#rewatch you discover something new about the world or the story

[boombox-fuckboy]

Hey!!! You commented on my post about limetown haha which is why I’m here. You offered to give podcast recs! What are your favorites?? I’m looking for some new ones

I completely forgot I had this ask, excuse the delay. Here's a selection of 30 podcasts I enjoyed from a broad range of genres: hopefully at least one appeals.

Let me know if you're after something more specific.

Arden: (Investigative, Comedy) On the 25th of December, 2007, heiress and young actress Julie Capsom crashed her car into a tree and fled into a nearby forest clearing, leaving a trail that seemingly vanished into thin air, and a dismembered torso in the trunk. A decade later, Bea, the first reporter on the scene, and Brenda, a detective on the case, are hosting a true crime podcast about it, and neither is remotely impressed with what the other has to say. Arden is also a retelling of various Shakespeare plays.

Desperado: (Supernatural, Adventure, Horror Elements) In a modern world of gods and magic, three young people, all under the patronage of death dieties, embark on the same adventure for different reasons: for safety, for revenge, and to kill The Old Man in the Sky. Fantastic banter and killer action sequences.

The Far Meridian: (Magical Realism) An agoraphobic young woman wakes one day to discover her lighthouse home has travelled to somewhere entirely unfamilar. As this continues to happen day after day, she uses the opportunity to search for her missing brother. A really unique and charming piece of fiction.

Gastronaut: (Sci-Fi) Interstellar travel audio blog of a former food critic as he travels to an active warzone to get firsthand experience with unfamilar cuisine. ft. Disgruntled martian nobility, sinister businessmen, explosive mushrooms, forbidden snacks, rogue revolutionary artists, and the consequences of your actions.

Girl in Space: (Sci-Fi) The Girl In Space lives alone on a space station, doing science, making cheese, rewatching Jurassic Park, and tending to the plants, animals, and artificial sun entrusted to her. It's a little lonely, but not a bad life. Would be a shame if someone came along to ruin it.

The Goblet Wire: (Microfiction, Weird Fiction) A surreal microfiction with horror elements, taking the form of phone calls to an audio-based game in which the voice of the mysterious Dictator leads each player through fantastic and horrific world and story.

Hello From The Hallowoods: (Horror, Supernatural) A dramatic entity beyond your comprehension visits your nightmares to tell stories of the people (in varying degrees of human and alive) that inhabit the strange, deadly, and beautiful Hallowoods, as they find meaning and sometimes eachother.

Hi Nay: (Supernatural Horror) A year after moving to Toronto, sound designer Mari finds herself drawn into helping people around the city with various horrific supernatural encounters due to her babaylan (shaman) family background. It quickly becomes apparent that there's something much more sinister and complicated happening in the background.

Inco: (Microfiction, Sci-Fi) A perpetually exausted interstellar information trader and her peppy AI find a mysterious (read: bratty) boy floating in space and are inadventently pulled into a world political intrigue.

Inn Between: (Fantasy) Ever curious about what the D&D characters get up to at the tavern between sessions? A generally lighter-hearted (with some exceptions) with richly-written and always-growing characters. A really interesting format, too: a lot of the adventure appears in the "next time" and "last time" segments which makes it all flow really nicely. Not a tabletop podcast.

Janus Descending: (Sci-Fi, Horror, Tragedy) A xenoarcheologist and a xenopaleontologist are sent to a study a dead city on a distant world. Nobody likes what they find there. A unique format, with one set of logs presented first to last, and the other last to first. I'd recommend listening to the supercut for this one.

The Kingmaker Histories: (Steampunk, Weird Fiction, Adventure, Fantasy Elements) In the Valorian Socialist Republic 1911, on her 25th birthday, tailor's apprentice Colette experienced the worst headache of her life. As a result, she fleed from town with a human artificer and a fae chef - both now smugglers - pursued by an utterly furious flesh-crafter. I'm not sure I'm selling how good this podcast is but it's very good.

Life With Althaar: (Sci-Fi, Comedy) A human repairman moves to a space station on the edge of human territory that is perpetually on the edge of self-destruction, and ends up with a less-than-ideal last-minute roomate. Althaar is polite, friendly, deeply interested in human culture, and eager to be friends. Unfortunately he belongs to a species that sends humans into a visceral panic at a glance.

Lost Terminal: (Sci-Fi, Hopepunk) Seth is a very lonely AI living on a satellite. His crew were left stranded aboard with no hope of return, and it's been longer than he can count since then. The Earth below him has changed dramatically, and with only a few other AI down there to talk to, he's very lonely. But! He has a plan to make some new friends.

Love and Luck: (Romance, Slice-of-Life and Urban Fantasy Elements) Voice messages cataloguing two young men falling in love and opening a queer dry bar together.

Midnight Radio: (Light Supernatural, Romance) Sybil McIntyre, host of the ever-popular 1950's nightly radio hour, begins exchanging letters with an old fan who has reluctantly returned to visit Sybil's beloved town.

Midst: (Weird Fiction, Western, Sci-Fi and Fantasy Elements) The old-western planetoid islet of Midst floats, rotating steadily, in a sea of reality-warping darkness. Down in the town of Stationary Hill, things are in movement, and vistors from the light above are about to bring unanticipated change. ft a monocycle-riding monster-hunter, radio-famous airship paladins, deadly mica, the universe's peppiest cultist, good dogs, and a really strange businessman.

The Mistholme Museum of Mystery, Morbidity, and Mortality: (Weird Fiction, Supernatural, Urban Fantasy and Horror Elements) A friendly AI tour guide leads you on a tour of the Mistholme Museum, explaining the strange and often alternatural story behind each item.

Monstrous Agonies: (Supernatural, Relationship Advice) An interpersonal advice show for supernatural entities and other people living liminally in the modern world.

Night Shift: (Urban Fantasy, Investigative) Set in a modern world with the addition of magic, which manifests in small inherited skills/traits, can warp people in horrific ways, or can be manipulated with the right science (and intense work) to induce superpowers. Sebastian Fenn is a barista at Night Shift Coffee, but since things are slow he's decided to start a podcast to talk about various mysteries, crimes and conspiracies around the city, and of course finds himself deeper in them than he'd intended.

The Pasithea Powder: (Sci-Fi, Thriller Elements? I think?) The last major interplanetary war was full of atrocities, but none more infamous then the creation of Pasithea Powder, a memory altering drug which was used to horrible effect and landed it's entire team of creators in prison. So when decorated war hero Captain Sophie Green sees one of them wandering free, worlds away from his prison, she gets in touch with a very old, estranged friend: one Dr. Jane Gonzalez, who's behind bars for the very same reason.

SCP: Find Us Alive: (Weird Fiction, Supernatural, Horror and Slice-of-Life elements) You don't need to know anything about SCP to enjoy this. A research team gets trapped in an underground research facility when the complex collapses and the building is dragged into a pocket dimension. The tear it was designed to study begins creating tiny copies of itself, generating strange entities the team needs to deal with. And as if that wasn't enough, the entire situation physically resets itself every 30 days. And yet, this is genuinely also an office comedy.

Second Star to the Left: (Sci-Fi) Audio logs of a scout sent to explore and establish early infastructure new world, and the communications with the minder in charge of keeping her alive.

Seen and Not Heard: (Slice-of-Life, Drama) Seen and Not Heard follows Bet, who's still adjusting to life a year after a bout of severe illness, and the resulting hearing loss it caused. It's about the ways we make connection, and food, and art, and different kinds of grief.

The Silt Verses: (Horror) In a modern world where gods are abundant, frequently both commercialised and restricted, two devotees of an outlawed river god go on a pilgrimage.

SINKHOLE: (Sci-Fi, Weird Fiction) Forum posts from a data restoration community in a near future where the human brain is its own computer and one city hosts a massive void.

Starfall: (Fantasy) Seeking to escape her mysterious past and find some purpose, a young swordswoman joins a travelling actor's troupe. This new life is unfamilar and sometimes stressful, but she's taken under the wing of stagehand Fel, who's determined to help her feel welcome as she experiences the figurative and literal magic of the theatre for the first time.

The Tower: (Weird Fiction) A low-key, meditative podcasy about a young woman who decides to climb a seemingly endless tower. Gorgeous sound design.

The Vesta Clinic: (Sci-Fi) New GP Dr. Fae Underwood, with the expert transcription skills of resident AI Sec, writes up patient reports on human and alien patients of The Vesta Clinic, a medical clinic on the edge of human space. Really comfy and creative.

Victoriocity: (Steampunk, Mystery) Set in the steam-powered Victorian city of Even Greater London, an aspiring journalist and a tired detective find themselves working together to solve a strange murder. I say Victorian but as queen Victoria is now an extensive grandiocity of cyborg components following seven only-kind-of-successful assassinations, you may need to adjust expectations a little.

[eyeballmarshmallowtea]

BBC Sherlock

Hi, I'm Sophie. This post will be a rant. You have been warned.

BBC Sherlock last aired in 2017, with Series 4 Episode 3, The Final Problem. I am still waiting for Series 5. I first discovered this show when my amazing English teacher showed us A Study In Pink before the christmas holidays. I went home, watched the next epsiode, and promptly forgot that Sherlock existed. Until a couple of days before the summer holidays, when we were shown The Hounds of Baskerville. We only got to watch half the episode, and me and a friend finished it and watched half of the Great Game in Science and French class. (It was the end of the year, there was practically no work). And then I left for music tour. We spent 30+ hours on a coach over 5 days. 28 hours of that (I checked) was spent on BBC iPlayer. That's the whole of Sherlock twice. I finished it and then rewatched with a friend, and from then I became obsessed. I got a group together of 4 people, old and new fans, and we chat about Sherlock the entire time and it is amazing. My parents used to watch it so I convinced them that my sister was old enough to watch A Study In Pink. (She was only allowed to watch that one, she is now on Series 4. I regret nothing). My dad found the DVDs in the free book pickup at our local station, so I watched the original pilot episode and it was amazing. I also read and write fanfiction, which leads me onto the next point. And it is a long point.

Johnlock.

Although the series ended 7 years ago, I still hold out hope. Sherlock Holmes and John Watson belong together and always have, and before I finished the show I truly believed it would become canon. I was heartbroken and I genuinely felt let down. As so many of fans were at the time of the show's release, I am an LGBTQ+ teenager, and representation in my favourite show would be more than just a stupid headcannon coming true, it would have meant the world to me and so many others. This show has made me laugh and cry but sometimes I think about what could have happened and I wonder what could have been different.

However, regardless of this, I truly believe that this show is an incredible feat of acting, writing, filming, production and it will come back. Even yesterday (I say yesterday, it's 00:16 currently), the producer said there might be a movie or a new series. There is always hope, and Sherlock will return, because it has to. The 'ending' cannot be the ending, because it is not the ending. It is the temporary ending, and the true one will be here someday, even if it takes another 7 years.

And even if not, then there will be more adaptions, and someday someone will tell the true story of Sherlock.

And whether you ship Johnlock, or are a fan of Sherlock, this show is incredible. And honestly, if there is another series, I don't even care what it is about as long as it just happens.

In conclusion, this show has genuinely been life changing. It has changed my perception of things, given me friendships, made me less bored, given me something to do and something to talk about, and I am endlessly grateful for the show.

So when it does return, I will be waiting for it, and when the first announcement comes, I know my reaction will be pure joy, and probably make me look very stupid in public.

I'm now crying. I need to sleep.

Thank you for reading

-Sophie

[mynameisnotthepoint]

TV music superlatives

Inspired by @lurkingshan's BL superlatives and @my-rose-tinted-glasses's Rose Recaps QL 2024 - Music, I will list the music from TV shows that I enjoyed immensely. In no particular order.

Di Ka Sayang by Ben & Ben | Marahuyo Project

I discovered this Filipino group 2020 when I watched Gaya sa pelicula and have listened to several albums and songs by them. They make me whistful to that period in my life, but also so so hopeful. I actually knew this song before watching the show and it made me remember how much I love this group's music when I heard in Marahuyo Project. This show is so so good, and it has such a wonderful soundtrack.

相濡以沫 (This is Love) by JUD 陳泳希 | Let's talk about Chu

When I visited Taiwan in september, I heard this song in a gay bar/diner we stumbled upon and felt like I was kind of home? This song has seen me through some tough times. I am not good with cringe, so I had to watch this drama in increments, but overall, it is one of the series that I have rewatched parts of the most this year. Sex and the relationship to sexuality and intimacy and what it means to be family is such an important thing to me. I really recommend watching this drama, it has some tough scenes and a lot of cringiness, and I enjoyed it immensely.

Several other songs from this series' soundtrack made it to my 2024 playlist!

ふたたび (Futatabi) by HIROBA, 大塚 愛 (Otsuka Ai) | The End Of The World, With You

I rewatched this series in spring. This song just pierces through your heart, it brings something visceral out in me. Like I want to scream along, cry and just enjoy the instensity of it all.

美しい彼のテーマ (remix ver.) (My Beautiful Man's theme - remix ver.) by Yoshitaka Fujimoto | My Beautiful Man Eternal

This song touches something deep in me, just like Futabi. I have sat in my parents' car, driving on the highway and just loudly sang the drawn out vowels in this song. Amazing experience. Amazing film.

Chosen Family by Rina Sawayama | She loves to cook, she loves to eat

This series is like a warm hug, and this song is like the reassurance that even if your relatives suck, you can always find likeminded people who become family. I own every volume of this series that has been published in English so far and I really like the way the story was put on the screen. Hoping for a new season in the future!

めをみて by 泡く、脆く。, 千鎖 from ミセカイ | Mr. Mitsuya's planned feeding

This was not my favourite drama of the year, but I really enjoyed its atmosphere. And this song is rather atmospheric too, calm and soft, but with a spring in its step.

2Colors by THE SPELLBOUND, JESSE | Happy of the End

This show was a hard watch, and I can't say I didn't skip parts of some scenes, but I liked the characters and the cinematography. And this song!! I tried to find it on Spotify, but used the wrong keywords. I saw it on @my-rose-tinted-glasses post and was so happy I found it again!

안녕! 여보세요 - 이은하 (Lee Eun-ha) | Love in the big city

I binged this drama, which was not the best idea (I was sick at the time and couldn't do much else). This drama punched me in the gut and made me laugh, cry, experience all kinds of emotions. The music was good too (sad they couldn't license Kylie Minogue). I really enjoyed this song, it is just my kind of 80s music :)

Extra shout-outs

the Just between lovers soundtrack (youtube)

the Run On sountrack (youtube)

Palmy, Silly fools and SIN, Ohm Cocktail songs from the My School President soundtrack

เหมือนวิวาห์ (Rain Wedding) by Jeff Satur from The Paradise of Thorns, which I sadly have not been able to watch yet. (youtube)

the instrumental from Our Youth that I have yet to find...

[lipstickchainsaw]

I'm about to start Act 3 in my rewatch of Arcane before the new season comes out, so this is as good a time as any to share my thoughts on how each of the characters in Arcane represent sociological forces.

This post is going to be long, so this post will be about Piltover:

Let's start with Marcus, who very much represents the 'Us vs. Them' mentality topside. A group of people who feel the enforcers didn't do enough to stamp out the criminal element during the uprising, and is left with a lot of resentment and insecurity about why that didn't happen.

But when they do try for that, they very quickly find out that the consequences are horrific, and now they have blood on their hands, and they're in power while their more experienced superiors have been removed from the equation, so they're floundering, facing pressure on every side, and reacting with more violence that doesn't resolve anything and just further increases the unrest.

(Until they get blown up by Jinx' long-repressed pain that they played a part in encouraging, but we'll get to that.)

Marcus doesn't really have a characteristic weapon, but if he did, it'd be a shovel, not just because this is the guy who found a hole and kept digging, but also because he discovered that this hole ended up being his grave, first metaphorically, and then literally.

Grayson, by contrast, represents the people who were there during that conflict, who fought in it and saw how monstrous things got. She's the boots on the ground, though, not the political class, so she didn't just see the results, she saw what it took to get there, and she's not eager to get there again. She's the part that maintains the divide, sure, but with a handshake right over the line. Willing to let things be and look the other way if it helps keep the peace.

But that peace is lopsided, and there is still a lot of unrest brewing under the surface, so when the peace breaks she's the first to go, caught entirely off guard by the ambition and anger still brewing in the Undercity.

Moving up that chain, we get Jayce, the well-off (but not ridiculously rich) upper class whose self-image insists that they are regular working class, and them 'making it' proves anyone can. The one who's grown up with surprising privilege he is not aware of, and who sees the world as remarkably simple, and the only reason problems still exist is because either the elite don't really care to solve them, or they're just not smart enough and Jayce's class would cut the knots that need cutting!

This insistence that things are actually pretty simple, that everything is just a nail to hammer down, is what allows him to be manipulated and taken for a ride by anyone actually savvy, but the power he ends up with still allows him to do a lot of damage (and makes people want to manipulate him).

But he's so stuck in his own head, and thinking he's fairly average and normal (and just smart and charismatic, instead of privileged), that he can't see other perspectives as reasonable.

But unlike the Marcuses of Piltover, the Jayce class started off genuinely meaning well. Their view of the uprising was a kind of beneficent condescension, as they were a step removed from the actual pain involved, so they likely went 'oh those poor people, driven to something like this by their poor lot in life (and not because we're actively exploiting them), clearly we should help them'.

And then when the help he's decided the Undercity needs doesn't work, because he never bothered asking them what they wanted or needed, he's confused and upset and, uh, kind of overreacts.

Going up one level more, you end up with Caitlyn. Caitlyn is the new upper class, who knows of the uprising only because of her mother's stories (and maybe because her mother was a bit more stressed for a couple of weeks when she was six), but otherwise the whole thing is too far removed from her personal experience it doesn't even register. She has seen just enough from the Graysons of the world to see that as a more honest way of living life than what her mother does, and so she decides to slum it, insisting she should be treated just as everyone else, unaware of how her class privilege affects any of those interactions as well.

Seeing it as a more honest living, as a goal to target with a single-minded focus, does lead her to approach the problem with a bit more understanding, allows her to actually see the Undercity and its many aspects, but even then, she's still coming from above, and her family is still responsible for much of that suffering, and when that check comes home, her appreciation for those nuances doesn't exactly survive.

Now, I said Jayces think the only reason things aren't better is because the Mels and Cassandras don't particularly care about solving those problems, and, uh.

They really don't.

The actual rulers of Piltover remember the uprising as this annoying item on the itinerary they had to deal with for a couple of weeks years ago, and they've passed responsibility to keep that from happening again off to the Graysons, so they can focus on the things they do care about: Getting richer and more influential within the council.

And while yes, Mel may be the more progressive rebel of her family, but in Piltover, what she wants is to not be the least of the Medarda's, and if that means turning Piltover into a scientific powerhouse, that's the way to do it!

The Undercity doesn't even register to her, and it doesn't for Cassandra either, as Caitlyn accuses her of, later (and I'm sure that's an argument that's happened in a ton of places).

Now, it's true that both of them eventually vote for peace, but that's because of their emotional connection to the Jayces and Caitlyns.

After all, the thing that makes Mel work is that she's been aimlessly building up political and economic capital, until she catches feelings for Jayce and starts to look at how to spend that capital, only its filtered through the lens of Jayce's own biases, because she doesn't have alternate lenses into the whole problem.

They've spent so long not giving a shit about anything other than their own status within the game the Establishment created for them, that when they finally do act, they are forced to do so without actually grasping it.

And that is, of course, the fault of the Establishment itself, the embodiment of Piltover as an entity: Heimerdinger.

Because Heimerdinger is an institution. Yes, he is the head of the council, but in a sense, he is the institution that underlies that council as well.

And like every other institution, he's slow to change. He completed his mission, achieved his goals, and has been enjoying the fruits of that labour for a good hundred years. He thinks he's done, and so he's stopped paying attention, at least in a structural sense, to the point where he isn't even playing the game the other council members are.

He's assured himself he is the board, and that everything is basically fine. The uprising was probably just a brief flash of something with little consequence to him. It was contained, so it's no motivation for institutional change.

And so he doesn't realise how bad things have gotten, how much the foundations of his grand city of progress have rotten and crumbled until Jayce (via Mel) kicks him out to form a new Establishment, and he finally has to think about what the fuck is actually happening.

It's in part a result of his long lifespan, and that sudden change is the one thing he's most afraid of, because what if the change goes bad?

The problem is, of course, that the change will happen regardless, and he's just neglecting to be part of it.

But hey, he does manage to be out of office when the result of his neglect actually blows up.

Good for him.

Speaking of his neglect, as we've gone up, we most also go down!

Viktor is, technically, the Undercity resident who's made it! He got out of the Undercity, and became the assistant of the Dean of the Academy, one of the highest aspirations possible!

But of course the Undercity hasn't left him. Literally in the sense of the degenerative illness, of course, but metaphorically in that, uh, nobody gave him the respect he deserved, unless he outright clawed for it.

Like, what the fuck is this guy doing as Heimerdinger's assistant? If this guy got the resources that Jayce got from Cassandra, imagine where he'd be?

But no, he has to work twice as hard to get half as far, and, unfortunately, he soon learns there's no point in asking other people for help, because they'll just tell him 'no', anyway. He'll still have to go at it himself, and he now realises he doesn't fit in the Undercity anymore either.

He has only himself, and like everyone in that position, uh, he quickly burns out. In this case, the tragedy is that he doesn't realise he does have someone next to him who he could reach out for help, and who won't go 'you're dying? That sucks buddy, but such is life!'

And instead of noticing that, in his burnout, he ruins that, too.

And as much as a lucky Viktor might partner with the Jayces of the world, he won't get the credit, and the Jayces of the world quickly get the kind of accolades that draw them away from the original work, and from helping Viktor with, you know, the whole dying thing, and the businessman beats the scientist regardless.

And we see this happen despite the good intentions of everyone involved, which is what makes this a sociological, institutional pattern.

Going the other way, however, is Singed, whose role as a disgraced scientist who clearly crossed a number of moral lines makes for an interesting commentary on both Heimerdinger's tenure, and Silco's proclivities, because he found a refuge in the Undercity, that was more willing to accept the many lines he crossed.

In part because they hardly have the luxury to turn him away. Silco's entire plan hinges on Singed's shimmer, so he gets to be a powerbroker there, too. Thriving as Silco lets him poison everything down there.

[quantomeno]

Professor Layton and the Raiders of the Lost Legacy

aka "I've finally pinpointed exactly what's wrong with Azran Legacy and it's Indiana Jones"

(spoilers for all the layton games. Not many for Indiana Jones films but there are some mostly to do with the Last Crusade)

(also sorry this is such a long post I got carried away)

So, the other day I was rewatching Indiana Jones and the Last Crusade (it was new years eve and I had nothing better to do and it was on tv) and as a Layton fan I chuckled a little at the opening where Indy talks about how archaeology isn't about hunting for buried treasure etc because as we all know, Layton spends even less time being an archaeology professor than Indy and honestly even less time doing anything remotely related to archaeology.

And as the film progressed, I had Layton in the back of my mind. I was a massive Indiana Jones fan around the same time I was a massive Layton fan but since Layton in the original trilogy is hardly an archaeologist I don't think I ever really made the connection between the two series.

So, the problem I've always had with Azran Legacy is twofold. One is the story letting you do the different locations in any order, because it forces the overarching plot to stagnate and is what I think is a big factor in the rushed revelations at the ending (where we have like five different things going on and like everyone dies and comes back to life like woah, slow down). The other is that it just doesn't feel 'Laytonesque'. Now, Miracle Mask also has this issue, and in that case it's kind of the point because of the move to a new console and the new graphics and the series was getting repetitive by then. And some of the things I'll discuss later will be true of MM but I think they're more pronounced in AL.

The thing I realised watching the last crusade was that there's something else: AL is an 'Indiana Jones game' (in a sense).

OK there are a few key features of an IJ film for those who haven't seen them:

Indy meets someone who wants him to track down a valuable artefact that has some sort of mystical properties (e.g. the Holy Grail)

He discovers that some bad guys are after the treasure for evil purposes (it's often nazis)

What follows is an often violent chase across countries as he tries to piece together the mystery

In the end, Indy discovers the secret but just before he can get to the treasure, the bad guys get there first

He typically gets betrayed at a pivotal moment by someone he trusted

Indy has to help the bad guys under duress (e.g. his dad is shot and can only be saved by the Holy Grail)

The bad guys get the treasure but then do something stupid because of their greed/pride/ignorance and then they get killed by the magic power of the treasure (and the myths around it are thus proven true)

Indiana Jones rejects the allure of the treasure's power and either returns it to its rightful owners, leaves it alone or it ends up hidden away in a storage facility and forgotten (despite the fact much is made of his catchphrase 'it belongs in a museum', most of the major treasures don't actually end up in a museum)

Now, if we look at Azran Legacy:

Layton meets a guy (Sycamore) who has found a mysterious girl frozen in ice who is tied to some greater legend

He soon finds out Targent is after the girl and then they discover the second clue (the Azran eggs) and realise Targent want the 'Azran Legacy'

What follows is an occasionally violent chase around the world as Layton tries to piece together the mystery and find the eggs before Targent

Layton puts together the key from the Azran eggs but it gets stolen by Descole (his 'arch nemesis' who who was disguised as Sycamore)

Everyone chases Descole to the Azran sanctuary but then Layton gets betrayed by Emmy who was secretly working for Targent

Bronev (Targent's leader), in his desire to get the Azran legacy at all costs, sacrifices the frozen girl (Aurora) by stabbing her with the key

Laputa Castle in the Sky happens robots are unleashed on the world and to stop them everyone present must sacrifice themselves

Aurora (she got better) resurrects everyone with Azran magic science and then dies herself (she was a robot so she wasn't really alive anyway)

The Azran sanctuary and the robots crumble to dust and Layton, having rejected the allure of power and so on, returns home (after dealing with some family drama but that's a whole other story)

But you see the point? Azran Legacy is a stereotypical treasure hunting plot. Which is of course The Point, but it really shows just why it doesn't feel like a Layton game.

Compare Lost Future which is often the target of criticism for its over-the-top final act. Why is LF still a Layton game? Because we don't have the 'magic' elements Azrran Legacy has. Because the location is quite fixed and isolated. Because the evil guys aren't chasing us around the globe. Sure, they appear every time we go onto their turf, but 1) that's their turf and 2) they are no chase scenes. There isn't this final act where the villain wins the prize because there is no McGuffin.

And that is the other key thing: Layton games actually very rarely have McGuffins that are actual items.

CV's golden apple is really Flora.

PB has the box, obviously and that one I concede.

Last Specter has the flute? I guess. But the golden garden is the real treasure everyone's hunting for but that's not a 'thing'.

LF has the time machine? Maybe that counts?

Eternal Diva has Ambrosia/the secret to eternal life, but Ambrosia is again a place and the secret isn't a thing either.

MM has the mask (duh).

And AL has the eggs and later the key. The point being that there's an actual hunt for the eggs. Unlike in Last Specter where the flute never really changes hands.

The next point that then arises is why don't PB and MM suffer from this problem?

PB has only got Don Paolo as the 'villain' who wants the treasure. The other treasure seekers are either the real owner (Anton) or his brother who is kind of just hanging around grumpily and leaves after being told off by a hotel clerk. There's no 'chase' and the treasure doesn't physically appear until Don Paolo drops it and then leaves the plot entirely. Also its 'magic' is explained scientifically in a (somewhat) believable (or at least comprehensible) way.

MM avoids it because it is actually a Scooby Doo plot and not an Indiana Jones plot: the villain is a guy with a grudge in a costume, the magic item had no powers and was just a key to some weird contraption that lifts up the city (for reasons) and all the 'magic' was just circus tricks. The fact it mirrors the Last Crusade's "other hand" scene is hardly relevant. Even the ruins segment is decidedly not Indiana Jones since, again, there's no race against time aspect and there are no bad guys chasing them. MM definitely takes a lot of cues from IJ but overall the game is still Laytonesque. It is a character study more than an adventure.

And for people who complain about the weirdness of Last Specter. That's not that weird. Dinosaurs existed once it's not completely insane that a big aquatic animal was hiding in the town's reservoir.

I think this even ties into why I dislike the AL 'finger point' scene: all the other games build up to that moment because it answers an important mystery at the core of the story (or leads to it). Because a Layton game is a mystery game, but AL is hardly a mystery story, or it's really just a bunch of mini mysteries embedded in a treasure hunting chase story. Like, there is the 'what is the legacy' mystery, but that's not something you solve the same way you do the hallucinations of PB or the identity of LS's spectre. It just appears by itself at the end.

In trying to make a big, exciting, globe-trotting game, Level 5 overlooked the fundamental features of a Layton game, in particular the overarching mystery, and supplanted them with treasure-hunting tropes. AL is the least Laytonesque game of them all as a result and while this is not inherently a bad thing (we all know the original trilogy's twist was getting a little stale the fourth time they did it), it does change the flavour of the game to such a degree that I personally don't love it to the same degree as the other games.

Also the whole Layton I am your brother and also Bronev is our father bit was way too rushed and I can't forgive it for that. Honestly that's actually 75% of why AL is my lowest-ranked main series game but that's less fun to talk about than all this.

[frost-link]

can I ask for a Sidon x reader where the reader is from our world and still has a phone? Just something cute about reader teaching Sidon how a phone works and maybe Sidon comforting reader when she feels homesick

So this is the first time I've ever made a request so if it's stupid please ignore

What an interesting idea! I'd love to write this! I'll be writing in a headcanon format! This one is mainly just silly, I hope it's okay! ^^

The Power of Technology - Sidon X Reader

Sidon is immediately fascinated when you show him your weird glowing brick that looks like a sheikah slate, or how else would he put it... a Purah Pad? He knows that Link has one too. You try to explain that it is a "phone" and only you have one. Sidon just goes along with it because he has no idea how new technology works, but he'll try to understand!

He's amazed how you have everything by the power of your finger tip on such a small device. Despite not having any service or internet in their world, Sidon thinks that your phone is something out of a sci-fi child story.

When your phone dies for the first time and he learns that they need to be charged by electricity, he suggests that you leave your phone outside during a thunderstorm so it could "charge".

Once Sidon learns how to use your phone, the man immediately loves watching silly videos you had saved on your phone before you came to Hyrule. He will 100% watch the same video on loop for hours on end.

"Wow! Such wonderful art! It's like real life!" Sidon would exclaim looking in your camera roll. You would have to explain that these are "photos" not drawings. Sidon didn't believe you at first.

Oh... You poor thing... Now that Sidon has discovered the magic of the camera on your phone, he will sneak your phone and take hundreds of pictures, half of them being himself with his silly cheeky smile. You'll wake up to a message on your phone about your storage being "full", you'll know why.

You'll both scroll through your phone's camera roll together. Sidon will see ones of you back in your world and will have so many questions. Looking back on these photos will make you emotional, as much as you love Hyrule and Sidon, you do get homesick.

When you're homesick, Sidon will grab your phone out of your hand and take a silly picture of himself and change your wallpaper to himself. "Look my love! You can now look at me whenever you open your phone!" He would say with a silly grin. The photo would be taken at the worst angle, yet it would make you laugh, making you feel better.

You have a mix of different songs saved on your phone but Sidon had decided that he liked a certain band the most. In the early hours of the morning, you'll hear him softly sing to himself "Weeeee are the champions!!" Low and Behold... The band was Queen.

He 100% listens to the same song on loop, and he'll NEVER get tired of that song. "It's a catchy song! How could you NOT want to sing it?"

When you are on your phone at night, he's shocked at just how bright it is. "What is that thing even made of??"

Both of you will cuddle at night sometimes watching a movie or two. You only have a few, Sidon doesn't mind rewatching. He finds it amazing how you can record life on it and then watch it on such a tiny screen.

[grilledcheese-savage]

Sonic X: The Chris Issue

Sonic X spoilers ahead, I guess? It’s pretty old now I don’t think I need to warn anybody.

I was messaging my brother during my rewatch of Sonic X and decided to post some of my thoughts on Chris as a character. I’m not here to shit on Chris, I don’t actually hate him… I’m just here to suggest my ideas if I ever magically had the chance to make a modern reboot of Sonic X.

A lot of people dislike Chris, some for good reason, some just to be haters. And while I know a lot of people hate Chris because of him shutting off the gateway to Sonic’s home, there’s actually a much bigger issue with him as a character that I think is causing this immense hate;

People would like Chris more if he was obviously pathetic.

Okay now I know what you might be thinking BUT HEAR ME OUT FIRST. This is where my copy paste dms come in.

For example, If chris wore glasses maybe and was still rich and overprotected by his working parents and butler, but secretly discovers his love for adventure through Sonic, suddenly he has a much more interesting and streamlined arc.

Think about the comedic potential.

In the og, Chris is just an annoying rich kid who wants adventure until he finds it and gets scared but only when the writers remember it. Chris in the show, is sometimes helpful and always a liability.

I want it the opposite way.

Wouldn’t it be funnier if that’s what you expected from the get go, a kid who gets in everyone’s way? When it couldn’t be further from the truth?

In mine, he’s a more obvious, archetypal-tropey character that fits right in with the team of colorful animals.

He thinks he is this unlucky kid with no friends and stays inside all day, living in fear WHEN IN ACTUALITY he isn’t unlucky, he is LUCK INCARNATE.

AND HE HATES IT.

“oh no I’m weak and just gonna get in the way”

*trips on a rock* accidentally hits a button that prevents them from hitting the side of a cliff

Sonic: “Wow Chris, great job!”

“oh god.”

“What would we do without you, Chris! You’re an invaluable help!”

“Nooooooo!!!”

Another fun character trait is that he shamefully enjoys all the adventures he gets wrapped into in secret.

Adventure is like a poison, that enters his bloodstream and corrupts his programming. His programming being literal because all his overbearing parents fears for him made him into this hermit that he isn’t. His grandpa is the one who is always trying to him out of his shell. His grandpa is what he would’ve been like, without all his anxieties of experiencing the world.

His parents put all these rules on him that made him fear the world, until Sonic makes him actually experience it.

And he learns that it’s not something to be afraid of and he’s missed a huge portion of his life just studying and being a hermit out of fear. That’s why he has no social interactions out side of his family until Sonic.

It’s so much better when he gets back to school after his summer with Sonic, and he had no friends, everyone thought he was lame. Something happens and Chris has to do something scary to save the day and everyone is freaking out like “Omg how did you do that, he was dangling off the seventh story!” And Chris is so desensitized he’s like “Huh? What do you mean. That was nothing.”

Chris is so much stronger now and less anxious and he even dresses better maybe wears contacts (I hate that trope honestly but it fits so well). Everyone’s convinced he died and was replaced by a clone by the end of the summer. He becomes a certified school scp. He’s wanted by the government in several countries.

His parents are confused as well. If they come back temporarily they are so concerned for him. His new programming almost reverts but he’s just like that now. He stands up to his parents. He continues yoloing

What do you think? Do you like Chris? I also think it would make more sense for Chris to stop Sonic from going home because he’s connected his newfound confidence with Sonic in his mind as well as gaining his first friend. It would be too painful to make him leave, even if it’s disgustingly selfish. He knows it. He doesn’t want to go back to the way things were- Nervous and completely alone.

It’s his dip in character arc. But his guilt and toxic friendship with Sonic makes a complicated and emotionally compelling arc that eventually ends in him letting Sonic and his friends go.

Ignore the awful second hair, he has permanent bed head but this what I mean. This Chris is way more charming

Dishonorable second mentions:

[xerith-42]

What is, in your opinion, the best and the worst moments of the entire series and why? If you haven't already made a post about that

[cracks knuckles]

It's hard to put a finger on what I would say are best moments because through my rewatch I've actually discovered a lot of good moments early on that I think are overlooked because they don't play into the larger story later on. I talked about one of them in the context of a rewrite on my side blog, but I want to talk about a smaller moment that I actually don't think needs to be rewritten. (this isn't me saying this is the best moment in mcd, just that I think it deserves appreciation)

It's the entire opening sequence of episode 11. Like the whole thing is just really good. It opens with Aph finding out that Donna has gained sentience building that idea into the world, and she gets the story started right away by telling Aph about how Brendan got injured at the end of last episode. Aph instantly rushes in to help, finds out what she has to do from Garroth, and then takes off to do it. Earlier episodes have a problem of being kind of nothing a lot of the time, or Jess will get distracted and take way too long to get to the story, but that just isn't a problem here.

At this point Brendan has been established as a character with gripes, ambitions, wants, love for hamsters, and has an emotional connection to another character in the cast. So both the audience and Aph are invested in his safety, and it's great to see how seriously she can take these situations when circumstances demand it. Furthermore once she gets the medicine Garroth needs, it's Garroth who actually treats Brendan's wounds as this is before Zoey entered the series and became the resident healer.

I really like this aspect of Garroth's character and think it has a ton of potential! Garroth learning battle medicine during the year Phoenix Drop didn't have their lord because he failed to protect his lord before? Maybe he learned it even earlier, like in the guard academy shortly after the death of his brother to ensure that he doesn't lose someone again. As far as I'm aware this is never expanded on outside of this episode but I think it was a really solid piece of character work with Garroth.

And Zenix in this scene?? On point. He is playing up the whole scared guard who's a rookie and new to everything aspect so well, and the way he talks about the whole ordeal is just fantastic. He's so good at playing on Aph's trusting nature and when you learn that he knew the arrow was meant for him and put Brendan in the way? It makes the entire scene all the more heartbreaking. Overall a really great showing from one of the earlier episodes of the series.

And on the complete opposite end of the spectrum, we have one of the much later episodes in the series run that if you ask me, is one of the worst scenes in anything I have ever witnessed. Season 2 Episode 95 of Minecraft Diaries is perhaps the best example of character assassination happening in real time I have ever seen. The rot upon Laurance's character has been creeping in for some time during season 2, but this is when it hits it's crescendo.

I can and will do an entire post breaking down this entire episode minute by minute one of these days because it's failures are something I take personally. For those of you who aren't actually going insane over the block show, Season 2 Episode 95 is titled "Shadows of the Past", and this is the episode where everything with Laurance hits it's breaking point. In this episode while Aph is just having a fun day playing with Dante, Leona, and the other child who is there, she sees an imp in the forest disguised as Aaron. (Keep in mind Aaron died in episode 81 so the wound is still sort of fresh)

Aph is shaken by this and halfway through the episode she sits on the beaches of the Phoenix Alliance island holding Aaron's bandana and having a quiet moment. Laurance comes up behind her, before he sits next to her, and the two start talking. In theory, I like this conversation. Laurance has largely not been able to express his feelings on Aaron and what he did because he ran away right after it happened, and showed up only 5 episodes ago trying to kill Aph while she was in disguise. He hasn't had a moment to really process Aaron's sacrifice and what it means for him. The strange contradictory feelings he has over his jealousy, his desire to protect, the calling, and dare I say it, his respect for Aaron.

In theory, I really like this conversation. In practice this conversation manages to drag not one, not two, but all three of Minecraft Diaries main characters to their lowest points. In this scene Laurance proceeds to berate Aph for her feelings, invalidate previous lines he said about Aaron, completely betrays his own character and motivation, and forever ruins his character arc. And that's not including how much of a fucking asshole Garroth is in this scene, like Laurance was being bad, but Garroth saying "You were lucky to come back alive" after Laurance was forcibly raised into undeath??? Not cool dude.

The entire scene also reduced Aph into just a grieving widow. She's so grief stricken she can't even stand up to Laurance, which could be good in theory, but I just don't like it. It just doesn't feel right. It doesn't feel like the character I've been following. Aph has always been a proactive and reactive character, bad stuff happens and her response is to do something about it. This scene makes her far more passive and while I don't object to her grieving, this just isn't it. I can't explain it better than that, it just isn't it.

As stated before, Garroth may have had some good points but completely lost all merit he had in this argument when he hit Laurance with that line. That was just uncalled for.

And poor poor Laurance. Let's just give a quick rundown on things in Laurance's life that greatly impact the way he views death: His parents dying when he was a kid, his lord dying while under his watch, seeing someone he knew was dead walking around alive, literally actually dying and being forcibly raised into partial undeath with a great curse to bear and no control over any of this happening, his best friend sacrificing their life to save him, AND losing his OTHER parent after being thrown 15 years into the future. Laurance has been a victim of death and it's many ways of truly ruining someone's brain in ways we mortals aren't even able to comprehend.

He would never yell at someone for grieving. He would never get mad at someone for being sad that someone they care about is gone, no matter how jealous he can be. He would never see Aph with tears in her eyes and keep yelling. The only circumstances I could see him doing this under is if the calling is influencing him, but that isn't explicitly shown to the viewer or ever even implied to be the reason for this outburst. We are just expected to take this at face value. That his is who Laurance is, who he has become.

And it's not Laurance. I don't know who it is, but it's just not him. It's someone else who's using Laurance's likeness to prop up the story of two people falling in love and losing each other that takes longer than Romeo and Juliet and manages to somehow be worse than that. In a sick and twisted sense, Jess is how we've all been headcanoning the Shadow King, turning Laurance into her little puppet that she can control to do whatever she wants when the plot demands it, previously established character be damned. She didn't write this scene because she wanted to explore Laurance's character, she wrote this scene so fans would get off her back.

Laurance deserved better than this.

cutting myself off here because if I keep going I will just rewrite this entire episode in real time for the third time

[princesssarisa]

What is your best advice for any writer who wishes to write a story inspired by Beauty and the Beast but wants to make sure it feels creative and fresh and new?

Hmm... there are a lot of possible answers to this question.

For starters, I'd suggest going back to the original literary versions of the tale. If the length of Madame de Villeneuve's original novel is too daunting, just stick with the shorter versions: Madame de Beaumont's, Andrew Lang's, and/or Arthur Quiller-Couch's. You might also rewatch a few of the film adaptations (Disney's, Cocteau's, and at least two or three others – the Czech Panna a Netvor is a particularly acclaimed lesser-known version).

Then decide which themes stand out the most for you and emphasize those themes in your version.

Do you want to go back to the story's original meaning, an allegory for arranged marriage, but put a new spin on that theme that reflects your views on the subject? Or do you want to downplay that theme, as most modern adaptations do? Do you view the story as chiefly about gender relations, with the Beast's frightening looks and Beauty's initial fear of him representing female fear of patriarchal power and male sexuality, which she loses as he treats her with constant respect and chivalry? Or about different types of love, with Beauty learning to choose "companionate love" (based in friendship, mutual respect, and shared interests and values) over shallow, appearance-based infatuation? Or do you prefer the Beast to represent a social outcast: someone wrongly feared, hated, and forced to hide from the world, whose true value and worthiness of love Beauty discovers?

And what matters most to you about the ending? The Beast's transformation into a human, or Beauty's willingness to love him in his Beast form?

I still remember that post I once read about Beauty and the Beast-type stories, which discussed whether the central appeal of those stories is identifying with Beauty and the fantasy of "taming the Beast" (winning the love of something frightening and making it safe and gentle to you), or identifying with the Beast and the fantasy being loved despite being "ugly," "frightening," and "different"? Of course neither of those perspectives is the single reason for the story's appeal: why cant it be both?

There are more questions you'll want to ask yourself too. Who is the real protagonist in your version, Beauty or the Beast? Whose growth takes center stage: Beauty's as she learns to love the Beast, the Beast's as he earns her love, or both equally? Will your version include a villain, or do you see no need for one? Do you want to keep the air of mystery from the original tale? (e.g. "Who is the Beast, how did he come to be, and what does he want from Beauty?") If so, that will probably require changes to the Beast's backstory, because the familiar tale is so well-known. Or are you content to cut the mystery aspect and let the audience know exactly who and what the Beast is from the start? For that matter, how did the Beast come to be cursed? Would you want to go back to Villaneuve's original version and have him cursed by a wicked fairy whom he refused to marry? (That has interesting potential in today's post-#MeToo era.) Or follow the post-Disney tradition of making it a punishment for some wrongdoing? Or some other, completely original means of enchantment?

You might also want to draw on unique traditions from other cultures' variations on the tale. For example, in Eastern European versions like Panna a Netvor or Russia's The Scarlet Flower, the Beast hides from Beauty, so through most of her arc of learning to love him, she never sees him, but only hears his voice, and doesn't know he's a Beast. Only just before she goes back to visit her family does she finally see him, so the struggle of whether or not she can love a Beast becomes a late plot twist rather than a problem presented from the start. That could be an interesting choice to adapt.

And then there are the story's two most controversial aspects: the issue of "Stockholm Syndrome" and the ending. How are you going to deal with the fact that Beauty is the Beast's prisoner through most of their romance arc? A few modern retellings have avoided making the Beast the one who threatens Beauty's father or who accepts her as a prisoner in his place, but instead portrayed both Beauty and the Beast as prisoners of whatever higher power cursed the Beast in the first place. You could find an original way to do that too. Or, if you think that would rob the Beast of the moral grayness that makes him interesting in traditional versions, find some other solution to fend off accusations of "Stockholm Syndrome." Then there's the claim some people make that the ending goes against the story's message when the Beast changes into a handsome prince. Would you want him to stay a Beast in your version, possibly with Beauty becoming (or discovering that she already is) a non-human creature too? Or would you make it clear that the Beast's hideous form symbolizes some emotional unhealthiness within him (e.g. his "animalistic" selfishness and rage in the Disney version, or his trauma and depression in Megan Kearney's webcomic) and that his becoming human again represents his healing?

I hope I haven't gone on and on too much. There are many more things I could say, but this is enough for now.

Just find which aspects of the traditional story speak to you the most, and which aspects you don't care for as much and might want to change, and then do whatever you like with them.

[acacia-may]

4, 11, 52, and 65 for the 100 writer asks? 👉👈💖

Thank you so much for the ask, Erika! I'd be delighted to answer these questions for you! Cheers!! 💖

4. What is the plot bunny you’ve been carrying for the longest? optional bonus question: do you ever wonder why you haven’t written it yet and experience deep existential dread?

SO.MUCH.EXISTENTIAL.DREAD.

I answered this question here and talked about my Langris x Finesse Beauty and the Beast AU. Super fun stuff that I never got around to writing at all unfortunately. I have a lot of plot bunnies, but I think that's the oldest I'm still carrying around and have never made any concrete progress on.

11. What's something neat you’ve learned while doing research for something you were writing? also, how much do you worry about doing research in general?

...do you want to know how the human knee joint works in excruciating detail??? I now have my honorary PhD in Patellar Instability thanks to fanfiction.

Jokes aside...I think a lot of the things I've learned for fanfics are related to injuries. I know way more about corneal lacerations, punctured lungs, broken fibulas, amputation recovery, and direct blood transfusions in World War I than I ever expected to know (among a lot of other things).

I also try to research the personal experiences of people who have similar struggles to the characters I'm writing if I don't have a personal frame of reference. For instance, I think I've read at least 100 first-hand accounts from widows and widowers who eventually remarried detailing their specific struggles in processing their grief and opening themselves up to love again. (A special thanks to the Widowers Support Network. They were very informative.)

Sometimes I just disappear down the research rabbit hole. I once spent literally an hour and a half researching cantera fountains for one throwaway line in a one shot. If the story takes place in a historical setting, I'll spend a lot of time researching that or (more often than not) researching whether or not certain things existed yet.

Recently I have been learning a lot about bridges. (I have this OC who is super passionate about bridges, but I know absolutely nothing about them 🤦‍♀️ so it's been a struggle). Last weekend I watched a 45-minute documentary about cantilever bridges just so I'd know how they work--only to discover that the cantilever bridge in this city where the fic was taking place had been torn down at this time and a new cable-stayed bridge had been built. So then I had to watch a bunch of YouTube videos about how those work too.

Oh I also do a lot of canon research too (i.e. going back to reread or rewatch relevant moments from the story because I generally want my fics to be as close to canon as possible. There is nothing worse than catching continuity errors in my work. Yikes 🙈

So yeah...needless to say, I do a ton of research--probably WAY too much because it's most likely that nobody even notices these things but me. But it's still important to me to be accurate to the source material and as realistic as possible.

52. How many unfinished ideas/stories are you working on at the same time?

I try to only actively write one story at time, but I generally work on actively drafting and outlining up to and around 5 at once (by shuffling around the ideas in my head). I specify "actively" because I constantly juggle a lot of WIPs and story ideas, but I can only make concrete progress on a few of them at a time. That doesn't mean I've abandoned my wips, just that they don't have my attention and therefore, won't get concrete drafting, outlining, or writing progression.

Going back to question #4, this also fills me with existential dread.

65. What is your favourite title for a fic you’ve written? 

Probably "A Ceiling Made Of Stars" (which is DRV3 fic). In a once-in-a-lifetime event for me, I actually titled that fic before I wrote it. It just came to me when I had the initial idea for that story, and I think it's poetic, especially in context. I'm also very fond of "The Hero You Loved" (which is an OMORI fic) though I haven't written the 2nd chapter of that fic which would fully explain where the title comes from yet.

It's worth mentioning though that a lot of my fic titles are borrowed from/inspired by lines in music so I felt I should share my favorite titles in this category too (the fandom is in parentheses): "Tackle The Monsters" (DR UDG) "Hearts In Tune," (OMORI) and "Lights Will Guide You Home" (EOA)

My favorite cheeky title is probably "Everything I Need To Know About Love I Learned From Latin" (Horrible Histories; The Movie) though "How To Catch A Mermaid" (OMORI) is a close second. 😁 "It's a Future Problem" is another fun one especially given what that story is about (and that's actually a Black Clover fic unlike the rest of these😅).

To be honest, I think some of my unfinished wips actually have some of my favorite titles I've ever come up with so I'll mention them too: "Lightning In Their Eyes" (Fairy Tail; about how each of the members of the Thunder Legion first met Laxus) and "Dissonant Melodies" (YTTD; about the Yabusame Siblings' (who are both musicians) extremely strained relationship). But alas, these stories never got finished...maybe someday...

[randomnameless]

Rewatching the 2003 FMA anime -

It sure brings back nostalgia, 2003!FMA was the thing that made me hook up on anime/mangas since middle school, looking for OSTs, opening/ending songs, I even went to my first anime convention thanks to FMA (and brought a trinket for 20 euros but i couldn't care at that time, it was merch!) - hell, FMA was the phenomenon that made me discover the world of fanfics and, by extension, "learn" english to browse more fanfics (i know).

20ish years later though...

(i still read fanfics)

Sure, Arakawa told Sony (Dybex?) to make their own stuff and that they did, so judging on the "faithfulness" of the adaptation itself is a moot point - but the story and the characters in themselves?

Sorry -20ish years me, but damn if that anime is full of inconsistencies, i-hope-it-was-non-intentional meanings, retcons and, tbh, the protagonists are, quite frankly? Not likeable at all ?

One of the major plot lines that completely was created from scratch regarding the canon manga, and is the trademark of the 2003!anime, is how human transmutation, aka trying to resurrect the dead, well, doesn't resurrect dead people, but creates a new living being - those beings later are revealed to be homonculi.

FMA, even the 2003 anime, had that part with the living armors battle, where the protagonists wondered what it meant to be called a human, or even what is a human. Alphonse is only a soul tied to an armor, a "living" armor if you want, but Edwards refuses to consider other "livign armors" as less than humans and kill them, because if he does so, he will have to see his own brother as "not human anymore".

And we saw Tucker - a scientists so hellbent on passing his exam that he lit sacrifices his 4 years old daughter and doggo - who has a human body, human soul and human mind : what makes Tucker more "human" than a living armor, or even Alphonse?

Comes the homonculi reveal and one of the main issues of this anime : 2003!Wrath.

When we are introduced to him, he's just a weird kid with mismatched members, who lost his memories, doesn't understand empathy but bar that, he eats, hugs people, bathes just fine.

And yet, the second he is revealed to be a homonculi, a being born from alchemy, he is considered as a monster and something that should be killed, because he should never have existed in the first place.

And who says that?

Not the antagonists of this arc, no, our protagonists, Edward and Alfonse themselves! To sum up, Wrath has been behaving perfectly fine despite his background being a mystery, but when he is revealed to be a non-human being, our protags want to kill him - because he is a homonculi.

Yeah. GG protags.

Earlier we had the confirmation 2003!Wrath's weird mismatched limbs are actually Edward's missing ones, they accuse him of having "stolen" them - which is true ! - but Armstrong (who is more of a joke character in this continuity than in the manga!) asks them the ultimate question, even if his limbs are Edward's, what are they going to do? Sever them to re-attach them to Ed? Of course not, Ed says...

But in the following episode, we have Al fight against 2003!Wrath, asking him to "give back" his arm and leg to Edward...

What is the viewer even supposed to understand here?

Then we have the entire Greed arc - which also ends on a dud, I mean, Edward screams to whoever wants to hear it that's he's going to kill Greed, and then he truly kills him but screams in horror because he killed someone? Dude? - which, thanks to his chimeras and the bond they created, was enough to tell the viewer that those beings, homonculus, aren't monstruous by nature, sure Envy and Lust are asses, but Greed was shown to care about his newfound friends, and could even live with humans?

No, they're still monsters created through Alchemy, they're not human, thus need to die.

WTF?

2003!Wrath's character background basically oozes of pathos/tragedy : sure, he was not the "baby" Izumi lost when she "created" him, and yet, he was still in a baby-like state who was abandoned - and we later learn his wish was to have a mother - and he is furious at the circumstances of his creation, and abandonment.

And then, enters 2003!Sloth, who is a result of the Elrics' human transmutation. For sure they couldn't "look after" her immediately post transmutation - but they, uh, never wondered where the "thing" they created went? What it did? If it died?

(in the manga Pinako says she buried it as she found it dead when she came to their house)

Sure sure, the main villain Dante (Hell hath no Fury like a Woman Scorned : the Villain) conveniently passed by and snagged the "thing" that would later become Sloth, and yet, we're left to wonder, is the sin the alchemists refering to when they're talking about homonculi is the sin of creating them, or the sin of abandoning them?

It's basically the entire thing with Frankestein's creature, what was the biggest sin, to have created him, or treated him like trash?

To Izumi, who tried - but too late - to reach for baby Wrath, his righteous anger and Izumi's mothering tendencies when she immediatly knew "what/who" he was seems to indicate the second option - she feels like dirt for abandoning Wrath.

But when Edward fights 2003!Sloth - there is no introspection, especially as we see her own flashbacks as a thing that was recovered by Dante - and groomed by her - he will merely kill her because she is his "sin" and because she is a homonculus.

Not because of what she did, but because of what she is.

Our hero, everyone.

...

Yeah... and it's not helped at all by the fact that Mustang, maybe one or two episodes later, tells 2003!Pride that he cannot give a fuck about Pride being a human or a homonculus, but he will kill him to avenge Hugues' death and because of his war-mongering actions as the Furher.

Mustang, Armstrong and Pinako (who tells Ed to shut the fuck up when he goes in his spoiled brat mode wanting to beat Mustang for not telling him about Hughes' death and rushing to his own) were really the heroes of this story lol.

Or... not, concerning Mustang himself, and that's where we enter in the disturbing implications stuff from this anime.

2003!Mustang has PTSD from the Ishval war, in the Marco flashback we see him execute orders and basically nearly have a manga!armstrong level of breakdown - but when we see him roasting Ishvalan children, randoms and all, what really pushes him to the edge, and what the showrunners put emphasis on, is the killing of Winry's parents, aka two amestrians.

Who, in this show, accuses him of having killed her parents and bring the tense moments and accusations of war criminal and murderers? Winry, not the two Ishvalan kids whose mom was toasted during the war.

Make no mistake, the death of a civilian, regardless of their nationality, is always a tragedy.

And yet, between the thousands "brown" Ishvalan people and the couple of "white" Amestrians doctors, which death seems to have affected Mustang more? Which one is often brought to the forefront whenever Mustang, Ishval and civilian casualties are mentionned?

Oh I can't tell if it was 2003, but the, uh, depiction of the Ishvals is just...

Like, people really religious, dark skinned, living in a desert, shunning Alchemy (depicted as science and scientific approach here more than in the manga) and being hellbent on doing "God's" work?

Hm.

They stone someone who's a "great sinner", if it wasn't clear, and the one who initiates the massacre of 7k randoms is, well, an Ishvalan claiming to do this in the name of justice.

2003, right.

Oh, and about this incident, Scar justifies it as "the military" having occupied Liore and, well, Rose's ordeal. And yet, the 7k people he sacrifices weren't the ones who were in Liore (they're part of the randoms who were brought by Archer and Mustang!) and assaulted Rose, no, they were just randoms.

And when you compare this anime to Brotherhood, it gives more spoltight to Mustang's cast of randoms, or even has random loldiers in the background (either being annoyed at Armstrong's antics or, when he was alive, at Hughes') so we have some "randoms in the background" depicted with sympathy. And yet they're all killed to make Alphonse in a philosopher's stone, and Al's first reactions is to run around and swim??

7k lives sacrificed for... Al learning how to swim???

In general 2003!Ed'n'Al are my least favourite protagonists, both because they're too impulsive (Ed effing injures Havoc and Fuery!!), rude and, well, act like brats (I mentionned it earlier, but damn if Al asking Wrath to give back his members is just... wtf).

Alfonse himself becomes a prop and doesn't see much fight - doesn't fight at all - when Ed apparently knows how to create automails (what's Winry good for then?) from scraps of metal and their relationship ultimately ends up as Ed always going "I have to save my brother!" which seriously sucked, especially since earlier in the series (during the lab 5 attack!) Ed had faith in Alphonse knowing how to defend himself.

On that topic, the relationship between the brothers seems... really strained. Where was the Ed who finally managed to apologise to Alfonse and Alfonse vowing to tell him everything we had after the Lab 5 incident?

Now Ed physically restrains Al to talk to their father, doesn't tell him (and straight out lies) about excavating Trisha's remains (who is also Al's mom!) when Al keeps secret about Tucker's phone call. Are they even close anymore? IDK.

The brothers don't trust (never did tbh) Pinako and Winry, Mustang and Armstrong, and eventually, don't trust each other anymore - which can even give that ending some sense : they are now separated but why does this even matter anymore?

Remember when they promised not to die for the other, because they refused the pain of living all alone after the first meeting with Scar where Ed was ready to offer his life to have Al be spared?

Well, the ending of this anime basically pisses on this - Ed is "nearly" dead? Alfonse doesn't want that, so he sacrifices his life to make Ed return, even if it means he will die in the process and leave Ed alone. Ed doesnt' want that? So he will sacrifice himself to make Al return, effectively leaving him alone (but he works on irl missiles to return home?).

I remember FMA!2003 being lauded for its mature themes, but what themes are we talking about?

The long monologues some characters deliver to explain their vision of the world, and are never challenged about it? (or it's Ed calling BS to Dante's argument that equivalent exchange sucks)

What it means to be a human? Sure, at the end before dying, Ed seems to realise 2003!Wrath has to be taken care of (like not killing him but providing him real care) because he earlier noticed that he cried real tears with 2003!Sloth died so it's a progression from his "he's a homonculi he needs to die"... and yet, he already had this realisation when he talked to Wrath after another round of "give me back my arm'n'leg" on the top of a roof in Dublith!

It's kind of hard to say whether FMA!2003 is a good anime or not with all the things I've read/watched in the last 20ish years - because Arakawa ended her manga which is imo the best out of the three "tellings" of her story - and while I still love the "Brother" songs to death, part of me is just, very disappointed after revisiting this anime that I used to love.

Like, man, I didn't remember Ed to the POS he is in this anime, aka a character without any growth (he legits insults Armstrong over Ishval in iirc episode 7, only to apologise at the end of the episode because he acted like an ass, to give a "they must have had fun using those weapons in Ishval" at him again in the last episodes...) and Alfonse targetting Wrath to "recover" Ed's limbs - before his "awakening" as a homonculi - will always leave me with a weird feeling.

The OST is good and the animation not that shabby for something over 20 years old, and maybe the younger!me already perceived something was wrong/unlikable with Ed'n'Al, that's why I was looking at fics centered on Mustang's group -

But is it an anime I'd recommand now? Or even call a good anime?

No, not anymore. I'm hopefully not in middle school anymore fwiw and to its credit, in 2003 there wasn't a lot of new stuff or even fantasy anime that was released, and FMA!2003 was something really important and interesting at that time.

If it were to be released today? I'd say it'd maybe warrant a netflix exclusive release.

[noperopesaredope]

My Dumb New BNHA OC (Part 2)

(Read part 1 before reading this. This post will make no god damn sense otherwise)

I took one of my favorite fan OCs and paired him together with one of my least favorite characters in BNHA.

Usually, people ship their OCs with a character they like, or a side character who they don’t hate. Usually, people’s OCs hate Mineta. But Kaito, my nicest, most lovely OC, decided to get with Mineta of all people.

I mainly did it as a funny joke. At some point in time, I discovered the “Mineta Redemption” tag on AO3 and thought it was interesting. I read some of the fics, and they were pretty good. A few years before that, I accidentally read a fic with “Homophobic Mineta”, and despite loathing him at the time, I felt annoyed with it. It felt weirdly OOC. 

In my brain, Mineta wouldn’t be straight up homophobic. At most, he’d be mildly confused and uncomfortable at most. He might also be a little creepy around lesbians. But he didn’t seem like the type to call someone a slur or use hate speech. He would just be kinda ignorant. In fact, rewatching clips of him, I think he might be pretty supportive if one of his guy friends came out to him. He does have positive moments in canon, it’s just overshadowed by creepiness.

Then I found the “Bi Mineta” tag, and that changed the fucking game. Imagine Mineta straight up not knowing what gay people are, and then he learns and slowly realizes that he might like guys. He’s just in denial. Or even Mineta having extreme internalized homophobia. It sounded great.

Originally, some drafts of Kaito were going to have him be extremely charismatic and able to attract all sorts of people. He’s kinda like Alejandro from TD but with a different personality. At some point, I randomly thought to myself: “wouldn’t it be funny if Mineta of all people ended up crushing on Kaito and was confused as hell about it?” Then I thought, “oh god, wouldn’t it be even more hilarious if this sweet, low key perfect guy who could get with anyone he wanted ended up crushing on MINETA of all people?”

And thus, a ship was born. Kaito has changed and evolved overtime, but for the most part, he has remained Mineta’s love interest. It was supposed to be a joke, an ironic ship for shits and giggles. But once you start shipping something “ironically,” eventually you’re gonna end up shipping it unironically.

They first meet at an empty bus stop, where Mineta is waiting for the bus (for some reason). Kaito runs up to the bus stop and ends up standing next to him. Kaito mistakes Mineta for a kid and asks where Mineta’s parents are. Mineta tells him that he’s 16, and Kaito immediately becomes apologetic and rambles awkwardly for a minute before shutting up. Then, he kinda recognizes Mineta (though not fully) and asks if he goes to UA. Turns out, Kaito also goes to UA, but just the Support Course (you know, with Mai). He also just so happens to be the twin brother of one of Mineta’s classmates, Mika (another OC of mine who is important to this story). They talk for a few minutes and introduce themselves.

Then, Mineta notices a pin on Kaito's bag. It’s a pin for a (very obscure) harem anime that nobody else has ever heard of. But both Mineta and Kaito just so happen to love it. They start excitedly talking about it with each other, and end up exchanging numbers. They begin texting each other, growing closer and closer. Mineta thinks Kaito is the coolest guy in the world, and takes his opinion very seriously. At some point, Kaito invites Mineta over to his house to watch a movie/show with him. They end up having a great time, and it’s very friendship goals.

They hang out more and more frequently, since neither of them have many friends, and they like spending time together. Kaito starts to give Mineta a new perspective on the world and people, and Mineta slowly realizes that maybe he has a skewed view of not just girls, but relationships in general. He didn’t have the best view of himself, and that was affecting how he interacted with other people. I’ve always headcanoned Mineta as having dwarfism (which is why I low key hate it when people make him taller/have a growth spurt), and while he is far from perfect representation, I do think that it can give him a lot of extra depth and even explains elements of his behavior. Him being disabled could be interesting if explored correctly. 

As you may know from the previous post, Kaito also has a physical disability, but he doesn’t mind it all that much. Yes, it can be difficult, but he embraces his disability completely. Mineta is very insecure about his disability and how others perceive/treat him because of it. He has a lot of insecurities that shape his behaviors, and may have underlying concerns about whether or not he is lovable. 

And then here comes Kaito, a guy who embraces his own disability to the fullest. Even when facing discrimination, he doesn’t let it affect how he views himself or his disability. He is proud of himself, and he ends up introducing Mineta to a new perspective on disabilities. Kaito may even invite him into an online group chat of others with disabilities or a support group. Kaito inspires Mineta to accept himself as a person, and this causes growth.

But romantic relationships aren’t one sided. Kaito likes a lot of things about Mineta as well. Kaito admires the fact that Mineta wants to be a hero, and while obviously Mineta is a bit of a coward, he is really good at being a hero (found this video, and wow I forgot how much skill he actually has). He can also be pretty brave when it matters. Even though his reasons for becoming a hero weren't the best, Kaito still admires him for it.

Mineta doesn’t exactly have confidence in terms of liking himself, but he still throws himself out there and does things with very little shame. Maybe not enough shame. But the point still stands. He puts himself out there and tries. Kaito isn't always the type to try. He doesn't put himself out there in the same way. So seeing Mineta constantly speak his mind is admirable to Kaito.

Kaito also thinks that Mineta is just a generally funny and interesting person. When he’s not being a little piece of shit, Mineta actually has a surprisingly good sense of humor. He’s mainly good at making slightly snarky/sarcastic comments that can catch you off guard, but still make you laugh. That’s why Kaito loves watching certain kinds of shows with Mineta. You know, the ones you can watch with friends and make comments about while you’re watching it. They also like to rewatch their favorite shows together and actually talk about it while watching, pointing out certain details and what they find interesting. Kaito actually thinks that a lot of Mineta’s points can be pretty good, especially in regards to stylization and character design.

While it’s not exactly canon, I have seen multiple people headcanon Mineta as being good at drawing, and I like that headcanon a lot. Perhaps he’s particularly good at drawing the human figure (not for the best of reasons, but the point still stands), and is very particular about proportions and stuff. He’s very into anime, and thus his artstyle is very anime-esque, but he actually excels in realism. So Kaito frequently compliments Mineta on his drawing skills. Plus some of his other skills, like how he uses his quirk in really creative and versatile ways.

Mineta’s less favorable traits have not gone over Kaito’s head. He only bore witness to Mineta’s more creepy side after having known him for a decent amount of time, but he was already aware of Mineta’s insecurities and personal issues by that point. So Kaito was aware of why Mineta acted the way he did, and he wasn’t completely unaware of how horny his friend could get. Most people would have dropped Mineta after seeing how creepy he can be, but one of Kaito’s minor/major flaws is thinking “I can fix them” whenever he has a slightly shitty person in his life. Somehow, he actually succeeded in this with Mineta.

Overtime, Mineta starts to hit on the girls less and is generally less creepy. Eventually, he stops hitting on people altogether. He also starts smiling more often, like he’s legitimately more happy in general. He engages with people, and he’s still kinda socially awkward and tries a little too hard, but he’s better at it. It’s almost like he’s more “present,” talking not for the sake of social attention, but because he legitimately has something to add. It takes a little while for people to notice, but they do.

At a certain point, Mineta starts catching feelings for Kaito, but it takes a while for him to realize it.

Mineta’s crush on Kaito is actually kinda funny because despite feeling sexual attraction towards girls almost 24/7, Mineta hasn’t had very many (romantic) crushes. Even in canon, he doesn’t seem to actually have a specific crush on anyone, just generalized, desperate lust. So when he starts having a legit crush on a person, he acts very differently. It’s so fucking obvious, too. When he’s sexually attracted to someone, he acts the way he does in the show, and is much more upfront. But when he has a normal crush, Mineta is much more shy about it. He acts the way he usually does around Kaito, but when Kaito compliments him, Mineta’s suddenly blushing and turning into mush. When he talks about Kaito, it’s in such an adoring way, like “he’s so smart and cool and interesting and amazing and-”

And Kaito's not much different. As mentioned earlier, he frequently compliments Mineta, and things he is just amazing, even if he isn't perfect. They are still normal friends, and when they hang out, the tension isn't too high. They just enjoy each other's company. But there will still be the occasional moments where the

It's honestly really obvious that they like each other. While I might not do this, as I have funnier plans in mind, it would be funny if Mineta invited Kaito over to the dorms one day to watch a movie together and Kaito met the rest of Class 1A. Everyone sees how Mineta acts towards him (and hears him talk about him), and they immediately pick up on the fact that Mineta probably has a crush. They can even tell that Kaito feels the same way (again, this subplot might not happen, but it would be hilarious). But the pair are both fucking oblivious, and it’s almost infuriating. Like, just fucking kiss already.

And eventually, they do. It’s such a fun scene. While I was working on the two of them, I finally listened to “Loser Baby” from Hazbin Hotel, and it was like a lightning strike of inspiration. Not only did it help me flesh out their relationship and them as characters, but it made one of my best confession scenes. Basically, the two are watching a (completely original to the BNHA Universe) show that Kaito has seen before, but Mineta hasn’t. In the show, one of the characters ends up having a whole monologue that Mineta relates a little too hard to, and he starts crying.

Kaito asks him what’s wrong, and Mineta basically starts talking to him about how he feels like nobody really likes him all that much because he’s kind of a shitty person. Yes, his classmates no longer hate him, but few of them actually like him. He generally just has a lot of personal issues regarding self worth and stuff. Kaito admits that he struggles with that kinda stuff too sometimes, and they both go quiet for a moment, before Kaito has an idea. He presses play again on the remote, knowing what happens after the monologue in the show. It’s “Loser Baby” (though the context is a bit different). Kaito sings along to Husk’s part, directly to Mineta, and it’s kinda silly at first, specifically during the first chorus. But then, like in Hazbin Hotel, it actually gets really cute. 

There is one small difference in the song during this scene. At some point, before the part where Angel and Husk are under the umbrella together (timestamp 2:20 in the original), there is a small musical break. During this part, this little exchange happens:

Kaito: *Grabs Mineta’s hands in his* “Hey, what you said about nobody liking you? That’s not true.”

Mineta: *Not looking at him* “How do you know that?”

Kaito: “Because…I like you.”

Mineta: “Yeah, but nobody likes me, like, romantically.”

Kaito: “.......I do.”

Mineta: *Freezes in shock, then slowly looks up at Kaito* “Really?”

Kaito: *Blushing like crazy* “Yeah.”

Mineta: *Also blushing* “Me too.”

Kaito: “Really?”

Mineta: “Yeah.”

They look back to the TV again when they hear the final start of the song begin. The part with the umbrella. And the two sing along to the song together (there are subtitles). Then, as soon as the song ends, Mineta and Kaito do a deep kiss.

This isn’t where the story ends. This is more the end of part 1 of their romance. Once they start dating, things are both the same and completely different. And it’s a lot crazier. But I’ll talk about that in either another part, or create a fanfic like a normal person.

Stay tuned if you want to hear more about this chaos. I’m way too proud of it.

[excusethequality]

My 2024 in Film: February

Another month of movies.

Like usual I'll hide it behind the line so as not to bombard the timelines of the uninterested.

But there were a lot of good movies watched in February.

* = Rewatches

February

14.

Evil Demon Golf Ball from Hell!!!

(1997)

—Short Comedy Thriller

Directed by: Rian Johnson

After a robbery takes a bad turn a criminal finds himself cursed with a golf ball that won't stop following him.

Here I was thinking that I was an old school Rian Johnson fan, because I've loved Brick since back in the day, but turns out he was making short films even before that.

I'm not gonna say it's amazing tell-all-your-friends cinema or anything. But I will say that if you're in the middle segment of the venn diagram of people that both enjoy Rian Johnson and Jojo's Bizarre Adventure, I'd recommend you check it out. It definitely has the vibes of a Jojo episode, because that golfball has got to be an autonomous stand like Notorious B.I.G.

15.

La Nuit du 12

[English title: "The Night of the 12th"]

(2022)

—Mystery

Directed by: Dominik Moll

A French homicide detective, plagued by the mystery behind the brutal murder of a young woman, is forced to confront the harsh truths of the world and the reality of what modern law enforcement really is.

There's some things to like about this one, but it can't ever escape the fact that—at its heart—it is not a story about the dangers of living as a woman under the patriarchy. It is a story about how difficult the brutal murder of this woman was for this poor male cop.

And how can you make a statement about the systems of a world where women have to fear this sort of thing from within a story about a woman getting fridged to give the male protagonist some pathos?

16.

Bound

(1996)

—Crime Thriller

Directed by: Lana Wachowski & Lilly Wachowski

While fixing up an apartment a handywoman falls for the woman next door only to discover that their criminal connections could prove to be their salvation or their downfall.

My roommates and I have roommate movie nights wherein every month we select a new theme and everyone has to pick their own movie fitting the theme without telling anyone else what it is until it's their night. Then throughout the month we'll watch them all.

And before each showing the picker will show a couple trailers of the things they were thinking about picking but that didn't make the final cut.

I had always avoided this movie because anytime I hear something described as an erotic thriller my ace ass is running the other way. But we wound up watching the trailer for it during a roommate movie night and I was intrigued.

(extra intrigued because I didn't know Jennifer Tilly was in it and I hadn't seen her in anything in some time.)

So I figured I'd give it a try. And much to my surprise I really enjoyed it. I think I might actually prefer the Wachowski's style in this than I do their later stuff? Not only is it super queer, but it's also just a really engaging thriller. Definitely worth sitting through the couple of erotic scenes for.

17.

Corner Office

(2022)

—Comedy Mystery

Directed by: Joachim Back Based on: "Rummet" by Jonas Karlsson

A businessman starts a new job only to discover a mysterious office that grants him exceptional clarity. The only problem is that he's the only one who can see it and the rest of the office is a little uncomfortable with how he keeps going into the hallway to stare at the wall during his breaks.

I'm not really sure what the message of this movie was supposed to be? It's too uncomfortable to be funny, and it's too odd to be thrilling. I'm open to the idea that I just completely missed the point, but the whole thing felt like having some Boomer talk at you for 102 minutes.

18.*

Ready or Not

(2019)

—Horror

Directed by: Matt Bettinelli-Olpin & Tyler Gillett

On her wedding night a bride is asked to partake in a family tradition of her new in-laws: to play a game. However, the stakes of this game are far higher than she was expecting.

Right off the bat I'm gonna warn you against watching the trailer for this one. It shows way too much and spoils some surprises. I think it's a great one to go into knowing only the broadstrokes. But if you really want one, this one with Indonesian subtitles is cut much better than the standard US one.

Anways, I love this movie!

Samara Weaving is phenomenal as the lead. It's shot super well. And its satire of the rich is excellent.

I don't care what anyone thinks, it's a 5/5 to me. I have a blast every time I watch it and I have seen it quite a few times.

19.

The Lost City

(2022)

—Comedy Adventure

Directed by: Aaron Nee and Adam Nee

An eccentric billionaire kidnaps a romance novelist in order to find a lost treasure. Now it's up to the cover model of her books to rescue her.

I don't know how to put this, but this is a great example of where the writing of big studio Hollywood is these days, and why it drives me crazy. This is essentially (but not technically) a remake of Romancing the Stone (1984) and when you compare them you can really see how screenwriting has changed.

And I wouldn't even say Romancing the Stone is top tier writing or anything. But from the standards of its era it was a solid entry. It might not be the flashiest thing, but it has a strong foundations and it is first-and-foremost telling a story. And that's why it's memorable.

But The Lost City feels like a 2 hour long SNL skit. It's inherently NOT about the story. The story is secondary. It's about the jokes. The story is just there to be a set piece to tell some jokes. Because of this the scenes don't progress in a way to tell the story, they progress to get from one skit to another.

The result is that there is no foundation for me hang my attention on. It's all just empty calories. Yet the film will still try to have big story and character beats, but they didn't do any of the groundwork and so it's all hollow for me.

The viewers wanted silliness and adventure and big names and bigger action, right? Well, here it is! Isn't it great!? Here's a plate of sugar and salt and oil, these are the things you wanted, right? What you put them in is secondary, right? Why bother making a dish when we can just give you what you want.

I don't know. I was excited about this one, because Channing Tatum, Sandra Bullock, and Daniel Radcliffe usually always make me laugh. So them being in something together seemed like a recipe for something I'd like. But it very much was not.

And so many big movies feel like this these days; as if movies are being written by a group consensus instead of by a storyteller.

20.

Cameraperson

(2016)

—Documentary Memoir

Directed by: Kirsten Johnson

Documentary filmmaker and cinematographer Kirsten Johnson creates a memoir of her life and career through the unused footage of the documentaries she's worked on.

I had never seen this one before, but this was my pick for a roommate movie night. The theme was: "Oh!...So that's a thing."

I figured that the easy road would be to pick a documentary that highlighted some unusual group or idea, but I wanted to push the boundaries of the theme. I wanted to find something that wasn't about something unusual, but was itself something unusual.

And that's how I wound up at Kirsten Johnson.

I had first heard of her during a fantastic episode of Switchblade Sisters where she was the guest and she put forth a truly fascinating documentary-filmmaker view of Jackass: The Movie (2002). In the episode she also talks about her film Dick Johnson is Dead (2020), and I was thinking that maybe that would work.

But in looking at her other work I saw this and the idea behind it sounded so interesting that I had to go with it.

It's April as I write this post and this is currently sitting as my favorite thing I've watched this year.

I just love it. It is such a uniquely compelling film. If you were to make a standard documentary about documentary filmmaking I don't think it could come close to reaching this kind of impact. It would seem too sterile. But by using the parts of the documentaries that you don't see it is able to paint this fascinating picture of both her life and her profession, while making you feel like you're along for the ride.

I've thought about this movie so much since I've watched it. Definitely check it out if you get the chance.

21.

Marry Me

(2022)

—Rom-Com

Directed by: Kat Coiro Based on: Marry Me by Bobby Crosby

A pop-star in the middle of a crisis decides to accept the offer of a fan at her concert who is holding a sign saying "Marry Me."

I am part of the small percentage of people that have read the webcomic this was based on, so I was shocked when I saw it had been adapted.

As a connoisseur of Rom-Coms I found this is to be a little below average. But I can't really dislike it, because J.Lo is giving it her all.

Owen Wilson is phoning it in HARD, but J.Lo is going for it.

I wouldn't tell you to go out of your way to see it, but if you're low on options and you see it somewhere, you could do a hell of a lot worse than a movie with J.Lo proving she's still as good as she ever was.

P.S. "On My Way (Marry Me)" is a banger.

22.

Knock at the Cabin

(2023)

—Mystery Thriller

Directed by: M. Knight Shyamalan Based on: The Cabin at the End of the World by Paul Tremblay

A strange group descends on a small family vacationing in a rural cabin and presents them with a choice: decide which member of the family should die and then kill them, or else the entire world will be destroyed.

I distinctly remember early in M. Knight's career where that man could do no wrong. I also distinctly remember years later where a trailer said "From the mind of M. Knight Shyamalan" and everybody laughed.

After he created the absolute heaping white-washed trashfire that is The Last Airbender (2010) I has just wrote him off. But it's been a decade! Maybe he has managed to get back to his roots? And the library had his new stuff so I figured why not see what the man has been up to, without giving him any money.

Anyways, I hate this.

I hate this a lot.

I also hate that Dave Bautista is giving a really great performance, because it'll be the hidden silver lining to an otherwise terrible movie.

From what I read the book this is based on takes the story in a very different direction, so no shade on the book. But I am just lost at knowing what this movie is trying to say? Because I can't help but be wildly uncomfortable with a movie written by a straight man about how a gay couple should kill each other in order to save the world?

Like...what the actual fuck is this? Why would you make this?

23.

Old

(2021)

—Sci-Fi Mystery

Directed by: M. Knight Shyamalan Based on: Château de sable by Pierre Oscar Lévy & Frederik Peeters

A group of families find themselves trapped on a strange beach where they seem to be aging at a highly accelerated rate.

I haven't done the proper research, but I have a working theory that if Gael García Bernal is in a big Hollywood movie: it won't be good. But if Gael García Bernal is in a Spanish-language movie: it will be fantastic.

Which is to not to insult him in any way, but is to say that Hollywood has no idea how to use this man's talents.

Anyways, M.Knight is back at it! Once again getting great actors to be in bad movies. This is just plot hole after plot hole after plot hole. And since this was based on a French graphic novel I actually did read it afterword, so now I can confidently say that he has once again both entirely missed the point of the source material and also gave it a ridiculous ending.

I can't say it's utterly forgettable, but I kind of wish it was.

24.*

Best in Show

(2000)

—Comedy Mocumentary

Directed by: Christopher Guest

Cameras document 5 contestants on their way to the biggest dog show of year.

I'm not positive, but I think this is the first mockumentary I ever saw? My best friend's family loves mockumentaries so I wound up watching a bunch while over at his house and it rubbed off on me. So I have a lot of nostalgia for this one.

It's just such a fun movie. Quotes from this movie live rent free in my head. And the cast! The cast is so good. This is one of those movies that I'll always be down to watch.

25.

Cane Toads: An Unnatural History

(1988)

—Documentary

Directed by: Mark Lewis

A wild look at Australia's history with its most notorious eco-terrorist: the cane toad.

This is one of the movies I was thinking of for the previous roommate movie night, but didn't go with. I obviously still had to watch it by myself later, because I mean...how can you not want to see this?

This friggin' movie is wild. Not only is the story it's telling wild, but it shoots from the perspective of the toads? They had songs written for the movie about toads? It's just something you have to see to understand.

I also thought I knew the story of the cane toads ravaging Australia, but I definitely didn't know the whole story. It's only 47 minutes long. You can find the whole thing on Youtube if you can't find it elsewhere. If you don't watch it for the unique style of Documentary, you gotta watch it to hear the story about these toads. That's the kind of crazy history that you just can't make up.

26.

Nimona

(2023)

—Animated Sci-Fi Fantasy Found-Family Adventure

Directed by: Nick Bruno & Troy Quane Based on: Nimona by ND Stevenson

A young shapeshifter teams up with a criminal ex-knight to overthrow the status quo.

What's this? Another movie this month based on a webcomic I read back in the day? What are the odds?

I've always been a fan of the Nimona comic. In fact I was even one of the many fans reading it here and Tumblr back in the day!

When I was working at a bookstore the Nimona graphic novel was a real popular seller and while the store's owner never gave me credit, I am taking full credit for it. Because it wasn't even on her radar until I pre-ordered my copy and told her how great it was, so she ordered an extra copy for the store. Then I wrote a shelf talker for it and we kept selling it and boom! It became a store staple.

[Sorry, I' hope y'all don't mind 'm just in a chatty mood. So you're are just gonna have to keep putting up with all this stories behind the things I'm watching!]

Netflix has a love for dicking me over time and time again, so I was resigned to probably not being able to see this one, because I refuse to give them any money. But they actually decided to do something cool for once and they put the full movie on Youtube for free in the time leading up to the Oscars.

Overall I really liked it! But I've gotta say that I like it as an addition to the graphic novel and not as a replacement for it. Because in the context of the source material it's delightful, but if you only watched this I feel like you'd be missing out on a lot. Ballister and Ambrosius' relationship in particular is WAY more interesting in the comic.

Also, I'm also not sure why the art director of the movie decided to give Ballister permanent puppy-dog eyes? But that's neither here nor there.

27.*

Evil Dead II

(1987)

—Horror Comedy

Directed by: Sam Raimi

Both a sequel and a remake of the first movie. Ash is back at the cabin and so are the deadites! But this time...it's zanier!

I have discovered that among Horror fans I have some hot takes regarding the Evil Dead films. The first of them is that Evil Dead (2013) is an amazing movie and a fantastic adaptation, and all y'all are just haters.

But the second of them is that The Evil Dead (1981) is the far superior film to Evil Dead II.

The Evil Dead is creepy and wild and delightfully independent and creative. Army of Darkness (1992) is a campy and hilarious adventure through a nightmare world. And floating adrift somewhere in the middle, with no real goal is Evil Dead II.

I know many people who love it, and I wish them the best. But personally every time I've watched this I've just been thinking that this is all time I could've spent watching one of the other ones.

[Except for Evil Dead Rise (2023) which is by far the worst of them all. I'm not sure if that's another hot take or not, but it's true.]

28.*

Leprechaun

(1993)

—Horror Comedy

Directed by: Mark Jones

While sprucing up an old house a spoiled girl and a family of painters runs afoul of an evil leprechaun when one of them eats some of his gold.

I thought I hadn't actually seen all of this when I sat down to watch it, but then the character Ozzie showed up and it all came flooding back to me.

But don't be like me. Don't watch Leprechaun by yourself. Leprechaun is a dish that should be enjoyed with the company of friends. Also some alcohol.

Because it's not a good movie, but it can definitely be a fun movie.

29.

Leprechaun 2

(1994)

—Horror Comedy

Directed by: Rodman Flender

The leprechaun is back! This time he's determined to transform a girl into his leprechaun bride.

Okay, now THIS one I'm pretty sure I had never seen before.

It's also not good. And not even bad in the fun way the original one was, it's just not good. Although Warwick Davis being a menace is never not fun.

But the girl is the most interesting character and she is sidelined for most of it. Thus we're stuck following her dumbass boyfriend and his alcoholic boss around. And they are just the dullest characters to follow around.

30.

Barb & Star Go to Vista Del Mar

(2021)

—Comedy Adventure

Directed by: Josh Greenbaum

Two mid-western best friends decide to spice up their life and take a vacation to Florida.

I have a friend that adores this movie. It looked a little weird, so I wasn't sure about it, but I decided to trust her judgement and my love of Kristen Wiig and give it a try.

And she was right, because this movie is so much fun. It's probably not the sort of humor that everyone will love, but it's definitely the sort of humor that cracks me up.

31.*

Barb & Star Go to Vista Del Mar

(2021)

see #30

After I finished it, I immediately watched it again with commentary, okay?

Don't judge me!

32.

Oppenheimer

(2023)

—Bio-Pic Drama

Directed by: Christopher Nolan

The story of Robert Oppenheimer's history of developing the atomic bomb.

One of my roommates told me at nearly midnight that he was about to put this on and asked if I wanted to watch. It is 3 hours long, but I'm always up late anyways, so I figured why not.

I don't really have many thoughts on this. I typically love Cillian Murphy, but I kind of don't like his Oppenheimer accent in this?

Also people kept talking about Robert Downey Jr.'s performance and I don't know why, because Josh Hartnett was the real standout for me. Somewhere along the line he got really good at acting.

33.

Shall We Dance

(1937)

—Musical Rom-Com

Directed by: Mark Sandrich

A famous ballet dancer starts a rumor that he's married to a performer he has a crush on. This is rather unfortunate for her as the rumor is making it difficult for her to marry her actual finance.

I had never heard of this before, but I stumbled across it while trying to see if the library had a copy of Shall We ダンス? (1996). It turns out they did not, but they did have this.

I didn't like it.

The plot is really creepy when you think about it. Most of the musical numbers aren't very good. And I just was rather bored for most of it. And the moviegoers of the time didn't love it either, so it's not just me!

The main thing it has going for it is that Ginger Rogers and Fred Astaire are so friggin' talented that it is always fun to watch them perform. And old movies are always a trip. They have a scene with barely any cuts where Rogers and Astaire do a tap dance number on roller skates. If that's not talent then I don't know what is.

34.

Mad Max Beyond Thunderdome

(1985)

—Post-Apocalyptic Action Adventure

Directed by: George Miller & George Ogilvie

In a post-apocalyptic Australia a lone wanderer becomes embroiled in a power struggle between the sibling rulers of a city.

In a reverse of Leprechaun, I was convinced I had seen this before. I was so sure of it. But when the film truly goes BEYOND the thunderdome? None of that rang a bell AT ALL.

I'm going to assume I had only watched parts of it some time in the past, but never the whole thing. Because the whole second half was a wild surprise for me.

Definitely an interesting watch if you're a fan of the Borderlands games.

35.*

Scream 4

(2011)

— Meta Horror

Directed by: Wes Craven

Ten years after the events of the last movie and Sydney Prescott has finally managed to piece her life back together. But when she returns to her hometown as part of her book tour she soon finds that another familiar face has also returned to Woodsboro.

Unlike with the Evil Dead series, I have no idea how my Scream takes are seen within the Horror fandom. But I love Scream 4. I would go so far as to say that it is my second favorite of the entire franchise, with the first one being the only one that tops it.

I know the third movie gets a lot of hate, so if you dropped off the series at some point and never made it to 4, I humbly suggest you give it a watch. Heck, I'm not positive, but I think you could firmly enjoy this one if the only other one you had seen was the first.

I had never seen anything past 4, so I figured I'd give it a rewatch before finally getting around to watching 5 and 6.

36.

Scream

(2022)

— Meta Horror

Directed by: Matt Bettinelli-Olpin & Tyler Gillett

Ghostface strikes again! And this time Sydney isn't even in town! Maybe people shouldn't live in Woodsboro?

[Right off the bat I should mention that although it is the fifth movie, they decided to make the bold choice to name it "Scream." Does this mean that 2 of the movies in the franchise now have the same name? Yes. Yes it does. Is that kind of confusing? Yes. It certainly is!]

Ohhhhh boy. On one hand I'm glad I rewatched 4 to remind me of where the series last left off. But on the other hand I wish I hadn't because it set my bar really high.

I've heard people screaming praises for this one, so I figured I'd finally get around to checking it out. Especially because these directors also did Ready or Not which—as we have previously established—I love.

HOWEVER, I did not love this.

I don't care what any other fans think, this is going dead last in my Scream rankings. I'd gladly watch 3 before I'd watch this again. The whole thing is like a terrible Scream fan fiction story.

I am so glad I got this from the library, because if I had paid to see this in the theater I would have been even more annoyed.

——————

——————

February Stats

——————

Movies watched this month: 23

Rewatches: 26% ( 6/23 )

My favorite new movie of the month: Cameraperson

Least favorite: Knock at the Cabin

——————

Previous Month's Posts:

JAN

[get-spatterlighted-idiot]

11, 18, 27

11: 3 books that you would recommend everyone to read

The Last Unicorn by Peter S. Beagle, obviously. A life-changing book, it is one of the most beautiful things I've ever read. This story explores mortality and the ephemerality of time in a heart-breaking way. Basically every page has at least one line that you won't be able to get out of your head.

Salt Fat Acid Heat by Samin Nosrat. This book will make you a better cook, period. I haven't even finished it, but the advice it has for neophytes will stick in your brain and push you to experiment.

A Canticle For Leibowitz by Walter M. Miller Jr. Once again, a book about mortality and the ephemerality of time and language that will break your heart with its exploration of how history repeats itself. I have a type.

Super special #4 is cheating, because it's a video game, but: Disco Elysium is like a postmodern novel with some of the most compellingly offbeat yet human characters I've ever seen put to writing, and a lyrical exploration of the depths of the human experience. Everyone should try to play it at least once.

18: 3 dream jobs you’ve had in your childhood

Librarian. Most people who know me know this, I really wanted to be a librarian as a kid but I'm glad that my desire to interact with the public has diminished.

Film Director. Hell, I still have this as a dream job. Not something that I'm actively pursuing at the moment, but wouldn't I like it to happen.

Paleontologist. Because what little boy didn't go through a "dinosaurs are the coolest things ever" phase at 5 years old and want to discover a new dinosaur to name it after himself?

27: 3 things you wish you did more often

Spend less time on this website. I feel a bit hopelessly addicted to it sometimes, which makes me feel disconnected from the outside world.

Exercise. I don't do it enough despite it only having benefits. Get off my ass, me.

Write.

[bayofwolves]

Heyyyy Bay! Sending you some asks.

What are Takoda and Kovu up to in arhoe? I love those guys.

Also (if you want to!) infodump about something that’s making you go nuts right now.

Hope you’re doing well!

Thank you for the very good question to ponder, beloved mutual!

I'm only on the first book of Fall of the Beasts, but man, Takoda and Kovo are such an interesting pair. I've never had strong feelings about Takoda, but maybe that will change this time around, because his chapters so far have been very enjoyable. And Kovo is just hilarious. I'm excited to see their bond develop further.

As far as their involvement in the entire universe of A Revised History of Erdas: I'm not seeing or remembering anything major that I would change about their arc. One thing that's different in my AU is that all spirit animals arrive as adolescents, at a similar stage of development as their human partners (who would be at least thirteen at the point of summoning). So, instead of being a massive adult silverback, Kovo first appears as a juvenile. Baby Kovo! Angsty teen Kovo! It's great. The evil* mastermind who started two world wars is back... in the form of a moody teenager.

As far as their involvement in Path of the Heroes: They (and Xanthe!) will appear in some capacity, but as of yet, I'm largely unsure of the specifics. Planning a whole new arc is a lot of work! Some general statements:

I don't think Takoda will ever become a Greencloak, which I respect. He's pretty settled as a monk of Maktaba; an ally of the Four, but not a member of their order. I like the idea of him discovering through his journey with them that his true calling is the life he left behind. I think he and Xanthe also have criticisms of the order and wouldn't feel entirely comfortable joining them, at least not until seeing significant change come to pass. This will be important in Path of the Heroes, when the need for Greencloak reform becomes ever clearer.

Xanthe lives! It's insane how we never found out what happened to her after she got stabbed in Stormspeaker, but she's okay! My current concepts for her appearance have her looking very different from how she is described -- more of a creature than a pale human -- but we'll see where I end up after reading more about the Sadreans. I want to say she and Takoda are officially together, but Takoda is a monk. (Oversight on the authors' parts, or opportunity for crazy internal conflict?) That'll be something to explore in the future.

As for the other part of your ask! Lately I've been rewatching Cartoon Saloon's Irish folklore trilogy (The Secret of Kells, Song of the Sea and Wolfwalkers). Those movies are so dear to me and I have to revisit them once in a while. They're so magical. The animation! The colours! The stories they tell! They also make me think about Conor, my favourite Irish character of anything ever. I've unfortunately been too busy irl to get really invested into anything, but I have been enjoying those movies. The Secret of Kells has always been my favourite!

[clarktooncrossing]

DUDELZ of the Damned | Rosie of the Jungle, Pt. 1

HEY THERE PEOPLE OF TODAY AND ROBOTS OF TOMORROW! IT'S ME, CLARK!

A chill is in the air. You can feel it can't you? Perhaps you even recognize it. That same chill arrives every year right on the dot. With it comes a frightful howl in the moonlight, the only other sound to be heard. Otherwise there is a strange calmness settling around you, like the point of ease before the storm. By now the howling has stopped. It has been replaced by a different sound. Footsteps. Big, heavy, dragging, as if the figure didn't quite know how to use their legs. Perhaps it's a random passerby. Perhaps it's a rotting, frightful feature freshly risen from the grave. Perhaps it's some other, unspeakable horror waiting to pounce! Whatever it is, you're not waiting around to find out! Yet no matter how far you run, it can't be escaped. The chill in the air, the howling of the wind, the heavy footsteps, it all leads back to one thing: October is here! And with it comes the return of the DUDELZ of the Damned!

Yes weirdos, like last year, my approximation of Sketchtober has returned. I call it an proxy because there was no list of prompts. Nah, that'd be too limiting. This is yet another case where I compiled my own list of ideas, sketched them out, then used one color per picture. With all that said, let's see what spoopy scribblings await us today!

Legend says there is an ancient city hidden deep within the jungle of Africa. Many have ventured deep into the wilderness to find it, but seldom have come back successful. Or alive. This fabled city and all of its riches is at risk to becoming lost to time. Unless Rosie Stardust can find it first! Finding herself on Earth-618, the cosmic cutie becomes acquainted with a naval merchant named Paul D'Arnot, who tells her of the infamous civilization the locals call Opar. Never one to shy away from a challenge, or the chance to discover something new, the sentient spacial-anomaly tasks herself with finding the jungle's last hidden treasure. After she dresses for the trip, of course. Luckily this world is still stuck in the late 1800s, meaning she's sporting the trendiest dresses coming out of London. Luckier still, Rosie is able to befriend most creatures she encounters, so the local animals are more than willing to help. One baby baboon quickly grows to liking the Cosmic Cutie.

Needless to say, Rosie has an easier time traversing Africa than Jane Porter did. This sketch idea came about after my friend @burningthrucelluloid watched Tarzan earlier this year. He was providing commentary over on my Discord server and it got me to watch the movie again. I say, as if I needed an excuse. Disney's take on this classic story is easily one of my all-time favorite films. It features amazing animation, a sensational soundtrack, doesn't treat the gorillas like savage monsters, makes its lead hero more compelling than he's ever been, and their version of Jane Porter is hot. She's brainy, competent, managed to teach a man with no English how to speak it fluently in like a week, and voiced by Minnie Driver in her prime. You might think that's why I drew Rosie in this outfit, but really it was the realization that her curious nature and kind spirit would mean she'd get along swimmingly with the cosmic cutie. From there the image of Rosie in Jane's dress refused to leave my mind, so here we are. Actually this was my second attempt at putting this idea on paper. My first draft turned out great, save for Rosie's arms. She was meant to be holding the baboon in awe while the furry rascal looked on in confusion. Upon rewatching the movie it dawned on me that having the monkey draw the lady would be a funny reversal of roles. Either way, happy 25th anniversary to this fantastic film! I hope you all enjoy this sketch. And remember: be kind to baboons. They usually roll with backup.

BONUS QUESTION: Are you a fan of Disney's Tarzan?

MAY THE GLASSES BE WITH YOU!