#robert bartos

[nyxgoddessofcandles]

May Linden Labs Burn To The Ground

Major content warning for blurred but very visibly-explicit-anyway screenshots within the article. But christ this is damning.

[theehorsepusssy]

TheeHorsepussys Portland : Vaseline Alley aka Stark Street aka Harvey Weinstein ( I always get that mixed up) Harvey Milk Blvd

Documenting some gay-ass history for the kids

Red Arrow - 2 blocks to Touche. Not gay but spent most of the 90s in that bar. Fancy looking dining room/pool room but mostly service industry clientele. Hard to find a spot to do drugs discreetly.

Green - Everyday Music. Where to sell vinyl for dope money.

Yellow - Big BIG abandoned, scary building. Looked haunted. Was eventually renovated. But gave you the heebie-jeebies walking past it at night. Gay bashing zone

Green Arrow - The City Nightclub. Underage nightclub. Chicken Hawks(is that Gus Van Sant?), lots of drugs, good DJ downstairs, GREAT DJ upstairs

Red - The Henry Weinhard Brewery (demolished) Made the area smell really, really awful. Gagging thinking of it.

(Stark Street starts to the right here. It looks like they built some weird barrier in the intersection..probably cuz drunk gays in middle of street)

Orange - The Bathhouse. Home away from home. I would sell rip-off size bags of meth to subsidize my habit. Sucked a huge penis here. Gagging thinking of it. Gay bar downstairs was called either Flossies or Silverado or both. Male strippers. Would buy my shitty little bags of dope.

Blue Arrow - at one moment in the 90s, a sex club I think owned by Fantasy Video. Robert would meet his side piece there . The director Todd Haynes, I fuzzily recall reading, was a patron. I went once. Weird vibe. There was a plaque on the wall outside the entrance commemorating the recording of Louie, Louie.

Orange - The Eagle. Bar where it was common to have sex. I saw a guy take a foot up his butt. Cops started randomly coming in to cock block. There is a new bar called the Eagle up in NE Portland up by the Heroin Fred Meyer (I suppose they all are now)

Blue - Transient hotel above the store I hated buying cigarettes from but can't recall why. Maybe it was expensive.

Green - Greasy spoon called Roxys. Horrible breakfast food 24/7. I think it used to be down the street on Everett. Had a tiny basement bar. Moved to Vaseline Alley in 90s. Had ginormous picture of Quentin Tarantino or some shit. Very 90s

Yellow - Three Sisters (Six Titties) dive bar/gay bar. Never really went there. At some point was a male strippers bar. Robert had me escort one of his side pieces there. Kid thought the stripper was really into him. I tried to explain. I won $600 on the poker machine and drove the kid home.

Orange - Django Records. Large amounts of cheap used records. 3 for a dollar bins! I bought Eyehategod In the Name of Suffering here. Also the Cruising soundtrack...33cents!

Red - Fancy, expensive hotel. Yell really loud underneath the windows. They like that. Cops always parked along this stretch. Drunk gays got their first DUIs around here.

Mint- block of amnesia. I don't think it existed

Red - Boxes. Gay bar where you did lines of coke/mda/meth in the bathroom without hassle. TV sets with Oprah or Steel Magnolias, shit like that on. Spartacus Leather fetish store was down a couple doors. Inside Boxes, you could take a wood paneled passage through the fish restaurant kitchen ( I don't think anyone ever ate there) and end up at.....

Green - the Brig. Named because dance floor had bars around it like a jail cell. Imagine the creative dance moves as the queens grappled bars, ass out while Madonna songs played on a loop. Your meth dealer could be found here, doing a fan dance. Don't wear black. Semen stains show up under the blacklights. (or do)

Yellow - the house paint store. Eventually became the Panorama in the age of MDMA. Rave type music. Went there once to meet a dealer. Obnoxious experience.

White - Silverado. Country Western night most nights. My roommate dj'd andtaught line dancing but dance floor was like 10 sq ft so it was just the gays holding hands and boot scootin' in a little circle for eternity. Bar I could get into underage.

Orange - Ben Stark Hotel. Like outta Barton Fink. But really,really seedy. Had some weird sex in there. Now a boutique hotel owned by some Donald Trump guy Gordon Someone who did something once. Probably haunted.

Brown - Scandals. Beer /wine bar. Big windows so you can people-watch and talk shit. Used to go in there underage until I got thrown out snorting a rail of MDA off the tabletop. Had electronic darts and video poker in the 90s. Me and Robert had a domestic dispute there.

Red - row of funky vintage/antique shops. Someone used to broadcast a pirate radio station somewhere around there in the 90s

Blue - Portland Underground. Small venue had some big shows early 90s. Top floor is where I swear I saw Econochrist play. But it's an office building. Maybe confused

Yellow. OBryant Square aka Paranoid Park. Skateboarders and street drugs. I got "chased" by AF Nazis here. Probably more like I ran my fat ass up the street after this girl I knew screamed "run!" And they probably just laughed. I didn't look back. I think it's demolished now.

White arrow- up the block toward the Galleria. Second floor toilet was really cruisy. Careful of cockblocking rent-a-cops. Kiosk by cafe I think was only place downtown to buy pipe to smoke pot

[mrbacf]

Silvius Leopold Weiss : Lute Sonata No.28 In F Major | Robert Barto

[quote-tournament]

Hi! I have to recite 6-8 lines of poetry for my drama class, but I don’t have any ideas. I know this blog has reblogged some poetry and people have sent asks with poetry, so could you or anyone who sees this suggest some good poetry? It has to be something you can say with full commitment and passion.

Ho for sure! Once I had to do a similar thing for a class, by giving a "gift" and my gift was Wendy Cope's The Orange, since it is one of my favourites.

Others of my favourites include Victor Hugo's Melancholia, Laura Gilpin's The Two Headed Calf, Stephen Crane's In The Desert, Meggie Royer's The Morning After I Killed Myself (poems under the cut)

If you want some more I recommend you check out @poetrysmackdown @apoemaday @havingapoemwithyou

The Orange by Wendy Cope

At lunchtime I bought a huge orange - The size of it made us all laugh. I peeled it and shared it with Robert and Dave - They got quarters and I got a half. And that orange, it made me so happy, As ordinary things often do Just lately. The shopping. A walk in the park. This is peace and contentment. It's new. The rest of the day was quite easy. I did all the jobs on my list And enjoyed them and had some time over. I love you. I'm glad I exist.

Melancholia by Victor Hugo (extract)

Où vont tous ces enfants dont pas un seul ne rit ? Ces doux êtres pensifs que la fièvre maigrit ? Ces filles de huit ans qu’on voit cheminer seules ? Ils s’en vont travailler quinze heures sous des meules ; Ils vont, de l’aube au soir, faire éternellement Dans la même prison le même mouvement. Accroupis sous les dents d’une machine sombre, Monstre hideux qui mâche on ne sait quoi dans l’ombre, Innocents dans un bagne, anges dans un enfer, Ils travaillent. Tout est d’airain, tout est de fer. Jamais on ne s’arrête et jamais on ne joue. Aussi quelle pâleur ! la cendre est sur leur joue. Il fait à peine jour, ils sont déjà bien las. Ils ne comprennent rien à leur destin, hélas ! Ils semblent dire à Dieu : « Petits comme nous sommes, Notre père, voyez ce que nous font les hommes ! » O servitude infâme imposée à l’enfant ! Rachitisme ! travail dont le souffle étouffant Défait ce qu’a fait Dieu ; qui tue, œuvre insensée, La beauté sur les fronts, dans les cœurs la pensée, Et qui ferait — c’est là son fruit le plus certain ! - D’Apollon un bossu, de Voltaire un crétin ! Travail mauvais qui prend l’âge tendre en sa serre, Qui produit la richesse en créant la misère, Qui se sert d’un enfant ainsi que d’un outil ! Progrès dont on demande : « Où va-t-il ? que veut-il ? » Qui brise la jeunesse en fleur ! qui donne, en somme, Une âme à la machine et la retire à l’homme ! Que ce travail, haï des mères, soit maudit ! Maudit comme le vice où l’on s’abâtardit, Maudit comme l’opprobre et comme le blasphème ! O Dieu ! qu’il soit maudit au nom du travail même, Au nom du vrai travail, sain, fécond, généreux, Qui fait le peuple libre et qui rend l’homme heureux !

English translation by Geoffrey Barto

[Where do these children go for whom nobody laughs?

These sweet, pensive beings wasted away by fever?

These eight-year-old girls you see walking alone?

They go to work — fifteen hours in the mill;

They go from dawn to dusk, eternally repeating

The same motions in the same prison.

Stooped beneath the teeth of a somber machine,

A hideous monster that chews who-knows-what in the shadows,

Innocents on the chain gang, angels in some hell,

They work. Everything is bronze, all is iron.

Never do they stop and never do they play.

And what paleness! Ash upon their cheeks.

Barely it is dawn, already they are tired.

They understand nothing of their fate, alas!

They seem to say to God: “Little as we are,

Our Father, look what the men do to us!”

O infamous servitude imposed upon the child!

Stunting! work whose stifling breath

Undoes what God has made; that kills, senseless work,

The beauty of their faces, the thought in their heads,

And which would make — here’s its most certain fruit! -

A hunchback of Apollo, a cretin of Voltaire!

Evil work that takes tender youth in its grasp,

That produces wealth by creating misery,

That uses a child like one more tool!

Progress of which we ask: “Where are you going? What do you want?”

That breaks youth in bloom! that gives, in sum,

A soul to a machine and yanks it from a man!

That this work, hated by mothers, be cursed!

Cursed as a degenerative vice!

Cursed as damnable, cursed as blasphemy!

O God! be it cursed even in the name of work,

In the name of true work, healthy, fecund, generous,

That makes the people free and makes man happy!]

The Two-headed Calf by Laura Gilpin

Tomorrow when the farm boys find this freak of nature, they will wrap his body in newspaper and carry him to the museum. But tonight he is alive and in the north field with his mother. It is a perfect summer evening: the moon rising over the orchard, the wind in the grass. And as he stares into the sky, there are twice as many stars as usual.

In The Desert by Stephen Crane

In the desert I saw a creature, naked, bestial, Who, squatting upon the ground, Held his heart in his hands, And ate of it. I said, “Is it good, friend?” “It is bitter—bitter,” he answered; “But I like it “Because it is bitter, “And because it is my heart.”

The Morning After I Killed Myself by Meggie Royer

The morning after I killed myself, I woke up. I made myself breakfast in bed. I added salt and pepper to my eggs and used my toast for a cheese and bacon sandwich. I squeezed a grapefruit into a juice glass. I scraped the ashes from the frying pan and rinsed the butter off the counter. I washed the dishes and folded the towels. The morning after I killed myself, I fell in love. Not with the boy down the street or the middle school principal. Not with the everyday jogger or the grocer who always left the avocados out of the bag. I fell in love with my mother and the way she sat on the floor of my room holding each rock from my collection in her palms until they grew dark with sweat. I fell in love with my father down at the river as he placed my note into a bottle and sent it into the current. With my brother who once believed in unicorns but who now sat in his desk at school trying desperately to believe I still existed. The morning after I killed myself, I walked the dog. I watched the way her tail twitched when a bird flew by or how her pace quickened at the sight of a cat. I saw the empty space in her eyes when she reached a stick and turned around to greet me so we could play catch but saw nothing but sky in my place. I stood by as strangers stroked her muzzle and she wilted beneath their touch like she did once for mine. The morning after I killed myself, I went back to the neighbors’ yard where I left my footprints in concrete as a two year old and examined how they were already fading. I picked a few daylilies and pulled a few weeds and watched the elderly woman through her window as she read the paper with the news of my death. I saw her husband spit tobacco into the kitchen sink and bring her her daily medication. The morning after I killed myself, I watched the sun come up. Each orange tree opened like a hand and the kid down the street pointed out a single red cloud to his mother. The morning after I killed myself, I went back to that body in the morgue and tried to talk some sense into her. I told her about the avocados and the stepping stones, the river and her parents. I told her about the sunsets and the dog and the beach. The morning after I killed myself, I tried to unkill myself, but couldn’t finish what I started.

[lesser-known-composers]

Bernhard Joachim Hagen (1720-1787) - Lute Sonata in C Minor: II. Allegro ·

Robert Barto, lute

[spy-in-the-house]

ARBILLA aka PHIL ROBERTSON

[ MIX-O-LOGY | MOMENTS | XISTENCE Records | ELECTROWAX, Dublin IRL ]

Brief bio of a DJ/Producer:  ARBILLA / PHIL ROBERTSON aka Attila Fulop, Hungarian-born DJ/Producer, living in Ireland since 2006, founded the Detroit techno-inspired and Dublin-based label Xistence Records. As a teenager, he started with typical home DJ-ing in the late 90's. To be followed by debut performances in local clubs and parties in his home country Hungary. For his take-off, he used to play first UK and Japanese Techno. Discovering the Detroit mothership in 1999, Techno had another sudden deep impact on him when he started producing his first tracks in 2002. He was recording so much music for Detroit's Motech Records, he had last year's appearance on the Swiss Acquit imprint. Where he debuted with his full-length album "Unborn Life" as Arbilla in September 2024 alongside more music on Logos Recordings and Lyre Records under his moniker "Moments". Read more via Soundcloud …

without the past… there’s no phuture… these all-time top20 faves in no particular order

01 KRAFTWERK [SCHNEIDER-BARTOS-HÜTTER-SCHULT]: Numbers / Computer • World.. 2 [ A-Side from “Numbers” Warner Bros. Records PRO-A-973 US 12” | 1981 ] 02 RHYTHIM IS RHYTHIM [DERRICK MAY]: Beyond The Dance _ Cult Mix [ A-Side from “Beyond The Dance” Transmat MS. 11 US 12” | 1989 ] 03 E-DANCER [KEVIN SAUNDERRSON]: Pump The Move [ A-Side from “Pump The Move / Grab The Beat” KMS-033 US 12” | 1991 ] 04 DARK COMEDY [KENNY LARKIN]: War Of The Worlds [ A2-Track from “Corbomite Maneuver EP” Transmat MS-17 US 12” | 1992 ] 05 RHYTHIM IS RHYTHIM]: Kaotic Harmony [ G1-Track from “Innovator” Transmat TMT-2/ R&S Records EU 5x12” | 1998 ] 06 SUBURBAN KNIGHT [JAMES PENNINGTON]: The Groove _ Pan Mix [ A-Side from “The Groove” Transmat MS-003 US 12” | 1987 ] 07 UR [UNDERGROUND RESISTANCE]: Codebreaker [ A-Side from “Codebreaker” Underground Resistance UR-038 / Submerge US 12” | 1997 ] 08 DREXCIYA [GERALD DONALD & JAMES STINSON]: Black Sea [ A1-Track from “The Journey Home” Warp Records WAP 57 UK 12” | 1995 ] 09 CLAUDE YOUNG: Acid Wash Conflict [ A1-Track from “Acid Wash Conflict” 7th City SCD-002 US 12” | 1995 ] 10 OCTAVE ONE [LENNY & LAWRENCE BURDEN]: Nationtime [ A-Side from “Images From Above” 430 West 4W-280 / Submerge US 2x12” | 1996 ] 11 THE VISION [ROBERT HOOD]: Detroit: One Circle [ B1-Track from “Spectral Nomad” Metroplex M-025 US 12” | 1996 ] 12 X-101 [JEFF MILLS, MIKE BANKS, ROBERT HOOD]: Sonic Destroyer [ A3-Track from “X-101" Underground Resistance UR-013.5 / Submerge US 12” | 1991 ] 13 HASHIM [GERALD C. CALLISTE JR.]: Al-Naafiysh (The Soul) [ Cutting Records CR-200 US 12” | 1983 ] 14 MODEL 500 [JUAN ATKINS]: Neptune [ B-Side from “Sonic Sunset” R&S Records RS-94043 BEL 2x12” | 1994 ] 15 A NUMBER OF NAMES [PAUL LESLEY, RODERICK SIMPSON, STERLING JONES]: Sharevari [ Capriccio Records P-928 US 12” | 1981 / RE 2013 ] 16 KOSMIC MESSENGER [STACEY PULLEN]: 8th Wonder [ B1-Track from “Detroit : Beyond The Third Wave” Astralwerks ASW-6170-1 US 2x12” | 1996 ] 17 CAPTAIN ROCK [RONALD WAYNE GREENE]: The Return Of Captain Rock [ NIA Records NI-1236 US 12” | 1983 ] 18 GRANDMASTER FLASH & THE FURIOUS FIVE: Scorpio [ Sugar Hill Records SH 590 US Promo-12” | 1982 ] 19 MR.FINGERS [LARRY HEARD]: Beyond The Clouds [ B_Side-Track from “Washing Machine / Can You Feel It” Trax Records TX127 US 12” | 1986 ] 20 RON TRENT: The Afterlife [ A1-Track from “The Afterlife” Warehouse Records WR-005 US 12” | 1990 ] #arbilla #bookmarks: FACEBOOK  ll  BANDCAMP  ll  INSTAGRAM  SOUNDCLOUD  ll  DISCOGS  ll   YOUTUBE

[4--light]

In conjunction with the exhibition 'Atmosphere for Enjoyment: Harry Bertoia’s Environment for Sound,' MAD commissioned New York–based musicians Lizzi Bougatsos and Robert Aiki Aubrey Lowe to create sound and video recordings with Sonambient sculptures. 'Atmosphere for Enjoyment' explores Bertoia's sounding or tonal sculptures. Collectively called Sonambient, these are works made of metal rods that make lush, resonant sounds when struck. Beginning in 1968, Bertoia began setting up an eighteenth-century stone barn on his property in Barto, Pennsylvania, to house and record these works, and this is where Bougatsos and Lowe made their recordings. On April 11, 2016, Lowe performed this piece, "We Echo Now His Love," at the Sonambient Barn. Under the alias Lichens, he creates live, spontaneous compositions often described as otherworldly. Both artists' work, influences, emphases on percussion, ambient music and dedication to improvisation made them compelling performers to relate to and animate the sounding sculptures installed at the barn, an experience reflected here. Video by Johann Rashid.

[musikblog]

Karl Bartos restauriert den Klang eines deutschen Stummfilmklassikers auf seine Weise. Bedacht, minimalistisch und – synthetisch. Letzteres wird ihm zum Verhängnis. Er gilt als einer der einflussreichsten deutschen Stummfilme aller Zeiten. Als „Das Cabinet des Dr. Caligari“ von Robert Wienes 1920 in die Kinos kommt, überschlagen sich die Filmkritiken. Vom modernsten und gewagtesten Film, den […]

https://www.musikblog.de/2024/02/karl-bartos-the-cabinet-of-dr-caligari/

[cleveredlearning]

Empowering Minds: Essential Coding and Artificial Intelligence Books for Schools

Introduction:

In an era driven by technology and innovation, it's imperative for educational institutions to equip students with the skills that will shape the future. The following list compiles 600 top-notch books on coding and artificial intelligence, carefully curated for schools to foster a generation of tech-savvy individuals.

Coding Books for Schools:Python Crash Course" by Eric Matthes:

An excellent introduction to programming using Python, catering to beginners and offering practical exercises."

JavaScript: The Good Parts" by Douglas Crockford:

Focuses on the essential parts of JavaScript, making it a valuable resource for students delving into web development.

Java: The Complete Reference" by Herbert Schildt:

A comprehensive guide for learning Java, covering everything from basic concepts to advanced topics.C++ Primer" by Stanley B. Lippman:

An in-depth guide for mastering C++, providing a solid foundation for students pursuing computer science.

HTML and CSS: Design and Build Websites" by Jon Duckett:

A visually appealing book that simplifies the concepts of HTML and CSS for creating stunning websites.

Algorithms" by Robert Sedgewick and Kevin Wayne:

An essential read for understanding algorithms, data structures, and their applications in problem-solving.

Clean Code: A Handbook of Agile Software Craftsmanship" by Robert C. Martin:

Teaches students the importance of writing clean and maintainable code, promoting best practices in software development.

Head First Design Patterns" by Eric Freeman, Elisabeth Robson, Bert Bates, and Kathy Sierra:

Introduces design patterns in a fun and engaging way, fostering good design practices among budding programmers.

Automate the Boring Stuff with Python" by Al Sweigart:

Inspires students to automate mundane tasks using Python, making programming more practical and enjoyable.

Code Complete: A Practical Handbook of Software Construction" by Steve McConnell:

A comprehensive guide covering the entire software development process, emphasizing the importance of high-quality code.

Artificial Intelligence Books for Schools:Artificial Intelligence: A Modern Approach" by Stuart Russell and Peter Norvig:

A widely used textbook providing a comprehensive introduction to the principles and techniques of AI.

Python Machine Learning" by Sebastian Raschka and Vahid Mirjalili:

Focuses on practical aspects of machine learning using Python, making it accessible for students.

Deep Learning" by Ian Goodfellow, Yoshua Bengio, and Aaron Courville:

An authoritative text on deep learning, offering insights into neural networks and their applications.

Hands-On Machine Learning with Scikit-Learn, Keras, and TensorFlow" by Aurélien Géron:

A practical guide for students to implement machine learning models using popular libraries.

Reinforcement Learning: An Introduction" by Richard S. Sutton and Andrew G. Barto:

An excellent resource for understanding reinforcement learning concepts, vital in AI development.

Artificial Intelligence: Foundations of Computational Agents" by David L. Poole and Alan K. Mackworth:

A textbook that explores the mathematical foundations of AI, making it suitable for advanced high school students.

Pattern Recognition and Machine Learning" by Christopher M. Bishop:

An essential read for students interested in pattern recognition and its applications in machine learning.

Artificial Intelligence: A Guide for Thinking Humans" by Melanie Mitchell:

Provides a broader perspective on AI, discussing its impact on society and ethical considerations.

Human Compatible: Artificial Intelligence and the Problem of Control" by Stuart Russell:

Explores the ethical challenges associated with AI, encouraging students to consider the societal implications of their work.

Machine Learning Yearning" by Andrew Ng:

A practical guide for students and practitioners on how to lead and manage machine learning projects effectively.

Conclusion:

These 600 coding and artificial intelligence books for schools lay the groundwork for a comprehensive and progressive education in technology. By integrating these resources into the curriculum, schools can empower students to become proficient coders and critical thinkers in the realm of artificial intelligence, ensuring they are well-prepared for the challenges and opportunities of the future.

[emzeciorrr]

DEICHMANN | PAŹDZIERNIK 30" from MARCIN STARZECKI on Vimeo.

Client: Deichmann Agency: OS3 Director: Marcin Maria Starzecki Producer: Remik Bartos Production Manager: Szymon Danilczyk Production Coordinator: Michał Sergiej Production Coordinator: Dominika Zajczuk Production Assistant: Michał Brzozowski Cast Coordinator: Maja Kondej DOP: Dominik Danilczyk Art Director: Tomasz Kulesza Costume Designer: Bartłomiej Indyka Make up: Laura Karaś MakeUp& Hairstylist / Dagmara Wróbel Make up (Sylwia Grzeszczak): Ewelina Krasoń / Kaja Karpieńko Hair (Sylwia Grzeszczak): Renata Zając 1st Asst. Director: Piotr Łazanowski Focus Puller: Darek Bardadyn / Sebastian Obuchowicz 2nd Camera Asst.: Michał Siudziński Steadicam: Mateusz Wasążnik Video Assistant: Antek Luc / Robert Kuliński / Bartek Komorowski Gaffer: Darek Lisowski Sparks: Marek Kolasiński, Bogumił Przeździecki, Cezary Kulczyk, Michał Zięba, Adam Napora, Bartek Mordak, Krzysztof Białas Grip: Wojtek Piasecki, Norbert Bernstock, Tomasz Dudek Set Manager: Remik Kubiak Prop Master: Piotr Pleskowicz Stage Hands: Koper Film Animal Trainer: Agata Kordos Editor: Andrzej Juraszczyk Postproduction: Lunapark BTS Photographer: Jacek Łukasiewicz

[renedemarie82]

Ok I don’t know why I can’t see the alt text on my pumpkin post so here’s it again but different

Fredersen from Metropolis my dramatic beloved

And two pouty pale dudes, Karl and Rob

[boomecca0123]

Here are my top 10 favorite Simpsons character.

1. Robert Underdunk “Sideshow Bob” Terwilliger Jr.

2. Bode Wright

3. Herbert “Herb” “Unky Herb” Powell

4. Milhouse Van Houten

5. Armin “Principal Skinner” Tamzarian

6. Bartholomew JoJo “Bart” “El Barto” Simpson

7. Cecil Underdunk Terwilliger

8. Margret “Maggie” Simpson

9. Homer Jay Simpson

10. Lisa Marie Simpson

[suggersdingle]

[ultraozzie3000]

A Slice of Paradise

A Slice of Paradise

Lois Long welcomed 1933 by venturing out into the New Year’s nightclub scene… Jan. 28, 1933 cover by William Steig. …where she encountered the new Paradise Cabaret Restaurant at Broadway and 49th, where there was no cover charge and not much covering the showgirls, either… THE GANG’S ALL HERE…Everyone from gangsters to sugar daddies (and a number of New Yorker staffers) took in the sights and…

[odedmusic]

Silvius Leopold Weiss Lute Sonatas, Robert Barto

#OdedFriedGaon #OdedMusic #OdedFullAlbumPlaylist #OdedWeekendPlaylist #OdedLengthySonicMasterpieces

[lesser-known-composers]

Bernhard Joachim Hagen (1720-1787) - Lute Sonata in G Minor [Augsburg manuscript] : I. Maestoso ·

Robert Barto, lute