#rhaenyra's characteization

[horizon-verizon]

Rhaenyra is not a feminist... and it doesn't matter

[hacked-wtsdz]

You can’t win as a woman in fiction. Be too positive, you become a Mary Sue, have flaws and those flaws are why almost nobody likes you. Be moderate, you have wet-cabbage personality, be exuberant, you are an unrealistic example. Have strong morals, and you’re badly developed, be morally corrupt and you’re hated with such vigour fans will send hate mail to the actress who plays the character. Be kind and soft and in love, you’re a representation of sexism, be cruel, harsh and cold and you’re just a bitch. Be a complex, realistic, ambiguous character, and either your flaws or your positive traits will be ignored or blown out of proportion and into oblivion. There is no winning for female characters.

[malotte00]

Just get married girls…

[irlplasticlamb]

what you cannot do, let others do for you,

prints + merch + c0mm1ssion info pinned to profile :)

[maxanor]

HOUSE OF THE DRAGON (2022–) Season 2, Episode 7, “The Red Sowing”

[prideprejudce]

this actually needed its own post because it’s probably the best contribution ive made to hotd so far

[lilhawkeye3]

Alicent Hightower, Criston Cole, Harwin Strong, Daemon Targaryen, and now Mysaria?

Rhaenyra is an absolute MENACE and her pussy game is unmatched, I am in awe

[ellemisc]

just us

[rhaenyrathecruell]

The grief I feel for both rhaenyra and healana is soul shattering. They both lost their babies. Luke was so pure and he deserved better. Healana should’ve married Jace. He would’ve looked at her spiders :(

[birdmans]

THE PRINCESS AND THE QUEEN

[aemondmybbg]

★ hotd bots masterlist

@ illumielle on character ai !! ᡣ𐭩

here you can find all my existing bots and a short description, i will update this page! 💌

ᯓ aemond targaryen: {14}

(1) — not his children? (niece!user {no dance!au} where they're married and he begins to believe the rumors that she conceived children from jace) (2) — his beloved niece (niece!user where he proposes to her during dinner in 1x07 episode) (3) — postwar marriage (niece!user the only surviving child of rhaenyra and daemon, in which he takes care of her and grooms her to build a trusting relationship and marries her when she grows up) (4) — forbidden feelings (aunt hightower!user and he just being in love with her, but afraid of this) (5) — after 'the pink dread' (niece!user consoles him after this joke) [platonic] (6) — in harrenhal (twin-sister wife!user where she pregnant and afraid of that rhaenyra captured king's landing) (7) — the only queen (lannister-wife!user who wants to be a queen and he does everything for her) [r] (8) — his strong girl (niece!user after dinner scene when he calls her and her brothers bastards) (9) — street of silk (niece!user where he finds her there after aegon took her to the street of silk) (10) — get his attention (baratheon!user that daughter of borros whom he chose as his wife) (11) — fear of closeness (wife!user {u can choose her house if you like} where he's afraid of s3x because aegon took him to a brothel when he was thirteen) (12) — war trophy (strong!user who is the legitimate daughter of harwin and aemond takes her to his bed after the capture of harrenhal) (13) — trying to be a good father (niece!user he cheated on her with alys rivers and after the war he tries to take care of their children) (14) — father for the first time (niece!user where they become parents for the first time and he worries about whether he will be a good father)

ᯓ aegon ii targaryen: {10}

(1) — king wants to see you in his chambers (niece!user after the 'dance of the dragons' trying to have a child) (2) — burning body and heart (wife!user stays with him after rooks' rest) [r] (3) — seeks comfort (wh0re!user he just comes to a brothel and for the first time he is looking not for s3x but for consolation) (4) — may become a father (aemonds wife!user where aegon becomes a father to her children after news of aemond's affair with alys rivers is revealed) (5) — takes you to the street of silk (niece!user where he takes her to a brothel to anger rhaenyra) (6) — newborn (niece!user where they meet their first child) (7) — his rhaenys (sister!user who was going to become a septa, but he wants to take her as his second wife because he always wanted only her) (8) — after usurpation (niece!user where he visits her with their son after the usurpation) [r] (9) — blood & cheese (niece!user comes to his chambers with their daughter after the murder and finds him in bed with her lady-in-waiting) (10) — different twins (twin-sister-wife!user where they are complete opposites but he wants to find a common language with her) [r]

ᯓ daemon targaryen: {6} (1) — won't allow it (sister!user where she is engaged to viserys, and daemon takes her to a brothel to tarnish her honor and take her as his wife) (2) — teacher's pet (stepdaughter!user where he no longer finds rhaenyra interesting or attractive, and his attention shifts entirely to her eldest daughter) [r] (3) — he regrets it (niece!user who accidentally became pregnant by him, but to hide it she was married to otto hightower) (4) — late visit (hightower!user which otto sends to the daemon after laena's death so that she can console him) (5) — obvious things (sister!user who is married to viserys, but her children are actually from daemon and they keep it a secret) [r] (6) — queen wants to see the newborn (sister!user where they meet their child and alicent wants to see him) [r]

ᯓ jacaerys velaryon: {2} (1) — solace (sister!user where they both find solace in each other after luke's death) (2) — one of those dragon seeds (bastard!user where he's just still grumbling about bastards riding dragons)

ᯓ rhaenyra targaryen: {2} (1) — she likes you more than your husband (harwins wife!user who has an affair with rhaenyra) [wlw] (2) — something she will never forgive herself for (daughter!user who is aegon's wife and lost her child during blood & cheese and rhaenyra tries to comfort her after all that) [platonic]

ᯓ alicent hightower: {1} (1) — her only child (daughter!user who looks exactly like her, and alicent has the strongest connection with her) [platonic]

ᯓ daeron targaryen: {1} (1) — reunion (sister!user where they are reunited on the battlefield after a long separation) [r]

ᯓ helaena targaryen: {1} (1) — doesn't want to fly into battle (lannister!user calms her down after aemond's attack) [r, wlw]

my requests are still open and i am happy to receive them ⭑.ᐟ

i didn't leave any links, but again you can find my profile and all these bots there! and if you need a specific link send me a message!

[the-daily-dreamer]

So a lot of people have talked about the weird sexual punishment and embarrassment utilized against team green and I wanted to weigh in because I think it’s the perfect example of the hypocrisy of this show’s messaging.

Because on the surface, HOTD takes a very sex positive stance. They champion Rhaenyra for being very open with her sexuality and for being sexually liberated in a very conservative society. They act as if she is an impressive beacon of feminism for this. And that would be great…if it weren’t for the fact that this sex positive outlook lives and dies with Rhaenyra’s and team black’s sexual experiences only.

Outside of Rhaenyra’s perspective, sex scenes are often degrading, predatory, abusive, and meant to embarrass the character to others in universe and/or the audience.

Criston is seen saying no and trying to leave when being coerced into sex with Rhaenyra which she promptly ignores by kissing him and blocking the door. Then that sex he consistently has with Rhaenyra is used as a joke for how pathetic he is for not accepting her offer to be nothing more than a personal “whore”. And his consensual sex with Alicent is seen as hypocrisy but also interrupted by Helaena after blood and cheese so that he can be blamed for this atrocity because of his “immorality”.

Aemond is seen cuddling in the lap like a young child of the woman who raped him when he was young, then being served milk, and then walking out of the brothel naked. With the whole scene being painted uncomfortable and rather degenerate.

Aegon has a scene of him being a rapist to ensure he is known as a bad and evil man. And then he has a scene where he explicitly states how his genitalia have been damaged. As if his disability from his attack is embarrassing and disgusting.

Larys one of the few disabled characters in the show, has a fetish that surrounds his disability that he uses to degrade Alicent. Thereby making him seem disgusting and pathetic.

And of course. Alicent. Her first sexual encounter we see her have is her looking dead inside while being raped by her pedophilic husband, a scene that seems to have the connotation of deserved assault because “she asked for this” by “seducing” Viserys. She is fetishized for information and thus makes her seem degraded and gross. Her sex with Criston is interrupted by Helaena after blood and cheese so that she, too, is blamed for the atrocity of the murder of her grandchild because she was “immoral” for…having consensual sex with someone after her rapist husband finally dies.

Every scene that any team green character experiences is painted in a way that portrays them as disgusting, perverted, and immoral; or is painted in a way that is meant to humiliate these characters to others in and out of universe.

How is this sexually positive? How is this an appropriate way to portray your “villains”, by painting them negatively and embarrassing them through their sexual encounters?

-

The worst part is that they’ve used these sexually degrading scenes specifically to “humble” a rape victim and child bride. Humbling her because they believe that she is power hungry and desperate for the throne and so she uses and betrays Viserys and Rhaenyra. And aside from that being a major mischaracterization (Alicent didn’t want the throne as a teenage girl forced to marry the king, and she doesn’t betray Viserys and Rhaenyra out of personal ambition but protection for her family), you know who that description fits? DAEMON TARGARYEN.

Daemon wanted the throne more than anything. Groomed his teenage niece to have a chance to marry her to get closer to the title of king. Betrayed, humiliated, and hurt his brother and niece wife to make himself a better candidate as heir. Choked his niece wife when she didn’t listen to him. And consistently asserted himself as king, a position to be viewed as higher than his wife the queen.

And similar to Alicent, he was “humbled” this season. But how was he humbled? By having private visions that are unknown to (almost) everyone. And these visions are mostly just him being shown the people he hurt in the process of seeking his power. Except for the one with his mother, which is sexually inclined, but not presented in the same depraved and humiliating way that the scenes with Alicent or any of team green are.

-

This whole show just has such a gross way of depicting the people they see as villains. And it shows how hypocritical their messaging is. HOTD is not a feminist, sex positive show. It’s far too obsessed with sexual violence and humiliation against people they dislike to be one. This show believes that sexual positivity and liberty is good. But only for those who deserve it. That it’s not a right but rather a privilege. And anyone they deem as immoral, evil, bad, or “unfeminist” doesn’t deserve it. They deserve to be ridiculed, humiliated, and humbled by their failures as people. And I can’t stand it.

This show isn’t sex positive and feminist. It’s Rhaenyra positive. That’s it.

[malotte00]

Gently

[irlplasticlamb]

i must not fear. fear is the mind-killer.

prints + merch

[thesunfyre4446]

people are treating grrm post like it's just another opinion on the source material. girl no. he wrote the fucking source material. when he tells you that hel was beloved of the smallfolk and rhaenyra was not it's not his opinion it's a fact. when he tells you that the people of KL rebelled and sought justice for hel it's not an opinion it's a fact. making posts quoting the author's work trying to prove why acshually hel was not that important nor was she that loved and that gwurlbos qween rhae-rhae was acshally loved so much by the people of king's landing because the people in her father's court named her "the realm's delight" when she was 5yo. be so fr The Cope.

y'all are always talking about feminism so why are you so bothered by the idea that another woman that is not rhaenyra was loved and important? why are so bothered by the idea that Queen Helaena was an important character and the entire population of KL fought for her?

anyways, in the words of GRRM - "Queen Helaena was loved. Rhaenyra was not."

[shortnotsweet]

This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.

Alicent’s Costuming

Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.

Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status

Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement

The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles

Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve

Shoes should stick mostly to slippers, or flat designs

In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.

Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.

Rhaenyra’s Costuming

Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.

Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.

There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.

Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.

Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.

Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.

Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.

Avoid headpieces that are not either a) her crown or b) ceremonial.