#resources: outlining & plotting

[deception-united]

Let's talk about story structure.

Fabricating the narrative structure of your story can be difficult, and it can be helpful to use already known and well-established story structures as a sort of blueprint to guide you along the way. Before we delve into a few of the more popular ones, however, what exactly does this term entail?

Story structure refers to the framework or organization of a narrative. It is typically divided into key elements such as exposition, rising action, climax, falling action, and resolution, and serves as the skeleton upon which the plot, characters, and themes are built. It provides a roadmap of sorts for the progression of events and emotional arcs within a story.

Freytag's Pyramid:

Also known as a five-act structure, this is pretty much your standard story structure that you likely learned in English class at some point. It looks something like this:

Exposition: Introduces the characters, setting, and basic situation of the story.

Inciting Incident: The event that sets the main conflict of the story in motion, often disrupting the status quo for the protagonist.

Rising Action: Series of events that build tension and escalate the conflict, leading toward the story's climax.

Climax: The highest point of tension or the turning point in the story, where the conflict reaches its peak and the outcome is decided.

Falling Action: Events that occur as a result of the climax, leading towards the resolution and tying up loose ends.

Resolution (or Denouement): The final outcome of the story, where the conflict is resolved, and any remaining questions or conflicts are addressed, providing closure for the audience.

Though the overuse of this story structure may be seen as a downside, it's used so much for a reason. Its intuitive structure provides a reliable framework for writers to build upon, ensuring clear progression and emotional resonance in their stories and drawing everything to a resolution that is satisfactory for the readers.

The Fichtean Curve:

The Fichtean Curve is characterised by a gradual rise in tension and conflict, leading to a climactic peak, followed by a swift resolution. It emphasises the building of suspense and intensity throughout the narrative, following a pattern of escalating crises leading to a climax representing the peak of the protagonist's struggle, then a swift resolution.

Initial Crisis: The story begins with a significant event or problem that immediately grabs the audience's attention, setting the plot in motion.

Escalating Crises: Additional challenges or complications arise, intensifying the protagonist's struggles and increasing the stakes.

Climax: The tension reaches its peak as the protagonist confronts the central obstacle or makes a crucial decision.

Swift Resolution: Following the climax, conflicts are rapidly resolved, often with a sudden shift or revelation, bringing closure to the narrative. Note that all loose ends may not be tied by the end, and that's completely fine as long as it works in your story—leaving some room for speculation or suspense can be intriguing.

The Hero’s Journey:

The Hero's Journey follows a protagonist through a transformative adventure. It outlines their journey from ordinary life into the unknown, encountering challenges, allies, and adversaries along the way, ultimately leading to personal growth and a return to the familiar world with newfound wisdom or treasures.

Call to Adventure: The hero receives a summons or challenge that disrupts their ordinary life.

Refusal of the Call: Initially, the hero may resist or hesitate in accepting the adventure.

Meeting the Mentor: The hero encounters a wise mentor who provides guidance and assistance.

Crossing the Threshold: The hero leaves their familiar world and enters the unknown, facing the challenges of the journey.

Trials and Tests: Along the journey, the hero faces various obstacles and adversaries that test their skills and resolve.

Approach to the Inmost Cave: The hero approaches the central conflict or their deepest fears.

The Ordeal: The hero faces their greatest challenge, often confronting the main antagonist or undergoing a significant transformation.

Reward: After overcoming the ordeal, the hero receives a reward, such as treasure, knowledge, or inner growth.

The Road Back: The hero begins the journey back to their ordinary world, encountering final obstacles or confrontations.

Resurrection: The hero faces one final test or ordeal that solidifies their transformation.

Return with the Elixir: The hero returns to the ordinary world, bringing back the lessons learned or treasures gained to benefit themselves or others.

Exploring these different story structures reveals the intricate paths characters traverse in their journeys. Each framework provides a blueprint for crafting engaging narratives that captivate audiences. Understanding these underlying structures can help gain an array of tools to create unforgettable tales that resonate with audiences of all kind.

Happy writing! Hope this was helpful ❤

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[wordsnstuff]

Sorry if this question has already been asked, but I haven’t seen anything similar anywhere. So I really love world building and characters, and I can spend hours figuring out their intricate details and visualizing them in my head. I would love to start turning them into stories, but that’s where I simply blank and have difficulty coming up with even a basic plot line. How would you recommend coming up with basic plots when you already have worlds and characters thought out?

Making a plot for your world and characters...

I often consider the outline of a story to surround the three pillars of events, environment, and characters. When you are struggling to develop any one of these elements, I find it helpful to examine how the other two are interacting. If you begin (in this instance) with a fairly developed environment and set of characters moving within it, you can analyze the interactions between the two and discern where there might be opportunities for conflict. Approaching plot development this way will primarily put your story in the character-driven category. 

A more detailed example might look something like this: 

You have an ensemble cast of characters who live in a dystopian society where death has been eradicated during their lifetime. They are all old enough to remember a world before immortality, and society has witnessed cultural conflict in response to this advancement in technology. This could be approached from many angles, such as dissent or advocacy from religious groups, cultural groups with practices related to death, social classes who have lesser access to the technology, political groups who manipulate the issue to their benefit, etc. Each character in your ensemble will have their own personal views and be affected individually by this factor of the environment you’ve put them in, so find the conflict in each of them. Perhaps one of the characters is inheriting a leadership position in a cultural group that advocates against the use of the technology to prolong life as it goes against their beliefs. Maybe another character is of a social class that has limited access to the technology and is going to great lengths to cure a sick family member. 

That is the thought process of development that will make it easier to create a central conflict and plot for your story. 

Identify unique factors of the environment 

Consider your characters’ established place within the environment

Anticipate conflicts between the two

Exploit those conflicts to create tension

Outline the development of all conflicts to find the through line plot of the story

I hope this helps, and as always you can feel free to reach out if you have further questions.

x Kate

–

Masterlist

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[novlr]

How to create a plot outline in five easy steps

1. Think of a premise

Every story needs to start somewhere, but it doesn't have to be a complicated process. Coming up with a premise is as simple as asking"What if?"

What if four writers spent the night in a haunted house? What if humans evolved wings?

It's that simple! Now you have a story premise.

2. Get to know your characters

Your characters are the backbone of your plot, so knowing who they are, and what they want is a great first step in outlining your story.

Create character profiles. Consider their inner and outer lives. What are their goals, motivations, and conflicts? What are their relationships, and how do they come into conflict with each other and their world?

3. Develop a setting

Your story setting is more than just where the action happens. It's an integral part of your plot, and arguably, as important as your characters!

Determine where your story is told, and ask why it's the ideal place to tell this story. How do your characters relate to their world, and how does it factor into their goals, motivations, and conflicts?

4. Create a timeline

A timeline of events is just one part of creating a compelling plot, but it's the part most people think of when you say the word 'outline.'

Once you have your premise, characters and setting worked out, you need to determine what happens in your story, so a brainstormed timeline of your plot's main events gives you a beginning, a middle, and an end — a strong foundation on which to build a more layered narrative.

5. Brainstorm some scenes

Now that you know your plot's main events, think of some important scenes that might happen within that plot. What needs to happen to get you from point A to point B?

Brainstorming scenes that will move your story along lets you set your narrative's pace. Place those scenes in your timeline to get a clearer picture of where your story might need more developing, or is too packed with content.

[so-many-ocs]

hi hello how on earth do you start on a new concept??? now that i've finished and am in the process of publishing my first novel i literally have. no brain. no thoughts head empty.

like i can think of a premise, i can think of the major complication, but from there onwards i find myself unable to flesh out anything. and these are ideas i love, too! it's frustrating :<

i've definitely been here before, and it can be a tough place to get out of, but don't lose hope!

let's talk brainstorming

there are a few ways to go about this:

create a bulleted list of all the things you know you want in your story.

under each idea or “problem,” elaborate with potential solutions and outcomes. try to think of the “coolest” option or the one you would enjoy writing more (you can refine ideas later!)

use these as opportunities to create more conflict throughout the story

freewrite scenarios based on the information you already have. see how conflict might emerge based on these ideas. keep the scenes that have potential, refine or discard the ones that don’t. 

make a mind map, starting with what you have and working your way out into smaller branches.

generally speaking, i’d start broad and narrow your ideas down until you can fine-tune the details. what setting best suits your premise? what kind of people might live there? what made those people the way they are? how are they at odds with each other or their setting? et cetera, et cetera, until you have an idea of what to write.

you can look into different plot structures, as many of them provide a description for each “beat” of the plot and give you rough guidelines to work with. if you’re not big on plot structures, try summarizing your ideas in greater and greater detail.

when i’m really stuck, i go to prompt websites. a lot of them have character prompt generators, and, even if i don’t necessarily like what the website comes up with, i can at least use it as a jumping-off point for fleshing out different ideas. 

mostly, though, focus on beginning with something general and getting more specific as you go. coming up with a whole new book idea can be intimidating; it’s much more manageable if you break it down into chunks or stages. for me, the stages are as follows: brainstorming the premise > brainstorming the plot > rough outline (goes over the main “beats” of the story) > main outline (revised version of the rough outline with more info on potential conflicts) > scene cards (i create a “writing prompt” of sorts with a brief overview of what i want to happen for each scene, what conflict needs to be resolved, etc).

take it one step at a time, divide your task into stages, and don’t get frustrated with yourself for the slow parts of the process. trust that you can figure it out.

i hope this was helpful! best of luck, and happy writing!

[azaisya]

help how do you plot a dnd campaign

[sarlusmonoele]

can't believe my problem now is idk how to outline a plot

because I finally have a pretty solid plot!!!!!

[spn-fanfic-reblog-writes]

Saving for later

Random Plot Points

A little about me as a writer, I love daydreaming about adventure stories. I usually know the general set up and larger plot points but oftentimes struggle with the how, how do characters get from point A to point B. 

So, I made a list of random challenges for my characters that I look at when I'm stuck.

Sharing in case helpful to others! (intended for adventure, sci-fi, fantasy stories) 

characters are delayed/blocked/experience a natural disaster (storm, fire, flood, avalanche, earthquake, epidemic, etc) (BONUS and forced to take a detour from the original path)

character(s) is trapped (quick sand, fall through ice, in room filling with poison, on sinking ship, in a trash compactor on the Death Star, etc) (BONUS- fall into hidden room and discover something) 

characters go to a festival/ball/party/political summit (where inevitably it all goes wrong)

character(s) overhears a secret (at bar, at party, from a whispered conversation below them in a stairway, etc) 

characters are attacked by an animal or mysterious force 

characters(s) caught in a mob/riot

character wins/loses something in a bet

character is brainwashed or possessed 

character is stranded/lost

character is poisoned 

character succumbs to injury or illness 

characters are chased/ attacked by antagonists 

character is captured or arrested (and needs to be rescued)

character is kidnapped and kidnappers make a demand for their release (financial ransom, exchange of information, prisoner exchange, etc) 

character(s) go undercover to retrieve information

characters decide to steal something they need for their quest (weapon, magical object, money, information, etc). (BONUS- time for a well-planned heist!) 

characters need to protect/ retrieve/ destroy something 

characters uncover a network of spies (up to you if they're unexpected allies or antagonists)  

characters discover hidden passageway, room, ruins etc that leads to an important clue

characters forced to hide from someone/something

characters need to escape 

characters lured into trap set by villain (BONUS if the villain doesn't even care who wins but only goaded them to learn how a magical object works, the extent of heroes powers, emergency response system of a government, etc) 

characters set trap for villain (BONUS- use someone or something important as bait) (if in Act 2, they fail) 

characters reveal critical information to villain in disguise 

a character is mistaken for someone else (and then is wrongfully arrested, receives information not intended for them, etc) 

characters receive help (hitch a ride, get help hiding from captors, get help escaping somewhere, etc) from an unlikely new ally 

characters forced to team up with an unlikely ally/ morally grey character, etc

characters learn something from simple library research (an oldie but a goodie)

characters just literally just stumble upon or witness something important (secret weapon, secret society etc) 

characters uncover a secret map/ coded message on the back of an old unassuming document (time for a classic treasure hunt!) 

someone escapes from prison (an old villain or an old ally) that changes the quest 

someone is being blackmailed (or otherwise forced to act against the protagonists)

someone is discredited (rumor, disinformation campaign etc) 

something stolen from your characters 

something (document, magical object, money) turns out to be fake

OR, something unassuming turns out to have special powers or meaning  

something is hacked (defense system, infrastructure, bank, private records, etc)

something critical is attacked (important bridge, port, bank/ financial system, safehouse, capitol building, character's familial home, etc.)

a computer virus is unleashed 

a biological weapon is unleashed 

a piece of information the characters believed was true, is false 

an ancient myth turns out to be true 

a secret is made public 

A law is changed or a vote on a critical piece of legislation loses/wins 

a political opponent wins an election/ a political ally loses an election 

character(s) help a passerby (from raiders, local tyrant, beast, mystical force, etc) 

characters "follow the money" and realize someone who was thought to be their ally is actually working for... (crime syndicate, villain, local tyrant etc) 

[mandyraine]

Larry Brooks’ Story Structure

The day the aliens arrived, my mother was having a nervous breakdown--

The Larry Brooks story structure is one that I have used several times and find to be very useful when planning a novel. It is a structure that I will detail here in depth because – to me – it seems to be one of the more effective methods of outlining a novel. Image generated using artificial intelligence. Brooks is a writing coach, author, and speaker known for his expertise in the craft of…

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[fictionally-driven]

Bruises and Blossoms

Pairing: Jiyan x f! Midnight Rangers reader Word count: 3165 words Trigger warnings: Injuries, mentions of blood, violence, mentions of death. Plot: Jiyan is gravely injured and saved by the resilient and resourceful field medic, (Y/N), whose unwavering dedication and quick thinking catch his eye amidst the chaos of war.

Author Note: I have been writing fics about WuWa characters developing feelings for someone. I could not help but indulge in this after playing WuWa from the past few days. If you liked it, then reblogs are appreciated, Thank you!

The battlefield was a symphony of chaos, the air thick with the metallic tang of blood and the acrid stench of smoke. Tacet Discords, their dark forms swirling like a malevolent storm, descended upon them. Jiyan led his troops into the fray against the looming threat to Jinzhou and Huanglong. His blade cut through the fog on the enemy with lethal precision.

But the Tacet Discords were relentless, their numbers seemingly endless as they swarmed over the battlefield. It felt like an other outbreak was on the verge of breaking through and Jiyan was resolved to quell it before it got to that point. Jiyan fought with all his strength, his heart pounding with adrenaline as he pushed himself beyond his limits to protect his troops from the brunt of the attacks.

Suddenly, amidst the chaos, a joint attack from the Crownless and the Tempest Memphis caught Jiyan off guard. Despite his best efforts, he found himself overwhelmed, his vision blurring as pain seared through his body. Blood filled Jiyan's mouth as he struggled to maintain his footing, his ears ringing with the clamor of battle. But even in the midst of his pain, he refused to yield, his determination unwavering as he faced his enemies head-on. Slaying the crownless, Jiyan collapsed to his knees, trying to catch his breath and recover. Black spots emerged in his vision and he shook his head, trying to remain focused. Amidst the chaos, a familiar voice cut through the din, pulling him back from the brink of darkness.

An on-field medic approached at Jiyan's side "General! focus on me," she urged, her voice firm yet comforting as she assessed his injuries. Her hands moving with practiced precision as she tended to his injuries with the supplies she was carrying. "Let me patch you up."

But Jiyan, his resolve as strong as ever, swatted her hand away. He insisted that he was fine, his voice strained with pain. "There are others who need your help more than I do," he protested, his gaze flickering with concern for his troops. “I’ll be alright.”

Yet the medic, undeterred by Jiyan's protests, remained steadfast in her resolve. "You need medical attention, General," she insisted, her tone leaving no room for argument. "Let me do my job."

"I'm not leaving you like this," She retorted, her tone firm as she continued to patch up Jiyan's injuries. "No man left behind, remember?"

As she outlined Jiyan's injuries in her terminal, recording and transmitting the message to the infirmary, she detailed the extent of his wounds. "He's broken his arm, sustained a deep femoral artery laceration, and has multiple contusions and abrasions," she reported, her voice steady despite the urgency of the situation. "We'll need a transfusion and surgical intervention."

With practiced efficiency, she stabilized Jiyan's broken arm, carefully wrapping it in a makeshift splint to prevent further injury after removing his signature midnight green gardebras. Administering pain medication, she sought to alleviate his discomfort, her hands moving with gentle precision as she worked.

As she wrapped a tourniquet around his open wound to stem the bleeding, she barked commands to the surrounding troops, directing them to cover their path back to the infirmary. "We need a clear path, now!" She pointed to two soldiers. “You two. Cover for me and the general till we make it to the infirmary. Take defense positions at the back.” She then points to another soldier beside them. “You take the front. What? Do I look like I have sprouted two horns? Move. Now!”  With Jiyan's uninjured arm draped around her, she lifted the general up, staggering a bit due to his weight before stabilizing herself.

Despite his delirium from the pain and blood loss, Jiyan couldn't help but notice the warmth of her presence, her lively nature. "You're like a whirlwind, aren't you?" he murmured, his voice laced with admiration as she dragged him towards the relative safety of the infirmary.

Despite the chaos and confusion of the battlefield, Jiyan finds himself drawn to the medic at his side. Was she glowing? He couldn't help but wonder as he struggled to keep up with her brisk pace. How could someone be so beautiful, almost amidst the carnage of war? Though the scent of blood and smoke filled his senses, he could still smell was the antiseptic and medicines that she had used on him, comforting him. As she dragged him towards the infirmary, Jiyan weakly protested against her, insisting that he would be fine. She seemingly ignored his words, only to focus on the task at hand. And in that moment, as he clung to her for support, Jiyan knew that he was in good hands.

Inside the infirmary, the harsh lights made everything seem too bright and painful. Jiyan was gently lowered onto the bed, his muscles screaming in protest with each movement. Through bleary eyes, he watched as the medic busied herself. Jiyan’s eyes fixed on her, noting the blood, his blood, smeared on her skin and on her clavicle. He noticed the small injuries that marred her too. Her hair, disheveled from the chaos, fell out of place from its tie, framing her face. With his uninjured hand, he reached out and tucked a stray strand behind her ear, his touch lingering for a moment. “You are injured too. Make sure to get it patched.”

She glanced at him, a mix of frustration and tenderness in her eyes. "You need to rest, General," she admonished, her voice soft yet firm. "Let us handle the battlefield for now. Your troops need you to recover."

Jiyan managed a weak smile, his vision blurring again. "You... you're quite something," he murmured, his voice trailing off. “What is your name, soldier?”

She stood up, her expression softening as she looked down at him. "And you're quite stubborn," she replied, a hint of a smile playing on her lips. "Take care and recover soon. Your troops have got this, and you need to focus on resting." She wiped his blood off her using a few wet wipes as more medics gathered to tend to the general. “My name is (Y/N).” She said, as the medics began working on treating him.

Jiyan managed a weak smile, his eyelids heavy with exhaustion. "Thank you, (Y/N)." he murmured, his voice barely audible.

"You're welcome," she replied, still smiling. “Let the medics tend to you. I’ll be off now.”

As she turned to leave, her figure was haloed by the harsh light, making her seem almost ethereal. Jiyan watched her go, the scent of antiseptic and the warmth of her presence lingering even as he drifted into unconsciousness.

Days had passed since the chaotic battle, and Jiyan, who transferred to the hospital in Jinzhou city was gradually recovering. His body, still wrapped in bandages and dressings, bore the marks of the intense skirmish. His broken arm was securely cast, the deep laceration on his hip stitched and bandaged, and the myriad of contusions and abrasions were cleaned and dressed. The medics had done their job well, but amidst their care, Jiyan's mind lingered on one thought: the medic who had saved him.

(Y/N), she had said her name was. She hadn't served directly under him before, always stationed at a distant outpost. The recent upheavals had brought many changes to their forces, including her reassignment to the Northern border of Huanglong. He'd learned through her records that she was exemplary, her combat skills and medical background making her a perfect fit for an on-field medic. Jiyan knew he needed to thank her, not just for her skillful treatment, but for her unwavering determination to save his life.

Her image was etched into his mind: her firm yet gentle hands tending to his wounds, her unwavering resolve, and that fleeting moment when he had tucked a stray strand of her hair behind her ear. Despite the pain and blood loss, he remembered the warmth of her presence

The Tacet Discord outbreak from that fateful day had been contained, though at a grave cost. Several lives had been lost, each one a heavy burden on Jiyan's heart. As he regained his strength, he prepared himself for a somber duty he never neglected: honoring the fallen. With a pouch of Emortia seeds in his hand, Jiyan made his way to Knell Square, the hallowed ground where he planted these seeds to commemorate the soldiers who had perished in battle.

Stepping out into the streets of Jinzhou, Jiyan felt a wave of nostalgia wash over him. The city was alive with activity, but he sought solace in the quieter parts. His path took him away from the bustling marketplace, past the familiar landmarks of the city, and towards Knell Square.

As Jiyan approached the square, the familiar sight of Emortia flowers greeted him, their delicate petals swaying gently in the breeze. He paused for a moment, taking in the serenity of the scene, his heart heavy with the names and faces of the comrades he had lost. But then, his gaze caught sight of a solitary figure standing by the flower bed, lost in thought.

(Y/N) stood there, her posture relaxed yet somehow somber. She seemed absorbed in the sight of the flowers; her eyes distant as if she were communing with the spirits of those who had passed. The soft light of the late afternoon cast a gentle glow on her, highlighting the subtle strength and grace that had left such an impression on him.

Jiyan's heart skipped a beat as he watched her. He hadn't expected to run into her here, and the sight of her brought back a flood of memories from the battlefield. He wondered what she was thinking about, what memories or emotions had drawn her to this quiet place. He took a moment to observe her, the way her eyes seemed to soften as she looked at the flowers, the way her hands gently brushed against the petals. He cleared his throat, stepping beside her. "I didn’t expect to run into you in Jinzhou."

(Y/N) turned to him, a gentle smile forming on her lips. "General Jiyan," she greeted, her voice soft. “I see that you are recovering quickly.” She turned back to the flowers. “I was here to collect some personal supplies and stopped by to admire these flowers. They are quite beautiful, aren’t they?”

Jiyan nodded, stepping closer to stand beside her. "They do. Each one represents a life, a sacrifice. It's a way for me to remember and honor them. I plant these seeds for the rangers who lost their lives." he said quietly.

She looked back at the flowers; her expression thoughtful. "These flowers... they carry so many memories…”

There was a moment of silence between them, the weight of their shared losses hanging in the air. Jiyan took a deep breath, summoning the words he had been wanting to say. "Thank you," he began, his voice earnest. "For saving me that day. I owe you, (Y/N)."

(Y/N) waved a hand dismissively, but there was a twinkle in her eye. "I was just doing my duty, General. But next time, let me do my job without fighting back.” There was a hint of frustration in her eyes. “You of all people should know that without a general, the army would have fallen into disarray."

Jiyan felt a pang of sheepishness at her words, but he nodded in acknowledgment. "You're right," he admitted. "I was stubborn. But so were you. Your quick thinking and actions saved me. Your efforts will be formally acknowledged."

A soft chuckle escaped her lips as she shook her head. "No need for formalities, General. Knowing that you're alive and well is enough for me. I don't want praise," (Y/N) said, her voice firm yet soft. "I didn't do it for the recognition. I did it because it's my duty, and I want to be more efficient in that duty. I could have saved more lives that day if I was better."

Jiyan nodded slowly. "I do. It's a heavy burden, knowing lives depend on your actions. But that's also what makes it so important."

(Y/N)'s eyes widened slightly, a spark of recognition flashing in them. "That's right. You were a medic before you became a general. I'd almost forgotten about that."

Jiyan smiled faintly. "It's not something I talk about often, but it's a part of who I am."

She gave him an incredulous look, almost looking offended. “You, of all people, should know better than to resist treatment on the battlefield! Next time, I'll tie you up if I have to."

A chuckle escaped Jiyan before he could stop it, and (Y/N)'s eyes widened in surprise. "Something the matter?" he asked, bemused.

She shook her head, a look of astonishment on her face. "I don't think I've ever heard you chuckle before," she said, her voice filled with wonder. "It suits you more than your usual frown and scowl."

Jiyan was momentarily stunned by her words. He wasn't used to such candid observations about his demeanor. "I suppose I should thank you for that," he said, a hint of a smile tugging at his lips.

(Y/N) returned his smile, her gaze focused on the sky for a moment, "I'll leave you to your moment with the flowers, General," she said, stepping back to give him space.

As she began to walk away, Jiyan found himself not wanting her to leave just yet. "Wait," he called after her, his voice catching slightly. "Would you... would you help me plant these seeds?"

(Y/N) turned back, her smile widening as she walked back to him. "Of course, General. I'd be honored."

They knelt together by the flower bed, the pouch of Emortia seeds in Jiyan's hand. He handed a few seeds to (Y/N), their fingers brushing lightly. Together, they dug small holes in the soil, carefully placing the seeds within.

"Each seed represents a life," Jiyan said quietly, his voice filled with reverence. "A sacrifice that must never be forgotten."

(Y/N) nodded, her eyes reflecting the same solemn respect. "And each flower that blooms is a reminder of their bravery and our duty to honor them."

They worked in silence for a while, the act of planting the seeds almost meditative. The gentle rustling of the flowers and the distant sounds of the city created a peaceful backdrop to their task.

As they finished planting the last of the seeds, Jiyan looked at (Y/N), admiration evident in his eyes. "Thank you," he said, his voice sincere. "For everything."

(Y/N) smiled, her lively spirit shining through once more. "You're welcome, General. And thank you for your service. We all rely on your strength and leadership."

With the seeds planted, they stood together, taking a moment to appreciate the serene beauty of Knell Square. The Emortia flowers swayed gently in the breeze, their delicate petals a symbol of hope and remembrance.

"I should be going," (Y/N) said softly. "But if you ever need someone to tie you down for treatment again, you know where to find me, General."

Jiyan chuckled, a genuine smile breaking across his face. "I'll keep that in mind," he replied. “And please, call me Jiyan.”

“Jiyan…” She repeated, nodding at him. “Alright then, I’ll do just that.”

As (Y/N) repeated his name, a warm feeling spread through his chest. He didn't want her to leave just yet. There was something about her presence that he found comforting, something that made him want to know more about her.

He recalled Mortefi's words, a dear friend who often chided him for being too stoic and reserved. "You need to put yourself out there, Jiyan. Go on dates, meet new people, relax a little. Stop being a tragic brooding hero all the damn time and go live your life."

Jiyan had never thought he desired companionship. After all, the Jué had entrusted him with a duty, a responsibility that he had always taken seriously. But this woman, (Y/N), had come out of nowhere, stirring feelings within him that he had never felt before. It made him yearn for more and all he wanted was to be the subject of her attention at the moment.

Summoning his courage, Jiyan hesitated for a moment before calling out to her, his voice slightly awkward. "Um, (Y/N), wait!"

She turned back, a curious expression on her face as she regarded him. Jiyan stumbled over his words, his cheeks flushing slightly with embarrassment. At this very moment, he felt as if he would rather fight a horde of the Crownless than speak his mind.  "I, uh, I was wondering if... if it would be alright for us to, um, go out for a nice dinner? And maybe catch a lion dance performance after?"

(Y/N) turned back, a slight smile playing on her lips as she observed Jiyan's flustered state. "Are you asking me out on a date, General?" she teased, her eyes twinkling with amusement.

Jiyan hesitated, first blurting out. “N-no…that’s...” He immediately corrected himself. "I... uh... yes, I suppose I am," he admitted, his voice slightly uncertain. "If... if that's not out of line, I mean. I'm sorry, I should probably let you be..."

(Y/N) giggled, the sound light and musical, easing some of Jiyan's anxiety. "It's endearing to see the General so flustered," she said, her tone gentle and kind. “I’d like to see more of this side of yours, Jiyan.” She met his gaze, still amused. “So yes, I'd like to go on this date if you're still up for it."

Relief flooded through Jiyan, mingled with a newfound sense of excitement. He hadn't expected her to say yes, but now that she had, he couldn't help but feel a surge of happiness. “Yes. It... Its settled then.”

(Y/N) nodded, her smile warm and inviting. "Alright then, Jiyan. When and where?"

Jiyan thought for a moment, his mind racing. "There's a lovely restaurant near the theatre. How about we meet there at seven tonight or is that too soon...?"

"Seven sounds perfect," she agreed. "I'll see you then."

As they exchanged contact information on their terminals, Jiyan's heart thudded in his chest, a mixture of nerves and excitement coursing through him. He watched as (Y/N) took off, her graceful form moving with purpose, and he couldn't help but admire her even more. With a final wave and a cheerful reminder to take care, she disappeared into the bustling city streets, leaving Jiyan standing there with a smile playing on his lips.

His gaze lingered on the spot where she had vanished, the memory of her infectious laughter and warm smile etched into his mind. For a moment, he placed his uninjured hand on top of his chest, feeling the steady beat of his heart beneath his palm. Yes, even he, General Jiyan, renowned for his stoicism and unwavering dedication to duty, found himself looking forward to tonight and the possibility of many more nights spent in (Y/N)'s company.

WuWa Masterlist

[deception-united]

Writing Tips Master Post

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Suicidal Urges/Martyr Complex

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Consider Before Killing Characters

Foreshadowing

Narrative:

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

1000 Follower Post

2000 Follower Poll

Writing Fantasy

[2soulscollide]

Write your book STEP BY STEP

hello hello, it's me again!

today i'm bringing you a step-by-step / checklist to finally get your book done. i know it can be a bit complicated to put everything together to make your idea come to life (you're definitely not alone!)

that's why i compiled some tips and made this post, in hopes to help some author out there :D

let's get started.

PREMISE

assuming you already have a good idea in mind, you should start by writing a premise. to help you with that, try to answer these questions:

who is the main character?

what are their goals?

which troubles will they face / what's stopping them from achieving their goals?

do they have an opponent? if so, who?

now that you know the answers to these questions, it's time to write the premise. the premise consists in a sentence that summarizes your whole idea.

PLOT OUTLINE

there are infinite ways to plot your story. you can do it by writing down ideas and linking them together, following a scheme, or any other method.

the most common plot outlines are these:

synopsis outline: one to two pages, where you hit all the major beats of the story

in-depth outline: outline each chapter/scene

snowflake method: develop the premise into a bigger paragraph, and that paragraph into a page (etc.) until you have the whole outline of your story

booken method: plot the start and end of the story, and the main characters

the novel factory created plot sheets for free, and you can choose from eight different templates. you might want to check it out!

KNOW YOUR CHARACTERS

having your outline defined, you should start developing your characters now. the main character's profile might be more detailed than the others, however, it's up to you. there are many character sheets out there on the internet that will help you create flawless characters.

i have a post with resources that might be helpful when creating a character, check it out!

and here you have some prompts and sheets to create a character:

Quick Character Creator - EA Deverell

Extremely detailed character sheet template - @hawkasss

The Best Character Template Ever - Dabble

Character Twenty Questions Worksheet - The Writers Circle

at this point, you should also define the narrator's voice, tone, etc, as well as the pace of your novel.

LOCATIONS

define the principal locations of your story, the settings, and where the story is taking place. it's important to know how the environment looks, and how your characters feel about it.

for this part, you might find it useful to do some research about some locations, if you're not familiar with them. find inspiration on Pinterest, Tumblr, or even on books, paintings, and art. everything is valid.

if your story takes place in a fantasy environment, you might need to fill out a template to create it or write down the way you imagine it to be. try to get as many details as possible, so there are no holes when developing the novel.

SUBPLOTS

you might want to give more depth to your novel by developing a subplot (or more than one). make sure it doesn't get too confusing or that doesn't take the focus away from the main action.

the subplot can be a romance, another character's relationship, a character's arc, a backstory, etc. this will make your story more real and 3D, more realistic.

develop it as a side story and mix it with the principal plot but don't make it as important as the main story, otherwise, none of the plots will make an impact.

SYNOPSIS

write a synopsis as long as you wish, covering every important part of the story. this will help you to really know your idea, and have a solid structure for it. it can range from 500 to 2,500 words, but you don't have to restrict yourself to a number.

things the synopsis should cover:

the status quo

the complication

initial challenges

midpoint

further challenges

the low point

the climax

the resolution

DRAFT

and we get to the best part which is writing! now that you know everything about your story, characters, locations, and scenes, all you have to do is to put all that together in words. don't feel pressured to make everything look perfect already, just write what comes to your mind. if you have a new idea for the plot, good, write it down! if this character doesn't make sense anymore, okay, get rid of them. just go with the flow, following the structure you've planned, and everything starts to come to life.

i know it's so tempting to go back, read what you wrote, and start editing and polishing, but trust me, don't do that! it's a waste of time, and you will take so much more time to finish your first draft. in fact, i've given up on so many stories because of that...

just when you finish the first draft, you will re-read everything and start editing, fixing plot holes, changing what doesn't fit well, etc. but for now, just write, get the first draft done. enjoy the process, don't rush.

thanks for reading!

i hope this post was helpful!

also, you might be interested in this free workbook with over 90 pages and many exercises! check it out here: THE WRITER'S WORKBOOK

resources for this post:

How to Choose a Plot Outline Method: 4 Techniques for Outlining Novels

How to Write a Novel: A Step-by-Step Guide

[marsoid]

Any tips for writing? Yk for comics

hmmm lemme think

if you're writing for comics ... do not only use other comics for inspo exclusively. take inspiration from anything and everything you watch/read/hear/see.

comics are a mix of reading and visuals. read books and resources about writing for novels, AND writing for tv/movies/screenplays because there's a lot of overlap

outline the entire story first. know where it's going and how it's getting there before making pages. if the story isn't working, scrap it and start again.

characters drive the plot. if you know your characters well enough, they'll help you figure it out

natural sounding dialog is sooo important. people rarely say exactly what they're thinking or feeling, so understanding nuance and allegory can help with character writing

i heavily recommend the site helping writers become authors, and the YouTube channel studiobinder

[so-many-ocs]

hey! could you describe what you put in your "scene cards"? it seems like a great idea!

of course!

for starters, i like to color-code the information i put on each one. usually i’ll have one card with a key that goes something like this:

pink - setting

purple - characters

blue - motives & conflict

green - ending/resolution

then, using highlighters or pens corresponding to the colors i set aside to mark those details, i’ll write a summary or prompt on a sticky note or index card to use as inspiration for when i get to writing. for example:

character a meets character b in the courtyard at night to discuss something important. character b appears to be upset and hiding something, but character a, afraid of rocking the boat, doesn’t ask about it. this creates a slight rift in their relationship.

it has to be short, since there’s limited space to work with, but something like that gets across who is involved, where and when the scene takes place, what they are doing, what goes wrong, and the outcome.

i either tape the completed scene cards to my wall and take them off one at a time once finished as a visual representation of my progress or bind them together with a rubber band and carry them with me in a small pencil case. if you decide to tape them up, make sure to take a picture in case you decide to write while out and about!

thank you for asking, and i hope that was helpful :)

[nanowrimo]

Write Smarter, Not Harder: 5 Ways to Conquer Chaotic Writing

Every year, we’re lucky to have great sponsors for our nonprofit events. ButterDocs, a 2023 NaNoWriMo sponsor, is an all-in-one writing app built for productivity, collaboration, and a more joyful writing experience. Today, the folks at ButterDocs share a few tips on organizing your writing to meet your goals:

NaNoWriMo is about to start, and you're champing at the bit to get to 50,000 words. But that's no easy feat! Because life doesn't stop when NaNoWriMo starts.

You're still going to have climb a mountain of chaos to reach your goal: Chaos like not being able to find your notes and outlines when you need them since they're scattered across multiple apps, or the constant lure of internet distractions.

And of course, once NaNoWriMo ends, the writing process continues. You'll need to get feedback, be able to actually easily take advantage of that feedback, and make revisions (especially if your ultimate goal isn't just a rough draft, but a polished novel).

Here are five tips from ButterDocs to beat the chaos and make your writing workflow less work and more flow.

1. Know what you're about to do.

We know you want to start maximizing your word count from Day One, but you'll thank yourself on Day Twenty if you lay the groundwork for yourself. Take some time to organize your research, develop your characters, lay out your major plot points, and consider your themes.

You don't need to buy and learn advanced plotting software. A digital whiteboard can be as intuitive as pinning index cards to a cork board.

2. Write in the best environment for you.

You're about to spend a lot of time writing. It's a good idea to get comfortable.

Think about what environment you write best in. Do you need the hubbub and energy of a busy coffee shop? Or the serenity of a cozy nook?

Once you find the right place, put the same effort into finding a writing app you'll actually enjoy writing in.

3. Stay in your writing flow.

Focus and dedication during NaNoWriMo is the whole ball game. Lose either, and your chances of hitting 50,000 words are harder.

Whatever your NaNoWriMo goals are, give yourself the best chances to succeed with tools that will help you get and stay focused. A timer, word counter, and goal tracker will help you with timed writing sprints and hitting daily writing goals.

4. Recover from distractions.

Distractions will happen. Chaotic writing aside, the human brain wants to wander for dopamine. And life inevitably gets in the way.

What's important is how you recover. Don't let one distraction or missed writing day snowball into another and another. Give yourself tools that help you get back on track. A simple notification to come back to your writing can be a big help.

5. Pull others in to help you move forward.

You may be participating in NaNoWriMo as an individual, but know this: you are not alone.

You have the entire NaNoWriMo community, among many other writing communities and groups you can turn to for any genre of writing.

When you feel stuck or need feedback on a draft, don't be afraid to ask for help. Just be sure to invite people into a writing app where you have control over the collaboration.

ButterDocs Early Access + NaNoWriMo Resources

Conquer chaotic writing by using a writing app built for exactly that. With ButterDocs, you can plan, write, share, and edit your writing all in one place, without the chaos. It's by the team that built Arc Studio, a leading screenwriting app with hundreds of thousands of users.

ButterDocs launches today in early access and we'd love to invite you to check it out for NaNoWriMo.

All NaNoWriMo participants can receive a free year of ButterDocs if you sign up by December 1st, 2023.

We're running a free online event on October 25th for everyone who signs up: "Getting (and Staying) in Your Creative Writing Zone During NaNoWriMo." with Grant Faulkner (Executive Director of NaNoWrimo), Matt Trinetti (founder of London Writers' Salon), and Allison Trowbridge (founder of CopperBooks). If you can't make it, we'll email ButterDocs users the recording afterward.

Visit https://butterdocs.com/NaNoWriMo to learn more about ButterDocs, claim your free account, and enter an exclusive sweepstakes giveaway for NaNoWriMo participants!

[warabidakihime]

Rules and Roses Chapter 2

★ characters: kibutsuji muzan x reader x akaza

★ plot summary: Kibutsuji Muzan has finally decided to expand his empire, and the way he intends to do so is by running for the highest political position. With you, his darling wife, at his side, he believes he can achieve and have everything the world has to offer. He is, after all, the Phoenix of Phario.

★ fic playlist: sometimes, same day, as time stops, wolf’s song (this is also the vision board for the fic). 

★ content warnings : implied violence and abuse, profanities, toxic relationships, smut.

★ Previous Chapter

a/n:

hello!!!

first of all, i am so sorry for taking so long to update this story. ٩(ˊᗜˋ*)و ♡

life happened and i got sooo busy. the time i uploaded this fic was when i just started at my new workplace and shortly after a few weeks, i was already preoccupied with work. at first, i was laser-focused on getting used to my new work and the culture. then later on, i found myself playing a more important role in the office that required my undivided attention lol. besides that, so many things happened in my personal life as well that i didn't have the time and energy to write.

btw i'm now a writer by profession as well so oftentimes i would feel drained af after writing corporate write-ups. tbh, i also got hit by writer's block, especially for this fic because the plot i have in mind for it is lowkey intricate, and for the most part, i haven't decided on what route i should take story-wise. so during those 2 years, i was constantly trying to reconstruct the story in my head, and here we are!

i'm back but i'm not so sure about updating regularly as i'm still incredibly busy, but i will do my best! the latest kny seasons inspired me to write again (aka my crush for muzan lol).

hopefully, everyone is still here to read this. ٩(ˊᗜˋ*)و ♡

as always, comments and kudos are highly appreciated!

happy reading!

-

"Can you outline your key policy platforms should you be elected President of Phario? Given your extensive background in the human resource industry as well as your rich connections owing to your business ventures in Obelisk Kibutsuji, do you first plan to address the pressing issue of the national unemployment rate?"

"Indeed, that's correct. As President, one of my top priorities will be to strengthen our nation's workforce, which is crucial for advancing our economy. I have a comprehensive plan focused on job creation, vocational training, and support for small businesses. These initiatives will not only reduce unemployment but also stimulate innovation and competitiveness within our economy.

I also aim to implement policies that ensure equal access to education, equipping our citizens with the skills needed for the evolving job market. Healthcare reform is high on my agenda. I'll ensure healthcare assistance is accessible to everyone, public hospitals are well-maintained, and healthcare workers are fairly compensated and protected by the state in any dire situations. Additionally, I'll push for technological advancements and infrastructure development to attract both local and foreign investments.

Addressing social issues is equally important, and as a devoted ally of these communities, I'm committed to fighting all forms of discrimination, especially against women and the LGBTQ+ community. We must ensure everyone, regardless of gender, sexual orientation, or identity, has equal opportunities and protections under the law.

Moreover, I'll advocate for the rights and welfare of people with disabilities, ensuring they have access to the necessary resources and support to lead fulfilling lives. This includes improving accessibility in public spaces and promoting inclusive employment practices.

Animal welfare will also be a significant focus. We need to enact and enforce laws that protect animals from abuse and ensure humane treatment.

Lastly, I'll champion the rights of minorities and immigrants. Our nation is built on the strength of its diversity, and it's imperative we create an inclusive society where everyone feels valued and respected. This includes reforming immigration policies to be fair and humane and implementing programs that support the integration and empowerment of minority communities.

In essence, my administration will be dedicated to creating a sustainable and inclusive economic environment where every Pharian has the opportunity to thrive and contribute to our nation's progress."

Muzan stood confidently at the podium, a modest yet proud smile gracing his face after addressing a journalist's question amidst a room bustling with media personnel.

Today was the day where presidential candidates shared their platforms, which also served as an open forum for engaging with the press and fielding inquiries on a wide array of topics—from current events to personal matters.

With his seasoned composure before cameras and crowds, Muzan navigated the spotlight effortlessly. His articulate delivery drew admiration from all corners as he outlined his plans for the presidency, filling you with pride as you watched from the audience.

Among the attendees, your smile beamed with pride and unconditional support for him. Akaza, who is sitting right beside you, maintained a stoic demeanor outwardly, though inwardly, he couldn't deny a hint of impressed regard. Muzan's comprehensive platform and commanding presence left an undeniable impact on him.

Eloquence had always been Muzan's forte, a skill honed through years of being a businessman and somewhat of a public figure, as among his peers and in the business landscape in general, he is well-revered and widely celebrated.

Beyond his ability to articulate ideas, he possessed a magnetic charisma—an invaluable trait for navigating the intricate world of politics and public service.

Several hours later, the policy speech slash press conference finally ended, and now you were on your way to meet up with Muzan at the lobby of the hotel where the gathering was held when a few journalists spotted you among the sea of people who were also exiting the function room.

Akaza was right behind you and is also on full alert, an important instruction your husband told him when he appointed him as your personal bodyguard a few years back. Committed to his duty, he stood there in a stance where he is ready to take action should anything happen that is out of the ordinary.

Mics were stretched out and placed within just a few inches of your face, and one of them took the liberty to ask you a question: "What are your thoughts on Kibutsuji Muzan's campaign platforms?” 

Very much like your husband, you also wore a modest yet confident smile on your face as you held eye contact with the journalist who asked you that question before displaying your own version of eloquence as you answered,

"To say that I am proud while listening to him share and advocate for the causes he wholeheartedly believed in would be the biggest understatement of the decade," you said with a fond chuckle before continuing, "even before he filed for his candidacy and even way before he became the man we all know now, he has always been outspoken about these things. He would always share with me his desire of making significant changes in the world, hoping no more children would have to endure what he did. As many of you know, Muzan, my dear husband, came from very humble beginnings, and unlike me, he has faced challenges far beyond my own. His vision and intuition surpass that of most, and so, as cliché as it may sound, his words and strong convictions carry a weight and authenticity that are strong enough to enable him in doing the impossible and inspire others to believe that a better future is within our grasp."

Akaza listened intently to your answer, finding himself captivated by your words. The way you addressed the press made you sound like a candidate yourself who's also sharing her platform. In that moment, he couldn't help but feel an overwhelming surge of pride as he continued to absorb your statements.

The journalists surrounding you mirrored his sentiment, clearly impressed by your response—no surprise from the esteemed Ballerina Queen of Phario.

It had been quite some time since you last entertained interviews, having retired and chosen to stay away from public engagements.

"Among the plethora of initiatives he wishes to take action on once he's elected, what resonated with you the most?"

You paused, contemplating the list of campaigns your husband had presented earlier. Just as you were about to respond, an arm encircled your waist and gave it a tender squeeze.

It was Muzan.

"Knowing my wife's love for animals, I'm certain she's most excited about what I have planned for animal welfare," Muzan interjected warmly.

You playfully rolled your eyes, eliciting amusement from not only your husband and your respective bodyguards but also the press. "You say that as if it's a bad thing," you quipped.

Muzan chuckled fondly. "Not at all, my love. Your passion for animals is one of the many reasons I fell for you."

The same journalist who had asked you the second question now directed his attention to Muzan, eager for his response. "Based on the most recent public survey, you're likely the most favored candidate to win the elections. What can you say about that, Sir Kibutsuji?"

Muzan smiled bashfully at the reporter, his eyes reflecting a mix of humility and determination. "I'm incredibly honored and thankful that our fellow countrymen have placed such faith and confidence in me. It's a humbling reminder of the trust they have in our vision for a brighter future. This campaign has always been about bringing real change to Phario, addressing the pressing issues our nation faces with innovative solutions and inclusive policies. The support we're seeing reflects not just my efforts, but the collective desire of our people for progress and unity."

He paused briefly, his gaze sweeping across the room, before continuing with renewed conviction, "Though I would like to emphasize that I don't take this trust lightly, it actually fuels my commitment to serve with integrity and purpose, to listen to the voices of every Pharian, and to lead with compassion and foresight."

By now, the press was highly satisfied with the answers both of you had given, granting you the freedom to depart. Clearly spent after the eventful day, you exchanged farewells and well-wishes before going your separate ways.

With Muzan's arm still draped around your waist, he guided you towards the grand entrance of the hotel. Meanwhile, Akaza made his way to the basement parking lot to retrieve your car, preparing to drive you both home. Kokushibo remained close to Muzan, ensuring your security as you awaited the car's arrival.

Turning to Muzan, unfazed by the bustling activity around you, you placed a tender kiss on his lips, smiling warmly. "Great job out there, my love. You did so well today. I'm incredibly proud of you."

Clearly elated, Muzan mirrored your smile and returned your affection with a gentle kiss on your forehead. "Thank you, darling. Your support means everything to me."

"Truly, I was beaming throughout your speech. You were absolutely amazing. Phario is fortunate to have such an admirable leader like you," you praised sincerely.

Right there and then, Muzan couldn't help but raise his eyebrow and playfully smile at you, prompting a confused raise of your own eyebrow.

"What's that look for?" you asked.

Muzan shook his head with a playful smirk before replying, "You're not showing favoritism now, are you, my love? I know you adore me, but let's keep it fair, hmm?" he teased, his tone light-hearted and affectionate.

You rolled your eyes at his playful accusation. "Ha-ha. Very funny, Muzan. I'll take it back, then."

Muzan laughed wholeheartedly, drawing attention once again. "I was just joking!" He then smiled warmly at you, his eyes reflecting pride. "Thank you," he said sincerely. "Hearing that from you means more than any applause, you know?"

You reached out to pinch his cheeks. "You play too much sometimes, you know?" you said with a chuckle before continuing, "But like I said, hearing you speak today—and in all those times you shared your aspirations with me from when we were students up to now, as you finally have the opportunity to make all come true—it's evident how deeply committed you are. Beyond your skills and capabilities, your passion is what makes you so compelling, Muzan. It's what makes me believe in you, too."

Minutes later, while waiting by the entrance, Akaza finally pulled up with the car. You and Muzan bid farewell to those around you before stepping into the comfort of your vehicle.

As the city lights blurred past the windows, you reflected on the day's events.

"You know," you began, glancing at Muzan beside you, "I have a feeling your speech today touched more hearts than just mine."

Muzan smiled softly, intertwining his fingers with yours. 

"I hope so. Though the election is still months away, and who knows how things might shift, that's why I don't want to take any of this for granted. I'm in this for the long haul. You'll be there with me, won't you?"

He looked over to you, and in that moment, despite his big words, he looked absolutely adorable, with his ruby eyes shining at you and his lips slightly pouty as he waited for your response, which you gladly provided through the means of placing yet another sweet and passionate kiss on his lips and squeezing his hand reassuringly. 

"I'll always be here for you, Muzan, through every challenge and triumph."

"I love you," he whispered lovingly, his expression sincere and heartfelt.

"And I love you," you replied with equal affection.

With a comforting squeeze of your hand, you nestled against Muzan's shoulder, feeling a sense of contentment as the car navigated through familiar streets towards home.

Meanwhile, in the driver's seat, Akaza's face remained unreadable. He was outwardly indifferent to the tender exchange between you and Muzan, but inwardly, he was seething with rage.

You think you're so clever, spouting all those promises and pretty words, playing the saint for the public eye. But I see through you. You're nothing but a manipulative snake, a liar wrapped in a facade of righteousness.

His gaze hardened and his grip on the wheel tightened as he stared ahead, the streetlights casting shadows on his determined expression.

One day, your mask will slip. 

I will fucking rip it off your face, even if it's the last thing I do.