#re: my writing.

[heartplaces]

in regards to fermi’s paradox, by me.

i’ve never written a poem so fast, but once i started i couldn’t stop. it has everything to do with, well… everything.

the fermi paradox is about the existence of extraterrestrial life, and why we haven’t found it yet. the five hypotheses mentioned are just a drop in the bucket of everything we’ve come up with. i’ve always loved that, and i love what they say about humanity as a whole— the good, the bad, the ugly. it teaches us a lot about us.

this poem is tough. it comes from the gut more than the heart, but the love is still there. in these unstable and uncertain times, i hope you all know it’s with you, too.

[roboticnebula]

Pros of re-reading your own fic

a good time;

Has exactly the tropes you like and the characterization you want to read;

Gratification: yes you did finish a thing and yes you did do good;

just a very fun time all around.

Cons of re-reading your own fic:

Is that another TYpO

[lucabyte]

monologue

[unlimited-nobu-works]

my group chats on private MMO servers

[limbel]

🏳️‍🌈 day 5 ~ cursed or not

Dean was barely seventeen years old when he had to burn the remains of the nuns. He still remembers the heat of the fire on his dirty fingers, the grey smoke making his eyes all wet and swollen and sore (it wasn’t the smoke, it wasn't).

That’s what love must feel like, he though: blistering, painful, unkind.

Maybe they really were cursed. Maybe he is cursed too.

[hedgehog-moss]

I was talking with a friend the other day about how I was fascinated with American school life when I was a teen because it seemed so different from how things are in my country (I knew about US high schools thanks to Hollywood, an accurate and trustworthy source) and we talked about which aspects of US schools felt foreign or strange to us and one thing I brought up was, how American teens only seemed to have like 15min for lunch (I had 1h30 here in France), as evidenced by the cafeteria scenes (no one seemed to eat a proper four-course meal? I definitely never saw a separate cheese course), and I was like, I envied a lot of stuff about US schools but not this

... and I went looking in my old diaries to see if I ever wrote about this, and you know what? I was wrong. I did envy their school lunches which, like almost everything about US schools, felt intriguing and different and cool. The reason middle school-me thought American school lunches were superior to French ones is because, since American teens in TV shows only seemed to get like 4 chicken nuggets and a milk carton for lunch, their lunch tray was very light and they could hold it with one hand under it, the other hand in their pocket or holding their bag strap on their shoulder all casual-like. Sometimes there was no tray, even!

I envied these American teenagers for their lunchtime nonchalance. I would have liked to handle lunch in this cool-cat way but my French lunch tray being loaded with 4 different heavy and breakable plates, I had to hold it carefully with both hands. In my view this was unfair as the hindrance of governmental nutrition guidelines made French students look like uptight nerds, unable to strut around the cafeteria with one hand in our pocket like we didn’t care. Same for the absence of lockers in our schools, we had to carry all our books on our back all day like studious turtles whilst the beautiful 25 year old American teens on my television casually leant against their lockers chatting with friends then strolled around school with just a couple of books tucked under their arm like they were in Dead Poets Society. Thank god there was an ocean between us, imagine a French kid entering a US school cafeteria carrying 3 binders and 5 textbooks in their big rucksack and holding their tray with two hands like a complete loser

Note that these comparisons are quite worthless since I don't know what US school life / food is like in the real world (I imagine it varies a lot!)—I just find it funny to re-read old diaries and discover what was important to kid-me. Discussing these little cultural differences gleaned from US TV series, adult!me is like "yeah I remember being intrigued & envious about a lot of things! Not their school lunches though, they didn't look balanced and nutritious"—meanwhile middle school-me, focused on what mattered, was like, imagine what we could be... imagine being able to hold your lunch tray with 1 hand instead of 2 thus accessing a realm of coolness unfathomable to us in our backward country

[angellwingss]

Not trying to start anything but like. The amount of arcane fans that genuinely believe Jayce only cares abt Viktor and completely push Mel to the side or even forget she completely EXISTS is. Baffling

[factual-fantasy]

*Dreamily sighs*.. thinking about Octonauts again..

[glazedcroissant]

I've been reading @post-it-notes7 heart and soul series once again, and I wanted to make some more fanart! As such, doodles:

Read their fic here!

[lucky-fy]

For the Laicion nation (aka, me and three other people)

I had this illustration commissioned (a big thank you to @lunehowls) for my werewolf AU Laicion fic (still a WIP).

The general pitch is as follows :

AU in which Laios never got to meet his sister again, putting his life on a whole other path, a more desperate one. A military deserter with barely a coin to his name, Laios hitches a ride on a boat to one of the elven continents, where he learns about magical tattoos that binds one’s soul to a wolf’s, effectively making them artificial werewolves. Illegal magic be damned, this feels like the answer to… everything.

In the process, he learns about the existence of an illegal fighting ring in one of the elven cities, where beastmen gladiators gather. Freshly tattooed and without anywhere else to go to, Laios decides to head there, where he meets Lycion, an elf and artificial werewolf gladiator. If they first bond over a simple shared meal, by spending time together (sharing the same room in the barracks, maybe the same bed? gasp) they find that they have a lot in common, notably a shared distaste for the body they were born in, a dysphoria partially remedied by becoming a werewolf.

They bond :)

NB: I commissioned another piece, go take a look :D

[heartplaces]

dissecting the daughter, by me.

poets are always writing about their moms. i’m no different. there are so many metaphors for her, i had to fight to cling to that knife. guess that’s inherited, too.

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[royalarchivist]

Ramon: So opinions on [Bagi]?

Fit: She's legit, we can trust her. We can trust her.

Ramon: Would you rather a dad or a mom [for me?]

Fit: Uh- I- no one! No one. Let's- let's get over to Felps' Square, Ramon. [They head to the warp at Spawn, then Fit hesitates] Um, wait- Ramon. [He pauses, briefly looks at the camera, then says in a rush] If I had to choose between the two, it'd be a dad. Alright, let's go. Let's go, let's go.

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[see-arcane]

I wrote a book!

The Vampyres is the happy horrifying accident born of feverish scribbling in the wake of Dracula season* (*inhaling Dracula Daily and Re: Dracula at the same time May thru November). It features a number of familiar villainous faces from classic supernatural lit, though not everyone is wearing their original name anymore. The story takes place in the 21st century and you can only hold onto those sentimental titles so long in the mayfly mortal world before you start drawing attention.

Not that swapping out pseudonyms has done anything to thwart the new shadow looming over the revenant community…

Free Preview Chapters (If You Want a Sneak Peek)

Tumblr version - PDF

More info under the cut!

Description

Something is culling the undead.

Whether they imbibe blood, leech life, or traded mortality away to their devil of choice, the revenants of the world are disappearing. The Vampyre, a possessor of many names and collector of many lives, has been fretting over the phenomenon for some time.

A laughable fear, for he is one of those canny cadaverous few who made a deal for perpetual resurrection. The bitten may crumble, but the bargainer can rise from death after death. So he reminds himself. So he worries is no longer the case.

Not when the boyar in the Carpathians was one of the first to vanish. Still, the monster from the mountains may simply be in hiding, just as the rest of the bargainers must be. The Vampyre convinces himself of this for a single night……before the monster called Quinn Morse makes itself known.

Where to Buy

eBook: https://books2read.com/thevampyres

Paperback (Bookshop being a U.S. store search*): https://bookshop.org/p/books/the-vampyres-c-r-kane/21171669?ean=9798218374587

*Available internationally!

To Search by ISBN

eBook ISBN: 9798218374594

Paperback ISBN: 9798218374587

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Announcement Post Flyer - Cover Conundrum - Preorder Announcement - Vampyre Valentine

Skull Scratch - Eye in the Sky - Food Chain of the Vampyre - A Long Night In - Red Smile - Prototype Book Cover

BONUS: Fanart Book Cover!

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Tunes to run for your unlife to.

[umemiyan]

𝙋𝙊𝙎𝙏𝙈𝙊𝙍𝙏𝙀𝙈 / 𝙋𝙊𝙎𝙏𝙋𝘼𝙍𝙏𝙐𝙈. — 𝖯𝖠𝖱𝖳 𝖨

𝘕𝘌𝘟𝘛 𝘊𝘏𝘈𝘗𝘛𝘌𝘙 ･ 𝗠𝗔𝗦𝗧𝗘𝗥𝗟𝗜𝗦𝗧 ･ 𝘛𝘈𝘎𝘓𝘐𝘚𝘛

𝗦𝗔𝗧𝗢𝗥𝗨 𝗚𝗢𝗝𝗢 𝗫 𝗚𝗡!𝗥𝗘𝗔𝗗𝗘𝗥. ⌇ sfw, but minors dni (potential for nsfw continuations) / jjk manga spoilers / this is my version of "came back wrong" gojo inspired by recent events, but it turned out somewhat softer than i expected / what happens when satoru is brought back and suddenly finds himself deeply attached to you of all people?

yandere!gojo / he's also slightly higher-needs disabled coded… idk i tried to approach it as best as i could. it's an unfamiliar thing for reader and they're trying to process it / i very well may try to continue this because it is rotting my brain!! / 1.7k words

“Satoru… you need to eat.”

A full bowl of soup sits on the table before him untouched, his hands resting unoccupied in his lap and eyes trained on your figure as you circle around to stand near him. That piercing blue gaze is ridden with innocence, lips parted like those of a quizzical child, but they turn upwards into a pleased grin when you take a seat in the chair next to him.

You’d prepared a rather simple dish, something you figured might be easy for him to consume and digest given his… peculiar state, but Satoru apparently had yet to pay any interest to it. He instead sat obediently in his chair just as you had commanded several minutes ago, unable to initiate the task of feeding himself, for he was much more intrigued from afar by your every move as you tidied the kitchen. It was as though he couldn’t find the drive to function unless you were within an overwhelmingly short distance of him.

Satoru’s heart thumps now that you’re close, a burst of satisfaction rushing through his brain. Dopey yet stimulating chemicals. You are Pavlov’s ringing bell. 

He is reminiscent of a child picked up from school by their beloved parent, or a puppy being reunited with its owner after a day at the vet, overcome with joy and unable to properly contain it. He leans forward and presses his lips to your neck as though that is the appropriate response to his elation, the crossed wires in his brain telling him that this is the sort of affection that will please you and is therefore the sort of affection he most desperately wants to give.

His condition was difficult to understand, and you wouldn’t call yourself properly equipped to deal with it, but there was simply no other option but to try; Gojo wouldn’t let anyone else try, the horrible rattling in his skull consuming him when deprived of your presence for too long. Yuuta had described the look in his eyes as “frenzied and lost.” You were told that the infirmary still needed repairs.

Once he returned to this world, Satoru had been stripped down to his essence, bare bones, a creature of instinct, reduced to something quite simple yet difficult for the average person to understand. But you had to understand, or try at the very least. This was the new burden placed upon your shoulders; it was either soothe this new version of Satoru Gojo for the sake of the world, or find a way to send him back into the icy arms of death. You were often caught between which option sounded worse.

However, when met with the sweetest and most earnest of his smiles, your bones were frosted with guilt, and you regretted ever entertaining the idea of letting him go again.

You stumble over getting him to perform necessary tasks and be further than 5 feet away from you at any given time, because it seems that, upon his revival, Satoru equates you and only you with everything of importance in his life. It’s more than a little unnerving given the fact that you’d never so much as even kissed prior to the loss of him, and now his neurons only fire off every happy memory he’s ever had of you, every positive thing he’s ever felt, no matter how stifled. You are his entire world now, and he can’t even verbalize it, but as each day passes following his awakening, you’re starting to gather that much on your own. You can’t be frustrated for long, however, because his cheerfulness is contagious, his enthusiasm making you feel loved even if it is somewhat smothering.

Is this selfish of you? 

The man's lips travel slowly across your skin, pacified by your presence, your taste, and ignoring the grumble in his stomach. How does one differentiate the types of hunger? You don’t attempt to fight him off, but rather exhale a defeated sigh in response. It hasn’t been long since you’ve been tasked with this responsibility, but it feels as though you’re frequently fighting a losing battle and failing him all the same. It’s so peculiar, so very unnatural… but still, you have to try.

“Satoru, please…” you beg, voice light in his ear and a hand settling at his nape. His nerve endings come alive every time his name leaves your lips. The bell. “Just one bite? For me?”

That seems to do the trick, as you’ve gathered. Satoru pulls himself back, hyper-aware of the tone in your voice and suddenly willing to comply. He’s more than eager to accept the spoon into his mouth when you offer it, placing your fingers beneath his chin and carefully bringing the soup up to his lips. He swallows it with ease, the task literally more palatable now that you’ve reminded him of how badly you would like him to complete it. Anything for you.

“There,” you say, satisfied and offering a faint, exhausted smile. He grins widely in response and hums, no longer capable of words of his own, but his simple noise expresses his glee with efficacy. Satoru decides to punctuate it by pressing the tip of his nose to yours for good measure.

It feels wrong to enjoy these subtle moments of intimacy with someone who doesn’t appear to be in his right mind, but who are you to say whether he is or not? There’s still an agency he possesses, a heart full of emotions, and a mind teeming with thoughts that you wish you could be privy to. He might be different now, but part of you wants to say with certainty that the old Satoru is still here with you somehow—you can sense it. He chuckles at particular images that flash across the TV and still gets a kick out of teasing you to some degree. To diminish that seems like a disservice to him.

You’re unable to deprive him of the happiness your closeness provides nonetheless; in fact, it’s obviously rather dangerous for you to even try and do so. Satoru’s conscious recollections are filled primarily with you, but his body is still more or less the same as it always was—the vessel of his clan’s power, the strongest sorcerer on earth. You’re not sure to what extent he remembers how to control these abilities, but part of you doesn’t wish to find out. For now, you care for him, placate him, re-learn him. Nothing is certain about the situation other than the fact that he apparently needs you now more than ever.

Your eyes soften at the warmth he exudes, and you wonder if he really remembers who you even are—or were—to him. It’s not worth pondering over for now, however. He needs to eat.

“Another?” you ask, testing to see how willing he is to fulfill your wishes. Satoru often easily complies once you’ve expressed satisfaction in him doing so, but all of this is still so new and experimental; you never know when he might decide to switch gears.

However, still smiling, he nods, and you bring another spoonful of soup up to his lips for him to swallow. It pleases you to see him finally getting something into his stomach, and he can sense it, taking it upon himself to further your agenda and simultaneously realizing just how gratifying it is to fill his belly.

“Good,” you say, and he feels rewarded. He is crowned by your praise. Exalted. You take him to the greatest heights with the simplest of words.

You place the spoon back in the bowl and Satoru takes it in his grasp, feeding himself without quarrel while you observe. Most of his motor skills appear to be intact as far as you’ve seen despite the cognitive and behavioral changes, and if someone were to look upon him from afar, you’re fairly certain they would never know the difference. But you’re still trying to put the pieces of the puzzle together little by little, deciphering each bit of information and also determining just how deep his severe attachment to you really goes.

Why did it end up being you? Why do you suddenly seem to be the only thing that makes sense to him in this entire universe?

You can’t answer that, he can’t answer that, it’s just the way it is. Satoru doesn’t need to know why you nearly consume his every thought, he just knows that you make him happy, and that’s truly all that counts in his version of the world. He’ll chase it on instinct until death decides to take him again; he’ll tear down anything that stands in his or your way, for you alone are all that he thinks he has left to cling to. Never matter the others that show concern for him—they’re nice enough, earning a small smile or even the privilege to touch before he shakes them off and seeks you out again. It’s nothing personal. It’s simply pathological.

Leaning an elbow on the table, you turn the possibilities over in your mind as you silently watch him eat. A life has been restored, but yours has been turned upside down, and you have to figure out just exactly what you’re going to do about it. You suppose that taking baby steps ought to be the best way to make progress, but how do you make space for someone like this out of the blue? You’ll have to give it your best shot.

Satoru finishes drinking down the remaining broth of his soup, and you pose a question. “Would you like to go for a walk with me today?”

He sits the bowl down and looks over at you, eyes assessing your features and mind processing what you’ve asked. He hasn’t been out much in the days following his return, but you don’t see any reason to keep him cooped up inside if he happens to respond well to a casual outing with you. Taking him for a stroll outside seems like a decent way to test the waters.

Satoru smiles and nods, recalling memories of how your hair looked when touched by the wind. He’d be glad to accompany you outside if it meant he could see you glow in the sun, radiant and warm. The center of his universe.

“I think it’ll be nice,” you remark with a grin, an ounce or two of weight being lifted from your shoulders at the positive shift in outlook. Baby steps.

Reaching out to take your hand, Satoru squeezes it in his own to convey his agreement. It’s as if he’s trying to say, “everything is nice when I’m with you.”