#reading the lyrics makes me think about many characters at the same time

[amelikos]

Listening to Only One Story while reading the lyrics (here), they are beautiful (especially the "no matter how many times you cry, you'll be fine" part).

I think everything written before verse 2 is going to be the TV version of the opening which we'll get to see accompanied with visuals. I am personally curious which lyrics will be associated with Amethio in the opening itself. One of the lyrics mentions "rainy days" so I wonder if they will take this opportunity for the wordplay ("ame" meaning rain, and Amethio's name has "ame" in it..). Also curious about the lyrics mentioning the "promised place", I'm thinking it refers to Rakua and meeting Lucius there.

The second verse is probably the part that won't be used for the TV version. Though, I'm looking at the lyrics mentioning "eternal feelings" because the reading for the kanji "永遠" is specifically "towa" (same reading used for the "eternal blessing/towa no megumi" in the series itself). "Eternal feelings" makes me think of the Six Heroes' feelings towards Lucius. Even Gibeon's, maybe, if he held on to his feelings towards Lucius (whatever they were) for the past decades (and maybe at the cost of everything else... since it feels like he wants to settle something that is in relation to Lucius and that he won't get to rest until he does). Eternal feelings overcoming the passage of time, etc.

Anyway, pretty nice lyrics! It feels like a melancholic song, but also encouraging (the initial promo for the opening mentioned that it was a cheerful song, here). Reminds me a bit of Halo in some ways. Now, just to wait for the visuals.

[cl-0v3r]

Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[yanderenightmare]

your vocab is really rich, what's ur secret

oh! uhm... excellent question!

Read! And every time you stumble upon a word you've never noticed before or know but don't often use, put it in a list, write down its meanings, and try using it the next time you write! (I'll put my list after the cut)

Read different things! Different authors and different styles, especially poetry! I mean, if you're looking to fatten your vocab, reading poetry is one of the best ways to do it. Poetic writers must search far and wide for the perfect words to create rhymes and rhythms and audibly pleasing sentences---they practically do all the work for you! Honestly, I am so serious about this. One of the best things you can do is buy a fat compendium of poetry with all different authors and eras. Get you some Edgar Allen Poe, Sylvia Plath, Emily Dickinson, and Shakespeare if you want to hurt your head. Also! The same goes for music! Try listening to the lyrics---you'll probably hear some words you've never thought of using in your writing.

Here's a cheap trick for bilinguals---write something in your own language and put it through Google Translate. Honestly, I've found so many words just by doing this.

Every time you feel you've used a word too much, or anytime a word bores you to read, search up its synonyms and try using something you've never used before---don't stop the search until you're satisfied. Sometimes, it takes me more time to find just one word than it takes to write an entire post. Not only does this enrich your vocab, but you've probably just written a whole other sentence with newer meanings and more nuance!

Make your own synonym lists! Seriously! Because you can only find that many creative synonyms by searching up "word+synonyms."

Additionally! Think outside the box! Often, the best synonyms are those words that aren't actual synonyms at all. If you read poetry, you'll see poets use unorthodox words in place of something all the time---it's called a metaphor. Take flesh, for example---you can use fat, meat, muscle, brawn, beef---but you can also use cake, down, plume, pillow, softness, etc... I find this one especially useful for writing erotica, as you have to describe a lot of the same actions and body parts over and over and still make it interesting. (I'll add my synonyms list after the cut)

Also! This one is trickier, but instead of using words and synonyms, try making sentences that can replace the word instead---such as longer metaphors and fuller descriptions! This aligns with the literary device of "showing vs. telling." Of course, outright telling has its uses too and should not be disbarred entirely from writing, but often, it's showing that persuades the reader more. For example, instead of saying nervous, make sentences that describe how the character in question showcases nervousness---does their throat close up, do they sweat, do their eyes go wide, do they stutter, do they fiddle with their fingers, pick their nails, bite their lip, kick the ground, hunch their shoulders, look away, blush, flush, cry, run away or do they feel stuck? Describing these things helps the reader better understand the type of nervousness the character is experiencing. Hence, it makes for not only more interesting writing but also clearer writing!

A similar literary device is "focus and expanding," which slows down the reading or puts focus on certain aspects of the text by describing something to a great extent. If, say, this nervousness the example character is experiencing is of great significance, then that's what the readers' takeaway should be. But the reader won't think too much of it if the text simply states that they're nervous without underlining it. Luckily, there are plenty of ways of doing that, firstly through showing vs. telling, such as in the examples above, then metaphorically, such as "the ground seemed to swallow him up, down the guzzle of a monster with an appetite for disaster---darkness ensued like a storm cloud, cold and clawing with a weight heavy enough to nail him to the spot---all eyes were on him, unblinking and all-seeing, no matter what, he couldn't escape, he was stuck, glued to the ground by the soles of his shoes." I mean, the options are truly endless. These metaphors piled together are also a form of focusing and expanding, but you can take it even further than that by focusing on a small detail and giving it significance. For example, say the character is sweating because he's so nervous---you might focus on a single droplet of sweat instead of everything else, "A chill ran down his back. No, not a chill--sweat. Cold and creepily tracing the rigid bones of his spine. He can't move--if he moves, then they'll see. The sweat will seep into his shirt, and everyone will know what a sweaty and pathetic wreck he is. So, he can't move. No, yes, leave it alone. The droplet continues, running down the cold skin of his clammy back, sliding undeterred until meeting the band of his boxers and disappearing in the fibers. He swallows thickly and sighs with relief--only for another to pill at his nape, tracking the same course as the former. A vicious cycle is forming. He needs to get out of there!" And that's focus and expanding, folks! Focusing on something minuscule and expanding it by using it to describe what the character is feeling. It's a way to have a fresh take on something that's been written a thousand times before, such as "he was nervous."

Anyway, I might have gone a little above and beyond, but really, all these literary devices are ways of "expanding vocabulary" or at least giving an impression of it.

NEW WORDS

Manically---like a maniac

Despotic---like a dictator, having unlimited power over someone, often using it unfairly and cruelly

Chasm---a deep fissure, like a ravine, wound, or metaphorical rupture

Shunts---track-change basically, scoots to the side

Dearth---a scarcity or lack of something, a shortage

Raucous---making a harsh or loud noise

Innocuous---not harmful or offensive---harmless and safe, but also bland and unremarkable, maybe even a little boring

Lanyard---the woven necklace of a festival pass

Gossamer---fine spiderwebs, almost mesh

Cossetted---care for and protect in an overindulgent way

Beribboned---decorated with many ribbons

pupil-fat---cool way of saying enlarged pupils

Chitters---snickers, like a bird

Decadent---corrupt, depraved

Blotting---either soak up and absorb, or stain, or obscure

Barbell---a bar “pole” with attachments on each side

Bunting---of animals, when they butt or rub their head against you

Garnet---red

Cherubic---angelic, plump cuteness, quality of a child

Haunches---hips

Sodden---soaking

Waxing poetic---speaking in a flowery or poetical fashion

Inkwell---a container for ink---a dark well

Rend---tear in two, or more pieces

Ebb---recede, go back, like a tide wave

Webbed---like a duck's feet

Cloying---sickly sweet

Saccharine---oversweet

Apple of your cheek

Swathes---wrap, swaddle

Shroud---obscure something

Moonstone---to describe something grey and dusty, but pretty

Kinked---tangled, messy

Leaden---heavy, dull, slow or the colour of lead, grey

Stygian---devoid of light and brightness, hellish

Flaxen---of hair, champagne colored---ashy blonde

Tepid---lukewarm

SYNONYMS

Related to sucking cock:

Swallow

Glug

Drink

Eat

Guzzle

Receive

Take

Suck

Suckle

Slobber

Gargle

Gurgle

Drool

Gulp

Gobble

Stuff

Glut

Choke

Gag

Lap

Lick

Kitten-lick

Slurp 

Allow entry

Related to kissing:

Kiss

Lock/brush lips

Tongue-feed

Suck faces

Smooch

Peck

Snog

Canoodle

Related to biting:

Bite

Graze

Nip

Nibble

Sink teeth into

Chomp

Related to crying:

Whimpering

Mewling

Bleating

Whining

Snivel

Sniffle

Cry

Sob

Bawl

Hiccup

Spluttering

Blubbering

Coughing

Croaking

Related to pre-cum:

Ooze

Leak

Weep

Well

Drip

Dribble

Flow

Drain

Bleed

Sweat

Seep

Pill

Pearl

Cry

Related to fear and panic:

Hysterical

Wild

Manic

Uncontrolled

Unrestrained

Frantic

Frenzied

Restless

Hectic

Sporadic

Swivel-eyed

Related to screaming:

Scream

Yell

Wail

Yelp

Yip

Yammer

Squawk

Howl

Squeal

Shriek

Related to moaning:

Moan

Whine

Yelp

Purr

Hum

Croon

Related to overstimulated moaning:

Mumble

Croon

Warble

Quaver

Burble

Bumble

Hum

Slur

Ramble

Mutter

Whisper

Stammer

Stutter

Scramble

Jumble

Muddled

Babble

Blubbered

Splutter

Blurt

Related to groaning:

Groan

Grunt

Growl

Grumble

Grouch

Hiss

Guttural

Feral

Rusty 

Throaty

Wet

Sloppy

Related to angry noises:

Howl

Roar

Bark

Grizzle

Grump

Related to surprise or fear:

Gasp

Gulp

Choke

Suck in a sharp breath

Flinch

Jump

Jostle

Wince

Hiss

Pull back

Related to comforting:

Coo

Fuss

Comfort

Hush

Shush

Tsk

Mollycoddle

Nurse

Cuddle

Babying

Consoling

Soothe

Loving

Smothering

Hug

Hug tight

Cocoon

Snuggling

Swaddling

Rock back and forth with

Cosseting

Petting

Overwhelm

Related to begging:

Beg

Pleading

Pray

Bargain

Related to soreness and pain:

Ache

Sore

Throb

Swollen

Fattened

Welted

Related to taking cock inside entrance:

Swallow

Receive

Take

Suck inside

Stuff

Fill

Allow entry

Submit to

Ease inside

Bully inside

Squeeze inside

Force inside

Push

Pry

Related to how the hole squeezes:

Kissing

Fluttering

Hugging

Pressing

Squishing

Squeezing

Tightening

Pulsing

Related to a wet hole:

Slush

Squelch

Squishy

Creamy

Sloppy

Wet

Soaked

Slosh

Sop

Cry

Slick

Weep

Drool

Gush

Swollen

Velvety

Gummy

Cotton

Silken

Satiny

Related to thrusting:

Squeeze into

Pound

Jam

Ram

Rut

Loll

Rock

Thrust

Stuff

Bottom out

Fill

Fit

Nestle

Cram

Prodding

Poking

Kissing

Hammering

Jack-hammer

Smack

Slap

Ream

Related to pleasure:

Ecstatic

Opium-eyed

Euphoric

Elated

Thrilled

Blissed-out

Rapturous

High

Cloudy

Numb

Related to overstimulation:

Overstimulated

Outdone

Aching

Burning

Sweating

Feverish

Delirious

Febrile

Numb

Immobile

Dazed

Dull

Related to being dumb, high, or overstimulated:

Ditzy

Dumb

Clumsy

Silly

Foolish

Giddy

Brainless

Dizzy

Fuzzy

Dopey

Whimsical

Fickle

Featherbrained

Daft

Hare-brained

Awkward

Graceless

Blundering

Bumbling

Klutzy

Clueless

Cloddish

Dense

Related to the body and the flesh:

Tender

Supple

Soft

Creamy

Plush

Doughy

Cakey

Downy

Pillowy

Malleable

Squeezable

Biteable

Pliable

Touchable

Putty

Plume

Related to cuteness:

Cute

Cherubic

Adorable

Sweet

Soft

Precious

Darling

Lovable

Endearing

Baby

Related to weak or smallness:

Breakable

Brittle

Weak

Fragile

Dainty

Delicate

Frail

Flimsy

Vulnerable

Petite

Small

Little

Tiny

Feeble

Defenseless

Powerless

Helpless

Worthless

Hopeless

Related to struggling:

Struggle

Winding

Striving

Straining

Toiling

Playing

Wriggle

Wiggle

Twist

Shake

Tremor

Shiver

Quake

Related to men:

Vulgar

Loud

Oafish

Rough

Rude

Rustic

Gruff

Gross

Doltish

Barbaric

Bearish

Beastly

Churlish

Coarse

Swinish

[stardustizuku]

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don���t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex��� Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[inlovewithpandora]

ੈ✩‧₊˚ — Summers Of Pandora ᝰ Day 2 - One Bed

Artists — Neteyam x fem!Omatikaya!reader

Lyrics — You and Neteyam spend the night together on an overnight hunting trip and while you’re trying to sleep the mighty warrior can’t keep his body under control

Music Advisory — nsfw content (18+), porn w/ little plot, aged!up Neteyam, suggestive/allusions to sex, best friends trope, one bed trope ᝰ this fic does contain aged!up character smut so if you don’t like that type of content please don’t interact and continue scrolling!!

Duration — 767 words

Index — pänutìng - promise • ftang - stop

Words From Artist — This is my first writing smut for Neteyam and it was fun writing it! Always feel free to comment and reblog, I love reading y’all reactions! I hope you enjoy!!

Current Platforms — event m.list・main m.list・event taglist ・prompt list

“Neteyam, move over. You’re all over me.” The agitation in your voice is clear while you try to scoot over, trying to give yourself more space so you can get comfortable and finally get some rest.

“If you haven’t noticed this bed wasn’t created for two people.” He replies with a groan while trying to keep his body from slipping off the edge of the bed.

“Fine, just turn on your side or something. It’ll give us a little more room.” You whisper through a yawn while flipping on your side, turning your back towards him and pulling the woven blanket that you and Neteyam are sharing over your body.

Neteyam has a feeling that this idea isn’t a good one but he wants to keep you happy and doesn’t want to put up a fight since it’s so late and you both are tired from the hunting trip today. “Uhm, okay.” He turns on his side, the side that’s facing your back, the side that gives him the perfect few of your beautiful ass and round hips. While Neteyam tries to focus on anything other than your body he notices you scooting back, making a low hiss fall from his lips. “W-Wait, y/n.” He says hesitantly while shifting his hips back, hoping you stay still.

“Stop poking me Neteyam, it’s too late at night to be playing around.” You wiggle around a little, trying to find the perfect position and get comfortable.

“I’m not, I pänutìng.” He breathes heavily while placing a hand on your hip, trying to calm your movements down. “ftang moving around so much, you’re making it worse.”

“Making what worse?” You ask in a confused tone, not understanding what Neteyam is talking about. Once you turn around to see face Neteyam you see his face all flushed, his normally blue cheeks gaining a purple hue, making you wonder what that could be about. “Neteyam, how many times do I have to ask you to stop-” You place your hand where you feel the poking in your back, wanting to grab whatever hard thing is giving you discomfort, but what you feel against your palm isn’t what you assumed it was going to be. When you realize it’s Neteyam’s hardened cock in your hand your eyes bulge open, not expecting to feel your best friend's length tonight.

At first you don’t know how to react to what’s going on but you can’t help but feel a sense of warmth spread through your core when it registers that you caused Neteyam to become erect. You’ve always had a crush on him but you never knew he felt the same, now you finally have your answer. Since his feelings are clear and you’ve always fantasized about pleasing Neteyam, why not take this opportunity and give him a nice little handjob and help him achieve the sexual release his body is clearly asking for.

“y/n…” He mutters out while looking down at your hand grasping his cock, feeling it throb the more he thinks about you touching him because he’s always wanted this moment to manifest he just didn’t think this is how it would happen. He doesn’t want to seem weird for enjoying this lovely accident that you both stumbled upon but he can’t help it. “M-Maybe we shouldn’t- you shouldn’t do this…”

“Why not? I just want to help out my best friend, it’s the least I can do after causing it.” Your fingers work their magic to untie the strings that hold his loincloth together and once they unravel you lay eyes on his cock, swollen and veiny with droplets of his pre-cum already making an appearance. Your thumb gently swipes over his leaking tip, teasing his slit before moving your hand downward and slowly stroking his cock, already eliciting sweet groans to fall from his lips. “Just relax, Neteyam. I’ll take care of you.” You whisper softly in his ear before gliding your tongue around the shell of his ear and making your way down his neck and to his jaw, covering each inch of skin you touch in kisses.

In a million eclipses the mighty warrior never thought he would see the day where Eywa would grant his wish to share an intimate moment with you but here you are, giving him a handjob and him crumbling in your hands and succumbing to your pleasures. Now he’s thankful that his father made him come on this overnight hunting trip, this is so much better than being alone in his mauri and jerking off to the thought of you.

Fanbase — @eme1hyst @o-kingston @erenjaegerwifee @Kaydoux @biaaaaaaaa1 @hikotaru @thisaintredwine @lexieeeeeeeei @that-gurl25 @Peanut713521 @anemonelovesfiction @32saucy-minx @rae @bigdikzaddy @laylasbunbunny @merlinbtch @morisim @btsiguess-kpop @sussybaka10 @galactict3a @shima @eyrina-avatar @headsincloud9 @buble787635 @normspellmann @em-x0 @sliqeramx @lexasaurs634 @yetanotherattemptatanaccount @myh3artttt @savagemickey03 @neteyamyawne @neteyamsblog @deadgirlrin

— all rights reserved © INLOVEWITHPANDORA 2024. all fanfics belong to me, do not copy, translate, repost nor recommend on tiktok any of the works seen here.

[keepingsecretstokeepyoutk]

This is going to be very long and sound a little crazy at first, and maybe a little mean but please hear me out…

I’m convinced that Taylor sometimes purposefully includes one line or multiple lines of poorly written or clunky lyrics in specific songs to make a point.

We all have seen some version of this with bearding songs like London Boy, a simple bop whose lyrics were immediately detected as sounding disingenuous, even with the general population (the locations she was signing about were the most touristy and too far away from each other to visit on the same day, etc, basically implying that she doesn’t actually have a long term local bf there that she spends a bunch of time with exploring the city with, etc).

But just like everything else on the album, I think she’s doing maybe a more in your face version of that. No holds barred.

So High School is an obvious example of this, with all of the early 2000’s hs imagery, she seems pretty blatantly to be mocking the idea the public has of her “living out every American girl’s high school fantasy” of dating the tall popular football player. With lyrics like “touch me while your friends play grand theft auto” (barf), etc, shes being clear enough that this is not a serious song.

This is the possibly controversial part, but I’m so curious to see what others think about this - I think another iteration of this on this album is the title track, The Tortured Poets Department. Hear me out.

(First, I want to reassure you that there are lines in this song that I really like and think are well written, like: “you’re in self-sabotage mode/throwing spikes down on the road” and “but you awaken with dread/pounding nails in your head/but I’ve read this one/where you come undone/I chose this cyclone with you”. And I fully agree with the idea that these sentiments are from Karlie’s perspective. Basically, when you take out the chunks I’m about to talk about this song makes way more sense and has a beautiful sentiment of undying love behind it - which makes the following parts stick out that much more!)

The first time I listened through the album, and this was the second song, I got terrified because I didn’t understand its place in the whole narrative and when I heard the first clunky line “scratch your head like a tattooed golden retriever” I got the ick. Then the bridge with no structure and no wit and no clever turns of phrase, no metaphor, just “you put my ring on the finger people put wedding rings on” and “that was the closest I’ve ever been to my heart exploding”. So over simplified and cheesy, and doesn’t sound anything like her writing, especially the caliber of her recent lyrics

I know art is largely subjective, but I insist there is no way that the same person who wrote Cowboy Like Me wrote these lines into her title track if she didn’t have a reason and a point to make. To make it clear that this isn’t a matter of genre personal taste, because I know CLM is a very specific sound and a style that music snobs often take more seriously - I love SO many of her candy pop bangers, they are infinitely more clever, articulate, and overall works of art by a true wordsmith than this. Karma, The Very First Night, etc are all a master classes in clever words and tight writing being tucked into an “unserious” pop song.

The lyrics I cited above to me sound like what haters believe her writing sounds like, even fans who make little jokey TikTok’s about her and make up a spoofy something to sing while in character - that’s what these lyrics sound like.

Im worried im being too harsh, but please stay with me because the more I think about the more genius I think it actually is.

In the context of the themes of rest of the album, (her being trapped, miserable, manipulated, ready to burn it all down, screaming to be seen) this theory became clear to me. I think she’s leaning into her public persona (in more ways than one, we’ve already seen it with the stunting), in a way setting a “trap” for her fans and the public, that will essentially call them all out on how they ignored the real her in favor of her pr narrative, making the album about paternity tests, etc, all of which I’m guessing will become very clear in retrospect, possibly after she comes out? (Of course it’s already clear to us now, which is another purpose of the beard songs including clunky writing - to signal to us that these are not serious and that she knows that we know that she knows (like Phoebe on friends lol))

Ultimately, this is (along with So Highschool) a classic beard song. When she writes in this voice, she embodies the most extreme versions of her public persona, not just the one she has cultivated on purpose, but also the one that people have of her that don’t know her (as she did in Blank Space), including those that don’t take her seriously - because her identity as a boy crazy psycho ex girlfriend is directly tied to people dismissing her art as vapid because, they’ve only ever heard her singles, they don’t know the full her.

That voice is the straightest, the most boy crazy, the most one note, and sometimes the most unsophisticated writer version of her that people have in their minds, including her fans - the fans that refuse to see her as a whole person, the real, that believe she is head over heals for big football boy, that believe “he knows how to ball, I know Aristotle” is a romantic line about how opposites attract, the fans that say they don’t “get” some of her most beautiful and well-written songs, the fans that don’t see her and haven’t been seeing her.

They didn’t see giant Taylor on the eras tour, they refuse to see all of her queer signaling, etc, and I think she’s making the bearding songs obvious to underscore the difference between her Taylor(TM) and Taylor(person) personas.

She knows that despite the fact that the lyrics don’t even come close to measuring up to the rest of the album, the public, and many of her fans, will make this song one of the most listened to simply because they are looking for evidence of her relationships from the past year. We’ve all commented on how insane it is that this layered, complex, devastating album is being reduced to the usual paternity tests. This is currently one of the top songs precisely because it is “about Matty”. And of course, So High School is one of the tops songs along with it because it’s “about Travis”.

The juxtaposition of the bearding songs alongside her beautifully written poetry of Prophecy, Peter, Whose Afraid of Little Old Me, Cassandra, How did it end, The Albatross, etc mirrors the juxtaposition of her two selves during the Midnights era.

She has proven the point that if they think she wrote every line of this song completely in earnest, then they see her largely no differently than her haters do, as a subpar writer who writes absurdly cheesy love songs praising trashy to mediocre, problematic men. By eating it up they tell her that’s what she’s good for, for being the subject of tabloids and warring fans who make this entire album about two (purposefully) mediocre songs and the men who “inspired” them.

She has proven her point - that a subset of her fans will be distracted by a lesser song simply because they think it’s about one of the greasy men that’s she been seen holding hands with. That they will ignore once again all of her pleas to be seen, that she’s in pain and caged, and has been driven insane by their willful ignorance. That they don’t appreciate her full potential and talent, that they don’t even see it, and just want to be confirmed in their ideation of her.

This song is essentially the “forget him(her)” pill at the beginning of the fortnight mv, but it’s a sedative for the fans, who are addicted to her straight narrative. Similar to Willow’s 13 chants of “that’s my man” that started off evermore, casting a spell of heteronormativity over everyone who wanted it, so that they could choose to just completely ignore the following 14 gayest songs ever written. Don’t pay no mind to her singing directly about women with zero male perspective - she said “that’s my man!” We’re good! She’s still straight!

Taylor in the fortnight mv had to a take a sedative to be able to go into the next room and write her bearding songs - ie she self medicates to deal with keeping up the straight persona and to get through having to release dumbed down songs to feed the masses. (I also see the pill as something forced on her, I think it represents both layers)

From the first time I watched the music video I thought the writing Taylor looked so miserable and the bearding songs are why.

In this room she’s trapped, churning out the songs that her fans expect of her, the songs that make her team money, the songs that make her money, but that she has to compromise her truth to create.

But when she frees herself she’ll burn the stories that weren’t true, the filler that doesn’t represent her.

I’m curious to hear other’s thoughts on this - have you ever felt like Taylor purposefully inserts off-sounding lyrics that are written in a different voice to make a point?

I want to reiterate that it’s not the entirety of either song that I think is terrible, I genuinely love bopping along to both So High School and TTPD (track). Like I said above, when you remove the clunky lines from ttpd (track), the song has another layer and likely gives voice to some Karlie insight that is beautiful and tragically profound. It’s the red herrings, the pieces specifically meant to tie this song to a bearding narrative, that I’m dissing, and the only reason they are suspicious in the first place is because I know how gifted Taylor is with the written word.

Taylor is such a skilled writer that she can embody the voice of the bad writer that dismissive ignorant idiots believe her to be, just to make a point!

I even wonder if maybe there is a second version of this song locked away in one of those drawers in the fortnight writing room that leaves out the red herrings and is a thousand times better than the bearding version we got.

I hope one day we get to hear it.

[avocado-writing]

hiii your bg3 writing is so *chefs kiss*

I was hoping you'd be able to write the companions' reactions to a bard!tav, giving them a private serenade one night. like they lead them to a clearing away from camp one night and there's a picnic set up and tav sings a song they wrote specifically for their love?

if all the companions is too many, could you please specifically do Halsin, Astarion, Minthara and Wyll?

oh, cute! going to give you a lute, as I think that’s easiest!

Astarion

he makes a comment about how he feels the picnic was a bit unnecessary as he can’t eat it, but you mention you’re his snack later ;)

you sit him down, pour him a glass of wine, and pull out your lute

you ask, suddenly uncharacteristically shy, if you can play him something.

he cocks his head to the side and nods.

your fingers dance across strings, and when you start to sing, he realises it’s a song about him.

you once offered to be his mirror, and tonight you repeat that. your song is about how lovely he is, in every way. how he’s handsome but kinder than he wants to admit. brave. fierce.

its the most sincere celebration of his character he’s ever heard, and by the end of it, he’s left shocked.

“oh…” “did you like it?” chewing your lip, nervous.

“it’s… you’re…” he really doesn’t have the words to convey how you’ve made him feel. so he gently takes your chin in his hand and kisses you.

the kiss gets deeper. the lute is abandoned. so, really, is the picnic. the music the two of you make then is of a different kind.

later, when he has time to come up with a suitable review, he will tell you how much it meant to him. you are his favourite musician, and he has a new favourite song.

Halsin

oh, he’s been around for a long time, but this is the first time someone’s done something like this for him.

he’s just sat in bowled-over silence as you play for him, and it is amazing. an epic ode to his life and kindness, how strong and handsome you think he is.

he comes closer as you sing, sitting right next to you. studying every inch of your face as you perform.

when you’re done, he tells you that it was the loveliest thing he’s ever heard.

“I’ve heard pods of whales singing as they meet up with their lost family… until now, it was the sweetest sound to have graced my ears.”

he gets you to repeat the song and turns into different animals to enjoy it, be it via vibrations or different ways of hearing. either way he wants to be surrounded by your music, and you.

Minthara

absolutely no idea how to respond.

she was brought up in a cutthroat world. this softness is new to her.

she remains quiet for a while as she tries to work out if you’re trying to get anything from her. is this a trick?

”oh, I’m sorry,” you say after a while when she’s just been staring. “did you not like it?”

”no. no, it was… play it again.”

you do, and she really listens to the lyrics. they’re about her beauty. how glad you are to have met her. her strength in battle and soul.

she’s exceptionally moved.

“this is… a priceless gift that you’ve given me. I have no way to repay you.” “I don’t need repayment. it was freely given.”

she kisses you, for she has no way else to thank you. you have moved her more than she thought possible.

Wyll

you play and he listens. his eyes and smile go wide.

absolutely enraptured. claps when you’re done, and cheers your performance. you laugh and bow for him.

he tells you how much you mean to him, what a sweet gift this is. how your love is his most treasured possession.

he reaches into his pocket… and takes out some paper.

“I… I know this is incredible timing but actually… I wrote you something, myself.”

and he starts to read out a poem.

oh, it is lovely. full of flowery verse, and sweet appreciations of you. all the little things which make him love you. you pick up your lute and play along eventually, and he gets into the rhythm too.

the two of you laugh at the fact that you both had the same idea! you’re so alike, so in sync.

he holds you tenderly, kisses you softly.

you end up writing many songs about your Blade. he is your perfect muse.

bonus:

Karlach bursts into tears when she hears it, and scoops you up into a big hug at the end. she’s so emotional. she can’t stop saying she loves you, she loves your song, all of it. lots of wet kisses for you.

Gale is rendered speechless for the first time he can remember. he just stares at you in adoration. he’s never had anyone love him enough to write a song about him before, and he full force of his affection for you hits him in that moment. he is smitten.

[rentsturner]

Alex Turner boyfriend headcanons

an: I haven’t written in a really fucking long time (if head canons count as writing idk?) so apologies if these are shit or there's typos and whatnot. Many thanks to @dropofdrool for helping me proof read and organise these, it’s much appreciated <3. finally, I know Alex is a real person but this is a work of FICTION and I have approached this as if writing for a fictional character - I am making no assumptions about Alex as a real person, just in case anyone wants to come at me. thanks for reading

AT HOME

He smells like cigarettes and clean laundry

You call him Elvis to annoy him - he will sulk about it for at least an hour (or at least pretend to) until you relent and apologise

He secretly quite likes it though

Making him watch Love Island and him being so confused and slightly scared

‘Are they allowed guitars in the villa?’ ‘I would get so bored in there’

Eventually gets invested in all the drama and is hooked

Will watch it every night even if you’re not there (traitor)

You definitely get handwritten love letters left round the house (come on we’ve all seen the evidence)

eg when he goes on tour, you’ll find little notes hidden in the pocket of your jeans or in the back of your phone case

He knows so many obscure and random words that you’ve never heard of and he’ll just throw them into a conversation sometimes to annoy you

He’s always jotting lyrics in his notebook and you have to wonder if he’s writing about you

When you argue you proper argue cos neither of you likes to admit you’re wrong

You always end up sorting it out though (usually with alex buying you flowers and a good dose of make up sex)

Alex is a pro napper - he falls asleep so easy and anywhere, it’s a habit from all the time he’s spent on tour

One of his favourite things is to have a nap with you, legs tangled together, him softly snoring into your shoulder

When he wakes up his hair is all ruffled and his eyes bleary, but he’s never looked better

Both reading your books together before bed <3 (he defo has reading glasses)

Alex has tried to teach you to play guitar so many times, but it always ends in sex

Cos he thinks the best way to teach you is to put his hands over yours, and press himself right up against your back, and whisper soft praises in your ear when you don’t fumble a chord, and then he sees your soft skin just where your neck joins your shoulder and he can’t help but press open mouthed kisses there and then you’re distracted and then…

It’s obviously never going to end well

ON TOUR

Obviously he tours a lot and most of the time you will travel with him, if he’s not busy

When he comes off stage he has two moods

He will either be so hyped and take hours to calm down, like will be constantly making some form of physical contact with you (holding your hand, pressing himself against your back, forehead kisses, normal kisses, randomly grabbing your hands and dancing with you)

Or he will be really quiet and tired, you can see it in his face that the concert has just taken it out of him

Usually when he’s like this, you just sit with him backstage for a while, just the two of you, sometimes in comfortable silence or sometimes just whispering sweet nothings to him and playing with his hair

You try not to let him speak too much cos if he’s in that mood then his throat is probably feeling rough

He usually just needs an hour or two to decompress, then he’s back to his usual self, he always apologises to you after for being like that, but you don’t mind looking after him, he would do the same for you

It's sometimes hard being away for him for so long when he’s on tour

like when he’s touring the day of your anniversary

He thinks you’re at home, he facetimed you that morning and had sent your present in the post to be delivered.

However, the rest of the boys secretly fly you (along with a few of your best mates) out to the show and manage to get a place in the front pit

You bring a massive poster sign saying ‘SHEFF WEDS R SHITE’ which easily gets his attention after a few songs

He goes to shout something rude but then he sees your beaming face under the poster, he can’t believe his eyes

He goes on to play all of your favourite songs with the biggest smile on his face and literally can’t take his eyes off you the entire show

After the show you manage to get backstage to see him and he’s so happy to see you

‘You didn’t really mean what you said on the poster though, did you?’

ON HOLIDAY

Holidays all the time, Alex loves taking you away

Like when he’s touring, if you aren’t working or busy, he’ll fly you out to join him in whatever city he’s in

You’ll usually go out for lunch during the day and sit by the pool in the hotel they’re holed up in, then go and watch the concert in the evening

You see so many cities that you’d never usually go to thanks to him

When he’s not touring he loves going on adventure holidays - biking, hiking, horse riding, skiing, bungee jumping - if it involves thrills or good views, he’s down.

even if you refuse to do some of the scarier stuff, he doesn’t mind - he loves just having you there, and he needs someone to take the photos of course!

basically it would just be the dream life icl

[joyce-stick]

The Beef Stroganoff Song! (arbitrary subtitle discourse edition)

So, you may have noticed here that the subtitles in this clip (from Symphogear GX episode 3) are fairly different from what you're used to seeing when people post this video, and the phrasing in the subtitles is fairly different from what the associated memes often say

For those who don't know, Symphogear got itself released on blu-ray by Discotek, and with that came with a new translation authored by Noelle (@ulsairi on twitter ) who is notable for being the only trans lesbian anime translator I know of off the top of my head.

Her translation appears, in my opinion, really rather polished and very good, and I strongly appreciate the way it's written and how much character it adds to the dialogue by giving everyone distinct voices and adapting things into more natural English. It's also a fair bit gayer. I haven't encountered many people who've seen these subs, but I think most fans of the series would consider these a net positive change. There are some people who are mad about these subtitles, and they can die mad.

Anyway, let's talk about the different phrasing of the beef stroganoff song. I'm mostly going to compare to Crunchyroll's subtitles for reference since that seems to be what most others go off of. Here's a link to that version.

So right off the bat we can see here that while CR's translation appears to be a lot more, for lack of a better word, functional, Noelle's translation tries to apply more dialectal force "it's beef stroganoff/Yes! It's THAT beef stroganoff!" And generally communicate through the tone how excited the girls are to get started. Additionally you'll see throughout that the latter is a fair bit more lyrical, there's a lot more punctuation and verbal tics and filler phrases written into the dialogue to express that they are singing, which makes sense since Japanese tends to omit a lot of the sorts of prepositions that Noelle threw in here,

Like, Yumi (yes I went and looked up her name on the wiki) just says "beef stroganoffu" because it's obvious from context that it is beef stroganoff, she doesn't need to spell it out, at least, not in Japanese

(We know like maybe ten hiragana and 1 kanji do not trust us on Japanese this is all just basic shit we learned from online guides)

So this probably leads to a rushed translator from Crunchyroll (they are notoriously crunched for time) who's just trying to Get It Done probably not really bothering to throw in extra additional connecting letters to express the tone of the character, only doing so when it's required to make basic grammatical sense in the target language. So they likely didn't think to make the subtitles have flourishes like this that aren't explicitly in the original Japanese. Noelle meanwhile had the time to consider things like this and take such liberties in order to attempt to convey the same tone that was arguably implied by the Japanese, even if not explicitly put forth

And that's about all the things I should not repeat I guess, TL;DR, these subtitles are more fun to read because the translator had more time to think about the best way to make them more fun while still being accurate to the spirit of the original dialogue, who'd have thought!

(In case you're wondering, the Commie subtitles say kind of the same thing here, and y'know, it doesn't seem like a wrong translation, but also I really dislike this subtitle styling, orange on pink with that font and that drop shadow is just kinda bad. I appreciate the effort but like. Come on. Please fansubbers, please think about if the font and colors you chose actually work with the image you're putting them on)

Moving on!

horizontal and middle rhyme with each other so you can almost actually sing this, actually let me take a moment to try it right now- never mind, I can't sing. Hahaha. I don't actually think it lines up that well with the melody But I thought it did! Didn't I? That's significant, that this actually reads like plausible lyrics to a silly song someone made up instead of a literal translation of a Japanese song

Anyway, here comes the first major difference!

So in the Crunchyroll subtitles, Yumi says "it doesn't have to be beef" which in English (in my estimation) sounds a tad scatterbrained, like, "oh yeah sure beef but whatever really it doesn't actually matter," while Noelle's subtitles rather say "Got no beef? Don't you worry!" Which implies something different.

"It is recommended to use beef, but you may substitute something else if you are sorely lacking in beef" as opposed to "Oh the beef doesn't actually matter, zoinks lol!" CR's translation is kind of a bit funnier in how it sorta comes from nowhere without this qualification, which probably lead to this phrase's memeticness, but Noelle's translation seems more reasonable to me so yeah again, tada, yay for sensicalness.

Now here's another interesting change:

Again, the flat manner in which the CR subtitles say "finish with salt" with rendezvous only being included because that's literally what they said, is sort of absent any stronger emotional implication,

Noelle's translation meanwhile going with "don't forget them, they need it" imparts personhood upon the salt and pepper. The implication being that the girls are saying, "the salt and pepper are in love, please reunite them, they must be in gay love together." Or maybe you think the salt and pepper cannot be forgotten and must be reunited because they are Only Friends.

Whether you choose to believe that this is the salt and pepper getting married, or merely subtext, or an interpretation, or salt and pepper shipping bait, this is a deeply important tonal indicator because it reminds you that these girls are ultimately playing with their food!

"And there, now you're in for a treat!" I don't think I need to explain this one.

Now, here's an interesting one!

In the Crunchyroll subtitles, it just says the memetic "boys don't know this." With no context, no elaboration, no clarity, no qualifiers. Boys don't know. Did the boys magically get their brains wiped? Are the boys biologically incapable? Who knows. Nothing is said but that.

Noelle's subtitles, on the other hand, qualify this statement by saying "Boys aren't taught to cook, so they may not know" (And note again how, it says "kno-ow" to emphasize, once more, that they're singing, and also this lines up with the long "ooooo" sound they make at the end of this lyric, so cool)

There is now context! Boys aren't taught to cook! Anime and Japan's culture in general still pigeonholes people into gender roles! And an anime translator just wrote you a hidden translation note about it! You might be a boy, you might know how to cook, but certain boys in another part of the world aren't traditionally taught cooking, so they may not know

They may not, but they could!

Trust a trans person to express gender facts with subtle nuances like this in anime translations.

And with that lovely bit of good translation and good writing and good localization of a thing to make it make sense to people

Mew!

[briebysabs]

Vnc OP 1 - Sora to Utsuro

We are here again! I’ll be taking the time to talk of VnC’s first opening and breaking down the lyrics. Specifically in regards to what I will refer to as the dream loop theory. If you don’t know what I mean by that, the base summary is that the VnC universe is a story. Noé is the narrator, the character, the archiver and the creator. Noé is writing the memoires to manifest his memories. Let’s call it a memory world. He does this either to escape his regret-filled reality or to save Vanitas. However, when he “loops”, he doesn’t remember why he’s there so everything plays out the way it was written in the memoires.

Then Noé will live on, write the memoires again, and the cycle continues. And because he’s done this countless times, the memoirs gradually stray away from the original story. I’ll elaborate further when talking about OP 1. Right about now!

This was the main translation I could find for the full song (not including English covers but I could reach the same conclusions for those as well) If anyone has other translations for the whole thing, I’d love to see it. https://youtu.be/G_bJwB1YePw?si=xPVlV3_Fd57S-Bo1

/You’re pondering the simple things, pretty much human emotions and love/

/I hope one day you’ll understand/

/Too many wounds have left you patched together, a miserable sight/

/That doesn’t even know the definition of alive/

It is confirmed that this opening is from Noe’s POV. But keep in mind for the rest of this thread, it’s future Noé speaking. There are two main readings for the song; for the most part it’s Noé talking to or about Vanitas. And then there’s Noé talking to himself. This part has both interpretations.

Noé to Vanitas: Vanitas does struggle to understand his emotions throughout the story, that includes love. Vanitas is a broken individual, has too many wounds/trauma Noé cannot ignore and for a long time, was fueled by getting his “revenge”. Thus he’s forgotten what it means to live. You can also read into “doesn’t know the definition of alive” in a meta sense, from the beginning of the story he’s already dead.

And the very name ‘Vanitas’ is surrounded with the imagery of death, futility and mortality. So yes, Vanitas as a concept doesn’t know what ‘alive’ is.

Noé to himself: Noé as well is trying to figure out human emotions. This is a case study of a human after all. The memoirs follow Noe’s journey in understanding Vanitas’ thinking. And we’ve had Noé blatantly ask Vanitas what love means. But we can read this as Noé , sort of telling his past self that one day he will understand and feel this pain. Take note of “many wounds have left you patched together”. As I said, he could be talking about how “fragile” Vanitas is but what if this is about himself?

/No need to say “just the two of us” or anything/

/I have a feeling we can understand each other/

/And that’s fine for now/

This is calling to the Catacombs Arc, where Vanitas repeats Noe’s line of being able to do anything together. Interesting enough, it’s that arc where we see a bit of Vanitas’ backstory and it ends with the two sitting against each other. An understanding has been reached. Of course we all know that’s what VnC is about but of course he adds the ‘for now’ because what would this show be without its looming doom.

/I love this world and the light only you give me/

/Makes the world I see through these fractured eyes/

/Look gleaming and bright/

It’s these verses that made me want to spend more time on this. First of all, ‘I love this world’, a little weird right? I can only hope this translation is the most accurate but we’re saying ‘this’ instead of ‘the world’. Makes it sound like “I like this one. I prefer this one.” And ‘the light only you give me’ is very odd if we’re saying this is from Noe’s POV. Emphasis on ONLY.

Another reason why I believe it’s future Noé singing because why would present Noé say Vanitas is the only light he has? Vanitas is the only thing keeping him from falling apart. Vanitas being the sole reason Noé loves the world…doesn’t line up with the Noé we’re seeing now. Now it could be Vanitas is a “special” light. But that kinda raises more alarms because Vanitas is very admired in this song guys. And present Noé I feel wouldn’t be so sure in proclaiming this. The world being seen through fractured eyes could be multiple things. We know Noé sustained an injury on his left eye when Teacher bought him.

This could feed into a theory that has been speculated over the years that Noe’s vision was permanently altered and he sees things from that eye differently. Of course, it could refer to future Noe’s perception of life being broken due to the events of the series. Thus why Vanitas is the one thing that makes it gleaming and bright. You could then ask “But Vanitas is gone in the future so how is that possible?” In comes my theory. It’s interesting how Noé is often associated with light, the sun etc. but here we see him give those characteristics to Vanitas’ presence.

/There’s no such thing as a sure thing/

/But you can see me can’t you?/

Things get a little fuzzy here. Obviously, nothing is sure, nothing lasts forever. This period of happiness will pass. But “you can see me”. Assuming this world is a memory, this could be Noé being elated from seeing Vanitas. That his plan has worked. But you can also interpret this, I forgot who pointed it out but ty whoever you are, that this is the one moment Vanitas interjects in the song. Essentially saying, “you can see me, so this is not real.” As if trying to wake Noé up. And if you look at the OP itself, for most of it Vanitas is following or lagging behind Noé like a ghost. There’s even a part where Noé is looking at a drawing of a view instead a real one, Vanitas is yelling at him, trying to get his attention and Noé ignores him completely. Not to mention the OP starts and ends with Noé sleeping, Vanitas nor his belongings ever in the room almost as if it was all a dream hmmm.

You can see this also as Noé acknowledging the world he has created is only temporary. Noé knows this isn’t real, isn’t a sure thing. But then Vanitas comes in to be like “you can see me, can’t you. So is it that bad?”

/I’m pondering the simple things, pretty much emptiness and frigidity/

/One by one lies have increased/

/Playing with a simple puppet/

/My rusted head is shaking/

We’ve contrasted “human emotions and love” with “emptiness and frigidity” here. Frigid here means the bitter cold, stiff, lacking in warmth. The opposite of what Noé says this world gives him so safe guess, he’s talking about the reality he is escaping. Where Vanitas is dead as well as a lot of his friends. The lies have built upon each other, adding to my theory where the numerous times Noé has done this has created layers upon layers of worlds. And each one has more inaccuracies than the last. This is his story, a play, he is the writer and the puppeteer of everyone’s roles. When they appear, what they say and do is decided by what Noé writes in the memoires. But by all the loops he’s made himself a puppet too. His head being rusted could hint at many, many years passing since everything happened. What’s even more interesting is remember, Vanitas is the one usually associated with cold and emptiness. So why is Noé assigning those things to his thoughts? It really shows how future Noé has come to view Vanitas vs himself. Because ignoring any theories or whatever for a second, future Noé is clearly burdened with regrets and hate towards himself.

/Your laughing was reflected by a daydream/

/Without knowing yet we just want to laugh/

/Throw away the answer, whatever you want is fine for now/

We circle back to the dream thing again. What is a daydream? It’s something you fantasize about when you are bored or in need of a distraction. A reflection looks and behaves exactly like you, copies your movements, but is it real? We all know mirrors and reflections play a major role in the story. Whether having mirrors or frames in official art or volume covers. Characters reflecting each other like Vanitas/Astolfo, Domi/Louis, Ruthven/Noé etc. I think the “throw away the answer” is interesting, it could be Noé again knowing what the “right” thing to do is but is desperate to see Vanitas laugh. Feels very much like a “oh forget about all that, what do you wanna do?” Noé putting other people before himself and being selfless to a fault.

/I love this world that lacks everything/

/If the mechanical echoes/

/Everything seems to be laughable/

/I can’t be proud of it/

/But isn’t the burning dream beautiful/

Why would you love a hollow world? This is Noé saying this. How can a world lack everything if it’s meant to be real? Unless it isn’t. Unless it lacks what you truly desire even if you claim to love it regardless. Echoes fall into the same vein as reflections I brought up previously. ‘Mechanical’ implies it’s a machine, tying back to it being empty and hollow. Lacking realness. And it’s funny, Noé says he’s not proud of it. His world, his creation if you will. That it’s laughable even but then goes on to call it beautiful. Think about that for a minute. The dream is burning because Vanitas will always die no matter what Noé does. Everything will go up in flames, it’s only temporary but guess what? To Noé, this fleeting period of happiness is far better than whatever he has left when he wakes up.

/When the sky and the void meet look back because the dreams will come later/

/When the sky and the void meet look back be still in bloom/

/When the sky and the void meet born and die repeatedly/

/The future and lies break and laugh/

We’ll stop here because the song then goes back to the first chorus “I love this world and the light you give me” stuff. This part of the OP I would say is the most vague, you can read this a lot of ways. However you want to interpret it, there is a clear loop going on. We can see “sky and void” as metaphors for Vanitas and Noé. Personally I’d say Noé is the void because of that official art that has Vanitas with a clear sky in the background and Noé is sinking into the darkness. Similar to when he drinks someone’s blood and sees their memories.

But while Vanitas has a few purple butterflies, Noé is given that distinct glowing blue butterfly. Vanitas is Noe’s light. We talk about that art for hours but that's for another day. Plus given how Noé talks in this song, it’s safe to say he sees himself as the void. And once they meet the dreams will come later, to be born and die repeatedly. Meeting could be their actual meeting from chapter one and the cycle/memory world begins from there. It could be wherever fuck they were when Noé failed to grab Vanitas’ hand. The future and lies….what lies? Who my dear readers would be lying to us :000. But eventually that mountain of lies will come tumbling down.

And, no theory just pure delulu I’ve always headcanoned that when Vanitas dies Noé is going to break out laughing. So if that happens the op spoiled it.

[girlfriendsofthegalaxy]

tuesday again 11/5/2024

i am going to do my absolute fucking best to stay off the internet today. also the next time i write one of these i will be goddamn thirty. yeesh.

listening

it took three hours to make a normally brisk 50-minute trip back from the airport on sunday bc there were simply so many accidents. my phone wasn't charging, i was kind of locked into the one way i actually knew how to get home, it was pouring, and the only radio station that was reliably coming through was the local dad rock station.

i don't think i've ever actually heard this song all the way through before! i have of course heard the chorus in eight billion advertisements and trailers etc, but i tuned in right at the lyrics

I was a willow last night in my dream I bent down over a clear running stream Sang you the song that I heard up above And you kept me alive with your sweet flowing love

big ren faire lady of shallott vibes.

-

reading

witch hat atelier, the first twelve volumes that are out in english anyway. let's yoink the setup from the fan wiki.

Coco, a girl living in a small village, had been dreaming of becoming a magician since little. But people who don't know how to use magic since birth are unable to become magicians, or witness the moment magic occurs. But one day, Coco accidentally saw Qifrey, a magician that was visiting the village casting a spell. Ecstatic to finally know how magic works, she tries it immediately and transforms her mother into a stone statue. With the help of Qifrey and his disciples, Coco will embark in a magical journey to save her mother.

this gets a lot of ghibli comparisons, and i get it-- there's a lot of concern about healing scars from a near-cataclysmic magical war, lots of contraptions, bucolic countryside, loving shots of food, etc. i think there is a focus on academia and cohort-building, and how networking is a profession all to itself, that we do not generally see in ghibli films. i think the comp pull should go beyond the aesthetics, as well, but ghibli is still a good comp-- the world of witch hat atelier is dangerous and can hurt or kill you, but it treats the reader's heart with the same care a ghibli movie will. things may not be happily ever after or go perfectly at all times, but there are no twists for the sake of twists, and it doesn't sneer or make fun of you for caring about a character. there are no whedonesque "well THAT happened!" moments. these characters are going to learn and grow and you will learn and grow along with them goddamnit. it is queer but incidentally queer. the folx side of the fags-folx spectrum will feel very welcome here but this is not a tenderqueer kind of gay book. characters are incidentally gay because of course they are, that's just how the world works, look at all the fullness of human expression you can encounter in your one short life, why NOT be gay

i did not expect this series to kickstart a fresh wave of grief for my own academic experience. coco leans on her cohort so much and they truly do work together to solve problems and come up with good solutions and i wish i had had that kind of astronomy experience. it's kind of cold comfort that i don't know and have never heard of a woman having a good astronomy experience.

witch hat atelier: very fun to sink into the details on a page (Kamome Shirahama knows how functional but pretty clothes work), endlessly charming veneer on a very taut game of political ethics happening in the grownups' background

-

watching

happy noirvember!!!

Another Man's Poison (1952, dir. Rapper) courtesy of Kanopy's little revolving carousel of new noir films.

An English mystery writer (Bette Davis) kills her husband, then tries to kill a man (Gary Merrill) posing as her husband.

In his review in New Statesman and Nation, Frank Hauser wrote "No one has ever accused Bette Davis of failing to rise to a good script; what this film shows is how far she can go to meet a bad one."

a plot that could only happen in a country where appearances are everything. i must agree with mr hauser and most of the critics of the time who said Huh???? to the script and basic premise. AND the ending is a little too pat. a breakneck ninety minutes filmed in three months where its stage play bones show. however i really like Bette Davis and it's so much fun to watch Bette Davis pace around an English manor house like a caged tiger.

-

playing

fallow week, i am having a consistent problem with the now five year old gaming rig overheating and once i solve that issue i am very excited to play Red Dead Redemption the original (thank you again @pasta-pardner !)

-

making

deep cleaned my entire house. drove three hundred miles this weekend to pick up my sister and her friend from the airport, go to the ren faire, come back from the ren faire, and take them back to the airport. houston delivered to me some of the worst fucking driving experiences i have ever had here. really upsetting torrential downpour for nearly an hour on a road with no shoulder to speak of.

the actual ren faire was fun! i did not realize how vital a chair or bench with a fucking back was to my rest and recovery. it was nice to go with fellow adults and not help wrangle several small children, as fun as a kid-friendly experience can be. got my overpriced gyro for the year. got my bootleg anime merch for the year. wish it hadn't rained but i feel very smug for packing enough umbrellas and ponchos.

[readingwiththestars]

₊˚⊹♡ NOTHING LIKE THE MOVIES

["Trust me, Lib," I said, picturing her lips. "In a crowd of million ski masks, I'd still be able to find you."]

| ✮ 3 stars |

ᝰ.ᐟ ⊹ arc review thank you to netgalley + simon and schuster for providing me with an e-arc in exchange for an honest review

THOUGHTS ° ᡣ𐭩 . ° . [minor spoilers]

ok. i put this review off for a couple days cause i knew this was gonna be harder to write because i love lynn painter books, really. buuttt i was horribly disappointed with this one. i'm the biggest wesliz fan but... like yeah i cant even form coherent thoughts about it. like this was unnecessary there was no point in shattering their relationship to write this.

like it was good to see wes's pov and everything but it felt so... idk yeah. (see im still struggling so bad to find words.)

one thing i would formally like to invite lynn to STOP doing though is shoving every taylor/ pop culture reference on the planet into the book. like holy shit woman. i few is okay BUT NOT THAT MANY COME ON!!!! they were in the middle of a fucking argument and wes is quoting illicit affairs or some bullshit. usually i love finding little references on page but this felt like too much.

i feel like she's whipped out her computer and gone straight to some dog fanpage or just plainly scrolled through edits seeing people saying "this song is so wesliz coded" and shoved those songs into the book. there is an on page reference to in between reference saying its their montage song.

also um this shit: ”little liz can’t come to the phone right now. why? oh. because she’s dead.” and somehow when jack antonoff was randomly brought up??? like some people are good at weaving taylor swift lyrics into books. lynn you are not.

also lynn take this a plea to never use the word "growl" or "growled" in a sentence ever again when describing your male characters. and to never write this sentence “she’s one of the guys you know? she’s just… different,” EVER AGAIN. PLEASE.

WHAT I DID LIKE THO WAS THE TINY TINY CRUMBS OF BAILEYCHARLIE AND NICKEMELIE (even tho nick was only mentioned and i dont think emelie was even there but eh)

CHARACTERS ° ᡣ𐭩 . ° .

liz - ok so weirdly enough she was the most tolerable and still intolerable at the same time. like she was so different from the liz in bttm the sunshiney, wearing dresses of all different colours and her love of romcoms. she was described as anti-love and was practically a full on different character seriously. if you liked the first book maybe dont have high expectations for nltm. like i do understand she had her heart broken and so obviously that makes sense for some of the change but it had been two years and as liz likes to say SO FUCKING MUCH "she's moved on, she's moved past it, its in the past" well for someone who's moved on you sure like to avoid the past a lot. also idk who tf she was trying to fool with that whole "i don't like wes, im over him." shit like gurl- you were literally kissing 2.5 seconds ago whats with the switching sides. and there was SO much about her leaving "little liz" behind. like what was so wrong with liking flowers and romcoms? and being a hopeless romantic and wearing bright colours?

wes - okay so it was quiet heartbreaking to hear abt wes's side of this book (except for the whole pursuing liz part) and i did feel sorry for him. but like what happened to the sweet, caring wes in the first book. and tell me why i had to read THIS sentence “climb on me like a good girl,” LIKE MY EYES LYNN WTF????? i did not sign up for this wes, like no stop telling me how obsessed you are with liz's lips or how she's a mythological sex goddess- boy sit ur ass down. and don't even get me started on the beginning of the book. WHAT WAS THAT SHIT? why was wes acting like a 7yr old excited for school and talking (so much) abt his love for scootering? SCOOTERING. LYNN PAINTER WHAT THE EVER LOVING HELL? SCOOTERING. DO YOU HAVE SOME OBSESSION WITH THEM OR SOMETHING? WHY DID THOSE DUMB THINGS KEEP SHOWING UP?? like tell me why i needed to read this shit: "i fucking loved the scooters ..... wes + scooters = HEA" ..... lynn.

QUOTES ° ᡣ𐭩 . ° .

im not going to bother to find any of these, see: im too lazy

all in all i still liked some points when both of them were acting normal. which is why its a 3. but i feel like this is leaning towards a hate review but yeah idk i cant actually pin point parts that i remember liking- also the ending??? what was that? it made no sense to me.

[thesweetnessofspring]

Why do you hate epic? I've recently heard it and I don't like it also, especially when I googled his story. But why do you hate it?

First, no hate to the creator. Like, I heard he's a college kid doing a creative project and a lot of people like it which is great. And concept albums get tweaked. Maybe it's something he can salvage or rework in the future, but as it is, I just don't like Epic at all.

I'd listened to what was out about....six months ago maybe? And I wasn't particularly taken with it, but then back in like July I relistened to it and I just got so tired listening to it. I think a spin on that line from The Incredibles sums up that part of it well:

If all of the music is epic, none of it will be.

Even in big megamusicals like Les Mis, there's a variety of songs. You have the love songs, the reflective songs, the "party" songs, the exposition songs, and just a variety of tone and pace. In listening to what is now the most recent release, I got weary of listening to the same old video game music set to bad lyrics (we'll get to that). There's no variety, which makes the whole album flat. Halfway through I wanted to scream GIVE ME SOMETHING ELSE FOR THE LOVE OF ZEUS!!! I don't think the idea of video game music works for musicals. They're completely different mediums and the narrative structure of video games (at least as he's presented them) also leads to a static story. If I sit down and play a video game with different bosses, then it makes sense. I complete a level and then take a break/live my life until I come back and work on the next level. There doesn't feel to be any forward momentum in the story because it's just "boss" after "boss" with a highly intense video game music soundtrack. It's static, it's flat, it's tiring. I cannot imagine sitting through a stage show of this. I'd be leaving early after intermission.

It is painfully obvious this is a TikTok musical, because the music can be good in short spurts but as a 2.5 hour stage musical? I wouldn't be able to do it. I barely did it when I broke it up over a few car rides.

Also the lyrics are mostly just bad, particularly in the rhymes. Like I said, I've listened to it I guess 1.5 times as the first time I listened they didn't have as many songs out as there are now. So I can't quote any, but it wasn't just a couple times. There were whole songs where I was internally (as I was driving) rolling my eyes at the awkward, hokey rhymes.

And look, I haven't read The Odyssey since high school, so I'm not going to pretend to be a scholar. I have read Odysseus as a character in other retellings of Greek myths, though, and he's a much more dynamic and interesting character than the boring, predictable hero of Epic. I remember when first being exposed to The Odyssey, it was my first foray into more complicated dynamics of Greek mythology instead of the more digestable/cleaned-up versions I'd heard as a younger kid, and part of that was Odysseus. He made decisions I just couldn't understand at the time. A big thing for me as a 15-year-old kid was I was so mad at all of Odysseus's affairs. Now I know that in Greece that wasn't so much a big deal for men to sleep around and was expected. Yet (at least with Circe) he's noble and fighting her off and it gives the impression that Odysseus hasn't had any sex in like 12 years. I'm sorry, but WHAT??? Odysseus loves his wife and he's a slut. C'mon. Epic Odysseus is so predictable and boring I'm not drawn into the story at all for him, either. When I finally got to the more recent releases, I was thinking, "Oh, wow what a surprise. Before he didn't want to kill people and now he's fed up and will kill people so he can get home. Ohhhh noooooo what will ever happen in the next part of the musical?? Is it possible he will learn that vengeance is bad???" To be fair this part hasn't come out yet so maybe I'll be wrong but ugh, it's not looking good.

To balance things out, I do think the opening number is good and I like the one with the winds "keep your friends close/and your enemies closer" is an earworm, and because it changed up the usual "video game epic music" thing. And like, as a student project it is impressive. But it's not a student project anymore, it's a concept album. Idk if he's planning on staging it at some point, but if he does, it has a lot of work still to do.

Anyway vote Hadestown. ✌️

[bookcub]

Your opinion on the Name of the Wind? I've heard such mixed opinions on it that it's hard to know what to reasonably expect.

oooo well I LOVE name of the wind personally but there are a lot of understandable complaints. I will tell you what I love and what I don't like about the book and some common complaints as well.

What to expect:

beautiful and lyrical prose, very descriptive and slow paced

a distinct main character, with a strong moral compass, who is annoyingly smart and stupid at the same time (Kvothe) (he's not a mary sue)

an interesting frame story of a former legendary hero tells the "truth" of his life to the Chronicler

a hard and a soft magic system coexisting

the women in the text have some awesome moments. they also have moments where you go, oh yeah, a man wrote this. (I will say, as someone who has read a lot, I never feel like Rothfuss hates women in the way he portrays them, which to me as a reader, makes it easier to read, but there certainly is a level of objectification. my point being, this is an understandable and likely reason many people dislike it)

the plot is so slow. very little happens, which I don't mind but like, again, another turn off for many people. this is character driven and not plot driven.

Kvothe's tone as he tells the story I also think many people don't like, as it is pretty pretentious at many moments.

there are absolutely beautiful passages that are philosophical and little psychology lessons that I love

literally some of the best side characters ever, everyone in this fandom would die for Auri, one of the most universally loved characters imo

a lot of people who arent me love the worldbuilding, it is very intricate but please dont ask me about the money system, i don't even understand american money

the amount of puzzle and foreshadowing in this book, there are soooo many theories about who is who and secret agendas and what this means and it is super fun to theorize about this series

oh and it is unfinished and has been for 12 years with no third book in sight so if closure if important to you, that would also be a big turn off

hopefully, that gives you a good idea of what to expect and what might draw you to the series or turn you off

[steddieunderdogfics]

This week’s writer spotlight feature is: @lady-lostmind! lady_lostmind has 84 works in the Stranger Things fandom and 55 of them are in the Steddie tag!

@oh-stars recommends the following works by @lady-lostmind:

This Is The Coin I Had In My Pocket The First Time We Kissed, And I Always Have It.

Transfixed (under your spell)

Fuck

You know what to do, when it gets hold of you.

The Wall

"Mack is one of the best writers in this ship and I am so very lucky to read their work early on. Her Eddie voice is unmatched to me!! Every time I read a new fic of hers, I'm always shocked at how she can outdo herself with creating my next favorite fic. She's fearless in trying new tropes and genres, exploring super serious topics and she has some of the hottest scenes I've read. Every opportunity I have to read or reread her work is an absolute pleasure and I am so honored to get to see her flourish!" -- @oh-stars

Below the cut, @lady-lostmind answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

I’ve been reading fanfic since I was a teenager but I never felt the urge to write my own until watching these two together. I think we can all agree there was some undeniable chemistry between the two on screen and they have such a fun dynamic to work with. I’ve always enjoyed creative writing in some shape or form whether it be for a class or writing lyrics for the band I was in, or the half abandoned novel I have in my docs. I decided to give fanfic a shot and then really loved getting to actually be a part of the community instead of lurking on the edges and leaving kudos anonymously like I had for years. But there is something so special about Steddie in particular and I’m especially drawn to writing Eddie in particular. His character has so many layers to explore and different directions to go and I love making him fall in love with his golden retriever of a man over and over again.

What’s your favorite trope to READ?

I am a sucker for a good slow burn, especially with some hurt/comfort thrown in. Please rip my heart out, stomp on it, pick it back up, and hand it back to me wrapped in a pretty little bow.

What’s your favorite trope to WRITE?

Honestly, the same as what I read. As much as I love a good fluffy one shot there’s nothing quite like the sweet torture of dragging your characters through hell before they get their happy ending. It’s so fun trying to navigate what they would do in difficult situations, and how that affects the story overall.

What’s your favorite Steddie fic?

This is such a hard question. There are so many good fics out there. We’re truly well fed in this community. I think some of my absolute favorites have to be You’re Divine by oonionchiver, and The most remarkable thing about you standing in the doorway is that it’s you by greatunironic. Both of them inspired me to do a lot of fanart including a bind and cover art for You’re Divine, and drawing all the album covers in TMRTAYSITDITIY.

Is there a trope you’re excited to explore in a future work but haven’t yet?

I never really know what I’m going to write next until it smacks me in the face. But I’m definitely open to whatever that might be. I will say I’ve never ventured into the omegaverse in my writing but it does seem like a fun one to play around with.

What is your writing process like?

Chaotic. I love writing but have a hard time actually sitting down and focusing on it. I either write a huge chunk all at once, or I write a sentence at a time while watching tv or something. I do really enjoy writing with other people though whether that’s in a sprint or word game.

Do you have any writing quirks?

If I have music on while writing it can’t have any lyrics in it or I get too distracted.

Do you prefer posting when you’ve finished writing or on a schedule?

Oh, a schedule is generous, I’d say. But I do prefer posting chapter by chapter. I feel like people engage a little more as they read each one and I love getting the feedback as I go.

Which fic are you most proud of?

And you may find yourself in a beautiful house, with a beautiful wife. I think my writing grew a lot during that fic and I’m really proud of the work I put into it. AYMFYIABHWABW was also the first thing I ever wrote for an event and was a big step for me to actually put myself out there and talk with other authors and artists. I made some amazing connections through that event and am so glad I pushed through any self consciousness to ask for a beta reader because I found an amazing one in oh-stars and gained a great friendship through that. They introduced me to karadanverss when the two of them were looking for some help modding the Stranger Things Reverse Big Bang and I not only gained another friend, but got to dip my toe into being a mod, something I never would have even considered doing before, but have had so much fun being a part of as we set up other events together. So I think because of all that, AYMFYIABHWABW will always hold a special place in my heart.

How did you get the idea for This Is The Coin I Had In My Pocket The First Time We Kissed, And I Always Have It.?

During a rewatch of New Girl. Nick Miller is honestly such a mash up of Eddie and Steve, and I could not get the idea out of my head to Steddiefy the scene in the hall where Nick says “Not like this.” It screams hopeless romantic Steve to me, and the title is a line Nick says to Jess way later and it never fails to make me cry. So, I started with that. Just wanting to do a similar situation with Steddie, and it morphed into something much bigger than I intended.

When writing You know what to do, when it gets hold of you., what was something you didn’t expect?

I thought I would have a harder time with Steve’s POV in this one than I did. I really wanted to show a side of him that I feel gets overlooked a lot since he’s always throwing himself in front of everyone else when there’s danger. But what happens when that danger isn’t there anymore? What does he do with that? It’s a side I hadn’t explored much before and I was really happy with where that took me. I really liked getting to see where Steve’s mind would go when the group is seemingly safe.

What inspired Transfixed (under your spell)?

Transfixed was written for the Steddie Summer Exchange! So I actually had this prompt: ‘Popstar Steve and rockstar Eddie having a secret relationship whilst the public and their own band mates think they hate each other.’ to go off of for it. This prompt screamed angsty, hurt/comfort so I was really excited I snagged it in claims.

What was your favorite part to write from You know what to do, when it gets hold of you.?

I think it has to be the scene where Steve finally breaks down. When Eddie figures out what has been going on and Steve just lets it all out. If there is one thing Steve Harrington deserves, it’s a good fucking cry.

How do/did you feel writing The Wall?

The Wall was written for Steddie Love Month with the prompt: Love is letting yourself be loved and if that didn’t scream insecure Steve I don’t know what does. I remember feeling very bittersweet while writing The Wall because I know what it’s like to be afraid to let someone in again when you’ve been hurt, and how good it feels when you finally let that wall down and accept that risk because it’s worth it. I tried to capture that feeling as best as I could.

What was the most difficult part of writing Fuck?

Fuck was another Steddie Love Month prompt. The hardest part of writing this one was just trying not to cackle to myself about how ridiculous Eddie was being. This one was a lot of fun to write.

Do you have a favorite scene and/or line from any of your fics?

Oh my. I think it either has to be the first scene I wrote for AYMFYIABHWABW that sparked the entire thing: Steve is staring at him, eyes wide and rocking a little on his heels like he’s so nervous he can’t stay still. Eddie’s stomach drops, his mind spiraling through a million worst case scenarios all at once. “What’s wrong? Is Wayne– Are the kids okay? Is it–” Steve holds his hands out in front of him and shakes his head. “Fuck, no. Sorry. No. It’s not–” Steve sucks in a deep breath, his hands shooting up into his hair before dropping to hovering in the space between the two of them. “Eds. I fucked up. I so massively fucked up. I can’t even begin to–[...] This feels like a fucking fever dream. Like something he’s imagined a million times over. Awake and asleep, In every possible scenario and position. All the times he fucked men in bathroom stalls and or pressed them against a wall in a dirty alley, this is what he wanted. And he was right. None of it even comes close to being this. This is…it’s everything. Fuck– it’s everything." Or this scene from You know what to do, when it gets hold of you where Steve finally gets to breakdown: Steve shakes against him, his tears wetting the shoulder of Eddie’s shirt. “I’m sorry.” Eddie shakes his head. “It’s okay.” He rubs his hand up and down Steve’s back. “Hey, you’re okay. We’re going to figure this out, okay?” Steve sobs, his hands fisting into Eddie’s shirt a broken “Sorry” slipping out of him again. Eddie’s arms tighten around Steve, and he struggles to swallow the lump forming in his throat, tears welling in his eyes. Can’t help the way his heart breaks a little at the sorrow in Steve’s voice. How vulnerable he sounds. Because Steve Harrington isn’t vulnerable. Steve Harrington dives into lakes with portals to another world at the bottom without a second thought. Steve Harrington rips other dimensional beasts apart with his teeth. Steve Harrington marched into battle calmly, and confidently. Steve Harrington carried Eddie out of a hellscape on his fucking back. Steve Harrington is the rock. He is the one everyone leans on. And Eddie knew. He knew something was wrong. He knew something was going on. But it’s one thing to know it, and another to see your hero crack and crumble in your arms.

Do you have any upcoming projects or fics you’d like to share/promote?

The Eddie Munson Big Bang! Definitely keep an eye on our tumblr (@eddiemunsonbigbang) to see all the amazing fics and art that will be coming out. I’m one of the mods over there, and I’m working on a fic for it that I’m really excited about. If this is posed before the end of September…we’re still looking for artists!

Outside of these questions, Is there anything YOU would like to add?

I’d just really like to thank anyone who has ever taken the time to read my fics, or like any of the fanart I’ve made. I never expected anyone to really see any of it when I first started all this and have really loved finding a community to be a part of. I never had any friends who were really into fandoms or fanfiction, and up until I started engaging in Steddie content no one in my life even knew I read it. Getting to talk to, and make friends in this community gave me the confidence to talk more about what I’m interested in and connect more with the people in my life. So, thank you all for showing me how to be loud about the things I love and that I don’t have to hide parts of myself away!

Thank you to our author, @lady-lostmind, and our nominator, @oh-stars! See more of lady_lostmind's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!