#real canon scene

[somewhereincairparavel]

credits to @aroaceleovaldez for generously revealing the font name i had so much fun w this (the fonts called 'centaur')

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[sirfrogthe3rd]

"If an artist falls in love with you, you can never die."

[sgt-dignam]

aren't there 12 notes in a scale? what'd you say? music. my mom was a piano teacher. she used to say that music is the universal language.

FROM | 3.10 - Revelations: Chapter Two

[gayofthefae]

This shot being in the show is wild.

[account-name]

he's having a not good time, as usual

[stephsageek]

[peacockrulz]

its my birthday i get to decide what ship i post (spoiler alert its VHAD)

(bonus under cut)

its 4am so heres them eeping :3

[avenin7]

we really need to start writing more fics about the botw champion’s being the threats they are. guys they are SOLDIERS. WARRIORS. they are not out here having little cutesy times ok? they are fucking killing shit. Link canonically killed a dude. they are the best of the best at what they do. show it. give these characters depth. don’t just make them their tropes.

like i want less people to just go ‘oh and then they killed an enemy camp anyway.’ like HOW my guy? i am BEGGING please give these characters more depth than what they were given on screen.

especially urbosa! shes not just mommy figure or wine aunt she is a LEADER of her people and a warrior show her acting like one. revali may be a prick but he IS the best warrior rito village has ever seen. he’s not shying away at blood or violence.

MIPHA. my god MIPHA BABY GIRL!! what did they do to you? made you into a uwu wify who is only here to be romantic conflict for other ships??? (and then get mad at you for it?) or only make you links girlfriend? SHE IS A PRINCESS AND A FIGHTER. just because she’s kind does NOT make her weak! she was chosen to piolet a divine beast. they aren’t going to let someone who isn’t capable do that. (SHARP TEETH AND CLAWS ALSO?????)

daruk is massive and strong enough he could probably rip a bokoblin apart with his bare hands, his weapon is there to make everyone else feel better.

like if were gonna write fics about needing to comfort or about anyone being squemish make it Zelda. have her realize she’s basically traveling with some of the most dangerous people in the country and having to figure out how she feels about it.

Like come ON y’all! Think of the fics we could be writing!!!

[wilhelmified]

"I dreamt of swords last night.

I dreamt of battles last night.

I dreamt I fought by your side

armed and strong, last night."

[kit-screams-into-the-future]

jesus christ, doc, i thought you were a goner! warn a guy next time, will ya? jesus christ, doc. jesus christ

bonus doodle post-extra-long-hug:

(listen im a sucker for the forehead kisses alright. whenever it happens in a fic i eat that shit UP. it's the cutest thing ever idc)

[bangtanthoughts]

currently thinking about the fact they didn't have to make will being in love with mike canon but they did, they didn't have to show how much happier mike is with will but they did, they didn't have to write mileven like THAT but they did, they didn't have to make will's love for mike play a big role but they did, they didn't have to show how different will and mike's relationship is from mike's relationship with any of his other friends but they did. everything has a meaning. if it didn't, will's love for mike would've stayed a speculation. they did all of this and more on purpose, it's not gonna vanish just like that, it'll stay there and it'll grow. we won guys

[somewhereincairparavel]

[starbuck]

Ravenous is Haunted

Within the lore of Ravenous, eating people causes you to “absorb [their] spirit,” but what does that mean in practice?

Ives mentions that eating someone brave gives you a surge of bravery, which is exactly how Boyd goes from too scared to move to single-handedly capturing the enemy command. The spirit of his fellow soldiers and specifically his commanding officer compel him to do it. But we know that this personality shift is not permanent, it abates. However, I believe that there are other more subtle influences that remain. 

There’s a whole collection of things Boyd, Ives, and Hart do and say that mirror the actions and words of the people they’ve eaten…

The protectiveness that Boyd shows towards the Fort Spencer crew after Ives arrives as colonel is a new trait for him and highly reminiscent of Reich’s protectiveness towards Toffler. From the moment he’s stuck with Ives at the fort, Boyd also immediately decides to murder him, the thing that Reich died furious at him for not doing, and never strays from this mission at all. Boyd and Ives both headbutt each other in their final fight, a Knox fighting move, and Boyd also attempts to strangle Ives at one point, which is Reich’s. Another example that I like is when Hart says to the chickens he’s feeding “run away! run for your lives!” which is what Toffler died doing. These are all small moments in isolation, but together they form a compelling picture. 

For another thing, you have Boyd mentioning to Hart near the end the “nightmares” he’s “still” having about Reich, Cleaves, and Knox. These aren’t just random trauma nightmares, they are specifically about the three people of the Fort Spencer crew that he’s eaten. And, considering how strongly Hart reacts to the mention of this, he is likely experiencing the same thing. Since it is canon that they have actually ABSORBED these people by eating them, I don’t think it’s a stretch at all to call this a haunting. 

Put these together and you have the people who have been eaten haunting the cannibal characters at night and maintaining at least some sway over them by day, often without them even realizing it… Fun stuff!

As far as Ives goes, I think that he is less affected by this phenomenon than Boyd and Hart are. He’s been eating people for much longer than they have, he has no moral compass whatsoever, and he has a very strong personality, so he’s not gonna let a little haunting get to him. That being said, who knows what quirks of his personality we might be able to attribute to people he’s eaten in the past if we knew more about them? I also think that his assumption that he is unaffected by the people he eats is a part of his downfall, and I’ll explain that in a moment. 

The last thing I want to talk about is the bell because that’s what REALLY gets me mmmmmmmmmmm… SO! During Boyd’s fight with Ives, there’s a moment where Ives has fled the room they were fighting in and Boyd doesn’t know where he is, so he’s checking behind all these random doors and not finding him when he hears a bell ringing in the courtyard. He goes out and sees the ringing bell but no one near it. Instead of going towards it where he knows Ives is likely waiting for him though, he walks towards the barn, as if in a daze. When he enters, he sees the bear trap and gets an “Aha!” look on his face. 

Now, who do we know who is associated with both that bell and a bear trap? It’s Reich! He is the only person we ever see ring that bell and (in a deleted scene) he uses bear traps as target practice, shooting at them to snap them shut while Boyd watches. So, at the very least, we can say that Reich indirectly inspires Boyd in that course of action. 

BUT, because I am me, I’d like to take it a step further by proposing that, since Reich is haunting both Boyd AND Ives, he influences Ives to ring the bell (with Ives not consciously thinking anything more of about than “this will surely get Boyd’s attention >:)”) and then influences Boyd to walk over to the barn instead of immediately continuing the fight so he can show him how to end it once and for all. Boyd asked Reich to “tell me what to do,” and Reich answered him!

I did also write a fic about this concept a few years ago if anyone is interested!

[add1ctedt0you]

The Untamed - Episode 19

Throughout the night, he [Jiang Cheng] had somehow managed to sleep a couple of times. The first reason was that, having been too tired from crying himself weak, he couldn't help from passing out. The second reason was that he still had the hope that this might be a nightmare. He couldn't wait to wake up after some rest and open his eyes to find himself lying inside of his room back in Lotus Pier. His father would be wiping his sword in the main hall. His mother would be angry again and complaining, scolding Wei Wuxian who winked in a funny way. His sister would be in the kitchen, thinking as hard as she could about what to make today. His shidi would be refusing to do their morning lessons properly and jumping around.

The Grandmaster of Demonic Cultivation, Chapter 59, Poisons- Part Four

[bisclavret]

what SICKO wrote the last scenes between gwaine and merlin is what i want to know. because even lancelot's last episode with merlin - which had to have been intentionally gay-coded since it's obvious the man is grappling with his feelings for merlin morphing from platonic to explicitly romantic - is still subtext because he doesn't have the tools to healthily express his feelings so he goes for the biggest romantic gesture he can think of: sacrificing his life to save a loved one. the writers also make sure to root this gesture back to gwen by adding a scene where she's inadvertently asking him to make that sacrifice first, so although it's very obvious that it's more for merlin than for gwen that lancelot dies for, she is there to add some plausible deniability, thus keeping his sexuality within the realms of subtext.

i don't want to delve too deeply into arthur's last scenes with merlin as there is both so much to unpack about what they mean to each other and there is also somehow nothing left to say that hasn't been said before. my point is just that there's so much at stake that if the viewer doesn't want to deal with the romantic subtext between them they can hang onto the 38 other dynamics merlin and arthur have represented to each other that the writers spent 5 years plastering on top of the gay subtext. basically, while the romance feels textual emotionally-speaking, it isn't "canon".

i don't mean to say that any relationship is better than another (even though i obviously have a preference) but that in gwaine's final scenes with merlin there's just no subtext anymore. his becomes the most explicit expression of romantic love towards merlin, and therefore the most explicit acknowledgment of homosexual love and the existence of queer people on the show:

it starts out with merlin suggesting that gwaine saved a girl from the saxons and then looked after her because he has a more than platonic interest in her, and they show us that merlin is right - gwaine and the girl eira slept together - even as gwaine half-heartedly denies any interest (which, why even deny it? merlin saw them holding hands! unless the lie is part of the point). then in that very same scene and directly after this exchange, merlin needs rescuing from the saxons, calls after gwaine, and gwaine performs the exact same role for him that he performed for eira: he saves him from the saxons and looks after him (for as long as merlin lets him).

the parallel between merlin and eira with such quick cause and effect (it literally all happens within the same minute) is where the shift from subtext to text becomes undeniable. yes, there have been other moments on the show where a character's affections towards two different genders are beat-for-beat the same, but, again, there has always been plausible deniability. in this case the parallel is meant to be taken at face value: the core point of it is to show us how gwaine expresses his attraction.

then, the dialogue they chose to bookend this scene with takes it a few steps further by functioning as a textual love confession to merlin himself: the scene opens with gwaine thanking merlin for everything he did for eira, and merlin saying that there is no need to thank him as it was the least he could do. a minute later, after merlin thanks gwaine for protecting him from the saxons as both merlin and the show just concluded gwaine did for eira for romantic reasons (even as he denied it by outright lying), gwaine parrots what merlin said when gwaine thanked him: no need to thank me, merlin, it's the least i could do.

but this comes off as the opposite of dismissive: in fact, this echoing of merlin's words is meant to jolt both merlin and the audience. by saying this right after saving merlin from the saxons, gwaine has now intentionally pointed merlin's attention towards the explicitly romantic parallel between himself and eira. gwaine is directly implying he just did for merlin what merlin correctly deduced he did for a woman because he desired her sexually and romantically, and he is using merlin's own words to challenge him into seeing past the initial flimsy lie that there is nothing between them. and what's behind the lie, of course, is that gwaine has done all of this and more because he desires merlin sexually and romantically. the camera even lingers on merlin, allowing him and the viewer to absorb what just happened. that for as long as we have known gwaine, his motivations have always boiled down to "i want to be there for merlin". and now both the audience and merlin finally know for sure what was motivating him the entire time.

what's more, by using merlin's own dismissive words, gwaine also implicates merlin's penchant for repression and denial and never allowing himself to be given credit where it's due. this unfortunately never properly gets dismantled on the show, but this moment shows that gwaine knows merlin well enough to know that he goes above and beyond for people, and that merlin's reasons for this ring as false to gwaine's ears as gwaine's reasons for saving damsels do to merlin. it also bittersweetly implies that gwaine has accepted that these are the platonic, repressed terms on which he can have a relationship with merlin. but i think the way in which he explicitly points all of this out to merlin is meant to imply that he isn't entirely happy about having to accept that. or, to circle back to eira, that merlin seems to be cheering for him to enter a heterosexual relationship when gwaine would clearly rather be with him.

what's additionally interesting to me about this is that this is one of the only scenes on this show that touch on same gender attraction that isn't using magic as a metaphor - because merlin doesn't have magic at the moment, yes, but also because gwaine is the more active character in this sequence, and he's an adventure hero, so he simply fights the bad guy to protect the person he loves. there is no metaphor to wrap this in, so he just gets to explicitly state his bisexuality. in the next scene, the very last one he and merlin share, it all becomes about magic again, which is both representative of merlin's sexuality and the show's "plausible deniability" approach to gay-coding, and so neither gwaine or merlin are permitted to acknowledge it. also, and this is for another post altogether, but all things point to "gwaine knew". not least because he gets to come out as queer without the complications of the magic-as-gay-metaphor which in turn emboldens him to ask merlin for the truth as directly as the metaphor-suffocated narrative will allow it.

tldr gwaine textually and canonically expresses and then confesses his feelings to merlin in a shockingly well-written and layered scene which makes gwaine the most explicitly queer character on bbc merlin and it's entirely because he exists outside the magic-as-gay-metaphor plot while loving someone who embodies that entire metaphor and it's crazy to me that we don't talk about this more. once again i ask what SICKO wrote this and where were they for the entire rest of this fucking show

tldrtldr at least gwaine is bi. its like i always say. at least gwaine is bi. at the end of the day. gwaine is bi. dont cry ok? gwaine is bi. at the end of the day. gwaine is bi. when all else fails. gwaine is bi. we'll always have. gwaine is bi