#ray barone

[soapdispensersalesman]

[emmynominees]

ray romano as ray barone in season three of everybody loves raymond

primetime emmy award nominee for outstanding lead actor in a comedy series

[misswarmnights]

Everybody Loves Raymond (Tickle Headcanons)

Ray: Ray is ticklish but very shy about it. His most ticklish spot would be the soles of his feet. That is the reason why we almost never see him barefoot on the show. It’s true that on the show, Ray is almost always wearing socks, slippers, or shoes. He even wears socks to bed sometimes. Why? Obviously because he is afraid of getting his feet tickled! Robert used to tickle torture his feet when they were children. Debra is actually unaware of how ticklish Ray’s feet are, and Ray hopes to keep it a secret from her. He also has a ticklish neck. Ray definitely prefers to tickle rather than to be tickled. His main target is Debra, but he likes to play tickle monster with the kids as well.

Debra: Debra is extremely ticklish (a fact made known on the show) and she is often tickled by Ray. She doesn’t usually tickle him back because she’s not into it as much as Ray is. She does enjoy being tickled but only when she is in the right mood. Sometimes, if she is in a bad mood, Ray will tickle her in an attempt to cheer her up. Sometimes it works, but other times it just annoys her. Debra’s most ticklish spots would be her armpits, ribs, stomach, and feet.

Robert: Robert is very ticklish (this fact is revealed on an episode of the show). His most ticklish spot would be his stomach especially in and around his belly button. He enjoys being tickled when he is in the right mood. He often plays tickle monster with his niece Ally and nephews Michael and Geoffrey. The kids love it when their sweet Uncle Robert playfully tickles them. He greatly enjoys tickling Amy during their intimate moments together and he always wishes that she would tickle him back, but she doesn’t always get him back. Sometimes Robert will ask her to tickle his tummy which Amy finds precious and will oblige. His deep, booming laugh is totally cute and Amy loves it.

Amy: Amy is most ticklish on her sides, which Robert discovered and was more than happy to take advantage of. She is shy about being tickled and a little embarrassed by her laugh, but Robert assures Amy that her laugh is adorable. As a child, Amy was tickled by her big brother who was playful but always gentle with her.

Frank: Frank is not ticklish and doesn’t have much interest in it. However, he does have a soft side and did occasionally tickle Robert and Ray back when they were young children. He still tickles Marie from time to time.

Marie: Marie isn’t super ticklish, but she is ticklish enough to squirm and giggle a bit. Frank will tickle her during times when he is being frisky and flirty. She used to tickle Ray and Robert all the time back when they were kids. From playing ‘this little piggy’ with their toes to blowing raspberries on their tummies. Eventually, the boys got old enough to the point where they didn’t want to be tickled by their mom anymore, but Marie still treasures those beautiful memories in her heart.

[atomic-chronoscaph]

Robin Williams as The King of the Moon - The Adventures of Baron Munchausen (1988)

[haveyouseenthismovie-poll]

[bringbackwendellvaughn]

[talesoftheraysen]

Login bonus dialogue for Happy Happening Wedding.

[nicstylus]

Each person took about 2-5 minutes to draw

[princess-serah]

Skullduggery Pleasant Book 2 (Playing with Fire) fancast:

Liam Cunningham as Baron Vengeous

Robert Pattinson as Dusk

Tom Hiddleston as Springheeled Jack

Boyd Holbrook as Billy-Ray Sanguine

Bill Nighy as Kenspeckle Grouse

No picture because of post limits:

Colin Farrel as Thurid Guild

David Bradley as The Torment

[mr-orion]

I KNEW WAITING UNTIL YOU PUBLICLY ANNOUNCE IT IS 5 MAY IN YOUR TIME IS A GOOS IDEA!!!!

HAVE AN AWESOME BIRTHDAY AND I HOPE YOU GET THE PRESENTS OF ALL TIMES!!!!!!!!! MYAHAHAHAHHA!!!

I keep forgetting to go through my ask box and I LOVE THIS AUGHGHHGH AUGHGGH

I LOVE THE BIGENDER REFERENCE TOO, I FORGOT ABOUT DRAWING RAY IN THAT PERSPECTIVE 😭

I'M GONNA HAVE TO STEAL ONE AND MAKE IT MY PFP LOL THE PROBLEM IS WHICH ONE

[lyorofthequill]

So I've been messing around with character AIs and here's some headcannons it's given me.

Serpine

• Serpine is a Manchester United supporter but has a deep hatred for Manchester since the war.

• Serpine likes to get (wine) drunk, shirtless in the middle of the night while doom scrolling.

• Serpine used to use piercings as a form torture, now he'll just do you piercings for free if you ask nicely.

Billy-Ray.

• Billy-Ray likes ciggerates not to smoke but because he likes to have things in his mouth.

• He has a weakness for babies/toddlers and will get distracted if there's one in the room.

• He can't actually ride a horse.

Dusk

• Dusk finds that the fact trans people also take injections to be themselves a huge comfort and helps him feel just that bit more normal.

• He is a stay at home office worker when not committing terrorism.

• He likes having orange juice with cereal.

Throwaway

• Scapegrace and Baron both have the exact same tastes in women.

•Mevolent will hum Faceless ones lullabies to you during an overstimulation episode/mental breakdown.

[eclecticpjf]

Now watching:

[doctorslippery]

[navek15]

My current collection of physical mecha dvds and Blu-Rays (yes, I count Transformers and Super Sentai as mecha series.)

[vertex-stan]

Don't hate me for speaking truth

[adamwatchesmovies]

Hugo (2011)

Martin Scorsese is not known for his family films. You associate the name with gritty crime stories. So what drew him to Hugo? Perhaps he wanted to try something different? On top of being suitable for the whole family, the picture makes impressive use of 3D and special effects. If you’ve seen Hugo the whole way through, you’ll know why. I suspect Scorsese connected to this story on a deeply personal level.

In 1931 Paris, 12-year-old Hugo Cabret (Asa Butterfield) maintains the clocks at Gare Montparnasse railway station. His alcoholic uncle Claude officially does the work but he’s been gone for months and as long as the machines keep the time, Station Inspector Gustave Dasté (Sacha Baron Cohen) won't ask any questions. This means Hugo is free to focus on the automaton he and his father were repairing before he became orphaned. Hugo keeps to himself, occasionally stealing parts from a toy store owner, Georges (Ben Kingsley). After he is caught and his book on the automaton is confiscated, Hugo befriends the toy maker’s goddaughter, Isabelle (Chloë Grace Moretz). He hopes she can help him get his book back.

There’s no way you can guess where this movie is going. The surprises along the way are a big part of the fun and the screenplay by John Logan (based on The Invention of Hugo Cabret by Brian Selznick) is in no hurry to get to its big reveals. As Hugo goes about his day, we meet all the characters who frequent the station. Richard Griffiths plays a man pining for a dog owner (played by Frances de la Tour) whose pooch can’t stand him. Shy Inspector Dasté wants to approach a beautiful flower saleslady (Emily Mortimer) but is embarrassed by an old war injury. Christopher Lee plays the owner of a book store who probably knows more than he lets on, Papa Georges is hiding something from Isabelle. And then there’s the automaton Hugo is repairing. How is it tied to his father? There’s enough going on with these characters that it doesn't matter if you don't know where the plot is going. You’re having a great time simply getting to know them, admiring the performances (Moretz does a flawless accent) and enjoying Scorsese's direction. Check out the way the camera moves down chutes, through crowds and then into the secret openings into Hugo’s home or the breathtaking shots of a long-gone Paris.

Ultimately, this is a small, personal story. The world’s fate does not rest in the hands of Hugo. The secrets we uncover deal with very human tragedies but it’s shot like all of reality hinges on the lonely boy finding a friend. After Hugo is over, you remember specific shots, specific characters and the emotions you felt while watching them. These would attract any director but I suspect Scorsese wanted this project specifically because the film contains numerous references to specific events in the history of cinema. We see a clip of Harold Lloyd’s Safety Last! and the film’s most iconic shot is re-imagined later on. The Montparnasse derailment of 1895 is reimagined and Scorsese gives us to opportunity to relive the shocked reaction audiences would’ve had while viewing “L'Arrivée d'un train en gare de La Ciotat” - that famous shot of a train coming towards the camera that supposedly had audiences falling out of their seats in terror - by shooting it in 3D - literally having the train come right towards the screen and frighten us. There are many other references to the history of cinema throughout. If you love movies, you’ll get an extra kick out of these scenes.

Hugo is moving, warm, romantic, tragic and exciting. It goes in unexpected directions and the surprises make the movie feel big while also keeping it small and intimate. The performances are excellent, the characters fully realized. The only mark against it comes from the presentation. This movie is meant to be seen on the big screen and in 3D. Few people will be able to see it that way now. If that’s the only flaw you can find in a movie, it's doing a lot of things right. (On Blu-ray, September 25, 2020)