#relevant to susan howe

[ammonitetestpatterns]

patrick phillips

[crljhnn]

The older Jefferson

Pairing: Rodrick Heffley x fem!Reader

Summary: After Rowley announces that his older (half-)sister, who lives quite far away and has never met the Heffleys, is going to visit him over the break Susan invites his family over for dinner. Her not being what Rodrick expects, he starts crushing, which results in him trying to impress her - failing horribly.

No physical description; No use of y/n

Word count: 1.9k

Warnings: None

A/N: Hi, just a quick warning that English isn’t my first language and that this is also the first time I’ve ever written a longer text in English that isn’t a school assignment. I also don’t fully understand Tumblr yet, which makes me honestly a bit anxious to post.

[This and a gender-neutral version are also posted on AO3]

“Why haven't you ever mentioned that you have an older Sister?” Rowley and Greg were sitting on the Heffleys living room floor - Rodrick occupying the whole space on the couch - playing a video game. Well, Greg was. It was a single-player. He promised they would take turns, but by now Rowley had been over for about two and a half hours and hadn’t even had the chance to touch the controller yet. He gave up on asking and settled on just watching about 45 minutes in.

“I talked about her before. Multiple times actually.” That is true. Rowley looks up to his sister a lot “Also, she is technically my Half-Sister. She’s been living with her Dad for longer than I remember. Normally we are the ones flying over to visit during summer break, but she hasn’t visited since she was a little Kid, and after her school schedule finally allowed it, we thought it would be a good idea if she, for a change, came here instead.”

“It sounds like you two get along great!” Mrs. Heffley walked in, holding a laundry basket under one arm while carrying Manny with the other.

“We do! I can’t wait to show her my room and have her around for the entire break! I have so much planned out already, it's gonna be so much fun! Best summer ever!”

“That sounds lovely Rowley, I wish Greg was so excited to hang out with Rodrick, but they just won't get along.” Susan sighed, throwing a pitiful glance at her two oldest, who simultaneously let out a laugh hearing this.”

“Yeah, never gonna happen.” Greg says, “I would rather spend the whole summer in school than voluntarily hang out with this idiot.”

“My Sister is actually around the same age as Rodrick.” Rowley buts in. Greg doesn’t understand how this is relevant, but it probably adds to his mother's yearning for her two oldest sons to get along. Rodrick lets out a laugh hearing that.

“I can’t wait to meet them. Just imagine an older, female version of Rowley. That’s actually fucking hilarious!”.

“Watch your language! Also, I'm sure she is wonderful.” Gregs Mom loosens her lecturing stance, turns around, and smiles at Rowley “I would love to have you and your family over for dinner sometime. It has been a while since I’ve seen your parents and I would love to meet your sister.”

“That sounds great Mrs. Heffley. I will ask my parents as soon as I get home!”

That brings us to about a week later, when the Jefferson family, including their oldest daughter, is standing in front of the Heffleys House, ringing their doorbell.

Rowley has been telling you all about his best friend Greg for years, which made you somewhat excited about finally meeting him. However, you can’t say that the picture your brother painted is entirely positive, finding him rather irritating in many of the stories you were told over time. You aren't too mad though, assuming it is normal for young, teenage boys to act like jerks every once in a while. Not everyone can be such a sweetheart as Rowley. Overall you're glad your brother managed to maintain such a long-lasting friendship.

And then there was Rodrick. You've heard rather interesting stories about him as well. In the beginning, you found those quite amusing, that was until you realized that Rowley was genuinely terrified of him. Not the best first impression someone could make on you. Influenced by seeing your younger sibling grow up to be such a sweet and genuine person you tend to be a bit protective from time to time.

You hear some hushed voices from inside, and you can identify one of them as female, reminding someone to behave. Then the door opens and a woman, who you assume to be Mrs. Heffley, kindly smiles at you. Your suspicion is confirmed a second later when she introduces herself and shoos you into the house, before continuing to greet the rest of your family.

Crossing the threshold you can now see a man standing slightly behind Greg's mother. He introduces himself as Frank, making quite a kind impression on you. Then he leads you into the living room to meet his sons.

The two older ones hardly even notice you at first, too occupied with arguing and rowing with each other.

“Boys!”, their father speaks up, successfully catching their attention. Rather comically their gazes fall from their father to you, their eyes widening and their mouths dropping open. You were not what they expected. While Greg looks just shocked, you would describe Rodricks state as mesmerized.

He recovers fast, pushes Greg off of him, stands up, and puts on what he hopes is a charming smile. Extending his hand he starts to introduce himself.

“Hi, I’m-”

At least he tries to.

“Rodrick. I know. My brother has told me one or two rather interesting stories about you”, your smile is sharp. He gulps, his confident smile turning sheepish, cursing Rowley in his head. You are not what he expected and you are definitely not anywhere close to being a female carbon copy of your, in his eyes, embarrassing younger brother.

He normally wouldn’t consider himself the kind of person who has a type, but from now on, if someone asked, he would probably revert to describing you. You were just ethereal, everything about you was attractive to him. The way you walked, talked, and carried yourself, but also your clothing and hairstyle. Your pretty face just rounds up your whole appearance, making you all the more alluring.

He had to get on your good side. While a family dinner, especially with Greg present, may not be the best opportunity, he could ask Rowley to put in a few good words for him. That kid was easily influenced (or intimidated). Still, making the best possible impression over dinner wouldn’t cause any harm either.

You turn to the other boy who has been silently watching the exchange. Now that your attention is on him he starts feeling nervous as well. Your expression, however, turns a bit more friendly.

“And you must be Greg.” he nods. You introduce yourself and lastly say hello to Manny who is sitting on the floor playing with some figurines. By now the others have entered the room, causing Susan to start leading you all to the dining table.

You’re seated between Rowley and Greg, across from Rodrick, which results in quite frequent eye contact. On one side you really want to intimidate him a bit. This could maybe make your brother's life a bit easier, at least for the time being. On the other side, you do want to make some conversation, maybe throw in a bit of (family dinner appropriate) flirting or at least find out if he’s single.

It’s really hard to hold a grudge against someone who is entirely your type.

While you’re conflicted, Rodrick, on the other hand, is sweating. Nervously fidgeting in his seat. You didn’t seem as irritated with him anymore, if the eye contact was anything to go by. Was this his chance to redeem his shitty first impression? He cursed his brain for failing to come up with something cool to say.

Since when is it so hard to talk to girls? Is it getting hotter in here? What impresses girls? What does he normally brag about? His band! That’s it. Now he just has to bring it up somehow. Maybe he can bribe Greg to ask him about it. No, that’s too risky, he can’t count on Greg to not fuck this up. He is just going to casually bring it up ‘I’m in a band by the way, pretty sick huh?’ ‘Do you like music? Cause I’m in a band’ No that’s stupid everyone likes music… ‘Which kind of music do you listen to?’ That’s good, he should bring up the topic of music first, that’s a normal conversation topic. After that step two is to bring up the band. That’s easy, he got this.

Now he just needs to wait till your attention is on him again and then he can smoothly lead the conversation in the desired direction. He has to calm down, he can do it.

Breathe in.

Breathe out.

Your eyes meet again.

“I’m in a band!” He speaks way louder than intended, his voice is squeaky, and in the middle of the sentence he has the most embarrassing voice crack imaginable.

Silence.

The sole attention is now on him. All he hears is Greg's snickering which causes him to kick him under the table.

“Ow!” That was not Greg's leg. He looks up to see you looking at him with a questioning expression.

That’s it. He fucked up. His chances were already low, but he still managed to shrink them even more, making them most likely completely vanish. Great. His ears were ringing, all he can hear is Greg's quiet laughter in the background.

“I'm sorry I didn’t mean to kick you, I-” he starts his apology but loses track of what he is trying to say when he sees your expression change. You're clearly trying to suppress a smile, but it's not working at all.

“You’re adorable.” Rowley chokes on his food, and Greg's laughter abruptly stops

“Rodrick? Adorable?” That’s it. Greg gives up on ever trying to understand girls. How can his stupid older brother embarrass himself like that, then kick the poor girl under the table and still be perceived as adorable by her, especially since she is so much out of his league?

Rodrick however, was still not functioning properly.

“So that band, is its name by any chance Löded Diaper?”

“Yeah.” He is proud of himself for speaking at an appropriate volume without stuttering. “How do yo-”

“I saw your creepy white Van in front of the house. What’s up with that, kidnapping little kids as a side hustle?” You are still smiling, and with your stupid joke you somehow manage to relax the atmosphere a bit, the adults going back to their conversation.

Rodrick too is now smiling, looking at you with an expression you could only describe as lovestruck, even though you just insulted him.

He is contemplating making a joke about how the space in the back could be quite useful for more than just trapping kids but decides against it, fearing to make it awkward again. Getting nervous about taking too much time to come up with an answer he instead lands on “No only kidnapping pretty girls like you.”. As soon as the words leave his mouth he regrets it, realizing it's in fact not a funny and flirty thing to say, but honestly rather creepy.

At the end of the evening, Rodrick has messed up flirting with you multiple times, however, it’s his luck that you find his desperate attempts to look cool to impress you weirdly endearing. Not that he realizes that. Calling Rodrick confused, questioning why you were still talking to him, would be an understatement.

He certainly doesn’t know how he can have messed up so many times and still end up finding a little note with your number on it in his pullover hood after you left.

[bookishdiplodocus]

How to plant information elegantly

Say, for example, you’re writing a swimming pool scene and you need to plant the fact that Susan is blonde, because in a few chapters, the detective will find a blond hair at the crime scene.

You want the planted information to be memorable, but at the same time not stand out too much. The ideal is to push the information into the reader’s subconscious without a neon light arrow saying, “You might want to remember this, dear reader. This will be relevant!” The planted information needs to feel natural, organic, but memorable enough so when it turns out to be ✨a clue✨, your reader thinks, “I should have seen it!”

Let’s look at some options.

Susan, who is blonde, took a deep breath and dived into the pool.

This feels forced and awkward. The two pieces of information (pool + blonde) are not connected, the fact that she is blonde feels irrelevant and shoved in. If the reader remembers this, it’s because they noticed how the information is forced upon them.

Elegant ⭐

Memorable ⭐⭐

Organic ⭐

The blonde Susan swam across the pool. / The blonde, Susan, swam across the pool.

This feels more natural, but there’s a danger that only the swimming will stick into the reader’s mind because her being blonde is so unnoticeable. There is also a minor danger that the reader will expect an non-blonde Susan to show up in the first variation.

Elegant ⭐⭐

Memorable ⭐

Organic ⭐⭐

Susan was annoyed. She had just washed her hair with that ridiculously expensive Luscious Blonde shampoo and now her friends wanted to go swimming? What a waste of money.

This feels natural and organic, because both elements are conveyed from Susan’s point of view. They are both relevant and connected, and on top of that you get to build Susan’s character.

Elegant ⭐⭐⭐

Memorable ⭐⭐⭐

Organic ⭐⭐⭐

Her friends were already in the pool, but Susan held up her pocket mirror, making absolutely sure that the latex cap wouldn’t let any water in. She just had her hair bleached and after the debacle of 2019, she would never forget what chlorinated water did to bleached hair.

Susan’s POV makes her blond hair relevant to the swimming, as with the example above, but this time you’re presenting a completely different character. It feels organic and personal, and the fact that she is blonde will be lodged into the reader’s mind without screaming “It’s a clue!”.

Elegant ⭐⭐⭐

Memorable ⭐⭐⭐

Organic ⭐⭐⭐

I hope this is helpful! Follow me for more writing tips or browse my entire collection of writing advice now.

Happy writing!

[butchsophiewalten]

Twitter Space Recap July 28th 2024

Last Sunday Martin, Eva, Kyle did a Twitter Space, with intermittent appearances from Coral! Here are some of the Q&A answers and other interesting things they talked about:

-Someone asks if TWF5 is going to be longer or shorter than TWF4, and Martin says that he currently predicts it to be "a bit longer".

-Somebody asks how Laura Peony (Rosemary's sister) looks. He says that she looks similar to Rose, probably, but that he honestly doesn't have much of a design in mind for her. Something fun to me is that he calls her "Sophie's aunt", rather than calling her Rosemary's sister, which is interesting when remembering one of Martin's previous statements that Rosemary doesn't have a very good relationship with her family.

-Someone asks about something Martin said in a Q&A a while ago, about Jenny going through many redesigns before her current and final design, and if we could see any of them. Eva ends up sharing one of Martin's old drawings of one of these designs, even though Martin says that he really hates it.

He mentions that she looks "too normal" and that she "looks like she's straight."

-Someone asks, "Who or what was the thing behind Bon and Sha in the TV in TWF2?" and Martin answers that it's Susan. (slowed gif relevant)

-Someone asks about how the Relocate Project trio all met each other, and Martin explains how in his original vision for the characters, they were this really close and inseparable group of long-time friends, but that he's recently kinda revised that idea, thinking it'd be more realistic if they were just work friends, who met each other through their jobs and all had full, separate lives and maybe weren't so inseparably close.

-Someone asks how old Kevin is in TWF2, and Martin explains that the relocate trio's ages are something that he's kinda retconned. He brings up an old image of Ashley that gets passed around by the fanbase sometimes which says she'd be 19 years old in 1978, saying that in his mind now, she'd be 22 at the time. He says "-and there's a reason for this, there's a reason for this. There are things about, uh, Ashley, and some things about the rest of the episode 2 crew that we haven't seen yet."

-Martin and Eva joke back and forth about an idea they both like, which is that Bon can create or mimic noises with his animatronic voice box, and that he likes to do stuff like bark and people in K-9, just to freak them out. Martin says, "Wait, did you know that this actually happens, in one of the episodes? In episode 2, Bon fucking plays rabbit noises, to mess with Ashley. When the lights go out, Bon-- he's imitating a rabbit."

-Martin says, "Somebody asked if the baby doll we see in Souvenir and TWF4 will have meaning in the future. Ah, yes it will."

-Someone asks, "Are we gonna get wholesome Rosemary content in the upcoming episodes?" and Martin and the rest of the crew shoot the shit for awhile, alluding ironically to the torment (emotional and otherwise) she will almost certainly be met with in the upcoming episode.

-Martin mentions that he's working on something related to TWF7, and says, "I genuinely think that episode 7 is going to be the most hated episode of The Walten Files ever. I've talked about this with Eva before." Martin and Eva refer to it sneakily as the "yuri" episode, and we know from previous Q&As and spaces that TWF7 is most likely going to be about Sophie and Jenny's relationship, possibly detailing how they met. Martin says, "I think- it's not because of what is in it [that it will be hated], it's more like, it's the least 'Walten Files' episode of The Walten Files."

Kyle says, "To be fair, I feel like season 2 is going to be such a tone shift and it's gonna do so much, that it's gonna be like, "Woah!" You're gonna send people back, like, 20 feet in surprise."

-Somebody asks if Jack is addicted to smoking, and if Felix gets on his ass about it. Martin says "I don't think Jack is addicted, I think Jack just smokes because he thinks smoking is cool. I wouldn't say addicted, but I'd say Rosemary smokes out of like, a place of, like, stress and anxiety. Instead of just as a hobby, in a way."

-Someone asks if Susan is skinny. Martin says, "I don't think Susan is very skinny, I would say Susan is more--" and Eva fills in with "Muscular..?" to which Martin replies, "Yeah, I was gonna say that, I couldn't find the right word. Yeah, considering she usually helps build the stuff, and shit like that, while Charles sits on his ass and stays on his computer all day, like a fucking lazy bitch. Just programming shit."

-Martin openly laments that Charles doesn't have more of a fanbase for him as in individual character. He goes, "Do I have to wait for the next two episodes to drop, so I can fucking have a Charles fandom? That's so sad."

-According to Kyle, Charles' favorite Sonic the Hedgehog character would be Knuckles. Martin says he doesn't know a lot about Sonic, but that Jack's favorite character would be Doctor Eggman, because he's the only human character.

-Martin and Eva talk for a bit about who would win in a fight between Bon and a bunch of different animatronic characters from Five Nights at Freddy's, with him losing terribly to most or all of them. Eva determines that he could definitely win against normal human William Afton, and Martin says he could, at least, probably win against The Puppet. Martin says, "Y'know how dogs grab, like, a toy? And shake it around? Bon just fucking bites-- and starts fucking shaking the animatronics around."

-Somebody asks, "Do Brian and Kevin know each other?" and Martin says, "No, they don't. I don't think Brian knows anybody from the rest of the series. Why would he?"

-Martin says, "I like to think- in the apartment [Jenny and Sophie] live in- It's really funny to me, the idea that Jenny knows everybody in the building and is friends with everybody, and Sophie isn't. Like, it's like, imagine in everyone else's perspective, its like 'Ohh, there's Jenny!', and she's like this really sweet person, and then there's just Sophie, this fucking-- this silent, weird girl that's always seen next to Jenny."

-Martin asks Eva, "What to you think of episode 7?" to which she replies, "It's very yuriful." He responds saying, "That's true." Eva later appends saying, "It's also a very good episode."

-Someone asks, "Will there be a Walten Files 5 & 6 trailer soon?" and Martin replies, "I have an idea for a trailer, but I know know if it's necessary, considering I don't want to show what happens in the episodes. I want people to go in completely blind."

-Eva reads a question that she likes, but is worried is too spoilery. "What's Sophie's relationship with her medication? Does she resent having to take it? Does Jenny know that she's on it?" Martin responds, "We cannot answer that. Because the medication Sophie's on will be expanded on." appends later going "I love how my original idea for Sophie's pills was like, it was never addressed it any way. It was just like, 'oh, she's just taking pills.'"

-Somebody asks about Hidie the Raccoon from the Showstoppers Cartoon, and Martin says that he's a burglar who pretends to be a collector for charity, but just steals the money.

-Someone asks about Madness Meridian. Martin says, "It was a book that was like, a more realistic version of The Walten Files. And it was like, 'what if The Walten Files was, like, completely made up by Sophie?', and it was like, it was really bad. And I remember I worked a lot in the book, but I lost it on an old computer, so."

-Someone asks if we're ever going to see the Showstoppers singing for real, instead of just performing over a preexisting song, and Martin says yes!

-Someone asks about the Findjackwalten page that was recently discovered, /jennyslair-dot-com-worldwideweb, which is currently password protected. Martin says that it will be a page soon, so the page's content is probably not currently meant to be accessed.

[ace-and-ranty]

I'm not gonna swear on it, but from a quick Google search to confirm, I think she didn't die, no. Everyone else was in the same train that crashed, except for Susan. So everyone goes to Narnia-Heaven, and Susan stays alive on Earth.

"Wah wah Susan was not kicked out of Narnia because of lipstick, she was kicked out for her loss of faith"

Yeah, but. That is also horrible. You do know that is also horrible, right. Her entire family died in a train accident. She stopped believing in Jesus so he killed her whole family and left her behind to mourn.

When questioned about this, her loving little sister sneers at her for being a nonbeliever.

That is still horrible?? That is still very bad!!

[thatscarletflycatcher]

WHO HAD A SECRET RELATIONSHIP WITH WHOM?!

@miraculoushedgehog replied to your post: I need this info on 81’ Thomas 😂

In Sense and Sensibility 1981, the servants of Barton cottage are not ones coming with the Dashwoods from Norland; whether sir John sent them or they are just a fixture of the place, the series doesn't tell us, but they do get a grand introduction:

Thomas, who is doing some gardening as he awaits the Dashwoodses, with as much or more enthusiasm as Mr Collins' noticing Lady Catherine's carriage, tells the maid when he sees the carriage:

Darcy cannot fix the hour or the spot? Skill issue. This man certainly can, as he ran inside, put on a coat and proceeded to greet them:

What a meet cute! Ma Dashwood is not at all displeased:

She has not withdrawn her hand! she smiles at him!

I know who this woman was voting for on that tournament.

Once she moves past him, he pointedly looks at her as she makes her way to the front door, and then adds:

He introduces Susan, and then:

He's taken with her!

You'd say, Scarlet, you are reading too much into this! these are just some perfunctory introductory lines!

Well, you are wrong, because this sequence hasn't ended yet! I'm tempted to think this is the servant character with the most lines in any Austen adaptation. Which reinforces my theory that this is done ON PURPOSE :P

He shows her the different rooms, and then:

He smiles at her approval, and clearly attempts to prolong their conversation with:

Realizing perhaps this is pushing his luck, as she doesn't answer, he adds:

This is not the last time we see him in this very episode, as he comes in to assuage Lady Middleton's fears that her son might be injured, and informing all that only his cucumber frame has been destroyed, showing with that his great presence of mind.

Episode 2. Tom, who introduced himself last episode as doing gardening and odd jobs, has been ascended to doorman:

After we meet Willoughby, the same way Andrew Davies treated us to some wet shirt Edward, we are treated to some Tom doing physical labour, clearly highlighting how romance is blossoming in parallel between so similar a mother and a daughter:

He stops to listen to Marianne and Willoughby sing a song:

The face of a man in love!

The Queen Maab scene follows this one, and then, as Marianne and Willoughby are singing again another day, what do we see first as background to their singing?

Ma Dashwood! Carrying flowers! This is such an obvious yet subtle romantic parallel. This is the kind of soft romantic storytelling I'm here for.

That's Willoughby's carriage as he's brought back Marianne from Allenham. Would Thomas be complete if he didn't love horses?

Episode 3: We open with some Thomas working in the background:

So that we not forget his real relevance in this story's subtext.

Ma Dashwood not even trying to be subtle.

Another Tom cameo:

And another:

Ma Dashwood's reaction upon hearing that Mrs Jennings has invited Elinor and Marianne to go to London with her:

It is worth mentioning that in this adaptation, there's no Margaret. Ma Dashwood is not sick. There's absolutely no reason for her not to be invited, so why didn't Mrs Jennings invite her? Well, of course, because with her nose for romance she's sniffed her secret out! Ma Dashwood does then demolish all Elinor's objections, is truly overjoyed at the idea of being left behind, and explicitly mentions her having Tom and Susan with her as a reason for Elinor and Marianne to go with a clean conscience.

Ma Dashwood's face after her daughters leave the room:

During episodes 4-5, the series of course focuses on our main heroines in London and Cleveland, leaving us to imagine the full blossoming of this romance happening at Barton cottage, and all the angst and heartbreak that their class separation imposes on these middle aged lovers. Ma Dashwood may be a romantic, but she understands that her daughters come first.

As soon as we return to Barton in episode 6, so returns our favorite gardener-doorman-oodjobman Tom! Without seeing him, Ma Dashwood recognizes his way of shutting the front door, and calls his name, and then smiles at his answering:

♪ So this is love... ♫ (notice Elinor drawing Edward's portrait)

(Then we get the "Thomas tells them Mr Ferrars is married" scene)

Then this scene follows:

It's a really clever piece of writing, where the writers both show us the grown intimacy, respect and appreciation between them, and give us a nice metaphor, where the flowers of the hedgerow, that represent Tom, are picked by Ma Dashwood, beautiful in her eyes, and made fit for polite society. Alas, the crucial question remains: how can they love be, without ruining Marianne and Elinor's prospects?

As we all know, Edward comes and proposes to Elinor, and marries her. We are then treated to a visit of colonel Brandon, where Ma Dashwood sees how much Marianne's feelings and attitudes towards the colonel have changed.

The last line and frame of the adaptation belongs to Ma Dashwood:

That would, to any distracted viewer, seem very odd. Why that? And why that line? But for the attentive viewer who has been able to piece together the little drama behind the curtains, it's patently clear: she has realized that Marianne will marry Brandon, and once that happens, she will be free to have her own second happily ever after herself, with Tom, the gardener of her heart.

[matan4il]

I'm so disappointed in Susan Sarandon right now. How about never ever have a sentence in any context that includes "Jews getting a taste of".

Especially as a woman. Like how do all these women just dismiss the rape of moms. Murdering of children. Putting babies in ovens!!! Ignoring the hostages living in Hell right now. Just I need a sign of humanity right now.

What they did October 7th wasn't warfare. It wasn't against a military. It was barbaric, animal style torture. Anyone not talking about what they did that day is just a soulless monster to me.

Hi Nonnie!

I couldn't agree more. Her antisemitism really jumped out of her there, didn't it? If your response to the Jews of your country being persecuted and scared is, "Good!" I don't care what excuses you use, you're just an antisemite.

Also, saying that "Jews are getting a taste of what Muslims are in this country," like Jews had it coming, only makes sense if you're saying that Jews are somehow responsible for islamophobia in the US? Which is literally the opposite of the truth. An islamophobia Index study found Jews were the least prejudiced in the US against Muslims. But even if it were true, do two wrongs make a right? The very idea that she's using American Islamophobia to justify American antisemitism is also evidence of her just being an antisemite.

But there were many headlines saying she was fired for being pro-Palestinian. Here's a few examples:

Even many of the headlines who didn't call her comment "pro-Palestinian," stated that she was dumped by her agency for comments "at a pro-Palestinian rally" instead of just saying she was dropped for making antisemitic remarks.

It demonstrates exactly how this new antisemitism works. She can say anything antisemitic, no matter how morally wrong, no matter how factually inaccurate, and it just gets cloaked as being "pro-Palestinian." Will American Jews being scared in the US free a single Palestinian in Gaza? No. Did Sarandon speak for Palestinian protesters a few months ago, when they were being killed by Hamas? Also no. Because she doesn't really care about them, they're just a tool for her to be gleeful over Jews being persecuted.

I'm not even gonna talk about her circulating false information about the Jewish state (that Israeli soldiers are the ones responsible for killing Israeli civilians, not Hamas), and that to do so, she retweeted a right wing, white supremacist antisemite. Sarandon, supposedly a human rights, far left activist, amplified the voice of a right wing, white supremacist antisemite. There really is no end to what antisemites are willing to do, or what they think they can get away with under the guise of "just" being anti-Israel, not antisemitic.

I'm glad she got her comeuppance, I'm glad her talent agency dropped her. Not that her acting career has been relevant for decades. She had two iconic roles, which is two more than many actors, but I was looking at her acting credits, and the last time she had an acting role that really made waves at the time is a 1999 movie. And maybe that also explains why she's suddenly so vocally anti-Israeli since 2021, because that's the only way she's made headlines in recent years. IDK to what a degree this also plays a role, but I do think people like Sarandon and Roger Waters are, at least in part, also feeding their own ego, when suddenly their anti-Israel (and antisemitic) comments get them attention, and from certain factions, even praise.

That's a long winded way to say, I totally agree with you. About Sarandon, and about anyone dismissing, ignoring, and especially justifying Oct 7. It was barbaric on levels that are hard to comprehend. I think it's especially telling when hearing forensic examiners, first responders and morgue workers saying that Oct 7 was like none of the other horrors they had witnessed over decades of gruesome work.

I hope you're doing good, lovely, despite how infuriating all of this is. Sending you hugs! xoxox

(for all of my updates and ask replies regarding Israel, click here)

[angeltreasure]

Catholicism Masterlist

NOTE:::: Items highlighted in red are my favorites for learning Catholicism.

Books for Learning Catholicism:

The Word on Fire Bible

Catechism of the Catholic Church second edition (pdf here)

Catholic Faith Handbook For Youth by Brian Singer-Towns and other contributors (pdf here)

Books About Prayer:

The Liturgy of the Hours by Word on Fire

The Secret of the Rosary by St. Louis de Montfort

The Rosary for the Holy Souls in Purgatory by Susan Tassone

10 Wonders of the Rosary by Fr. Donald Calloway, MIC

The Memorare Moment by Rev. Francis Joseph Hoffman

Blessed Sacrament Prayer Book edited by Bart Tesoriero

Heart of the Christian Life: Thoughts on Holy Mass by Pope Benedict XVI

Meet the Witnesses of the Miracle of the Sun by John M. Haffert

Our Father: Spiritual Reflections by Pope Francis

The Prayers & Personal Devotions of Mother Angelica, introduced & edited by Raymond Arroyo

Books About Saints:

Lives of the Saints: For Everyday in the Year by Fr. Alban Butler

Diary of Saint Maria Faustina Kowalska - Divine Mercy in My Soul by St. Maria Faustina Kowalska

Send Me Your Guardian Angel by Fr. Alessio Parente

Forty Dreams of St. John Bosco: From Saint John Bosco's Biographical Memoirs by St. John Bosco

Saint Charbel by Paul Daher

Mornings With St. Thérèse by St. Thérèse Editor: Patricia Treece 

The Secret of Mary by St. Louis de Montfort

The Confession of St. Patrick by St. Patrick

Saint Rafqa the Lebanese Nun (1832-1914) Teacher of the Generations and Patron Saint of the Suffers Father Elias Hanna (L.M.O.)

Rediscover the Saints by Matthew Kelly

Other Books:

The Screwtape Letters by C.S. Lewis

7 Secrets of Confession by Vinny Flynn

Our Grounds for Hope by Archbishop Fulton Sheen

How to Share Your Faith by Bishop Robert Barron

How to Discern God’s Will for Your Life by Bishop Robert Barron

An Exorcist Tells His Story by Gabriele Amorth

This Is My Body by Bishop Robert Barron

Apps:

EWTN

Relevant Radio

Formed

iBreviary

CatholicTV

Mass Times for Travel

Websites:

EWTN

Relevant Radio

The Divine Mercy

Word on Fire

The United States Conference of Catholic Bishops (USCCB)

Some social media:

Bishop Robert Barron

Divine Mercy

Breaking in the Habit

Sensus Fidelium

EWTN

Sacred Music:

Harpa Dei

Floriani

Groups:

The Association of Marian Helpers

Rosary Confraternity

Brown Scapular

Adoration Sodality of the Most Blessed Sacrament

What really happens at a Catholic Mass, short film

— —- —— — —- —— — —- —— — —- ——

This is by no means a complete list because I keep reading more books and finding new resources as a pilgrim in this life. Maybe you’ll find something here to help you grow in faith. May God bless you abundantly.

[canonmisogynyvictimstournament]

Now that submissions are closed, we can talk stats. There were 881 valid, unique submissions for 474 characters! Woof, women have it rough out there!

The most submitted characters, with a relevant propaganda snippet included, are:

1. Sakura Haruno (Naruto): 28 [where do i even fucking begin]

2. Cordelia Chase (Buffy the Vampire Slayer/Angel): 21 [OH SO MANY THINGS]

3. Misa Amane (Death Note): 20 [The author of Death Note invented new forms of misogyny just to apply them to Misa.]

4. Kaede Akamatsu (Danganronpa V3): 15 [Oh, you thought we would have a female main character in one of our mainline games? With a cool defining talent, no less? That's stupid of you]

5. TIE: Kairi (Kingdom Hearts): 14 [I'm so mad. I think she deserves a gun.]

5. TIE: Stephanie Brown (DC Comics): 14 [She does eventually get retconned as surviving the event and hiding out in Africa (don't ask, it does not make more sense in context)]

The canons with the most submissions, with a relevant propaganda snippet included, are:

1. DC Comics: 61 [DC has SO MUCH sexism it's laughable]

2. Buffy the Vampire Slayer/Angel: 35 [Fuck Joss Whedon, man.]

3. Naruto: 33 [because Kishimoto hates women]

4. Warrior Cats: 26 [Warriors is one of the most misogynistic children's series I've ever seen]

5. Danganronpa: 25 [I honestly had to think about it just to decide which woman is treated the worst because this series hates them so much]

The canons with the most characters submitted, with a relevant propaganda snippet for a specific character included, are:

1. DC Comics: 21 [Free her from the huge tits back breaking pose.]

2. Buffy the Vampire Slayer/Angel: 12 [Anyways she was so hot and for what. 10/10 my lesbian awakening.]

3. Supernatural: 11 [Yeah, she got randomly killed off-screen for shock value and manpain, but she sent an email right before she died so at least her death wasn't in vain, right?]

4. TIE: Star Trek: 9 [She literally gets teleported out of her clothes in one episode.]

4. TIE: Yu-Gi-Oh!: 9 [One loss is particularly brutal as she falls from a large height directly onto her head and goes into a coma (again. yes this was the second time).]

5. TIE: Warrior Cats: 8 [I'm sure she'll get submitted again just ask any reasonable fan they'll tell you about her and her sister]

5. TIE: Attack on Titan: 8 [As a child soldier, she does commit some war crimes]

And here are some charts to show how some of these entries fucked the scale on my charts:

Look at Sakura, fucking up my chart with her numbers.

On a similar note...

Good god, DC, I know what you did, but add fucking up my charts to your list of crimes.

And now, enjoy some rankings of my favorite things:

My favorite universal sentiment quotes from propaganda are:

She lived she served cunt and then she got killed off super early so that the male characters could experience man pain and also because I guess she would have been too powerful if left alive. [Wen Qing (Mo Dao Zu Shi)]

That design. Dear god. I don't want to live on this planet anymore. [Mitzi (The Queen's Corgi)]

In the end she may have girlbossed too close to the sun, but I support her anger. [Ling Wen (Heaven Official's Blessing)]

the victim of “writer doesn’t understand women and also hates them” disease. [Naomi Misora (Death Note)]

She could 100% kill somebody but nobody ever effing lets her. Rip queen. [Kairi (Kingdom Hearts)]

My favorite raging at a writer quotes from propaganda are:

1. You took every single protagonist to weird lion heaven, Clive, but suddenly Susan isn't good enough. [Susan Pevensie (The Chronicles of Narnia)]

2. Being a woman written by Joss Whedon should automatically entitle her to financial compensation tbh. [River Tam (Firefly)]

3. A lot can be summed up in a couple words, namely, "Furman, why?" [Arcee (Transformers)]

4. Can you tell respect women juice ran in Tolstoy's veins. [Lise Bolkonskaya (War and Peace)]

5. TIE: (specifically a guy called Dan Didio, who we all hate) [Stephanie Brown (DC Comics)]

5. TIE: until Geoff motherfucking Johns comes into the picture [Pantha (DC Comics)]

My favorite quotes from propaganda that have nothing to do with misogyny, y'all are just funny:

I wish I could use bold here, because there's no such thing as uppercase numbers. [Arcee (Transformers)]

the most convoluted and lore dense piece of media this side of the afton criticality. [Jane Crocker (Homestuck)]

ended up starting a gang war by accident [Stephanie Brown (DC Comics)]

Ashfur, who later turns out to be a murderous incel [Squirrelflight (Warrior Cats)]

Hawkfrost is actively seeing Brambleclaw and his evil father in cat hell. [Squirrelflight (Warrior Cats)]

[sonkitty]

I did it.

It is done.

I read the 41 Discworld books this year, in my desperate attempt to improve my play at Earthly Objects.

Did it work? Yeah. Certain main questions remain questions, but answers, for me, might still form over time.

Two of those main remaining questions, for now, are:

-Why did Crowley want to be first when using the Heaven elevator? This answer is going to be so anticlimactic if I ever figure it out, but I still want to know. Muriel being last is relevant to whatever the answer is.

-What's the "catch" in The Door Catch for the Metatron having his reflection caught over from one door window to the other door window here:

Like, even if it's a "Metatron Connection Reflection" or more specifically a "Metatron Head Connection Reflection", Connection Reflections exist outside of that so this one is supposed to be special.

What's so special about it? The witches in Discworld do not like to have their body between reflections of themselves. So, I have that idea, and can at least see, due to looking, that Aziraphale's reflection does not show up in the door to Aziraphale's right as he enters the elevator.

I go back and check episode 5 to see Shax's reflection doesn't show up at all on her exit. Crowley's reflection is mainly in the pub windows that are not on the door. Muriel's reflection is also on those windows but is then mostly on the door to the camera's right, and you can only kinda tell some white is reflected on the door to the camera's left but not Muriel's head or face.

But still, what is the idea here? What is the threat, if any, to the Metatron instead of Aziraphale?

He's got a head thing happening with his appearance in season 1 and how he's the only entity lacking an attached corporal form on footage of past meetings in Heaven. Very reminiscent and probably referencing the Wizard of Oz too.

...

One idea that has formed in my head from the concepts in the books is that Gabriel in Good Omens 2 could have the ability to "remember the future," as certain characters, like Death and Susan Sto Helit do. If so, then that helps me fit a few pieces in a possible way.

Crowley admitting to the appearance swap in episode 5 is something Gabriel could have foreseen, by remembering the future. Gabriel then being informed of such a thing played a role in getting the plan for his own appearance swap (in my theories) with Crowley here:

...

Anyway, I read all 41 Discworld. I read them in order, and I don't regret it though I understand most Discworld readers aren't reading Discworld for playing Earthly Objects.

I'm not used to reading so many books in a given year. The number is usually more like between 0 and 5.

The City Watch books were my favorite series. Feet of Clay and Thud! are my favorite two books overall. Vimes is my favorite Discworld character overall.

As for where to go from here, for reading, I'm planning to read Terry Pratchett's biography and will think about or decide where to go from there after that.

[barn-anon]

Castle knows it's a bit odd for a Space Marine to stick around a family as much as he does. The others in the area had commented as much, with that Blood Angel even saying so to his face one day. Not that it bothers him, he simply sees the entire family as part of Susan. If he stays with them, he's staying with her in a way.

Though with how Susan's family is ever expanding, he himself has gotten a bit of a reputation for being a good babysitter.

Castle sighs as he spots another Space Marine heading towards the house. He doesn't mind being known as a good babysitter. No, he's rather proud of it in fact. That Susan's family would trust him a Space Marine that has slaughtered who knows how many creatures? Not that he would ever tell any of them of the human lives he had ended.

It felt like lying, to not tell them or Susan of his whole truth. Though with all that's been plastered on the news and those social media sites, he's sure they have some idea that neither he or the Space Marines that live in the town are harmless. It still didn't feel right to not tell them everything but he doesn't want to see them looking at him in that way.

It's not relevant anymore. They'll never need to see him in such a way. Or at least that's what he tells himself.

Castle reluctantly gets up and makes sure none of the great grandchildren and their friends are missing before heading to meet the Space Marine. His eyes instantly spot the young girl at the Marine's side. She happily runs up to him and hugs his leg.

At least this Marine has the decency to looks apologetic for suddenly dropping a kid off at his place.

Tagged: @kit-williams • @egrets-not-regrets • @bleedingichorhearts

[veliseraptor]

March Reading Recap

Juliet: The Life and Afterlives of Shakespeare's First Tragic Heroine by Sophie Duncan. I actually really liked this one! It was an interesting look at several different lenses that have been used over time to look at Juliet (specifically Juliet, not the play), including the relationship between fascism and Juliet in Verona, Italy and the development of West Side Story (didn't know Juliet was Jewish in an early version). I enjoy sort of niche/specific books focusing on a very particular subject, and this book scratched that itch well.

The Brilliant Abyss: Exploring the Majestic Hidden Life of the Deep Ocean, and the Looming Threat That Imperils It by Helen Scales. I read this book too soon after The Underworld by Susan Casey which, while not necessarily a better book, covered a lot of the same terrain. The trouble with a keen interest in a niche topic is, I suppose, that the books on it can start to get repetitive sometimes. It was still good, though, and this one focused a bit less on the history of human exploration than Casey did and a bit more on the ecosystems themselves, which I did welcome.

Blood of the Chosen and Emperor of Ruin by Django Wexler. The second and third books in the series that started with Ashes of the Sun - both continued the trend of "I don't know that I'd call these particularly good works of literature but they were very enjoyable and propulsive." The second book was stronger than the third - I ended up feeling like the conclusion of the trilogy was weaker and a little rushed, but I still enjoyed the experience as a whole and would offer at least a tentative, general recommendation of the series for those looking for a fantasy series that's not particularly innovative or serious but is an exciting ride.

The First Sister by Linden A. Lewis. This book reminded me a little bit of Such Desperate Glory but wasn't quite as well done, I don't think. The back compared it to Mass Effect but I don't really see that as a reasonable comparison. Possibly one of my favorite things about it was the cover design, which fucks. I still liked it, though, and I'm going to read the sequel.

The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper. Sometimes when I read things I feel like a snot because I go "this is interesting information but the writing feels a little amateurish" and that was my situation with this book. It was good analysis and interesting to read, though sometimes the "and this is how this is modern-ly relevant! q-anon mention" felt a little bit...ehhh, unnecessary, but the writing itself was...yeah. It felt amateurish. Which might just be a result of the book itself being targeted at a particular audience that's less academically-minded than I am, that's certainly possible, but it did affect my enjoyment of the book.

Last Days by Adam Nevill. Mostly this was good spooky fun, though it lost me with the "the ultimate bad guy is an overweight bisexual actor with AIDS" (it's a little more complicated than that, but not enough). Too bad, because conceptually and in terms of imagery it could've been very good. Between this and my last Nevill, I might have to give future books a pass. My search for horror that isn't playing on bigoted tropes apparently continues, since I'm on a bit of a streak there with this and Ring.

China: A History by John Keay. I'd call this one a solid overview despite the choice to use "bureaux" for the plural. However, I'm taking a lot of it with a grain of salt since as far as I can tell he didn't use many or possibly any Chinese secondary sources, and relied primarily for quotations/analysis on English secondary sources. I would've liked to see more of a balance. Still, as far as background information and a general broad history goes, it feels like it was worth reading for me to get a little more background/grounding in history I don't have a lot of familiarity with. (Also, holy shit did Ken Liu crib hard on Liu Bang and Xiang Yu for The Grace of Kings and now I know that.)

Remnants of Filth: vol. 3 by Rou Bao Bu Chi Rou. I continue to really enjoy this book and this volume might be my favorite yet - the flashbacks were satisfying to fill in some of the gaps in mysteries as yet unrevealed, and having Gu Mang fully "back" (more or less) is a fun development that is already having consequences changing the dynamic between him and Mo Xi in delightfully angsty ways. Of the cnovels I'm currently in the middle of this one is close to LHJC as far as my favorite.

Starter Villain by John Scalzi. This one is what I think people would call a "romp" which is all well and good and I probably should've known what I was getting into, but I think I am just not much of a "romp" reader. It was fun, I guess? But I don't know that I felt like it was good, and I'm probably not going to go around recommending it. My first Scalzi, and I don't know if that's typical of him, but I probably won't be in a hurry to pick up another one anytime soon.

Invisible Planets: Contemporary Chinese Science Fiction in Translation ed./trans. by Ken Liu. Short story collections are really hit and miss for me, but this was actually a collection that was pretty hit all the way through! Very interesting stories, a couple I'm still thinking about. I'm looking forward to reading my other collection of short stories in translation, which includes some fantasy - some of these actually felt somewhere between fantasy and science fiction in a very interesting way that I liked.

--

phew. I read a lot last month! Currently I'm reading Medea by Eilish Quin (we'll see how that goes); I have on my docket The Mountain in the Sea by Ray Nayler (recommended to me) and I think I might reread She Who Became the Sun so I can read He Who Drowned the World. I've been on more of a fiction than a nonfiction kick of late, but I am eyeing Islands of Abandonment by Cal Flyn and might make that part of my rotation. we shall see!

[roxannepolice]

The thing about "which creepy woman in s14 is secretly Susan" is that I can't help the feeling we're once again falling down the "wouldn't it be COOL AND POETIC if" chasm without much thought to how it would work in a longer run.

Wouldn't it be COOL AND POETIC if the Master had a self sacrificial redemption arc... and the next showrunner dropped the subject* to the point he needs to explain in interviews what's the regeneration order here bc tbf what's the use of a redeemed Master. Wouldn't it be COOL AND POETIC if the Doctor was a martyred god figure with like secret regenerations... except the ontology is shaky at best so we're just going to make this thousands year old parent and grandparent figure into child on a quest for real parents, sprinkle a dia de los muertos decor, and then not so discreetly brush the topic aside.

Like, Susan having a heartfelt moment with the Doctor, especially to mirror Ruby having a heartfelt moment with her mom, would have worked if the reveal was made in the penultimate episode. Then you have a whole episode left for emotional fallout. A reveal in the last episode would either fall flat or open a longer arc, in which case... what, is Ruby-turned-Susan to have ANOTHER coming of age/leaving the nest arc but maybe with a healthier goodbye so #theshowgotanupgrade? Would she be brought back just to be killed for good? Is Fifteen meant to drop her off at One's when Ruby dies and regenerates into Susan Foreman? Like, seriously, what's the story after the reveal here?

* Look I know there are ways, sometimes very insightful, to explain the development from Missy to 0, but if you look at the text itself the topic was just dropped, ok? This is a tv series past events relevant to the current plot have to be reminded in the same way that a haiku needs a specific number of syllables to be a haiku.

[presidentdisastraofgallifrey]

I’m just playing around with my headcanons because I like lists, but. The Doctor lies, right? Like, a lot. Especially about his age (the fact that this is mostly because it’s hard to keep track of details across 41 (?) seasons, a handful of movies, and hundreds each of audio dramas and books is not relevant here). I’ve always gone with he must have been very young still as One to make the math remotely work. And he was, relatively. I still like the idea that he only looked old because of a failed experiment. But what if he wasn’t that young and just never factored his non-renegade years in (when he did any factoring at all).

That would make his age:

Pre-renegade: a few thousand, maybe? I mean, he had to be an adult which takes a couple hundred and why shouldn’t he have had a relatively settled life he never fit into? Married the Master, maybe. Left because they got divorced and he was pouting. If you ignore the audios they don’t see each other again until he’s regenerated twice. Is Susan related to him? This is Shrodinger’s time lord biology. Maybe she is the child of his child. Maybe she is his very young house cousin who wanted to run away too. Maybe she’s just a kid he took in because she needed to leave. Take your pick. (Does a few thousand work with my later regeneration standards? No. But maybe this isn’t his first body and he got so used to not counting Before he miscounted that too idk).

One: a few centuries? Presumably they wandered around for a while before settling on Earth, and if you add a few gaps between companions he could have been off by himself for a bit. It does make sense he was still relatively young when his body gave out, though.

Two: I like the idea that he was only in this body for a few decades. Makes the execution more traumatic. Plus, I like him spending almost this whole life with Jamie.

Fugitive: A full spy career, which has to have been like a full career in other areas. I’m sure there was a contract. So let’s call it 900 years because I like making vague references and think I’m funny. Also yes I choose to believe she existed between his execution and him waking up on Earth.

Three: a few centuries again. I think he spent a few, though not many, more years at unit than the seasons would suggest. And then afterwards Sarah was in some ways different from a regular companion because (1) she wasn’t stuck with him and (2) she kept up her job. So he definitely went on tons of adventures, both after Jo but before her and during Sarah’s era.

Four: many centuries. Not only do I think there are large gaps between each of his companions, but seasons 16-17 spanned centuries and season 18 really should have been a few years because as it was it seemed like Romana and Adric hardly got to know each other at all.

Five: idk, a couple hundred? I just started his era.

Six: some number in the low hundreds.

Seven: some number in the low hundreds.

Eight: I have actually changed my mind and decided he should be one of the longest-lived. Maybe he gets 1,000 before having to give himself up to war.

War: It is still literally impossible to know how much time actually passed because of constantly changing timey wimey stuff. He lived for thousands of years and also only a few decades.

Nine: Like a year. He got himself killed as fast as possible. Romana would be impressed.

Ten: Many hundreds of years, with gaps between companions and that long stretch alone at the end. About the same as Four.

Eleven: The first and only time he lives a normal regeneration length. He is an Old Man. Let’s call it 1500.

Twelve: Several hundred but not all THAT ridiculously long. We don’t count the confession dial because he was remade each time.

Thirteen: Barely a century :( no that’s not fair. Let’s say 200 because she takes some off screen recovery time from prison and leaves the fam alone more often than we see.

Fourteen: less than 200, choosing to regenerate when the last of Rose’s grandkids die of old age. But it felt very long to him.

Fifteen: No way to know this yet but since he didn’t show up the second he regenerated let’s say he saw the universe solo for a bit, enjoying being able to enjoy things again, so he’s been around for a few decades now.

All of that works out to (very roughly and not counting War at all)…oh. About 10,000, actually. Which according to my (totally made up) regeneration math makes him approximately middle aged. Which is ridiculous, 10,000 is probably their entire lifespan, but making a species that lives for thousands of years in the first place is ridiculous so they brought it on themselves

I also like the idea that the Doctor and the Master were literally married, and the Master has spent millennia now trying to get back with their ex while the Doctor is like I ADORE YOU BUT WE CAN’T TALK UNTIL YOU STOP MURDERING PEOPLE (except for Five, whose opinion on the matter is you murdered ME, you bastard, I want a second divorce)

[butchsophiewalten]

There was another space last night. Only found out about it this morning and apparently they mentioned a dog animatronic named Ringo. Could you do a recap on it?

OK twitter space recap again. Just for clarity, a lot of these answers are effectively verbatim, but have been chopped down for clarity and to remove some less relevant information.

-Someone asks what the hardest part of making an episode is and Martin goes 'Fucking, coming up with what's gonna happen in it.' And talks about how like, if TWF4 took three years to make, half the time was just preproduction and him figuring out what the hell was going to happen. He talks about how TWF4 was originally going to be a return to form for the series, and then one day he woke up and thought about it and was like "this is fucking shit." and that's when he decided to make it more cinematic.

-Someone asks if TWF4 will have Spanish subtitles, and Martin says no, because writing the English ones was a pain and he doesn't want to go through that again.

-Somebody asks who Martin would cast for Brian if The Walten Files was a live action series, and Kyle extends the question to 'Who would you cast for Everyone?'. They spend the next while just spitballing answers, which I've condensed here:

Kyle thinks it'd be fun to cast Jack as "Weird" Al Yankovic, and Martin thinks that's funny. He doesn't know who he would cast for Jack. Martin says Brian would be "The guy from Whiplash", who is Miles Teller.

Martin says Derek Collins would be Michael Mckean, but Kyle picks Clancy Brown.

Kyle says Charles should be Adam Driver.

Martin says Felix would be Michael Douglas as he is in Falling Down, and says that he's always thinking of him whenever he goes to draw Felix.

Martin says Sophie would be Ally Sheedy as she is in The Breakfast Club, and how Allison Reynolds (Ally Sheedy's character in The Breakfast Club) was in part inspiration for Sophie's character. Secondary pick Martin gives is Mia Goth, but says they aren't the same in the face or the mannerisms, just that Mia Goth would make a good portrayal of the character because she's such a good actress.

Martin picks Shelley Duvall for Rosemary, saying again that they don't really look alike, but that she'd do a great job portraying the character. Kyle says a young Jane Kaczmarek would make a good Rosemary, too, and Martin mentions that he could also see a very young Carol Burnett, "...because she has a very smile-shaped smile."

Martin says that they aren't at all the same physically, but that Tina Parker would make a great Susan. Inspired heavily by her role in Better Call Saul.

-Martin hems and haws for a bit about who a good Jenny would be, saying that it's difficult, because she has such a particular face. On the topic, Kyle brings up how fans so often portray Jenny as "chubby", and how that's really impacted how he thinks of Jenny as a character, where he imagines the fanon version of her before even the canon one.

Martin agrees like, "This kinda influenced the way I draw her. I've been drawing concept art for Jenny recently and I noticed I've started drawing her a little chubbier. Not to the extent of the fanon, but the way I look at the character has changed a lot because of the way the fandom draws her... But I could definitely see Jenny as a chubby character, she just has that vibe." (<-Mostly paraphrased)

-Martin and Kyle say they both keep running into a funny problem where they google Charles using his full name, and wonder why all of the results just call him 'Charles Walten Files', forgetting that his full name is not public information yet.

-Martin says that if there was anything he would change about The Walten Files, he'd make Bon less adjacent to Bonnie from Five Nights at Freddy's. He says he wishes he'd made Bon a dog named Ringo, and that the name "Ringo" has a specific lore reason behind it (Unrelated to. The Beatles.)

-Martin talks about how when he first named Bon's Burgers, he thought he was being really clever, because in French "Bon" means "Good", so it was like calling it "Good Burgers".

-Someone asks what Martin would rename Bon's Burgers to if Bon's name had been different, and he says he'd call it "Wonderland".

-Martin gives a story about him actually seriously injuring himself opening a can of Palmitos, slicing his palm open and needing to get stitches, but how the main thing he was worried about was it keeping him from releasing TWF4 on time, and how he was really scared of the fan reaction of like, 'he always fucking does this, he always delays the episode', before he talked to some friends and calmed down about it. This all happened like less than a week ago. He tells everyone not to worry to much about it, that he's still in some pain, but he's fine.

-Someone asks about the "Bontest", the contest where people could submit their original characters to appear briefly in TWF4, and Martin says that he plans to work on it last, as a reward for himself.

-Someone asks if a Welcome to Bon's Burgers remake could ever happen, Martin answers: "No. I would have wanted to, but I'm really trying to stay, like, legally distinct from Five Nights at Freddys. So no more Welcome to Bon's Burgers, ever."

-Martin asks Kyle, "Is Charles mean? or nice?" and Kyle says he thinks Charles has like. Fun Uncle energy. That he's the sort of person you'd maybe think was mean, but that he's ultimately pretty silly and laid-back. He calls him the type of person to doodle in the margins of his work.

-Someone asks if Boozoo is a magician or a ringmaster, and Martin says that he is both. When he's not on stage, he falls into the ringmaster persona, but when he's performing he's doing magic tricks and the like. He switches between both.

-"Boozoo has a mechanism where he can take off his hat, and there's a very tiny plush rabbit in his hat"

-"Will we ever get to know how Jenny and Sophie met and/or became a couple?" "Yes. We will see it in the series, I have the whole thing planned out. Yippie!"

-Martin talks about how when making WTBB, he went through a phase where he really hated Banny, and took her out of the game. Then he was like, fuck, I need a new girl character, and that's why he created Sha.

-"Who has been your favorite character to develop personality-wise and role-wise?" "Felix Kranken. I fucking love but I fucking hate Felix kranken... I feel like the viewer keeps indirectly giving Felix chances, like, to make things right. And you will see how he uses those chances."

-Someone asks for a Felix Fact, and Kyle jokes that he smells bad. Martin says he disagrees, and that he thinks Felix smells like car air freshener.

-Actual Felix Fact: He loves Louis Wain's paintings, and has many in his office. Martin says he really connects with the story around them, and that he also feels a deep connection to cats.

-"How many takes did the phone call in BunnyFarm take to get right? Was the wavering in Jack's voice before he got angry intentional?" "It took three takes and yeah, yes it was. I did one take that was like, screaming angry, and another one was very whispery, and then i got the version that was used." They talk for a bit and then Martin goes "I think Jack here like, works best when he's not like, exaggerated, but you can tell that he's on the verge of just-- punching you fucking skull, but he doesn't like, explode. And it's this tension of like, when will we see this character like, genuinely lose his mind, yknow?"

-Someone asks if Bon could ever learn to like or be nice to Banny, and Martin says that if the showstoppers had any kind of linear story then he would probably grow to be nicer to her eventually, but because they're in like an episodic thing where everything resets, he's just gonna hate her forever

-Linda Lore: This isn't necessarily canon, but Martin kinda imagines that she'd move out of hurricane after only a couple of weeks because it's such a ghost town, so she moves to Nashville end ends up starting a family there and having two children.

-My question! I asked Kyle and Martin what musicians/bands they listen to. Kyle lists Gorillaz, Tally Hall, and Tenacious D. Martin lists MF Doom, Tyler, the Creator, and Canserbero.

-Martin mentions an incident with Bon's Burgers where a guy showed up and stood on a table demanding to eat pizza, and stayed there for 20 hours demanding to eat pizza.

-Martin imagines a funny scenario where Charles' car breaks down on the way to work and Jack gives him a ride. Charles asks to listen to some music, and Jack starts playing "obscure 30s music", and Charles is like, "what the fuck?", while Jack is bobbing his head like he's listening to heavy metal.

-Someone asks if there's any Autistic characters in The Walten Files, and Kyle brings up his personal headcanon that both Sophie and Jenny have autism, but that Jenny has it comorbid with ADHD. Martin mentions that it's actually canon that Charles has ADHD, and how it was one of the first things he decided on for his character.

-Kyle specifically asks if there's any Walten Files characters Martin can imagine being Autistic, and Martin gives a long answer I've written out as follows:

"Okay, so, this is really complicated, but the episode 5 draft is finished, and I sent it to Eva, and- this episode has a bigger focus on Sophie, episode 5, and I think a lot of things- Eva- I talked a lot about it with Eva, and she mentioned how Sophie, was like, had many many traits that imply that she is autistic.

And, while I said yes, that the intention was to like, sorta allude to it? I would never confirm it because I wouldn't be able to represent it properly. I would never be able to fully represent it, because it's not an experience I've gone through. But there's a lot of like, unintentional double meaning with Autism, with like, what's going on in her head and how like, she behaves, in a way?

But I feel like, from what Eva told me, from her experience as an Autistic person, she told me it was a really good representation, for like, the character. Even if it wasn't intentional, because she's never represented as like, mentally unstable, or not fit to, like-not competent... But you can still see some of her personal struggles in her behavior."

-They talk for a while about how Kyle likes to think that Boozoo is gay, but he's not especially a fan of the relatively popular ship between him and Bon. Martin says that a better Boozoo ship idea could maybe be Pete the Hippo, provided that the recasted his VA.

-On the same topic, Martin agrees that Boozoo and Bon would be a bad ship idea, because he doesn't like the idea of Bon being with anybody who he treats poorly, and how this is the reason why he really tries to be nice to Sha, even if he isn't especially good at it. Martin mentions that the thing that really makes Bon like Sha is that she's the one person who can really tell him off, and for a while he was a little scared of her.

-Martin talks about a funny showstoppers story he's thought of, where Banny gets a crush on a girl from school and Boozoo and Sha help her work up the courage to ask her out, but the girl is just so unapologetically mean to Banny and totally breaks her heart, and so all the showstoppers come to defend Banny, and they go and beat up this teenager on her behalf.

-Someone asks for a "Susan Fun Fact" but typos it as "Susan Gun Fact". Martin says that Susan would think that the American attitude towards guns and gun control is one of the things most wrong with the United States. Kyle says it'd be funny if she was the type to believe that, but then own a gun anyway.

-Martin says that he really loves Susan's voice, and thinks it's so perfect for her character.

[soulless-angel25]

Requested by: @queen-boudicca Request: Harriet Arbinger coming back into work the next day bc she was very good at her job and now that her other responsibility is no longer relevant she has even more free time

[Oooh, this is such an interesting idea! I did my best to execute it going from how I remember her character acted when we saw her.] AO3 Link!

Harriet was efficient, that's what made her a good member of UNIT. It was just that Kate had never expected her to... betray them like that, to have been a creation of Sutekh. It had stung, much more than she thought it would've.

And so, when the next day Kate walked in. Exhausted and puzzling out how to find someone to replace Harriet she stopped in her tracks when she saw the woman in her thoughts at her regular work spot. And she knew she wasn't imaging the events of the other day because the rest of UNIT staff who were in the room were glancing at Harriet every few seconds.

Breathing in and prepping herself for the oncoming confrontation she strode forwards. Not allowing even a hint of hesitance to appear in her movement, because if she appeared hesitant or nervous at all then her staff would be as well.

"Harriet." Kate manages to control her voice, making it cold.

The woman in question looks up (can she even be called a woman?), a pleasant smile on her face, "Yes Kate?"

"Why are you here."

A surprised look flits across her face, "I'm here because I work here, unless that's changed...?"

"Considering the events of what happened I want to know why you think coming here was appropriate," and Kate knows its harsh and unfair. For her to interrogate Harriet like this- they were letting Susan walk around UNIT with no one questioning her.

But that was different because she wasn't one of them. Prior to this event she was an outsider, someone they were only keeping tabs on because of the anagram and the off-chance that it meant something.

Harriet's betrayal had hurt. She'd been part of UNIT for a few years now, and so for her to turn out to be... it hurt all of them. So Kate wanted, no- she needed to know why Harriet was here. Because if she planned to hurt any of them again...

A look of realization crosses Harriet's face, "Oh! You mean me being the Harbinger for Sutekh? Please be assured, now that it is over I will be able to give my 100% to UNIT!"

And.... that isn't what Kate had been expecting. And clearly it wasn't what any of the other staff had been expecting since their heads whipped around to look at her, their attempt at ignoring them while eavesdropping gone. She'd been ready for denials or refusals to acknowledge what had transpired or something. Just, not this.

--

[what happens next? I'm not quite sure, so I'll leave it up to you]