#ross carson

[tylerposey]

I love Diane.

[aliferousdreamer]

here's a screencap dump of (some of) my favourite traitors uk season 2 moments to celebrate tonight's finale

[fuckyeahbananafreak]

andrew and ross are so gonna throw harry under the bus

[asoftepiloguemylove]

IF YOU GO, I'M GOING TOO 'CAUSE IT WAS ALWAYS YOU // LOVE AND FRIENDSHIP

Hanya Yanagihara A Little Life // Stranger Things (2016-) dir. Matt Duffer & Ross Duffer // Anne Carson Euripides // Lorde A World Alone // Ryan O'Connell // The Hunger Games (2012) dir. Gary Ross // Ross Gay Catalog of Unabashed Gratitude // The Neighbourhood You Get Me So High // 劇場版 呪術廻戦 Jujutsu Kaisen 0 dir. Sunghoo Park // Lorde Ribs // ATEEZ Friend (Thank U) // Billie Eilish BIRDS OF A FEATHER // 今際の国のアリス Alice in Borderland (2020-) dir. Shinsuke Sato // Conan Gray Best Friend // spira me You Changed Me For The Better // ZEROBASEONE for DICON // unknown

[apazmackpie]

Happy birthday, Martin Freeman!! 🥳

53 years old, 53 characters he played.

I finished on time!! But sadly it's not as detailed as i wanted at first. :(

Anyway, if you wanna know who is who, i'll let you all the names under the cut.

From left to right and top to bottom:

Ricky, "Casualty" (1998)

Frank, "I just want to kiss you" (1998)

Jaap, "Lock, stock" (2000)

Jamie, "Men only" (2001)

Ricky-C, "Ali G indahouse" (2002)

D. S. Stringer, "Margery and Gladys" (2003)

John/Jack, "Love, actually" (2003)

Tim Canterbury, "The Office" (2001-2003)

Mike, "Hardware" (2003-2004)

Declan, "Shaun of the Dead" (2004)

Kevin, "Call register" (2004) and "Rubbish" (2007)

Vila, "Blake's Junction 7" (2005)

Arthur Dent, "Hittchiker's guide to the galaxy" (2005)

Ed Robinson, "The Robinsons" (2005)

Matt, "Confetti" (2005)

Sandy, "Breaking and Entering" (2006)

Jeremy, "Dedication" (2007

Gary Shaller, "The good night" (2007)

Sergeant, "Hot Fuzz" (2007)

Pig, "Lonely hearts" (2007)

Chris Ashworth, "The all together" (2007)

Rembrandt van Rijn, "Nightwatching" (2007)

Mr. Codlin, "The old curiosity shop" (2007)

Danny Reed, "Boy meets Girl" (2009)

Chris Curry, "Micro Men" (2009)

Paul Maddens, "Nativity!" (2009)

Hector Dixon, "Wild target" (2010)

John Watson, "Sherlock" (2010-2017)

Clive Buckle, "The girl is mime" (2010)

Alvin Finkel, "Swinging with the Finkels" (2011)

Simon Forrester, "What's your number?" (2011)

Dr. Williams, "The Voorman problem" (2011)

Pirate with a scarf/Number Two, "Pirates!" (2012)

Albert, "Animals" (2012)

Bilbo Baggins, "The Hobbit trilogy" (2012-2014)

Don, "Svengali" (Movie from 2013 and series from 2009)

Oliver Chamberlain, "The world's end" (2013)

Lester Nygaard, "Fargo" (2014)

Milton Frutchman, "The Eichmann show" (2015)

Steve Marriot, "Midnight of my life" (2015)

Iain MacKelpie, "Whiskey tango foxtrot" (2016)

Everett Ross, "Captain America: Civil War" (2016), "Black Panther" (2018), "Black Panther: Wakanda Forever" (2022), "Secret Invasion" (2023)

Phil Rask, "StartUp" (2016-2017)

Michael Priddle, "Ghost Stories" (2017)

Andy Rose, "Cargo" (2017)

Thomas, "The operative" (2019)

Charlie Green, "Ode to joy" (2019)

Stephen Fulcher, "A confession" (2019)

Paul Worsley, "Breeders" (2020-2023)

Harold Wallach, "Angelyne" (2022)

Chris Carson, "The responder" (2022-2024)

Jonathan Miller, "Miller's Girl" (2024)

Richard III, from the theather play with the same name. (2014)

[safedistancefrombeingsmart]

Martin Freeman’s characters and professions A thousand thanks to @colourfulwatson for giving me the idea (well, more like; “ You can do one of the professions Martin has acted as (police, doctor, teacher, real state agent…) which could be fun.”) for this gifset.  And it actually was fun!

[kasperikapanenisbetterthanyou]

hockey team thickness - Anaheim Ducks 2024 VERSION (roster as of 27.07.2024)

[simmyfrobby]

― "Herakles", Euripides (trans. Anne Carson)

[lirarey]

Seeing R5 and Ross Lynch in particular in "Violetta" is as funny as knowing that Ruggero, who starred here, would later star in "Soy Luna", which stars Sofia Carson and Dove Cameron from "Descendants" (third season). I still love their crossovers.

I wasn't the only one who wanted the whole VK four to appear in "Soy Luna"?

[ummm-okay]

new chapter up‼️‼️

@ okay_ig on wattpad

[nexttopbadbitch]

faces that scream alluring mystique pt. 2

[apazwtsn]

You can tell any character played by Martin simply by his hairstyle. Try it.

[aliferousdreamer]

here's a screencap dump of (some of) my favourite traitors uk season 2 moments part 2

[finalgirlfall]

talking about one of my classes—mentions of csa + memory wars

i've encountered the memory wars (re: the reliability of repressed memories) not once but twice in the past few days—once on my tumblr dash and once in a reading for one of my classes:

In addition to including thorough sets of questions on the paranormal, we asked extensive questions about perceptions of supernatural religious evil. Who believes Satan and demons are active forces on Earth? Who believes that humans can be possessed by the devil? Who fears an upcoming Armageddon? Sometimes such beliefs about evil coalesce into widespread panics, as occurred in the 1980s when the FBI began to receive reports from therapists across the country that their patients had "recovered" memories of hideous abuse perpetrated by secretive, underground Satanic cults. The victims claimed to have witnessed animal and human sacrifices.

Christopher D. Bader, Joseph O. Baker, and F. Carson Mencken, Paranormal America: UFO Sightings, Bigfoot Hunts, and Other Curiosities in Religion and Culture, 2nd ed. (New York, NY: New York University Press, 2017), 20. emphasis added.

and thinking, relatedly, about this quote @bananapeppers posted some time ago—

This book is based on the first systematic examination of court records in these cases. The book argues that even though many cases have been held up as classic examples of modern American "witch hunts," none of them truly fits that description. McMartin certainly comes close. But a careful examination of the evidence presented at trial demonstrates why, in my view, a reasonable juror could vote for conviction, as many did in this case. Other cases that have been painted as witch-hunts turn out to involve significant, even overwhelming, evidence of guilt. There are a few cases to the contrary, but even those are more complicated than the witch-hunt narrative allows. In short, there was not, by any reasonable measure, an epidemic of “witch hunts” in the 1980s. There were big mistakes made in how some cases were handled, particularly in the earliest years. But even in those years there were cases such as those of Frank Fuster and Kelly Michaels that, I believe, were based on substantial evidence but later unfairly maligned as having no evidentiary support. The argument of the book begins with the McMartin case, the subject of Chapter Two. This is the foundational case in the witch-hunt narrative. Whether or not the narrative applies to other cases, it appears to offer the definitive account of the McMartin case, which ended without a single conviction after once being described as the largest child abuse case in history. The only competing account is a narrative about ritual abuse that was created near the beginning of the case, an account so thoroughly discredited that the witch-hunt narrative became all the more credible. Chapter Two argues that there is a third way to see the case—as it evolved, in stages. By this account, the case began with credible evidence of sexual abuse. Significant evidence was developed in the earliest stages of the case, before it was even referred to the agency that ultimately did hundreds of interviews later blamed for ruining the case. The McMartin case became six parts of overreaction to one part reality, sweeping up six women in criminal charges that never should have been brought. But the strongest evidence—the evidence that started the case—has been lost to history. Recognizing this evidence challenges the witch-hunt narrative in several ways. The McMartin case nevertheless stands largely as a monument to injustice to five, possibly six, of the seven defendants. The uncertainty about whether it is five or six reflects the kind of complexity that is not captured by the witch-hunt narrative. Chapter Two portrays that complexity. The basic claim of the witch-hunt narrative is that there were at least a hundred, maybe several hundred, cases “just like McMartin.” The narrative is a claim about a social phenomenon that swept the country during the McMartin era. The claim has been widely accepted as fact. The best evidence consists of studies of a handful of cases, along with lists of additional case names without any elaboration about the facts. Those sources, even taken at face value, do not add up to one hundred cases. More surprisingly, a substantial number of the cases held up as “witch hunts” actually included credible evidence of abuse, or even something stronger than that. But that is only apparent after doing extensive original research on a substantial number of cases. Chapter Three scrutinizes the claim that there were hundreds of these cases across the country.

The witch-hunt narrative began an account of child sexual abuse over the span of eight or nine years, starting in the early 1980s. It is offered as the sole account of sexual abuse in day-care centers then. There is scant recognition that there were true cases of sexual abuse in day-care centers during the time period—and before, for that matter. The witch-hunt narrative is also a story of overreaction; it often employs such terms as “hysteria” and “panic” to describe the social reactions surrounding these cases. Since child sexual abuse came to be identified with this narrative, there was a sense that our social reactions to the problem were largely panic-ridden. But this account overlooks the social forces that existed before child sexual abuse “emerged” into public discourse. Those phenomena, including silence and denial, continued during the McMartin era. This is part of the unacknowledged history of child sexual abuse, which is the subject of Chapter Four. Chapters Five and Six take up two other foundational cases in the witch-hunt narrative. They provide an arc from the McMartin case. Seen in this light, the Kelly Michaels case in New Jersey is the turning point. It marked a major shift in the press, in academia, and in the courts. It was the most prominent reversal of a conviction from the 1980s. The shift was precipitated in part by dramatic change in the position of among academic psychologists about the issue of child suggestibility. It was also precipitated by the rise of the witch-hunt narrative in the popular media that began immediately after the demise of the McMartin case. Chapter Five is a systematic analysis of the case. It argues that there was substantial credible evidence of abuse that has been almost entirely ignored, and that there are significant exaggerations and other errors in the widely accepted view of this case.

Chapter Six takes up the Fuster case from Dade County, Florida, also known as Country Walk, after the name of the babysitting service that fostered the complaints in this case. The Fuster case plays a prominent role in Ceci and Bruck’s Jeopardy in the Courtroom, second only to the Michaels case. The acclaimed television program Frontline applied the witch-hunt lens to the Fuster case in two separate episodes. The case is considered by many to be one of the last convictions still standing from the misguided era of the 1980s. Chapter Six takes the opposite view, arguing that there was extremely strong evidence to support this conviction. Indeed, it takes a special kind of bias to minimize or ignore all of the evidence. Chapter Seven considers how the rise of the witch-hunt narrative has affected how we view child sexual abuse and children as witnesses. It begins with a consideration of two important developments since the end of the McMartin era, the successful civil and criminal cases against Catholic Church priests over child sexual abuse and the increase in punitive policies aimed at convicted sex offenders. The chapter concludes with an examination of how child-suggestibility claims have evolved since the Michaels case. Although it has become impolitic to ask whether children are being unduly discredited in court, there are several reasons to think they are. The arguments about child suggestibility have evolved into a much more expansive effort to label children as tainted even in cases with strong corroborative evidence. There has also been an effort to discredit disclosures simply because they were “delayed.” That worrisome development appears to be part of a larger movement to dismiss the expertise and knowledge of child-abuse professionals.

Ross E. Cheit, "Introduction," in The Witch-Hunt Narrative: Politics, Psychology, and the Sexual Abuse of Children, EPUB ed. (New York, NY: Oxford University Press, 2014).

like—man. if this class, or this textbook, which deals with fear, conspiracies, and the paranormal in america, is going to be consistently weird about csa. then. i don't know what i'm going to do lmfao. because it's the only class that seemed interesting to me that's being offered this semester.

[asoftepiloguemylove]

hi! can i request a web weave for when you love your partner and the feelings are mutual but you know you’re not meant to be? like when it’s an already existing relationship and everything’s good but you just know it’s not gonna result in marriage and getting old together. please and thank you!

i hope you're doing well <33

Homer The Iliad / Lisa Olstein Cold Satellite; Little Stranger / boygenius Bite the Hand / Sarah Kay & Phil Kaye When Love Arrives / @/ratsandlilies.art (on instagram) / pinterest / Anne Carson Glass, Irony and God / @/ratsandlilies.art (on instagram) / Ross Gay Catalog of Unabashed Gratitude

[rededgerp]

Most wanted fcs?

Ohhh there's so many! Carlacia Grant, Sofia Carson, Lucy Hale, Austin North, Drew Starkey, Charlie Deaton, Barbara Palvin, Dylan Sprouse, Ross Butler, Charles Melton to name a few