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JEAN HARLOW in DINNER AT EIGHT — 1933, dir. George Cukor
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Colorful Kitchen Decor, 1972
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Loaf and mini loaf 😍
loaf with mama

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Neil Young and Bernie Sanders at the "Fighting Oligarchy" rally in Los Angeles.
📸 Anna Bahr
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Bernie Sanders at Coachella 2025 💙
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𝗂𝗀: 𝖺𝗊𝗎𝖺𝖽𝗂𝖺𝗋𝗍𝖾𝗆
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📸 Henry Diltz
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On this day 30 years ago... 12 April 1995
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📸 George Holz, 1997
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80's Sangamon Rainbow Notepad Illustration Detail (via: Worthpoint)
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A brief edit, with footage spanning 23 years.
“Everything you do is an accumulation of everything you have done in your life. If each action could be fully understood, it would explain everything about you. That is the ideal. In everything is its opposite. If you curse with great violence, there’s a tiny spot in which your gentleness appears, and if you say, ‘I love you,’ with great tenderness and passion, there is also an indication of hostility and anger. I think a great deal about the religions of the Far East, although when I talk about them, I always feel as if I am swimming with my head just above the surface of the water, and I’m about to go under. I’m thinking all these things out and changing my ideas as I go along. I’ve grown a great deal in the past twelve months. What I was like at the beginning of this and what I’m like now are light-years apart. And what I’ll be like when another year has passed will be even more startling. But it’s not all due to the pressure of being one of the Monkees. Those pressures may have influenced the way I have changed, but I would have changed in similar ways anyhow. In the early days of the Monkees they called me a poet. ‘Peter Tork reads or recites poetry at the drop a hat,’ they said, but that’s not true. I don’t consider myself a poetic person at all; I’m more of a ‘prosetic’ person.” - Peter Tork, interviewed by Edwin Miller for Seventeen Magazine, August 1967 “Everything I am now is a product of all of what I was, and I'm not given to know the whys and wherefores of things as I go through them. Mostly I find out the whys and wherefores afterward.” - Peter Tork, interviewed by Bruce Pollock for When The Music Mattered (1984)
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