#read more fiction
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collgeruledzebra · 6 months ago
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the thing about trying to recommend fiction podcasts to someone who isn't familiar with them is that not only are so so many genres represented but also the level of production can fall anywhere from "basically an audiobook" to "major motion picture minus the pictures"
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ot3 · 1 month ago
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i do get why people are going so hard in on reminding each other that depicting something bad in fiction isn't the same as endorsing that thing. but also i feel like that's a talking point that cedes a lot of ground i'm not willing to cede re: the right to engage with works that do endorse a bunch of bigoted or harmful shit. interacting with a work of fiction that wholeheartedly espouses a worldview you do not agree with isn't a trojan horse that injects hitler particles into your bloodstream or something. like sometimes you read a book and your main takeaway is 'wow this author thinks women are cattle' or something along those lines and nothing about the process of having read that book has in any way damaged your moral integrity. it's fine! it's fine. you can learn a lot about yourself by reading shit that's hostile to your worldview.
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langernameohnebedeutung · 2 years ago
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ngl, I'm beginning to take issue with how in conversations about anti-intellectualism almost automatically, the face of girls and women will be slapped on the problem.
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benevolenterrancy · 1 month ago
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Scholarly peak is catching up on recent literature
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bambeebirdie · 3 months ago
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Okay consider Bruce Wayne is the very well known bankroller for the Justice League. Batman is still part of the league, but they don’t know he’s Bruce Wayne. So, due to Bruce Wayne being such a well known figure and very obviously connected to the Justice League, that has kinda made him a target for certain people which means the Justice League has decided to assign one of their members to help keep him safe. Insert notorious billionaire fighter Superman becoming the part time bodyguard of Bruce Wayne in this epic superbat romance
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obsob · 1 year ago
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happy and proud!!
✷(print shop)✷
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nedlittle · 6 months ago
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apropos of nothing, here are some gay historical fiction novels that engage with historical queerness in thoughtful, complex, and interesting ways (organized chronologically)
hild by nicola griffith ↪ early 7th century england
a tip for the hangman by alison epstein ↪ 1585-1593 england
confessions of the fox by jordy rosenberg ↪ 1702-1724* england
the confessions of frannie langton by sara collins ↪ 1812-1826 jamaica to england
patience and sarah by isabel miller ↪ 1816 america
devotion by hannah kent ↪ 1830s prussia to australia
the sweetness of water by nathan harris ↪ 1865 america
whiskey when we're dry by john larison ↪ 1885 america
the city of palaces by michael nava ↪ 1897-1913 mexico
tipping the velvet by sarah waters ↪ 1890s england
at swim, two boys by jamie o'neill ↪ 1915-1916 ireland
the gods of tango by caro de robertis ↪ 1913-1920s argentina
uncommon charm by emily bergslien and kat weaver ↪ 1920s america
the book of salt by monique truong ↪ 1930s vietnam to paris
the amazing adventures of kavalier and clay by michael chabon ↪ 1939-1954 america and beyond
the flight portfolio by julie orringer ↪ 1940 france
the savage kind by john copenhaver ↪ 1940s america
a thin bright line by lucy jane bledsoe ↪ 1950s america
*this one has a framing device and footnotes from the present day but the bulk of the story is set in the early 1700s
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umblrspectrum · 7 months ago
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go read Memento Nori and Like the Stars and What Friends Are For and just generally all of Ad Astra Per Aspera by LadyDaybreaker on ao3
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starsetven · 1 month ago
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How they’d feel if you gushed over a fictional character 🫶
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unproduciblesmackdown · 2 years ago
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Lackadaisy Enrichment
#in our enclosures!!#video linked as source; which i'm glad to see already has a million views and is trending. That's Right#lackadaisy#WHICH i have been reading since at least '07 when i was thirteen my god b/c this animation is based on the ongoing webcomic#like does its influence show up Directly in some Discrete way i can point to in my art? not very easily probably. And Yet.#the inspiration....i wasn't able to be Regularly Only for at least another year / art done Nonprofessionally Online was novel to me#like wow ppl can make & post fanart of w/e they love huh....didn't know webcomics were a thing & i never really read that many since but.#good god the quality of Lackadaisy at its onset is like this is superb?? this person putting in all their talent and effort???#and Then you get years & years more art and i don't even know what superlatives to throw out abt its quality as it evolves. obsessed w/it..#if i see a new lackadaisy comic page i Will be acting out. obviously this animation is a delight & also stunning. and fascinating to also#juxtapose as a Translation / Interpretation of the comic in a different medium & standalone snippet of Story#and that we're not even quite there in the comic timeline; Taking Notes abt character info we get distilledly here....genuinely love like#take it back to '07 i'm like oh boy can't wait for the dream team to assemble. then a decade later when it did? Oh Boy. that is payoff lol#namely hooray for stitches and mudbug at the field office for every passing gangster. killing one marigold associate but not the other#which seems like a promising start to shootouts w/the other dream team triumvirate. i adore that in canon so far mordecai freckle & rocky#have met but only over a nice brunch. re: all intentions anyways. anyways i'm like Gifs Must Be Made while i'm also so riled afresh abt the#comic that i've been sooo hype for for over fifteen yrs now babeyyy Deservedly. i've done a couple of rereads & ought to do another....#For Interest it'd probably take a few sittings to catch up from the start but there is much to be engaged over....this ongoing story that's#historical fiction prohibition bootlegging cats with plenty of focus on characters & several Mysteries. which i'm better at parsing now lol#like one of the more recent rereads like Oh Of Course x (probably) accidentally killed his y & z took the fall & that's a binding secret...#Not [oh of course] abt the circumstances surrounding a's death & how b & c were involved. nor the ''what's marigold's damage'' mystery#which is great. love to not know things. love that we can readily follow all the emergent drama everyone's wading in nowadays. hell yeah#anyways admire my organized approach to gifs here. four shots each Expressions Atmosphere Action Groupshots#sure might've muddled through gifmaking for this anyways but fr being a huge lackadaisy comic enjoyer for now most of my life helps#and its very Overall Inspiration like. just really getting the [you can really just draw stuff out here] going. fr the art's detail & skill#and that enrichment like i'm gonna have a great time following this. And I Have#you don't expect a crowdfunded indie animation in the mix back then but hell yeah fellas#SIGH ok removing a 4th gif that's broken / not displayed despite reuploading then entirely remaking it. if it's a bug i'll try again later
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imfinereallyy · 8 months ago
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some of us, and I’m not naming names, need to start being properly tagged on fics.
Angst: Is it me?
No.
Unhappy Ending: Is it me?
……it’s not Angst.
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tzarrz · 1 year ago
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to all people who said PART 1 made them laugh - i lov u 💗 this is for u
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fir-fireweed · 2 months ago
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STORY UPDATE! CHAPTER 10 IS LIVE!
This chapter is not long, but it was the most difficult for me to write. This is the chapter I have been dreading since I first dusted off my novella and embarked on this project. I knew the chapter was coming, I knew why it had to happen, but I still struggled with it. I can assure you I disliked writing it more than you will dislike reading it. Maybe.
But it’s not all ominous news—those of you on Ferret’s route are in for a nice treat! She really gets her time to shine in this chapter.
A big THANK YOU to everyone who has followed, read, rated, or commented on this IF! The reception to Viatica has been overwhelming and I love reading your asks and comments, thank you!
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fictionadventurer · 8 months ago
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Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.
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partfae · 1 month ago
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Sauron, Galadriel, & Tolkien's Theology of Repentance - Part One
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Summary: Character meta analysis on Sauron (and Galadriel, through the lens of Sauron). Based on both Silmarillion & RoP canon. 3.5k words. Discussion of Catholic theology involved. Blanket TW for discussion of violence, manipulation, etc., because Sauron. Spoilers for S1 & S2 and the Silmarillion, of course. The tragedy of Sauron is that he gets offered so many legitimate chances at redemption and forgiveness, and he denies them every single time. But we know he wants absolution, because that’s what he sees Galadriel as: his chance to bind himself back to the light, to be Mairon again, to heal the pain that he caused and that was caused to him under Morgoth. But because he has such a warped view of himself and his actions, he dismisses genuine extensions of compassion, forgiveness, and care as simultaneously beneath him and too good for him. And yet, he still pursues redemption, but through none of the channels offered to him.
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In The Rings of Power, he’s given the explicit instruction to change for the good in the village after he’s reborn. He’s given the chance leave his past behind and work meaningfully in Númenor. He’s given the chance to redeem himself by Galadriel's offer of friendship (or love, depending on your interpretation). In the Silmarillion, he's even given the chance by Eönwë himself, and comes close to leaving Morgoth behind completely!
Let's look at this passage from Of the Rings of Power and the Third Age (emphasis mine):
When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not in the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.
This passage is clear that Eönwë is willing to pardon Sauron--he simply did not posses the power to do so. But when Sauron was told he must appeal directly Manwë, he gave up entirely and skulked back to Middle-earth. There are a few ways to read this:
1. He was not wholly repentant
Sauron simply wanted the protection of a new master in the absence of Melkor. i.e., he was rather fickle and simply wanted to be on whatever the "winning" side was. This is supported by the text literally saying that at least some of his obeisance was completely false, and that he only made a point of feeling bad about anything once his master had been chucked into the Void and his armies and strongholds were being destroyed (Thangorodrim). In this reading, perhaps Eönwë saw Sauron's treachery and referred him to Manwë knowing that it would be a test of his true intent. However, while a valid interpretation, I believe this to be the less holistic of the two.
2. He was truly repentant
Sauron did truly feel badly and "abjured all his evil deeds," but he was unwilling/unable to humble himself after being so fundamentally broken by Melkor and developing an insatiable power lust (hey, he isn't defined in the narrative by lust and pride for nothing).
Earlier in this same chapter, Tolkien wrote that Sauron could "...deceive all but the most wary." This is in the specific context of his physical shapeshifting. But, I would argue that this can also be tied to his lies. Tolkien has a specific ethic of beauty, where physical perfection is equated with moral goodness. Sauron completely inverts what is otherwise a hard and fast rule within Tolkien's writings by being the character most frequently described as "fair"--seven times to Lúthien's six, and she was the most beautiful woman to have ever lived!
(Side note: I have another post on Tolkien & beauty in the works where I'll get more into this idea)
Why does this matter? Even though this interaction with Eönwë takes place in the First Age, Sauron could at this point be in the demonic form Mirdania describes in the forge. And, I am inclined to believe that Eönwë, as the head Maiar and herald of Manwë, would be a pretty wary guy, and thus able to sense any of Sauron's trickery. I read this to mean that Eönwë looked at Sauron and saw his potential to be Mairon again, either in absence of his evil form or in spite of it.
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Because Sauron is incredibly beautiful. And even if it is a disguise of the true, depreciated form of his spiritual essence, he presented himself to Eönwë at his most beautiful. He wanted, even in his act of repentance, to make himself more favorable in Eönwë's eyes. To show up as Mairon (who was likely close friends with Eönwë before everything went down, since they are considered to be two of the most powerful Maia and would have worked closely together).
But I don't think this was all manipulation on Sauron's end. I agree with the scholars mentioned in the text who believed that Sauron was truly repentant--which is why Eönwë even bothered referring him to Manwë instead of kicking him into the Void with Melkor.
And this is the tragedy: Sauron is told exactly how to repent, and believes fundamentally that it is an impossible path for him. And yet, he still longs so intrinsically for it! He was, under Aulë, a Maia of precision, perfection, and order. Under Morgoth, he feels disordered, dis-regulated. He needs to correct the fundamental imbalance within him, so why does he flee Eönwë?
It comes back to Sauron's pride.
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If he follows through with this path of reconciliation, there is no way he can hide or pretend his actions away. If he cannot trick his fellow Maiar, he certainly cannot trick the Valar. And he cannot stand the idea of submitting himself back under their rule, especially now that he has tasted power. This is a pride wound; it is why the idea of confessing to Manwë would be humiliating to him as opposed to just upsetting/uncomfortable.
Again, the pivotal moment: he is told how to make amends for crimes and determines that he cannot do it. So he returns to Middle-earth and stews in his own self-hated and self-pity for a few years. In that time, he consciously or subconsciously latches onto Eönwë's offer--forgiveness from penance. It is the way forward. And if he cannot earn penance at Manwë's hand, he will do it on his own.
The Prodigal Son
This is where we have to talk about the Catholic roots of Tolkien's work for a moment. The scene where Sauron approaches Eönwë mirrors the biblical parable of the prodigal son. In this story, a man abandons his family, spends all his money, and falls into ruin. But when he recognizes his failings and returns to his father to get help, he is welcomed back into the family without question--in other words, he is forgiven and restored to his former position.
17 But when he [the prodigal son] came to himself he said, “How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, ‘Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.’” 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. - Luke 15:11-32, NRSV CE (emphasis mine)
The parallel is clear; Mairon, the repentant Maia, returns home with hopes of reconciliation. He is prescribed the same task that the prodigal son offered to his father: he must be bound in servitude to his father/creator in order to pay off his debts. This is a deliberate allusion from Tolkien. The story of the prodigal son models the path of reconciliation that Eönwë describes. Tolkien seems to be drawing a line in the sand with this: Sauron is unwilling to do the work required by the Valar for repentance, so he is unable to receive the grace of a warm welcome back into the fold of the Ainur. Since he did not humble himself, he has to be told to do it. And he does not want to! He wants to be loved, but he also wants his power--evidence, in a way, of how his character was fundamentally altered in his time with Morgoth.
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His pride--and his fear--cut him off from the potential of grace. He does not know for certain that Manwë would subject him to servitude (though I would argue that it's textually evident that it is a custom), but this assumption leads him to flee, which allows him to slip back into his old ways.
He wants to be Mairon (admirable) again, not Sauron (abhorrent). He wants to be accepted and loved, but not punished. He wants the benefits of reconciliation without the work he would have to do to earn it or the shame he would feel as he did. It's pride, but it's also deep shame--the flip side of his extreme ego is an implicit self-hatred, one that we can see in the subtext of how he speaks about himself and about his time with Morgoth.
Even the language Tolkien uses is heavily shame-coded, especially in a Catholic context; Mairon did not go willingly, he was "seduced." He admits to Celebrimbor that he was "tortured by a god". It becomes exceedingly clear through both text and on-screen canon that Sauron was routinely broken and abused for centuries. This has fundamentally damaged his self-perception, which is ultimately what leads him to "[fall] back into evil"--whether due to pride or shame, he hides, perhaps because he consciously or subconsciously does not believe that he deserves forgiveness, no matter how much he craves it.
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Naked in the Garden
His flight back to Middle-earth after meeting Eönwë is reminiscent of another biblical scene, where Adam and Eve, after committing the first sin, hide from God in shame and fear (emphasis mine):
7 Then the eyes of both were opened, and they knew that they were naked...9 But the Lord God called to the man, and said to him, “Where are you?” 10 He said, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” -Genesis 7-10, NRSV CE
The image of nakedness is, here, one of vulnerability, and Tolkien establishes that Sauron fears that which he cannot control. He needs the Rings under his power. He needs his armies and his enemies under his watchful eye. He is petrified of letting his power slip away (possibly due to never wanting to feel powerless in the hands of a Vala, fallen or not, again).
The biblical allusion here hearkens back to the fear Tolkien describes Sauron as feeling regarding his return to the Ainur. In the religious system Tolkien has established, which is likely inspired by his own religious beliefs, Sauron has sinned, and must make penance. But he is afraid of God/Manwë, and does not want to "let go" of his sin. In other words, he is not truly repentant. This reflects the Catholic sacrament of confession, which requires self-reflection and resolve to never commit the sin again.
Instead of shame driving him to contrition, it drives him to isolation.
But he still wants forgiveness. So, in his years of hiding in Middle-earth, he decides to earn it himself. His own way.
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Enter the Rings.
Sauron wants to perfect the wrong he wreaked so that he can both earn his way back into the Ainur and keep his power. But what he does not realize is that this does not work. Eönwë is clear that he must forsake his true temptation--absolute power--through penance by submission. Yet Sauron in his pride thinks he can have it all. Sauron is a very carefully controlled villain, and the only times he snaps or makes significant mistakes are when his inflated self-perception is challenged, revealing the self-loathing and/or self-pity underneath. The best example of this is when he kills Celebrimbor prematurely, and cries afterwards. Why? Because Celebrimbor was right about him, and he hates it. He hates knowing that he is nothing more than the Morgoth's shadow, because Morgoth was his master as much as he was his tormentor. As Sauron puts it, his relationship with Morgoth was often defined by pain as a test to see "whose will was the mightier":
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This image carries more shame, both in its implicit sexual connotations and in the simple power dynamic of it. Sauron, even though misguided, is rallying against Morgoth. He wants to break what Morgoth has created and build something new, something better, something apart from his old master entirely. But Celebrimbor confronts him with reality: he has not created something new, and perfect, and special, as he so wanted to--he can only act in imitation, not in generation. And when he got close with the Rings, it cost him everything. It's almost like he wants the power of a Vala, and loathes that he cannot attain it.
And this is why he becomes so singularly obsessed with Galadriel.
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She’s his foil. They both crave power and adoration, but in the end of things, she does not fold under his temptation. She turns down everything she has ever wanted for the greater good and for the sake of her own soul. Sauron looks at Galadriel and perceives that she would have succeeded at Eönwë's test because she is willing and able to humble herself. This maddens him to the point of both desiring her and desiring to break her.
She learns that she is easily tempted and becomes strong enough to handle it (through a lot of tough love from Elrond & co.). She has to learn how to do it, but she is able to.
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She grows from someone who resisted and rejected authority to someone who is trusted as an authority because of her ability to wield it wisely (see: Gil-galad allowing her to answer for him in 2x08).
In other words, she earns the trust, love, and support of her community. Sauron has to force his to comply—it is an illusion of love.
His possessive obsession with her also stems from her fairness. She was the object of her uncle Fëanor's obsessive desire for creation as well. Her hair was the inspiration of the Silmarils (see: The History of Galadriel and Celeborn; The Shibboleth of Fëanor - source with page #s here), which Morgoth desired more than anything to possess.
Sauron, wanting to spite his master, wants one better--to own that which inspired the Silmarils, to own the image of fairness (and thus of moral good) completely. This is why he wants to bind himself to her. This is why he needs her. He sees Galadriel as his mechanism of repentance, and his last triumph over Morgoth. Winning her is his salvation as much as it is proving that his will is the mightier. It is his way of dominating Morgoth. This starts, I think, as a genuine effort at proving himself to the Valar, but quickly consumes him entirely. He is overcome with the desire for revenge, just as Galadriel was at the beginning of the First Age.
And he sees this in her. Sees their similarities. Sees that she, too, is angry and lonely and so afraid of losing her power. And he leverages that to befriend her. This is where it gets ambiguous and you can read RoP as either painting the image of Sauron being earnest but completely misguided in his proposal, or you can see it as him being entirely manipulative.
I think the truth of that scene probably falls somewhere in the middle; just like when he presents himself to Eönwë, he is sincere in his desire, but only knows how to present it in an inherently contriving way. He does want to bind her to him, so he tries to only reveal to her the good aspect of that desire (and also of his desire for power, which he allows her to see because he believes that it is good and also because she understands it), and not the ugly underside of his internal struggle against Morgoth, the Valar, and himself.
And I do think, in his own way, he cared about her. Galadriel consistently shows kindness and compassion to him. In S1, they grow to know each other's minds and souls, and she considers him a close friend. He finds comfort in this, that someone could see the blackness of his heart and care for him anyway. He thought, in his isolation, that he lost that chance when he fled back to Middle-earth. And here is the very picture of the light itself telling him that she supports him, that she sees the good in him, that she wants to help him set the world to rights! Of course he is infatuated by this. Of course he also wants to use it. He is Sauron.
But Galadriel succeeds where he fails, so he stops playing nice and tries to forcibly drag her down with him. First, by baiting her with the image of the man she cared deeply for:
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Then, by reminding her of all she is losing by rejecting him:
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And she is still strong enough to say no. And not just to say no, but to shut the door completely. To look in the face of everything she has desired for centuries and turn it down, understanding that it will ruin her. Yes, she hesitates. Yes, she still wants it (wants him). But she wins the day by holding fast to the light that Sauron wishes so badly to bind himself to.
Because she has lost everything--her brother, her husband, the station as commander, the trust of her high king and best friend--and earns it back only through her resistance of her greatest temptation. It is a struggle, it is painful, it nearly kills her--but she does it. She wins the test that Sauron could not even bear to face.
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In their headlong, self-sacrificial tendencies, they are the same. Both view themselves as fundamentally stronger/better than their peers while also being deeply lonely due to their self-imposed isolation (Galadriel's laser-focused hunt for revenge, Sauron's exile in Middle-earth). But to Galadriel, the light is more important than her pride.
For Sauron, the light is his source of pride. He desires it more than anything, but condemns himself to never being able to touch it due to his rejection of Eönwë's offer. Paradoxically, he tries to grasp at it through Galadriel, the living silmaril, and succeeds only in darkening her. We learn from Gil-galad in 2x08 that his crown piercing her flesh in an act of brutal domination nearly strips her soul from her and pitches it into the unseen world. In this, Sauron is saying: If I cannot have you, I will force you to need me. I will break you into loving me.
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He says this to Celebrimbor as well. He no longer knows how to love properly. He only knows how to inflict pain until this object of his obessive desire needs him--just like how his immortal spirit was broken into submission by Morgoth. And isn't this revealing of his own sense of self? He refuses to suffer the path of light, but willingly suffers the maddening path of darkness because it is a comfortable, familiar suffering. One, he tells Celebrimbor, he even grew to enjoy (2x08). As the path of the Rings drive him madder and madder, his desire for the light (Galadriel) and the return of his power (Celebrimbor) become further disordered and corrupted until they culminate in him destroying them--and his chance at earning/owning them--entirely.
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And this is Sauron's ultimate point of no return (which we will hopefully see in S3 🤞). The razing of Eregion and slaying of Celebrimbor were acts of petty rage he committed when his pride was injured. This was the final nail in the coffin. Galadriel, in her rejection of him, ruins what he sees as his true chance for redemption.
Galadriel, now stepping into the role of Eönwë, re-opens the invitation: "Heal yourself!" (2x08). But in rage and shame and stubborn pride, he turns it down again. I believe this is where his desire to heal Middle-earth shifts fundamentally into desire to dominate Middle-earth. He always wanted to rule, but now he wants to own.
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mumblingsage · 2 months ago
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"I enjoy reading kids books" does not make you immature.
"I enjoy *only* reading kids books" is depriving yourself of joy, but I cannot force joy on you.
"I've never read [XYZ] because it's a kids book and I never read kids books" is also depriving yourself of joy, and again, I cannot force it on you.
"I enjoy reading kids books and resent any suggestion of reading something written for my level of life experience." The resentment may be a natural response to the tone of some of these suggestions - they do get snarky - but because it leads you to close off a source of joy, it's doing you no favors.
"I enjoy reading adult books and am baffled and slightly offended by people implying the content I read is inappropriate, offensive, unbearable, and otherwise not worth reading because it sometimes features characters being unhappy or behaving poorly." You are me. I'm sorry. Let's read a good book and find joy.
"I only read kids books and if you have anything snippy to say about this you must be prepared to hold my hand and explain, with the gentleness suitable to handling a baby hummingbird, with step by step guidelines, how I can start reading books written for my level of life experience." I don't know how to explain that random strangers with opinions on the internet are not your teacher or your parent.
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