#regardless of how intelligent your character is they can and should make mistakes

[ofswordsandpens]

ever since I heard that RR was like "we decided that since Annabeth was so smart and 6 steps ahead of everyone, it wouldn't make sense for her to do x, y, or z like she did in the book" I've been physically ill, it haunts me

[uranium-city]

as an aspiring storyteller & writer i find analyzing what works & what doesn’t work in media to be incredibly important. not only does it help us realize where we may have made mistakes in our writing & how to improve going forward, but it also helps understand why certain stories work so well. it helps us realize why critically acclaimed media is so critically acclaimed & appreciate the thought, care, & intelligence that went into making it so special. without criticism- all that thought loses its meaning. bland stories become indistinct from the incredible ones & all the deeply well thought out plot points & messages wash away into a sea of poor &/or lazy writing. we need criticism to appreciate strong writing. being critical of your interests- whether it be a highly acclaimed film or a weaker piece of media that you hold deadly despite its flaws- shows maturity, media literacy, & overall the beauty of how different stories resonate so deeply with people regardless of its issues. that’s why the way Vivziepop responds to criticism irks me on such a strong level. Helluva Boss is a very poorly written show (in my humble opinion, at least). Season 2 has retconned a ridiculous amount of things established season 1 (most notably Stolas’ entire character), has a massive problem with maintaining tone, jumps around from plot to plot by introducing new threat after new threat only to abandoned that threat by introducing a new one the next episode, struggles with developing its own main & supporting characters, & perhaps most offensively of all often comes off as downright fetish-y of gay men. These are all valid criticisms, all of which Vivziepop tries to dismiss as “baseless & unfair”. She claims she respects fair criticism yet never makes a distinction between what is fair & unfair, treating everything as the latter, going on twitter rampages where she attempts to defend her writing decisions & ridicules anyone who dare challenge them. If Vivziepop believes she’s writing the show in the optimal way, fine. If she doesn’t want to listen to criticism & continues to take Helluva Boss in the direction it’s currently going, fine. so be it. She’s in such a unique position where she’s so close to her audience & actively listening to their criticisms, I personally don’t understand why one wouldn’t try to take advantage of that to better their show, but at the same time I can understand having a set story in mind & wanting to take it your way despite what anyone else says. It can be frustrating to have everyone telling you you’re doing your passion project wrong- i get that. but in that case- just continue writing the show how you want, ignore the criticism, & stop having hissy fits on twitter calling people homophobic for not liking your writing (seriously what the fuck? that’s laughable of her to saying given how she writes her gay characters, just saying). Your writing should speak for itself, you shouldn’t have to defend it by crying on twitter. Dismissing all criticism & trying to paint the narrative that you’re nothing more than a victim with a hatedom out to get you is BAFFLINGLY immature ESPECIALLY as someone in their 30s. It only bothers me so much because she’s actively fostering an environment that dismisses criticism which i think is genuinely harmful. & as much as Helluva tries to be an adult show, let’s be real here, a majority of its audience are teenagers who look up to Viv & if THIS is the mindset they end up developing surrounding criticism I think it could genuinely be a problem in regards to their media literacy in the future. People can like Helluva Boss, people can ignore its flaws, but that kind of relationship with criticism is not healthy. at all.

[mars2oliverwood]

Mars Attack! - comedic, but weirdly telling of our views of aliens and ourselves

Weirdly enough, Mars attack! capitalises on our views of aliens and uses them against us in brutal manners.

One of the biggest topics it covers is how we see life outside of our planet, due to our limited understanding of our own evolution, we automatically assume that anything above our intelligence and technology is instinctively more passive and non-hostile because we would too, but not only is that wrong for aliens, but wrong for ourselves. Most of our technology comes from war preparation, everything was made for the military first and foremost, and then it adapts to the everyday world after the war has ended, and by that seemingly pessimistic viewpoint, we are likely to never change, because change is not always net-positive, nor net-negative, change is always 50/50, neither good nor bad, just different, much like the internet we have today(which too started off as a military tool during the info wars of the late cold War).

The Martians are really nothing different from ourselves, the only difference is that due to the long centuries of technological advancements, we are seen as nothing but ants, and I don't think I need to tell anybody why that is a crucial element to their behaviours towards us right?(Hint: Magnifying glass).

Another thing that is somewhat mentioned in the movie is that one of the characters describes their own race, humanity, as being a destructive force that needs to be whipped out by aliens, which is such a ridiculous, ignorant and needlessly pessimistic view of ourselves that discredit everything that we've accomplished. Some alien species may never even acknowledge that they are destructive, let alone even think of themselves negatively, and that's one thing we have that they don't. we know what we are, we are very self aware of ourselves, and that indicates that we are not heartless creatures that'll destroy and kill, I mean the movie straight up contradicts this by having the President and the Military at the very start greeting the Martians, I don't think a destructive force would even give such a warm welcome, or even view outsiders positively in any sort of scenario. I'm actually sick of the pessimism and self-loathing that we've normalised in our culture, because rarely is anything bad we do intentional, but simply a mistake, an accident, or a misunderstanding(and guess what, we learn from it!). That, regardless of what we do, will never change, and that's the main reason we have the world we are in today, so for god sakes, be grateful for your past and acknowledge it as part of your development, you don't have to agree with it, but simply view it as a thing of the past. I speak this about what my supposed friend said about the voters of the 2024 election, saying that all the voters don't vote out of reason, which is basically calling them all idiots and their votes worthless...how the hell can someone be so privileged and sheltered that they can say such selfish and narcissistic things towards the people that gave them such luxuries. If they retort that they actually hate themselves, then 1. they gave us a reason to agree and 2. that makes the case even worse, because they're not even doing it for anybody, not even themselves, they're mental/social kamikaze bombers and should be discredited from anything they say or believe in.

Rant aside, I Mars attack! takes note of every aspect of ourselves and weaponises it against a ruthless force of evil. The irony of all of it is that something peaceful and positive, music, was the ultimate weapon against the tyranny of the Martians, and where every sympathiser, including the President of the United States, was whipped out trying to reason with a brick wall. It also demonstrates the dangers of power, and how an isolated group of people from a foreign force is not trustworthy with such massive amounts of power over a massive group of people, that's why I am strongly Lib-Right when it comes to politics.

[lunarsilkscreen]

The Infantilization

The title is gonna make you think "of Women" thanks to today's discourse. You might even add "by Men" or if you're really cheeky "especially by trans women who are just man-children in disguise and trying to find an excuse."

That last one speaks to what everybody already knows, every single person acts like a goofball from time to time. Man/Woman/Etc. The core factor is knowing when it's time to be serious. Because you don't always need to be.

However, I'd like to take a look at how people with so-called "disordered thinking". ADHD and Autism especially. Look at how they're described, how they're treated, and the expectation that they "cannot exist in normal society."

One line: "They have no executive reasoning."

And then the speaker goes on to describe an ADHD child using executive reasoning in the context of video games. They gloss over the content, the context, or the skills involved in the game itself.

They completely believe that Video Games have no value outside of being a cartoon with a controller attached. And even then, they believe that one CANNOT consider the themes and morals as one would after reading a book, or even critique the work as art, like every single other art form.

That's how out-of-touch they are. They need a class of of people that "can't function without punishment" so they go towards the children with "developmental issues" regardless if it's warranted.

Not too long ago, and even still today, we KNOW that standardized testing was created with a race-bases bias in mind. An examination of what the authors *think* you should know, but not an examination of what is actually known.

And, to some residents, before English was the standardized language, would give it to citizens who did not speak English!

And even after making English a standardized language, expected non-native speakers to speak English as if it were the only language they had ever spoken.

Completely defunct of any biases imposed by those authors.

A proper argument acknowledges one's bias. If you don't, you're considering yourself to be a perfect judge of character and intelligence. Something that has been proven time and time again to only ever be a flawed kind of thinking.

And there's a bias, a huge one, that says "I am incapable of having this flaw that I am talking about currently" and demonstrating, unequivocally, that you do have that flaw and are blind to it.

This includes institutional biases introduced by our predecessors, whether intentionally or not. And denying that one can be biased about what they are speaking is akin to admitting maliciousness when eventually, you make a mistake, or negligently cause harm irreparable.

I point out these flaws in people for a reason, not because I think I'm not flawed, but because I see the damage currently being done by negligence through certain words and actions. And yes, at times I'm clumsy with my words.

But that does not mean they should not be said, and that doesn't excuse you for your own inelegance.

You are speaking on introducing consequences that you yourself would not face because you fundamentally disagree with how somebody thinks.

Were this a person who could not stop themselves an uncontrollable desire to injure or kill others you were speaking about, that would be one thing. But it's not, you're speaking on what amounts to imprisonment because somebody might disagree with your understanding of how time should be used.

And thus creating a problem three-fold.

1) a person who cannot think or act like you, or emulate how you think they should act, requires punishment.

2) a person who solves problems differently than you, no matter how correct, has a disorder.

3) a person who cannot think in the correct manner should be put in an institution where they can be made to think "correctly" by force, if needed.

This speaks to the "jobs nobody wants to do" debate that's common these days, and maybe all days.

Where people were imprisoned in order to do a job that didn't pay anything, because the job was necessary, and nobody wanted to be paid so little for the work. The necessity of being paid for your labor is the quintessential meaning behind capitalism.

And this thing fills the gap when there are not enough criminals to be punished.

This, by the way, is what many parts of the world call "Liberal Thinking". To close that gap in understanding why Lib is often used as a bad word, when so many people use it as a banner of peace.

In the U.S. however, that "Liberal Thinking" is found in many a conservative state. Just look at every republican who wishes to make more criminals to work for prison wages so that their state can turn a profit.

The prison industrial complex isn't dead yet. And slavery by any other name is what Ted Cruz calls freedom. Because he wants the freedom to cross into Cancùn as a refugee, where he would refuse those from Mexico for the same reason. He did it even, remember that time Texas had a power outage, and he flee'd the country? Not to a warmer place with power, not to a place he knew with a backup generator, he left the entire country. And to a country he agrees when Trump says is full of "undesirables"

This is the kind of thinking that our leaders are not immune to. The people that we hired to be self-aware when that line of reasoning and fear is crossed.

Where was I, I seem to have gone on a wide tangent.

When you don't acknowledge your own biases, your own fallible reasoning, and your own desire to put people to work for free, that you know should be paid a reasonable wage for their labor, that creates Infantilization of a populous. And, at its worst, a need to create an underclass based on an arbitrary line of reasoning.

All starting at how you look at children and determine their "inability to grow up" while simultaneously doing some of the most pettiest s* imaginable.

[eristic-kaleidoscope]

Tenet | Akito | Trial 5.5 | Re: Byrne, END, Erik A, Kori, Adrik / Attn: An and Calluna

“Respectfully, I… You know what? That is not a helpful conversation to have in a public space like this,” Akito stops himself, recognising that this is not the time or place for whatever he was going to say to Byrne. “I don’t deny that I’ve built up a web of lies about myself to stay on top of things, or engaged in further intelligence gathering disguised as two innocuous party events, and that’s because this is simply the person I’ve always been. I’m a liar when it benefits me, and I’ve accepted that means I’ll have to leave some bridges burnt beyond repair for it. Now, I’m afraid I’m going to have to move on from trying to prove myself to you, and address everything else instead. We’ll talk later. Or not.”

As both END and Erik A come by to check his phone, Akito gives his boyfriend a tight hug, exchanging no words back to him but for the silent gesture of solidarity. “I didn’t spot any sign of charred or burnt fabric over the place where An was supposedly tasered,” he first explains to END once they’ve headed back. “But it happened too quickly for me to catch anything in the few seconds they showed it off, which is why I suggested taking a closer look to see if there was one. And yes, neither Kaguya’s research nor the collaborative report on VR technology is remotely new information to us, but I was archiving the evidence in the hopes that I or someone else could keep ahold of it if the experiment met a premature end. In fact, I got around to it precisely because of the ruckus in the early morning, I took it as a sign that someone was in the process of finding us. There was a broken tracking device in the list of confiscated items, after all… I wouldn’t be surprised if it belonged to me, though I’ve no memory of actually having it.”

He turns to his boyfriend. “I received a duplicate of my old thermos from Byrne on the first day of the third week we were here. Honestly, and both Adrik and Kenshin can vouch for this, we didn’t encounter any my old thermos during our investigations of the third floor, so I had honestly no idea it was going to appear where it did. I’m certain that the game disc is planted evidence; if you use different kanji to read [Akito], you’ll get the characters for “autumn” and “outbound”, so as you’ve probably worked out from the context of the notes and what I’m saying, Fallout is the alias I’ve been working under as a whistleblower. It was a mistake to sign off with in hindsight, but I didn’t know that Calluna could also speak Japanese fluently at that point in the first week, not to mention that if Erisu is Az-8, then they have a native speaker on their team regardless.“ 

Next, he gives Kori an appreciative nod. "Something else An said, specifically when we were all gathered to find the body, also stuck out. ”I guess you should be happy somebody was fighting for you shits. Too bad that had to end, huh?“ Both of them have been pushing a very particular narrative that Erisu was responsible for helping the group behind the scenes, and that her actions forced their hand. The biggest defense some of you initially put out as to why Erisu couldn’t be Az-8 was because they framed her death as getting rid of a loose end, but if she is Az-8 then the whole narrative falls to pieces. As for that note, well, consider that there are four of us native Japanese speakers who were alive if you count Erisu, and by the metric we established earlier, both Kenshin and Kori couldn’t possibly have strangled Erisu given their current condition. It was a conditional trick to make you focus your efforts on me.” That last part is directed back to END, given the context. “I can also answer that I planted that dossier and the puzzle. I needed to get information out in public without drawing too much attention as to who wrote it, and at the same time, scour out just how much the sisters knew about my connection to HPGB. They confronted me soon afterwards, and then ended up finding out more about me than I had anticipated, and it’s been fucking me over ever since. Fucking memory machines.” He grumbles.

“All else I can offer is that the current bottle of Julietenizone in the morgue was restocked and sealed as far as I could tell, but obviously the sisters would have had backup bottles to restock it in the first place. I had checked Erisu’s arms and neck for any signs of an injection port and found none, but there are several other areas of the human body where you could reasonably inject the drug that I was not comfortable stripping her to check with Jae-min around.” Probably for the best. “The others have asked their questions about whether Erisu is alive, and I’ll echo them with one more. An, why wouldn’t you have simply answered Erisu’s question over text, if you were the only one who was watching us and had no one watching you?”

[redley-of-many-noodles]

Let me start this by saying that I fully support aspec individuals as members of the queer community. They have consistently been unfairly punished for our own inability to think of relationships beyond romantic or sexual contexts. I cannot claim to understand what it’s like to be asexual, aromantic, or anything else. I’m just another allo transfem who just wants to find a person to cuddle and hug and kiss and whisper sweet nothings to in bed.

Let me also say that I’m sure that you’ve been through a great deal of shit due to our poor understanding of aspecs, OP.

And know that I direct what I am about to say not at your asexuality or aromanticism or your identity — but directly at YOU, OP, and everyone else who says shit this dumb. (Or maybe I’m the dumb one; I’ll find out soon.)

Fuck. You.

Like, why can’t we just appreciate the art? Or is the character being drawn “attractive” all that draws you to it?

Bitch, how DARE you assume that just because I think someone’s OCs are attractive I can’t APPRECIATE THE ART. And YES, I read OP’s pinned post so that I could insult them in the correct gender. In fact, Imagi actually seems like a pretty cool person! But they can still SHOVE THIS POST UP THEIR ASS REGARDLESS.

I get that it may seem like we make everything about love and sex. I get that so many of us just don’t know how to think outside of those boxes. Believe me, if nothing else, I GET that humans are dumb little shits.

But we don’t.

Not everything is about love or sex to us.

We can stop to smell the flowers for no better reason than they smell nice. Same as you.

We can stop to watch a sunset simply because the colors are pretty. Same as you.

We can listen to the sound of rain on our windows for no other reason than because it’s relaxing.

Same as you.

We can look at a piece of art and see that it is beautiful.

Same. As. You.

I have seen so many aro/ace posts like this recently. And don’t mistake me, I love you little shits! But why, WHY do you do this? Allos are still human beings that go through life just like you. We’re not manic sex-cult fiends that can only ever think about love and sex. Allos are normal and valid. Aspecs are normal and valid. ALL OF US ARE VALID. OKAY?!

I keep forgetting allos exist.

Do you? Do you really?

Then why do I see so many aspecs needing to constantly repeat that?

I’ve seen SO MUCH shit like this on my dash from other aspecs who — like the OP here — seem really cool as people! Which, in fairness to Imagi, their post was only the final straw for me! Basically since I first got on Tumblr I’ve been seeing these things. So I APOLOGISE FOR THE YELLING OP, IT’S NOT JUST YOU I’M MAD AT, BUT I AM PISSED OFF AND TOO DAMN SLEEP DEPRIVED TO FILTER MYSELF PROPERLY.

I am SO SORRY that so many people like me have treated you like GARBAGE and left you traumatized, when they should have been the ones there to SUPPORT YOU AND GO TO BAT FOR YOU. But I see so much shit about “i dont understand why allos x” or “did you guys know that allos y” or “i forgot allos existed!!!” AND IT PISSES ME OFF. IT PISSES ME OFF THAT SO MANY OF YOU SEEM TO JUST HATE ALLOS NOW. WE FAILED YOU, I KNOW. BUT THERE ARE SO MANY OF US THAT ARE NOT THOSE PEOPLE. THERE ARE SO MANY OF US WHO THINK YOU’RE AMAZING AND WANT TO BE FRIENDS WITH YOU. THERE ARE SO MANY OF US WHO ARE NOT BIGOTS, I SWEAR ON MY NAME.

I’m probably way out of line and being incredibly offensive, but I reiterate, I have no sleep and I must scream. In case I didn’t realize I was accidentally being wildly aphobic at 3 am when i typed this i wont tag it with anything but trigger warnings. But just… listen.

I cannot scroll through aspec tags without seeing casual condescension like this, or veiled slights at the intelligence and/or emotional range of allos. Yeah, I know, we’re a bunch of pigs who just can’t appreciate life for anything but love and sex. But please, for the love of garlic bread, hate the bigots, not the allos. Or better yet? Don’t hate. If your heart is strong enough for it, just don’t hate anyone. It causes so many problems.

Part of me suspects it’s mainly the more love/sex-repulsed aspecs who actually do any of the stuff I was talking about, but I stand by my point. I don’t want to be made to feel inferior because of my tendency to feel horny. I want to be an actual community with you, like we were supposed to be. I want to see you set aside your anger for joy. I want us to march together in the streets and be proud. I don’t want to alienate you or hurt you. I just want to be friends with you.

So fuck you.

Fuck you for dismissing me out of hand.

Fuck you for making me cry angry tears at 3 AM.

Fuck those of you who are immediately going to tell me to cry harder now that I’ve said that.

Fuck you for making me feel like the weird one for feeling these attractions. We’re both weird, asshole. That’s the point.

Imagi, I feel like I stopped addressing you and started addressing aspecs in general a while ago. But I’m sorry for going on an angry tirade on one of your posts and possibly triggering you as a result. And fuck you for implying that allos can’t actually appreciate art, even if the rational side of my brain says it was probably unintentional.

I will not take it personally if your or anyone else decides to block me after reading this. I know damn well I shouldn’t be writing angry, especially while already sleep deprived, but I can’t help myself.

But what I ultimately want to say and could’ve said much sooner is:

Please stop “forgetting” allos exist.

Please stop loudly wondering how our brains work.

Please don’t shun us all for the actions of those who didn’t try to understand you.

I think I’ve written it all out of my system. I don’t really know what else to say. Just… I don’t want to be belittled for being allo anymore than you all want to be shunned for being aro/ace. Okay?

I look at art and go "Aww! That's so pretty! How you drew the characters is cool!"

Then I get confused when people go "Hot!!"

I keep forgetting allos exist.

Like, can't we just appreciate the art? Or is the character being drawn "attractive" all that draws you to it?

Yes, I can agree that a character and/or the artstyle can make a character...attractive? Like I want to crawl into the picture and hug the character, maybe give them a kiss on the cheek.

But, really?

"Hot?"

It baffles me beyond belief.

[dorimena]

𝕻𝖗𝖊𝖙𝖙𝖞 𝖕𝖙.𝟏

𝔠𝔥𝔞𝔯𝔞𝔠𝔱𝔢𝔯; monoma neito

𝔴𝔬𝔯𝔡 𝔠𝔬𝔲𝔫𝔱; 5.1k of filth,

𝔴𝔞𝔯𝔫𝔦𝔫𝔤𝔰; nsfw, Overstimulation, edging, dacryphilia, degradation/humilliation, cursing, cockwarming, crossdressing, school girl kink (?), mommy kink, pegging, cum play+eating, dom!fem reader, sub!character

𝔬𝔱𝔥𝔢𝔯 𝔱𝔞𝔤𝔰; whiney Monoma, loud sex, Monoma in a skirt, soundproof dorms, mentions of other 1B characters, aged-up character, Monoma is 18 in this

𝔰𝔦𝔡𝔢 𝔫𝔬𝔱𝔢; this was meant to just be some long fic, but I find it easier to just divide it into 2 parts while I figure out how to write out the scene I actually wanted to get to. I got carried away. This is what I've been doing during holy week. My religious school would be ashamed of me. This has been proofread, but if there are still any mistakes, I apologize.

𝔭𝔞𝔯𝔱 𝔦𝔦.; incomplete/in progress.

Monoma had a shit week.

It all started on Monday when his school pants ripped conveniently from the back as he bent down to pick up his fallen notebook. They didn’t even look like they would rip! So how did they...? All he could hear during his inner turmoil and growing embarrassment were murmurs of pity, whispers of curiosity, and his homeroom teacher calling his name countless times to send him back to the dorms to change. Permission slip in hand and underwear out, he silently nodded and made his out, all while ignoring a burning sensation in his eyes and sudden dryness in his throat.

(Walking out the doors with his blazer tied around his waist, he swore he heard a familiar giggle and mockery coming from a smart-mouthed girl.)

Tuesday came bulldozing so suddenly that it ran over him. Well, really it was Yaoyorozu’s canon that almost ran him over. 

The day, in general, was normal, none of his classmates made comments about the minor incident the day before, well, except for Y/N who asked if he sent his pants to be fixed or not. (He didn’t, so she demanded him to hand it over to her.) He didn’t go back to the dorms after their last class, since he has to carry out classroom cleaning duties after he accidentally pushed Bakugou into the mud last week. No, seriously, it was an accident. First off, he didn’t see the mud. Second off, he was messing around with Kaibara’s quirk, which spooked Nirengeki who was somehow walking close by to the hot-headed explosion man- and… well, Monoma mistook Bakugou for Honenuki. For some odd reason. How insulting to his intelligence and great memory skills.

So after such a tiring task of brooming, wiping, dusting, and inspecting, he expected to be knocked off his feet with whatever Kendo decided to cook for dinner, not Yaoyorozu’s canon. God, and he shrieked! Who fucking shrieks?! He’s 18, he’s not supposed to shriek! Unless you’re pegging him just right-  

Wednesday only sucked because you canceled your biweekly study session in favor of hanging out with the girls in 3A. Now, regardless of what people still say, he has matured and slowly grew out his competitiveness and “jealousy” over class A, and doesn’t really have much issue with most of them (mainly because Shinsou somehow helped him become more “friendly”). However, how dare you choose the girls over him! You’ve never done that. 

(And whether or not he was moody and pouty is just a hallucination of yours, he swears it.)

The only bad thing, if you could even call it that, that happened on Thursday was that it slipped his mind how much time he had left to use Tsuburaba’s quirk and lost against his good ol’ pal. 

Friday though… Friday was just really weird and he hated how it only felt weird for him. Maybe it’s pent up frustration with how the week went? Maybe it’s the pouty baby in him still being butthurt over Wednesday’s missed study date? Maybe it’s you staring at his legs and ass? Maybe it’s the way you look so delectable in your hero outfit? Maybe- well, now he was just overthinking it, and he rarely ever does! He was tempted on asking Shinsou to, y’know, brainwash him so he could forget this weird feeling of him feeling weird.

Now comes Saturday. 

Today is Saturday.

Today is 10:06 pm on a Saturday.

You’re over at his dorm for the already mentioned biweekly study date. He should feel happy, considering you brought over some snacks, ordered take-out from his favorite French restaurant, even played with his hair every time you guys had the 15-minute study break. 

But he’s not happy.  He’s not unhappy, but he isn’t happy? Again, the weird feeling he felt the day before hasn’t really left and it’s been crawling around his skin, only getting worse when he saw you coming in with pants. 

It’s not supposed to make him feel not happy, but you usually come over with a cute skirt or dress, showing enough of your thighs and panties to keep him up at night, fantasizing about them wrapped around his head, suffocating him as he eats you out so delicately or ferociously, littered with his desperate bites and kisses, making him whine out in horny pain-

“Monoma?” you asked, eyebrows furrowed in worry as you ditch your phone to look over at your whining boyfriend. “You okay there?”

Shit. He must’ve gotten lost in his thoughts. “Yes, I am perfectly fine, darling.”

Now that’s weird. He’s speaking so softly, and he only ever does that after he’s cum at least a few times, or when he’s totally relaxed and ready to call it a night. Well, there are those few times where he lies and he speaks about the same.

Humming, you smile sweetly at him. 

“Are you sure about that, baby boy?”

Oh, that sent a shudder through his body, his white shirt suddenly feeling too thick and his shorts feeling a bit constricting. In other words, he’s now turned on.

He stays quiet, however, because he feels like his voice will give away his actual feelings, whether it continues being soft or it decides to crack and show how he’s ready to give himself away to you.

“Neito. I asked you a question.”

“No, mommy! I-I mean, I don’t know…” He huffed out, embarrassment now outweighing his neediness. God, why did you have to pull out the mommy card?! You’re so wicked. Did you not know how horrible his week was and now you want to be mean to him?

“What do you mean by that, baby?”

“Well, I’ve had a horrible week, mommy! You should know that!” 

“Don’t dare yell at me, Neito. Mommy’s trying to be patient and understanding, but if you’re going to just be a brat, then I should just leave you in time out, right?��� Monoma gawked, his whole body and attention turned towards you as you got off of his bed, arms crossed and disappointment showing on your face. Really? You’re disappointed? Just as he opened his mouth to talk back, you spoke first.

“And here I brought one last gift for you. I’m here trying to be such a caring, doting girlfriend, and you start making assumptions about my efforts? Bad boy!”

Wait, gift? These were gifts? Oh! You… you were trying to comfort him? God, guess he was a bad boy. 

Seeing him deflate, eyes losing whatever snark they possessed, you sigh and walk towards your bag near the door. And this made him stand up so quickly he lost his footing and slightly fell forward, shocked that you could be leaving already, which you aren’t. Startled by his sudden movement, you quickly take out a plastic bag and hold it in front of him to show the last gift. 

It was quiet between you two, staring at each other before looking down at what you are holding. 

“What is that?” He’s the first to speak, blinking as he tries to figure out what the dark blue item could possibly be. It’s pleated, though, so-

“Is it the skirt you’ll change into?” And you laugh, shaking your head as you walk back to the bed and sit. 

“Not me, baby. You will change into it.” He’s going to be wearing a skirt? 

Blinking once more in confusion, he giggles awkwardly before frowning. 

“You’re joking, right?” Now it’s your turn to frown.

“No.” And you smile confidently. “I promise, if you wear the outfit in here, it’ll lead us to the actual last gift, hm?” You bat your eyelashes like a little girl asking her dad for a new Barbie doll, or whatever it is they bat their eyelashes for. You’re curious to see what he’ll do.

And you didn’t have to wait long for his decision to be made.

Sitting on your naked lap, thighs trembling in either overexertion or overstimulation, is a certain sweaty, defiled blond male with gorgeous teary, periwinkle eyes trying their best to focus down on you. 

After he swiftly and elegantly changed into the outfit, it came to show on his mirror that this wasn’t some random crop top and skirt combo, but a whole schoolgirl uniform: apart from a cropped school girl top and the pleated navy skirt, there were white thigh highs and cute hair clips. 

Turns out, you misunderstood his ‘subtle’ hints of some kinky schoolgirl skirt sex; you thought he was offering, with the way he’d bat his pretty eyelashes at you and stare at your skirt during lunch. Really, he was implying you stay with it on, somehow. 

Regardless of who was wrong, the fact your pretty boy is squirming uncontrollably with your strap-on deep inside him is something you just have to engrave in your mind. Who knows when you’ll be able to buy another skirt his size? You can’t wait to render it useless.

“Y-You’ve been thin-thinking for too-oo long!” Monoma whines, bringing a hand to wipe away his bothersome tears he doesn’t want you to see, huffing at the end before moaning loudly as you roll your hips upwards, the tip of the dildo teasing his sweet spot.

“Mm, I didn’t say you can speak yet, did I? Guess mommy spoiled you too much.” Sneering, you shift on the bedsheets under you while placing your hands on his thighs, slowly raking your nails upwards. You try your best to avoid the white thigh-high socks, not wanting to make him ticklish and forget why you’re even touching him there. 

Monoma shakingly gasps, squirming even more as he tries to have his pathetic, precum weeping dick grab the attention of either one of your hands but ends up staining the clothing covering it. Rolling your eyes, you smack the hairless skin hard enough to watch it quickly flush red and hear him groan, whether in pain, arousal or both.

“Stop it. You’re making me angry with how selfish you’re being. Isn’t mommy supposed to be satisfied first? Or did you forget our rules, baby?” 

“N-no! No! No, I- no!” Is whining all that he can do? He’s been whining or moaning for the past hour, with the occasional groans or gasps. You don’t want him to only whine, you need to see him cry. 

Cry prettily as he did on Monday when he thought no one was looking back at the dorms.  Watch him struggle to keep his whimpers of humiliation at bay. Make him forget all about his silly pride and stupid competitiveness against a class who doesn’t really see him as a threat, but just a crazy motherfucker (or so says Hagakure.)

“No what, Neito? ‘No mommy! I do know the rules!’ or ‘No mommy! I forgot the rules!’ C’mon, baby. I thought you knew how to speak properly? Now you’re making Bakugou seem eloquent.”

Oh no, you’re upset at him. Monoma gasps in offense, though, at the implication that the anger and pride-driven Bakugou is better than him at speaking. Ouch, okay, that actually kind of hurt but it was kinda hot? Kinda not? What’s wrong with him?

Yeah, what’s wrong with him? You’re expecting him to go on with his speech of how Bakugou isn’t anywhere near his expertise and social skills, how he’s clearly more coherent than the other, or the typical ‘how dare you’ sentences. What you didn’t expect was him to whimper and clasp his hands together as if asking for forgiveness so soon.

“No mo-mommy! I do know! Th-The rules, th-that is! I know ‘em!” 

“Then you’ll stop moving so much and let mommy continue marking you? If you do, and I’ll be repeating this for the last time, Neito, mommy might let you cum first, mm? Sounds good?”

“Ye-ES!” Okay, maybe you should’ve waited until he answered to land another slap on his thighs, although this one was close to his dick. Oh well, at least he’s making other sounds, but no struggle or tears. 

Leaving nail marks around the pale, smooth skin, even carving your name on both thighs with light scratches, you’re in awe at how he’s trying not to move too much. Then again, he is your sweet baby boy, who thrives and gets off of making you proud of him and cumming because of him. 

Lifting your eyes from the satisfying reddening skin to his face, you’re struck with awe again: finally, as if some god were listening to your wishes, you see him blinking rapidly as a new batch of tears quickly accumulate on his lashline and slowly trickle down his red cheeks before being furiously wiped away by him. Seems like this has been going on for a bit, seeing how his eyes are slightly red and his hands, clasped back together, if not tighter, look kind of wet. He didn’t want you to know he was trying not to cry and then failed so beautifully.

Gosh, and here you were expecting him to be a brat, to defy your authority over him, to challenge you like he usually does. 

(If only you had some mind-reading quirk, you would’ve known he actually had been planning his next moves.)

“Good job, baby! You let mommy mark you so pretty with her hands, and look! Mommy’s name is on your thighs, so that next time you touch yourself you won’t forget who you belong to- I mean, who you’re a baby boy for.” 

You’re basking in happiness, in pride, in complete bliss while he thanks you in small whimpers, hips twitching and hole clenching around your strap. Right, you forgot how long he has been cockwarming you; guess he deserves an even better award. He never manages to hold back for so long when sitting on your silicone cock.

Rubbing your palms around his thighs without moving your stare from his face, you command him to put his hands to use and lift the hem of the skirt, getting a good show of a new dribble of precum dropping heavily onto your pelvis. His dick is even shaking just as much as his body, pulsing even more than any other past encounter. It’s also competing against Kirishima’s red hair for the title of the “most red thing ever to exist”. 

Monoma’s opening and closing his mouth, eyebrows furrowed in question and silent begging.

“You can speak now.”

“M-Mommy, you pro-hah-mised t-to make hn-me cu-um!”

“...Watch that tone, little boy.” You glowered before continuing. “Remind mommy what she promised you and explain why you deserve it.”

Now you’re being unfair again and Monoma doesn’t want to deal with how you’re suddenly trying to milk out his responses to the way you want. Crossing his arms and glaring down at you, he mutters, “Wh-why should I? Did y-you forget?” 

Humming, you move your hands to his hips, rubbing your thumb on the cheap material covering them before beginning to lift him off, at least trying to. “Guess mommy should go back to her room since her baby boy decided to be a little bitch.”

“No!” That’s startling on both your ends hearing such a loud, anguished tone come out of him. Bottom lip trembling and quickly putting his hands to grip tightly at the skirt, Monoma holds back a sob. 

“I’m so-sorry, mommy! ‘m not a-a, um, little b-bitch. I’m sorry.” Ending with a whisper, he slowly puts all of his body weight down on your lap, wanting to keep you there and make it impossible to lift him off, and hangs his head in defeat. (Really, it’s because of shame, but you’ll never hear that from him.)

Do you not realize how hard he’s shaking? He can feel his heartbeat in his ears and hear it from his brain. He’s all sweaty and flushed red, his pupils dilate every time you look deep into them. He’s seen the way your eyes light up when glancing at his weeping dick, and he loves how wet it looks, it feels, it sounds, whenever he shifts. 

Most importantly, other than his neglected manhood slowly turning a shade of purple, his prostate has been teased for so long that he just wants to ride you hard enough to find bruises tomorrow and hypothetically ‘destroy your cock’.

“If you’re sorry, you’ll tell me what I want to hear. I’m not going to repeat what I asked for.”

Gulping to ease down the shame building up in his body, he lifts his head enough to catch your gaze before softly responding. 

“Mommy, um, promised I-I get to cum… she’ll m-make me cum if I-I stopped movin’ s’ much.” Goddamn it, Monoma, get yourself together! “I d-deserve this be-because I stopped. Was a g-good ba-um, baby boy.” He loves hates it when you make him do this, even if not often.

Satisfied with the answer you’ll probably only ever hear once and as clear as possible, you nod your head. 

“Then fuck yourself on my cock, Neito.”

No need to repeat yourself. Every little noise he tried so hard to hold back, every twitch and shudder he tried so hard to subdue, every twist of his face to show off the agonizing pleasure is quickly overcoming his insides and dick.

He’s whimpering so loudly, so shamelessly, as he bounces greedily on your lap. Loud and wet skin slapping against each other, and you at first thought, through every lost huff of air, that it’d be his ass connecting to your lube-covered thighs. Instead, your eyes shift towards his crying cock, the way spurts and spurts of precum are left on your lower abdomen, how this furiously blushing extremity keeps slapping itself onto you with every one of his desperate bounces. It’s even wetter than moments ago, you would’ve thought it’d be lube.

Monoma opens his eyes, which seemed to have closed at some point, and looks down at your face, huffing out airy whines of ‘what’, not knowing what you’re looking at. His dick has been wet with his precum for the past hour, so what could be new?

Until he looks down at himself and is mesmerized with how his dick, heavy with unreleased cum and flushed with blood, is tainting and slapping against your beautiful skin with his horny juice- wait, how stupid is he to refer to his precum as ‘horny juice?’ 

Stupid enough to forget to close his mouth and make his built up drool mix in with the mess below, his whimpers and whiny moans turning into high-pitched cries of your name and loud moans, a normal person would worry about their neighbors. The more he stares at himself, the louder he gets and the sloppier his hips gyrate.

Until he suddenly feels the tip of the toy punch against his prostate. 

“Ahn! AGAIN! A-aga-again! Nngain!” Monoma screams, eyes crossing and welling up with old and new built-up tears, ready to drip down. He’s gripping and pulling the hem of his skirt in all directions, his hands never staying still even when a light rip could be heard upon a harsh pull. He recreates the same move, thighs quivering and tensing, begging to be closed. Each accurate hit to his sensitive spot forces out a louder cry and threatens his tears to let loose. 

His movements get sloppier and lazier. Seems like he’s tiring out, which isn’t good. Sure, you’re hoping to make him cry with pretty tears and ugly sobs, but you were also hoping to make him do so repeatedly. Then again, if he’s tired out, there wouldn't be much fight or snark from him and maybe you can still make him cry freely. 

Good thing you know how to execute fantastic sneak attacks against him.

Under the pillow where your head is situated, you reach for a not-so-small device that kind of looks like a walkie-talkie. Monoma sees this when trying to focus his sight, tensing up at the thought that maybe you were recording this for some benefit or blackmail. But why would you want to blackmail your own boyfriend? Had he done something not to your liking?

The answer came in the form of loud buzzing and sudden quaking starting from deep inside him. 

“Wh-wh-wha-what is- hnngh, st-sto-op!”  Monoma wails out, almost falling onto your body with how powerful the vibrations are churning hot inside of him. His vision is getting blurry, blocked by the tears that finally, finally are let go and kiss his cheeks with every hot trail left behind. 

“You, oh, want me to stop?” He can kind of see your wicked grin, the mockery in your tone and amusement oozing out making him let even more tears fall. Why would you want to stop? 

“St-sto-op?! No? N-no! No! P-pluh-plea- nnnghh!” 

Ah, so he’s gone dumb. He doesn’t realize he said to stop. Well, now you can either continue watching him break on your lap and admire the waterfall of precum and fresh tears and make him continue working for his orgasm; or, you can tease him some more while turning up the intensity of the toy, now that it’s pleasuring you for once. The way it tickles your clit is enough to make your panting much more noticeable and thighs tense. You wonder how a setting at 4 could already drag out such reactions from the blond male. Enticed now, you decide to go with the second choice. 

“P-pluh-plea…? Didn’t think y-you’d be stupid! Where did m-my smart-mouthed baby go? Ugh.” 

“N-n’where m’mmy! ‘m h-here- Fuck! Fuck, pl-please! Please! Mo-more? Nngh!”

“You’re slurring, b-baby. But, you a-asked politely.” You hover your thumb over the ‘+’ button, hips grinding upward to drag out some more tears, more cries, more whimpers as you melt into the bed.

“Mommy’s g-gonna count to 10, al-alright? Ugh, then you’ll c-cum, mm. Understand?” 

You’ve never seen so much eagerness come from Monoma before, well, not unless it’s because he knows he’ll win at something or get to prove his worth even more. But the way he nods reminds you of a bobblehead: empty in the head, cute to look at. 

“G-good. Don’t forget t-to keep riding m-mommy’s big, th-thick cock.” You then lower your voice, sending shivers down his spine even with how hot he feels. “Understand?”

You don’t wait to see more of his eager nods. You press down on the button until it reaches the maximum intensity, which makes your hips jolt up so harshly, thrusting the silicon toy back up to him that it’s enough to make him squeal. Now that’s new. 

As much as you’re enjoying how satisfying the stimulation is on your wet cunt, you can’t help but moan out loud Monoma’s name as the boy’s reduced to short-lived squeals and rapid hiccups, so rapid that you’re beginning to think he might be hyperventilating. Worried, you bring your thumb to reduce the intensity before feeling him grind so desperately on your lap. So without any more distractions or hesitations, you quickly begin the countdown.

“Ten.” Monoma repeats with a strained moan, his hands flailing about as he tries to grab purchase onto something, letting go of his ‘forgotten’ skirt.

“N-nine.” Monoma finally plants his trembling hands onto your shoulders, pinning you down enough to give enough strength to his arms. Hovering over you, you frown at his skirt-covered dick. 

“Ei-eight.” Monoma tenses his thighs as much as possible to stop the shaking. Even if it didn’t do much, he begins riding you again with more vigor and desperation than previously. A high-pitched whine of your name quickly leaves him as his sensitive dick receives friction from the fabric covering it, the stain that had dried over time reviving as more precum marks it.

“Seven- shit.” Monoma’s trying to look down at you. He can’t really see much of anything, not with his tears never stopping or his mind not setting back into an intellectual phase. He can barely think to say anything else but lewd chants of your name and ‘please’, ‘more’, ‘faster’. It’s not until he moans out a timid “f-fu-ugh- fuck!” that you pay mind to the rapidly growing heat in your stomach.

“Six! Fuck, Neito!” Monoma’s continuous chants and growing volume suddenly sound babbled as he drools down on you, his saliva hitting your chin before you growl up at him. No words are exchanged as he swallows the liquid that had accumulated, although with difficulty. His thighs are beginning to burn and shake with exhaustion, quaking even worse than when he was cockwarming you. His riding turned into hard bouncing, finally stealing your breath away physically and providing some movement on the other end of the silicone toy to press harder onto your clit. 

“Fi-five!” Monoma’s eyes cross for the second time, staying longer in that position as he chokes on his scream, all because you’re beginning to meet up with your own thrusts. Your feet planted on the bed as you let go of the control for the vibrator, gripping onto his hips tightly to match him with you. You’re beginning to moan so sweetly, gasping out his name loud enough for him to-

“Cl-clo-ose! F-ugh-fuck! Fuck! Clo-oooose!” 

“Ho-hold it! Hold i-it, baby, a-almost the-there!” God, the heat is growing so deep in you that you know this will be violent.

“Four- shiiit.” Monoma’s sobbing now, ever since you told him to hold it. Mission accomplished, so far. He’s blinking rapidly, trying to get rid of the tears and allow him to actually see you. He needs to see your lewd faces, ignoring the fact he is probably rivaling yours. The intense need to cum is building up far too quickly for him to even catch up and he just wants to cum right here, right now. But if he does, you’ll punish him. So, he tries his best to hold it. 

“Three! Three, Neito!” Monoma’s trying so hard to not cum, to not even think about it, but how can he if his prostate is being overstimulated and his cock keeps receiving such familiar friction, enough to make him sob even louder. He’s not going to make it.

“T-two! Lif-ft your sk-skirt!” Monoma can’t or else he’ll fall on you. But you’re grabbing onto him so hard that he hasn’t felt the need to support himself on your shoulders. Using whatever energy he has left, he throws himself up to his old sitting position, making his bouncing sloppier and unsynchronized with your thrusts. He quickly grabs onto the wet hem, biting his lip as he tries to swallow and control his sobs. Lifting it, he’s rewarded with the sight of his slick covered cock, so red and noticeably throbbing that his eyes slightly roll to the back of his head.

“One! Fuck, one!” Monoma’s mouth opens wide, his throat constricting as every choked moan and cry tries to escape while his ass begins to tighten alarmingly fast around the toy. He jumps when he feels something wrap around him, quickly looking down at himself again to see, then feel, you viciously stroke him. And that does it.

“Cum.”

Monoma gasps as he relaxes his thighs and lets go. One more hit to his prostate and he’s…

He’s quiet.

Your eyes are as wide as dinner plates as you watch him reach his orgasm: on you, in all his beautiful glory, is Monoma Neito. A guy whose back is arched at a certain angle you’re sure it’s uncomfortable. A guy whose nipples are completely being seen through the drenched crop top. A guy whose mouth is leaking trails of drool, but not as much as his eyes are leaking streams of unstoppable tears. A guy whose face is so red and sweaty, his bangs are striking to the skin and his eye color pops out more. A guy whose only warning of his cum leaving his body, as much as his soul had, is to roll his eyes so violently to the back of his head and convulse forward.

You forget about your orgasm as you try your best to support his body in the current position, not wanting him to fall on you or backward. Well, maybe you should’ve let him fall onto you.

His cum spurts seem to be gold medal Olympians in ‘how far can we reach’ and ‘how much can we be’. The first one barely misses your eyes, but the second one hits you on the forehead. With each spurt leaving his twitching cock, Monoma hiccups whiney and loud words of gratitude and mercy, hips jumping up, torso jolting forward. His knuckles are white upon the unforgivable grip he has on his absolutely ruined skirt, slowly but surely being dirtied with each load forced out of him with the still-buzzing toy inside him.

This whole scene is enough to remind you about turning down the intensity of the vibrations while grinding slowly, both to help milk him out his incredibly overwhelming high and to bring you back to the tip of paradise. 

By the time he’s done, he nearly collapses on you but first lifts himself, somehow, off of the toy before leaning back onto your lifted thighs. He’s still twitching, the color of his face slowly coming back as his eyes dry up from the tears. The socks have moved a bit down on his legs and most of the pretty hello-kitty themed hair clips are barely fastened on his hair. You’re pretty sure some are littered around the bed.

Monoma’s eyeing his mess curiously and taking in a cum-covered you before he scoops up some of his cum, tastes himself and you both moan softly. You turn the toy off, still rolling your hips as much as possible to ride out your harsh, hot, and wet orgasm. You’re pretty sure you somehow squirted, but that doesn’t matter too much right now. 

Because the moment Monoma came back to his senses and made eye contact with you, you find yourself living in a slow-motion picture: with a shaky hand, he uses the same fingers to write down his first name before scooping up as much of his excess cum and, without any warning, moves forward to thrust his fingers in your mouth, dragging the pads of his fingertips down onto your tongue as you swallow. 

Pulling his fingers out slowly while giggling breathlessly, his signature smirk grows onto his blissed-out face.

“H-how do I ta-taste, m-mommy?”

[acourtofthought]

I wish the argument that Elain "doesn't deserve" Azriel or Lucien would go away.

Is she a bad person? Is she unkind to her friends and family and 99.9% of everyone else out there? Does she not treat Azriel with respect? Does she not make him feel happiness?

It's amazing how many arguments there were in support of Nesta. That she needed someone to love her, show her she was worthwhile even though she kept pushing everyone away. That she needed to be shown that she was still deserving of love despite lashing out and was worthy of Cassian regardless of how she treated him.

Somehow, because Elain has not yet had her novel and she comes off as unhelpful / worthless to people (though this can easily be disproven), that is the reason she's unworthy. I guess in real life that means a Gardner is "unworthy" of finding love with anyone who is considered of a higher station in life? That a baker should only date someone that has a salary of equal pay? Is that what others are taking from all this because that's the message I'm getting. That ONLY bold and brave warriors in these novels are deserving of one another.

Or that she currently does not interact with Lucien but he is not, at this time, friend or family to her. She does not "owe" a virtual stranger her smiles or attention. It is not her responsibility to make Lucien feel good just because we love Lucien and some of us hope that they'll eventually overcome the hurdles standing in their way. I hope that will be her choice but it is not her duty. Not engaging with him is definitely uncomfortable to witness but are we really going to say that's worse than when Nesta called Cassian a "bastard born nobody" and insulted his "performance"? When Nesta refused to even accept his gift? (this is not to bash Nesta either, I'm just pointing out parallels). Would you rather Elain was verbally rude to Lucien? To have her make a comment regarding his eye or the fact that he was chased out of his own home?

Literally, unless you treat every single person in your life with 100% kindness all the time, strangers, enemies, coworkers, friends, and family alike and expect the characters in this series to do the exact same (and if you like either Feyre or Nesta, Rhysand, etc as most of us do then obviously you DON'T require a character to treat everyone perfectly) then I truly have no idea where this mentality has come from.

Also Elain alone does not deserve to be called "racist" because she was engaged to Graysen. Every single one of the sisters had prejudices about the Fae. Humans as a species feared them. They grew up scared of their kind and not for no reason. Elain saw her sister KIDNAPPED by one after being raised on horrifying stories and she fell in love with Graysen shortly after. Is it any surprise that she didn't hold it against Graysen and his father that they felt they had reason to defend their home against what they perceived as a true threat? I'm sure with time, Elain would have grown uncomfortable with the things he was doing especially since (by the second book) she was already willing to risk her engagement to help Feyre but are we really going to hold it against her that she didn't immediately end her engagement the second her sister was turned? That she still loved him after she was turned? Misjudging any group is a mistake that's not uncommon but what matters is you're willingness to change and grow. Considering Elain developed friends and affection (Azriel) for the Fae, even her willingness to treat Azriel, Cassian and Rhysand with kindness in the Human Lands, I'd definitely say she's capable of realizing her mistakes.

Does it really make sense that two males, both highly regarded and desired, both very intelligent and both who are capable of sensing things others can not, would have developed an interest in such an unworthy female? If so, you're not giving characters you claim to love very much credit. And before we start with the "Lucien only likes her because of the bond" then I'd like to point out that you're then basically calling out Rhysand and Cassian for only having feelings for Feyre and Nesta for the same reason.

[lovee-infected]

hi! could i see your insights about ace? i saw a anon say from another blog that kinda has unrealistic expectations in a relationship and it kinda stuck with me. i mean in his ghost marriage he already knows the things he wants in a partner but he didn't show guilt about dumping his girlfriend, even. i think if you date him because he sees these quality in you and as the relationship last, he'll dump you if you get boring to him lol

I never thought that I'd say this but, wow, I'm impressed. I've been really curious about Ace since I get to see a variety of different content with different representations of his personality, so I decided to stick with his canon stories and lines. This analysis was so much fun to write and I'd assure you all that not only Ace but rather all of the first year characters are WAY more than they seem to be! Many just decide to ignore them and pass away, calling them good boys or precious stupid beanies at first.

Speaking of Ace, we've all seen how trending he's been recently. Many theories, thoughts and new arguments exist through the fandom as many want to get to know this boy better.

Theories like "Ace's betrayal theory" as well have been mentioned a lot lately, some agree and some disagree. While we aren't going to talk about that theory or any other theories in this analysis, I'd like to take time to talk about the reasons why those theories might seem appealing and accurate. In other words, we're going to talk about where they are coming from!

1) Ace is incredibly smart and brave

It's true that characters like Jade or Azul's remarkable genius often stands out as it's clearly visible through their presence in the game, from iconic decisions to stunning strategies. But what we need to realize is how characters like Ace can be just as inspiring while their true intelligence is often shallowed by extras and giving them much of a dumb picture in the game.

To begin with, let us note that Ace's brother himself was one of the considerably strong magicians in Heartslabyul's history and even his presence through the magicshift is still remarkable even though years has passed. As the second child of the family, Ace's change to achieve success is even higher than his brother's as he already has a role model he really looks up to, so in that point Ace isn't one to underestimate. But, let me point that his relationship with his brother also contains lots of jealousy and sometimes negativity. His brother was one to always trick Ace and he continues to do so even nowadays! Ace on the other hand doesn't enjoy being pissed off over and over even as he's used to it. Well, we can say that it's another reason for him to train his hardest and become a greater magician than his brother therefore he won't be the bully material of the Trappola household anymore.

Regardless of how effective his brother might've been on him, Ace himself has shown plenty of strong hints that reveal not only his high IQ but also EQ:

He can solve math problems in second, which is a rather important feature to note because the way you deal with math can directly effect the way you deal with life. Not saying that one has to be great at math to be great at something else but it's rather about the perspective and ability of logical thinking that it gives to one. I'd say that this effect is quite visible if you take a look at the way he speaks in serious situations; he's got much of an analytical brain. Let's not forget that Cater as well confirmed that he's much of a skill stealer, is pretty good at remembering things and is a quick thinker! These are go on to show how much of an underestimated genius he is.

Whenever something goes wrong, Ace would be the first one to notice it even if it's a silly matter. And it always begins with a seemingly childish argument, but ends incrucial matters that not a single soul had noticed before! Just take a look at chapter one, what would've happened if Ace hadn't spoken up? He was just one of the hundreds of students having to be severely punished under Riddle's strict rules and he surely wasn't the first one to go through this. Him taking the urge to fight Riddle sounded stupid and naïve at first, many even told him off because he was just acting like a pissed off child. But as he continued to argue and oppose toward Riddle's way as a leader, even Trey realized how he's been keeping his eye shut on all this problems for so long. The way Ace stood against Trey was iconic, he confidently defended his point not by his personal demands and feelings but with facts and logical comments on why Trey's way of threatening Riddle is wrong. He did the same thing again at he ghost marriage, just think of it! Not a single soul ever cared to tell the bride about true love but Ace was there, and he was the one and only to do this after more than 500 years of the bride's existence! This Ace, this serious and mature face of Ace is something that can surely fascinate anyone. His bravery, the way he puts all that strength through words, hisextremely logical point of view and his enthusiasm to solve the problems no matter how unimportant they seem to be is indeed appreciatble. Seriously though, what would've happened to Riddle is Ace wasn't there? When Ace firstly begun to oppose to him, everyone thought that is was just a childish argument. They had no idea how severe and destructive Riddle's temper issues were and how harmful they were down inside.

2) He's one of the dumbest characters in the whole game

You know what? He is dumb. Yes he's incredibly smart but this isn't going to change the fact that he is dumb as hell, so I'm never going to argue when someone's nagging on how much of an idiot he is. But most importantly, we need to know what's making him so dumb:

His presence through the stories has proved that Ace is eventually pretty good at detecting the main source of problems both on the mental and physical side. He was the first to realize Riddle's issues, Trey's huge mistake with Riddle, Ghost bride's unawareness and Epel's gloomy and sad aura in chapter 4. Ace's also one to easily tell whether what someone is doing is wrong or not, he can see through people and bring their mistakes to their attention. The problem is... he can't be quite the same with himself. That's what makes him awfully dumb.

Back in chapter one, he did have a point about Riddle's way of leadership being so unfair and messed up, but when he decided to challenge Riddle and even take his place as the dorm leader he was a total idiot who didn't how weak and unpractical his own magic was, he was being too dramatic. When he talked about his ex girlfriend, he just talked about how she held him back from doing what he wanted and was too uncool to spend time with, but he didn't mention a single thing about himself doing anything wrong in that relationship. He often fails to realize that he's got his own incompleteness and lacks just like anyone else, or prefers to put an blind eye to them most of the time (not all of the time)

Ace sets the perfect goals, but chooses the wrong path to achieve them. He needs to realize that just like everyone else, he can be sometimes wrong. He should take his time to get to know himself better; his abilities, his attitude, his faults and his mistakes and learn to be more patient and logical in order to achieve his goals. He's still young an inexperienced, by learning to put that brilliance of him into the perfect use he'd be able to become the great magician he wishes to be, and I'd say that in case that he continues to grow stronger and smarter, he'll have a high chance of being hesrtslabyul's next dorm leader!

3) He legit wants to be the "Ace"

This part's more of an attempt to do a name analyis and see how much it's been effective on Ace's personality. It actually makes a lot of snese since the word "Ace" itself has several meanings, and he used these different terms quite a few times in his personal stories. This point would also be explained in part (4) so for now, let's take a look at direct name definitions:

First of, remember what what an Ace is in a card game? "A playing card with a simple spot on it, ranked as the highest card in its suit" This goes on to tell us a lot, it's telling us what an Ace is. A loner yet the most powerful one of its own, just like how Ace wants to be.

Wanting to be an actuall Ace is definitely one of the things that sometimes makes Ace sound so jerky and he's aware of it! If you give it a closer look, you'll see that Ace doesn't really treat his friends like friends, especially with Deuce and Grim. He's often insulting or challenging them, and even during his birthday SSR when MC asked him about what he thinks of each of other first years (Who are basically his closest friends) he mainly criticized them and all, not a single word was said about things he likes about them and he didn't even call any of them his friend!

Well that's much of a jerky attitude to have toward people whom you spend almost all of your time with, especially your best of time.

He to play the role of the bad guy, the type to hang out with everyone without feeling any attached to them as even friends. Seems like our boy is trying to be a loner, a true Ace of cards and hearts. And he doesn't mind his friends calling him a bastard or jerk because of this. It's even confirmed that he's more of the popular guy type therefore he's mainly used to having people around!

On the other hand, he's trying his best to achieve success no matter what the obstacles are. It's true that he often messes up and fails, but we cannot say that he isn't trying. He almost lost his head for real during his SSR story where Riddle's favorite hedgehogs were lost because of Ace's impatience, but at last with the help of monsieur Rook and his own ability to imitate Rook's mole language skills Ace saved his neck one more time, and ended his story with a dramatic "Of course, I always Ace it!"

4) Ace does care, but pretends that he does not

In contrast to the fact that he wants to sound tricky,manipulative and mean, or how he's denying his friends' true worth to him like stated in part (3), Ace is probably one of the most caring and supportive characters in the game. Not saying that he's just as bright as someone like Kalim, but his way of seeing through people and wishing them to be better, wealthier and happier than they already are is surely something. This fact is often ignored because, well...everyone's too busy calling him either dumb or sus/ jk!

Just imagine having a friend or at least, a classmate you know like Ace. How's he supposed to be? He'd realize it when someone's bullying/bothering/ or intentionally harming you, and he isn't going to be silent about it. If you see that you're permanently sad, angry, rude or loud then again he'd speak up, he isn't going to just pull up with anyone's unhealthy habit like nothing's happened. He's got much of a big brain as well so you should expect him to say a bunch of helpful and meaningful stuff when he's using that brain, mainly in serious situations. He may not be a permanently mutual to have around, but when the troubles arrive, know that having Ace around is always an advantage.

To top it off, he's even shown sympathy toward people whom he seemed to like the least at first like Riddle; he wishes Riddle to be happier, to smile more, to be more open about his emotions with other students. At some point he even admits that he looks up to him, he used to overestimate his powers and challenged Riddle, but during the ghost marriage he said that he knows how powerful and strong Riddle is, therefore he should work his hardest to study and train to become strong just like him! He already seems to be more cheerful and bright when MC is talking to him, but when it comes to Grim and Deuce...it gets quite complicated. What we see the most is often Ace insulting them or saying that he's going to kick their asses, but they're also his closest friends all though he refuses to admit to it.

Just wait for Deuce or Grim to get in a serious danger or pain, and see how much of a protective one Ace can be! He isn't going to remain silent when one is in danger, but he's surely going to deny all that effort and affection he gave into action afterwards. When Ace can feel this cautious and understanding toward Riddle, someone who isn't even a friend of his then imagine how supportive and caring he would be toward his close friends like Deuce, MC and Grim!

In his ghost marriage as well, his words and the way he spoke of the meaning of true love left everyone, even Crowley, impressed (Crowley even said that he's fallen in love with this side of Ace's personality), but refused to admit that he was speaking of his true feelings after the ceremony. Someone like Grim is too bold to recognize how much of a different person Ace can be inside, so he claimed that Ace was just rambling nonsense without thinking of what he was saying back then, and Ace agreed with him! This is a continuation to part (3) where we talked about how he wants to be a loner, he doesn't want anyone to see how caring and sometimes, emotional he can be inside! Poor boy is quite shy showing his true feelings we can tell~

5) Ace can be quite tricky and manipulative

This part will also explain some of the main reasons behind famous theories like "Ace's betrayal theory", and I wanted to have a certain part to talk about this point specifically because it's been quite trending through the whole fandom, and many are wondering why theorizers are considering his betrayal a possibility, so here we go!

As said, one of the main factors the makes Ace seem suspicious would be his incredible intelligence. The fact that he can actually be that smart all the time but isn't openly showing his talents and abilities can be quite questionable, more details regarding his intelligence and most likely high IQ and EQ were discussed in part (1)!

Enough with intelligence, let's focus on his personality! This is mainly what this part is talking about, his trickiness. Just like his father and older brother, Ace is pretty good with magic tricks. Small and fun tricks are a convenient yet easy ways to inspire others and Ace doesn't mind showing the crowd what he's got up in sleeve when possible. But the thing is...this isn't just about fancy tricks.

This ability can be expanded into any other field such as mental terms and enable him to indirectly control and play with one's mind. That's more of a possibility though! He hasn't yet shown any signs of being any manipulative but, well, we can't say that it's beyond his abilities. Ace himself can be quite sarcastic and mean at the time, he doesn't seem to mind slightly tricking his friends either. Nothing about him seems to be serious, but the possibilities remain still.

The way he learnt those tricks as well is mentionable; no one ever teached himm any of those tricks, he learnt them through being repeatedly tricked, and learning to copy and redo what he saw. Both Rook and Cater so far have confirmed that Ace's ability to learn so quickly and learn and redo techniques just by watching them is fantastic.

His genius and ability to learn and memorize everything that he needs to learn pretty fast, along side his tricky and sometimes personality can make Ace quite dangerous. If someone like him decides to choose such a remarkable talent for evil purposes, that's surely going to be bad news. That's much and less of what makes Ace's betrayal theory make sense although there're still fans who find it quite questionable. I'm not a supporter of this theory myself as I hadn't seen any signs of Ace having any bad intentions so far, but I do get where the theorizers are coming from and that makes sense. Ace has been trying to put on much of a mean and lowkey evil face on through the story and no one can really say what's exactly going on in that brain. We'll that about this uncertainty in part (7)!

6) His past relationship was...uh

For now, Ace is the only character who is confirmed to have experience in love and relationships, and this was a rather effective factor since many have been talking about Ace's past relationship afterwards. The thing is...Ace did talk about how his girlfriend held him back from having fun and living the life he wanted to live. Well there's actually a lot we should say about this one so I'm not gonna rush to the end, let's think about all of the aspects of this situation logically:

First of, the relationship itself. I'd say that it was a wrong attempt for them to date each other in the first place because obviously, Ace and his girlfriend weren't made for each other. They were total opposites in interests and they couldn't even have fun together. If Ace chose to go on a wild roller coater ride, the girl would've freaked out and when she chose a small, childish ride that she liked Ace instead didn't enjoy it at all. It's surely an issue when you and your partner can't even watch a movie which both of you can enjoy together since their tastes were totally different, just jow was this relationship going to last? Ace wasn't happy, and if he was going to do what made him happy the girl in return would've been sad. They were two different people of two different points, dating at this point was nothing but a mistake.

On the other hand, Ace as well is guilty. First off, she shouldn't have dated the girl in the first place if he was aware of how different her tastes were. Second, from what he said he never showed any signs of dissatisfaction when he had to give up on what he liked to listen to what the girl friend liked. The girl friend obviously told him that she was scared of a horror movie, but Ace just kept his mouth shut and felt awfully annoyed as he watched a romance movie with her while he didn't like it at all. If he'd at least told her girlfriend about this, she wouldn't have felt as injured and cheated when Ace broke up with her. Ace shouldn't have bottled it up, he deserved to enjoy the relationship just as much as the girl did. He shouldn't have expected things to get any better if he wasn't going to solve anything about it in the first place. If he'd talked about his personal desires and favorites as well, and had his uncomfortableness with most of the girl's choices discussed before hand, there could've been a chance of them coming into a conclusion and even not breaking up! The girl could've tried to be braver for him, and Ace could've agreed to be softer because of her. There would've been a HUGE difference if they'd talked about it logically.

Also, keep this in mind that the girl had no idea about Ace's uncomfortableness which was low key naïve of her (It's not cool when you don't even realize that your boyfriend doesn't like something) but this also made him awfully unprepared for a break up! Ace should've st least talked about his feelings and how he was unable to continue that relationship with her instead of just dropping her out of nowhere. That would've also decreased the chance of having to deal with the girl's friends after wards!

Finally, let's say that this relationship was wrong in too many aspects. They weren't each other's type, and we can't really blame Ace for dropping someone whom he couldn't be happy with. The main of being in a relationship is spending time with someone whom you can enjoy your time with. He as well was guilty because he can't just drop the girl like he just didn't care and had gotten tired of her while he had his own reasons for dropping her, he should've let the girl know that it wasn't necessarily her fault, it was about Ace not being able to relate to her tastes and habits.

Also, let's be honest. Not much is expected when a 15 year old is dating. Being in a relationship is an awfully sensitive and important choice and someone like Ace hasn't reached that level of maturity to be ready to date someone, let alone doing it at his 15s! Honestly... they should've learnt a lot before dating each other because it isn't a silly thing. Dating like this is nothing but playing around for a while for fun, it's a childish game of spending some time together until they break up.

For now, Ace is finds love quite silly and meaningless so we can clearly see that his past relationship has pissed him off. Well Ace needs to realize that his relationship with his ex wasn't a serious one, so it's normal for it to seem unimportant and silly. He needs to learn a lot without dating someone again, such as knowing how crucial it is to make sure that his hobbies would match his partners, to make sure tjat they get along, and simply, he needs to find his own type! Not all people are made for each other, and he isn't supposed to fall for anyone with any possible personality that pops up on his way.

Also, I'd say that he still needs to focus on studying instead of dating. He needs to reach the required level of maturity to be ready to start a healthy and successful relationship again. Also, he might end up being totally different from what we've seen about him being in a relationship do far when he grows up! Idealistics do change a lot olin teenagehood.

7) We need to talk about our first years a lot more!!!

This point isn't just about him, but rather all of the first years! If I were to rate the most ignored and shallowed personalities of twst, the first years should've gone on the top of this list. Even when we're speaking of the mischaracterized characters of the game, many consider Ace and Deuce to be the least mischaracterized while they happen to be the most mischaracterized as no one evencares to see through them and feel like we aren't mischaracterizing them just because we're ignoring them! Come on guys, Ace's design and personality is a lot more complicated and harder to read than characters like Vil and even Leona!

Out of all first years Sebek was the only one to get some proper shout outs so far but why isn't anyone talking about Ace and Deuce the way they deserve to be talked about? Their presence through the game is even more important than the dorm leaders as they are the closest characters to MC, and their personality design is just incredible, no just because of how perfectly detailed it is, but also because of giving them this unpredictability and incompleteness which totally matches their age!

Studies have shown that judging one's personality based on how they're doing at the age of 16 or younger is prettyhard and impossible, and it's a totally serious fact. At the age of 16, human's personality is under severe effects and changes until reaching it's final-developed shape. That's accurate toward almost all of the first years except Jack since he seems to have more of a mature personality.

NRC's first years are really complicated, especially a character like Ace. That why I said that we can't yet tell if he's a good guy or not, because at this level of life he can choose to be anything. He can be good, he can be bad, he can be neutral. That's why he's showing too much of opposite actions at the moment. One second he's being the biggest idiot in the whole world, the other second he's planning like a 50 year old genius. One second he's being protective over his friends, the other second he sighs and tells MC how annoying they are.

That's why Ace is hard to read, we can't tell what his true feelings are until he reaches the required mental stability to be judged as a mature and complete personality. 18 year olds like Vil have already reached that level of maturity and completeness, finding their unique magics as well is another sign of it. But our first years still need to learn and experience until they find their real selves, to see who they are.

This is one of the most adorable facts about their design because they really gave him this young and wild and incomplete nature to show that they're still young! This is quite incredible how careful Yana was to remember that they all needed some this childishness in their design, their designs are just as accurate and realistic as a real 16 year old's! They still need to learn, and that's why they're the closest ones to MC.

MC needs to learn and get to see more and more of this world, and so do the first years! They're just as unexperienced and new to this world, and they can relate to MC better than anyone else can!

So please, from now on, let's remember to talk about not only Ace, but also all of the first years more often. Ace and Deuce's designs especially are the most detailed and beautiful ones if you take time to know them better. Remember that after the 7 dorm leaders, Ace and Deuce's roles as the protagonist's closest allies are the most crucial in the game, so let's not just decide to ignore all these creative features and pass by them without thinking how much they can mean.

Woah, this one was quite harder to write than I'd expected! There are way too many things to say about him which made me have to summarize this into just this 7 parts for now. Ace is surely and odd yet interesting one to study, even more interesting than usually famous characters like Leona and Azul, which is partly because of how unpredictable he is!

[gaycatwizard]

I feel like "bad/flawed characters that are still likeable" are just some of the Best characters and tend to have a bit more emotional staying power, that they're more relatable and more interesting, more memorable. We need more of them, but they're really... hard to do? Not necessarily hard to make, but hard to do well. Because the amount of flaws and Badness (in a moral/philosophical sense, not quality of a character's design and personality) can vary so drastically, along with the amount of redeeming traits and their potency. It can be hard to want to "copy" or mimic the exact ratio from the character that inspired you. Tangent: it's fine to be inspired by one or more works. It's fine to allow it to influence your works. It's hard distinguishing from "I want to do x, but that's basically just rewriting one of my inspirations but with a palette swap" and "this inspires me so I want to use certain elements/themes/ideas/technical aspects of it." That's not the issue here, y'know. But like... I think the sheer variety you can have in Loveable Asshole characters like that, in the ratio of how bad and how good they are, is part of what makes them so interesting, so realistic, so powerful. Like... there are characters who are overall pretty good people, but are rough around the edges in a way that clearly makes them sympathetic and likeable. There are characters who are basically layer upon layer upon layer of mistakes, hatred, and bile with the tiniest nugget of good at the center, that you rarely get a glimpse of, but feel something raw and enthralling because of that. Like... I think Bojack Horseman is a good example, especially because it has a lot of different Likeable Bad People varieties and it does them all really well. Also Bojack Horseman is a good show and, not unlike JoJo's Bizarre Adventure, I want to talk about it at every given opportunity. Bojack himself is a cynical, selfish, destructive, defensive, spiteful, jealous, vain, self-loathing, stubborn piece of shit. He's a bad person and that's... kind of the point of the show. But his entire character, his entire arc that spans the whole of the series, revolves around the diamond buried deep in that rough. He wants to change, but he's so set in his negative ways (and so used to being surrounded by such negativity and toxicity) that he doesn't really know how. Every time he wants to change, he doesn't know how and fails to keep up with his new habits. Every time he's doing well and making progress, some external factor comes in and pushes him violently back down the mountain, back to square one. But he makes an effort, it's very obvious that he doesn't like being this way, that he regrets the things he does, that he feels remorse for the pain he's caused, and he does finally change and improve, things do finally get better for him. His foil (who has such an AMAZING dynamic and relative arc with him I could write a whole essay just on that), Mr. Peanutbutter, is sort of the exact opposite. They have similar careers and positions in the world, but everything goes right for Mr. Peanutbutter. Everyone likes him, everything is handed to him on a silver platter, he's perfect, he's happy, he's attractive, he's popular, he's everything Bojack isn't, and yet somehow he's drawn to Bojack and always wants to try and be his friend. But as Bojack slowly improves over the show and the softer, nicer, Better side of him becomes more and more prominent and common, the negative side of Mr. Peanutbutter slowly gets revealed over the show. He's also selfish and stubborn and stupid and persistent and dangerously disconnected from reality and his interpersonal skills are absolute shit. He puts on that act to make people like him. As the show goes on, it's slowly revealed that he doesn't really pay attention to the wants or needs of others, like, at all. That he only ever really cares about himself and just wants to do and be everything and anything as long as people like him and it makes him happy, regardless of who it hurts. It's amazing. It's in F is

for Family, too. Netflix Adult Animated Sitcoms are very often hit or miss, but these two are absolute homeruns. Frank, the protagonist, of F is for Family is selfish, violent, short-tempered, arrogant, judgmental, ignorant... but he's remorseful and introspective and intelligent and, in a very convoluted and misguided way most of the time, incredibly caring and devoted. He is a piece of shit and he's terrible, and a lot of why he's still likeable, why he's allowed to be so politically incorrect and abusive is due to the setting. Parenting norms were different back then and, now with hindsight, we know that those norms weren't good and you should NEVER hit or yell at or emotionally degrade your kids. The show is a perfect mix of "everyone is a product of their time and environment" and "no matter the time and place, people are people and we have the same thoughts and feelings and struggles," all without glorifying or excusing the terrible actions of the characters with the excuse of the time period or due to being "protagonists" or having redeeming traits. They're human, flawed, some incredibly so, and that's what makes it so good. It's part of why I like F is for Family more than most Adult Animated Family Sitcoms. You've got the typical stupid, selfish, arrogant, etc. Bad Dad and his Housewife, but there's still chemistry. They're still unique, three dimensional characters that clearly love each other and have a reason to still be together despite arguing and hardship. Same with how Frank and Sue treat their kids. They're not great parents, but they're trying to do their best (which isn't always good) and they do clearly love their kids and want the best for them. Their kids are resentful at times and hate their parents for some of the things they do, but they do stick together at the end of the day because there's that underlying realization that none of the mistreatment is done with malicious intent. That doesn't excuse it, but they're all just fucked up and trying to do their best. And they do have sad, relatable characters that are clearly bad people and aren't likeable, despite having sympathetic traits. Like Ginny. Her husband, that she loves dearly, is gay and simply doesn't love her the way she loves him, their marriage is hollow and empty. But she constantly forces her suffering on others, regardless of whether they want to hear it or are emotionally equipped to do so. Attempting to leave the conversation or explain that other people have problems too means, to Ginny, that you're a terrible human being who can't be there for someone in pain or that you're selfish and disgusting and never stop thinking of yourself. She has every right to be upset, but she takes it out on others and manipulates them, and that's not okay, and the show depicts it that way. There are so many options for character arcs with these characters, too. They don't even have to be related to their flaws, they can be entirely external or related to something like relationships or interests. You can show someone working on their flaws, acknowledging that they're not perfect and they might be bad, but that they want to do better and actively try to do so; they don't avoid responsibility or blame others, they own up to it and do their best to improve. Hell, even just coming to the realization that you are responsible for your actions, not anyone else, and that you have to put in effort to change could be that arc. You can have someone get worse, whether an intentional path of bad decisions without regard for others or a failure to understand which decisions are right. Some people have redeeming traits, but still aren't redeemable. Some people don't get better. Some people still get better, but get worse first. There are so many real, relatable options that show the darker, uglier side of life that we so desperately want to experience and perceive (likely due to the cathartic and taboo aspects), and bringing up flaws and shortcomings and anything else in this context can start interesting conversations and challenge

us to think about things we may not have before, or from a new perspective.

[that-blue-vault-dweller]

Companions reacting to Super mutant Sole! Is is completely oblivious to the fact they are a super mutant

Nice request! This one is really interesting! 😊

Also, for your other request you sent in, I was wondering if you wanted me to just write Nick's react to that or if you wanted everyone's. I wasn't sure because if you want Nick's reaction to both the versions of ghoul OG Nick, it might be easier to give you a lengthier version of just Nick's response. If you're good with a reaction to just one of the versions of ghoul OG Nick, then I can throw out the whole group for you. 🥰 It's just that I can give y'all longer and better reacts when you guys ask for specific characters for situations. 💙💛

I hope you enjoy! Thank you for the request!

Cait - Assuming the topic was not breached when they first met, she just leaves it be mostly. Cait feels bad for F!Sole since she does not know the truth about herself, but Cait does find that it greatly assists the two in battle. So Cait can't complain too much.

Piper - Feels absolutely awful for F!Sole when she realizes the woman does not know the truth about who she is. She strongly debates whether she should tell her or not, but if F!Sole exposes any dislike or fear of Super-Mutants around them, Piper guesses that she'll just let F!Sole stay in her happy little world.

Curie - As soon as she meets F!Sole, she is talking about what an interesting specimen she is and asks if she can run tests. However, after a while, she finally realizes that F!Sole truly is clueless about her identity. Curie decides that it would likely be more harmful to tell her the truth than to just let her think what she wants, so Curie does not talk about it.

MacCready - Is terrified when he first sees her, and he immediately starts reaching for his gun. However, when she starts talking to him as if she is a perfectly functioning human being, he gives her a chance, and he is not disappointed. When he realizes she has no idea of who she is truly, he keeps his knowledge to himself.

Deacon - Does not judge. He sees how much good she does and what a wonderful person she is regardless of the unconventional package she comes in. Therefore, he just lets her think that she is whatever she wants to think she is.

Codsworth - Is shocked upon seeing her, and when she explains who she is to him, he is sniveling and terribly upset. After some time, he finally cannot withhold the truth from her and he finally breaks the news to her.

Hancock - Is most certainly shocked at the sight of her, but he just lets it go. Anyone who goes with his principles and plays nice in Goodneighbor is perfectly welcome. Even if it is a huge super-mutant that doesn't know she's a super-mutant.

Danse - Is disgusted by her immediately. However, he does wonder why she bothered trying to help him and his soldiers. As a result, he keeps them from shooting and he privately interrogates her. He soon realizes that she has no idea what she is. After some debate, he tells her the truth about herself.

Preston - Freaks out when he sees her, but when he realizes she is shooting the raiders around and protecting him as well as the rest of his group, he moves past the fact that she is a super-mutant. He never references it, assuming she knows it. However, when he finds out she does not, he still does not mention it. Some things are best left alone.

Valentine - Is very surprised at her, but when she finds him in the vault in that room, he is well beyond being picky about his savior. He quickly comes to the understanding that she has no idea she is tall, green, and gruesome, so he just keeps that tidbit to himself. No reason to hurt her or upset her needlessly when it is something about herself that is likely unchangeable.

X6-88 - Immediately starts trying to shoot her when she approaches him. She soon starts shouting, trying to explain that they are supposed to do a mission together. He quickly stops in his fire, realizing his mistake, and he apologizes. In the process of explaining himself, he tells her the truth about her identity.

Dogmeat - Does not care what form she is in or what she looks like. She is loving, kind, and sweet to him, so that is all that matters to him. He will stick by her to the bitter end no matter what.

Maxson - Is disgusted and angry at the mere sight of her. He wonders how in the world F!Sole is intelligent and functioning in this ugly form, so he orders Knights and other soldiers to drag her off to Senior Scribe Neriah. She'll have a field day with the creature and it'll be out of his hair.

Sturges - Cannot believe that a super-mutant of all things saved him and the other people at Concord. But he is pretty accepting. When she does so much to help set up Sanctuary as an actual settlement, she is in his good books. However, he does feels pretty sorry for her when he realizes she has no idea that she's a super-mutant. He decides not to tell her.

Glory - Is very surprised, but she lets it go quickly. After all, if F!Sole wants to do good for synths and help the Railroad, it does not matter to Glory which form the woman comes in. She could be a radroach for all Glory cares. As long as she's on Glory's side, it's fine. When she realizes that she does not know what she is, Glory does not bother telling her. It makes no difference anyway.

[morgana-ren]

if you'd be so inclined my dear, what are your thoughts on how Tomura's character has developed over the series' timeline? -☼

So, I think Horikoshi did an excellent job at character development- especially considering that he's a villain (not the focal point of the series) and he really didn't have to do that. He easily could have kept Tomura an impudent little man-child, but he didn't, and I truly appreciate that.

So, in season one, we get his debut as USJ, and it became quickly apparent that he was... disorganized. Intelligent and dangerous, clearly, but not quite there yet. He essentially threw money at a pack of sell-sword villains, had a basic plan for how he wanted things to go, and relied on his Nomu to do the majority of his work for him. He didn't even consider variables and other things he couldn't have foreseen- he took Master at his word and just went for it.

He makes a multitude of mistakes during this attack, and it's part of why he fails so hard. Underestimates the kids simply because they're young, not factoring in that these are to be the nations top heroes. Even young, each one is sporting a power that puts them at the top of the class and above the rest of the nation. He basically goes "Fuck it, just scatter them and have these no-name villains kill them. No way that could go wrong." not considering that these children have been learning from the best of the best and are clearly already intelligent of their own accord.

He doesn't take into account that these heroes actually care for these kids and that feeling responsible for them works in their favor as opposed to being a detriment. They fight harder and take more abuse to keep them protected (Aizawa getting absolutely demolished but still persisting to defend the children even as he bleeds to death with a broken body.)

The intel wasn't wrong, per se, but he took it at face value, not even bothering to consider that All Might would push far past his limit to keep these kids safe. For someone as obsessed with felling All Might, he certainly didn't really know a thing about him. His genuine goodness and character would not allow him to fail when their lives were on the line. And then there's the matter of Midoriya, and while Tomura had no way of knowing that he's inherited All Might's power, he should have been able to account for wild cards like that from valiant children dedicated to heroism.

More under the cut because I’m just rambling.

I think this defeat humbles him. For most of his life, things have gone his way because of who is backing him and because he is extremely dangerous with a powerful quirk- this teaches him that raw strength and basic strategy won't be enough.

He watches Stain take the country by storm, and he can't understand it. Doesn't get what the big deal is- he believes he and Stain are mostly cut from the same cloth because of their penchant for violence and murdering heroes, totally blind to the convictions behind Stain's actions. He's incapable of thinking outside of his own view points, and it cripples him. These are his first few steps outside of his own comfort zone and where he begins to grow.

He's forced to consider not what he wants, but why. He resists this every step of the way, but ultimately realizes that paying off little bastard villains to work in his name isn't enough. He needs players under his command that will fight for more than money- and sell swords are loyal to nothing but that. He needs to find a conviction (even as he ends up stealing the mask of one and using it as a facade at first) that others can relate to and be passionate about.

So he does.

He steals Stain's ideology for his own and uses it to recruit some of his top members- even if he is a right little bastard about it at first. While he throws a tizzy fit because they aren't "perfect" (his standards are very high despite the fact that he's arguably not a very effective leader) but eventually ends up utilizing them regardless.

It's around here that he starts sharpening his instincts and learns what it is to be a true leader. He learns he cannot casually throw around his pawns because ultimately, he cannot win this war by himself. 'The enemy of my enemy is my friend' and while he isn't as enchanted with Stain's entire gimmick as his comrades are, he still wields it effectively.

He's still learning, however, as we learn when he takes Bakugo. Had he gone to the effort to get to know a single thing about him, he would have learned very quickly that trying to recruit him would come up completely pointless. He just saw untamed anger and unrestrained violence bordering on unhinged and thought "Ah yes, he's powerful and very much like me- he'll do nicely" and put together a whole plan to kidnap him. I think the vanguard's success in capturing him shows Tomura just how useful it is to have clever little birds under your command, and that sticks with him.

Losing his Master, like AFO says, forces him to become his own man. He loses the cushy abode he'd had for most of his life, loses many of the benefits afforded to him by being AFO's protege. He and his ragtag team of villains live in squalor, almost entirely destitute, and are forced to survive- but they stay loyal, and that means something to him. I think it’s around here where he actually begins to care about them. 

We see how he reacts to Magne’s death. I don’t think for one second he aided in destroying Overhaul simply because he was a threat. If that was the case, he would have stopped once he was arrested. He risks everything to get vengeance. Cuts his limbs off and renders him completely helpless as payment for what he did to Compress and to avenge Magne’s wrongful death. 

Over the course of everything, he’s become more patient, more cunning, more dangerous. He’s learning quickly from his mistakes, how to command his ranks in a respectful, effective way, and how to keep them safe. He learns their strengths and weaknesses, and while he’s still a bit thorny, it’s very apparent he does care for them. He’s on his own now, and knows he needs greater power, greater numbers to achieve his goals. He is ruthlessly ambitious, willing to endure ungodly amounts of pain to meet his ends. 

So now we have this season (which I haven’t actually watched, as I’m just waiting for disappointment because I fucking know Bones won’t do him justice) and he’s seeking out both Gigantomachia, a former ally, and the PLF. Both things that could be of great value to him. His leadership skills and ability to command will be put to the test, but so will his endurance, his willpower, and everything else. This is the beginning of him as a truly devastating threat. 

He’s growing into the villain I think he deserves to be. He’s facing down the very bones that comprise him and learning why he is the way he is. What his convictions really are and how far he’s willing to go to achieve his goals. HIs past, his life as he knows it, what needs to be done to put a pretty little ribbon on everything. He is, in a way, shedding like a snake- ridding himself of weaknesses, growing into his strengths, and evolving into a more capable predator. 

If you ask me, realistically, I think Shigaraki would actually win. When it’s all said and done, I think his arc is far more compelling than any of the heroes or their children. I think he has more drive, more wit, more raw power and more reasons to keep fighting. A lot of the kids, while cute and the main characters, are quite hollow. But over the course of all these seasons, we get to watch Tomura’s metamorphosis and his evolution into a purer, undiluted evil. He transforms into something truly sinister- a literal manifestation of all of the flaws and pitfalls of society and hero culture as it exists. He is undeniable proof of the toxicity and that the way things are cannot be allowed to stand, and the fact that so many people resonate with him and follow him loyally should be the ultimate clue-in. 

I think if the heroes weren’t blinded, they would look at Shigaraki and his league and consider it. Wonder if, just for a moment, there was something there that they should pay attention to. A cry that they should hear rather than be willing deaf to. But they don’t. 

Gran Torino is a prime example of this. So are all the other so called ‘heroes’. Calling him evil. Underestimating him. Considering him someone who just woke up one day and decided ‘I don’t like this so I’m going to kill a lot of people’. You’d think that they’d recognize that a drive like his does not come from nothing. If they sat down, shut the fuck up and listened for ten seconds, maybe they wouldn’t be dying by the dozens. 

I’m not saying that they should allow him to continue to trample the world and kill at will. But what I am saying is that part of how they’re fighting him and how they’re viewing this in terms of black and white and good versus evil is exactly the fucking problem, and it’s that kind of bullshit that birthed the villain we know as Tomura Shigaraki to begin with. 

[graysonnotwayne]

CHAR BIO; BASICS —

CHARACTER NAME/ALIAS: Richard John Grayson, aka Nightwing. FACECLAIM: Jesus Castro AFFILIATIONS: The Titans, The Justice League AGE (physical age as well, if different): 30 SPECIES (human, metahuman, alien, etc): Human IS YOUR CHARACTER’S IDENTITY SECRET OR PUBLIC?: Secret IF SECRET, OR YOUR CHARACTER IS A CIVILIAN, DO THEY HAVE A CIVILIAN OCCUPATION?: I don't think so, he'd be too busy with his duties in the mousehole. DOES YOUR CHARACTER LIVE IN THE MOUSEHOLE? IF SO, WHAT ARE THEIR DUTIES?: Yes, and I'd like him to be a pilot if that's all right.

DESCRIBE SIX TRAITS (3 positive, 3 negative) YOUR CHARACTER HAS AND HOW THESE AFFECT THEM:

1.) Trustworthy - Dick is consistent, reliable, and he can always be counted on to come running if his help is needed. He has a firm and unwavering sense of morality that keeps him grounded and confident in his abilities. 2.) Intelligent - Even though people look at him and assume he's just a pretty boy, he has genius-level intellect and is very good at deducing patterns and drawing connections. 3.) Adaptability - He prefers to have a plan going in, but he knows nothing goes according to plan. Dick is always prepared with multiple alternate routes and fail safes, should something go wrong, but he was also trained by Batman.

1.) Perfectionist - Dick can be extremely hard on himself and others. If he sees any room for error or makes a mistake, especially when there are lives on the line, he can be harsh with others and where they're lacking. 2.) Overextends himself - Although he has plenty of siblings to share the weight, Dick tends to think he can and should take on everything himself. He has a difficult time saying no when someone needs help, no matter who it is, and can run himself down to the bone trying to do everything for everyone. 3.) Private - While this isn't inherently a negative trait, Dick can take his need for privacy too far. He can and will keep secrets from his team if he thinks it's the right thing to do, or might protect them from getting hurt. He has the tendency to make independent decisions regardless of whether or not he's running a group. He sees it as his responsibility to make the hard calls, even if it means shutting down any possibility for collaboration.

POWERS AND/OR ABILITIES: Acrobatics, computer hacking, disguise, escapology, firearms, genius level intellect, forensic science, criminology, indomitable will, investigation, aikido, most forms of dance, boxing, capoeira, eskrima, hapkido, jeet kune do, judo jujitsu, karate, ninjitsu, sambo, savate, taekwondo, kung fu, multilingualism (English, Romani, Spanish, French, Italian, German, Japanese, Russian, Polish, Czech, Slovak, Sorbian, Ukrainian, Bulgarian, Croatian, Greek, Latin, Swedish, Dutch, Farsi, Swahili, Mandarin, Kikuyu, Cantonese, Arabic, and ASL), peak human strength, peak human agility, peak human speed, peak human reflexes, peak human stamina, peak human endurance, peak human senses, stealth, swordsmanship, tracking, and weaponry.

IC PORTION; DETAILS —

WHAT BROUGHT YOUR CHARACTER TO SOKOVIA?: After Dick temporarily lost his memory, he was estranged from the rest of his family for some time. If it's okay with everyone, I'd like to pick up once his memory's returned and he's himself again. Once he's settled things in Bludhaven, he would go to Sokovia because that's where his family is.

DID THEY SIGN THE ACCORDS? WHY OR WHY NOT?: No. Dick is not the sort of person who would bow to outside pressure. He knows what he is doing is right, so he wouldn't bend even if someone else told him otherwise. He has a strong sense of obligation and duty to continue.

PROVIDE 3-5 HEADCANONS RELATED TO YOUR CHARACTER:

WANTED CHARACTER CONNECTIONS: Dick has a lot of connections, but I'm most excited to plot with the bat-family! Apart from that, I want him to reconnect with his Titans team.

POTENTIAL CHARACTER ARCS: I would really like to flesh out and develop the relationships he has with each of his family members. I really like the dynamic between him and Bruce. I hated the whole Ric storyline and really want to re-establish his connection to the family.

CHARACTER BIO —

Bludhaven belonged to Nightwing. Leaving Robin behind had been one of the most difficult things he'd ever done, but it also meant starting anew. He settled on Bludhaven because it was close and desperately needed his help. The crime rate was worse than Gotham's a good day--Gotham's evil stepsister, that's what he'd told Cass, and he hadn't been exaggerating. Even though Gotham was just over the bridge, having his own identity and his own city granted him independence he'd never experienced before. Now that he was leading his own team and carving out a real place for himself, he no longer felt as if he were in Batman's shadow.

KGBeast's failed assassination changed everything. Once Dick regained consciousness, he had no idea who he was and didn't recognize his own family. Overwhelmed by the information he was given, he withdrew from all of it and vehemently opposed having anything to do with Nightwing or with the Wayne family. He found menial jobs to get by: taxi driver, bartender, waiter, and avoided anyone that had to do with his past. With Dick Grayson. That wasn't him anymore. He didn't want to get involved, especially as the world around him descended to chaos.

[aelaer]

Hi friend! You seem vast in your knowledge of Stephen and willing to share so please enlighten me as I don’t read the comics but I do watch the mcu movies, and do love Stephen.

I know he’s erratic and impulsive and reckless sometimes but didnt we already complete this arc in his first movie? Especially since we’ve watched him deal with the consequences of his actions for the entirety of the film and end of the movie Stephen was a different Stephen from the beginning of the movie.

IW Stephen seemed like a more mature version of the man we’ve met at the end of his first movie, a linear progression of the character, more responsible.

The spider man trailer is just a few minutes so I’ll further reserve judgment till I see the film, but he seems.. silly almost? I’m aware he has his funny moments but I’m just nervous they’re gonna make him the joke instead of having him make the jokes.

Do you notice anything weird about how the adults act in these newer marvel projects.? (I’m thinking of loki specifically) they all have a silly undertone to them? I cant put my finger on it but it’s definitely new and ..off

Is this a constant characterization for Stephen in the comics? Is this what he’s like all the time?

Regardless, thank you for your time if you see this xx

Oh yeah, Stephen's my favorite subject at the moment so I'm happy to give my thoughts!

Note that my answers apply to MCU!Stephen and what we've seen in the four films he's been in.

I know he’s erratic and impulsive and reckless sometimes but didnt we already complete this arc in his first movie? Especially since we’ve watched him deal with the consequences of his actions for the entirety of the film and end of the movie Stephen was a different Stephen from the beginning of the movie.

In my experience of just living, there are personality quirks that can be tempered out and made better, but not entirely eliminated, even if it's undesirable. In my opinion, Stephen's need to push himself and prove that he can Do A Thing is a trait that won't ever go away--especially as that trait has helped him more than hindered him. Examples would include the more mundane such as getting through a combined MD/PhD program and inventing surgical procedures at what is still a really young age for a neurosurgeon. We don't have a canonical age for Stephen, but Benedict was 40 when Doctor Strange was filmed and released; even if he's canonically in his mid-40s, that's still very young for him to be at his caliber after the necessary years of med school and residency in the United States. He's young and nowhere near the end of his career when he gets in the car crash. So with that information in mind, we know that he's very ambitious and throws himself into doing difficult work with gusto. That doesn't even go into everything he did as a sorcerer.

Why get into all of this? Because while we, the viewer who has seen the multiverse open at... some point (possibly, in a rewritten timeline, it's always been open now with what happened in Loki!), we have seen just how nuts it gets. We have seen the consequences. Stephen's smart, but I don't think it's a matter of strictly recklessness and more a combination of ignorance on this specific subject (erasing memories across the world or slightly rewriting time-- we don't know how he's doing it, but a memory spell makes more sense to me), hubris (of course), and the real desire to help Peter out. The latter two traits combined in intelligent people have proven bad in both fiction and reality.

The reason I don't think it's pure impulsiveness is because in the trailer, we see Stephen doing some meditation type thing in the underground area before the spell. He's also always doing research and as he tells Peter he'll help him, he clearly knows of a spell already and has some working knowledge of how it works. The conversation with Wong wouldn't have happened otherwise. But I personally get the vibe off him that he'd not do it without being very confident that he can do it -- and his history in the films has shown 0 failures in any of his spells once he's past novice-level, so in that aspect, his confidence makes sense. If he *should* do the spell due to the risks of failure, and lack of practicing precaution in the face of his confidence, is where his flaws lie, IMO. And in that sense people could say he was reckless for deciding to perform a complicated, dangerous spell, but that follows his M.O. completely -- he performed a very complicated, dangerous spell consistently with the Time Stone again and again, from how the sorcerers spoke about the Infinity Stone (and he casually just... throws himself into a time loop, then to look through time. He takes calculated risks, but they are very much risks).

One last thought on this statement - the biggest, biggest lesson that Stephen learned in his first film was that it was not about him. There was more to the world than his glory and his brilliance and even his happiness. He started doing things for the greater good rather than himself. And he started doing things for others -- fighting for the Sanctum in his own film, and protecting the Earth. Serving something greater than himself. But that doesn't make him suddenly humble, and it doesn't suddenly take away his strange (hah) sense of humor.

IW Stephen seemed like a more mature version of the man we’ve met at the end of his first movie, a linear progression of the character, more responsible.

He was more serious in that film. So was Tony. They still had some quips and arguments, but they were very serious. And it makes sense as to why -- it was the end of the world. So the mood of the setting would change anyone's demeanour. But he had very little chance to unwind in that film, considering that he was trying to protect one of six items that would destroy the universe, and also got freaking tortured in the middle of the film with little time to recover. But nearly every Avenger was super serious in that film, and for good reason.

It's a completely different setting from what is now Stephen's life which, from what little we've seen in the trailer, is weird enough that he got a magical snowstorm in the Sanctum. It's safe enough that Wong's off on vacation. It's been nearly a year since he returned from the dead. He's either figured out how to move on in the last year or, as some prefer, has gotten good enough to put on a facade and bury the trauma so far down that he's putting on a normal act - but that's up to debate until MoM. And we have no idea if old traumas are going to be brought up there or if it's just the new things.

I think the point is that it's possible to be both a responsible person and also to make colossal mistakes due to either emotional connections or hubris (or both - we don't know which way the film will go, if they'll explain it at all). They're not mutually exclusive. He can be protecting reality fantastically, while also believing that he's skilled enough to pull off the ability to pull off a dangerous spell which he did in his own film and in IW. He's guided the timeline down a specific path in IW/Endgame, after all - what's a little identity item compared to the fate of the universe, after all? Removing the Spider-Man/Peter association is, in comparison, child's play I imagine to a man like Stephen.

The spider man trailer is just a few minutes so I’ll further reserve judgment till I see the film, but he seems.. silly almost? I’m aware he has his funny moments but I’m just nervous they’re gonna make him the joke instead of having him make the jokes.

Do you notice anything weird about how the adults act in these newer marvel projects.? (I’m thinking of loki specifically) they all have a silly undertone to them? I cant put my finger on it but it’s definitely new and ..off

He was definitely silly in his own film. He was constantly trying to get Wong to laugh and there was a banter between Stephen and Christine after he gets stabbed. He's always been a bit awkward and a bit jokey--I think Thor showed that combination of humorous snark and good research rather well, though he was flippant in a way that didn't get to show his kinder side that is better established in his film. And now we get to see that sympathy in his agreement to help Peter (at least, in my opinion).

Because he was doing an amazing awesome spell not once, not twice, but *three* times in the trailer alone, I am not worried about Stephen just being a joke. He seems just as powerful as he was in IW and Endgame. The rest of the world is just getting reminded that he's definitely a bit of a socially awkward duck at times (or, if you prefer, Putting On a "I'm Fine" Front And It's Coming Across As Weird). So him being a big joke is not something I am personally worried about.

Situational humor has been a staple of Marvel films since Iron Man. I watched the films casually before 2016 when I fell head deep into Stephen Strange (or well, 2018/9 is more accurate as that's when I *really* went nuts), and my viewings before that time and after that time was a lot more analytical. And it's very easy to see where the silliness started, all the way back when Tony crashed into his own car and Dum-E sprayed him with a fire extinguisher. Thor was the butt of the joke in the "fish out of water" scene in a good, good chunk of the film. Even Captain America had some situational humor. And remember that Guardians of the Galaxy was back in 2014, which was halfway through the MCU's time thus far. The stars of these films are almost always the butt of some joke a couple times and do things that could be viewed as childish.

I don't know your age at all, but if you were born after 1990, what might be happening, rather, is that they are not getting sillier, but that you may be getting older. I was an adult (legally, at least) in 2008, but the way I view the adults of the films throughout the early 2010s as compared to now is night and day. It's just come with my own life experience, and wider understanding to media tropes. The jump is even more significant if you were younger in Iron Man/Avengers days and are an adult now. If you're an older adult than me, then I'd argue it's the matter of life experience adding to your overall knowledge of media plus, potentially, rose-tinted glasses giving you a better vision of the older movies while forgetting that the older movies had plenty of their own flaws (and silliness). Could be a lot of things- it's too individual to really say why your perspective has changed. But I don't think the MCU's largely changed their comedy formula since 2012/2013.

Is this a constant characterization for Stephen in the comics? Is this what he’s like all the time?

Oh the comics are a mess of characterizations. It's very difficult to find full consistency across writers, and some writers did him much better than others. At the moment, Jason Aaron's 2015 run is viewed as very good by a large amount of fans, while Waid's 2018 run is viewed with mixed reviews. It's largely a matter of preference as you'll see traits that are just so uncharacteristic in an arc and then it never happens again. He takes on secret identities, he kills billions to save trillions (along with the other Avengers!), he sells his soul, he's in a steady relationship for 30 years, then he's sleeping with a new woman every arc he co-stars in-- it's just so dependent on the writer over the decades. What Marvel thinks will sell. Right now Marvel thinks his death is gonna sell issues, so yeah :P You pick and choose with the comics and build a personality from there.

Thank you for the thoughtful ask. I hope this wasn't too much of a drag to read through; I get rambly on my favorite subjects. Or anything, really.

[thevindicativevordan]

You did one for Hulk (incredible btw). Got any thoughts on Spider-Man?

He used to be one of my favorites.

It's easy to see why Spidey took off as Marvel's premiere character, and competitor with Batman for the most popular superhero ever. If you'll indulge my DC bias, Spider-Man sits at the intersection between Superman and Batman. Like Superman, Spider-Man never knew his birth parents, and was instead adopted and raised by an elderly couple. Uncle Ben and Aunt May are the people Peter thinks of as his mom and dad, and it's their lives that help shape Peter. Both Superman and Spider-Man wear colorful red and blue costumes, both have iconic jobs working for newspapers with cantankerous bosses, and both have a lot of Jewish DNA in them because of their creators. Like Batman however, Spider-Man has a tragic parental figure's death to motivate him, he has a very poor reputation with the public, they both style themselves on animals, and both have strong roots in the cities they protect. That Peter's greatest foe, the Green Goblin, also stands at the intersection between Lex Luthor and the Joker makes for a great parallel. Add in that Spider-Man has the second best Rogues Gallery in comics, and it's clear Peter drew on the best attributes from his predecessors as a foundation.

What separates Peter from them though is that he was the first hero with real problems. Neither Superman or Batman had to worry about paying rent regularly like Peter did. Both stood apart from their peers by choice, while Peter wanted to make friends but wasn't able to do it. Krypton and the Waynes died through no fault of Supes or Bats, but Uncle Ben's death was something Peter was at fault for if indirectly. Then you had Gwen Stacy killed as a direct result of Peter's superhero career, introducing the idea of heroes who could fail. Spider-Man was pitched as the flawed hero, the human hero, the guy you could think of yourself as being if you got superpowers. You would screw up and make mistakes, but you'd try your best regardless. Of course the readers would be drawn to, and identify with him, and that's both the secret to his success and what keeps fucking him over. A lot of guys see Peter as their self-insert, so they keep trying to return to their youth through him which keeps derailing him as a character. My entry into Spider-Man fandom came during one of the brief lulls from Marvel trying to reset him to what they see as his "roots".

I remember seeing the Rami Spider-Man movies in the theater and being utterly entranced. I played the first Spider-Man movie tie-in game pretty religiously as a kid (fuck that level where you infiltrate OsCorp, those robots were insane), as well as other Spider-Man games such as Web of Shadows. Can still hear the theme song of the 90s animated Spider-Man show in my head, that show's versions of Green Goblin and Venom are still my favorite takes. All this is a rambling way of saying that "my" Spider-Man was formed during a period where Marvel seemed ok with Peter being more adult, something they've been trying to roll back ever since.

Peter was a college student in the 90s cartoon, the comics had him and MJ married (my first Spidey comic was vol. 1 of JMS' Amazing Spider-Man run, so Peter and MJ being married is the "default" for me), the video games were set in the Ramiverse so he was a college student there as well. It's such a weird era to look back on in retrospect given what's to come and what came before. Peter had problems and was flawed, but he was also so much more mature and thoughtful, intelligent in a way beyond just being a science whiz. He and MJ had a great dynamic as a couple under JMS. They were so clearly in love and also utterly unwilling to take each others shit that it was just a joy to read. That relationship really was something I dearly loved, and of course I took it poorly when Marvel broke the two of them up. Making it a plot where not!Satan comes down and takes their marriage away only rubbed salt in the wound.

Suddenly Peter was a lot more immature and stupid, and Marvel was insisting that this was "how he should be". Marvel was claiming that Spider-Man was all about youth, thus he needed to remain young and marriage free in order to work, which flew in the face of the character as I understood him. To me, Spidey was a character about the opposite, he was about growing up.

More than any other character in the MU, Peter was the guy who embodied character development. In his early years under Lee and Dikto, Peter was an asshole with a chip on his shoulder. Far from being the martyr figure everyone sees him as today, Peter initially just kept trying to make money with his powers. He was constantly moaning and bewailing his lot, because he was a fucking teenager! EVERY teenager treats ANY setback like it's the end of the world. Yet over a period of years, both in universe and out, Peter grew into the great hero everybody sees him as today. He became kinder, more charitable, and made friends with his peers. He acquired a steady stream of super hot girlfriends, ultimately marrying MJ. Peter married MJ before Clark Kent married Lois Lane, that's a huge freaking accomplishment! Totally makes sense that Peter would get married first because while Superman was more or less frozen in place like all DC heroes, Spider-Man was the one who embodied the Marvel trait of growth and change. The world kept throwing shit at him and Peter dealt with it as best he could, and that gave me hope because if he could overcome the forces arrayed against him to find some degree of happiness, so could I.

One More Day completely obliterated all of that. I didn't recognize this character anymore, I didn't care about the shallow relationships they teased him entering, relationships we all knew didn't matter. If Peter couldn't stay married to MJ, he wasn't going to last in a relationship with Carlie Cooper or any of the girls Slott set him up with. Peter being immature worked great when he was actually in high school and college, but Marvel wanted to write him as a high schooler without actually deaging him. The contrast between how he was characterized before and after OMD was just too jarring for me.

Ultimately I left for a while. I read Superior and Spider-Verse, but I was no longer religiously following Amazing Spider-Man any more. Checked out Ultimate Spider-Man which I had never read, and I enjoyed it, but I also held a grudge against it's success. Clearly this was the series that enshrined high school Spider-Man as the "ideal" status quo for a lot of people, and I couldn't help but blame the series for Quesada's successful torching of a more mature Peter Parker. I also read Spider-Girl which took place in an alternate continuity where Peter was still married and he had a daughter with MJ named Mayday. I loved that series a lot, and Mayday became my favorite Marvel superheroine. Eventually I came back to ASM with Spencer because a few of my fellows told me he reminded them of JMS, and I've enjoyed his characterization of Peter. Doubt the marriage will be coming back any time soon but it's nice to read a more adult Peter after how he was characterized under Slott.

Hard to say what the future holds for Peter. Tough to say for certain but with the end of high school Peter in the MCU approaching, it feels like we're on the edge of another shift in status quo for Spider-Man. May be that the creation of Miles is allowing Peter to finally start to mature again since Miles can be the corporate wet dream of an eternally young "diverse" Spidey. The insistence on putting Miles into more and more of Peter's stuff, with Peter mentoring him, makes me hope that Marvel is becoming more ok with Peter growing up. The Insomniac Spider-Man is a college graduate, he feels the closest in tone and character to the Spider-Man I grew up with under JMS and Rami. They even got to kill Aunt May off, something Marvel is still terrified to do in the comics, and the relationship between Peter and MJ is portrayed as crucial to both (as it should), even if MJ is a little too Lois Lane lite for my liking.

Hopefully Spider-Man can shake off Quesada's lingering influence and start being what he was created to be: the guy who moves forward rather than running in place.

[everything-laito]

damn the brain be out here going BRRRRRR here’s the Laito and Cordelia Analysis (with a little bit of Karl sprinkled in) Part III

wow my fingers are freezing but my brain sure isn't! 

aaaanyways, iiiiiit’s trauma time!!! Am I a productive member of society by writing these analyses? No. Do I gain anything by writing them? Kinda, my brain gets exercised and they’re fun to research for. But if you haven’t read the first part or the second part for some reason (I recommend reading them in order), there they are. 

Once again, trigger warnings still apply; mainly about trauma, isolation, etc 

I’m gonna talk about the trauma and effects it had on Laito and to attempt to extrapolate why he is the way he is. I have a lot of examples I want to go over and stuff to talk about, so I think the trauma part is going to be split between two (or maybe three) parts. I also have a little bit to say about Karlheinz.

As always, big ass rant under the cut! 

Section 6: Neuroplasticity and Trauma

Oh???? More science vernacular??? You BET! Ok, neuroplasticity. I know I’ve talked about it on this blog. But, I seriously doubt that there is a madlad who has read all of my analyses (speaking of which, I should update the master list lmao) and I don’t expect anyone to do that LOL! Anyways, this neurological concept is the ability of neurons to adapt to certain circumstances or stimuli by creating new neurological pathways (through synapses). This basically relates to memory and learning. It’s why we don’t stay the same person as we grow and develop. It’s responsible from mindset changes to response to traumatic events. It plays a huge part in trauma, which is why “repressed memories” occur as well. 

Trauma, taken from Psychology Today, is defined as: 

...the experience of severe psychological distress following any terrible or life-threatening event. Sufferers may develop emotional disturbances such as extreme anxiety, anger, sadness, survivor’s guilt, or PTSD.

It’s a basic definition. And although I’d assume people would know what trauma is already, but knowing the lexical definition of something can be good to know before going into it. 

Obviously, Laito has trauma, there’s literally no refuting that. But, the point I’m getting at, is the reason why he is the way he is today is because of neuroplasticity. As previously stated, we are going to assume the DL vampire brain works similarly or the same as a human brain. So, because of the stress put upon the brain (Cordelia’s actions and Laito’s general upbringing in a stress filled household), Laito’s brain was rewired (neuroplasticity). This section doesn’t really have much new information, but I wanted to give a baseline since there’s many people who don’t know what neuroplasticity is.

Laito’s definitely different than what he was as a kid. He still kind of had his smarts, and might have been  but as we’ve deducted from the first part of this series, he might have been groomed. On top of that, the brain is easily moldable when you’re a child (which is why grooming makes sense for Laito’s case), and continues to snip brain cells off and form new connections. 

Section 7: Little intermission about Karlheinz 

I know I haven’t really talked about Karlheinz yet. So this will be the section that I do it in. I know this part is about Laito’s trauma, but it’s so hard to not just weave other characters into it. Nothing is stand-alone, which is why it was so hard for me to plan this out. I was debating about saving this for another analysis, but I feel like it fits. 

I referenced this in Part II, Section 5 of this analysis series. Basically, Karlheinz throws Laito into the dungeon and locks him up. Not Karlheinz personally, but he ordered someone to do it. We don’t explicitly know why, but there’s several implications. A huge one is that it was part of Karlheinz’ experiment. Before Dark Fate, I was like “wait, so did Karl find out about Laito/Cordelia? And got like jealous or was like ‘nah this shit fucked up no thanks’?” I was really scratching my head on that. But in Dark Fate, you find that Karlheinz knew about Cordelia and Laito, and even really wanted it to happen. Which is all sorts of fucked up. This really put Laito in for a loop. Here’s a scene from Dark Fate: 

Laito: That woman always, always believed in Karlheinz. Laito: She believed he married her because he loved her, wanted her. That’s why she was sure that one day... he will give his love only to her.  Laito: But she was tricked. She wasn’t loved from the start... Laito: -And I’m a victim of this unbelievable mistake... That’s how it is. Laito: I was treated as a vent for her feelings. Yui: ...Laito-kun... Laito: I’m sure he knew that something like this will happen... He is a god after all... Laito: I was hoping that... He just overlooked it up until now... Laito: But... I was naive.  Laito: I was only planned a scapegoat. 

God, when I played this, that just freaking struck me to my core. That’s so awful. Ironically... Karlheinz probably has some high level of emotional intelligence. I don’t believe he could be labeled as a sociopath, considering he has this high level understanding of pathos. He’s not god in a sense that he controls everyone individually himself. He’s so good at manipulation that he basically creates fate itself (whether you believe in it or not). He’s generally intelligent and cunning, and it also just helps with the fact that he’s immortal and can time travel. He knows cause and effect by now, and I believe Lost Eden said something about how he’s done so many different “timelines.” 

The definition of a god in a philosophical sense can be broken down into three words: omniscient, omnipresent, and omnipotent. More wicked cool jargon! Yay! Here’s what they mean for extra clarification:

Omniscient: All knowing Omnipresent: All seeing Omnipotent: All doing

Sure Karlheinz doesn’t absolutely know everything, nor can see everything, and he definitely has limits to his power, but he has gained knowledge through living for so many years and time traveling; he has familiars which add to the whole “all seeing” part; and he has a lot of power. So basically, in the most semi-”realistic” sense, it would definitely be the closest being to any kind of god.

Karlheinz is probably the reason why Laito himself has such contempt towards religion, and the existence of a god in general. Sure, the boys are like “that shit’s made up by humans” in general, but it would make sense for Laito himself to have that specific hatred. It makes sense that these vampires would be like “oh that’s made up by humans” when they’ve been around forever and have seen multiple religions come and go. (I’m mainly talking about in DL’s lore case, not starting a religious argument; please don’t take it as such––just to clarify)

Section 8: Isolation

Originally, the previous part was going to be about Laito’s isolation being locked up. However, I went off the rails and it turned into that little intermission. This is going to be a shorter section, but I still wanted to talk about, and it will weave into the next section. 

There is no implications about how long Laito was locked up (and tortured) in the dungeon. There’s also no implications about why he was tortured. But torture and isolation puts such stress on the brain that there’s definitely going to be some kind of outcome if persisting for a good period of time. So let’s take a look at what that does to a person. 

Once again, taking this with a grain of salt. I imagine vampires don’t need to rely on social interaction as much as humans do, considering they live forever. But we don’t know. However, throwing Laito into a state of isolation implies that it would be some type of torture or harsh punishment for a vampire, which therefore implies that social interaction is a necessity for emotional function. It’s just sound, inductive logic. 

So now, as for isolation, I’m using this article as reference. It’s a pretty interesting one to read. Here’s another extensive article as well. Basically isolation can cause:

Depression/anxiety

Immune system deficiencies (basically more likely to get physically ill)

Sleep cycle changes (if put underground or with limited natural light)

Hallucinations

Paranoia

Issues with processing information and more susceptible to persuasion/manipulation

We have no clue if Laito’s experience fits all of these. Also, the second one can be crossed out because vampires in DL can’t get physically sick in the way we can. Also, unsure about the sleep cycle stuff considering they are used to being in the dark. Hallucinations and paranoia can’t be crossed off nor proven. 

Being isolated physically and mentally exhausts the mind, which is why it’s also a way of torture. Laito implies that he was tortured with physical devices, but regardless, it’s still stress on the mind. This type of stress definitely goes along with what was mentioned with neuroplasticity and trauma, which also supports the last bullet point: issues processing information and being more susceptible to persuasion/manipulation. Take this flashback from Maniac Prologue in HDB that I used in Part II section 5 (but here’s even more context):

Laito: ーー Let me go!! Let me out of here! Butler: I can’t, young lord. We’ve received strict orders from your father. I am deeply sorry, but please stay put for a while. Laito: What’s the point in having me chained up in here!? Butler: ーーI am very sorry. Laito: Hahahaha…You stupid old man! Do you think that this will make repent!? How foolish! That demon! Has his brain finally rotten from spending too much time with humans!? ー Cordelia appears Cordelia: ー Oh? Laito: …!? Have you come to save me? Cordelia: Oh dear. Ufufu…I’m sorry Laito, that isn’t it. Laito: Eh? Richter: ー Why are you here? Laito: …That’s my line. Cordelia: Okay, okay. No fighting! More importantly, Richter…Come here. Laito: …!? Cordelia: Nnn…Hey, Laito. You are a good boy. Laito: …!! Cordelia: Right, Laito? Laito: Yeah, that’s right. I’m…I’m a good boy after all.  ーー Besides, I’m the type of person who only get more aroused from this kind of thing.

Although I also use this to support the whole Stockholm syndrome point, this could also be supported with the trauma isolation also holds. His mind is being re-molded into the facade he holds. Also, note the whole “do you think this will make me repent?!” part. Just a very interesting thing. The word “repent” implies that there’s something to feel guilty about or the person knows that what they’ve done is bad. It just goes to show that Laito has some part of guilt or moral compass still in tact. 

You can also argue that this scene was when Laito just got locked up, or he’s been here for a while. Either way, he could have also been socially isolated before this too, just hanging around Cordelia like it’s implied when he was a child. Remember the whole not being in bed 9/10 times when he was a child? Yeah, controlled social isolation. We also rarely see Laito with other characters in his flashbacks. I don’t believe we see him with his brothers in any of his flashbacks from what I can recall; he’s usually with Cordelia. Just implies (to me) that he’s around her a lot. And being locked up is also a more extreme case of that, which would mold the brain even more. 

I know that was a LOT to process and read. I sure hope this still is cohesive for you all. I’m pretty bad at organizing this kind of stuff; it’s a bit difficult since it all just goes together. Which, kudos on the writers of DL, because that’s just good writing. I was going to put something about gaslighting in this part, but that might be too long, so I’m going to make that a separate part or include it in the next part. 

If you have any questions, feel free to just put it in the inbox. I’m planning on making the last part of this series answering all the Laito/Cordelia questions I’ve received, or just general questions pertaining to this analysis in general, whether it be tangential questions or clarifying questions. 

Hope you all are still enjoying this ride as much as I am!  -Corn