#roland piano

[finnperkin]

Roland Digital Piano Are a Game-Changer for Musicians

Transform your Sydney home into a jamming studio with the exceptional sound quality of a Roland Digital Piano! This article explores how Roland Digital Pianos can elevate your music experience, offering professional-grade features, versatile sounds, and exceptional touch sensitivity right in your living space. Learn how to turn any room into a creative haven and enjoy the ultimate playing experience. Ready to upgrade your musical setup? Contact us today to find the perfect Roland Digital Piano for your home studio and start creating music like never before!

[trainingdummyrabbit]

rrarauhh these have been in my sketchbook for Literally Months; iwas gonna clean em up but if i donot post them as is they willnot be posted so ^_^ woe. funy realization designs be upon ye.

ecstasy, mimicry, and moonlight angies respectively; ft. roland cameo on the right. because Two Of Them :]

[calvingmusic]

It’s beginning…yes it is

[bigkickguy]

I want roland and vergilius to team up in limbus so much!!!

[acidhydraart]

forgot to post last night, new song! first ever collab, ft. @rhodesmusic!

[unproduciblesmackdown]

full be more chill "halloween" from the joe iconis haunted halloween special

[cantsayidont]

LEE (2023): Dreadful, listless biopic of photographer and model Lee Miller (Kate Winslet), focusing on her becoming a war correspondent for VOGUE from 1942 to 1945. There's not one genuine emotion or persuasive dramatic moment in the whole film, which is so false and self-important it sometimes feels like a parody of Oscar-bait drama, and it gives no sense at all of Miller's artistry.

Miller was a colorful character, but despite having her narrate in voiceover (as part of a late-in-life interview), the movie's version of her remains a bland cipher. The script completely skips over her early life and career (if there's even a single reference to her former lover/mentor/collaborator Man Ray, I missed it, and you wouldn't know she had her own commercial photo studio in the early '30s), and it reduces her WW2 work to a series of hackneyed war movie gestures, backed by my eternal nemesis, Tinkling Piano Score™. The way the film eventually treats her reaction to the Nazi death camps (which remains an important part of Miller's legacy as a photographer) is borderline offensive, prioritizing her feminist outrage over the real-life horrors she witnessed and photographed, and I was troubled by the way it treats LIFE photographer David E. Scherman (played by Andy Samberg), who shot the famous photo of Miller in Hitler's bathtub, as little more than Miller's loyal sidekick. (It also makes Cecil Beaton (played by Samuel Barnett) seem like a colossal prick, although that's probably a fair cop.)

Winslet's performance is no better than the script — stiff and artificial, full of self-conscious tics and gestures that never feel cohesive or natural — and it's hard to ignore the fact that she's about 15 years older than Miller was during the period on which the film focuses. Winslet's unconvincing American accent is also a constant distraction, as is the film's casting of big names (including Marion Cotillard and Alexander Skarsgård) in underutilized supporting roles, although Andrea Riseborough is okay as British VOGUE editor Audrey Withers.

CONTAINS LESBIANS? I think the real Miller might have been bisexual, but there's not even a discreet hint of that here. VERDICT: A real disappointment, and another poor effort for Winslet after her hammy turn in THE REGIME. CWs apply for sexual assault (including a description near the end of Miller having been raped as a child), and for depictions, albeit somewhat oblique, of the Shoah.

[lune-fox]

I went to a wedding right and the church had this piano that said Roland on it and I was like no. No way. There’s just no way. So I looked it up and

[benjamindehli]

Keyboard sounds from "Skyfri Himmel" by Bjørn Eidsvåg & Ylva

Some of the keyboard sounds from Skyfri Himmel by Bjørn Eidsvåg and Ylva Olaisen.

Both direct out and a piezo pickup are used to record the Wurlitzer 200A. The two signals are processed slightly differently, but are summed together before the amplifier. The Korg MS-20 has been recorded twice. Once with fixed octave selection for the oscillators and once with variable octave selection. The direct signal from the Hammond C3 has also been recorded twice. One for the chords and one for the bass notes. The two signals are mixed together and sent through a reverb pedal and a Leslie 122 rotary speaker.

Wurlitzer 200A signal chain:

Direct signal and a piezo pickup

Hairball Audio FET/RACK Revision D (only on direct signal)

Fulltone Supa-Trem (only on direct signal)

Roger Mayer Voodoo-Vibe+ (only on bridge section)

Fulltone Tube Tape Echo

Gamechanger Audio LIGHT Pedal (only on bridge section)

Fender Twin Reverb

Shure SM57 and Royer R-121

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Hammond C3 signal chain:

Direct signal for bass notes and chords are recorded separately

Gamechanger Audio LIGHT Pedal

Leslie 122

Pair of Shure SM57 and Sennheiser e 602-II

DIYRE G Bus VCA Compressor

Roland SH-09 signal chain:

Hairball Audio FET/RACK Revision D

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Korg MS-20 signal chain:

Double tracked (fixed and variable octave range)

Fairfield Circuitry Shallow Water

Hairball Audio FET/RACK Revision D

Roland Dimension D SDD-320 (only on the track with variable octave range)

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Omnichord OM-84 signal chain:

Double tracked (panned hard left and right)

Hairball Audio FET/RACK Revision D

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Roland D-50 signal chain:

Hairball Audio FET/RACK Revision D

Bandpass filter

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Skyfri Himmel:

Bjørn Eidsvåg (Vocals, Composer, Lyrics)

Ylva Olaisen (Vocals)

Carl-Viktor Guttormsen (Guitar, Drums, Keyboards, Producer)

Benjamin Dehli (Keyboards)

Christer-André Cederberg (Mixing)

George Tanderø (Mastering)

[musicproducerlife]

I Got A New Oscilloscope From Amazon A Must Have When It Come To Music Production, It Has Upped My Game 100% When It Comes To Sound Design You Can Get One Relitivly Cheep From Amazon Or Wish.com For Around 30$ to 40$ I Also Got A 3.5 mm Jack Capable Of Comnecting To The Oscilloscope To My Synthesizers Which I Have Few Of In My Home Music Studio

[infiniterichesinalittleroom]

One of my all-time favorite jazz piano pieces is Hodes's version of Hoagy Carmichael's "Washboard Blues," on an album appropriately entitled Art for Art's Sake. The art Hodes practices is now rarely heard. There's a blues-piano tradition going back to the early twenties, at least, which includes such greats as Jelly Roll Morton, Leroy Carr, Jimmy Yancey, and many other lesser-known figures like Walter Roland, Walter Davis, Cripple Clarence Lofton, and Little Brother Montgomery. This tradition is separate from that of the stride piano as practiced by James P. Johnson, Fats Waller, or Art Tatum. For one thing, it's less technically dazzling, more succinct, more single-minded, as it were: a minimum of notes, a lot of feeling, and a disarming melodic directness with its roots in country blues and gospel. It's music for insomniacs, the philosophers of a single dark thought. Pascal was a blues artist, and so was Sappho. The music, the night I heard Hodes, was wordless, but language was never far off. Listening to him is like overhearing a man making a poem, saying the words to himself, cancelling one phrase, adding another.

Charles Simic • Wonderful Words, Silent Truth

[brusiocostante]

Parigi, 18 agosto 1933

[thegreatcrowdragon]

Let’s play a fun game of “you guess the abnormality based on some (lor) flavor text I make up” 

(Keyword make up, none of these actually exist)

“That abnormality... Anything less than perfect and it’d lop your head clean off.”

“I remember this one. The feeling of anxiety as the wheel spun, to see who would go feed it.”

“At first I was disgusted by how ugly it looked, but now I just feel... Pity.”

“Standing underneath that thing... Watching it flick between yes and no... It makes me sick with worry, even now.” 

“Even now, its just... Staring. At the wall.” 

“Oh! Look at you! Who’s a good puppy? Who’s a good puppy?”

“I remember one coworker of mine played that thing. He’d never even touched a piano before, but he played like an expert. We never saw him again afterwards.” 

[valentinobaos]

Ver "Spain (Chick Corea) - Valentino Baos Trio - Segundo Festival de Jazz de Rengo 2023" en YouTube

[gayabeilles]

how come werewolves of london is on every halloween playlist ever when roland the headless thompson gunner is RIGHT THERE

[unproduciblesmackdown]

just found this summer stock pic from the 'til we meet again scene orvphil rights love wins never give up