#rocket obviously being the central figure in that but it’s the theme for literally every character arc

[billdenbrough]

i keep thinking about rocket’s “there ain’t no thing like me ‘cept me” and how it’s presented initially as an indicator of who he is—his mouthiness, his independence, his absolute lack of knowledge of what a raccoon looks like—and like. it is those things! it is! but it’s also — yeah, so, the first time we hear it, there’s a hint of story behind it, like: who or what made rocket this?

and now we know it’s the high evolutionary, and now we know the other layer to that statement: yeah, rocket’s confident when he says there’s no thing like him, because a) they were all individual experiments for the same cause but b) because rocket, and therefore the ones ‘like’ him, were classified as defective, and he knows the high evolutionary killed them all

[grimelords]

I just realised I wrote up my June playlist and forgot to post it at all, which benefits no one. July coming soon, but for now please enjoy three hours of two month old thoughts on the new Kanye, the Red Dead Redemption soundtrack and two songs about drinking beer.

Ghost Town - Kanye West: Now that the dust has settled around Kanye's month of chaos I can safely say Ye is great and Ghost Town is the best song on it, though it's not a coincidence that the best song is the one where Kanye says the least.

DLZ - TV On The Radio: I've been obsessed with this song for a long time. The combination of the absolutely hypnotising drums and very good cryptic lyrics about impending doom is exactly my shit. Also the whistling right at the very end is a perfect moment.

Hyph Mngo - Joy Orbison: Someone had a thing on twitter the other day that was like 'quote tweet this with a phrase you remember that if you told a younger person they wouldn't understand' and someone said Hyph Mngo and I felt age 100. This song really was such a game changer and that whole wave of stuff like this, Koreless and Jame Blake's EP's around then was such an incredible time to be alive. I am aging decades by the second and will not be around much longer.

The Shootist - Bill Elm & Woody Jackson: I've been thinking about game soundtracks a lot the past month or so for some reason and Red Dead really is an all timer. They did such a great job capturing the whole feeling without it just being a straight Morricone rip-off (though obviously it is mostly a Morricone ripoff).

Touch Me - Wish & Fonda Rae: This song is so fucking good to begin with but then it gets really really good in the middle part and where they just start going hogwild with the sampler on her vocals, and then again at the end when it starts sounding like a Battles song.

In The Vespers - Colin Stetson & Sarah Neufeld: Ever since I finished MGSV again I've been thinking about open-world stealth as a genre and how I'd do it, and this song is really the perfect kind of soundtrack to the game I'm thinking of. It's already got four alert levels built in, all the way from Tense to FUCk and back down to Calming Down But Still Scared.

Human After All - Daft Punk: Human After All is still a beguiling album in sound and vision after all this time. The amount of noise emananating from every single element in this song, and songs like Technologic is just so strange compared to everything they'd done before and since, but I think that's what I like about it. It sounds like it was made in 1979 when electronics were a novelty and everyone accepted that they'd be noisy as hell. Also I had an emotional moment this month while I was driving and listening to this song and reflecting on how we are all, human.. after all.. so who knows what's up with me.

Disparate Youth - Santigold: The production on this song is insane. The drums, the guitar, the bouncing piano, it just has so much momentum the whole way through and holy shit I just realised that the video I was talking about last month that referenced The Holy Mountain that I couldn't remember is L.E.S. Artistes by Santigold what an incredible two for one.

Violence - Parquet Courts: This song has the potential to be embarrassing but it's saved from itself by the specificity of the lyrics and the backing vocals that sound like a smiling swing band saying 'violence is daily life!'.

Jane Says - Jane's Addiction: The steel drum as the central melody line in this is such a strange and beautiful choice and also this song has two chords and no chorus. There are truly one million ways to make a good song.

Heatstroke - Calvin Harris feat. Young Thug, Pharrell Williams, Ariana Grande: I really can't believe I missed this song that came out like a year ago, so thank god my girlfriend told me about it. It's incredible. Everyone is operating at full capacity in this song and the structure is so good, the Pharrell/Thug pre-chorus could be a chorus on its own but then Ariana and Pharrell trade lines foe the actual chorus, amazing. Also when Thugger says 'she got every read bottom like a baboon’ the way the backup says '..baboon' slightly apprehensively cracks me up.

Maximum Black - Bohren & Der Club Of Gore: More Bohren, carrying over from last month. This is one of my favourites of theirs, mostly just for the choir sound and the all-time great sax intro at about 4:30. When you start at absolute zero, dialling it up to a 1 sounds like bomb going off.

Dust Bunnies - Kurt Vile: This is like most Kurt Vile songs in that it's sort of just about hanging out and feeling kind of funny, which is a mindset I really relate to.

Here For The Beer - The Sloppy Boys: A bunch of guys from The Birthday Boys have a band now and it's really great. Comedy music is hard but this album is the best kind where it's just dumb ass rock and roll story songs and odes to partying. The way he says 'autographed baseball' makes me laugh every time.

Beer Pressure - Municipal Waste: Anyway that song reminded me of this song, which is almost the exact same song with a slightly different mindset.

Credulous! Credulous! - BATS: There's really something to listening to a song for ten years and then having it suddenly dawn on you one day that it's about an epilleptic 16 year old in the distant past getting treppaned by a mystic and a team of scientists in the present figuring out what happened.

Please Take Your Hand Away - Trent Reznor & Atticus Ross: Everyone's (me) always talking about how good The Social Network soundtrack is but nobody's ever talking about how they did a sequel that's just as good and goes for longer than the actual film when they released the nearly 3 hour Girl With The Dragon Tattoo soundtrack a year later. What an achievement!

What Does Your Soul Look Like Part 2 - DJ Shadow: This song is really on a whole nother level. It is really a kind of magic that you can get a 15 minute song out of a two note bassline and a drum loop, but when they're this good it looks easy. The drums especially are just absolutely hypnotising.

One Of One - Kamasi Washington: Kamasi somehow outdid himself on this one my god. The groove in this is just amazing, and the way it twists and turns into something darker and darker before the sun shines through and the hook comes back is incredible. The way the theme comes back all twisted up with strings near the end. Great stuff.

My Exit, Unfair - mewithoutYou: I honestly very nearly got converted in high school just because I was listening to so much mewithoutYou, and it still informs a lot of my religious thoughts. A running theme through a lot of their songs is wrestling with and trying to accept the idea that God has a plan for you that you definitely don't understand and getting extremely upset about it and that's about where I'm at.

Stand - R.E.M.: Apparently this was the theme to a show called Get A Life and it's funny because it really does sound perfect for a 90s tv theme. It sounds like it's two and a half minutes too long. Release the 30 second TV theme version REM.

BFG Division - Mick Gordon: I was watching a guy speedrun Doom on GDQ and the music for that game is so amazing, but it sounds really funy when the whole sppedrun is just clipping through a wall and rocket jumping halfway across the level to trigger the checkpoint. Mick Gordon really nailed this soundtrack, it's a massive part of the atmosphere of the game and it's really the logical expansion of the MIDI themes of the original, it sounds like the original in HD, this is what you thought you were hearing.

Angel's Rest - Marisa Anderson: Marisa Anderson's songs are so loosely structured they often seem dreamed up on the spot, but the sounds and moods seem so carefully considered that the notes themselves aren't so important.

Looks Like I Picked The Wrong Week To Quit Oxygen - Michael Giacchino: If Michael Giacchino doesn't get an Oscar for The Incredibles II soundtrack I'm going to riot. The climax of this is so big I had to stop myself from applauding in the theatre, it's irrepressible.

AM // Radio - Earl Sweatshirt & Wiki: I was having a week where I was really feeling like the phrase "I don't like shit, I don't go outside" and so I suddenly remembered this album. This beat is so, so good. It sounds like nothing else, and it only adds to the alien flavour by giving the second half of the track to an instrumental.

World In Harmony - Adebisi Shank: Adebisi Shank are really the perfect band. They love to have fun and have a big time and they started out with a perfect first album and only got bigger and better by the time they got to the third and broke up. This song is so powerful, and my billionaire dream is to finance a new F-Zero game and get Adebisi Shank back together to do the soundtrack.

Make Luv feat. Oliver Cheatham - Room 5: I'm slowly putting together a playlist of songs that sound like Music Sounds Better With You by Stardust in order to invoke some kind of euphoric 'best night ever' and ascend to heaven but this song is the only other one I have so far.

A Love Supreme Part II: Resolution - John Coltrane Quartet: I don't feel qualified to say anything about A Love Supreme, so I don't think I'm going to. I literally don't know where to start with this. It's damn good music.

"You Got A Killer Scene There, Man..." - Queens Of The Stone Age: This song is a real vibe. This should be a whole genre but I've never really found anything else like it. It's like if The Doors were good I suppose. It's shocking that this song only goes for 5 minutes because it really feels like it could go for 20 and you wouldn't mind. I remember a few years ago I opened this in Audition and slowed it down to 75% and I really recommend it, it makes the whole thing feel as sludgy as I think it's supposed to be and makes all the breaks that much more impactful.

Never Let Me Go - Sarah Blasko: A friend sent me this and said it sounds like a Bond theme and he's absolutely right, especially towards the end where it all starts stacking up. Maybe it would need a bit more brass to be a proper Bond theme but still, I love it.

Protection - Emma Ruth Rundle: I love Emma Ruth Rundle so much and I'm so excited that she's got a new album coming out. The absolute textural thickness she can conjure up in a song like this blows me away. I don't know what it is about her voice but it sounds like the 90s somehow. Does that make sense? This feels like 90s music, like the grunge female songwriter thing went a slightly different way and I love it.​

listen here

[empress-of-snark]

(last header by @caseyblu)

AVENGERS: INFINITY WAR (2018)

(I am a Fool and I didn’t post this yesterday, I apologize)

AKA: I wish I hadn’t already used the “Everything hurts and I’m dying” reference on Iron Man 2, because it’s even more applicable now.

(So many spoilers, like seriously, don’t read if you haven’t seen Infinity War yet.)

Hoo boy, wow. This was the big one. It’s kind of like Civil War--there’s just so much going on that it’s hard to know where to start. Only it’s like 100 times bigger than that. So yeah, this might get confusing. Sorry in advance.

First off, I’m not totally convinced that Loki’s dead. I know, I know, I’m not gonna go off on a rant and it’s not just because I like him. It’s because his death really didn’t make sense. I mean, I understand why it had to happen plot-wise, but I don’t understand why someone as powerful as Loki would simply use a knife to attack Thanos, who now has two infinity stones. One could argue he wasn’t thinking clearly after seeing Thor tortured, but that doesn’t seem in-character to me. I dunno, maybe I’m just in denial. But I have a hunch he may come back one last time in Avengers 4, maybe with Valkyrie.

There were a lot of characters absent who I expect will make an appearance in Avengers 4, assuming they weren’t dusted. Hawkeye, Ant-Man & the Wasp, Valkyrie, Korg & Meik, Lady Sif, Wong (if he’s done protecting the Sanctorum, that is).

Actually, I’m calling it right now. End credits scene of Avengers 4. Dr. Strange opens the doors to the Sanctum Sanctorum, bloody, bruised, and exhausted after the fight of his life. Wong is sitting on the stairs with a half-eaten carton of Ben & Jerry’s “Hulk-A-Hulk-A-Burning-Fudge” ice cream. “How’d it go?”

Also excited to meet Captain Marvel and learn what exactly she’s been doing for the past ten years that was more important than ever helping save the world. Maybe she’s just so powerful that no threat has been big enough to require her presence? I guess we’ll find out next year.

Anyway, it was great seeing all the different characters meet and interact for the first time. It’s another big crossover, like the first Avengers movie. Except this one is like three or four big groups scattered across the galaxy and you have to keep track of who knows who and who’s where doing what. It gets confusing at times, especially trying to remember things like who’s supposed to know about the infinity stones, who knows about Thanos, who has no idea what’s going on, etc.

I spotted another timeline issue that confuses things even more, actually. Tony references the events of the first Avengers film and says they happened six years ago. Which means that technically Spiderman Homecoming is supposed to happen two years after this (as the beginning indicates it’s eight years after the attack on New York). I guess it doesn’t make a huge difference, I’m just surprised they’d make a mistake like that, with how meticulous they usually are about continuity.

It was still pretty painful to watch all those characters turn to dust at the end, even though I know they’re definitely coming back in Avengers 4 (they literally just announced the release date of Spiderman 2). Ugh, his scene still gets me. Knowing that his lines there were improvised honestly makes it worse.

This is obviously the first time we’ve ever seen a villain actually win, even if it’s just part one. And before anyone says anything else about Quill ruining the plan and being responsible for their loss, consider this: Strange saw this future. He knew there was only one way they could defeat Thanos and if he didn’t stop Quill then, that means it had to happen. If Quill had stayed quiet and they’d gotten the gauntlet off, something else would’ve gone wrong and Thanos still would’ve killed half the universe.

Also, consider that Quill has always been a very emotional character. He had the same reaction to Gamora’s death that he did in Guardians 2 when he learned that Ego killed his mother. He was not acting rationally and we shouldn’t condemn him for being sad/angry that the woman he loves is dead.

It is a little unhelpful that Strange dissolved before leaving any sort of instructions. He’s the only one who knows exactly what should happen and now he’s gone, leaving everyone else to figure it out on their own.

One complaint that my brother pointed out is that this movie kind of negates a lot of what happened in Ragnarok. Yes, Asgard is still gone, but the point of Ragnarok was to strip Thor down to nothing. He lost his hammer. In Infinity War, he’s got a new axe. He lost an eye. Rocket gives him a new one. He and Loki finally reconciled. Loki’s dead now. He befriended Valkyrie. Who even knows where Valkyrie is. Also half the Asgardian refugees are dead now. It just makes you wonder what the point of Ragnarok was if nothing stuck.

So let’s talk about Gamora real quick. First of all, her singing along with Quill to his music was the cutest thing I’ve ever seen. Second of all, I’m not convinced she’s dead either (yes, like Loki, this is partly just because I don’t want her to be dead). There’s theories that she may be trapped in the soul stone, possibly along with everyone who got dusted, which means that there may be a chance of getting her back in Avengers 4. I really hope so, cause I just can’t imagine another Guardians movie without her.

There’s probably a million and one other things left to say but I don’t want this review to drag on too long. You all saw the movie, you know how devastating it is, I don’t have to tell you.

RANKINGS:      Disclaimer: We’re considering the characters who went through the most change/development as ‘heroes’ and everyone else as ‘supporting.’ I’d love to sit down and rank every single character in this movie, but we’d be here all day.

     Hero(es): 8.5 Stormbreakers out of 10. This is Tony, Dr. Strange, Peter Quill, Gamora, Vision, Wanda, and Thor. All seven of these characters went through a ton of character development and growth, and come across as the real main characters. They all played off each other well (those that interacted, that is), and every one of them had to make some incredibly hard decisions that really reflected their heroism.

     Villain: 9.5 snaps out of 10. I mean, a villain always gets points when he’s easy to hate, and Thanos makes it soooo easy, omg. Like some others, his motivations actually make sense in a really twisted way and he’s not just trying to take over the world, which gets old. Plus, he actually succeeded in his goal! Can’t wait to see him get beaten to death in Avengers 4, fingers crossed.

     Supporting characters: 8 tuna melts out of 10. This is everyone but the seven mentioned above. Lots of the supporting characters provide a little comic relief in the more stressful moments. Just about every character plays some important role in the story and they all manage to work together to defeat Thanos.           Female characters: 7.5 Bechdels out of 10. This one kind of passes for a very brief interaction between Wanda, Natasha, and Proxima Midnight (Thanos’s evil daughter) on the battlefield in Wakanda. But we’ve established in the past that a movie can still be feminist whether or not it passes the Bechdel test. And this one still gets points for having multiple female characters who play crucial roles in the plot. Wanda and Gamora especially, as previously stated, are central characters. In fact, I think I read somewhere that Gamora actually gets the most screen time out of all the heroes, at something like 19 minutes.

     Action scenes: 10 punches out of 10. Nearly every MCU hero from the past ten years has to band together to fight Thanos and we get to see the full extent of everyone’s abilities. I especially love watching Dr. Strange and Wanda’s fighting techniques. Plus, the movie does a great job at balancing all the action by cutting back and forth between the different locations and giving us some reprieve from non-stop fighting.

     Stan Lee: 4 cameos out of 10. As Peter’s field trip bus driver, he delivers one of his best cameo lines: “What’s the matter, kids? You never seen a spaceship before?”

     Charisma: 8.5 points out of 10. This movie has some great themes of love and sacrifice. Multiple times one of the characters is forced to choose between a stone and a loved one (Thor and Loki, Gamora and Nebula, Wanda and Vision, etc.), and nearly every time, they choose their loved one. Thanos believes in sacrifice for the greater good, which is why he was willing to kill Gamora for the soul stone, but the heroes do not. Wanda is the only one who ends up sacrificing the one she loves (Vision) in order to destroy the mind stone, but she only does so under extreme duress and after exhausting every other option first. The running themes are very consistent, though I can’t say you leave the movie feeling good about anything, lol.

In total: 56 out of 65, so an 86%, which is actually higher than its Rotten Tomatoes score of 84%.

And that officially concludes the Great Marvel Rewatch of 2k18!! Thanks for following along, those of you who did! It’s been a fun, emotional, two weeks. Stay tuned for later, follow-up posts featuring a complete rankings list and possibly some other bonus materials! :)