#rosna theatre

[chaoticdesertdweller]

The Rosna Theatre in Norfolk, VA, opened on May 29, 1941, with Ann Sothern in “Maisie Was a Lady”. It was converted for Cinerama on October 18, 1961, and showed 3-strip and then 70mm Cinerama films. In later years, the Rosna Theatre was converted into a church. In November 2023, it was announced that the former theatre would be converted into a gymnasium.

[myhauntedsalem]

The Fox Sisters

In 1848, strange ‘rappings’ were heard in the Fox family’s Hydesville, New York, home. The rappings were capable of answering questions, through the number of knocks and taps they made.

It was soon believed that the Fox sisters, Kate and Margaret, were communicating with the dead.

March 31st, 1848 is a date many Spiritualists will cite as the beginning of their movement. On this date Kate/Cathie (12) and Margaret/Margareta (15) Fox began a series of communications with spirits through ‘rappings’, and relaying messages from a spirit who was said to haunt their home.

The Fox family lived in a small house in the hamlet of Hydesville, New York – now a part of Arcadia, Wayne County (Hydesville no longer exists). The house was said to be haunted, and several previous tenants later stated they had vacated the premises due to mysterious noises.

In mid-March, the Fox family began to be disturbed by strange noises and activity in their house. At first, John Fox (the father of the girls) believed the noises to be natural, the floorboards of the house settling in the changing seasons. The children did not take to this explanation, and soon would be found in the morning, sleeping in their parent’s bed, having fled there during the night.

The Fox’s had heard strange sounds in their pantry, and footsteps on the stairs leading to the cellar.

On March 31st Kate decided to challenge the unseen creator of the sounds, by asking it to repeat the snapping of her fingers or claps of her hands, to which the noises complied. Margaret then had a try, referred to the unseen entity as “Mr Splitfoot” – a nickname for the Devil, and challenged it to other mimicking of which, once again it did.

After the sounds completed the counting out of numbers, the eldest of the Fox sisters was too afraid to venture further. However, Kate tried to explain it all away as someone trying to fool them, as April Fools Day was to take place the following morning.

Mrs Fox decided on one more challenge, asking for it to sound out the ages of her children. Once again, the request was answered with each of the children’s ages rapped out, a gap in between, but what shocked Mrs Fox was the final, seventh set of raps, numbering three, the age her youngest child had died.

More communications were made that night, and it was finally discovered that it was the spirit of a 31 year old man, who had been murdered in the house, his body buried in the cellar. He had living children, but his wife had since passed. Finally, he agreed to keep creating the raps for witnesses.

Mr Fox went to get some neighbors to witness the rappings. The first, Mrs Redfield, was expecting it to be a joke, but upon seeing the terrified family, took the events seriously. The spirit rapped out her age, her husband’s age, and soon the house was filled with many from the local community. Still the rapping continued, answering questions.

Before the night was ended, the present living were able to ascertain how the murder took place and where. The spirit was that of a peddler named Charles Rosna, and he was murdered, throat cut, for his money (about five hundred dollars) in one of the bedrooms a few years previous. He was taken down the cellar and was buried quite deep.

On April 1st the cellar was dug out, till the workers hit the waterline, at which point they gave up. No bones were found, and that day and night no rappings were heard. Perhaps it was an April Fools Day joke after all?

However, the sounds did return, and this time, on the following Saturday, over three hundred people crammed in the house, and overflowing outside. The rappings began to be heard the following day as well.

Although much of the community was mystified, there were a select few who considered the communications as witchery and trickery. The Fox family were asked to leave the church congregation, due to being seen as engaging in unholy practices.

The sisters were moved – Kate to her brothers house, and Margaret to her elder sisters house. The Rappings were heard at both locations, so it was determined that it was the girls themselves the spirit realm wanted to communicate with.

It was suggested that an alphabet be developed and used to communicate with the spirits, a kind of spiritual Morse code. With this new, more in depth way of communicating in place, the sisters received the message that they should not hide “this truth” from the world.

The Quaker community (The Religious Society of Friends founded by George Fox in 1650) in Rochester, where the girls where now living with their siblings, invited the Fox sisters, and were soon convinced. It was this Quaker community that formed the inner core of what would become the spiritual movement.

By 1850 the sisters were performing public séances in New York, their elder sister Leah being the official interpreter of the raps, which became very popular and as their fame spread, so did the rise of many other people declaring they too could communicate with the spirit worlds through the ‘rapping’ medium. Many people attended the séances in the hopes of getting financial tips, love advice, seeking truth about their partners and many other quite frivolous things.

The timing was perfect; with the publication of several books looking into the notion of spirit, there was a massive boom in those flocking to see such wonders for themselves. Undoubtedly, and as can be expected, it proved to be quite lucrative, not just for the mediums, but also for the owners of the locations playing host to them. It was not all dark dingy back rooms, but also theatres would be booked out, filled to capacity.

However, as always, there were the critics who investigated these claims. Dr Charles Page from Washington DC booked himself in to a few of the Fox sister’s séances, in order to closely investigate what was happening. He finally came to the conclusion that it was the girls making the noises, the rappings seemingly coming from under their dresses. Even though he published such findings, it was not conclusive and still the sisters popularity grew.

They began to move through high society circles, and also married into them. Margaret married an Arctic Explorer, and Kate a London Barrister. Soon they engaged on ‘missionary work’, sitting for high class and high financed people in order to provide a spiritual aspect to their lives, making them more complete.

Several influential religious leaders at the time also turned from the church to embrace spiritualism, a fact that alarmed many.

However, it was soon to come to an end, at least for the Fox Sisters. In 1888 the two sisters had developed drinking problems and quarreled at large with the rest of the spiritual community. They also quarreled with their sister Leah, and began to travel for their séances without her. It was on one such occasion, October 21, 1888, while in New York City, that Margaret appeared at the New York Academy of Music and shocked all who were present, and the world.

She demonstrated how she had faked the rappings, and other phenomena throughout the years, by cracking her toe joints. She could do this at will and repeated how the ‘spirits’ would answer her questions. She also explained how it all began –

It started as a prank the sisters formulated to scare their mother, all those years ago. They used apples attached to strings and raised and released them to create the rhythmic rappings heard throughout their Hydesville home. They also soon learned they could cause further sounds, by snapping their fingers while placing their hands against a solid wooden object.

They attempted to end it by suggesting it as an April Fools Day Joke, but had messed up when they/the spirit agreed to continue with the neighbors present.

They felt if, at that point, they came clean, they would be in a lot of trouble with their mother. It was when they moved to Rochester that they confided in their sister Leah the truth of the matter, and she helped them develop their skills by teaching them to snap their toes and other joints. They got so good at it they could use either feet, swapping one from the other.

She also explained that no one was touched by spirit during the séance, but rather it was an effect of the noise. At times people could hear the noise, and that by feeling the slight vibration, they may feel it in their shoulder and exclaim to that extent. None of it was real.

The confession ran in the newspapers, much to the spiritualists dismay and the rejoice of their critics. The sisters then made statements against the spiritualist movement, denouncing the entirety of it as a falsehood. Kate Fox was especially damning claiming “I regard Spiritualism as one of the greatest curses that the world has ever known.” for the New York Herald.

However, one year later, Margaret Fox recanted her confession, saying that although she could crack her toes so can many other people, it was not a skill she developed for fraudulent purposes, but was a way of falsely explaining spiritualism as a trick. She was down in her moods, an alcoholic and when she was offered $1500 (A very large sum of money in the day) for an exclusive exposé, to appear in New York World, how could she resist?

She also wanted to hurt her sister Leah, whom she had been quarreling with. The damage had been done, and Margaret Fox died, largely from her alcoholism, on July 1st, 1892. A Mrs Mellon visited with Margaret Fox during her final days, and claimed to have heard the rappings. Margaret could not have performed them, as she was essentially paralyzed. They came from the ceiling and floor. Mrs Mellon was not a supporter of the spiritual movement.

Leah had died a few years previously, and Kate died the following year in 1893.

One final note. If you visit the Lily Dale museum, there is a large tin box on display. Inquiry will reveal it was found in the cellar of the Fox home in Hydesville. A false wall was discovered, and in the space was a ‘skeleton’ and ‘The Peddlers Box’. Unfortunately the discovery is dubious at best, many of the bones belonging to a chicken, and the space it was found in an extension of the cellar, rather than a walled in section.

[tinaarms67]

Rosna Theatre in Norfolk, VA - Cinema Treasures

Rosna Theatre in Norfolk, VA – Cinema Treasures

Cinema Treasures is the ultimate guide to movie theaters — Read on cinematreasures.org/theaters/1595/photos/42307

[musesmilk]

AZRA ROSNA ALKAN

Azra R. Alkan is a modern day magician, and like all great magicians, her work is often hidden in plain sight. Alkan is one of the professional visual effects artists behind Advantageous, Westworld, Lethal Weapon, and Gotham, with a specialization in compositing. Every green screen is an opportunity for Azra to build a new world.

“How can we help others? How can we bring peace into our communities? I want to make people ask themselves these questions. That's my passion.”

Muse’s Milk: Tell us your story.

Azra R. Alkan: I'm from the small capital of Turkey, Ankara. Ankara is a very political town with lots of businesses and gray government buildings. In [spite of] a scenery like that I grew up creating colorful paintings, attending drama courses, writing poetry, and picked up a guitar/self taught myself my favorite songs. I guess it's fair to say any creative outlet was making my world more colorful. I loved story telling in every shape and form. Where I am from, art is not valued, it is second class. You are not to be respected as an artist, especially as a woman. I think I wanted to rebel against all of the stereotypes around me.

I was the first in my class and studied science and math. However, everyday I would go home and create a new story either through writing or drawing. I loved movies and my birthday gifts would be stuff like, “The Stanley Kubrick collection.”

MM: So how did you decide to pursue VFX? 

ARA: It was not until I came to America that I decided to pursue Visual Effects. I got a scholarship from Texas A&M University to study visual programming. During this period I really got interested in the visual side of things and took enough art classes to get accepted into a film school in California. I was learning cinematography and loving every second of it. But something was missing for me. Yes, I was in love with creating movies, but in this world creating movies has a lot to do with “who you know” to create anything “serious.” As much as I loved being in a team, I craved for individual tools to create worlds. It's funny how it happened, but when I finished up my film degree I somehow ran into an amazing art school in San Francisco, and fell in love with it. I knew it then; the answer to combine every single aspect of me was to learn visual effects!  It spoke to my technical side (programming, math, science) and it spoke to my story telling side. 

In one sitting I could create a breathtaking world with no limits for my movies. All I needed was my ideas and my drawings, my computer and my camera. It included every aspect of me. Finally I understood every single thing I have ever studied led me to this path and to be successful in it.

MM: What do you hope to achieve as an artist? Is there anything you are particularly passionate about right now?

ARA: To be frank; I have been working in big studios ever since I graduated school, it's amazing because I get to watch my art in the movie theatre and on TV every week. It's incredibly validating as an artist for your work to reach millions and...well, to make good money from it. But what I am really, really interested in is creating indie festival movies that speak to today's issues. I always work on getting into festivals such as Sundance and Cannes. The stuff that gets through their door is raw creativity with no boundaries. You are not trying to make a big shot studio executive happy. You are purely telling someone a story. 

My love for indie film started when I was in school, and we were lucky enough to form a studio of talented people who had no money, no tools, just the willingness to make it. At the time I was the lead artist for an incredible movie called Advantageous. It was about ageism, feminism, and financial issues a single mother goes through in a futuristic setting. I was so proud to be a part of this group. And surely enough we got that movie to Sundance and it was absolutely the most amazing thing I was proud of.

After this I collaborated with a talented director, and we wanted to talk about another controversial issue; modern terrorism, media's take on it, and how we as a generation are desensitized to the violence that's happening today. 

Aleppo - is the name of the short movie- got into couple of film festivals including The Lighthouse International Film Festival. It was a very controversial topic and still is, so I am proud that in my own way I can bring light to victims' lives and reach out to people and tell them what is happening around the world, outside of our privileged lives. 

How can we help others? How can we bring peace into our communities? I want to make people ask [themselves these questions]. That's my passion. I want to use my influence in the media arts to reach into people's hearts, to be kinder to one another, to tell [other] humans about themselves, and to heal through art.

[myhauntedsalem]

The Fox Sisters

In 1848, strange ‘rappings’ were heard in the Fox family’s Hydesville, New York, home. The rappings were capable of answering questions, through the number of knocks and taps they made.

It was soon believed that the Fox sisters, Kate and Margaret, were communicating with the dead.

March 31st, 1848 is a date many Spiritualists will cite as the beginning of their movement. On this date Kate/Cathie (12) and Margaret/Margareta (15) Fox began a series of communications with spirits through ‘rappings’, and relaying messages from a spirit who was said to haunt their home.

The Fox family lived in a small house in the hamlet of Hydesville, New York – now a part of Arcadia, Wayne County (Hydesville no longer exists). The house was said to be haunted, and several previous tenants later stated they had vacated the premises due to mysterious noises.

In mid-March, the Fox family began to be disturbed by strange noises and activity in their house. At first, John Fox (the father of the girls) believed the noises to be natural, the floorboards of the house settling in the changing seasons. The children did not take to this explanation, and soon would be found in the morning, sleeping in their parent’s bed, having fled there during the night.

The Fox’s had heard strange sounds in their pantry, and footsteps on the stairs leading to the cellar.

On March 31st Kate decided to challenge the unseen creator of the sounds, by asking it to repeat the snapping of her fingers or claps of her hands, to which the noises complied. Margaret then had a try, referred to the unseen entity as “Mr Splitfoot” – a nickname for the Devil, and challenged it to other mimicking of which, once again it did.

After the sounds completed the counting out of numbers, the eldest of the Fox sisters was too afraid to venture further. However, Kate tried to explain it all away as someone trying to fool them, as April Fools Day was to take place the following morning.

Mrs Fox decided on one more challenge, asking for it to sound out the ages of her children. Once again, the request was answered with each of the children’s ages rapped out, a gap in between, but what shocked Mrs Fox was the final, seventh set of raps, numbering three, the age her youngest child had died.

More communications were made that night, and it was finally discovered that it was the spirit of a 31 year old man, who had been murdered in the house, his body buried in the cellar. He had living children, but his wife had since passed. Finally, he agreed to keep creating the raps for witnesses.

Mr Fox went to get some neighbors to witness the rappings. The first, Mrs Redfield, was expecting it to be a joke, but upon seeing the terrified family, took the events seriously. The spirit rapped out her age, her husband’s age, and soon the house was filled with many from the local community. Still the rapping continued, answering questions.

Before the night was ended, the present living were able to ascertain how the murder took place and where. The spirit was that of a peddler named Charles Rosna, and he was murdered, throat cut, for his money (about five hundred dollars) in one of the bedrooms a few years previous. He was taken down the cellar and was buried quite deep.

On April 1st the cellar was dug out, till the workers hit the waterline, at which point they gave up. No bones were found, and that day and night no rappings were heard. Perhaps it was an April Fools Day joke after all?

However, the sounds did return, and this time, on the following Saturday, over three hundred people crammed in the house, and overflowing outside. The rappings began to be heard the following day as well.

Although much of the community was mystified, there were a select few who considered the communications as witchery and trickery. The Fox family were asked to leave the church congregation, due to being seen as engaging in unholy practices.

The sisters were moved – Kate to her brothers house, and Margaret to her elder sisters house. The Rappings were heard at both locations, so it was determined that it was the girls themselves the spirit realm wanted to communicate with.

It was suggested that an alphabet be developed and used to communicate with the spirits, a kind of spiritual Morse code. With this new, more in depth way of communicating in place, the sisters received the message that they should not hide “this truth” from the world.

The Quaker community (The Religious Society of Friends founded by George Fox in 1650) in Rochester, where the girls where now living with their siblings, invited the Fox sisters, and were soon convinced. It was this Quaker community that formed the inner core of what would become the spiritual movement.

By 1850 the sisters were performing public séances in New York, their elder sister Leah being the official interpreter of the raps, which became very popular and as their fame spread, so did the rise of many other people declaring they too could communicate with the spirit worlds through the ‘rapping’ medium. Many people attended the séances in the hopes of getting financial tips, love advice, seeking truth about their partners and many other quite frivolous things.

The timing was perfect; with the publication of several books looking into the notion of spirit, there was a massive boom in those flocking to see such wonders for themselves. Undoubtedly, and as can be expected, it proved to be quite lucrative, not just for the mediums, but also for the owners of the locations playing host to them. It was not all dark dingy back rooms, but also theatres would be booked out, filled to capacity.

However, as always, there were the critics who investigated these claims. Dr Charles Page from Washington DC booked himself in to a few of the Fox sister’s séances, in order to closely investigate what was happening. He finally came to the conclusion that it was the girls making the noises, the rappings seemingly coming from under their dresses. Even though he published such findings, it was not conclusive and still the sisters popularity grew.

They began to move through high society circles, and also married into them. Margaret married an Arctic Explorer, and Kate a London Barrister. Soon they engaged on ‘missionary work’, sitting for high class and high financed people in order to provide a spiritual aspect to their lives, making them more complete.

Several influential religious leaders at the time also turned from the church to embrace spiritualism, a fact that alarmed many.

However, it was soon to come to an end, at least for the Fox Sisters. In 1888 the two sisters had developed drinking problems and quarreled at large with the rest of the spiritual community. They also quarreled with their sister Leah, and began to travel for their séances without her. It was on one such occasion, October 21, 1888, while in New York City, that Margaret appeared at the New York Academy of Music and shocked all who were present, and the world.

She demonstrated how she had faked the rappings, and other phenomena throughout the years, by cracking her toe joints. She could do this at will and repeated how the ‘spirits’ would answer her questions. She also explained how it all began –

It started as a prank the sisters formulated to scare their mother, all those years ago. They used apples attached to strings and raised and released them to create the rhythmic rappings heard throughout their Hydesville home. They also soon learned they could cause further sounds, by snapping their fingers while placing their hands against a solid wooden object.

They attempted to end it by suggesting it as an April Fools Day Joke, but had messed up when they/the spirit agreed to continue with the neighbors present.

They felt if, at that point, they came clean, they would be in a lot of trouble with their mother. It was when they moved to Rochester that they confided in their sister Leah the truth of the matter, and she helped them develop their skills by teaching them to snap their toes and other joints. They got so good at it they could use either feet, swapping one from the other.

She also explained that no one was touched by spirit during the séance, but rather it was an effect of the noise. At times people could hear the noise, and that by feeling the slight vibration, they may feel it in their shoulder and exclaim to that extent. None of it was real.

The confession ran in the newspapers, much to the spiritualists dismay and the rejoice of their critics. The sisters then made statements against the spiritualist movement, denouncing the entirety of it as a falsehood. Kate Fox was especially damning claiming “I regard Spiritualism as one of the greatest curses that the world has ever known.” for the New York Herald.

However, one year later, Margaret Fox recanted her confession, saying that although she could crack her toes so can many other people, it was not a skill she developed for fraudulent purposes, but was a way of falsely explaining spiritualism as a trick. She was down in her moods, an alcoholic and when she was offered $1500 (A very large sum of money in the day) for an exclusive exposé, to appear in New York World, how could she resist?

She also wanted to hurt her sister Leah, whom she had been quarreling with. The damage had been done, and Margaret Fox died, largely from her alcoholism, on July 1st, 1892. A Mrs Mellon visited with Margaret Fox during her final days, and claimed to have heard the rappings. Margaret could not have performed them, as she was essentially paralyzed. They came from the ceiling and floor. Mrs Mellon was not a supporter of the spiritual movement.

Leah had died a few years previously, and Kate died the following year in 1893.

One final note. If you visit the Lily Dale museum, there is a large tin box on display. Inquiry will reveal it was found in the cellar of the Fox home in Hydesville. A false wall was discovered, and in the space was a ‘skeleton’ and ‘The Peddlers Box’. Unfortunately the discovery is dubious at best, many of the bones belonging to a chicken, and the space it was found in an extension of the cellar, rather than a walled in section.