#return of a great dream

[dearmyloveleys]

I just wonder why they settled on the English title of fangs of fortune it’s like a YA novel title like, yay we’re going on a quirky happy adventure to slay some demons and make friends. Which they do, but BUT. Also where are my fangs and where is my fortune

[demaparbat-hp]

YOOOO DEMA YOU LIKE ARCANE???!! omg who's your favorite character??? and favorite moment(s) from s1??? (and fav ship too 👀 👀) will you draw for Arcane in the future???? (peak show with peak art =perfection, just saying)

Anon, you have the. Best. Timing. Ever. I literally just finished an Arcane artstyle study with Katara of the Undercity as a subject!

My favorite Arcane character is and forever shall be Ekko (best boy). Other faves are Viktor (chronic illness baby) and Jinx (trauma gremlin).

As for the S1 scene... Besides the finale and that breathtaking Guns for Hire sequence? The Ekko/Jinx fight from ep 7. It broke me. (And turned me into a Timebomb shipper. Which was arguably worse.)

[tenthsfreezeout]

— Bruce Springsteen, From My Home To Yours, Vol. 31: “California Sun”, November 2023.

[rexonalapis]

it is very telling that average genshin players cannot comprehend seeing an actual mature, qualified leader that is actually good at taking her job seriously after meeting archons who either is still childish, clowning whimsically, or straight up incompetent.

[sleeplessvalley]

I finally got rtdldx and it's consumed me even more than the base game did. have an egg

[dweemeister]

Whenever you feel alone, just remember that those kings will always be there to guide you. And so will I.

Born to a turbulent family on a Mississippi farm, James Earl Jones passed away today. He was ninety-three years old. Abandoned by his parents as a child and raised by a racist grandmother (although he later reconciled with his actor father and performed alongside him as an adult), the trauma of his childhood developed into a stutter that followed him through his primary school years – sometimes, his stutter was so debilitating, he could not speak at all. In high school, Jones found in an English teacher someone who found in him a talent for written expression, and encouraged him to write and recite poetry in class. He overcame his stutter by graduation, although the effects of it carried over for the remainder of his life.

Jones' most accomplished roles may have been on the Broadway stage, where he won three Tonys (twice winning Best Actor in a Play for originating the lead roles in 1969's The Great White Hope by Howard Sackler and 1987's Fences by August Wilson) and was considered one of the best Shakespearean actors of his time.

But his contributions to cinema left an impact on audiences, too. Jones received an Honorary Academy Award alongside makeup artist Dick Smith (1972's The Godfather, 1984's Amadeus) in 2011. From the end of Hollywood's Golden Age to the dawn of the summer Hollywood blockbuster in the 1970s to the present, Jones' presence – and his basso profundo voice – could scarcely be ignored. Though he could not sing like Paul Robeson nor had the looks of Sidney Poitier, his presence and command put him in league of both of his acting predecessors.

Ten of the films James Earl Jones appeared in, whether in-person or voice acting, follow (left-right, descending):

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) – directed by Stanley Kubrick; also starring Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, and Slim Pickens

The Great White Hope (1970) – directed by Martin Ritt; also starring Jane Alexander, Chester Morris, Hal Holbrook Beah Richards, and Moses Gunn

Star Wars saga (1977-2019; A New Hope pictured) – multiple directors, as the voice of Darth Vader, also starring Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker, Peter Mayhew, and Frank Oz

Claudine (1974) – directed by John Berry; also starring Diahann Carroll, Lawrence Hilton-Jacobs, and Tamu Blackwell

Conan the Barbarian (1982) – directed by John Milius; also starring Arnold Schwarzenegger, Sandahl Bergman, Ben Davidson, Cassandra Gaviola, Gerry Lopez, Mako, Valerie Quennessen, William Smith, and Max von Sydow

Coming to America series (1988 and 2021; original pictured) – multiple directors; also starring Eddie Murphy, Arsenio Hall, John Amos, Madge Sinclair, Shari Headley, Jermaine Fowler, Leslie Jones, Tracy Morgan, and KiKi Layne

The Hunt for Red October (1990) – directed by John McTiernan; also starring Sean Connery, Alec Baldwin, Scott Glenn, and Sam Neill

The Sandlot (1993) – directed by David Mickey Evans; also staring Tom Guiry, Mike Vitar, Patrick Renna, Chauncey Leopardi, Marty York, Brandon Adams, Grant Gelt, Shane Obedzinski, Victor DiMattia, Denis Leary, and Karen Allen

The Lion King (1994) – directed by Roger Allers and Rob Minkoff, as the voice of Mufasa; also starring Jonathan Taylor Thomas, Matthew Broderick, Jeremy Irons, Moira Kelly, Niketa Calame, Ernie Sabella, Nathan Lane, and Robert Guillaume, Rowan Atkinson, Whoopi Goldberg, Cheech Marin, Jim Cummings, and Madge Sinclair

Field of Dreams (1989) – directed by Phil Alden Robinson; also starring Kevin Costner, Amy Madigan, Ray Liotta, and Burt Lancaster

[astranauticus]

stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir

(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)

But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?

so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me

in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone

and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age

but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind

and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind

(or, because i personally dislike the official translation,)

"I just see this place as my home"

so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3

[thegreatyin]

@thunder-threnodies morgan can definitely try!!!

the scoundrel REALLY doesn't take well to dream intrusions. they don't take well to any amount of messing with their mind, but. well. dreams are perhaps the thing that irritates them most of all. any amount of scoundrel dream diving would have to be quick, delicate, and most definitely behind their back- and they will notice regardless, and they will hold a grudge for the rest of their stupidly long batty life about it.

as for the actual contents of those dreams, well...

when they first achieved their ambition, the scoundrel used to dream of flower fields and starry skies. as time has gone on, this dream has. Distorted, somewhat.

the flowers have become wilder. the grass has become twisted and tangled amidst thorns and thickets. the stars have started blinking in and out of existence. ice has started creeping up along the edges of her mind, like a memory she just. can't quite get rid of.

(there's a certain city in the distance. he always tries not to look at it. he always fails.)

it's oddly peaceful, once you get past the frost and the foliage. the scoundrel usually sits at the valley's heart, surrounded by a web of dahlias and daisies. her exact dreams vary wildly, but no matter what, he always plays them out at the center, like the entire dreamscape is just a stage for that night's particular performance. there's always a chance to step away and go further into the field, if he wills it. he never seems to realize it's an option in the first place.

when her mind is kind, and quiet, she does have normal nights. simple time spent with her paramours. joyous days as a beast, hanging upside down and snacking on fruit and bugs to her heart's content. simply existing as she wills it.

but. well. most of her plays aren't that. most of her plays can only be best described as nightmares. her entire dreamscape is essentially one big fancy backdrop to that.

most often the play is a memory. a small mistake she made, a social interaction she floundered. sometimes it's a surgical appointment with her coworkers. sometimes it's an argument with someone he's never gotten over. sometimes it's performing open heart surgery on someone wearing her own face. sometimes it's a monkey and a single bronze fruit, never eaten.

sometimes it's a corpse pinning him against the ground and screaming, wailing, begging for the answer as to why he's done what he's done.

other times her dream-performance is more... esoteric. flocks of bats he can't quite recognize. a mirror he can't quite look through. a star commanding him to put a leash around his neck, which he obeys with utmost gratitude.

he tends to prefer those nights. they hit less closer to home.

for all of his power in parabola, he gets lost in his own dreams... Very Very Very Easily. it's probably part of why he's so protective over them. being seen completely enveloped in a torment nexus your own mind made up isn't exactly stellar for one's image. having her dreams exposed and sifted through is Deeply Unpleasant to the scoundrel. it means she's vulnerable. open. human.

and her mind can't imagine anything more terrifying than that.

[nowshesdoingitallthetime]

EVERYONE FUCKING FOCUS ITS HAPPENING

(Update: Matty im breaking whatever was used to cut your hair and I swear if you don’t let your fucking hair grow out we’re fighting at whatever parking lot is available AND I WILL BE BRINGING THE PINK CUNTY SCOOTER)

[aeolianblues]

I'm not an extrovert. At all. In everyday life, I'm a yapper, sure, but I need someone to first assure me I am okay to yap, so I don't start conversations, even when I really want to join in sometimes! It's just the social anxiety acting up. God knows where from and why I lose a lot of my inhibitions when it comes to talking to people about music. I don't know where the confidence has suddenly sprung from. I've made a crazy amount of friends in musical circles, either just talking to people about common music or (since it is after all in music circles) talking to bands about their own music. I let out a sigh of relief any time an interaction goes well, because in truth it's going against my every instinct. I wish I could do that in everyday life

[tetzoro]

GOOD MORNING FRIENDZ ! and happy thursday ^_^ it’s a beautiful day to spread some love ! i hope you all have a magnificent day ! <3

[petrichoraline]

i just dreamt of snuggling with ming and it was the best cuddle session ever so I will not be hearing ANY slander against this man whose show i've never seen

[the-kipsabian]

the world has been feeding me so much garbage recently

and then all of a sudden everything clicks back into place and it feels almost too good to be true

anyways i have a tattoo appointment next week LMAO

[phantomslament]

Farrah’s event spoilers//

Okay, so I finished her event yesterday and while I keep finding these events that don’t progress the overall story to have become bland/old, especially the events with poorer pacing and writing that feels like it treats the viewer almost like a child (basically telling everything not like an actual narrative with natural dialogue) I VERY VERY VERY much like how in the perceived good ending, Farrah finds out what her mother did and never forgives her.

As a person who grew up abused by their own mother, always hearing people say “well she’s your mother, you should forgive her” it always feels like a breath of fresh air when I see fictional characters denounce the parents that were meant to protect them, even if Farrah’s mother had good intentions she must have known eventually what was going on. There’s no excuse really otherwise. I’m glad there was the choice to look further, deeper into Farrah and her mother and find out hey, maybe this person failed terribly as a parent but didn’t really show any true effort to apologize or make up for the possible years of torture Farrah went through. There really isn’t any kind of apology that can be forgiven in that instance, and Farrah doesn’t owe a relationship or forgiveness to her mom.

I don’t know, stories that criticize bad parents has always hit very close to home, forgiving your abuser in my opinion is never a good route to go not only in a writing sense but also for my own mental health, I would never submit myself to forgiveness to make my abusers feel better about what they did to me. In short Farrah event has a decent moral perspective.

[fruitsofhell]

Replaying some Kirby Star Allies it's actually hysterical that RTDL was put on this console as the other 2D Kirby because it is so 1000% on point. I was playing this shit like, "Wow this is RTDL but not as good, I kinda wish I was playing RTDL rn instead" and low and behold its like Hal read my thoughts in advance.

Or probably the thoughts of anyone else who played Star Allies with context of the rest of the modern 2D lineup which I did not last time I really sat down and played it.

The Switch not only has a great fully 3D entry, but a great 2D one too! Only one.

[vounoura]

is it ever stated what / who Fel actually is?