#randy merrill

[nofatclips]

To Believe by The Cinematic Orchestra featuring Moses Sumney

[publicacionesdeunachica]

But you like her better...

[lyrasky]

Benson Boone【Beautiful Things】和訳 解説 純情男のバラード Ballad Of An Innocent Man

Benson Boone【Beautiful Things】和訳 解説 純情男のバラード Ballad Of An Innocent Man #BensonBoone #ベンソンブーン #BeautifulThings #FireworksandRollerblades #RandyMerrill #AlexGhenea #EvanBlair #JasonSuwito #JasonEvigan #ConnorMcDonough #RileyMcDonough #Malay

「歌が上手い」と初めて聞いた時、思ったのを覚えている。それと共に、懐かしいとも。 レトロが世界中で流行っているからか多いのよ、この髪型に70年代パンツ履いてるか、チャブな感じを合わせる男子がね。周りにも沢山いるのよ。 好き勝手やって楽しければ良いという生き方しかしてきていないからLyraには彼らが楽しいならそれで良いの。似合う似合わないどうでも良いの、皆んなが幸せなら。 でもBenson…

[wutbju]

Bible Time Canvassing!

[mister-mickey]

Reverse au (socs and greasers reversed)

Cherry- greaser girl with a single father who’s pretty busy but cherishes her a lot. She’s able to befriend most people, but she gets harassed a lot because… she’s a girl. She kind of take pony’s role

Bob- greaser whose parents both work a lot, so they aren’t there for him to give him attention, so he’s an adrenaline junkie as well as an alcoholic. He works at the DX and is always drag racing people

Randy- greaser whose parents are way too strict. He’s got younger siblings and a job, his parents are always pressuring him to do more. He works at the DX with Bob and is usually the one to pull him away from fights (greaser Randy is less of a follower because he knows Bob is in more danger if he lets Bob do whatever)

Marcia- her parents both work as well, but her mom is around more. Her mom is kind of doped up and isn’t there for her. Her dad used to hurt her but ever since Cherrys dad let her stay at their house, she barely goes home and it’s stopped ever since Marcia got taller (aka able to defend herself better) she is dating Randy but honestly he’s just her friend. She feels bad about it.

Paul: Cherrys cousin on her mom’s side. He takes Darry’s role and is very protective of her as well. He wanted to go to college, but can’t obviously. He’s the leader of their gang, but he feels like he’s somehow betraying them by being in love with Darry. He’s Paul still, so he’s kind of arrogant and assumes he knows more than other people. He’s obsessed with “shortcuts” and “work smarter not harder” and often gets in trouble for this

Darry- Sox who is currently in college. He isn’t around a lot even though his parents are dead (soda and pony are left with a nanny who comes around three times a week to check on them and report to Darry. Darry also calls every day to check on them) he’s a likeable guy but he is still in love with Paul. He has romps with Tim sometimes but he’s very conflicted. He does LIKE Tim but Tim is far from Paul m. It doesn’t help that twobit gets wrapped up in this sometimes too. Darry’s head is about to split open sometimes.

Soda- Soc who didn’t drop out, but he’s still failing all his classes. This upsets Darry a lot, but soda could care less. He’s very popular and throws parties a lot, which makes Darry very upset. Soda doesn’t think college is important, but he also knows that he doesn’t get a choice and no matter how bad he does, he’s going to end up there. So he doesn’t try too hard and just has fun.

Pony- soc who is a smart cookie. Basically the same tbh, perhaps a bit less traumatized from the basic environment. He loves talking to greasers because Darry said not to.

Johnny- Sox who is still abused, it’s just hidden now. His parents actually care about public perception so they act like a loving family in public and at events. They both tell Johnny he sucks and isn’t good enough to be their only son. Johnny takes this to heart a lot and it makes him try harder at school (but it stresses him out so he does worse)

Dally- soc whose dad is a big time lawyer who doesn’t act like a father. Dally is left to run wild and jump greasers (he also gets with greaser girls sometimes because he’s not supposed to sully soc girls) dally is failing most of his classes but somehow gets a’s every semester (his dad pays the school) he’s besties with tim and they jump greasers together. They don’t have the same relationship as they do as greasers because i think it’s less acceptable for civilized boys to beat each other up like that. Instead they both were in the boxing team in highschool and made sure to stay in the same weight class lmfao

Steve- soc with absent single father, Steve has a car hobby. He’s got two cars and they’re both super expensive. The cars are his babies and his dad pays him a lot more when he upsets Steve now. Steve has one super nice car he drives his friends around in and one that he keeps in the garage and obsesses over. He likes to jump greasers but not with soda because sometimes soda feels bad about it 💔

Twobit- soc, his dad didn’t leave, he’s just always on business trips. His mother is a socialite who is always bragging about him, even if there’s nothing to brag about. He’s an alcoholic whose parents paid for him to not have to retake junior year. Despite this, he’s a fun guy and everyone likes him, even greasers. He’s very non discriminatory (and is lowkey in love with Darry) He helps his buddies if they get jumped but he won’t jump a greaser unless he has a reason (like a vendetta against one specific greaser who keeps exchanging eyes with Darry)

Tim- stepdad is also on business trips a lot, his mother is classy old money. His family has ties to the Italian mafia on his mother’s side. Tim (like Paul in the series) didn’t go to college and instead works for his father’s company and is already making a shit ton of money at 18. He likes to scare greaser girls and children. Sometimes he revs his engine super loud around greaser girls to make them shriek. He likes darry and romps around with him but he’s aware of the way Darry looks at Paul. He HATES Paul and tries to hit him with his car sometimes

Angela- most popular girl in school. She ruins relationships and makes girls insecure. She shoves cherry and Marcia around sometimes and bullies them in the locker room. She doesn’t actually have anything against them, she just has a lot of built up frustration inside. She’s still awful to them. She tried to steal Bob 😭 but he didn’t gaf about her and she got embarrassed

Curly- He’s always getting arrested but somehow has no criminal record. He likes to jump people ofc because he’s curly but nobody takes him seriously because he always jumps weak people. He knows he isn’t that scary. He struggles in school and his mom threatens to send him to boarding school when he pisses her off (this sets his straight for two days before he’s back on his bs)

Evie- pretty soc girl that is always wearing the newest and most expensive clothing. Incredibly spoiled but not a total jerk

Sylvia- soc girl that’s always with a new guy, usually bounces between Tim and dally. Her focus in this au is more along the lines of picking the best husband because her parents have basically groomed her into a trophy wife position

Buck- daddy’s boy. Very spoiled. His father runs a successful beer company and Buck holds an important position there. He’s Sylvia’s cousin like always and is trying to keep Dallas and Tim AWAY

Sandy- Soc girl that is incredibly eager to become a mother. She’s a typical “good Christian girl” and gen believes this is the best she can do

[lizzybeth51113]

It's 1 am and I had a sprang of energy (probably gonna fall asleep real quick now) and now I'm curious who your favorite character is. (I'm doing this instead of being productive)

[art1swork]

[dallasgallant]

3 and 8 for the outsiders asks?

3.) Who is your fave character OUTSIDE* of the main 7?

This is hard as we don’t get too much time with anyone else. Most of them are more mentioned than they do show up, been getting more Interested in Evie

But I’d have to say it’s between Buck and Randy

Buck is just plain interesting, all the shit he runs and his relationship with Dally is one I’d love to see explored

Randy because he goes through such a huge shift from jumping people to fully grappling with what he did— how everyone’s human and this great guilt and confusion. Sad his second visit to ponyboy doesn’t make it to any adaptation as far as I’m aware but I can understand it because of time and if you’re going to cut anything it’s probably a better case

8.) How did you get into Outsiders

It’s always sort of been on my radar. Never had to read it in school but I’ve always sort of known, if for anything because my parents did back in the 80s. Apparently the movie came out right after my mom read it in 10th grade… really need to show her the complete novel version one of these days. I’ve also always been into 80s stuff and the amount of star power before they were star power in that fucking movie is insane 😭

I had the book for years and never read it before. I was on a JD (juvenile delinquent) movie kick for a while so I decided to read. Then I watched both versions of the movie and here we are lmao

Analyzing for fun. Occasionally writing.

[chaotic-starlight24]

I might as well make use of my The Outsiders hyperfixtation while I still have energy

A lot of people liked my Sodapop headcanons for what he does in his free time, so I'm going to do a poll for who y'all want next, not exactly just what they do in their freetime (unless that's what you want) but mainly just headcanons

I might do all of them eventually but these will be the top 3 I'll focus on

[topgun1986wasthebest]

hey two bit mickey's on tv

[publicacionesdeunachica]

I was wondering if after all these years you'd like to meet.

To go over everything.

They say that time's supposed to heal ya.

But I ain't done much healing.

[chippedshake]

If I were to start doing a daily/weekly/some other frequency bc I have a life surprisingly 1 question quiz about the outsiders for fun, would you a) be interested and if so b) want open-ended or multiple choice questions?

[clarity2electricboogaloo]

I have an outsiders server, just a small one for rp. Umm. Yeah. It only has three-ish, maybe four people rn

Would anyone like to join :<

[two-entire-bits]

My (incomprehensible) La Jolla thoughts from like last week

Tulsa '67/Pony gets jumped/Grease Got a Hold

entirely new opening song???

johnny's here???

no johnny or pony wigs

MARCIA

Pony being so excited about Paul Newman to Johnny awhhh

Brent‼️‼️‼️

okay bob yeah sure tits out go for it

DARYL ISNT TWO-BIT?

DIFFERENT DALLY?

leather jacket darry…

Runs in the Family/bedroom scene

WHY is the start of Runs in the Family like this

okay he's serving though

darry and soda…

pony and soda…..

The Drive-in

pony in red‼️‼️‼️

the projections???

friday at the drive in sounds so different

the girls harmonies are SO different

CHERRY SOLO

DALLY SOLO

book accurate dialogue…

MAR BIT‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️

MAKE OUT! (to marcia and two-bit)

THEY'RE SO CUTE (to marcia and two-bit)

cherry and pony are so much more....hostile to each other??

I think I like I Could Talk to You All Night not belted, this cherry's good, but I like what they changed it to

ACE AND CHERRY AWHHH

Runs in the Family (Reprise)

okay runs in the family reprise opt up and riff slay

THE FIGHT????

darry gives him an allowance…

Far Away from Tulsa/Bob's death and aftermath

I love y'all but no one is gonna believe y'all're brothers.

the tech in bobs death is so different…

BUCK MERRILS???

No Run Run Brother :(

Justice for Tulsa

RANDY

MARCIA???

BRENT‼️‼️

WAIT PAUL SAYS THAT LINE (you held his hand at the concession stand, I saw it all, you know just what you did) TO MARCIA??? THAT MAKES SO MUCH MORE SENSE

MAR-BIT GETTING BLOCKED BY THE HEAD OF A PERSON IN THE AUDIENCE NOOOO

WHY IS THE CAR IN THE SKY

Death's at my Door/Throwing in the Towel

HOLY SHIT THE CHURCH SET????

PONY'S NIGHTMARE NOO

deaths at my door…

THEY HUG??? im gonna cry

THROWING IN THE TOWEL‼️‼️‼️

JOHNNY'S HEAD IN PONY'S LAP AWHHH

Hoods Turned Heroes/Hopeless War

SODA SINGING HOODS TURNED HEROES

ACE AND DARRY AWHH

randy and cherry at the hospital…

RANDY SINGING HOPELESS WAR??????

RANDY AND CHERRY???

The Rumble

why is the car still in the sky. what is it doing up there.

soc girl in the rumble??

pony's just. standin' there

Johnny's death/Dally's death

STAY GOLD IN THE HOSPITAL BEFORE JOHNNY DIES??

OH HE DIES DURING THE SONG???

OKAYYYY LITTLE BROTHER OPT UP

HE THROWS HIMSELF OFF A BRIDGE????

oh my god???

Final scene/stay gold/finale

stay gold reprise??? Omg…

the way darry reads "paul newman and a ride home" you can literally hear how much he loves ponyboy. I'm gonna cry

DALLY IN THE FINALE i WILL cry

THE JOHNNY VERSE IN THE FINALE??? I'M GONNA SOB

oh my god….

Curtain call

randy's so short this is so funny

[theaawalker]

Fandoms I'll Write For

Marvel (not Iron Man, Starlord, Loki, Thor, Doctor Strange, or Hawkeye, Drax, Victor Creed, Antman, Adam Warlocke, AG's Spiderman, or Cyclops)

DCEU (not Peacemaker, Killer Croc, JL's Joker, RP's Batman, or anyone from Gotham except Jerome/Jeremiah Valeska)

Scream Queens (not Chad Radwell or Pete Martinez)

American Horror Story (only Murder House, 1984, Freakshow, and Cult)

Hunger Games (not Gale, Maymitch, President Snow, or Cato)

The Maze Runner (not Ava Paige, Jorge, or Janson)

My Little Pony

Once Upon A Time (not Hook, David, Rumple, Neal, Peter Pan, or Zelena)

Pacific Rim (not the sequel)

Twilight (not Seth, Edward, Carlyle, or Jasper)

Stranger Things (not Will Byers, Billy Hargrove, or Jim Hopper)

IT (2017, 2019, and tv series) (not Henry Bowers or Pennywise)

Jurassic Park/World (not Owen Grady or Ian Malcolm)

Jumanji (1997 & 2017)

Zathura (not the dad or robot)

Stand By Me (not Ace Merrill)

Girl, Interrupted (not Jared Leto's character)

The Black Phone (not the Grabber or Mr. Blake)

Teen Wolf (the film & series)

Equestria Girls

Teen Wolf (not Peter, Jackson, Theo, or Derek)

The Office (not Jim, Ryan, or Dwight)

Now You See Me (not Dylan Rhodes or Merritt McKinney)

Descendants (not Chad, Harry, Ben, Jay, or Carlos)

Sky High (not Zach or Speed)

Percy Jackson films (not Luke Castellan)

The Umbrella Academy (not Five)

TMNT (live action ver. only)

Dance Moms (not the final season)

Ender's Game

Wednesday (not Xavier, Tyler, or the Dean)

Spiderman: Into the Spiderverse (not Mentor Peter Parker)

Unbreakable (not Hedwig or Dennis)

Big Hero 6

The Black Mirror

Dynasty (not Culhane, Adam, or Blake)

Willy Wonka and the Chocolate Factory

Spy Kids

Sharkboy & Lavagirl

Clue, Knives Out, & Glass Onion

Back to the Future (not Biff), Breakfast Club (not Bender), Sandlot, Stand By Me (not Ace Merrill), Mighty Ducks, The Outsiders (not Dally, Two-Bit, Randy, Bob, Steve, or Darry)

I’m willing to write imagines for underage characters so long as there's no romance (examples: hang out with the Losers Club at the barrens; go shopping with Eleven and Max; play baseball with Finney and Bruce). I’m allowed to deny any request and the longest I should take ever to write one is about 2 weeks. I’ll write smut, fluff, angst, poly relationships, LGBTQ+, etc. Generally most of my x readers are female unless stated otherwise.

What I won’t write-

I won’t write anything to do with rape, bestiality, necrophilia, incest, romance with anyone younger than 18, gun play, anything about poo(sexually), anything about urine(squirting is fine considering it’s not technically urine), age gaps. See guidelines for more details.

Thanks for reading❤️

A.A. Walker

[taylor-on-your-dash]

Anthology Credits

THE BLACK DOG

© 2023 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI) / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Laura Sisk and Oli Jacobs at Electric Lady Studios (New York, NY) and Conway Recording Studios (Los Angeles, CA) / Assistant Engineered by Jon Sher and Jack Manning / Sean Hutchinson’s performance recorded by Sean Hutchinson and Michael Riddleberger at Hutchinson Sound (Brooklyn, NY) / Bobby Hawk's performance recorded by Jack Manning at Electric Lady Studios (New York, NY) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Drums, Bass, Juno, Acoustic and Electric Guitars, Programming, Piano, M1, Polysix, Mellotron, Cello, Rhodes, Vocoder by Jack Antonoff / Drums by Sean Hutchinson / Strings by Bobby Hawk / Lead Vocals, Background Vocals, Piano by Taylor Swift

IMGONNAGETYOUBACK

© 2023 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI) / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Laura Sisk and Oli Jacobs at Electric Lady Studios (New York, NY) / Assistant Engineered by Jack Manning, Joey Miller and Jozef Caldwell // Percussion, Drums, Programming, Juno 60, Prophet 5, M1 Keyboard, Piano, Acoustic Guitars by Jack Antonoff / Piano by Jack Manning / Lead Vocals by Taylor Swift

THE ALBATROSS

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Arrangements by Bryce Dessner (Biarritz, FR) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Bass Guitar, Drum Machine Programming, Electric Guitar, High Strung by Aaron Dessner / Drums and Percussion by Glenn Kotche / Drum Machine Programming by James McAlister / Modular Synth by Benjamin Lanz / Lead Vocals by Taylor Swift // London Contemporary Orchestra: … // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

CHLOE OR SAM OR SOPHIA OR MARCUS

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Rob Moose at Long Pond (Hudson Valley, NY) / Taylor Swift's performance recorded by Christopher Rowe at Prime Recording (Nashville, TN) / Assistant Engineered by Derek Garten / Aaaron Dessner's performance recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) // Acoustic Guitar, Bass Guitar, Drum Machine Programming, Electric Guitar, Keyboard, Mandolin, Piano and Synthesizer by Aaron Dessner / Drums by JT Bates / Drums and Percussion by Glenn Kotche / Modular Synth and Trombone by Benjamin Lanz / Lead Vocals by Taylor Swift

HOW DID IT END?

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass, Synth, Drum Machine Programming, Electric Guitar, Keyboards, Piano and Synthesizers by Aaron Dessner / Bass Drum, Keyboards, Omnichord and Synthesizers by James McAlister / Drums by JT Bates / Drums and Percussion by Glenn Kotche / Keyboards, Piano and Synthesizers by Thomas Bartlett / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Leader) / Eloisa-Fleur Thom / Sophie Mather / Marianne Haynes / Alicia Berendse / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen// Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

SO HIGH SCHOOL

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / James McAlister's performance recorded by Bella Blasko at Long Pond (Hudson Valley, NY) and James McAlister (Los Angeles, CA) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Guitar, Bass Synth, Drum Machine Programming, Electric Guitar, Keyboards, Percussion, Piano and Synthesizers by Aaron Dessner / Drums, Drum Machine Programming, Electric Guitar and Synthesizers by James McAlister / Modular Synth and Synthesizer by Benjamin Lanz / Lead Vocals by Taylor Swift

I HATE IT HERE

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / Aaron Dessner's Banjo, Mandolin and Synthesizer recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Banjo, Bass Guitar, Drum Machine Programming, Electric Guitar, High Strung Guitar, Mandolin, Percussion, Piano and Synthesizer by Aaron Dessner / Acoustic Guitar, Bass Guitar, Bass Synth, Percussion and Synthesizer by James McAlister / Keyboards, Piano and Synthesizers by Thomas Bartlett / Modular Synth by Benjamin Lanz / Drums and Percussion by Glenn Kotche / Lead Vocals by Taylor Swift

THANK YOU AIMEE

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff, Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) and by Laura Sisk and Oli Jacobs at Sharp Sonic Studios (Los Angeles, CA) /Assistant Engineered by Jozef Caldwell / Orchestration by Bryce Dessner (Biarritz, FR) / Aaron Dessner's Banjo and Mandolin recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Banjo, Bass Synth, Drum Machine Programming, Keyboard, Mandolin, Percussion and Synthesizer by Aaron Dessner / Drums and Percussion by Glenn Kotche / Keyboards, Piano and Synthesizers by Thomas Bartlett / Programming, Cello, Percussion, Drums, Electric Guitar, Background Vocals by Jack Antonoff / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Soloist & Leader) / Eloisa-Fleur Thom/ Sophie Mather / Marianne Haynes / Alicia Berendse / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman/ Matthew Kettle / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

I LOOK IN PEOPLE'S WINDOWS

© 2023 Taylor Swift Music (BMI) administer by Songs Of Universal, Inc. / Sony/ATV Songs LLC / Ducky Donath Music (BMI) / Indiscipline AB (STIM), administered by Kobalt Music / All Rights Reserved. Used By Permission. // Produced by Jack Antonoff, Patrick Berger and Taylor Swift | Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer for Mix - Bryce Bordone / Recorded by Laura Sisk and Jack Antonoff at Electric Lady Studios (New York, NY) and Conway Recording Studios (Los Angeles, CA) / Assistant Engineer Jon Sher and Jack Manning // Acoustic Guitars, Juno, Cello, Programming by Jack Antonoff / Acoustic Guitar by Patrick Berger Lead Vocals by Taylor Swift

THE PROPHECY

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Drum Machine Programming, Programming and Electric Guitar by Aaron Dessner / Autoharp, Drum Machine Programming, Omnichord, Percussion and Synthesizer by James McAlister / Piano and Synthesizers by Thomas Bartlett / Drums and Percussion by Glenn Kotche / Drums by JT Bates / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Soloist & Leader) / Eloisa-Fleur Thom/ Sophie Mather / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Julian Azkoul // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Amy Swain / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // Bass Clarinet / Max Welford // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

CASSANDRA

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Synth, Electric Guitar, Keyboards, Percussion, Piano and Synthesizer by Aaron Dessner / Drum Machine Programming, Keyboards, Modular Synth, Percussion and Synthesizers by James McAlister / Modular Synth and Trombone by Benjamin Lanz / Snare Drums and Vibraphones by Glenn Kotche / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Eloisa-Fleur Thom (Leader) / Sophie Mather / Marianne Haynes / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Julian Azkoul // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Amy Swain / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

PETER

© 2023 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Guitar, Drum Machine Programming, Keyboards, Piano and Synthesizers by Aaron Dessner / Lead Vocals by Taylor Swift

THE BOLTER

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Arrangements by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Acoustic Guitar, Bass Guitar, Drum Machine Programming, Electric Guitar, High Strung, Percussion, Piano and Synthesizers by Aaron Dessner / Omnichord, Percussion and Synthesizers by James McAlister / Keyboards, Piano and Synthesizer by Thomas Bartlett / Drums and Percussion by Glenn Kotche / Violin and Viola by Rob Moose / Lead Vocals by Taylor Swift

ROBIN

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Orchestration by Bryce Dessner (Biarritz, FR) / Aaron Dessner's Drums and Synthesizer recorded by Maryam Qudus at Long Pond (Hudson Valley, NY) / Benjamin Lanz’s performance recorded by Benjamin Lanz (Paris, FR) / James McAlister's performance recorded by Bella Blasko at Long Pond (Hudson Valley, NY) and James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / Glenn Kotche's performance recorded by Bella Blasko at Narwhal Studios (Chicago, IL) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Guitar, Drum Machine Programming, Drums, Electric Guitar, Keyboards, Percussion, Pianos and Synthesizer by Aaron Dessner / Buchla, Clava, Percussion and Synthesizer by James McAlister / Keyboards, Piano and Synthesizers by Thomas Bartlett / Modular Synth and Synthsizer by Benjamin Lanz / Drums and Percussion by Glenn Kotche / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Galya Bisengalieva (Co-Leader) / Eloisa-Fleur Thom (Co-Leader) / Sophie Mather / Marianne Haynes / Agata Daraskaite / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Julian Azkoul // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Amy Swain / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion & Timpani // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds

THE MANUSCRIPT

© 2023 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP) / All Rights Reserved. Used By Permission. // Produced by Aaron Dessner and Taylor Swift / Mixed by Serban Ghenea at MixStar Studios (Virginia Beach, VA) / Engineer - Bryce Bordone / Recorded by Jonathan Low and Bella Blasko at Long Pond (Hudson Valley, NY) / Arrangements by Bryce Dessner (Biarritz, FR) / Bryce Dessner's performance recorded by Bryce Dessner (Biarritz, FR) / James McAlister's performance recorded by James McAlister (Los Angeles, CA) / Thomas Bartlett's performance recorded by Thomas Bartlett at The Dwelling (New York, NY) / London Contemporary Orchestra's performance recorded by Jeremy Murphy at Air Studios (London, UK). Assistant Engineering by Laura Beck / Mastered by Randy Merrill at Sterling Sound (Edgewater, NJ) // Bass Synth, Piano and Synthesizers by Aaron Dessner / Drum Machine Programming, Filtered Brass and Winds, Piano and Synthesizer by Bryce Dessner / Drum Machine Programming and Synthesizers by James McAlister / Synthesizer by Thomas Bartlett / Lead Vocals by Taylor Swift // London Contemporary Orchestra: Violin I / Eloisa-Fleur Thom (Leader) / Sophie Mather / Marianne Haynes / Anna De Bruin / Akiko Ishikawa / Nicole Crespo O'Donoghue / Natasha Humpries // Violin II / Emily Holland / Kirsty Mangan / Clara Laskaris / Ronald Long / Dan Oates / Iona Allan // Viola / Nicholas Bootiman / Matthew Kettle / Meghan Cassidy / Elisa Bergersen / Morgan Goff // Cello / Brian O'Kane / Reinoud Ford / Max Ruisi / Abi Hyde-Smith // Double Bass / Dave Brown / Chris Kelly / Sophie Roper // French Horn / David McQueen / Paul Cott / Jonathan Farey // Percussion // George Barton // Conductor Robert Ames // Digital Recordist / Gianluca Massimo // Copyist / Tristan Noon // LCO Recording Projects Manager / Meg Monteith // LCO Orchestra Manager / Amy-Elisabeth Hinds