#rock music history

[frank-olivier]

The Evolutionary “Gigue”: A Bridge Between Eras

Jon Lord's "Gigue" stands as a testament to the composer's innovative spirit, bridging the gap between the Baroque era and modern rock. "Gigue" is rooted in the Baroque tradition, echoing the works of J.S. Bach and George Frideric Handel. Lord's mastery of this era's compositional techniques is evident in the piece's intricate counterpoint and lively rhythms. The introduction of unexpected melodic progressions sustain listener interest, enriching the musical narrative with a touch of modernity. This blend of traditional foundation and innovative flair sets the stage for a captivating musical journey.

One of "Gigue"'s most striking aspects is its intrinsic integration of Baroque and rock elements. Lord expertly weaves rock's complex rhythms into the Baroque framework, creating a nuanced and original sound. This deep fusion not only enhances the piece's technical sophistication but also provides a rich, layered listening experience. The seamless blend of genres is a hallmark of Lord's compositional genius, appealing to a broad audience and solidifying "Gigue"'s place in the crossover music canon.

"Gigue" is more than a technically brilliant composition; it is a dynamic, emotionally engaging work. Lord skillfully incorporates contrasting themes and sections, exploring a broad emotional spectrum that resonates deeply with listeners. From the exuberance of the gigue's traditional roots to the introspective moments of modern contemplation, the piece navigates a wide range of emotions, creating a profound connection with the audience. This emotional depth transforms "Gigue" into a timeless, universal work that transcends genre boundaries.

Jon Lord - Gigue

Monday, November 11, 2024

[dec4podcast]

A fascinating artefact shared on Brian Wilson's social media.

[elvis1970s]

On February 13th, 1977, Elvis played the West Palm Beach Auditorium, Florida, the second night of the first tour for that year, ten nights in freezing conditions. This was one of the smaller rooms Elvis would play outside of Las Vegas or Lake Tahoe, sold out at just 5 900 in attendance. Around half the show was captured from the soundboard and bootlegged.

There are times during this show that Elvis appeared to be struggling a little, and he can be heard commenting, off mic, to Charlie Hodge, about just how cold it was in the arena. But he was in very good humour, and made a big effort, which was rewarded by a very appreciative and loudly enthusiastic audience, and a glowing review in the Palm Beach Post;

“…Trumpets blared the "Theme from 2001", heartbeats quickened, people stood, women screamed, flash cubes exploded in a strobe light effect, and suddenly in one magical instant, he was there in the flesh. Elvis Presley, decked out in a white, sparkling jumpsuit, showed a frenzied audience at the West Palm Beach Auditorium last night why they call him the King. In an hour-long show, Elvis ran through all or part of two dozen songs mixing his classic early records from the 1950s and 1960s with newer material, all the time teasing and toying with his audience so that the excitement level rarely dropped…Looking overweight, despite the wide belt around his middle, Elvis showed his voice was in far better shape than his body…But the biggest reaction of all seemed to come when Elvis unleashed his thunderous voice on versions of It's Now Or Never and a more recent record, Hurt…”

Even making allowances for the fact that Elvis was suffering with a cold during this tour, it's interesting to note changes since his final tour of 1976, less than six weeks earlier. Of his show in Birmingham Alabama, on December 29th, the Birmingham News reported that Elvis was, " in good voice, good shape, good health and good spirits. He had lost weight and gained confidence. His act was full of humour, zest, and occasional beauty."

This was the final tour for the 'Rainfall' and "Chief' jumpsuits, with the Mexican Sundial worn most nights in the following four tours.

[rockteeuk]

Behind the Scenes: The Making of The Doors' Iconic Debut Album #classicrock #thedoors #jimmorrison #rockumentary 

Explore the captivating behind-the-scenes stories of The Doors' groundbreaking debut album in this exclusive 20-minute documentary. Discover how Jim Morrison, Ray Manzarek, Robby Krieger, and John Densmore created one of the most influential records in rock history. Featuring insights from producer Paul A. Rothchild and rare footage, this video takes you into the heart of the recording sessions that defined a generation. 

From the intense recording of 'Break On Through (To the Other Side)' to the haunting creation of 'The End,' experience the magic and challenges behind the music. 

Don't forget to like, comment, and subscribe for more legendary rock stories! Like and subcribe to our channel ---   / @rockteeuk   

View the article at https://rocktee.co.uk/behind-the-scen... 

The Doors, Jim Morrison, Ray Manzarek, Robby Krieger, John Densmore, Paul A. Rothchild, The Doors debut album, classic rock, rock music history, behind the scenes, music documentary, rock legends, 1960s rock, music production, recording sessions, Break On Through, Light My Fire, The End, Sunset Sound Recorders, rock documentaries, iconic albums, legendary bands rockumentary

[melomancy]

kate bush photographed by john carder bush — from the book kate: inside the rainbow

[eroticlamb]

George Harrison and Pattie Boyd at Goldon Gate Park, San Francisco, August 7 1967 ♡ Photographed by Gene Anthony

[dominozee]

My Top 5 Old School Bass Players

Rock and roll is known for its fast-paced, electrifying guitar riffs and soulful vocals, but the bass guitar is an integral part of the genre. The bass guitar provides the foundation for the music, holding down the rhythm and adding depth and groove to the sound. Here are my picks for the top 5 old school rock and roll bass players: John Paul Jones – As the bassist for Led Zeppelin, John Paul…

[wh0-is-lily]

Carol Kane in 1978

[vintagebaby]

stevie nicks photographed by bob west, 1977.

[sayxit]

Silence

[nicodrawings]

Black history month isn’t just about celebrating the people we know, but uplifting the people whom we might not know.

This was truly a labor of love as I spent that past few weeks learning about Tina Bell’s life and the impact she and BAM BAM in general had on the Seattle grunge scene.

I would love it if you read about her story and share this with others who are passionate about music and black history, I want her to be just as much of a household name as Kurt Cobain.

Also please listen to their album! Its incredible!

Happy Black History Month to all my Black grunge guys gals and pals!!!! We were always here!!!

[popculturebaby]

Joan Jett on the Santa Monica pier in 1977 ✨

[dec4podcast]

RIP ROBBIE ROBERTSON

One of The Band's great performances, with the Staple Singers, from The Last Waltz.

[disease]

THE ART of GRACE SLICK

Grace Slick, formerly of Jefferson Airplane (and later Starship) who were one of Woodstock's monumental participants, has been involved in the visual arts scene lately in her life...

The Airplane, most notable for their psychedelic masterpiece 'White Rabbit', entwines the tale of Alice In Wonderland with lyrics advocating for the expansion of one's consciousness through hallucinogens as the ultimate solution; which, in opposition, dismisses the validity to the otherwise socially acceptable norm of the American pharmaceutical diet's true effectivity.

it's refreshing to see that, after many decades have passed, even though she chose to pursue a different artistic avenue than music—the thematics and probable integrity remain the very same.

included are just a few selections from her primary focal point, that eternal fascination with Wonderland; however, she has also paid homage to some of her fellow peers of the Revolution, by painting portraits of Janis Joplin, Jimi Hendrix, Jerry Garcia, amongst many others.

[melomancy]

Kate Bush performing in Japan, 1978

[eroticlamb]

Mick Jagger getting his makeup done before a performance, 1973 ♡ Photographed by Tommy Mardell