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Movie Review and Spoiler - #12
“Elemental”
Just out this June, "Elemental" is a Disney and Pixar animation, with an original and beautiful take on the Romeo-Juliet story of forbidden love.
When I watched this movie, I absolutely loved the art, characters, and plot! I can't remember ever crying this much to a rom-com animation. Maybe I was just extra emotional that day, but I can not exaggerate how much I related to the themes of the film and loved the story of Ember and Wade.
Spoiler: There once was a Grecian philosopher named Empedocles. He is best known for his belief that all matter is composed of four elements: fire, air, water, and earth. If you've seen ATLA or have heard of Empedocles' theory, then you may know how those four elements interact with each other. They even, mix, with each other.
#clod is a lil king#movies#review/summary#elemental#romcom#disney#pixar#animation#highly recommend#beware of sponges#leah lewis#mamoudou athie#disney plus#2023 release#sorry for not posting
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#jane eyre#dark academia#book tumblr#book reccs#book review#classic books#classic literature#classic lit#classic lit memes#sylvia plath#charlotte bronte#emily bronte#wuthering heights#booktok#bookblr#booklr#books and reading#book lover#books#light academia#quotes#literary quotes#literature#feminism#bell jar#book recommendations#book summary
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I really want you to get started on Jurassic Park now after reading your tags.
All right, you asked for it! This post is going to be long because I've been rereading Jurassic Park since I was about 10 years old. But. My thoughts:
Jurassic Park is the oldest story in the world: one about hubris, and the price men pay for their ignorance of nature. From the first moment the protagonists step foot on the island, they can see it. There are poisonous plants next to the pool because they "look pretty." The harbor has no retaining wall because tropical storms aren't considered important. And there's a steep price for that hubris. Wu doesn't bother to learn the dinosaurs' names before breeding them, Nedry ignores them as unprogrammable, Malcolm mansplains them to their own creators, Regis laughs at the idea of them escaping, Hammond relentlessly monetizes them, Arnold insists he can control them... And they all get eaten by dinosaurs. It's the characters with the good sense to be overawed and scared (Muldoon, Gennaro, the paleontologists, the kids) who make it out alive. Almost paradigm.
More specifically, it's a book about the most fundamental principle of engineering: be scared, be confused, and then do something anyway. Then do something else, then something else, until something works. Timmy isn't a master hacker in the book; he's just (unlike Grant) willing to push buttons on the computer until he finds the power grid. Gennaro's still a scaredy cat in the book, but he clenches his teeth and goes into the velociraptor nest anyway. The heroic characters are the ones who conclude someone has to do something, despite not knowing what that something is. The villainous ones are the ones who refuse responsibility.
Speaking of which, can we talk about Ian Malcolm? I'm a sucker for a good Cassandra character, especially one that manages to get even the genre-savvy reader rolling their eyes and going "will you shut up?" And Malcolm is one of the best, every off-putting academic habit rolled into one: He thinks he's better than other people for not liking sports. He brags about not caring about appearances and then comments on Sattler's legs. He assumes Hammond has read his monograph and — when Hammond reveals he hasn't — pulls out a copy that he keeps on his person at all times to have Hammond read on the plane. He smugly explains that other characters should've foreseen they'd be killed by dinosaurs, only to be killed by dinosaurs. He calls his theory the Malcolm Effect. I do love Jeff Goldblum's gentler, more charming take on the character ("See, here, now I'm sitting by myself, talking to myself, that's chaos theory" I say literally every time I ask a question of someone who just left the room). But I prefer the way original Malcolm gets away with being right about everything because we so so badly want him to be wrong.
Speaking of that comment about the legs: by the low low bar of 80s/90s thriller writers, Crichton is surprisingly progressive. Jurassic Park invites us to laugh with (and roll our eyes with) Sattler, every time someone expresses shock the world's top paleobotanist is a woman. The Lost World perfectly captures the "women in STEM have to be twice as competent to get half the respect" dynamic, and it's a story about the male characters over-estimating their own competence as the female ones go about saving the day. Race isn't handled perfectly, but it is discussed in both books. Malcolm's chauvinism is designed to make everything else he says a bitter pill, to poison us against him. Crichton's no feminist. But Sattler's hardiness — later Harding's and Kelly's as well — are shown as hard-won in a world that batters nerdy girls so hard that only the toughest survive.
And Malcolm is just one of the many ways Jurassic Park masterfully lampoons scientific bullshit. After little Tina is bitten by a "strange lizard" and nearly dies from the swelling, Dr. Cruz assures her parents that lizards bite zookeepers all the time, that some people are allergic to lizard venom, and that the lizard Tina drew resembles a basilisk — and then we cut to him talking to his fellow MD. Where we find out that lizards don't attack humans in the wild, no human they know of has ever been hospitalized for a lizard bite, basilisks aren't venomous, and Tina's condition doesn't resemble an allergic reaction. They have no idea what this "lizard" (a Procompsognathus) could be or how it poisoned this kid, but they've been taught to obfuscate rather than admit that. Scientists are arrogant, and ignorant of their ignorance.
But the book is every bit as positive about empiricism as it is negative about individual scientists. The seamless way Crichton blends science fiction with science fact gets me every time. His preface connects Watson & Crick to Swanson & Boyer to Malcolm & Levine, explaining each step of the research process as he goes. He goes on to explain how Genetech developed its ideas from IBM, and that IBM and Genetech both contributed to InGen, which in turn influenced Biosyn, funded by Hamaguri... and only two of those names are fictional, but don't worry about which. Crichton does his homework, and then he presents his homework in the most compelling way of any writer I've ever encountered.
You need no further proof than the technologies — satellite phones, electric cars, touchscreens, gene editing — that were sci fi in 1990, commonplace today. Crichton did the reading. And he rolls that science out ever-so-slowly: dribbling first the mystery of the worker with a 3-foot gash in his torso who claims a bird of prey did it, then the mystery of the resort that needs the world's most powerful data storage, then the mystery of the billionaire who calls in the middle of the night with "urgent" questions about what baby dinosaurs eat... Until even 10-year-old me could look at that picture of a fractal and go "ohhh, I see how the unstable phase shifts of chaos theory explain the fact that a thunderstorm caused that guy to get eaten by a T. rex." Almost paradigm.
And all Jurassic Park's banging on about chaos theory belies a deep understanding of how interconnected ecosystems are. Animals, like plants, like subatomic particles, must be understood holistically. Pretending that the best way to learn the truth of any system is through breaking it down "is like saying scrambled eggs and bacon for breakfast is human nature. It's nothing of the sort. It's uniquely Western training." Crichton clearly loves biology: "a single fertilized egg has a 100,000 genes, which act in a coordinated way, switching on and off at specific times, to transform that single cell... A house is simple in comparison. But even so, workmen build the stairs wrong, they put the sink in backward, the tile man doesn't show up when he's supposed to. All kinds of things go wrong. And yet the fly that lands on the workman's lunch is perfect." And he clearly hates what capitalism has done to biotechnology.
Hammond the venture capitalist is a perfectly despicable villain: No dinosaurs have escaped, because I said so. If there are problems, no there aren't. Put on a good show for investors, no matter how many contractors die in the process. Talk about all the "good" the park will do by making tons of money. The kids are stranded and the tech expert's dead? No they're not, because I said so, now pass the ice cream. It's truly a delight watching him get eaten by dinosaurs.
For that matter, Jurassic Park is bursting with details of style over substance. There are cutesy Apatosaurus cutouts in the hotel rooms and bars on the widows, a half-finished restaurant covered in Pterosaur poop, and a celebrity-narrated tour track that can't synchronize with the dinosaurs. It's trying to be Disney World, and it's actually a roadside zoo. The signage — "When Dinosaurs Ruled the Earth," the hand-lettered "Welcome to Jurassic Park", the room (and department) called "Control" — isn't subtle in its irony. But it is fun.
Which is yet another great sci fi trick. "Our funding is infinite but our peer review sucks" perfectly sets up the blend of the accurate with the plot-fueling (likely why Crichton reuses it several times). Why are there Pterosaurs in a dinosaur park? Our funding is infinite but our peer review sucks. Why are so many Cretaceous dinosaurs in Jurassic Park? Our funding is infinite but our peer review sucks. You didn't know Dilophosaurus is venomous? Our funding is infinite... It's perfect, because it's the opposite of how the scientific process usually works. Again: Crichton knows his shit, and he knows how to communicate it.
Like, even when I'm reading Sphere or Terminal Man — books where I'm perfectly aware I know more than Crichton on the subject, not in the least because their science inevitably became outdated — I still find myself believing, at least for the length of the story. You don't have to suspend disbelief when reading Crichton's work; he hoists it into the stratosphere for you. Half the time he won't give it back even after you're done. Almost paradigm.
But despite all that nerdery, Jurassic Park is still a rocking adventure story that builds momentum until it smashes to its conclusion at 70 miles an hour, ending the millisecond it can do so with not a word of denouement. You can practically hear that last deep piano note on the final words. It's cinematic as hell. This is Crichton post-Westworld, pre-Twister, the ultimate adventure writer. He reads, clearly, avoiding the errors of sci fi amateurs who watch too many movies (the T. rex has a distinctive smell, the island is relentlessly humid, so on) but he knows how to make a tight fast-moving story that you can consume in under three hours. His imagery is powerful, his pacing is on point, and his plot sucks you in and shoots you out like a water slide.
Jurassic Park is fun. It's informative. It makes you laugh, and gasp, and sigh, and think. It has its flaws (Harding Sr. fades out in the 3rd act, Grant's Maiasaura expertise never pays off) but those are minor in a book that stands up so well to rerereading. Almost paradigm.
#jurassic park#long post#michael crichton#science fiction#book review#jurassic park review#sci fi#i am so normal about this book#e.g. the time in 7th grade i wrote an angry email to sparknotes.com explaining to them that their summary over-identified the parallelism#between timmy holding the baby velociraptor and tina holding the 'lizard' because sattler CLEARLY STATES in iteration 1 section 4#that the animal that attacked tina is a procompsognathus
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My art summary for 2023 🎉 Overall a very good year, I drew something every month (even if November was a bit scant). Looking forward to 2024!
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year in review, 2024. been a bit of a roller coaster; had a lot of health issues worsen, had a lot of personal stuff worsen too. lost a lot of dear friends and trying to stay a person for the ones i still have. but also started HRT this year, after a long time coming, got a doctor who actually listens to me or at least does so more often than the last one, and hopefully making progress towards living literally anywhere else than where I am now, so... here's to a gentle new year, knock on wood.
single pieces:
01 / 02 / 03 / 04 / 05 / 06
07 / 08 / 09 / 10 / 11 / 12
previous years
#lots of strong contenders for the Month Selection earlier on and then i kind of died. oops!#my art#year in review#art summary#yesr in review 2024#art summary 2024#2024
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2024 Art Summary
Individual descriptions and links under the read more:
January - Year of the Dragon illustration (original post here)
February - Fossa illustration for Sticker Club (original post here)
March - Cheetah 3D model (original post here)
April - 3D commission for @skyeruu (original post here)
May - 3D commission for @wanderingwastelands (original post here)
June - 3D commission for @jayrockin (original post here)
July - 3D commission for thezebrafox on twitter (original post here)
August - Maned Wolf illustration for Sticker Club (original post here)
September - Jackal 3D model (original post here)
October - Hyena 3D model (original post here)
November - Basenji 3D model (original post here)
December - Bengal Tiger illustration for Sticker Club (original post here)
#art#my art#digital#digital art#illustration#clip studio#clip studio paint#csp#3D#3d modeling#3d model#blender#blender3d#blender 3d#year in review#year in review 2024#art summary#art summary 2024#lazert#lazer-t#2024#2024 recap
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A full year of TLOZ+LU brainrot, gosh
#art year in review#art summary 2024#the legend of zelda#tloz#loz#tloz fanart#loz mm#loz hw#linked universe#loz oot#loz sksw#loz eow#my art#it was a good art year#i had fun
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something happened to me in march and I am yet to recover from it
#superbat nation got me in march and it still has me#ocs make an appearance 3 times !! whoa#art summary#art year in review#dc#superbat#?#surely it makes enough of an appearance on here to qualify a tag lol#redbeeart
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Welcome to the launch day! Take a look and if you have any questions just let me know! <3
Everything is available separately, but there are also three, hopefully convenient, bundles. Take note of the currency change! and pick whichever seems more convenient. Can't wait to share all the pieces' backstories <3
There will be also stretch goals - they will apply only to the bundles or groups of items on pre-order that could create one (at least 5 items) - so stay tuned <3'
mmezzy.bigcartel.com linktr.ee/mezzy
#klance#omg....being the one man orchestra person#shipping prices#weight measuring#excel sheets (i have two for this one :') with 5 different pages)#making infographics descriptions summaries#market research#manu emailing#im always scared i will f orget something#but when i lose hope i look at the reviews people left#bro if this gotta be the cost of our emotional support merch so be it#ANYWAY#very random no context okay#but drop me advice of being a good friend to someone in a toxic relationship if u have any#except the basic ignoring the dude and saying im here#2025 is fucking wild for me af
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my 2023 art summary! ✦ after struggling immensely last year (getting covid, becoming houseless), i finally feel like i'm landing back on my feet. this year i focused on healing, prioritizing my own health and saying fuck it, imma do what brings me joy. not constantly being in survival mode anymore has helped me become happier in the process and hopefully it reflects in my art. also, i got an agent now! next year is gonna be pretty good i think 😁🤞🏽 thanks to everyone who stuck around and supported, commissioned or donated to me, or even just left nice comments - you are the reason i’m still here and it's helped me more than you know! 💕 let's continue to inspire each other next year!!! 💖
2018 | 2019 | 2020 | 2021 | 2022
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art summary 2024!
as I was making this, I realized how insane it is (for me) to not only draw something every month, but to have several pieces each month to choose from. thanks to everybody who's here and who looks at the silly stuff I make, you keep me going <3 hope you enjoy the lactosona reveal lol
#mass effect#shakarian#art summary 2024#art summary#art year in review#art year in review 2024#milkyart#artists on tumblr#I wanted to do an art vs artist thing inspired by emma's gnomesona one. ended up with this instead#look i know it looks like i drew the same two people all year again but i also drew liara miranda and link and zelda. not pictured
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Review and Spoiler - #28
Loveless by Alice Oseman
432 pages of self-discovery, queer romance, growth within relationships, and an overall process of learning and understanding. Originally published July 9th, 2020, Loveless is written by the incredible author of the Heartstopper series, Alice Oseman.
Ms. Oseman tells the story of Georgia, a teenager who starts her first year of university while fighting in a desperate struggle to figure herself out. Georgia's always been in love with the idea of love.
(LGBTQIA+ 🏳🌈)
Spoiler: "With the idea of love"; the falling madly for someone and finding bliss concept. But her reality has always been different.

#alice oseman#loveless#books and reading#spoiler#review/summary#queer literature#asexuality#nonbinary#gay#aromantic#bisexuality#lesbian#pansexuality#incredibly written
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Summary of art!!!
I'm happy to see how my art is slowly getting better each year. This one was pretty harsh but also productive. At the end of the year, as I finished the last exams in university (there's only final project left, which will be in may) I'm kinda tired of everything. I don't have much energy even after the month of rest. I WANT to draw, I have tons of ideas, but I'm really not in the mood to do something big, something that will take more than 2-3 hours to make. And that's okay I think, I'll continue drawing as much as I want and what I want, not pushing myself too much. Waiting until I'm fully rested again and ready to create some bangers using everything I've learned from these 6 years. Lol.
REBLOGS HIGHLY APPRECIATED, really :>
#year in review#summary of art#summary of art 2024#art summary#art progress#artist of tumblr#small artist#adeptus mechanicus#alien covenant#batman 2022#my art
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A lot of thoughts about Cripping Intersex
On 2024-09-29 we met to talk about Chapters 0 and 7-9 of the 2022 book Cripping Intersex by Celeste Orr. This was a book that numerous people had requested we read, and we wound up with deeply mixed feelings about it. 😬
Overall reactions:
Michelle: I found the concept of “hauntology” incredibly compelling. I’m here for some shitposting. 🍵
Apollo: I loved the concept of compulsory dyadism. I found the downplaying of “perisex” as a term to be weird, and the lack of divulging intersex/disability status was weird.
Elizabeth: the lack of diverging intersex/disability status wasn’t just weird, it was anathema to standpoint theory, and so every time Orr cited standpoint theorists, it made me seriously doubt Orr’s understanding of the theoretical basis that they actively chose to use 🧐. I was disappointed by this book. I agree with its central premise, so I should have been an easy sell. Instead I came out shaking, upset, feeling like Orr was a voyeur to our community, that Orr does not actually view intersex studies as a serious research area, that we’re just a theoretical fascination.
Remy: There were a lot of good points about how disability is socially constructed, but how Orr used “bodymind” detracted from their arguments for me. This book had a lot of uncomfortable conversations, some of them I was happy to read, some I need to come to terms with myself, while others I felt were treated a little too artificially equally such as the section with the phrase "the future is female" and the intersex community being involved in the queer community. 🤔
Bnuuy: it's really jarring how they approach the topic. There are a lot of pieces for a good theory here, but it’s kinda like Orr is just like the completely wrong person to go try to assemble them 🫤
As a collective, we generally were receptive (if not enthused!) about the central message that intersex benefits from disability studies/rights/justice perspectives, and that our community would benefit from more interaction with the disability studies/rights/justice communities! 💜
At the same time, we all agreed that Orr felt like a voyeur to our community. Rather than engaging with the intersex community, they seem to have a one-sided relationship where they read a bunch of things by intersex people but never actually conversed with intersex people. Whether Orr is intersex or not matters a whole lot less to us than whether Orr is actively participating in the community.
We made a lot of (unflattering) comparisons of Orr’s book to Envisioning African Intersex by Swarr, an intersex studies book by a perisex author. The latter is a great example of how a perisex scholar can do right by the intersex community: Swarr is clear about being perisex, clearly lays out her motivation for writing the book (she saw medical photography of intersex people, thought it was fucked up, later became friends with intersex activist Sally Gross, and then wanted to honour Gross’ memory after Gross died tragically.) Swarr was clearly connected to multiple African intersex organizations and made an explicit, deliberate choice to publish her book as open access so that the work could actually be read by the African activists she has been working with. Swarr’s perisex status matters a lot less than the fact that Swarr writes in a way that demonstrates personal investment in advancing intersex rights/justice.
Orr may or may nor be intersex. We don’t know. We don’t really care, because Orr doesn’t demonstrate personal investment in the intersex rights/justice/studies communities. That’s what actually matters to us, and it's what a lot of this post is going to talk about.
Underneath the cut we're going to go into a lot more detail about the book. There were things we liked about the book, and want to be fair in our assessment. Some of the complaints we had about the book hinge on an understanding of sociological theory and academic practices, so we'll give some context on those issues.
What we liked
This book had a bunch of things going for it.
The one thing this book did better than Swarr was its use of hauntology. Swarr invokes hauntology in her book, but not nearly as effectively as Orr does. Orr gets a lot of effective mileage out of how the spectre of intersex haunts people’s bodies. Not just intersex people’s bodies, but also the bodies of pregnant people who are called upon to exorcise the spectre of intersex through selective abortion should a foetus be identified as possibly intersex.
The haunting metaphor rung true for talking about how we intersex people are haunted by past surgeries, forced treatments, medical trauma, and so on. Even when we’re “done” with receiving gender-altering “treatments” we live with their ghosts every day.
We liked the explicit connections that Orr drew between intersex and disability studies. Elizabeth in particular was warmed by the shoutout to how Garland-Thompson explicitly includes intersex in her disability studies work. We felt that Orr perhaps underestimates how receptive many intersex people would be to their central argument - Orr takes on a tone of “hey bear with my crazy radical argument” that we weren’t sure was really necessary.
Orr is not the first to make the argument that intersex organizing and scholarship would benefit from more alignment with the disability world. This gets into criticisms, but Orr isn’t the first to make this argument yet seems unaware of how regularly the argument comes up. Indeed there’s a whole chapter in Critical Intersex (2009) arguing that intersex is better off allying with the disability community than the queer community. It’s not hard to find intersex people on this very website arguing similar things. Intersex-support even has a whole section on it in their FAQ, though it does cite Orr (lol). Orr does at least seem aware of Koyama’s work making this argument.
We appreciated Orr calling out ableism in a lot of intersex organizing. When intersex people and organizations insist that intersex is NOT a disorder or disability, they conflate disorder and disability. This is an ableist conflation: disability activism tends to start from a place of resistance to the medical model of disability, whether it be by the social model or more recent ones like the political/relational model.
Intersex activists insisting that intersex is “NOT a disability” reinforce the idea that disability is a negative, tragic thing. It’s the “I’m not like the other girls” rhetoric: putting down people who experience the same oppression you do in an effort to gain some credibility. It holds our movement back, because ableism is a very potent part of how we intersex people are oppressed. Orr does an effective job of laying this out, and we recommend reading the first chapter for this.
Orr coins a term, temporarily endosex, to talk about how people can learn at any age or time that they have had intersex traits all along. (Another way in which intersex can haunt!). For Elizabeth, the idea of temporarily perisex helped zer understand why perisex people can be *so* insistent in defining intersex as something visible at birth: because if intersex is something you can become at any age, this threatens perisex people with the possibility that they too could find themselves on the minority side of the tracks.
Other terms that Orr uses were big hits with the group. Elizabeth loved “curative violence” and ze expects to get future mileage out of the term. Ze also liked the framing of IGM as medical malpractice. Apollo praised “compulsory dyadism” as a concept. Remy shared that the cyborg stuff in the book gave them a lot to think about.
The book features a takedown of eugenicist rhetoric by a bioethicist by the name of Sparrow. We all agreed that Sparrow’s arguments sucked, were grossly eugenicist, and welcomed that Orr had put in the work to rebut his hateful messaging. Michelle praised how they invoked Sparrow’s lists of undesirables that Preimplantation Genetic Diagnosis is supposed to prevent: for xem, it evoked monstrosity identification theory and ideas of the abject.
Elizabeth liked Orr’s argument that genital differences are a threat to the heterosexual (perisex) imagination: there’s so much porn out there that incorrectly presents intersex as “typical fully-developed penis plus typical fully-developed vagina” that really reflects how perisex people have a serious lack of imagination about genitals.
Fact Checking
There are a number of things that Orr says that we felt warrant an explicit fact check.
Orr presents the terms “perisex” and “endosex” as though they are contentious within the intersex community. They are not. The general consensus that one’s choice of perisex/endosex/dyadic is a question of personal preference and familiarity.
Orr clearly prefers the term dyadic, and makes a show of casting aspersions on “perisex” and “endosex”. They make it seem like their origins are disputed, and selectively cite Tumblr posts to make this argument. “Perisex” is actually the most common antonym to intersex on this very website, so it feels surreal that they're publishing the rare anti-“perisex” posts on this platform. Orr does correctly cite the Tumblr which coined “perisex”, the issue is they try to discredit it as a means to make it seem like this is not a term embraced by the intersex community.
Orr makes it seem like the origin of “endosex” is a suspicious mystery. It’s not. the term was first used in German in 2000 by Heike Bödeker. Bödeker is controversial for supporting autogynephilia 😬, but we've never seen anybody doubt Bödeker having mixed gonadal dysgenesis.
Orr clearly prefers the term “dyadic” and makes zero attempt to source the term, and the most minimal attempt at covering its controversy. This term actually does come from outside the intersex community! The term came from gender studies, popularized by 1970s radfem Shulamith Firestone. And it’s controversial for more than just being a laundering of “sex binary”.
Nobody calls it “ipso gender” anymore. It was coined as “ipso gender” but in actual usage has been “ipsogender” from basically as soon as the term was coined.
Orr uncritically repeats a quote which romanticizes home births in Black & Indigenous communities as that intersex-at-birth babies were accepted and cared for in a way that wouldn’t happen if the baby were born in hospital. This, sadly, is deserves scrutiny. We’re not saying it never happened: one can find stories supporting it. But the historical and sociological evidence show that infanticide of intersex infants has been widespread globally, and this includes traditional Black and Indigenous birth attendants. Collison (2018) as quoted in Swarr, reports that 88 of 90 traditional South African birth attendants they interviewed admitted to “getting rid” of a child if it was born intersex. That very story we just linked to about a Kenyan midwife saving intersex babies made the news because infanticide was the norm. In North America, some First Nations had similar traditions, e.g. the Navajo would leave intersex babies to die in arroyos, and the Halq’eméylem would leave them to die on a specific mountain. 😢
Michelle was visibly upset when talking about Orr’s repeated comments which insinuate that LGBT marriage equality was an attempt to fit in + liberalism + conformity. In Michelle’s words: “AIDS activists did not watch their lovers die for you to say that marriage equality is conformist bullshit. As a [polyamorous] person who is not legally married to xer spouses, I really felt that one, and I was intensely angry about how Orr was dismissing those activist efforts and the importance of them.”
The Voyeuristic Vibes
The consensus in the group was that Orr’s writing came off as voyeuristic of the intersex community. There were several points in the book where Orr seemed strangely disconnected from the intersex community. Sometimes it was small things, like spelling ipsogender as “ipso gender”, or favouring the term “interphobia” when “intersexism” is actually more popular in the community (it also avoids the potential casual ableism of framing bigots as clinically insane! Which you’d think a crip theorist would be sensitive to…. 👀)
Other times, it felt like a deeper, conceptual thing. For example, Orr’s top priority in future work was to apply their interpretation of intersex issues to critique how LGBT marriage equality was a homonormative, neoliberal, conformist movement. Not only was this viscerally upsetting to Michelle, for Elizabeth it was galling that this is what Orr seems to think intersex perspectives are good for: pushing down other queer groups. 😬 It added to the sense that Orr saw us as a nifty theoretical lens, and wasn’t particularly interested in advancing the intersex cause.
Another disconnection that was noted was in how Orr rebutted Sparrow’s claims that genital differences are disgusting and will not elicit sexual desire in others. Despite detailed rebuttals to other appalling comments from Sparrow, Orr does not bring up the intense fetishization of intersex genital differences which is uncomfortably familiar to all of us. Objectifying medical photography of intersex people with genital differences are shared widely and known to be used for sexual purposes.
Bnuuy was annoyed that Orr seemingly didn't try to talk to or otherwise get input/feedback from any disabled intersex people for their thesis, given that disabled intersex people are not actually that hard to find! (Indeed, four out of five of us are both intersex and disabled.) Given Orr’s emphasis on intersectionality, it’s notable that when they sought intersex texts to analyse, they focused on texts from nondisabled intersex folks.
Orr does not reveal if they are intersex nor if they are disabled. It sticks out. Whether they’re actually intersex or not isn't actually that important to us. We’ve previously read intersex studies works by perisex authors which we loved, and we believe strongly that it is possible for perisex authors to do right by the community if they take the time to engage WITH the community. (See Swarr as an exemplar!)
What we had major problem with is the faux “objective” tone that the book takes on. Orr seems to be trying to hide behind academic language, the “view from nowhere”, and an expensive paywall. This was noticeable to everybody. But Elizabeth, as the only academic in the call, came in with a lot more context as to why it felt gross.
The Misuse of Standpoint Theory
For Elizabeth, Orr's “view from nowhere” became egregious when Orr cites standpoint theorists like Donna Haraway, Nancy Hartstock, and Pat Hill Collins. In a surreal move, Orr explicitly points to Haraway’s famous paper “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective”. This paper is an evisceration of the “view from nowhere”, “objective” approach to academic knowledge production. Every view is a view from somewhere, and pretending otherwise feeds into the history of how science has been violently used to gaslight and oppress minority groups.
In short, Haraway says:

Elizabeth explains that as result, feminist methodologies accept subjectivity as part of the process: the researcher is expected to articulate their own standpoint, to be transparent about their subjectivity rather than to hide it behind a pretense of “objectivity”. There’s an emphasis on reflexivity, the fancy word for when scholars reflect on how their own social position affects how they do their research.
Feminist disability studies and crip theory both build on feminist standpoint theory, and Orr claims to be using both. Both frameworks understand disability as socially constructed, and that this social construction is entwined with other social forces such as capitalism, sexism, racism, and so on. Feminist disability studies scholars like Wendell (who Orr cites) clearly position themselves and how their disability (or lack thereof) affects their research.
Crip theory builds further on feminist disability studies, and acts to subvert ideas of ability. It began in the arts - cripping performance art by having wheelchair users perform as dancers, blind people doing photography, Deaf people making music, etc. It spread into other domains, such as crip technoscience. Crip theorists also inherit the tradition of reflexivity, whether it be Eli Claire writing about their personal experiences of disability or Sami Schalk talking about how being nondisabled affects her work as a disability studies scholar.
We provide all this exposition to emphasize how unusual it is that Orr provides absolutely zero information about their positionality nor their personal motivations to this research. 🧐 They provide zero reflexivity as to how their position may have affected their work. Yet their personal biases and subjectivity seemed obvious to us - we were all, in varying ways, set off by Orr trying to pass off subjective opinion as “correct”. As an example, we mentioned how Orr clearly prefers the term “dyadic” and manufactures controversy about the origins of “endosex” and “perisex”, while at the same time conveniently leaving out the unsavoury origins of the term “dyadic”.
Elizabeth pointed out that the ironic thing is Orr didn’t even need to invoke standpoint theory to make the argument that intersex studies would benefit from a disability studies lens. Plenty of intersex and disability studies is done using different frameworks.
Indeed, Elizabeth was surprised that this kind of error made it through a PhD thesis defense. In the department where ze teaches, if a student displays a major misunderstanding about their chosen theoretical framework, the student would be asked to redo the relevant thesis checkpoints (e.g. candidacy paper, thesis proposal/defense) until they get it right.
Some background on academia
Elizabeth brought up a structural problem with the book: it looks like it had zero intersex studies scholars review it prior to publication. 💀
This book originated as a PhD dissertation, which anybody can read for free here. A typical PhD programme is structured as a master-apprentice model of education, where a PhD student apprentices to one (sometimes two) professors. These are known as thesis advisors. The culmination of the PhD is a thesis (aka dissertation), which presents original research done by the student.
To graduate, the thesis needs to pass examination by a committee of professors. The committee acts as a secondary source of support to the student, providing guidance or perspectives to complement the advisors.
Elizabeth explained that when ze assembles a thesis committee for one of zer graduate students, the goal is to ensure any area that the student is venturing into has at least one committee member who is well versed in it. So, let’s say you propose you’re going to do a thesis on “intersex studies meets disability studies” but your thesis advisors are both gender studies people (as Orr’s were). Elizabeth would expect that Orr’s thesis committee would then include at least one disability studies scholar and at least one intersex studies scholar.
Instead, Orr’s thesis committee doesn’t have a single intersex studies scholar on it. Neither the book’s acknowledgements nor the thesis’ acknowledgments acknowledge any intersex studies scholars. Even though Orr is citing intersex studies scholars like Georgiann Davis, Morgan Holmes, and Cary Gabriel Costello, there's nothing to indicate that Orr has ever gotten feedback from any intersex people. This is HIGHLY unusual: normally, intersex studies books have acknowledgments which acknowledge several publicly intersex people, and often one or two intersex organizations.
Research is a highly social activity: researchers are expected to go to conferences, to be in conversation with people working on similar topics. And Orr is clearly social about their research, acknowledging the feminist/gender studies communities they have been a part of. It just seems like intersex studies scholars weren’t a priority for Orr’s academic socializing. 🙃
Orr’s acknowledgments doesn’t even contain the word intersex, which is unprecedented in our collective experience of intersex non-fiction. This is why Elizabeth says that ze was left with the impression that Orr doesn’t think intersex studies is a serious field of research. It appears that Orr views intersex literature as something to be consumed for their benefit, and not a community worthy of participation and a bi-directional relationship.
Early in the book, Orr points to Lennard Davis’ work with the Deaf community on reframing Deaf activism away from the “we’re not disabled we’re a linguistic minority” rhetoric. It’s a great example of disability studies scholars having an impact. Thing is: Davis openly talks about how he grew up in a Deaf family that was part of the Deaf Community. While Davis is not little-d deaf, he took on the project as a member of the capital-D Deaf community. His writing (including book acknowledgments) reflect this.
Elizabeth also pointed out that there are scripts and precedent in academia for how to handle positionality and reflexivity when you’re questioning or closeted. If Orr were closeted or questioning, they would have an excellent way to talk discreetly about it through their very own concept of “temporarily endosex”: Orr could write they don’t know they’re not perisex, frame it around how few perisex people actually know they’re perisex, and retain plausible deniability.
Other notes
Bnuuy was frustrated with the implication that disability studies is The Only Right Way to analyse intersex. It’s a useful lens for understanding intersex, but at times it felt like Orr was arguing it was the only appropriate lens rather than one of a collection of suitable lenses. Theories are analytic tools, and social phenomena are complex and fluid - it’s a matter of finding a suitable tool for a given research question, rather than there being One Correct Way to understand things.
Orr’s use of “bodymind” didn’t quite land. The term was created by Margaret Price to subvert the idea that body and mind are dichotomous: many disabilities cannot neatly fit into “mental” vs “physical”. It’s a term that’s had productive use in disability studies. But Orr’s use of it got a negative reaction. Remy pointed out it felt like it instead it actually reinforced the body-mind distinction. Intersex is, after all, a physical thing, and the idea of “brain intersex” is very poorly received by the intersex community - it’s seen as a way that perisex trans people appropriate intersex and/or live in denial about being perisex. It felt like Orr was using the word on autopilot rather than thinking about when and where it is actually subversive.
Bnuuy was concerned that Orr was reading OII Australia’s information on intersex in bad faith. Orr criticizes them for discursively distancing intersex from disability. Bnuuy points out that OII Australia is not writing for an academic (disability studies) scholarship. This is an advocacy organization speaking to a general audience that understands disability through the medical model. Bnuuy read the quotes from OII Australia as them just distancing themselves from a medicalized understanding of disability.
Elizabeth brought up that Orr’s manufactured controversy of “perisex” may have a classist element. While endo- does make sense as an antonym to inter- if one has formal science background, the term peri- is not conventionally an antonym to inter-. Elizabeth has personally noticed a resistance from zer fellow academics to perisex on the grounds that it’s “using scientific terminology incorrectly”, and thinks that’s a classist take.
Michelle brought up that “it also didn't sit great with me that they [Orr] were very condescending about Tumblr like, ‘aww, look at the baby activists trying to do a scholarship," whereas what I'd describe as ‘folk scholarship’ on Tumblr has been very valuable to me. It's not always correct and there can be misinformation, but it has worth.” Remy was unimpressed with how limited/selective Orr’s engagement seemed to be with intersex Tumblr, as well as Orr’s centrist take on “the future is female”.
Closing thoughts
This was a deeply imperfect piece of scholarship. Orr came across as disconnected from the intersex community, and uninterested in working with the community. The work still has some merits: Orr’s first chapter provides an incisive discussion of how ableism is detrimental to intersex advocacy and that trying to distance intersex from disability only adds to societal ableism. Ableism is a serious force in intersex discrimination and we’re stronger off understanding this and explicitly resisting it.
We hope that the stink of Orr’s voyeurism does not sully the important central message of their book. Work needs to be done to teach more intersex people about disability studies. Disability does not mean disorder. Disability does NOT mean medical problem. The disability rights and justice movements are FULL of disabled groups who, just like the intersex community, are actively seeking de-pathologization, bodily autonomy, patient-led care by respectful and well-informed physicians, and fighting neo-eugenics. We are in good company with groups like the Deaf, neurodiversity, and little people communities.
#oh also reminder: we're meeting on Friday to talk about Wicked!#intersex book club#intersex books#intersex#actually intersex#intersex studies#queer theory#crip theory#standpoint theory#disability studies#academia#crip#book reviews#book review#book summaries
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✨🌙Farewell, 2024💫










#artists on tumblr#digital art#digital illustration#digital painting#drawing#my art#art#artwork#painting#animation#rgu anthy#rgu utena#rgu#rgu fanart#utena x anthy#utena tenjou#revolutionary girl utena#alice madness returns#alice in wonderland#year end summary#annual review
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year of red lol forgot to post this earlier dkjfldk
2024 | 2023 | 2022 | 2021 | 2020 | Template
#art summary#art summary 2024#year in review#chaikachi wrapped - as it were#artists on tumblr#chaikachi
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