (uncredited): Anton Northpole Council City Barfly (uncredited): George Patay Prospector (uncredited): Jack Perrin Prospector (uncredited): Charles Perry Prospector (uncredited): Ford Raymond Prospector (uncredited): John Rice Prospector (uncredited): Robert Robinson Prospector (uncredited): John Roy Prospector (uncredited): Danny Sands Settler (uncredited): Lucile Sewall Pianist (uncredited): Harry Seymour Council City Barfly (uncredited): Cap Somers Council City Barfly (uncredited): George Sowards Prospector (uncredited): Charles Sullivan Prospector (uncredited): Jack Tornek Young Punk (uncredited): John Veitch Prospector (uncredited): Fred Walton Council City Barfly (uncredited): Bob Whitney Prospector (uncredited): Harry Wilson Trader (uncredited): Will Wright …: Joe Phillips Film Crew: Original Music Composer: Cyril J. Mockridge Editor: Louis R. Loeffler Producer: Stanley Rubin Art Direction: Addison Hehr Screenplay: Frank Fenton Director: Otto Preminger Sound: Roger Heman Sr. Sound: Bernard Freericks Assistant Director: Paul Helmick Costume Design: Travilla Director of Photography: Joseph LaShelle Story: Louis Lantz Songs: Lionel Newman Art Direction: Lyle R. Wheeler Set Decoration: Walter M. Scott Set Decoration: Chester L. Bayhi Special Effects: Ray Kellogg Orchestrator: Edward B. Powell Choreographer: Jack Cole Makeup Artist: Ben Nye Stunts: Bob Herron Stunts: Bob Hoy Stunts: Harry Froboess Stunts: Bob Morgan Stunts: Helen Thurston Stunts: Harry Monty Stunt Coordinator: Fred Zendar Stunts: Tim Wallace Music: Leigh Harline Makeup Artist: Allan Snyder Second Assistant Director: Donald C. Klune Stunts: Dan Heather First Assistant Editor: Orven Schanzer Songs: Ken Darby Movie Reviews: John Chard: What are you chasing Calder? After a stint in jail, Matt Calder is reunited with his son Mark and sets both of them up at a riverside lodge. One day he helps aid a couple who are struggling with their raft down the river. It turns out to be a dubious gambler named Harry Weston and his saloon singer girlfriend, Kay, whom both Matt and Mark have already been acquainted with. Turns out that Harry is in a rush to register his mining claim that he has just won, and sensing his journey will be considerably quicker and safer on horseback, steals, after a fight, Matt’s rifle and horse. Agreeing to let Kay stay behind with the Calder’s, Weston sets off. Once roused and ready to tr...