#really resonated with me

[feisaru]

Hinted Zanark I hate you so fucking much & hinted Fei.

[63]

[your-supportive-friend]

Your hardships are not your weaknesses, they are your strengths

[hawberries]

canaries with my favourite b99 bit

[kimdokjas]

though the movie might be cancelled, yuri on ice will live forever in our hearts. thank you yoi fandom, it's been real ♡

[ariazou]

“Well? Don’t you want to save your friends?”

Iconic moment with Iguin and Coco 🪄 So excited to see how that storyline goes

[adriles]

when we’re done with our overwhelming grief we’ll eat i guess

[six-tooth]

anyway feeling very normal about this scene

the fact that after a long, unpleasant day of absolutely nothing going his way and constantly being reminded of how much everyone else dislikes him, he's too tired to keep his act up and seeks out a genuine conversation with the one person whom he hasn't interacted with through the entire adventure

Pomni about to answer sincerely before realizing it's Jax and changing her approach, either out of caution or uncertainty by him being so... casual

she braces for one of his usual remarks/jokes but is surprised when he answers with neither, simply letting her know how he's doing as well

finally, when he's called over for another task, he's still visibly annoyed but follows through without much protest and waves goodbye to Pomni, who is undoubtedly confused by what she just saw.

there have been a couple of instances where the series shows us that Jax is being affected by the circus more than he lets on, and they were really focused on during this episode.

this got me thinking about what Goose really meant by him "getting worse"; most people (myself included) interpreted it as his actions gradually escalating to a point where it could result in conflict with the rest of the cast, but after this scene and near the end where he leaves and gets in his car, it could be understood as his repressed emotions finally catching up to him and turning his mental well-being for the worst. It could also be a mix of the two

now this is the part where I put my delusional cap on, but there has been a significant build up to Jax and Pomni's relationship through the whole series, the most notorious one being:

his hand missing from Pomni's moment of realization that the other people she's been trapped with are trustworthy and care for her. You obviously can't blame her for coming to this conclusion, but I think that's exactly what made this small interaction a lot more important

Jax has been pushing others away and masking his emotions for who knows how long, and one of the primary focus and messages of TADC is connections with others and how important they are, so for them to show us Pomni seeing Jax have a brief moment of vulnerability, I do believe it's reasonable to think that they will eventually develop a relationship with some amount of significance, maybe even something close to a friendship

but yeah, feeling very normal

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[vaguely-concerned]

purple hawke who, at malcolm's death, lost not only a father, a mentor, the single most stable and safe point in their world up until this moment. but also the only person in their life who would consistently, gleefully 'yes, and — ' them. the loss, in one fell swoop, of both a beloved parent and your sole willing — no, not only willing, enthusiastic — improv partner. truly, the most unkindest cut of all that the maker could have seen fit to deal. (there's always so much less laughter in the house, after malcolm's gone.)

and then after all the horrors of the blight and trying to make a new life in the shithole turned shithome of kirkwall....... they meet varric. and something that's been slumbering deep within their soul dries a tear of relief and joy and whispers 'oh we are so back'. and they are so right

[anitoshka]

Rusty Venture, the Boy Adventurer

[i-am-a-fish]

how do you just exist without feeling like you're at the bottom I am shocked by you

to be honest, I'm very positive and cheery online, but I'm actually really depressed in real life. I have happy moments and bad moments, and when I'm feeling happy that's when I post things, or at least that's what I try to do. I've seen some terrible things in my life and know that awful things are happening all over the world, and that often makes me feel hopeless. I don't know what else I can do, so I try to document when I feel joy by making posts here. this style of content really helped me when I was at my lowest points, so I want to make as much of it as possible

[noodles-and-tea]

🥺

[leofwines]

[bookofmac]

Monkey Man is good for many many reasons, but in my look through the tag and for some reason no one is mentioning the comedy at play?

Like guys, he runs at a window to do the big Action Hero Jump and bouces off like a pigeon. The Indian Three wheeler is built like a fast and the furious car, has the license plate s3xy car, and is named after Nikki Minaj. The one kick KO. They play Boney M as he kills people in the Elevator. It's really well crafted

[aashiqeddiediaz]

i don’t know if i know how to word this properly but basically i just really like that buck’s realization shows older people who might be questioning their sexuality that it’s okay to not know in your thirties or older, but i also really like that it shows younger people that you don’t have to know right here and now and there’s no age you have to know by. i like how it emphasises the fluidity of sexuality in the form of a macho firefighter who hasn’t considered men in any conscious (or even subconscious) light, and i think that’s a very important point to put across

there’s something to be said about finding out that you’re queer in your thirties and i love that 911 is showing us that through buck, and showing us that maybe you might always know through hen, and showing us that maybe you’ve repressed it for a good chunk of your life through michael but there’s also something to be said for the younger viewers who are struggling to label themselves - to know that it’s okay to not know just yet and still be valid, and be a member of the queer community. and there’s also something to be said about seeing a thirty year old man slip into his realization all happy and safe with another firefighter who tried to hide that part of him, and basically i love my lil gay firefighter show