#real interesting stuff
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gothambelfry · 2 months ago
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Have you guys seen the transfem blahaj discourse
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cheddar-baby · 11 months ago
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You know i picked up this record so long ago but ive never actually listened to it. Its an art piece that is disco being played from another room by artist mark clintberg
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unsung-idiot · 5 months ago
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don't show him modern technology; it won't end well
bonus under the cut:
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jiauro · 14 days ago
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Heavy is no longer my least played class
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b4kuch1n · 11 months ago
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podcast people in my phone
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imclou · 2 months ago
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can't believe fnaf brought me out of art hibernation man what a turn of events
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illmoraineakoi · 6 months ago
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So, I know I'm a little (very) late to the AvA stuff, but I was rewatching AvM Season 3 for the seven hundredth time and, well, I noticed something and I'm curious to know if it's been discussed before.
AvM Episode 29, Purple's story, specifically, Pink's death.
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Her color changes as she dies, or is represented to have died.
It fades to grey.
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Now, the question is, can we, or rather should we, use this to infer anything lore-related? Was this just an artistic choice to depict the act of becoming unhealthy/dying, or could this be what actually happens to stick figures that die over a period of time? Are their colors linked to their health?
Let's have a bit of fun with it, and presume that the fading of one's color can happen to a stick figure for health-related reasons, as the scene could imply.
This fading seems to involve loosing the saturation of one's color into grey. Saturation is how vibrant a color is, and the complete lack of saturation is greyscale.
The World-of-Alan reason for Pink's death is that she 'got sick', which is where the health connection of this theory comes from. If she did loose her color as she was dying as the notes depict, that loss of color was likely a result of her failing health rather than any other factors, like age or outside variables. A whole bunch of human body stuff are indicators for good vs poor health, including skin color (jaundice and cyanasis are good examples) so why not a stick's color for them?
What if, when they fully die, they lose all of their original color?
Now, let me propose this…
Who else do we know of who has had their color loose vibrancy?
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What if Victim's color has lightened because he's ill?
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ladyloveandjustice · 11 months ago
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tbh, Marcille does infantilize Falin and deny her agency at times-- it's something that definitely intentional in how their relationship is written, It's a flaw and (imo) a way that Marcille also holds herself back from acknowledging her feelings for Falin, which I think she has a hard time acting on because of her own web of issues.
Most importantly, I think the reason she's subconsciously afraid to act on her feelings and the reason she infantilizes her are one and the same, tied to her biggest hang up: Falin's going to die long before Marcille does, and Marcille cannot accept her own feelings because she's terrified of that. She also does the "oh you're just a kid who doesn't know better" thing for the same reason. To constantly remind herself that Falin has a shorter lifespan so she can keep herself from thinking of Falin a certain way, to remind herself that a romantic relationship would bring pain. To keep them on unequal levels. To try to dismiss the feelings she has as meaningless because look how "young" Falin is, look how short her life is.
Marcille is obsessed with control and deathly afraid of abandonment. So yeah, she's controlling in her relationship with Falin. And significantly, Falin is not the only person she infantilizes and tries to control. She does the same for ALL her friends and loved ones of other races. She often talks to them like they're kids, decides for them that their short lifespans are sad and they would be happier living a long time like her, that they need to be saved by her that's why she should be in control--because she doesn't want to lose them. Because she wants them by her side forever.
That's obviously something she needs to overcome for Marcille x Falin to actually work and uh, significantly, she does overcome that!! Laios and the others help her accept that death is outside of her control and she can't decide for them what's best. And then she let's go and says she'll accept it if Falin doesn't make it back. She now understands that short lives don't make the others lesser, that she has no control, that she has to accepts the terror of death and fear of loss. Now she can accept and love them as they are, as equals to her.
And in the unoffically-translated post canon material, she also lets Falin give her answer to Shuro (despite CLEARLY being outraged at Shuro and terrified she'd say yes), and accepts that she wants to go travel and get to know who she is without her brother or Marcille, because she's never really done anything for herself. And I think that's really, really good for Falin! That's necessary for her! She's spent her life in the shadow of both of them, and it's time to take some Falin time.
And Marcille lets her. She learns to let go. But that doesn't mean Falin doesn't love Marcille. She specifically says she wants to come back to Laios and Marcille. And I think when she does, the obstacles will be gone. Marcille now understands Falin as not a child, but someone whose potential death she can accept. Nothing is in the way of her feelings. And Falin, now more independent, still thinks of Marcille as home and wants to be with her. That's the journey they take and when they'll truly be able to have a complete relationship and express their love.
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stars-obsession-pit · 3 days ago
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Edward Nigma was faced with a puzzle.
A boy named Daniel Fenton.
He should be a nobody. A random kid from some backwater town he’d never even heard of before called Amity Park.
Yet somehow, he kept being caught up in the schemes of Gotham’s rogues before getting away scot-free.
There had to be something going on. It happened way too much to just be a coincidence. No one was that lucky, and no one from outside a major city should be that experienced with villain attacks.
Whatever the cause, he was going to figure it out. He’s the goddamn Riddler, no midwestern kid is going to outsmart him.
And when he did, he’d put him in a trap impossible for him to escape, just prove his own superiority.
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fluentisonus · 7 months ago
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(typing this as I walk to work so this is not articulate but) thinking a lot abt how les mis w javert sort of. hm. questions? problematizes? the Idea of dogs & the domestication of dogs (metaphorically ofc) like it sort of looks past the 'man's best friend' angle entirely & makes you think things like. kind of fucked up of humans [the social order] to domesticate the wolf [person outside of society for whatever reason] expressly to turn against & cause harm to other wolves in order to keep them out [away from respectable society] & keep themselves safe but never truly consider it an equal [it'll always just be a dog]. kind of fucked up that the dog finds enjoyment & life's purpose in this
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trekkerac · 2 months ago
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i miss when i used to like drawing ocs
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noodles-and-tea · 5 months ago
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What are people even saying fiddleford did?? 😭 like what did he ever do wrong I can’t think of a single thing. maybe it’s bc I didn’t read the book yet
I think what is primarily being discussed in his case is a) he left his wife and b) he started a cult to erase people’s memories, generally nonconsentually.
Now we don’t actually know all that much about fiddlefords relationship with his wife, there are things that suggest he maybe wasn’t prioritising his family when he was with Ford (I.e. the Christmas presents) but I think it’s unfair to write off someone’s headcanon or theory as “wrong” when there’s no definite answer.
The cult is probably definitely a bad.
BUT! What’s so revolutionary about Gravity Falls is that it has well written characters that are complex and with flaws. I think just about every main character does something bad or selfish at one point or another but it’s also always perfectly justifiable to the character too. There is always personal reason for their actions so nothing is technically black and white “bad”.
I’m not pointing fingers but I reckon some people who maybe aren’t so familiar with fandom spaces or consuming media in a more critical way seem to have a sort of mindset which means that in order for you to like a character they have to be entirely good (or bad - but if they’re bad you have to admit they’re bad and that’s why you like them). And of course people could also take the personal justification and turn it into actual justification.
A lot of the conflict in the show is morally ambiguous and the characters motives are generally easy to understand and even empathise with. Most people that genuinely enjoy the characters - or at least, speaking for myself - don’t excuse their flaws but enjoy the complexities of them!
All that to say, Fiddleford is literally me you guys <3
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5-pp-man · 10 months ago
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no you don't get it. i literally love stories where they dive into people's hearts/minds (literally or figuratively) sm it's my favourite type of storytelling.
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bvckbiter · 8 days ago
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fandom talks too little about hylla and reyna. reyna killed her father when she thought he'd killed hylla. hylla dragged them out of puerto rico and found them sanctuary and employment on circe's island AND became one of circe's favorites. then when they got captured by blackbeard hylla also got them out of that situation by out-pirating literal immortal pirates. then in a span of three years, they split up, found their own ways to the amazons and cj, and became the leaders of their respective factions. when hylla's queenship was being threatened by otrera in son, she plotted a counter-coup and defeated an amazon queen who couldn't die two nights in a row in one-on-one combat, THEN led her cavalry to camp jupiter. (ik this woman slept like a corpse for a week afterwards). hylla used reyna as an absolutely ruthless bait-and-switch to capture orion, and all reyna said in response to that was, "bet." reyna carries insurmountable amounts of both guilt and gratitude towards her sister. even though they havent seen each other in a while, hylla still drops everything and does everything in her power to save her baby sister when she knows reyna needs her.
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mollysunder · 2 months ago
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The Medarda arc of s2 struggled to be good, because the plot viciously smothered it. You can argue that Arcane was never about politics but you cannot say the Medardas were never explicitly a family defined by politics. So when the show shifted it's priorities from a drama steeped in political conflict where even though the setting was fantastical the stakes were grounded to a shift where magic is the end all be all threat to humanity, the Medardas are rendered largely irrelevant.
In s2 Mel's agency over her own story is both largely stripped from her and poorly communicated. Arcane has Mel abducted from the plot to be the Black Rose's captive. Even when Mel manages to free herself it's not through the traits the audience understands are her strengths, her cunning and social intelligence, it's through an innate instinct that natural to her and indecipherable to the audience.
Ambessa as a character is more or less a villain of convenience, which would be fine if she wasn't immediately following Silco's act. Once Mel is removed from the story Ambessa is largely disconnected from any emotional tension fuels conflict between the characters and previously drove the plot in s1. She's there to play the worse bad guy for Caitlyn and then give Viktor the man power for the Glorious Evolution.
It's frustrating to see the Medardas used the way they are in s2 because when they're together I can see how it could be good. When they're together Mel forces emotion out of Ambessa. In Act 1, Ambessa proved she could do circles around Piltover's court, which could actually put Mel in a tight spot.
Their final scene on paper sounds like a good idea where the true resolution to Mel and Ambessa's story was that Ambessa saw Mel's own ruthless behavior as she not only betrayed Ambessa to the Black Rose, but used her as BAIT to double cross LeBlanc. Ambessa died proud that her daughter killed her the way she did, and that's so cool and tragic, but the execution was a flop.
One, their final fight is completely unimportant to the actual Glorious Evolution, Mel's grief can't even be a highlight because it's interrupted by Viktor's mind trap. Two, their fight didn't rely on any of Mel's actual strengths, just magic and the poorly explained MacGuffin LeBlanc gave her. How did Mel even know it would do that?
It's like the writers had the bones for a great story for the Medardas, but then they're like the world's worst archeologists and fit those bones together in the worst way possible because they were convinced the bones made a stegasaurus instead of a T-rex or something.
#the black rose also doesn't really do anything except kidnap Mel#they know there's an end of the world level problem but they just sit on it for no real reason#arcane critical#mel medarda#ambessa medarda#s2's priorities are mostly incompatible with the kind of characters the medardas were set up as in s1#and frankly didn't want to engage with what made them special#personally i think it's connected to how the showrunners were suprised at Silco's popularity bcuz the stuff that makes silco interesting#is the same stuff that makes mel and ambessa interesting#which is what makes it worse bcuz the blueprint was there for the medardas to shine in s2#but the plot literally ran away from them so they're both largely devices in other people's stories mel less so#you could edit mel out of the last episode and nothing would change in the end#that's how irrelevant she was to the story#actually you could do that to ambessa too they're just there to pad out the numbers to include noxian soldiers#why did mel need to be stuck in the occulorum for the black rose arc to function#they could have easily had more agents in piltover like they did with amara#and they try to ingratiate themselves with her as ambessa further alienates her o#position of power in piltover and mel doesn’t know who to trust except herself and accepts that her methods were always#as ruthless as her mother's wothout any direct bloodshed#or something like that I'm just spitballing#did anyone else notice mel and ambessa didn’t get a songle song durong the show#no blood sweat and tears doesn’t count bcuz it wasn't in the actual show#compare Ambessa's death to Silco's or even Cassandra's who had more weight and time given to it?#it's just above Heimerdinger's own “death”#that's how relevant the Medardas are to this story they're heimerdinger level
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felassan · 5 months ago
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Ghil Dirthalen: 'Interview with John Epler || Dragon Age: The Veilguard {Marketing Spoilers}'
(Before deciding whether to watch this video, please note the spoiler warning in the title and in the video description below. ^^ also the segments of the video I mention below are not to do with DA:TV!)
Video description: "Welcome, welcome! I was honored with being able to go to the Veilguard preview event earlier this month, and I got 20 minutes of John Epler's time to ask him questions on the upcoming game! Epler is currently the Creative Director for Veilguard, but has been with the series for ages now. Near the tail end of the video, I do ask questions about some details of the game that were released in marketing so far, so please keep that in mind!"
[source]
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Ghil: "Kind of in the background doing a lot of heavy lifting in the fandom is a Tumblr user called Felassan." John Epler: "Yes." Ghil: "And they're actually a very good friend of mine. And I know that they would just be overjoyed if I asked to your face, is there any chance that we can get a Last Court just out, back out into the wild?" John Epler: "Last Court - the problem, I would say I don't actually have a great answer to that one, largely because that's not, that's not fully ours, that's owned by another company, so."
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🥺🥺...
Also also,
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DA Theme Park Ride also mentioned!! a glorious day. (cailan voice)
(you can find out about the Dragon Age Theme Park Ride Odyssey here, i promise it's better than gettin high)
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