#raoul call

[transformers-synergize]

Do you have any more stuff for Sunny & Sides? Your designs for them are some of the best I've seen, and I'd love to know more about your plans or headcanons for them!

No pressure ofc, I support you and your absolute galaxy brain :D

Sure, here is a bunch of random stuff about in no particular order, lot of this stuff was just pulled from my notes but whatever lol 

Sunstreaker is egotistical, he knows he is the best and makes sure everyone knows it too. He also has the skills, looks, and combat prowess to back it up. Sunstreaker only really cares about himself and Sideswipe, considering pretty much every bots below him or not worth his time. He often makes sly comments, belittling or cracking jokes about bots whom he deems lesser. His friends are either Sideswipes friends who can tolerate him or bots who think he's cool, which is usually due to factors outside his personality. He's always down for a good fight, being ruthless and downright merciless in combat while still somehow managing to get as little dirt, energon, or other various combat filth on himself as possible, sometimes being nearly spotless after a battle aside from the energon coating his blade. Sunny likes to keep himself in good condition, making sure his paint is perfect and his polish shines, it really helps accentuate how he's the best.

Sideswipe is the nicer of the two brothers. He's outgoing and usually pretty friendly. Sideswipes is always looking for a fight. He loves the thrill of combat. He often treats serious situations more like a game than the high-danger situations he often places in. Sideswipe often can't sit still and always need something to do, and if there is nothing fun to do then he will make his own fun, he is often sparring with his fellow Autobots, trying risky stunts, pulling pranks on other bots and generally just causing chaos. He's very impulsive, often doing the first thing that comes to mind because he thought it might be fun, never considering the consequences. He's kinda like a jock who treats war like a sport with an almost ruthless approach to combat. He often tenses and banter with other autobots, sometimes making jokes at their expense, but unlike Sunny, he usually knows when to stop or when he's gone too far.

info dump bellow↓↓↓

Sideswipe and Sunstreaker both emerged during the Autobot Decepticon war and never known peace times. They are the youngest of the crashed Autobots, both being around a thousand years old, which is very young when your species can live to their hundred thousands.

Twins are what happens when a shuttle-sized spark splits into two, so before Sideswipe and Sunstreaker split, their emerging was highly anticipated because shuttles are rare and extremely powerful, but their spark ended up splitting. When they finally emerged, it was a great disappointment.

they were mentored by Inferno and, to a lesser extent, his conjux Redalert (they are one of the many reasons for Redalerts anxiety). Sideswipe has a pretty good relationship with his mentors Sunny… not so much 

Sunny hates Earth, it's filthy it's wet it's squishy it's sticky it's too hot, at least compared to Cybertron's frigid temperatures, and its dominant species are nothing but a pain he hates he has to hide his existence from the stupid inferior fleshy creatures that rule this dirtball of a planet he hates how often on missions he has to have a fleshy human chaperone to perform basic task that he could easily do himself or wouldn't be a problem if humans just didn't exist. Whichever bot or bots are on a mission with Sunny where human help is required, the other bot will always be the one transporting the human because Sunny refuses to let a human inside of him.

Sideswipe likes Earth, there so much to see it his first time being anywhere without the war consent looming present of the great war, but having to hide all the time on Earth is frustrating, he's been able to seek out and do some street races without Prowl knowing, he likes quite a lot of human stuff human music is pretty good and he like some human tv shows and movies mostly the ones with a lot of actions and explosion, he like interacting with the humans he's allowed to interact with especially Carly and Raoul, thought Sideswipe often struggles to understand how fragile humans are and often can put them at risk without even knowing it. Sideswipe is still a little homesick for Cybertron, even if he's only ever known it as a war-torn mess.

their poses often mirror each other

Sunny tells Sideswipe to smile with his mouth closed because his split beak. 

Sunny is the decision-maker of the two, and though Sideswipe may make destinations for himself on his own as a pair, Sunny always has the final say. 

Sunstreaker hates Sideswipe stickers but gave up on trying to remove them because whenever he tried, he got his claws sticky. 

Sunstreaker and Tracks have a bit of a rivalry going on, though Tracks hates Sunstreaker more than Sunstreaker dislikes Tracks. Also, Sunny usually comes out as the victor of most of their little spats.

Sideswipe pulls pranks but doesn't dare prank Sunstreaker because he knows there will be hell to pay if he messes up his brother's paint job. 

sideswipe loves to cause chaos, Sunny often help

Sunny has some artistic talent, though he doesn't use it much

Sunstreaker always makes sure his frame is clean and in near-perfect condition. Sideswipe doesn't care as much but Sunny, make sure Sideswipe keeps up to a certain standard.

Sideswipe is very extroverted, loves interacting with other bots, and will talk to basically anyone. Sunny is more introverted and prefers to keep to himself and select bots. Sunny tries to encourage his brother not to hang out with bots he considers not good enough to be associated with them which is most bots.

-----------------

As for plans for them, I like keeping what I share plot-wise pretty vague. They appear pretty early on, and they both are pretty plot-important. I don't really care about spoiling characters who appear in the first seven chapters. After that, I'm a little more sneaky and vague about who will appear.

[garnet-xx-rose]

Reading the POTO novel for the first time and for as much as people claim “ALW romanticized the Phantom” I would argue he “romanticized” Raoul. Raoul in the book is annoying af and has a really weird superiority-inferiority complex. Just your average 21 yr old scrawny young man. Not at all like the Prince Charming he’s made out to be in the musical.

He’s out here slut shaming Christine LIKE WHAT??????

Honestly, The Phantom AND Raoul got a glow up in the musical, they should be thankful.

[netnook]

the spectre photographer was in love with him

[birdstooth]

Little Lotte Mermaid

Bonus Flounder:

I didn’t know who to make him lol

[mega-ringsandthings-world]

Noah/Mirage this Mirage/Noah that, show some respect for Raoul and Tracks they were THEE fucking blueprint.

[dr9com9ge-ix]

POTO Designs for class- They didn’t ask for it but the guidelines of the assignment assumedly will let me do this! Bug opera…

[rucow]

i rewatched the 2004 film and immediately drew this afterwards bc im a lesbian and the outfitting in that end scene altered my brain chemistry 👉👈 close-up under read more :)

sorry to make her cry but she was an emotional wreck anyway so<3

[leblancsvoleur]

There's something so interesting about the way Arsène Lupin likes to act all upper-class, likes blending into the upper folds of the social hierarchy by giving himself titles of nobility. But he grew up poor! His mother was disowned for marrying below her class! He was denied his first marriage because he had no career nor status! He burglarizes the rich! But despite the contempt he holds against the noble family that disowned and abused his mother, he still desperately wants to be a part of the nobility, to have that status that he and his mother were kicked out of.

He uses the noble name from his mother's side when he's living and dressing himself up in higher society, and held his common name from his father in contempt. He compares himself to royalty! He tries to take over Europe once!

Yet despite that. Joséphine, Countess of Cagliostro, the Lupin before Lupin, tells him: You're not Raoul D'Andrésy. You're Arsène Lupin, son of a common man and a crook. I know what you are, a thief.

[jt1674]

[stephantom]

I’d need to watch it again to confirm this, but I’m pretty sure that Thomas Becket is the only character who independently initiates touch with Henry?

There are plenty of people whom Henry touches, and it’s almost always possessive or threatening: the villager woman in the first flashback scene, the Saxon peasant girl (and possibly the old man? I think he prods at both of them with his riding crop), Gwendolen (holding her shoulders/neck), the French prostitute (kissing, leaning over, sitting on, slapping her butt), his sons (pushing and kicking them), the bishop (strangling), his barons (clutching onto one, tapping one’s head to indicate his vapidness), and Thomas too—(clasping his shoulders when he realizes Thomas is hurt, holding his hand to put on the chancellor ring).

Interestingly, I don’t think we ever see Henry touch or be touched by his mother or his wife. There’s the moment when he grabs/kicks their needlework, and later on he knocks all the plates off the table, possibly vaguely in their direction—so there are two physical interactions which are violent but still sort of… distant? And still the direction is just Henry to them (in terms of physicality, anyway—verbally, they do initiate conversations/fights with him).

Does anyone touch Henry? There are the monks who whip him in the end, but Henry has ordered them to do it. Likewise, there’s the servant/valet/page who begins to wipe him dry in the bath scene, but again, that’s someone performing a duty. Thomas Becket though, cuts in and takes over the drying, and the dialogue tells us explicitly that he’s not expected to do this, and doesn’t have to (“You’re a nobleman—why do you play at being my valet?”) but Becket seemingly wants to do it, and he knows Henry likes how he does it: enthusiastically, confidently, warmly, and freely (“No one does it like you, Thomas”). He towels Henry’s head, helps Henry put on his boots, and then casually uses Henry’s legs to push himself up to stand.

There’s the scene in Henry’s tent, after the French prostitute has left and the two of them are sitting on the bed: Becket sort of leans in and briefly clasps Henry’s arm where it’s lying in his lap, casually and warmly.

There’s also the getaway horse ride, where Becket is holding onto Henry, arms wrapped around him, and they’re both laughing and smiling. Henry’s shirt actually falls open a little and Becket’s hand winds up on his bare torso.

And then there are the thwarted attempts at touch, after the split: the two scenes where Henry accuses Becket of not loving him. Both times, Becket moves toward Henry and reaches out to touch him, and both times, Henry moves away and tells him to keep his distance.

They’re quick little things, but if they are actually the only instances of anyone touching Henry affectionately (or even of their own volition) that we see over the course of the movie, it does support an impression of Henry as fundamentally isolated—maybe there is truth to his claim that Becket is the only person who’s ever loved him.

What’s tragic is that 1) Henry doesn’t really know how to express love himself (see: Henry expressing nothing but violence and entitlement to everyone else around him, and even to Becket for the most part), and 2) Becket’s love, albeit huge in Henry’s world, is conflicted and unfulfilling—for both of them.

Becket might be the only person who’s dared to reach out to Henry and meet him on something close to a human level, and Henry loves him for it, but why does Becket do it? Part of it may just be an instinct of Becket’s to fulfill a need where he sees one, if he can, and if it benefits him. I think it’s so interesting that Henry seems obsessed with the question of whether Thomas really loves him, when it seems the truth might be that Thomas actually doesn’t know; maybe it’s an unanswerable, even nonsensical question to him. Like, what else could he do? I don’t know. “Insofar as I was capable of love, yes I did [love you].” But the fact that his last words, unwitnessed and private, are, “Poor Henry.” Fuck me up.

Ok, that last paragraph got away from me and now I can’t stop. Tempted to draw comparisons to “Beauty and the Beast” (this is a sad version where no magical transformation happens… unless you take a particular Catholic stance and consider that both of them maybe took real solace and meaning in Thomas being made a saint and that Henry maybe found real absolution through his penance).

I also want to compare all of this to “The Lion in Winter”, where it feels like, rather than a story about one lonely monster in a castle full of people he sees as objects, it’s a whole microcosm of traumatized and power-hungry people, reaching out for power and security and love and stabbing each other in the back, over and over. (Like, of course his mother and wife and kids have complex feelings for him—some of which involve love!) I think that depiction is better and less myopic, more true to life and probably a more accurate portrait of the historical figures involved (even when it comes to Henry and Becket—Becket was of that world too, after all), but I think I’ve rambled enough about all of this, so I’m going to end this post now. I’ll just say that there’s something nevertheless appealing about the boiled-down fairytale melodrama of “no one else ever loved me but you!”

[cowgremlin11]

fuckit gender non conforming raoul

[callmewishful]

I also have a bunch of these now send help

[mysoulsickened]

Eva Smith ᯓ she/they. isfp. english literature, philosophy, and history enjoyer. edwardian, victorian, & regency enjoyer. dr. hastie lanyon's wife. mr. gabriel utterson's number 1 supporter. henry clerval's sweetheart. gerald croft's biggest op. sheila birling defender. raoul's lover. grantaire lover and combeferre understander. avid mozart and alw listener. perpetually stuck in a haze of musical bliss. english, french, latin — ok!

DNF > 12 or 25+ unless i interact first. fit the general DNI criteria. genuinely hate my friends ++ favourites. adults or strangers which use petnames on me.

BYI i sometimes take breaks online (more often than not w/o warning). i dont usually respond to PMs fast. i'm multifandom.

masterlist for fics ❄️ my girlfriend's account <3

[chiconugget]

Back again with more ideas for Erik's design. I wasn't a fan of the more musical makeup lookibg design so I tried a slightly different approach! Also I've seen people draw him with black whites in his eyes which I thought is a really cool look so I tried that out too. Also I fell in love with his picnic outfit from the 1990 miniseries.

If you have any ideas or thoughts what I should try to draw next let me know!

[wreckedhoney]

do i Dar e put this in the main tag even though it is So dumb So silly but also does anyone dig phantom of the opera. does anyone dig it enough to begin making very light and superficial au's.

it's the radio station for kfam. kurt m is falling out of grace with station management, more so because of the Curse that's increasingly gotten worse within the station itself as well as the town. forrest nash is getting booted out of chicago. alas, he finds a mysterious letter addressed to him that a position will soon be open in gallows creek, so off he rides, melancholy into the behemoth of a building, in a dark and spooky town.

kurt m has been scared off, but forrest doesn't believe in ghosts, doesn't believe in demons, and the only person "living" in the basement, "underground," is clive, the janitor, and it's not like he never goes home, so what's the big deal?

until after his first week(?), peggy leaves slightly earlier than he does, and forrest is left alone only to hear a faint whistling coming from alllll the way down the stairs.

[flagbridge]

More POTO Italy (Milan) bows, since it’s Monday and the show is closed until it moves to Monte Carlo in December. These are from two different performances, including the Mark Biocca u/s for Earl's Andre show and the Luca Gaudiano debut (that’s him positively BEAMING) at curtain.