#roland hayes

[thephotoregistry]

Roland Hayes

Johan Hagemeyer

[detroitlib]

Portrait of tenor Roland Hayes. Autographed on front: "Sincerely yours, Roland Hayes, February, 1939." Stamped on back: "Silva's Studio. 45 Court Street, Boston, Mass. Opp. City Hall Annex."

E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library

[ausetkmt]

Roland Hayes

[winterfieldfrontiers]

Horizon An American Saga cast and characters

Kevin Costner as Hayes Ellison

Sienna Miller as Frances Kittredge

Sam Worthington as First Lt. Trent Gephardt

Giovanni Ribisi as Roland Bailey

Danny Huston as Colonel Houghton

Michael Rooker as Sgt. Major Riordan

Jena Malone as Ellen/Lucy

Michael Angarano as Walter Childs

Abbey Lee as Marigold

Jamie Campbell Bower as Caleb Sykes

Jon Beavers as Junior Sykes

Owen Crow Shoe as Pionsenay

Tatanka Means as Taklishim

Wasé Chief as Liluye

Luke Wilson as Matthew Van Weyden

Ella Hunt as Juliette Chesney

Tom Payne as Hugh Proctor

Will Patton as Owen Kittredge

Isabelle Fuhrman as Diamond Kittredge

Chapters 1  scheduled to be theatrically released in the United States on June 28, 2024.

[gracie-bird]

Alfred Hitchcock's "To Catch a Thief" (Paramount Pictures) French press reception in Cannes (summer of 1954). From left to right: ROLAND LESSAFRE, ALFRED HITCHCOCK, JOHN WILLIAMS, CHARLES VANEL, GRACE KELLY, CARY GRANT, BRIGITTE AUBER RENÉ BLANCARD and GEORGETTE ANYS at the start of filming of the movie based on the novel by David Dodge with a screenplay by John Michael Hayes and costumes by Edith Head.

[thewarmestplacetohide]

Dread by the Decade: The Ghoul

👻 You can support me on Ko-Fi! ❤️

★½

Plot: An Egyptologist returns from the dead to seek revenge.

Review: Racist, overlong, and derivative, this film can barely keep its tone consistent much less tell a good story.

Source Material: The Ghoul by Dr. Frank King Year: 1933 Genre: Supernatural Horror Country: England Language: English Runtime: 1 hour 17 minutes

Director: T. Hayes Hunter Writers: Roland Pertwee, John Hastings Turner, Rupert Downing Cinematographer: Günther Krampf Editors: Ian Dalrymple, Ralph Kemplen Composers: Louis Levy, Leighton Lucas Cast: Cedric Hardwicke, Boris Karloff, Ernest Thesiger, Dorothy Hyson, Anthony Bushnell, Kathleen Harrison

-----

Story: 1.5/5 - Light on horror with shallow characters, forced comedic relief, and an ending that leaves its plot threads dangling.

Performances: 3/5 - Karloff is fine in his opening scene but no one else does anything above serviceable. Harrison is downright unbearable as the out-of-place comedic relief.

Cinematography: 3/5 - Some nice shots but far from inventive.

Editing: 2.5/5 - The editing doesn't help much with the pacing issues.

Music: 2.5/5 - Cliche.

Effects: 3/5

Sets: 3/5

Costumes, Hair, & Make-Up: 2.5/5 - Fairly standard though Karloff's is pretty poor.

Trigger Warnings:

Mild violence

Brownface

Racist portrayal of Egyptians

[lboogie1906]

Dr. Robert Ambrose Thornton (May 6, 1902 - March 7, 1982) physician and university administrator was born in Houston to Frank Thornton, a laborer, and Mary Jane Sullivan, a midwife. He attended Houston Colored High School but graduated from Los Angeles Polytechnic High School. He entered Howard University to study Physics and mathematics. He worked as a student teacher and, hoping to break into show business, auditioned to sing in the hit Broadway musical comedy Shuffle Along. He became an associate of concert tenor Roland Hayes and composer Harry T. Burleigh. He first met Albert Einstein who gave a lecture in Washington’s Belasco Theater.

He pursued graduate study at Ohio State University where he earned an MA. He studied for his doctorate at Harvard University, Yale University, and the University of Chicago where he was a Rockefeller fellow. He married home economics professor Jessie Lea Bullock (1924) at Shaw University. He taught at Johnson C. Smith University and Talladega College.

He launched a liberal arts program at the University of Puerto Rico. He wrote to Einstein requesting his assistance in establishing a philosophical basis for the program. Einstein responded, beginning a nine-year correspondence. They had seven face-to-face meetings.

He was awarded his Ph.D. in Physics at the University of Minnesota and began teaching as an associate professor at the University of Chicago. He next taught at Brandeis University, worked as a dean at Dillard University, and at Fisk University. He taught physics at San Francisco State College. He was appointed its first Dean of the School of Natural Sciences.

The university awarded him an honorary doctorate of science. He was honored when the new science and engineering building was christened the Robert A. Thornton Hall. His final employment was as visiting professor at the University of the District of Columba. Just prior to his death, he had been editing transcripts of his years of conversations with and letters to Albert Einstein. #africanhistory365 #africanexcellence

[burlveneer-music]

Chip Wickham - Love & Life - sax/flute man's new EP is out today on Gondwana Records; he's sticking to flute on this one

“Life is nothing without love. Love is the force that drives our journey in life. Life is love and love is life.” UK jazz master Chip Wickham follows last year’s brilliant soulful long-player Cloud 10 with a deftly crafted, reflective EP of beautiful spiritual jazz influenced by the soulful sounds of Yusef Lateef. Chip’s music has always drawn on a broad world of influences: from hip-hop to Roland Kirk, and from classic funk to the ‘60s Brit-Jazz of Tubby Hayes. But Love & Life finds him foregrounding his wonderful flute playing, producing a perfect four-tracker of reflective, peaceful jazz that elevates and inspires as well as a trademark slice of boppish soul jazz – the jaunty Space Walk. Elsewhere lead single Love & Life is a joyous jazz waltz with an uplifting, bouncing groove and Slow Down Look Around is introspective and intimate, featuring Chip’s signature flute with a beautiful solo from UK trumpeter Malcolm Strachan. Chip explains that the track presents “a big lesson for us to learn as the world changes around us with such speed. The technology changes but our human needs remain the same: peace, tranquillity and time to think.”

[powerpayback]

a bright city christmas (eve)

“Here’s to our first Christmas as private investigators, making it on our own in the big city.” Sprout popped the cork of the bottle of sparkling wine - business hadn’t been so good as to afford real champagne. Not yet, she thought hopefully. She figured the least expensive sparkling wine she’d picked up at Vons would have to do for now. 

As she filled the plastic flute in Magni’s hand, he corrected, “First Christmas Eve.”

She shrugged. “Alright, fine.” Come Christmas day, both of them would be trapped under the Marottos’ roof. Aside from the occasional years Magni and his mother went to California to see his folks, they were always invited to their home come the holidays. 

But for the night, there were no judgmental or nosy family members. Sprout didn’t have to think about feeling like a stranger in her childhood home. Magni could retreat back into his room if he got overwhelmed. She even felt good enough to fill her flute as well. 

Christmas Eve was always theirs. 

Magni took a sip of his sparkling wine. “And we’ve both lived in Bright City since we were 20.” He went to sit by the tree, the multicolored bulbs on the fake branches lighting up his face. 

Setting down the bottle of sparkling wine, Sprout rolled her eyes. “Okay, just give me my present before you spoil all our fun.”

She joined him on the floor, watching him reach for a small present wrapped in striped green wrapping paper. “It’s not much,” he warned. 

Sprout took the present and ripped the paper off. She felt slightly guilty, given how neatly he’d wrapped it all, but she figured he expected it by now. Under the paper was a white box. “Hate to tell you this, Maggie, but I’m not a jewelry person.”

“Shut up and open it,” he said, raising his flute back up to his lips. 

She grinned, but cracked the lid off anyways. Resting inside was a gold tie bar, that looked plain at first glance. Sprout picked it up to get a closer look. Only then could she see the daisies engraved onto the bar, faint enough that someone had to really be looking for them. 

Despite her numb fingertips, she ran her thumb over the engravings and imagined how they would feel. She hadn’t liked being gifted flowers since her burnout. They were a bitter reminder of what it had left her with. Yet, Magni always had a way of bringing blooms back in her life even in the coldest months of the year. 

“Thanks, Magni,” she said, setting the pin back in the box with a quiet grin. “Though I did think we had a present budget.”

“Don’t get too flattered,” he said. “That is under budget. It’s not real gold.” But he still had a small smile on his face. 

“Now I feel a little bad about the gift I got.” Sprout set the box aside and reached for her present. She’d stuck it in a shiny silver bag, not wanting to embarrass herself with her wrapping skills. 

As she handed it to him, Magni set his flute aside. ��Unless it’s a dildo, I won’t put it past you.”

“Dang. Ruined my surprise.”

He rolled his eyes, but he pulled out the tissue paper filling the bag until he reached the gift inside. Wrapping something in tissue paper was no more easier than wrapping it properly, but at least the lumpy, unshapen job was hidden away. He tore away the candy-cane covered wrapping paper to reveal a cookbook. Just as he knew her complicated feelings about her namesake, she knew that he only really used YouTube to watch a few chefs. One being Roland Hayes, a conventionally handsome white man who shared her green thumb and Magni’s passion for cuisine. 

Magni raised his eyebrows in surprise. “Oh. I had thought about getting his cookbook, but-”

“Look inside,” Sprout said, nearly vibrating in excitement. 

He cracked it open to the front page. Unlike her partner in solving crime, she could actually use Instagram and had seen Magni’s favorite bookstore announce they were hosting a book signing for Roland Hayes right around the holiday season. It was so not his type of thing, but Sprout would do many things for her best friend, apparently even enduring a long line to get a signed copy of his favorite YouTuber’s cookbook. 

“To Magni,” he read aloud. “Keep it crispy. Roland Hayes.” He looked up at her. “I didn’t even know he came to town.”

“That’s what happens when you use social media, Maggie,” she said. “Now you can make his recipes without having to have your laptop bugging you in the kitchen.”

“Well, I appreciate it.” Magni gave her a smile. “That does mean you will have to be a taste-tester while I try these out.”

“Oh, no, you’re going to cook for me? How awful,” Sprout said, voice heavy with feigned concern. 

“Hey, just be happy I’m not making you be my sous chef.”

“The only reason you don’t is because you don’t like blood in your bisque.”

“True.” Magni set the book aside and picked his flute of sparkling wine back up. “Here’s to knowing each other far too well.”

Sprout knocked her flute against his, the thud of plastic not quite as satisfying as a proper clink. 

It was hard to feel pessimistic about the year to come with her best friend by her side. 

[byneddiedingo]

Shirley MacLaine and Anthony Perkins in The Matchmaker (Joseph Anthony, 1958)

Cast: Shirley Booth, Anthony Perkins, Shirley MacLaine, Paul Ford, Robert Morse, Perry Wilson, Wallace Ford, Russell Collins. Screenplay: John Michael Hayes, based on a play by Thornton Wilder. Cinematography: Charles Lang. Art direction: Roland Anderson, Hal Pereira. Film editing: Howard A. Smith. Music: Adolph Deutsch. 

Like Lynn Riggs's Green Grow the Lilacs and Ferenc Molnár's Liliom, Thornton Wilder's play The Matchmaker is not performed much these days. The chief reason is probably that they were all made into hugely successful musicals: respectively, Oklahoma!, Carousel, and Hello, Dolly! And unlike George Bernard Shaw's Pygmalion or William Shakespeare's Romeo and Juliet, which weren't superseded by their musical incarnations My Fair Lady and West Side Story, they seem somewhat naked without their musical adornments. Still, the film version of The Matchmaker, made three years after the play became a Broadway success but six years before the musical smash, retains a great deal of charm. Much of it comes from its cast: Shirley Booth as Dolly Gallagher Levi, Paul Ford as Horace Vandergelder, Shirley MacLaine as Irene Molloy, Anthony Perkins as Cornelius Hackl, and in his first substantial screen role, an impish Robert Morse as Barnaby Tucker. Shorn of its musical trimmings, the movie depends largely on the farce-timing of the cast, who frequently break the fourth wall to talk directly to the audience. For some viewers, a little whimsy goes a long way, and The Matchmaker has an awful lot of it. Its "opening up" from the stage version by screenwriter John Michael Hayes sometimes feels forced, and the ending depends too heavily on an unconvincingly complete about-face by Vandergelder. But director Anthony, who did most of his work in the theater and had only one previous screen directing credit for The Rainmaker (1956), keeps things moving nicely.

[docrotten]

A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS (1987) – Episode 224 – Decades Of Horror 1980s

“Welcome to prime time, bitch!” Not words I’d use in front of my mother, but they are iconic just the same. Join your faithful Grue-Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr, along with guest host Ralph Miller  – as they enter another Wes Craven nightmare, A Nightmare on Elm Street 3: Dream Warriors (1987). Expect a lot of FX talk with Ralph in the house!

Decades of Horror 1980s Episode 224 – A Nightmare on Elm Street 3: Dream Warriors (1987)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

A psychiatrist familiar with knife-wielding dream demon Freddy Krueger helps teens at a mental hospital battle the killer who is invading their dreams.

  [NOTE: Effects crew credits are listed as they appear in the film credits.]

Director: Chuck Russell

Writers: Wes Craven (story) (screenplay) (characters); Bruce Wagner (story) (screenplay); Frank Darabont (screenplay); Chuck Russell (screenplay)

Music: Angelo Badalamenti

Storyboard Artist / Visual Consultant: Peter von Sholly

Stop-Motion Skeleton and Marionette Effects: Doug Beswick Productions, Inc.

Stop-Motion Animation: Doug Beswick

Effects Photography Supervisor: Jim Aupperle

Stop-Motion Puppet Construction: Yancy Calzada

Marionette Construction: Mark Bryan Wilson (as Mark Wilson)

Miniatures: James Belohovek

Illustrator: Larry Nikolai

Makeup effects Sequences: Greg Cannom

Assistants to Greg Cannom: Larry Odien, Earl Ellis, John Vulich, Keith Edmier, Brent Baker

Krueger Makeup effects: Kevin Yagher

Assistants to Kevin Yagher: Jim Kagel, Mitch DeVane, Gino Crognale, Brian Penikas, David Kindlon, Steve James, Everett Burrell

Makeup Effects Sequences: Mark Shostrom

Assistants to Mr. Shostrum: Robert Kurtzman, Bryant Tausek, John Blake Dutro, James McLoughlin (as Jim McLoughlin), Cathy Carpenter

Additional Makeup Effects: Matthew W. Mungle (as Mathew Mungel)

Assistant to Mathew Mungel: Russell Seifert

Mechanical Effects: Image Engineering

Special Effects Coordinator: Peter Chesney

Lead Technician: Lenny Dalrymple

Mechanical Designers: Bruce D. Hayes (as Bruce Hayes), Joe Starr, Anton Tremblay (as Tony Tremblay)

Effects Technicians: Bernardo F. Munoz (as Bernard Munoz), Rod Schumacher, Bob Ahmanson

Effects Crew: Scott Nesselrode, Tom Chesney, Kelly Mann, Phillip Hartmann (as Phillip Hartman), Ralph Miller III (as Ralph Miller), Joel Fletcher, Brian Mcfadden, Sandra Stewart (as Sandy Stewart), Terry Mack (as Troy Mack), Blaine Converse, Ron MacInnes, Brendan C. Quigley

Selected Cast:

Heather Langenkamp as Nancy Thompson

Craig Wasson as Dr. Neil Gordon

Patricia Arquette as Kristen Parker

Ken Sagoes as Roland Kincaid

Ira Heiden as Will Stanton

Rodney Eastman as Joey Crusel

Jennifer Rubin as Taryn White

Penelope Sudrow as Jennifer Caulfield

Bradley Gregg as Phillip Anderson

Laurence Fishburne as Max Daniels (credited as Larry Fishburne)

John Saxon as Donald Thompson

Priscilla Pointer as Dr. Elizabeth Simms

Clayton Landey as Lorenzo

Brooke Bundy as Elaine Parker

Nan Martin as Sister Mary Helena

Stacey Alden as Nurse Marcie

Dick Cavett as Himself

Zsa Zsa Gabor as Herself

Paul Kent as Dr. Carver

Guest host Ralph Miller III, who worked behind the scenes on Dream Warriors provides insights and many effects development photos that are shown in the YouTube version of the podcast. Post-recording, the crew wants to clarify that Kevin Yagher was responsible for the Freddy Snake, and Mark Shostrom was in charge of the Penelope Sudrow dummy that smashes into the Freddyvision TV.

With the success of A Nightmare on  Elm Street 3: Dream Warriors (1987), following the critical failure of A Nightmare on Elm Street 2: Freddy’s Revenge (1985), New line Cinema firmly cemented Freddy Krueger and A Nightmare on Elm Street as one of the most iconic horror franchises of its time. Not only does Dream Warriors feature Robert Englund continuing to breathe both humor and fear into Freddy Krueger but also the return of both Heather Langenkamp and John Saxon from the original. The film also features Craig Wasson (Ghost Story) as the male lead and early film roles for Patricia Arquette and Larry Fishburne. Frank Darabont (The Mist) and Bruce Wagner join Wes Craven on scripting chores and Chuck Russell (The Blob, The Mask) directs while Angelo Badalamenti (Twin Peaks, Blue Velvet) provides the score – a winning combination of talent. Surely a Grue-Crew highly recommended selection with special effects by Greg Cannom, Doug Beswick, Mark Shostrom, Kevin Yagher, and more!

Be sure to check out the first time the 80s Grue-Crew took a dive into this film in February 2017, featuring Doc Rotten, Christopher G. Moore, and Thomas Mariani as the Grue-Crew. You can find it here: A NIGHTMARE ON ELMS STREET 3: DREAM WARRIORS (1987) — Episode 102

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Jeff, will be The Changeling (1980), starring George C. Scott, Trish Van Devere, Melvyn Douglas, . . . and a bouncing, red, rubber ball.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the gruesome Magazine Youtube channel, on the website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[johnpaulkeith]

I know I’ve been posting a lot of studio pics lately, but it’s because…well, I love it. Many of the world’s great analog studios are threatened by the march of time, but here in Memphis we are lucky to have some of the most significant recoding spaces in the world still in operation and making records every day. @samphillipsrecording is the studio Sam opened in 1960 after he sold Sun. They cut “Wooly Bully” by Sam the Sham there. The Yardbirds cut their version of “Train Kept A-Rolin’” at Phillips. It’s where John Prine made his “Pink Cadillac” album, with Knox, Jerry, and Sam producing. And I was fortunate to get to make a record of my own there a decade ago with the late Roland Janes, a special experience I will always treasure. So I’m especially honored to be playing some guitar on the sessions for the upcoming Jerry Phillips original project, and I can’t wait for everyone to hear the killer rock and roll tunes he’s been writing. They’ve made a lot of exciting changes at Phillips recently, and I’m really happy it worked out for @electraphonic to be behind the desk - which is now the Spectra Sonic console that was originally at Stax Studio B, which can be heard on Isaac Hayes’ “Black Moses” album, to name just one. It is newly-refurbished and sounds fabulous. And there’s nothing like tracking live with reverb in your headphones from an actual echo chamber down the hall. Like the song says, “ain’t nothing like the real thing baby.” It’s also especially cool to get to work with the homies on all this, @dannybanksdrummer and the multi-talented @thewilsonmc, who brought along his camera last week for our session with @commonwealther, and got these nice shots. But more on that in a later post…stay tuned… #memphis #memphismusic #memphisstudios #recordingstudios #studios #analogrecording #analogstudios #spectrasonic #stax #staxrecords #samphillips #samphillipsrecording #sunrecords #samthesham #theyardbirds #yardbirds #johnprine #jerryphillips #isaachayes #blackmoses #rolandjanes #thescottmiller (at Sam Phillips Recording) https://www.instagram.com/p/Cltsb6VARge/?igshid=NGJjMDIxMWI=

[detroitlib]

View of soprano Carlotta Franzell purchasing record albums to donate to the E. Azalia Hackley Collection at the Detroit Public Library. Franzell holds a recording of "Porgy and Bess." Stamped on back: "Photo by Ben Greenhaus, 475 Broadway, Times Bldg., New York 18, N.Y." Clipping on back: "Miss Franzel [sic] is shown buying the records to present to the E. Tzalia Hachley [sic] Memorial Collection in the Detroit Public Library. The records received a few days ago include two albums of Marion [sic] Anderson, two by Roland Hayes, three by Paul Robeson, one by Dorothy Maynor as well as several single recordings by Negro artists." Handwritten on clipping: "3/1/45." Handwritten on back: "Carlotta Franzel."

E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library

[eug3ne1]

Trump SHUT DOWN! Ordered To STOP Using Isaac Hayes' Music | Roland Martin

[coffee-n-bagels-comic-universe]

Lucifarians: A Family Forged: Bios (1980) Everest Norris / Eve Lucifarian

"I'm going to beat you, and then, I'm going to be better than you."

Name

Full Legal Name: Everest Raleigh Norris

First Name: Everest

Meaning: From the English name for the world's highest mountain, itself named after the British surveyor George Everest.

Pronunciation: EHV-e-rist

Origin: English

Middle Name: Raleigh

Meaning: From an English surname that was derived from a place name meaning either 'Red clearing' or 'Roe dear clearing' in Old English.

Pronunciation: RAH-lee

Origin: English

Surname: Norris

Meaning: Means 'From the north' from Old French 'Norreis'.

Pronunciation: NAWR-is

Origin: English, Scottish

Ring Name: Eve Lucifarian, Envy

Commentary Nickname: Green Eyes

Nicknames: Eve, Ever, Leigh, Lee

Titles: Miss

Characteristics

Age: 22

Gender: Female. She/Her Pronouns

Nationality: Canadian

Ethnicity: White

Birth Date: April 7th 1958

Sexuality: Straight

Religion: Non-Religious

Native Language: French

Known Languages: French, English, Spanish, Italian, German, Polish

Relationship Status: Single

Astrological Sign: Aries

Entrance Music: 'Hanging on the Telephone' - Blondie (1978-)

Voice Claim: Catherine O'Hara

Geographical Characteristics

Birthplace: Toronto, Ontario, Canada

Current Location: Unknown

Hometown: Toronto, Ontario, Canada

Appearance

Height: 5'10" / 177 cm

Weight: 140 lbs / 63 kg

Eye Colour: Emerald Green

Hair Colour: White Blonde

Hair Dye: Front Strand Dyed Green

Body Hair: N/A

Facial Hair: N/A

Tattoos: (As of Jan 1980) 4

Piercings: Ear Lobes (Both, Double)

Scars: None

Health and Fitness

Allergies: None

Alcoholic, Smoker, Drug User: Smoker, Social Drinker

Illnesses/Disorders: None Diagnosed

Medications: None

Any Specific Diet: None

Relationships

Allies: Skull Lucifarian, Ven Lucifarian, Bel Lucifarian, Pat Lucifarian, Cas Lucifarian, Hel Lucifarian, Syd Lucifarian, Bret Hart, Jim Neidhart

Enemies: Moolah, Wendi Richter, Bob Backlund, Hulk Hogan, Lord Alfred Hayes, Hillbilly Jim, Brutus Beefcake

Closest Confidant: Ida Norris

Mentor: Beaumont Norris

Significant Other: None

Previous Partners: None of Note

Parents: Beaumont Norris (53, Father), Ida Norris (55, Mother, Née Weston)

Parents-In-Law: None

Siblings: Montgomery Norris (31, Brother), Sierra North (28, Sister, Née Norris), Elias Norris (25, Brother), Rocky Norris (19, Brother), Moriah Norris (16, Sister), Roland Norris (13, Brother)

Siblings-In-Law: Whitney Norris (30, Montgomery's Wife, Née West), Lambert North (27, Sierra's Husband), Vale Norris (24, Elias' Wife, Née South)

Nieces & Nephews: Aaron Norris (10, Nephew), Tenley Norris (7, Niece), Yale Norris (4, Nephew), Skye Norris (1, Niece), Slade North (7, Nephew), Savannah North (4, Niece), Ross North (1, Nephew), River Norris (4, Niece), Percival Norris (1, Nephew)

Children: None

Children-In-Law: None

Grandkids: None

Wrestling

Billed From: Hellview

Trainer: Skull Lucifarian

Managers: Skull Lucifarian

Wrestlers Managed: None

Debut: 1976 (WWF Debut: 1980)

Retired: N/A

Wrestling Style: Build Up Fighter

Stables: Daughters of Darkness (1976-)

Teams:

Family Envy (Skull & Eve)

The Killer Barbies (Ven & Eve)

Jealous Lovers (Bel & Eve)

Reality Chic (Pat & Eve)

Want & Desire (Cas & Eve)

The Purely Insane (Hel & Eve)

The Valkyries (Eve & Syd)

Regular Moves: Standing Dropkick, Hangman's DDT, Exploder Suplex, Inverted Headlock Back Breaker, Powerslam, Jumping Knee Drop, European Uppercut, T-Bone Suplex, Give-Up (Diving Crossbody), Green Eyed Grab (Gut Wrench Elevated Neckbreaker)

Finishers: Wheelbarrow Suplex, Give-It-All (Inverted Overdrive)

Refers To Fans As: The Envious, The Envious Ones

Heel or Face: (As of Jan 1980) Heel

[wahwealth]

👻James Mason, Barbara Mullen, Margaret Lockwood | A Place Of One's Own

A Place of One's Own is a 1945 British film directed by Bernard Knowles. An atmospheric ghost story based on the 1940 novel of the same title by Osbert Sitwell, it stars James Mason, Barbara Mullen, Margaret Lockwood, Dennis Price, and Dulcie Gray. Mason and Mullen are artificially aged to play the old couple. It was one of the cycles of Gainsborough Melodramas. The Smedhursts, newly retired, buy Bellingham House, which has been vacant for over 40 years and is rumored to be haunted by the previous owner, Elizabeth, who is widely believed to have been murdered by her guardians. Mrs Smedhurst employs a young lady, Annette, as a companion. Annette becomes haunted by Elizabeth, who waits for her lover, Dr Marsham. Mr Smedhurst asks the police to find Dr Marsham, and he comes to visit Annette/Elizabeth. The next morning, everyone in the house feels "lighter" and Annette wakes up recovered. A local policeman arrives and announces that Dr Marsham has been found but will not be able to visit as he has died... Cast Margaret Lockwood as Annette James Mason as Mr. Smedhurst Barbara Mullen as Mrs. Smedhurst Dennis Price as Dr. Selbie Helen Haye as Mrs. Manning-Tutthorn Michael Shepley as Major Manning-Tutthorn Dulcie Gray as Sarah Moore Marriott as George O. B. Clarence as Perkins Helen Goss as Rosie, the Barmaid Edie Martin as Cook Gus McNaughton as Police Constable Hargreaves Muriel George as Nurse John Turnbull as Sir Roland Jervis Ernest Thesiger as Dr. Richard Marsham Henry B. Longhurst as Inspector Aubrey Mallalieu as Canon Mowbray Never miss a video. Join the channel so that Mr. P can notify you when new videos are uploaded: https://www.youtube.com/@nrpsmovieclassics .