#red landscape

[mother-lee]

red

[panoramicireland]

Reds, rocks and bogland in a grey-sky-day scene from County Donegal, Ireland.

[colorsoutofearth]

Carpathian beech forest at Wolowy Garb Peak, Poland

Photo by Wild Wonders of Europe

[a-birdie-on-a-rose]

[phreakedupdee]

For more in the series and the story behind these:

[superkursunaskr]

[turnnoffyourmind]

Unreal

Puerto Natales Mágico, Patagonia Chilena.

[suslucicek]

[fortunatelyperfectcreator]

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[uykucubirkaplumbaga]

[mother-lee]

deserted

@wramo

[maviyenot]

[lsleofskye]

Flame out to sea | benmuldersunsets

[expressions-of-nature]

by Rodolphe Tavernaro

[phreakedupdee]

Back during HF (prerequisite school thing for Uni), during particularly difficult to focus on classes, I started making these red landscapes. It was about 2011-13. Recently, while having some downtime at work, I've come back to them.

This is from a few days ago (7/7-23) and made with fineliners and a cheap red marker on "layout paper".

More examples and experiments, the old drawings and musings about the process below the fold.

It started out as a productive way of slowly letting time pass. Doing something monotonous but creative, which would take a long time to finish. All I had was the note-paper and whatever was in my pencil case (Which to be fair, was well stocked).

These two are from back then, probably a couple of days apart, probably took a few days each. I don't remember. The left one, the one with the "waterfall" was my first attempt. The one on the right was the third, after a bit of experimenting on what worked and didn't. The second attempt of experiments are further down.

I've removed the holes from the paper digitally, just for transparency (lol)

Recently, I've had a lot of wait time at work. InDesign is bloated and slow, my computer is quite a bit lacking in RAM and the books we are working with atm is quite heavy. So, I've had some time while waiting for files to export, books to package and documents to open. This has resulted in some experimenting.

The top-left one was the second made after getting back into the flow of the process. The first one is not much different, so not included. I hadn't seen the originals for years, so there are some very obvious differences, but the elements are there. The top-right one was made more as an experiment: what if I make ruler-lines to space out the clouds. I like the effect. More geometric, but it does take away from the original, ominous feeling.

After the experiment (see also the bottom right drawing in the following picture.) I dug out the old drawings and referenced them, as you can see on the bottom right post-it (which is still WIP). The bottom left one is abandoned.

It's both a meditative and obsessive process. Most of the drawings (All those shown here) are made without a sketch. I prefer to just jump into it, slowly building up the layers of mist and rock formations.

The biggest problem is that I get absolutely swallowed up by the process. When I've started, I have a very hard time stopping again. It gets into my brain and continuing working on it becomes all I can think about.

I have to take breaks and I have to aggressively force myself to do so, as the tiny little lines in these does a number on my wrist and forearm. And I'd like to keep those for as long as possible. I have to physically remove myself from my desk, as I have proven myself able and willing to work through the pain.

So I'm taking a break between drawings so I can maybe focus on something else. Like making this post lol

Thank you for reading <3 I very much appreciate it.