#rambling but i relate to this problem a lot personally

[bora-in-tamriel]

Have you ever wanted to draw something but you fought due to your skill level at the time you decide not to do it

Oh 100% and still do!

A lot of my fighting comes from me skipping many fundamentals when i started doing "better" art (went from doodling dogs to trying to do nice muscle anatomy), like shapes/color theory/base structuring and going straight into trying to get good at anatomy/colors/painting/etc, so I definitely get frustration and "art block" from it. Sometimes I've had to simply sit on an idea for years before I actually got to it and did it and and I personally think "that's fine, i just needed to grow some more skill and confidence to do it" is fine and works for me to get out of those art lows.

It is such a repeated advice, but even i am finally starting to try and follow it, to relearn some basics; but practice shapes/forms/your fundamentals and the workflow to create what you envision in your head will come easier. It may not be perfect for a good while, but that's what practice and growth is, a process that takes time depending on the person. <:)

It's a-okay to set a piece/idea aside for a little while or a long while, don't try and force it if it isn't working. Try new angles, new colors, make loose doodles of the idea and build from there. Many times the first idea might be too rigid, the angle isn't working, so playing around with it early on will help you tremendously in the later parts of making it.

[offyoupop-easypeasy]

when ppl say it's wrong to read cory/shawn as queer bc guys should be able to have close friendships without being gay

which like

why can't it be both?

but also mainly for me i read them as queer partly bc of their obvious love but also bc of how their relationship is kinda dysfunctional. not that they have to be dysfunctional to be gay. but just their characters have so much comphet. and it is often played for laughs but cory and shawn actually do not have the ideal friendship every likes to paint it as. not that their love is less, but if you really watch every ep you see how many episodes they talk about not having other friends and actually not being allowed to have other friends. cory especially seems to be extremely jealous of shawn having other friends. and this would be seen as a normal friendship plot that we see a lot in media. except in this show it's never actually framed as bad or something to mature past but actually excepted as good and just the way cory and shawn are and how close of friends they are.

[lazaruspiss]

seeing content creator drama is so weird. like i would die. also people who try so hard for internet fame? like ur trying to get big on purpose?? thats literally one of my worst fears and i will never understand social media culture.

[sp1resong]

sometimes i wonder if im plural but ive thought about it long and hard and as far as i can figure i... dont think so? honestly would be a nice simple and satisfying answer to whatever i have going on but nooo i cant have nice things (neat labels to place on my weirdfucked identity)

[prosebushpatch]

Listen, i don’t care if it’s romantic/platonic/barely put up with, but in totk, Link and Zelda share that bed. I didn’t spend all those rupees so Link could sleep on the floor, Nintendo. You couldn’t even give him a bed under the stairs? WHERE’S THE SIGN THAT SAYS “LINK’S HOUSE” NINTENDO. COMMIT TO THE SHIP OR AT LEAST PUT TWO FRICKING BEDS IN THE HOUSE THIS IS MALARKEY

[timeisacephalopod]

I saw a post the other day that kinda pushed back on the way all coming of age movies are about sexuality and all high school stories basically center around who wants to fuck who and how that's like. Not really all coming of age and high school stories should offer since you know. Youth isn't about who you have a crush on and probably coming of age stories in particular should be far more diverse in subject matter than they are.

Honestly as someone who, when I was 'coming of age' age, hated coming of age stories and still do for the exact reason listed above (see the weird scene in It where we all sexualize a 13 year old girl because boys have crushes and surely there's no other way to portray this than feeling a child up with a camera to demonstrate boys have ~feelings~ Bev gets no equivalent scene because she's the object of affection rather than the subject feeling desire) I also wish there was diversity in those stories. And coming of age stories about adults- we don't stop going through huge life moments that change everything forever, but back to kids. When I was a kid I could have desperately used a coming of age story where the character has a sick and dying parent who does die by the end of the story and what happens after that. Granted I did just fine without it, but even without being asexual it's always irked me that coming of age stories don't seem to appreciate that kids have way larger problems and way better stories to tell then first crushes and first kisses for shit sake give kids who went through what I did as a kid some kind of story about what happens when your parent gets cancer and how complicated that is and stop assuming the biggest thing that happens around puberty is discovering sexuality that, if you were queer, you probably already noticed what you felt wasn't in a coming of age story anyway.

[headofocs-inklesspen]

“I don’t think you’re actually autistic because you don’t act the way I think autistic people should act”

Every single autistic person on earth is their own unique person and experience. I act the way I am because of my own life experiences. I never got support needs. I never was taught that needing help was okay nor was I ever taught how to ask for it.

Instead I was over-sensitive and incapable of connecting with peers (said like a good thing, they said it made me smarter). I was praised for things being easy right up until they weren’t and then I was lazy and arrogant and needed to get my shit together, I was “wasting my potential” (I was depressed. I had no time to be depressed because I was the example. I had to run the household so my parents didn’t need to).

I learned how to mask what was “wrong with me” because that’s exactly how people said it. When I stimmed, when I had meltdowns, when talking was so impossible I wished I didn’t have a mouth so no one would expect it. “What’s wrong with you” “What’s Wrong with you” “What is fucking wrong with you. Learn to act right”

I taught myself to let people talk over me because that was easier. I was still part of group if they at least let me sit with them. I forced myself to keep my mouth shut because no one cared about my interests, everyone was tired of listening to me talk about the same thing over and over and over. “I’ve already heard that story” “I get it, you like theater” “do you ever stop talking about Doctor Who”

I forced myself into uncomfortable situations like firework shows and pep assemblies and football games because everyone else expected me to be there. Being marked as a “highly anxious student” meltdowns were just “panic attacks” that resulted in sobbing and digging my nails into my skin and being so hyper aware of my clothes touching my skin I felt like I was going to suffocate right there in 1st hour orchestra

I felt like an alien, like a busted android, like something in me was irreparably broken for some 17 odd years. Because when we narrow the definition of something like autism, something we’re still actively researching, to “well this is how my 6 y/o autistic nephew acts. He doesn’t speak and is obsessed with dinosaurs and only eats chicken nuggets so you can’t possibly be autistic like you” a lot of other autistic people, who are autistic like me, get missed. Or ignored. Or misdiagnosed. And spend years of their lives feeling wrong and searching from possible answer to possible answer trying to figure out why they feel this way.

[arolesbianism]

I am living the saddest fucking life being the only person who understands Maxwell. He's not evil and he does care abt the survivors but he never actually stopped having the flaws that got him in this mess in the first place. This is a man who above all else, wants a sense of control. This is a man who's been running from the consequences of his actions since the earliest in his life we see him. This is a man who cares and regrets but still thinks highly of himself, and still thinks highly of his power. He feels and forms connections, but he doesn't know how to hold onto them, he simply can't get away from seeing the people in his life as pawns. He wants the power and the companionship, and it never works, and it never will work. This is why I love him being manipulated by Charlie, because it's both a prime example of how little he's properly introspected, and also what he ultimately will need To introspect. He's being used, and will eventually be discarded, and when he's left alone and powerless once again, maybe he'll finally start to realize what got him here

[underoossss]

Head over Heels - S.H

masterlist

pairing: steve harrington x grumpy!f!reader

summary: Steve falls for Robin’s grumpy friend, and he falls hard.

warnings: family problems mention, trust issues, angst, hurt/comfort, no spoilers, (there’s fluff I promise!!!)

grumpy x sunshine trope

an: I know this is the first Steve fic I’ve posted IN FOREVER and I’m sorry! my writer’s block, personal problems, work and health, have all contributed to how long it took me to finish this. But I promise to make it worth your while, this is the same length as babe baby beautiful and I hope it makes you happy. I dedicate this to all my grumpy beloveds out there, who, like me. don’t relate 100% to the sunshine tropes bc sometimes life just freaking sucks. I poured my heart out with this one so, I hope this comforts you and that you like it! Please let me know. 💘

——-

The September breeze pushes Steve’s hair back as he makes his way to the Hawkin’s start-of-autumn fair, a new thing the town is trying out to make the citizens feel more upbeat after all the incidents they’ve experienced. His friends trail after him, Mike and Lucas arguing over something he doesn’t understand, Max listening to Dusting complain about some prank the soccer team played on the Hellfire Club and Robin walking by his side. Everyone shouts food orders over their shoulder, running towards the picnic tables in search for an empty one, and leaving Steve and Robin alone.

His friend is rambling by his side, and Steve nods along to what she’s telling him. She has a new friend this year, met her at homeroom when she was introduced as a new student. A senior like Robin, she got along with her just fine. I talk a lot and she doesn’t, it’s a good fit, I think she really needed a friend that day, Robin says, and now she’s friends with all of us. Steve hums in understanding, switching schools in senior year sounds awful, and he wonders why you chose to do that. He wouldn’t, unless it was for something serious.

“Anyway here she comes!” Robin says excitedly, waving you over. “I can’t believe she actually came, she’s not comfortable with strangers and she doesn’t know you. I thought she’d sit this one out.”

Steve follows Robin’s line of sight and spots you walking towards them in the distance. Baby blue sweater, light washed jeans and black high-top converse, make you stand out from the orange foliage around you. Your face is serious as you get closer, only breaking into a small smile when you wave at Robin and accept her hug. When you step back your face morphs back to neutrality, a slight furrow to your brow as you hide your hands in your back pockets.

Robin says your name and motions towards Steve. “This is Steve, the friend I told you about.” She explains, “He’s our chauffeur, monster-fighter and designated babysitter.”

Steve furrows his brows and looks sideways at Robin before he looks at you and grins. “Hi, nice to meet you.” He offers his hand and you give it one quick shake before pulling back and looking away. Steve wasn’t expecting that reaction, but he guesses what Robin said is true, you don’t like strangers.

“We’re going to get Apple fritters! They have massive ones here and they serve them with big scoops of ice cream.” Robin tells you, glancing down the line as it moves. There are only three people left to order, so the three of you step into line. “Let me check if they’re still doing the ice cream on top.”

With that, Steve is left to wait next to you until Robin is back. You shift from one leg to another, almost nervously and Steve glances at you. Your eyes meet his and then look away, not scared or nervous, just looking away like you can’t be bothered to make conversation with him. Is he intimidating? Steve asks himself or are you just a massive buzzkill that can’t even comment on the weather.

Steve tries again, scratching his cheek. “So, uh, you’re in senior year like Robin?”

You nod, looking down at your feet before looking at him. “Yeah, we have a lot of classes together. I know the guys over there as well.” Your hand lifts to point at Eddie, who’s just arrived at the table, and the kids talking around him.

Huh, so you do speak, Steve notes, but only when prompted. “Cool.” He nods, looking at your face and noticing the way you look away immediately. “So why did you move to Hawkins all of a sudden? I mean senior year, that’s gotta be rough.”

You press your lips together, looking uncomfortable by the question. Steve has the faint idea that he asked the wrong thing. “I should go say hi to everyone.” You say after an awkward cough. “If there’s ice cream can you tell Robin I’m good with cookie dough?”

Steve wordlessly takes the 5 bucks you hand him and sees you rush away from him. In the distance he can see everyone’s faces light up when they spot you, beckoning you over with excited waves, and your reluctant barely there smile as you greet them and sit down. Steve doesn’t get it; he is half mortified and half confused when Robin comes back. How is it that everyone is your friend when you’re so closed off and Steve doesn’t want to say it but… grumpy.

“Are you sure your friend wants to be here?” Steve asks Robin, looking over at you again. You’re sitting with your elbows leaning on the table, listening to everyone talk around you, neutral expression on your face. Bored, even.

“Of course, she does.” Robin is quick to say. “Why do you ask?”

“Well, she doesn’t look too thrilled to be talking to you.” Steve shrugs.

“You clearly don’t know her.” Robin shakes her head. “What did you do?”

“I only asked her about her move to Hawkins.” Steve holds his hands up defensively, then adds. “She said she likes cookie dough ice cream.”  

They pause their conversation to order the fritters and pay, then continue talking while they wait.

“Okay, you shouldn’t have asked that. First of all.” Robin rolls her eyes, “Second of all, she’s friends with all of us.”

Steve huffs in disbelief. “Oh so she likes you? That’s her I like you face.”

“She adores us, you… not really but that’s cause she doesn’t know you.” Robin nods with certainty, then worries her bottom lip. “The move question is just tricky for her.”

Steve moves to say something when their order is called, and she go back to the booth to take the trays laid out in front of them. There are eight apple fritters with ice cream they have to juggle back to the table but manage to fit in their hands and arms.

“Look Steve.” Robin says seriously, lowering her voice after a sigh.” She slows her pace, so they take longer to get back to the table. “She has been through a rough time; I won’t tell you what because it took her a long time to trust me enough to open up.”

“Okay…” Steve nods, going over her words and feeling a soft pang of guilt. He wouldn’t have judged you so harshly if he knew you were struggling with something. He wouldn’t have asked you about you changing towns. “You could’ve told me that before I messed up earlier. Before I was bitchy too.”

“You’re always bitchy.” Robin huffs, then hums when she looks at you sitting in the distance. “She’s wonderful Steve, in her own way, so don’t judge her by the way she presents herself. When she trusts you, you’ll see what I‘m talking about.” She gives him a pointed look.  

Robin’s words echo in his head as they reach the picnic table and hand over the food to their friends. Steve places yours in front of you with a nod to which you say thank you. Now that he knows a little more about you, Steve guesses you were both left with a bad first impression. They aren’t his forte, and it’s not his fault you weren’t the same person with him as you are with Robin. You don’t know each other, of course it was going to be awkward. Steve sees what Robin means as everyone chats and eats; he sees it in the way your eyes soften, and lips smile slightly when Max begins to tell you something. He sees it in the way you lean closer to the redhead and whisper something that has her laughing soon after; you smile as well before turning your attention back to the group. Dustin and Eddie are planning some sort of revenge on the jocks from the soccer team who messed up something in their Hellfire Room.

Steve tries to focus on what they’re saying but he’s too busy looking at you, trying to figure you out. What happened? What’s the thing that you told Robin that made you keep the gentleness you showed to Max tucked away? You feel him looking at you and meet his eyes, it’s a distrustful glance from the way you narrow your eyes at him. Okay, Steve probably stared at you too long. He looks away and hears you sigh before you do too, tuning back into the conversation between the Hellfire club sitting at the other end of the picnic table.

“That’s a horrible plan.” You say plainly, making Max snort and Eddie pause the conversation. The metalhead rolls his eyes –no annoyance, no malice in sight. Steve supposes Eddie knows you like Robin does.

“Why is that, buttercup?” Eddie asks.

“They’ll know it was you, and they’ll beat you up, Munson.” You tell him seriously with an eye roll of your own –Steve doesn’t need to know you to catch the concern in your tone. “Put some laxatives in their protein powders instead.”

Steve lets out a bark of laughter that startles the table; that would be a good prank if he’s being honest. Everyone turns to look at him, including you and Steve clears his throat. “It’s a good idea.” He mumbles rubbing his chin, then meets your eyes briefly to find something like amusement in them.

“No, no, no.” Dustin shakes his head. “It is an objectively good plan, there’s no way they’ll know it’s us.”

“Yeah, we’ll wait for them to leave and then sneak into the locker room.” Eddie adds. “We’ll seal their lockers shut, they can’t change into their gear the next day and their coach yells their ears off.”

“The perfect plan.” Dustin says proudly and looks around the take to see who agrees.

“You sure they won’t be able to trace the prank back to you? See it as immediate revenge for what they did?” Max asks nodding towards you, “She’s right.”

“We’re absolutely sure.” Eddie confirms with a nod, clapping his hands in front of him.

“Can I read the eulogy at your funeral then?” You ask Eddie and Dustin with fake enthusiasm. “I call dibs.”

Steve chuckles and next to him, Robin fakes discontent as she rolls her eyes. “Damn, I wanted to do it.”

You send a smile her way before you clear your throat. “Eddie and Dustin died as they lived.” Your words are solemn as you speak. “With bad plans and too much confidence that they’ll work.”

“They always work.” Eddie says, chuckling at your words with everyone else. You simply raise one eyebrow at him, which Steve must admit is hot, and Eddie shakes his head. “I guess they sort of work.”

“So, laxatives?” Dustin asks Eddie after a minute, a defeated hunch to his shoulders.

“Laxatives.” Eddie and the rest of Hellfire repeats before the table bursts into laughter– including Steve.

His eyes don’t leave you though. You’re not laughing like everyone else but there’s a small smile on your face. It is reserved but softens your face in the loveliest way. It shows him you are enjoying their company despite the otherwise inexpressive look on your face. Steve begins to wonder then… if he wins your trust, the one you have with Robin and Max, will you smile at him the same way you do with them? Bright and beautiful enough to blind him? He guesses it would be worth a shot, getting to know you more, because if he’s being honest, he’s intrigued.

--------

The next time Steve sees you it’s at a party. It’s mid-October and the cold weather turns it up a notch with the cold bite to the air. He wouldn’t have gone to the party in the first place, if he’s being honest, but Robin forced him to go. Everyone will be there she’d said but Steve didn’t know who everyone would be. Only when he arrived at Kevin Rotner’s house did he begin to recognize some familiar faces. Nancy, Johnathan, and Eddie arrive at the same time he does and the five of them walk up the driveway and the small path leading to the front porch. There’s loud chatter inside and a boombox playing to the loudest volume in the dinning room. There are people sitting in the staircase laughing at a joke and more loud conversation coming from the backyard. He navigates the house with his friends until Robin spots you in the kitchen, and Steve doesn’t know why he’s so nervous when he sees you. You greet Robin with a hug and shrug when she tells you something, he can hear. Your face is pretty and serious as you look over Robin’s shoulder, spotting everyone else coming to say hi. Steve sees you take a deep breath before you greet everyone — almost as if you’re preparing yourself for small talk and hugs. He greets you last, more open and approachable than last time, and he’s surprised when you wave. “Hi, Steve.”

Something inside Steve jumps, but he thinks it’s only his own surprise. He’s about to say something, when Robin and Nancy take your hand and drag you away with the promise of some new gossip, they have to tell you.

Steve talks to a few people here and there; mostly the ones he’s kept in touch with after high school. Other than that, he doesn’t know anyone else; he doesn’t know if it’s cause he’s grown up but he’s not really having fun. There are people jumping into the pool despite the weather while those who mind the cold have gathered inside the house. Steve’s mostly avoiding the crowds, where the air is too hot despite winter being near, while keeping an eye out for his friends. Nancy and Jonathan are talking to some people he doesn’t know in the kitchen, Robin is trying not to combust while she talks to her crush —her lab partner in biology— and Eddie is walking around the entire party with his lunchbox.

When Steve sees you again, you are people watching in the living room, eyes trained on a few people in the middle of the room. He moves to stand next to you, and you shift your gaze towards him but say nothing; Steve thinks it means it’s okay if you stand here. Your foot taps to the music –Tears for Fears’ Head Over Heels –and your head moves almost imperceptibly to the music. The two of you are quiet for a while, and it’s not awkward like Steve expected it to be, not after the way he messed up at the fair. He’s pleasantly surprised, and relaxes a bit more next to you, slouching slightly against the wall. One of your arms is crossed over your chest while your other elbow rests on it, a red cup in your hand. The music continues to play and your eyes are still trained on the people talking in the living room, they’re some old Hawkins High students Steve kind of recognizes. There’s Angela and Karen, Bradley and Peter and some other people he doesn’t know the names of. Steve leans his weigh on his right leg, which brings him closer to you.

You don’t move away, simply pass him your red cup. Steve moves to shake his head no and say he’s driving, but you speak up before he does. “It’s only soda.” You say and nod at the cup that Steve takes the cup from you shortly after.

“What’re you watching?” Steve asks.

“The only interesting thing that’s going to happen in this party I think.” You look at him finally and lean closer, Steve isn’t sure you’re aware of it. “I think there’s going to be a fight.”

Your eyes hold amusement in them, like you’re excited for what’s about to happen. The tiniest movement of your mouth has Steve glancing down, you’re grinning, barely; he thinks it’s cute.

Steve’s eyebrows raise, interest spiked, and is about to say something when you turn your head again. Bradley is saying something to Angela, his voice loud and slurred but incomprehensible over the music, and not a second later an equally intoxicated Peter swings a punch at him. Another girl, who Steve doesn’t know, confronts Angela they start arguing with Karen joining the fight. Bradley and Peter fall to the ground, wrestling each other while others try to break the fight.

“Wait isn’t she?” Steve’s mind catches up the everything that happened puts two and two together. He’s pretty Angela is dating Bradley, not Peter.

“Yup.” You say with a shrug, tilting your head. “It was all a matter of time before it happened.” It’s all you say, then chuckle. Steve does too, he can’t help himself at the sound of your own laughter, until the two of you are giggling at the fight in front of you.

The music changes then, to something more upbeat, and Steve’s mind can only think about asking you to dance. Would you say yes? Probably not. Before he can ask you though, you step away from the wall. More people have gathered in the living room to watch the fight, and you decide to make your way to the front door. Do crowds bother you? Steve wonders.

“Wait.” Steve goes after you and closes the door behind him. “Where are you going?”

“Home.” Your back is turned to him. The cream-coloured sweater you wear over your lilac skirt and your black boots look lovely on you, and so does your hair. Steve doesn’t know why but he thinks it frames your face perfectly. There’s also a hint of remaining lip-gloss on your lips that shines with the streetlamp’s light… and Steve, well Steve thinks You’re so pretty.

“It’s cold, don’t tell me you’re going to walk.” Steve speaks again, shaking away his previous thoughts.

You shrug, “I usually do, it’s not too far.”

Steve doesn’t know where you live but he knows Rotner lives far away from almost everyone in Hawkins. Your house is probably far away. “I’ll drive you.”  Steve offers, but you sigh and look away.

“Go back to the party Steve, you can drive Robin home.” You say simply. “I’ll see you around.”

“No, she can go with Nancy.” He follows you until he’s walking next to you. “It’s not safe for you to walk home, come on.”

You sigh again and look up at the sky, annoyed. If you’re annoyed, then he’s too, because you’re making a dumb decision for the sake of being stubborn. And you probably don’t know that he’s stubborn too, so you might have to argue all night about whether this decision is right or not. Why is it so hard for you to accept a ride home? You offered him soda and were talking to him just now; it was nice. More than nice.

“I won't stop asking.” Steve says, crossing his arms and stepping in front of you.

Your eyes meet his in an intense half-glare, and Steve can’t help but think how nice your eyeliner looks on you. It does something to him he hasn’t felt in a while. He feels like he can’t breathe while heat creeps up the back of his neck —it’s October, he shouldn’t feel hot at all. A moment later you roll your eyes, though backing down first, and giving Steve some time to breathe as you turn around.

“Alright.”

Steve can’t help smiling in triumph, knowing he just won, and follows you as you walk towards his car further down the road. Amusement paints his eyes as he looks at you; your lips are pursed, and a huff escapes you.

 “You’re pouting” Steve says, looking at your lips and the annoyed look on your face. It makes him smile. You’re pouting.

“I’m not” You look sideways at him.  

“Oh, you are.”

“Shut up, Harrington.” You say and he laughs, opening the passenger’s door for you.

-------

From then on Steve does his best to increase his charm and be a gentleman. He offers you his help as well as rides home whenever he can, especially when you’re alone. The last thing he wants is for you to think that he’s only being nice when your common friends are around. Steve sees you more often now, not as much as he’d like, he must admit, but enough to know more about you. What you’re okay with sharing, more like.  

As he suspected from the party, you don’t like crowds (they make you nervous), and when Steve asked why you’d changed the topic. You work at the Deli on Main Street, have a younger brother named Chris, and you love coffee. He always sees you drinking one in the morning when he gives both you and Robin a ride to school, and whenever he stops by at the deli for lunch during your shift. Most important of all, Steve is starting to see what Robin meant when she said not to judge a book based on its cover. Because, despite your grumpy exterior, there’s a whole personality hidden underneath.

Steve can tell. There are hints and pieces; from the way you dress, to the music you like, and comic books you read and often exchange with Max. When he takes the time to look, he sees the gentleness with which you do things, and the care with which you treat your friends. He also sees your distrust for what it is: fear. You’re afraid, to let new people in, to get hurt, and Steve doesn’t know why.  

He wishes there was something he could do to fix it, to make you see the glass half full instead of half empty, or to change your sporadic pessimism.  But then he figures, he would be changing you, and that’s not something he wants. If he’s being honest, your friend group (Steve isn’t sure if he’s your friend, officially at least) needed someone with an objective outlook on life to set their heads straight. And if he’s honest with himself, he likes all the things that make you you. He likes your confidence when you don’t care what people think about you. He likes it when you fight with Robin over who chooses the music, despite it being his car. And he's pretty much obsessed with your face; the hard set of your jaw when you get impatient, the brow you silently arch that makes him feel things he shouldn’t, and the silent way you listen to conversation, only speaking up when you think it’s necessary. Steve is more than a bit obsessed.

He had been wrong that first day. He didn’t know you and wrongly assumed you weren’t happy to be there with them, when you actually were. He reflects upon it now that he knows your facial expressions; your eyebrows had been relaxed, and your eyes didn’t have a hard edge to them. You had been at ease, only closing yourself off when Steve tried to dig into your move to Hawkins. He really started off with the wrong foot, but it all takes a turn on a Friday night.

You visit FV for a tape mid-afternoon, surprising Steve at work. The weather is more than chilly outside, and Steve notices right away how you have no jacket on, only a dark red sweater. He’d been doing some paperwork behind the counter when the bell over the door for his attention. It rewarded him with the sight of you walking in, looking around before your eyes settle on him.

“Hey, Steve.” You say voice light as you approach him and lean your elbows on the counter. “Do you have karate kid available? My brother is begging us to watch it again tomorrow.”

Steve doesn’t know why but he struggles to speak for a moment —it probably has to do with the fact that you look very pretty, and two, this interaction is so different from your first one he shortcircuits. After a long pause you raise a questioning eyebrow, “You okay?”

Steve clears his throat. “Yeah. Um, we have it, let me go get it.”

“Thank you.” You nod as he dashes away from the counter.

“Did you walk here?” Steve asks once he’s cleared his head and reaches the action movie aisle. He sees you shrug over the stands.

“I usually do, I don’t mind it.” You explain simply.

“You’re not wearing a jacket though.” Steve grabs Karate Kid and goes back to the counter. Why are you always out in the cold without a jacket? It’s a miracle you haven’t fallen sick, he thinks.

“I left school in a rush, I was gonna be late for work.” You shrug again, eyes visibly lighting up when you spot the movie. “Thank God. Chris would have been insufferable if someone beat me to it.”

Steve crouches down behind the counter and retrieves his own jacket —a grey bomber— before placing it on the counter in front of you. “Here.”

“Steve,” You tell him seriously, rolling your eyes. “I’m not taking your jacket.”

“Why not? You’re the one walking out in the cold, I only have to walk towards my car.” He dismisses your refusal with a wave of his hand.

“Hey!” Robin says, calling your name as she emerges from the back room. “Perfect timing, I was going to call you.”

“Here to rent karate kid.” You tell her, a small smile on your face.

“And choosing hypothermia over my jacket.”  Steve chimes in, sliding his jacket pointedly towards you.

“It’s not that cold Steve.” You roll your eyes at him again, “But I know you’ll annoy me until I say yes.”

Steve gives you a triumphant smile and you shake your head, Steve would even say it’s shyly, before you take the jacket and shrug it on. “The movie? Please.”

Robin speaks up while Steve rings you up. “We’re gonna hang out at Nancy’s tonight. The kids will be there too, you should come.”

Steve risks a glance at you, in his jacket; a huge mistake. He seriously underestimated his reaction to seeing you in his clothes, because it is downright adorable and something he was unprepared for. The sleeves go past your hands and the whole thing is oversized on you, his shoulders being broader than yours and his torso longer. Steve bites back a smile —he hopes you never give it back to him; this is a sight he’d love to see more often.  He turns back to the computer to hide his grin from you and silently hopes you’ll say yes.

“Will there be other people?” You ask Robin, and Steve is quick to shake his head no and reassure you. Too quick.

“Just the usual gang.” Steve tells you, clearing his throat to hide his eagerness. “No one else.”

“Come on, it’ll be fun!” Robin insists with a smile, then moves her gaze towards Steve, who tries to ignore the way she raises a knowing eyebrow at him. He’s gonna have an earful once you leave, he can bet on it.  

“Okay, I’ll be there.” You nod, then exchange some cash for the movie Steve hands to you. “Thank you, Steve.”

Steve leans his forearms on the counter, trying to give you his most charming smile to see if he’ll get one of those you give Robin in return. “We’ll pick you up after work.” Steve says and you look into his eyes for a long second before nodding.

“Sure.” You shrug, eyes shifting away from his. “I’ll see you guys later.”

------

At Nancy’s, chaos ensues. The kids argue over what board-game to play while Eddie and Robin argue over what record to play next. Steve is listening to Nancy and Jonathan talk about a volunteering drive she’s organizing and from where he stands, he can see you leaning against the wall next to Robin. Your face is neutral as you listen to the record that’s currently playing, tuning out Eddie’s argument for the most part until you speak up.

“Or you can let me choose?” You ask calmly, glancing at them briefly before going back to looking down at your feet.

“No!” Both Eddie and Robin say at the same time, and Steve notices the corner of your mouth twitch upwards.

“You chose this one, buttercup.” Eddie says with a sigh. “You’re only gonna choose one to annoy us.”

This earns Eddie an eye roll. “How exactly do you know that?” You ask. “It could’ve been a great pick, now you’ll never know Munson.”

Steve tries to tune back into Nancy’s explanation when Max pushes the board game she wanted to play away with a huff. It clatters to the ground as she stands from her place in front of the coffee table. You spot her and call her name only a moment later.  

“Hey Max, I got the new Wonder Woman!” You say after a moment when the read-head stops glaring daggers at the boys. 

Her eyes light up, a dramatic change from the look in her eyes moments ago. “Really? Can I see it?”

“‘Course, I brought it for you.” You roll your eyes, this time full of fondness, and nod towards the kitchen. “It’s in my bag.”

 Steve can’t follow your conversation because the doorbell rings, signalling the pizza Nancy ordered arrived. The weather feels much colder than earlier as he opens the door and steps outside, he pays for the pizza, tips the delivery guy and goes back inside. Arms full of pizza boxes, he walks back to the dining table, shooting a pointed look at Dustin and Mike. “Zip it or you don’t get a single slice.”

The high schoolers move more discarded boardgames away from the table in a heartbeat, scrambling to undo their mess and opening the pizza boxes in a hurry. Steve spots you still standing in the kitchen talking to Max as everyone helps themselves to pizza and decides to let you both know the food is ready.

“So, you skate too?” Max is asking you excitedly, leaning her hip against the kitchen counter.

You chuckle — it hits Steve in the chest and Steve doesn’t know what to do with that. “I do,” You grin, “I mean I used to when I lived in Indianapolis, but I haven’t since I moved here.”

“We can go to the skate-park tomorrow.” Max proposes raising her eyebrows, “If you want.”

You nod, “Sure. I’ll look for my skateboard tonight, let’s hope I still remember how to use it.”

“Pizza’s here.” Steve says, interrupting and smiling at you both. When your eyes meet his, your lips move to smile but in a matter of seconds you stop yourself.

It makes Steve furrow his brows and walk over to you as Max leaves to grab a slice. “You okay?” Steve asks, and your eyes meet his again briefly before they dart away as you sidestep him.

You make your way to the front door in a rush, this time though you do grab your jacket—his jacket— on the way. Just like he did the night of the party, Steve follows you, worried and confused at your reaction. Robin glances at him from the dining table, an unspoken question in her eyes but Steve can only shrug. He is certain he didn’t do anything wrong just now, but somehow, he messed up because you just fled from him.

“Stop.” Steve says after calling your name. “What happened?”

“Nothing, I just need some air. You should go back inside Steve.” Your back is to him, shoulders tense and close to your ears defensively.

“No,” He shakes his head. His lips go down into a frown briefly as he looks at your back. He voices the question he always asks himself when you shut him down. “Did I do something?”

“No.” You say when you turn, eyebrows meeting in the middle as you glare at him but Steve sees the way you struggle to hold it in place. After a second it falls, and your face just crumples to exhausted look. “I want to be alone.” You whisper.

 “You think a glare and a pout are intimidating enough to drive me away?” Steve shakes his head.

“I don’t pout.” You say, lips pursed and jaw tense. Pouting.

“You do and it’s not working.”  

You change tactics then, raising an eyebrow and staring him down like the night at the party but Steve shakes his head. “That’s not working either.”

“Why are you insisting so much on this!” You finally ask, raising your voice and crossing your arms in front of you. Your jaw clenches as you look away and Steve sees your eyes squeeze shut.

He runs a hand down his face and breathes out. “Whether you like it or not there are people who want to get to know you.”

“What, like you?” Your eyes cut a suspicious look Steve’s way and he can see your walls come back up right in front of him. A tear falls down your cheek and you’re quick to wipe it away, harshly. “Why?”

Steve throws his hands up in the air, exasperated but not raising his voice, “To be your friend! Just like Robin and Eddie are your friends.” His shoulders move up and down, trying to cover up how much he likes you and looks forward to your company. “Why are you so distrustful, is it something I did?”

“It’s not about you, Steve.” Your eyebrows meet in the middle again, and you look away from him, directing your gaze to the snow-covered lawn. “If… If it bothers you so much, why do you even want to be my friend? Because you’re wrong Steve. No one else does, and I’m more than fine with that.”

Steve shakes his head, knowing you’re lying to him and trying to convince yourself. His voice softens. “Because despite it, I like you, I think you’re… cool.”

“Cool?” The way you raise your eyebrows makes Steve chuckle.

Funny, caring, fucking beautiful, Steve wants to say but he just nods his head at your question.

“Yeah, and you’re interesting, and I… want to be your friend.” Steve’s hands settle on his hips as he shifts his weigh to one leg, looking down to the ground. Glancing at you briefly, he drops his voice to whisper your name. “Don’t leave. I’m not lying… that’s what worries you right?”

Steve assumes that’s where your distrust comes from; you told him it wasn’t something he did, then it must be that you’re scared to trust him. He’s known there are many feelings behind your hard exterior, one of them being fear. Steve doesn’t want you to fear him, and he wonders who broke your trust in the past. Silence settles between the two of you; you seem to be going over his words and Steve is giving you the time to do so. He’d wait an hour if necessary and reassure you a thousand times if it would mean you believe him. Steve panics when he sees you swallow hard and shift your eyes at the sky, the last thing he wanted to do was make you cry.

But you don’t cry. Instead, you take a deep breath and look into his eyes. There’s a vulnerability there that awakens an urge in Steve to hug you. “You promise?” Your voice is a whisper, but he hears you clear as day. You’ve never spoken so softly before, and Steve wishes it could have happened under other circumstances.

Steve looks into your eyes and nods with sincerity, hoping you can see he’s being completely honest with you. “Yes.”

“I do like you, Steve. You just scare me.” You look down at the ground for a moment and nod to yourself as Steve’s eyebrows shoot hop in surprise. A moment later, your eyes drift back to Steve and there are emotions dancing around in them he’s never seen before. “I’m sorry.”

Steve nods and something inside him tightens when you offer a small smile. It’s like something shifts between the two of you despite neither of you moving. In a matter of seconds, everything feels easy, natural, like the brief moment your shared at the party in October. Steve realizes it’s because you’ve let your guard down; you stand differently in front of him, more comfortable, less apprehensive. You scare me. “You wanna tell me why?”

You press your lips together and shake your head. “Another time, maybe?”

Steve tries to hold back a smile, but he can’t, it takes over his entire face. When he sees you shiver, he offers his hand. “Let’s go back inside, or I can drive you home if you want to leave.”

“I can stay a bit longer.” You say when you grab his hand –an electric shock goes up his arm. “I really want some pizza. But if they play Monopoly I’m definitely leaving.”

Steve’s laughter follows you as he leads the two of you back to the house.

--

The coffee cup Steve places in front of you at work the next Monday lands with a soft thud on the counter. It’s black coffee with some milk and sugar; the way Steve’s learned you take it every day. The sound and his presence make you look up at him over the top of your book, a doubtful eyebrow raised and a serious look on your face. Fuck your pretty, Steve thinks. Your eyes shift from the coffee to his face a couple of times before you close your book.

“What’s this?” You ask, leaning back on your seat and tilting your head.

Steve leans his elbows on the counter in front of you and tilts his head right back. “Considering you drink around 5 of these a day, one would think you’ll know what it is.”

“Ah, that’s where you’re mistaken. I actually drink 10.” You deadpan, looking at him with fake disappointment. “I thought you knew me, now that we’re friends and all.”

Steve laughs, looks down and shakes his head. When he looks at you again, there’s a half smile on your face. “Come on.” He says. “Let’s go grab some food.”

“I literally work at a deli, Steve.” You tell Steve seriously, motioning to your surroundings. “We’re surrounded by food.”

Steve copies what you just said with a roll of his eyes and smiles again. “I mean something else, babe. Come on.”

With a sigh you stand up from your seat and round the counter, leaving your apron behind. “You’re lucky I get a break in a couple of minutes.” You tell Steve before yelling over your shoulder. “Hank I’ll be back!”

Steve’s eyes light up and he considers his visit a triumph. He’s becoming surer and surer his feelings for you go beyond friendship and fondness and lean more towards: I want to hold your hand all the time, and cuddle you while we watch movies then forget about the movie and get lost on you. He wants to put his arm around your shoulder freely, have you lean your weigh against him and steal a kiss, probably more than one. No. It won’t ever happen so Steve shouldn’t even be thinking about it. He opens the passenger’s door to his car for you and smiles when you get in, your coffee in your hand.

It becomes a routine of sorts, either you visit him at Family Video bringing sandwiches for him and Robin or he picks you up, a coffee waiting for you in his car and drives you wherever feels right that day to eat your lunch. You talk about your day, or whatever gossip you heard that day. One day you even confessed to be scared about graduation.

“Everyone is so excited to finish school, and here I am so terrified about the future I haven’t opened any of my college application letters.” You muttered, picking at a loose thread on your sweater.

“Why are you scared?” Steve asked you and you swallow hard.

You turned your body on your seat, facing him as you shrugged. “I feel lost, I don’t know what I should major in. I also don’t know where I’d like to go, and I can't even research these colleges without panic settling on my chest.” Your eyebrows furrowed and your jaw got tense and Steve knew that meant you felt angry and this time it was at yourself.

Steve took your hand without a second thought, but you let him. “You know, you don’t have to figure it all out right now.”

“It feels like it.” You whispered looking at him, frustration and embarrassment shining in your eyes.  “Everyone else has it figured out.”

Steve shook his head; you shouldn’t feel embarrassed with him. “If there’s something I’ve learned about you, is that you don’t care about what other people are doing. What do you want?”

“I ask myself that question every day.” You mirrored his head shake and looked away. “Let’s talk about something else. Please?”

Steve was happy to change the subject, anything to cheer you up. By the time you go back to the Deli to continue your shift, he realized it was the first personal thing you’ve told him. Ever. It made him happier than he cared to admit.

-----

Two months after your talk in Nancy’s driveway, you invite Robin, Nancy, Eddie, Jonathan and Steve to your house. It’s the first time you’ve let anyone other than Robin into your home, this time for movie night. Your father and brother went back to Indianapolis to pick up other stuff from your old house, you said, it’s perfect timing. Steve and Robin arrive together, and shortly afterwards Eddie’s knocking on the door.

 Your house is cozy and simply decorated with a forest green comfy looking couch, a dark brown coffee table and a TV in the living room and all the basic stuff in both the dining room and kitchen.  There’s a record playing somewhere, and Steve can’t help the smile that comes to his face when he sees the way you’re mouthing the words as you move back and for the between the kitchen and living room bringing snacks, drinks and pizza for everyone. You’re wearing a cream-coloured sweater he recognizes from the party back in October and something funny happens in his stomach when he realizes just how far your friendship’s evolved since then.

“Babe come on take a break, we can help.” Steve stops you from going back to the kitchen with a hand on your shoulder and a fond look on his face.

You open your mouth to say something when Eddie and Robin appear on either side of you, presenting the movies they –surprisingly– were in charge to pick. “The best horror movies.” They say in unison.

Your eyebrows shoot up in surprise as you take the three VHS tapes from them. “Oh. Um, great! Thank you.” Your reaction hides behind the grin you shoot both, who nod and disappear to the kitchen.

“You’re pouting.” Steve says stepping closer to you again in the living room; your eyes that were fixed on the VHS tapes drift upwards to meet his own. Steve smiles.

“I’m not pouting.” You tell him with a roll of your eyes, lips settling back into a pout as you scan the titles of the movies once more. “These are just scary.”

“You’re still pouting.” Steve whispers, like it’s a secret. His eyes drift down to your lips, a mistake that has him swallowing hard, before the doorbell rings, signalling Johnathan and Nancy arrived. He’s quick to turn and go let them in. It’s a perfectly timed distraction. He shouldn’t think about kissing you, because despite no matter how badly he wants to, you’d never let it happen, or feel the same way he does to let it happen.  “Just saying!”

Once the first movie plays, Eddie and Robin settle on one end of the couch, while Nancy and Johnathan sit on the floor in front of them. Steve shoots Robin a I know what you’re doing look before sitting next to her and feeling the couch dip under your weigh when you settle on the empty seat next to him. A sweet floral scent he now recognizes as your shampoo or your perfume reaches him and Steve actively decides to focus on the movie, not the way he wants to pull you over his lap and breathe you in. Eddie and Robin laugh every now and then and the four of you turn to look at them, there’s nothing funny about the movie. You begin covering your face with the bucket of popcorn as the movie progresses, your face grimacing as the suspenseful music picks up.

Steve leans closer to you, his voice a whisper as he speaks. “It’s just special effects don’t worry about it.” You turn to look at him, worried puppy dog eyes gazing into him and dammit you make it so hard to keep his distance. “Trust me.” Steve winks, lightening the mood only to jump and scream when he turns to the movie once more and a jump scare comes on.

It seems like the perfect medicine for your fear. For you forget about it and lean your head back laughing, a full-on belly laugh, that’s so contagious and beautiful Steve laughs with you. Nancy and Robin share a knowing look he doesn’t notice before they shush the two of you, shoving at his elbow and your knee. You cover your mouth with your hand and your shoulders shake as you lean your head on Steve’s shoulder, turning your body towards his; Steve’s never been so happy to be scared in his life.

Everyone leaves after 3 movies. Robin gets a ride with Eddie, and Nancy leaves with Jonathan as well. Steve though, stays behind insisting on helping you clean up, but it’s a weak excuse to check on you before he leaves. He noticed you getting nervous, fidgeting with your hands anxiously when everyone started to leave. The films were long done, so Steve knows something else is worrying you and it doesn’t sit well in his heart to leave you like this. Which is why he is currently picking up trash in the living room while you do the same in the kitchen.

You’re finishing placing the dirty dishes in the sink when Steve enters the room. He noticed right away the way your shoulders hunch and you take a deep breath. “Steve…”

“You okay?” Steve closes the trash bag and moves to the sink. His eyes roam your face as he looks sideways at you and washes his hands.

“I um… I wanted to apologize to you.” You tell him quietly, passing him a kitchen towel before moving away from the sink. “For how closed-off I was when you met me.”

After drying his hands quickly, Steve turns and leans on the edge of the sink. “It’s okay, it’s not easy to trust new people right away.” He reassures you –it’s something he understands now; he understands you.

You sit on the counter opposite to him and stare at the floor for a bit, polka dot sock clad feet dangling in the air. “It’s more than that. I’m just scared of getting close to people since…”

“You don’t have to tell me if you don’t want to.” Steve shakes his head, keeping his eyes on your face.

“I trust you, Steve.”

Those four words make Steve’s chest flutter –relief, happiness, nerves– but he pushes the feeling to the back of his mind and patiently waits for you to continue. Your lips are pursed as you stare at the floor, gathering your thoughts.

“My mom…” You swallow, getting chocked up with those to words but soldiering on. With a shake of your head, you look up to the ceiling and will your tears away. “My mom left my dad, brother and I last April. She’d been cheating on dad for years… and that’s not even the worst part.”

You wipe your eyes quickly, lips pulled downwards into a deep frown when you pause again –an upside-down U Steve wishes he could smooth out with his thumb. But he stays where he stands and lets you continue.

“The other man was married too” Your eyes find Steve’s and where there’s usually a spark –like that night at the party– there’s only sadness directed at the memory. “He’s the father of a popular kid at my old high school, so you can guess what happened when everyone found out.”

Steve’s mouths opens again and this time a soft no escapes him.

You press your lips together and nod, “So not only did the news wreck our home… they made life at school unbearable for my brother and I. People who I thought were my friends just threw me away as if I was trash for something I didn’t do. Something I had no fault in.”

“Is that why you moved here?” Steve asks softly, walking closer to you. The answer to the question he asked many months ago, right in front of him and it doesn’t make him feel any satisfaction. No, it hurts him to know this. Moving away from everything you’ve known and starting over again during senior year sounds brutal.

“Yes.” You whisper and close your eyes briefly; more tears fall down your cheeks and Steve’s heart aches. Teary eyes move away from his and fix themselves on the kitchen window instead, your lips are pressed so hard against each other they’re losing colour. “She packed her bags right after school the day we found out. We saw her leave with that man, no other explanation, not even a goodbye or a note. Everyone except my dad and my brother decided to leave me that day.”

A sob escapes you then, finally breaking free and shaking your whole body; another one replaces it once it stops. Your hands move from the counter to your face, covering it as cries continue to escape you in succession. Steve wastes no time and walks to stand in front of you; he hates seeing you in so much pain. God, it must have hurt so much, just being left behind like that. His hands move to your hips and gently urge you to hop off the counter before he wraps you up in his arms. His shoulders shake with the force of your sobs as you cling to him.

“Stevie.” Your hands are bunched up in the back of his polo, holding onto him like a lifeline.

Steve can’t even relish the sound of your calling him Stevie so softly. He swallows hard as he witnesses the pain, you have felt inside of you for so long. “I’m so sorry.” He whispers.

“She left us, Steve. She just disappeared and left us grieving her despite her being alive.” You say between your tears, they soak the right side of his shirt, but Steve couldn’t care less, his arms just tighten around your waist. “She’d been pushing us away for years, treating us like garbage and now I can see it’s because we weren’t good enough for her anymore. She didn’t love any of us anymore. We… we didn’t make her happy.”

Your voice sounds hoarse from crying, and your hands tighten behind Steve’s back. When you bury your face in his chest, Steve hunches his shoulders and forms a cocoon to protect you from the past. His protective nature takes over as he holds you flush against him; his hand moves up and down your back firmly –you need to know he’s there, that he’s got you. Steve puts his cheek over your head and whispers his next words. “I’ve got you; you can cry as much as you need to, I’m not going anywhere.”

It takes a few minutes, but your sobs soon transform into soft sniffles even as you press yourself closer to him. Steve doesn’t want to upset you anymore, but he’s itching to comfort you and let you know what he wishes someone had told him years ago. “I know my own shit experience with my parents isn’t the same as what you went through.” He starts, taking a small step back so he can look at you.

His fingers take a gentle hold of your face until puffy and teary eyes meet his; Steve wipes away some stray tears. “But what your mom did to you doesn’t say anything about you alright? You’re more than good enough for anyone. If she didn’t see that, then she made the worst mistake of her life.”

You close your eyes at his words and look away, but Steve shakes his head and urges you to face him again with a whisper of your name. “You don’t have to prove your worth to anyone because your mother left. All of us see it, and we’re so lucky to have you here.”

Steve’s thumb catches more tears as your lips begins to tremble again. “I’m so fucking lucky that you trust me, and I understand why you didn’t at first, okay? I understand you.”

Your hands on his waist tighten again as your forehead drops to his right shoulder. “I didn’t used to be like this… I’m sorry that this is the me that you met.”

Steve shakes his head, sure that you feel it when he does, and pulls you flush to his chest again. Is this how you’ve felt since last summer? He wonders. Like this version of yourself is wrong or unlikable.

Sure, you’re not a smiley person, but that makes your rare smiles even more special –and they drive Steve crazy. You see the glass half-empty most times to protect yourself if things do indeed go to shit, but you also recognize genuine goodness. You don’t hesitate to encourage or celebrate everyone else’s happiness; he’s seen it firsthand, with the kids, with Robin and even himself. Steve doesn’t think he could ever get tired of your dark humour or that pretty pout that settles on your lips when you get annoyed, not to mention that making you laugh is his favorite thing in the world. Steve understands your anxiety and panic at your college decision, you don’t want another change; you don’t want to choose something you don’t like and face another disappointment again. Most of all, Steve finally understands your hesitance and the root of your gruff exterior, and he wouldn’t change a thing about it. He’s stupid in love with you; your grumpy and soft looks; your frowns and your smiles; your heart; and that tender way you’re holding onto him right now.

Steve places a kiss to the side of your head to keep himself from saying all of this out loud –it’s not the right time, not yet. Instead, he whispers above your ear, “I wouldn’t change a single thing about you.”

For a moment, stillness surrounds the two of you in the kitchen and there’s no other sound but your quiet sniffles against Steve’s shirt again. Steve doesn’t mind, he’s happy to hold you for as long as you need, which ends up being five more minutes. You take a step back and look at him with those pretty eyes of yours; they’re teary and red-rimmed but lovely all the same.

“Thank you, Steve.” You whisper, a small smile tugging at the corner of your lips until your gaze drops to his shirt and embarrassment shines in your eyes. “Sorry I cried all over you.”

“I don’t mind.” Steve shrugs and looks at you softly, hands still on your waist. “I think I know what we should do.”

You look at him curiously. “About what?”

“To cheer you up.”

The head shake you give him is immediate, just as he imagined. “I don’t–”

“You deserve a happy life.” Steve states as if it’s the most obvious thing in the world and sends a wink your way hoping to amuse you. “And I think, ice cream is a good way to start. I should know, I worked at an ice cream shop remember.”

He leaves your side and walks over to the freezer to grab the ice cream he saw earlier that night when he got up mid-movie to get more ice. It’s cookie dough ice cream, which he knows to be your favourite –he’s known since that first night he met you. Knowing he’s completely serious now, your eyes stare into his eyes for a moment before you turn and grab two spoons from a kitchen drawer.

“I guess we’re having ice cream then. Considering you’re an expert.” You say with an eye roll Steve can only describe as fond when you approach him again. A moment later, you sit on the counter and Steve follows suit, sitting next to you. “Spoon?”

“Thank you.” Steve says and takes it from you after opening the ice cream tub. He offers the tub to you first, letting you scoop some ice cream with your spoon which you pop in your mouth. Your arms brush from how close you’re sitting, and Steve has to lean forward to look at you, but he doesn’t mind. He’s happy with the proximity.

A sigh escapes you and you close your eyes as you savour the ice cream. Steve feels heat creep up the back of his neck at the sound, but he shakes the feeling off; you’re only eating ice cream, to make you feel better. “You were right Harrington, this is like medicine.”

“Told you, I’m an expert.” Steve chuckles and eats his own spoonful, the creamy ice cream melting in his tongue before he laughs as you search for the cookie dough in the tub. “This is going to be just plain vanilla ice cream if you keep doing that.”

“Finders keepers.” You tell him with a shrug as you bring the cookie dough to your mouth. “It’s arguably the best part of this ice cream.”

“You’re supposed to eat the ice cream with it!” Steve argues, holding the tub away from your reach. “I want cookie dough too you know.”

You roll your eyes at him, but there’s a soft look on your face as you look at him and nod. The two of you go back to eating ice cream in silence until Steve speaks up again. There are so many things he wants to know about you still –he thinks he’ll always want to know more. “What’s something you miss from living in Indianapolis?”

You pause mid-scoop and concentrate for a few moments going over his question. A moment later a tiny smile makes its way to your lips. “There used to be a wonderful campsite my dad used to take my brother and I; we’d camp for three days and do all sort of activities.”

Steve smiles. “Like what?”

“Dad and Chris love fishing, so we’d do that. There was also hiking, swimming, s’mores. Oh! We’d all tell each other stories sitting next to the fire. They were all completely made up of course, and I think the more ridiculous they were, the more fun we had.”

Your eyes wander around the kitchen, like you’re back in the forest with your family and not next to Steve anymore. Light dances in your eyes and Steve can almost picture the three of you laughing around the fire as the catch of the day roasts on a grill nearby. He knows better than to ask about your mother, he’s got a pretty good idea what the answer would be. Besides, you’ve cried enough already, so much that Steve’s own heart feels bruised from seeing you in pain.

“You haven’t camped here in Hawkins?” Steve asks after a minute, voice quiet to avoid disturbing your memory.

You shake your head and sigh, the mirage in front of you disappearing as your eyes drift back to Steve’s. “Dad’s not the same person he was during those camping trips… he hasn’t scouted a good place for us to go. I don’t think he even wants to go camping anymore.”

Steve puts the ice cream tub on the counter and takes your hand instead. “Maybe we could go camping someday, invite everyone, have fun…”

Your head moves to rest on his shoulder, the dizzying smell of your shampoo and perfume reaching Steve’s nose at the proximity. He leans his cheek on top of your head and feels the faint nod you give him. “Maybe.”

A comfortable silence settles between the two of you, your hand still in Steve’s grasp. Until he gives it a squeeze that makes you jump, as if you forgot you were holding hands in the first place. Steve chuckles. “What?”

Your head leaves his shoulder in an instant and for a second Steve is sure you’re going to hide behind your walls again, like you did so many months ago. His fear though, is replaced with concern when you hop off the counter and check the time with a frown.

“Babe come on, what’s going on?” He hops off the counter and stands in front of you. His eyes search yours until finally your gaze meets his, your embarrassment clear in them.

“I just hate being home alone at night. It makes me anxious.” Your hands fidget in front of you, as if you’re waiting for Steve to laugh at you. Oh, so that’s why you were nervous earlier. “I can’t sleep. At all.”

He looks down at his watch and sees that it’s midnight already. “I don’t mind staying over.” Bringing his eyes back to yours, he speaks up again. “Would that make you feel better?”

You close your eyes and let out a shaky exhale before you nod. “A lot better.” When your eyes open again, they’re full of gratefulness and surprise, as if Steve wouldn���t do anything for you.

 A smile grows on Steve’s face, and he takes your hand before you can thank him, threading your fingers together as he speaks. “Come on, you’re probably tired.”

Steve, however, is everything but tired. His heart is racing at the thought of spending the night here with you. You’ve never spent so much time together in a day, he’s never seen your bedroom, and there’s something about this impromptu sleepover that makes heat creep up the back of his neck. No. He’s here to give you emotional support; you were so anxious earlier and there’s nothing he wants more than to see you happy and comfortable. If staying here, despite it sending his feelings into a frenzy, is the key for you to rest then so be it. He can stay for one night.

You don’t let go of his hand as you lead him upstairs, passing various pictures of you and your family that hang from the wall opposite the handrail. There are three bedrooms upstairs and yours is the last one down the hall, its view towards the backyard. You open the door a moment later and let go of his hand as you step inside. Now that he’s here, Steve remembers neither of you made sure the doors were locked downstairs. He should do that.

“I’m going to take a shower.” You tell him as you walk towards your dresser.

Steve nods and swallows hard, using the excuse of your safety to be downstairs while that happens. “We forgot to lock everything downstairs. I’ll go do that.”

“Oh, right.” You press your palm to your forehead; Steve can see you reprimand yourself. “Thank you, Steve.”

“No problem.” Steve is quick to shake his head as he takes a step back from the room. “I’ll be right back.”

Once Steve is back downstairs, he makes sure to check the windows and lock the front door. He fiddles with the light switches for a while before he finds the right ones and turns the lights off. The whole process takes him less than five minutes, and the shower is still running when he’s back in your room. With a deep breath he finally looks around, gazing through a metaphorical window into your world, which he surprisingly already knew a lot of. The pastel walls make him smile, and he walks along the furthermost wall where various posters have been hung –all bands and singers Robin and you have played in his car. There’s a small vanity by the closet next to the bathroom, full of tiny bottles and a couple of lip-gloss tubes. Steve also spots a purple bottle of perfume on top, and a grin makes its way to his face –that’s the one that drives him crazy, he’s sure of it. He’s about to move closer and look at the pictures you’ve pasted in the vanity’s mirror, but he’s startled to a stop when you speak.

“I left a shirt for you to sleep in, if you want it.” You say and Steve turns around.

His heart summersaults when he sees you, fresh dewy face, hair out of your face, an oversized grey t-shirt with a pink Queen logo on the front and pink cotton sleeping pants. The overhead light of the bathroom makes a small rectangle in the carpeted floor, and some steam from your shower still circles around behind you. It takes all Steve’s self-control to stay where he is and not walk up to you and pull you into his arms; no tears between you this time, just Steve holding you the way he wishes he could all the time. He looks at the t-shirt you left on your bed to distract himself and laughs when he notices the colour.

“How’d you guess I love pink?” Steve asks you, glancing your way as he walks towards the bed and holds up the t-shirt. It’s very oversized like yours, and it has a black and fuchsia print of Blondie’s lead singer on it.

“Dunno, just thought it would suit you.” you chuckle, and Steve sees you hold back a smile as you point towards the bathroom. “There’s a spare toothbrush on the sink.”

Steve nods and hurries to the bathroom, lest you notice him blushing. He finds the toothbrush instantly and proceeds to brush his teeth, and though he doesn’t know why, Steve feels extremely happy to know both of you use the same toothpaste. He glances around and looks at all the details that are entirely yours around the room. There are some facial creams on a shelf next to the mirror, a vanilla scented hand soap on the sink, and a look towards the shower shows him two purple and pink shampoo and conditioner bottles –the ones that make your hair smell like flowers. Steve rinses his mouth, then takes off his sweater and jeans before he puts on the pink t-shirt you gave him and, like a freak, smells it to find that somehow your scent still lingers in the soft cotton.

If he was panicking before, he’s panicking even more now. He’s obsessed with you, he realizes, stupidly head over the heels and all of this is making it worse; lying on a bed next to you will make it so much worse. He’s got to pull himself together. He’s doing this because of fear of being home alone, that’s all. He can sleep alongside you for a night without making a fool of himself –or worse, accidentally confess his feelings. So, pushing all bed related thoughts to the back of his mind, he walks out of the bathroom to find you already under your duvet in bed.

 Not letting himself think too much about it, Steve turns off the lamp on your nightstand and slips under the duvet too. He keeps his body still, tense more accurately, as he lies next to you. That is until you turn to face him, and he immediately does too, like a magnet naturally attracted to you.

“Do you ever fear that you’ll wake up one day and everyone you know will be gone?” you whisper in the dark; your voice is almost silent, but Steve hears you loud and clear with how close he is to you. The minty smell of your toothpaste mingles with his own breath. Is this how things are going to be between you now, deep conversations and secrets you only trust to each other? He really hopes so.

Steve shakes his head, trying to make out your face in the dark as his heart constricts in his chest. “No,” he says just as quietly, “But sometimes I’m afraid that something terrible will happen and I won’t be able to help.”

Steve closes his eyes and exhales through his nose as he voices one of his fears for the first time. He’s sure that everything that happened in the Upside Down that they managed to fix was thanks to the brains in his friend group. Steve is all physical strength, which has proved useful in the past, but against monsters or whatever the hell could come next, he’s not sure it will be enough. The thought of being useless like that and everyone suffering because of it terrifies him. Even more now that you’re a part of said friend group. He’s sure of one thing though, he’d protect you and all his friends no matter what.

Your hand slowly moves to his shoulder and gives it a squeeze. “Knowing you, Steve, I’m a thousand percent sure you’d find a way to help. Your stubbornness can be a good thing.”

A breathy chuckle leaves him as your words punch the air out of him. He’s silent for a moment, scrambling for something reassuring to say back. Words aren’t his forte, not unless he’s flirting. He’d rather pull you close to him and comfort you that way, the way he did in the kitchen. “You know… if we were to disappear for whatever reason, you can bet I’d fight my way to you. You won’t be alone.”

Steve sees you nod your head in the dark, his only sign that you haven’t fallen asleep yet. Your hand goes back to your side, in front of his before you stifle a yawn. Assuming your eyes are tired from all their crying, Steve moves his hand to cup your cheek gently.

“Go to sleep, you need to rest.” He whispers; he wants to give you more comfort, pull you close and rub your back until you fall asleep. He doesn’t because he can’t, that would make things weird.

“Thank you for staying with me.” You whisper back.

Remaining silent to avoid saying something that’d give away just how deep his feelings for you run, or the fact that the opportunity to be lying here next to you is something he should be thankful for, he only rubs his thumb softly on your cheek once more before letting go. With another yawn you turn around, your back facing Steve as you whisper goodnight.

Steve doesn’t know when he falls asleep, but he knows he sleeps more peacefully than he has in a while. Not that he doesn’t sleep well often, but most days his dreamless sleep is a result of the exhaustion of the day and not peacefulness. Last night though, there were no nightmares, no tossing and turning, just a distant dream of a campfire in the woods, fireflies, and a silhouette standing peacefully by the water. At some point, early in the morning, he finds himself waking to the light sneaking into the room from a small gap in the tulle curtains. His eyes that were too sleepy to open, blink awake at the awareness that you’re in his arms. Lovely floral scent and cozy softness pressed to him.

It seems that during the night, you’d shifted to your side and burrowed yourself on his chest, an arm around his waist and leg thrown over his hip. His left arm is around you, settled between your shoulder blades, holding you to him. He lifts it and checks his watch, barely 6am but Steve knows he should go. The last thing he wants is your father getting back home and finding him in your bed. Steve doesn’t know him and that’s not the first impression he’s looking for. Besides, there’s a pressing problem in his briefs, that has appeared from being tangled up with you, that he needs to hide in his jeans before you notice. Shifting his hips way from you he looks down at your sleeping face, brushing hair away from your face before he whispers your name.

“Hmm,” You frown, eyes still closed. “What?”

“You’re a cuddler,” Steve says as he smiles; it’s something that should surprise him, but it doesn’t. Not at all.

“I’m not.” You mumble and, contradicting yourself, press closer to him.   

“Yes, you are.” He chuckles, shifting his hips backwards again. “I have to go.”

You frown but move away from him, turning and facing away. “Why?”

Steve slips from bed and puts his jeans back on, adjust himself, before pulling his sweater over his head and on top of the pink t-shirt. Call him a lovestruck fool, but he’s not giving it back. “I don’t know when your dad’s gonna be back, I don’t want him to find a boy he doesn’t know in your bed.”

You chuckle, then yawn as you shift and sit up in bed. Steve stares at you longer than he should. His eyes take in your messy hair and your still puffy eyes from all your crying the night before. He smiles widely.

“I have drool on my face, don’t I?” You sigh, moving the back of your hand to the corner of your mouth.

Steve laughs and shakes his head. “No, you don’t; you look pretty that’s all.”

His words reward him with an eyeroll and a headshake before you stand up. “Come on, I’ll walk you out.”

You remain silent as the two of you walk side by side all the way down to the front door. Steve takes his car keys, and you move to open the door, but pause after a moment. Steve’s eyes look into yours as he wonders if there’s something wrong but when your eyes shift up to him, a small smile settles on your lips. Next thing Steve knows, your arms go around him in a hug.

He can’t help but sigh at the feeling and leaning his cheek on top of your head. “You okay?”

You nod and look up at him. “Thank you, Steve.” You say, stepping on the tip of your toes and pressing a kiss to his cheek.

“Don’t thank me.” Steve smiles, letting his arms fall to his sides as his heart skips several beats. “Wanna get a coffee later?”

Is he bribing you with caffeine just to see you again? Of course, he is. Steve is charming, and he has a lot of work to do if he wants to make a move soon.

“Only if I get to pay.” You raise an eyebrow but smile nonetheless, that rare big smile he loves.

Steve huffs and opens the door. “Sure, babe.” He says though he knows you don’t believe him.

He walks to his car when you nod –heart pounding– and smiles as he drives away. Your figure on the rear-view mirror watches him leave until he turns at the end of the driveway. Steve leans his elbow on the door, his hand settling over his mouth as he thinks about the events of last night and this morning. Hope fills his chest, and Steve feels like this is the beginning of something really good for both of you.

 ---

There’s a small shift in your dynamic after that late night conversation in your kitchen. It’s like almost as if it brought you both closer: like a barrier breaking between you and Steve. Steve knows he should take it slow, that he should better conceal his feelings to avoid scaring you off. But another part of Steve wants to throw caution to the wind because there’s been a change in you too. I trust you, Steve, you’d said, and it shows. In the way you sit closer to him, how you give away more pieces of your past and yourself when you talk. There’s less apprehension and more curiosity from both of you and Steve can’t help but fall and fall and fall. He only hopes it doesn’t end up with him crashing down painfully.

The two of you make a new habit of visiting a small the café on the weekends; you sitting sideways on the couch and Steve talking nonsense to make you laugh. It starts the day after the sleepover, and the two of you use it as time to catch up on the events of the week. It delights him; every Saturday, he wants nothing more than to lean close and kiss your smile, the one he never thought he’d be at the receiving end of. You have bad days too, days in which Steve knows you’ve been crying, days where all you want to do is sit in silence with him. Steve doesn’t mind, at all, in fact he loves all your mood equally and now that he knows the backstory of what you went through, he offers you the quiet reassurance of his presence next to you, so you know you’re not alone.

Weeks pass like this, until winter leaves and spring comes. Overnight, the breeze has no bite to it anymore, the flowers bloom again and you begin to wear the prettiest floral dresses that give Steve a whole new reason to be obsessed with you.

“You two are adorable; when are you going to tell her, dingus?”

Steve and Robin had stopped by the Deli to get something to eat during their lunch break while you were on your lunch break too. The three of you had spent the 30 minutes talking between bites of your own sandwiches until the moment Steve had to drive away and you had to go back to your shift. He hears Robins words but his eyes follow your retreating figure until you’re out of sight –his mind is begging him to find you and steal a kiss just so he doesn’t go crazy. Robin snaps her fingers in front of his face and laughs when Steve startles. He rolls his eyes and gets in the car while Robin asks him the same question again.

Steve rolls his eyes again, “Tell her what?”

“That you’re obsessed with her dummy!” Robin hits his arm, Steve sends her an annoyed look, “You love her come on, you have to tell her.”

“No, I can’t.” He’s been thinking about it more often now. Keeping it to himself has been almost impossible lately and he knows he should do it before he breaks.

“Yes, you can, and you have to.” Robin asserts, setting her converse on the dashboard. “She clearly feels the same way.”

“She doesn’t.” Steve’s answer is instant as he focuses on the road and getting back to FV, his fingers gripping the steering wheel so hard they turn white. It’s a half-lie, and they both know it.

“She does and you know it.” Out of the corner of his eye he sees Robin shake her head.  “The way she looks at you Steve… it’s unbearable to watch, coming from her.”

Steve knows it, he’s seen that change. He’s felt the pitter patter of his heart, the way his hands shake when you look at him like that, like he’s all you want. But Steve is a coward in denial, he doesn’t want to assume wrong and send you running away from him. But if Robin’s seen it… “You really think so?” He says as he parks his car and Robin nods enthusiastically.

“Duh!”

He nods to himself, “Okay... I can tell her tonight. We are hanging out at my place anyway.”

“I’ll make myself scarce, just say the word and I’ll disappear.” When Steve nods Robin cheers, opening the passenger door and stepping outside. “Don’t mess it up, Steve.”

“I’ll try.” Steve grips the steering wheel, trying to calm himself down.

Steve doesn’t get a chance to though, for that afternoon with greying clouds in the sky you show up at Family Video as soon as your shift at the Deli ends. Steve is about to go to the back and finish some inventory he has procrastinated all week when he sees you pacing in front of his car, arms crossed over your chest. His heart soars, then fills with dread –somethings wrong. He knows it right away which is why he rounds the counter and rushes outside in a heartbeat.

“Babe, what’re you doing here?” Steve says as soon as he opens the door. “It’s gonna rain come on, let’s go inside.”

But you shake your head and look at him with a look he can’t name. It’s a sad look, and it makes Steve panic; he panics even more when he sees your eyes are teary and red-rimmed. “Did something happen? At work or at home?”

“I love you.” You say, at the same time thunder cracks in the distance. Your trembling lips press together when Steve’s move to smile, and your headshake makes Steve pause. “But I don’t think we should see each other again.”

“What?” Steve’s question is a whisper, almost lost to another booming thunder. “Why would you say that? Did I do something?”

“No, Steve.” You sigh, voice shaky, looking everywhere but his eyes. Steve knows this tell though; you don’t want to be caught in a lie. “We just don’t fit–”

“No.” He says simply, shaking his head as he interrupts you. This is that night in the Wheeler’s driveway all over again, you trying to shut everyone out. His hands still shake slightly though, at your confession, your words afterwards, at the idea of losing you.

“Steve it won’t work.” You tell him, it cracks halfway with feeling, and you swallow hard before repeating yourself. “It would never work.”

“Yes it will, it’s us.” Steve tells you, shaking his head. He remembers how far you’ve come, how close the two of you have gotten. He should’ve have known it would scare you, after what happened with your family. “Of course it will! It has worked for months.”

“It won’t! It won’t work regardless of our feelings. Because I’m me! And you’re you –you’ll get sick of me and then leave. And it’ll hurt more than anything I’ve ever experienced.” You tell him, shaking your head and looking at him with reddening eyes. Both your arms are crossed over your chest, as if you’re physically protecting your heart from feeling what if feels for him. I love you, you said. Around you, the sky begins to open, bathing both of you with big droplets of water. “I told you before, you scare me because I’ve never felt this way before.”

Steve tries to take a step closer, but you take a step back; it makes him groan in frustration. “You can’t make that decision for me! How can you think I’d just leave you?”

“Because the person who I thought never would, LEFT.” You yell, eyes brimming with tears that roll down your cheeks. They mix with the raindrops that fall on both of you and Steve’s heart aches.

“Then she didn’t love you enough, not the way you deserve.” Steve places his hands on his hips, looking at the wet concrete underneath his shoes. His eyebrows meet in the middle as he swallows hard. He can’t put into words how angry it makes him that someone hurt you so much, that you’re scared of being happy again. “I thought you trusted me.”

“I do.” You tell him, hands falling to your sides. Your voice is so quiet that the rain falling around you almost drowns it out. “You know I do.”

“Then let me love you!” You’re stunned into silence by Steve’s words, confessed loudly in an outburst as he brings his hands to his hair. He meets your eyes and feels his own tear up; he really doesn’t want to lose you. “Let me prove to you that I love you like crazy, baby. Because I do, you have no idea how much.”

Your eyes squeeze shut and Steve knows you can see all of his feelings reflected on his face. “I don’t want to be heartbroken again Steve! Can’t you see you’re sunshine, and I–”

“Don’t say that.” He whispers and steps closer to you, holding both of your hands. The way you cling to them sparks a fire in his heart, keeps his hope alive. “I told you I wouldn’t change a thing about you, that I’d fight my way to you.”

You try to let go of him, but Steve only pulls you closer even as you look away from him, lip trembling. “You know my issues, especially after what happened last year.”

“I do know them, and I’m telling you now that I don’t plan on ever letting you go. This isn’t just a fling, and you know it.” His hands go to your face, holding it gently and looking into your eyes. Those beautiful eyes he’s seen tear up, the ones that crinkle in the corners when you laugh and turn steely when you’re mad. He wants to look at them forever.

You close them, bracing yourself, as the sky continues to fall all around you. Big drops of water hitting your skin and soaking your clothes every second that passes. “Even if I have bad days, or get exasperated with you, or I’m a grump?”

Steve smiles and shakes his head. If only you knew. “I love it when you’re a grump, I want to kiss your pout so badly every time.”

“I don’t pout,” You roll your eyes, but Steve can see you’re trying to hide your fear. He’s learned every little detail about you to memory, this is you trying to build a wall. Well then, Steve knows how to break them down.

“I promise,” Steve says, like he did that November night you fought outside in the cold. His nose brushes against yours as tenderly as he can, rainwater sliding down between your faces –his breath catches on his throat. “I love everything about you, everything baby, trust me. It’s you and me, that won’t change.”

You nod, trust shining in your eyes as a teary smile makes its way to your face when you let it free. It knocks the air out of Steve’s lungs. “Stevie, I love you.”

 He leans his forehead against yours, happy beyond words and because he’s not good with them he says, “I really want to kiss you.”

“Then kiss me,” You urge him.

Steve leans down, holding your face in his hands and lingering close as he braces himself for this; this moment he’s wished for so many times. He smiles, and thinks finally, before leaning in and kissing you. A noise dies in the back of his throat, his chest feels full of helium and his mind reels at the everything he’s feeling. It’s even better than he dreamed it would be. Your lips soft against his, your hands in his hair, the sigh that escapes you when one of his arms wraps around your waist and presses you flush against him. His skin is buzzing, his fingertips are tingling. So he kisses you until you’re both dizzy, brushing his tongue against yours, matching your intensity head-on. Everything is intoxicating, the sweet scent of your perfume, the softness under his hands, the way your face feels like it’s on fire as his hand remains cupping your cheek. Steve is so in love he could faint, so he breathes you in as he kisses your cheek, your jaw, your neck and just below your ear until the two of you pull back. Soaked in rain, without a care in the world.

“Does this mean you’re my boyfriend?” You ask him softly, stepping impossibly closer to him.

Steve smiles proudly, heart soaring. “Yes it does, I’m yours.”

“I want to kiss you again.” You confess after a minute, blinking away that raindrops that have gathered in your eyelashes and smiling at him. “But I’m cold.”

 Steve laughs when you frown and pulls you closer to him. “Yeah, we should probably get out of the rain.”

----

thank you for reading! reblogs are really appreciated and so is any feedback 💖

(I also wrote this tiny insight to grumpy reader’s feelings here )

[aniimoni]

So why would your lamb have a keloid scar? Genuinely curious :0

OHHHHHH MY GOODNESSS!!!! OK OK 1) THANK YOU FOR ASKINGG and 2) Sorry this is such a late reply, been busy.

Anywho, my lamb has a keloid scar because I think it would just make sense healing wise- but let me elaborate.

CW talk about scarring + some imagery (just drawings)

Keloids are a bunch of extra skin tissue that has formed to close a scar. Don’t ask me the science behind it, I am only speaking from my own experience (wildly enough, I also have a keloid on my neck lol). An axe to the neck wouldn’t be just one quick swipe, so it wouldn’t be a clean cut. To me, it would only make sense that it would take a lot of extra skin tissue to heal a wound like the lamb’s, considering the manner in which it happened.

In my au (named Hearts to Keep btw), the only way that TOWW was able to put the lamb back together was by making their body form that extra tissue on their neck.

When they were first resurrected, it looked a lot more red because still kind of in that “healing process”. They didn’t cover it at first because 1) a lot of fabrics just feel uncomfortable near/on it, and 2) they just didn’t feel like it 🤷‍♂️ This led to a lot of their cult members being taken aback VERY frequently:

More rambling + drawings ⬇️ so i don’t take up ppl’s screens

And more often than not, they would constantly forget the basic courtesy of not touching strangers (again, taken from my experience).

Which, of course, annoyed them very much. This makes them look for solutions, leading them to the conclusion that it would be better to cover it; mainly due to the fact that cultists don’t know what personal space is when it comes to them, yes, but it’s also because it bothers them that it’s so exposed in battle and to fabrics/their wool. Sensory issues basically.

Much to their avail, they can’t find anything that feels even the slightest bit comfortable around that area. And so, they decide to bring up this problem to none other but the one who started it.

He doesn’t really know what they would like for him to do. They both go back and forth, half arguing, half trying to understand eachother. Eventually, it is brought to their attention that ICHOR is very useful and versatile! And what is ichor? The blood of a god. And who is in the room with us right now? A god.

TADAAA!!! Lamb gets their very own little neck cover + their bell! Surprisingly, ichor makes for very good fabric.

Of course, this doesn’t erase all the experiences that come with having a keloid, but it takes unwanted attention/touching away from them.

HOWEVER!!! The keloid also ties to their emotions- in more ways than one- but, maybe that will be for another post 😋

Let me know if there are any more questions, cotl au related or just keloid related. Goodnight, and thank you for coming to my TedTalk 🫶🏼

[babacontainsmultitudes]

🤔 Admittedly I was a little disappointed by the reveal (but certainly not surprised the foreshadowing was heavy in this episode lol), but not actually against how Beth (and Will) seem to be playing with it thus far- which is to say that I do think it has a lot of potential, and I suspect there's more to what we're seeing).

;) Big ol' ramble below

Mostly the theory has turned me off until now (at least insofar as I've witnessed it transpire in the fandom at large) because it struck me as so painfully ironic to see Trudy, a 1950s housewife, struggle to exist under the system that she's in, fail to fit the mold assigned to her, and be denied her personhood very literally for it (this being ironic insofar as how it mimics how she would have been treated back then). This and because frankly I just think she's a lot less interesting if she's fully a robot LOL, but I'll hopefully get to that in a bit.

Not that the hints at her mechanical nature and the relevance of Tucker's background were lost on me; I can appreciate why those would contribute to a plausible, fun and I think still mostly harmless theory (now fact). However, minus one or two specific posts I've seen on the matter (namely a recent one suggesting that if Trudy is a robot Beth is probably taking inspiration from The Stepford Wives, :( sorry person who made that post I couldn't find it I wanted to credit yoouuu), I've seen the theory just about exclusively presented in a manner that, rather than explore the metaphorical and political significance of Trudy being partially or fully mechanical, at best disregards the parts of her narrative that are at their core about sexism (among other related things), and at worst negates them entirely (i.e. Trudy only thinking and acting how she does because she's a robot malfunctioning and not because the world itself is causing harm and she rightfully wants something more than the role she was forced into, Trudy not even having any real thoughts and feelings of her own, etc.). I just think it kind of sucks to shove all those important things about her aside and say "actually, there's no person suffering here, she's just a robot" and perhaps worse yet to imply that she does have thoughts and feelings but because they result in Weird™ behavior it must be a problem with her code and not at all relate to what women were subjugated to during this point in American history.

CONVERSELY I don't think Trudy being a robot (or at least partially one) at least from what Beth and Will have presented us thus far, inherently suffers from any of these issues? First and foremost because Trudy definitely appears to possess sentience, thoughts, and emotions of her own, matters which immediately complicate her degree of personhood and don't inherently box her behavior in as a bug in her programming rather than an issue with the world she's been put in, quite the opposite in fact! I think they have a very solid groundwork laid out here to make a strong statement with Trudy's narrative (and perhaps ask the question of what is really malfunctioning here), all the more so since [I pull out a Rebecca Swallows-style conspiracy board] I don't think she's entirely robotic in nature? Actually you should just read Mack's tags in this post cause he has great thoughts on the matter (of which those are just some of them), but if I can direct your attention to one thing in particular, it would be Beth's fact (I *believe* from episode 2) about Trudy never graduating high school because of her essay where she suggested that "perhaps women could one day domesticate themselves", a statement that could of course be interpreted a number of ways but ultimately threatened the patriarchal status quo enough (in suggesting women's independence) to cost Trudy her diploma. Taken on its own this fact appears to contradict the theory that Trudy has always been robotic in nature, because it doesn't really make sense that Trudy would have been set up to go through high school (or school at all really) when Tucker's intention was/is for her to be the perfect housewife. You may then suggest that Trudy's memories of this are fabricated and not actually her lived experiences, in which case firstly perhaps you should reread my earlier point on the robot theory being used to actively negate and otherwise disregard the portions of Trudy's narrative that pertain to sexism and feminism, and secondly it really doesn't make any sense to me that Tucker would implant those kind of memories into Trudy's brain? To be completely honest if she's been a robot from the very beginning (rather than someone who became a cyborg, which is what I'm trying to suggest here), then I don't see why Tucker would program her with actual sentience in the first place (suspending my disbelief here with regards to the possibility of programming sentience to begin with). It seems much more likely to me then that Trudy was not always a robot, and instead altered by Tucker to force her into a role of subordination and remedy her """imperfections""". This option is significantly more interesting to me one, because it implies that Trudy has actually lived a life up until the present, full of its own complexities and strife (and dreams, and real actual memories worth exploring, etc.), and hence is not by any means "just a robot", and second because it amplifies the hypothetical statement being made on the lives of the real living women of the era and how they were treated and seen as being "in need of fixing" for not conforming to gender roles or otherwise acting "out of line" with what was expected of them.

OKAY THIS GOT OUT OF HAND SO I'M CUTTING MYSELF OFF HERE but I wanted to my share my current thoughts what with this ending and where I'm at so hopefully that was at least interesting to whoever has chosen to read through this one okay thank you byyyyyyyyye~

[catboybiologist]

Hiya! I'm CatboyBiologist.

The unhinged, unfiltered side of @hi-sierra.

I'm a degenerate trans woman that posts thirst traps like this:

I'm also a graduate student in molecular biology and outdoor enthusiast. The kinds of stuff I post here include:

Perspectives on biology and gender

Thirst traps, including tgirl tummyposting

Other science and technology rambles/essays

Fiction writing attempts

HRT explanations and perspectives, from the perspective of a transfemme scientist-in-training (NOT a medical professional)

Violently bisexual meltdowns

Attempts at comedy

Making my ADHD everyone else's problem

Hiking/backpacking stuff

Any other shitposts I think are appropriate for this trash heap

This blog is largely completely unfiltered bullshit-welcome to the dumpster heap! If there's any intention behind this blog, its to show the science-loving, outdoorsy, "clean cut" aspects of my personality, alongside the openly queer, degenerate tranny aspects to show that they can coexist. Welcome!

As a grad student, money is always on the tight side for me, so anything thrown at my kofi is appreciated. If you like what I do, consider donating a little bit:

Anyone is free to tag me or interact with me, in any way! This includes tagging me in tgirl tummy tuesday! I will never object to that outright, however, I may not interact back with everything. It's a combination of ADHD, and a few personal warnings/boundaries, like:

I will not reblog full NSFW/sexual nudity here, at my discretion. Feel free to still tag me in NSFW things, though! I just may not RB.

I often push the limits of SFW without crossing them. I tag racier stuff as #sierra nsfw, or common tags like #tgirl tummy. However, I slip up a LOT, so if you're a minor or uncomfortable with that, you have been warned.

I sometimes interact with transphobia, mostly to smack it down. I tag it as best I can as #cw transphobia.

For personal comfort, I will likely never interact with drugplay related CNC, sexualizing my bulge, or sexualizing teacher/student dynamics.

Assorted links, including where else to find me and previous pinned posts, are under the cut.

Other places to find me:

Reddit profile: main alternate place to find me, I show up on 196 and trans subs a lot.

Instagram page: less frequently, but consistently active.

Cohost page: mostly inactive, may change in the future.

Bluesky page: mostly inactive, may change in the future.

Fediverse page on tech.lgbt: mostly inactive, may change in the future.

Previous pin #1

Previous pin #2

Previous pin #3 (contains more links to guides and notable posts I've made)

Bonus tortoise! At the time of writing, he's in a pseudo-hibernation state and staying with relatives. But stay tuned for fall- his hibernation clock is backwards.

[nyuuronfly]

On Rain World lore and it's implementation within the game.

This is kindof a random ramble I went on in a Discord chat and just feel like sharing elsewhere. (also note this is all primarily in reference to the original game, Survivor's story.)

I honestly think too many miss the forest for the trees a bit with RW, in terms of how important the lore is, if that makes sense. I talked with somebody about first-time experiences with the game and they said they'd watched a number of lore explanation videos on YT before starting, because of some reason along the lines of "I didn't trust the game to deliver its own story properly." To me this is almost saddening to hear because I really feel that misses the point of why the game has it's lore to begin with.

To me, while playing, any tidbits i learned about history or other information contributed to a feeling like the world I was navigating had a very real history that saturated it, yet one that I would be unable to grasp fully. It is an illusory feeling of realness, given how it is experienced. The game is mechanically not designed to incentivize collecting many information pearls, especially when in the original game you can literally just drop them off a cliff and lose them forever. You get the feeling often like you are bound to never be able to get everything, nor would you even probably want to put in the effort, so the illusion actually stays stronger because of that. Your mind wanders speculating about every little detail, whether intention truly existed behind it or not, because it feels like it did. You learned that it might have. Maintaining that illusion while playing I think is the primary reason they were included, not actually the experience of "knowing" the history. Rain World in general seems to have a thematic fixation on the simple idea that individuals have limited perspectives. Joar Jakobsson has said that one of the core ideas behind Rain World was to recreate the life of a "rat in Manhattan." That is to say, a creature that understands how to find food, hide, and live in a complex man-made structure, that cannot understand it's structuring purpose or why it was built. The very core issue of the iterators, is that the solution to the "great problem" intrinsically has to lie with knowledge that could only be obtained from "the other side." They are corporeal beings trying to know something that pertains to something outside corporeal reality. Yet pursuit of knowledge is very important to creatures like ourselves. Collecting any individual pearl is mostly an exercise in doing a lot just for little bits of knowledge. There is a lot of understanding of just how significant wanting to know more is, even something unimportant, when you are left in the dark the way you are in the game. Most information pearls you deliver are literally completely useless to know about, but they feel personally important, especially in how finding them relates to your connection to the iterators. My primary motivation to find pearls in my first play was to spend more time with Moon. On a very real emotional level, Moon felt like my only friend in the world while I played. On a mechanical level, she does literally nothing. But Rain World manages to operate on a very emotional, even instinctual level with how it's designed. I wanted to be in her company and have something to give her. Because I am alone, and lost. So something along those lines is why I felt saddened to hear the sentiment like Rain World somehow "fails" to deliver it's "story." The purpose of the game is not to find pearls and hear about some grand narrative. At it's core, Rain World is a game that's design was inspired by nature, and it's use of history within the world relates to us as a player the way history relates to us as people. It is relayed through people reading from records created by parties with their own perspectives, and connects us abstractly to a sensation that there is more out there than our own lives. That is a feeling you have as a player, and ultimately the true story that Rain World tells is the memories you have playing it. What you did, saw, and felt. The same as how our story is that of our own lives. That is the purpose of the game.

[toskarin]

hey rin, a friend of mine enjoys composing music digitally and has a lot of respect for you as someone with more experience with that sort of thing. he has a hard time convincing the people around him to listen to the things he makes, in both the "finding an audience" way and "getting the people around him to give him their opinion on something he's working on way," and he wanted me to ask you if you could speak on your own experiences with those problems and how you've dealt with them. less related, he was also curious about your inspirations for the music that you make. i know this is a lot to cover, so if it would be easier for you to speak with him directly then please let me know

so I'll open by saying that, as far as people who can give good advice on this go, I'm probably not one of those. a lot of what I do only works because of some specific problems with my brain that are oddly adaptive to this sort of thing

that being said, this is a bit of the "tough love" kind of advice for surviving as an artist, so I'll make a second reblog for the second half of the question

this is either advice that will work or a ramble that will lead your friend to making his life unbearable, so look before you leap

-

The Easy Section, or "You've Gotta Be a Bit of a Tradie"

let's go over the business stuff quickly before I start rambling at length about the boring stuff

learn to love the work itself. "find a job you enjoy and you'll never work a day in your life" is garbage, but creative work really is the one area where you should double down on this. kick back and bump your own album on release day, thinking about how every second of it is something that didn't exist before you put it together. this is what's gonna keep you above water when the wind is dead

get on bandcamp. there is nowhere better for small musicians right now. bandcamp is basically the last remaining website with an effective suggestion algorithm that caters to people who want to actively engage with music and buy it

consider getting on instagram. in the majority of places you're likely to live if you're reading this, the local music scene is on instagram. probably don't use your personal instagram for this

consider getting on soundcloud. you won't make sales through soundcloud, because it's a streaming-focused site (more on that in a moment) with a focus on passive listening, but it's pretty decent for networking, especially with digital music production. soundcloud is linkedin for deadbeats

stay off spotify. streaming generally isn't worth the trouble these days unless you're playing concerts or are otherwise already established. if you aren't uttering the words "you can find me on..." more than once a month, it's probably not worth pursuing a spotify presence to end that sentence with

self-promote. if you have platforms, use them. find the subreddit for your genre and post yourself on the self-promo day. consider posting some bandcamp album codes when you do this, not just so you can get word of mouth, but because someone having an album in their collection means you effectively have a permanent zero-cost advertisement for your music which will only show itself to people who are verifiably looking at something similar. companies pay dizzying sums for ads that couldn't dream of being this targetted. this is a big reason why bandcamp is THE place to be for small musicians

cross-promote and collab. work with your friends. if you don't have musician friends, go make some and then help each other out. "independent" music is a misnomer

blind yourself to the metrics. do not look at engagement metrics. pay them no mind at all. don't look at them unless you're trying to see how effective a specific, deliberate course of action was and already know what you want to find

remember that strangers are unknowable. people do things for arbitrary reasons. if you don't have someone giving you written feedback, don't make any assumptions at all about why they did something. skipped tracks and minimum-price pwyws mean nothing at all

present your stuff in a way that gives it context. why should someone care about your stuff? give them a reason. carve out an hour to really work on a nice album cover, go the extra mile and include track-by-track narrative with your dungeon synth album, or just describe what you're expecting people to buy. I firmly believe that NOMAD/VIRTUE was successful in large part because of its presentation

gimmick. gimmick gimmick gimmick. discount codes are more fun than automatic discounts, free album codes are more fun than free albums, contests are more fun than giveaways, so on so forth. lacking any physical goodies to bundle in, you should still endeavour to give people Something To Do that makes them feel like they're really engaging with your music

zero expectations, zero overhead. do not rely on the whims of complete strangers to justify whether or not you end up in the red. if you ever find yourself saying something like "I can afford to pay for a session musician because I'll just make it back" you can't afford to pay for a session musician. you're probably never getting bailed out if you eat a loss, so try not to put yourself in a situation where you can eat a loss to begin with

someone else's expectations, someone else's overhead. if someone else is paying you to make this music for a soundtrack or something, if (and ONLY if) you have the money in your hand and know you have it, you're no longer gambling. at this point, you can start to look at expenses as investment

now onto the less fun stuff. here's where I ramble for like an hour at you.

-

if there's one thing I've really had hammered in over my decade-odd as a somewhat commercial artist (in all the disciplines I've worked with, which is most of them), it's that you have to be a bit of a bitch about it sometimes

that nagging fear in the back of your head that you're annoying? it's stopping you from doing what you need to do: annoy people

with that being said, this next section is kind of...

The Rough Section, or "You've Gotta Be a Little Hard-headed"

at the end of the day, you'll often find that you are your only advocate, and that means you kinda have to get your foot slammed in a few doors if that means holding them open. this also unfortunately means that you've gotta convince yourself you're pretty good. you don't have to think you're great, but confidence is a trade skill

the last opinion people see before the first time consciously engaging with your work (which here means "the thing that primes them for how they feel about it") is yours

which brings us to the first uncomfy rule

absolutely no cutting yourself down before anyone else even gets a swing

you can be modest if you want (you don't have to), but you absolutely cannot prime people to see the flaws in your work. if 50% of people are discerning enough to notice a flaw, why make that number 100%? what do you gain from that?

if something isn't as finished as you'd have liked it to be, but you've pushed it out the door anyway (which you will sometimes have to do), you absolutely cannot prime people to consider it unfinished

if the thing is still being worked on, there's nothing wrong with being forthcoming about that, but the fastest way to make someone think of something as "inferior product" when they otherwise would never have reached that conclusion is by telling them it is

and that, of course, leads us into a bit of an inversion of the previous rule

absolutely do not take the majority of your validation from strangers

doing this is bad for a million reasons, but I see the worst of this in visual arts, where artists double down on what gets them the most engagements and lay themselves at the mercy of complete strangers who have no actual investment in them

of course, it's normal to desire validation and approval from people you respect, but if you put yourself in a position where it's possible to enter a negative feedback loop that crystallises into you no longer making art from the default response of neutral apathy from strangers, it's not a matter of when: it's going to happen to you one day

so what's the move here? spend 8 years making music you don't release like you're in a compressed time chamber? probably not. I did it that way, but I didn't get much out of it, so you probably won't either

the actual answer is that you've gotta network. you need an inner circle. you need people with shared interests so that you can gas each other's stuff up

just like everyone else, you need your friends

you need to have friends who care about you, about what you're doing, and you need to care about them and what they're doing

this is because, while self-confidence is important...

the majority of your external validation as an artist should come from your friends and peers, not strangers

it's important to have artist friends, because then you can encourage each other in ways that are personally meaningful, but having your friends behind you, whether or not they're musicians, is so incredibly important

if you're motivated exclusively by success, however you're choosing to measure that, what you're actually doing is forming a nightmarish parasocial relationship with the concept of a crowd. not even a real crowd! a fictional group that materialises when you've created "the conditions for success"

there is no such thing as a truly independent artist. if your understanding of artistic success requires competition against others, you're going to lose that competition and then explode (unfortunately common)

finding your audience as an artist (and mind you, art is a social field) is very much a process of networking, but it feels gross to say it that way, so I'll just leave that at "if you want to be known by others, you need to be willing to know others"

anyway, this doesn't really terminate in a complete sentiment. I was just transcribing a train of though

if I were to boil this down to a shorter, snappier answer that I could read comfortably read out, it'd be...

TL;DR

the process of finding an audience is so much less about actually finding one than it is about learning to create happily whether or not you have an audience. developing an audience is the largely incidental byproduct of long-term creative efforts coupled with self-advocacy and interpersonal networking

if you want to be found by a scene, you have to participate in a scene, and if you want to participate in a scene, you need to be in the scene. so on so forth

as stupid as it might sound when I put it into words, the truth is that you can't build any kind of audience in isolation. someone has to find you somehow, and it's a lot easier to be found if you're actually somewhere that people might look

[love-fictional-ppl]

Sooo... What if you did some fluffy angst with a pro-hero Bakugo (and his hearing problems of course) with a pro-hero reader who has REALLY bad hearing problems but doesn't tell anyone and tries really hard to hide it. Ahhhh. I feel like this is hard to explain but since like, he has hearing problems of whatever he'd pick up on the hints that you're hearing is shit and what not. I hope you get what I'm asking for 😭🙏

Ok so I hope this is what you’re asking for, also I just want to put a disclaimer out there for everybody that I am not somebody who experiences hearing loss so feel free to let me know if anything written is offensive, incorrect, etc.

(:̲̅:̲̅:̲̅[̲̅:♡:]̲̅:̲̅:̲̅:̲̅)

Birds of a Feather

Summary: look at the request silly’s😋😋

Pairings: hard of hearing!prohero!katsuki bakugou x deaf!gn!reader

Warnings: Angst, language, Bakugou & reader reads lips and knows ASL, Bakugou wears hearing aids, crying, low self esteem lowkey, Obsession on both ends, L word, kinda ooc Bakugou

A/N: I wanted to make this longer but like I kinda got writers block halfway thru😭😭

(:̲̅:̲̅:̲̅[̲̅:♡:]̲̅:̲̅:̲̅:̲̅)

Being deaf was hard on you, always the target of bullies in school. Pitied by everyone else, talking slow and loud thinking it will help you hear them. Hey dumb fuck, I can’t hear you. You wanted to scream at everybody, then one day through tinder you met Katsuki Bakugou.

Katsuki was the most relatable person you probably ever met. Angry, blunt, hard of hearing, overall an introvert. You swiped left on his profile, you suddenly felt obsessed with him. Quickly you realized he was pro-hero Dynamight.

You and Bakugou talked for what felt like an eternity, an eternity of bliss. Eventually Katsuki asked you out on a date. You met at a cafe, apparently his favorite.

It was pretty easy for you to pass as “normal”, if you focused on his lips and watched their movements you could tell what he was saying. He doesn’t have to know.

What you didn’t know, Katsuki was as obsessed with you as you were him. He felt drawn to you, that how he wound up stalking your social media accounts. Through that stalking, he quickly realized what most dumb men likely wouldn’t, you were deaf. He figured you wanted to tell him on your own, so he pretended he didn’t know better.

Then, you two started dating and suddenly katsuki had to pretend he didn’t know better for months. You slipped up a lot of times and made it obvious but he didn’t care, he loves you.

It started getting hard to pretend he didn’t notice, considering you recently moved in with him. Katsuki concocted a plan in his head to tell you he knew so you could both move forward. You both felt the tension between you.

Sitting down for dinner one day, you and katsuki were both enjoying the meal you had cooked for the two of you. You sat directly across each other at the table. Katsuki made sure to turn his hearing aid on, he had a habit of turning it off.

You went back and forth talking about each other’s days. “-shitty fucking Deku, thinks he’s better than me.” You laughed at your boyfriend’s aggressive behavior.

Bakugou felt relieved at your delight, he took a deep breath and spoke, “look, I wanna talk to you about somethin’ but I don’t want you to get upset.”

You frowned slightly, “hey, it’s ok. Go ahead and say it.”

Katsuki let out a breath, “we’ve been together for months now. I’ve made it clear with you from the beginning about the fact that I need a hearing aid, there ain’t no judgment. That’s why I wanted you to tell me on your own terms, but anyway I know that you’re hard of hearing or deaf or whatever.”

You were stunned. Your big hunk of a boyfriend, the number two pro-hero was rambling. Even more so, he knew your very well kept secret.

You let out a sigh of relief, “I’m deaf. How did you-“

“You lip read. Also I’ve known since we first met,” Katsuki admitted.

You started sobbing and not because you were sad, but because you were glad to have it out in the opening between you two.

You chuckled and signed, I love you.

Katsuki signed back, I love you too.

“You could have told me, dumb ass.” His words were playful with truth behind them.

“I know it’s just-“ Katsuki must have heard how shaky your voice was.

Once more, he cut you off, “hey, you don’t have to talk about it right now. We’ll talk about it another day.”

You couldn’t help but lunge yourself into your boyfriend’s arms. Katsuki securely wrapped you in his arms.

“You’re the only person who has ever understood me,” you admitted into his chest.

“I’d kill for you,” he wasn’t sure why he said, but you both knew it was true.

You chuckled, “just keep holding me.”

And he did.

(:̲̅:̲̅:̲̅[̲̅:♡:]̲̅:̲̅:̲̅:̲̅)

Not Proofread!

[songspirits]

rating fanon portrayals of the outsiders boys

note: my guesses on the canon personalities probably arent even true lol this is my opinion

-

ponyboy curtis

5/10

sometimes the portrayals are really good!! but i hate that often, people portray him either as a moody brat or a weak baby. he is canonically a good fighter, especially after the fire, though he doesn’t like to. hes a loner, hes a reader, hes a pacifist, hes a good kid.

you have to remember that the outsiders is literally written in HIS POINT OF VIEW!!! ofc yes he’s a sassy and snarky teenager but he is also so intelligent and smart. hes a loner, but the gang would never shun his company. he has so much depth that a lot of writers often forget. hes a 14 year old kid with thoughts of a adult and can only do so much. thats what makes the outsiders so relatable to alot of people. its his intelligence that makes him and darry argue, because of how darry sees himself in ponyboy

but also on the other side of the coin ponyboy is a fragile character after the events of the book, because he is 14!!! but he has thoughts!!

i feel like people forget his good traits and only focus on the bad (and oh my goodness does this count for darry too!)

sorry for my rambles i just love his character so much :-(

darry curtis

7/10

besides fanfiction.net and like 30% of the fics on ao3 hes actually a solid portrayal most of the time, but tons of people forget that his relationship with ponyboy wasnt actually that batshit awful. sure theyd butt heads alot and go back and forth but they love each other thats why they did that. hes so much more than just an angry man who happens to be ponyboys brother.

hes a man who peaked in high school (IM KIDDING) and lost it all not because of his brothers but because of his parents. there was probably some strong resentment there for a while until they died. darrys problem or flaw is that he cares too much and his fear turns to anger. its love for sodapop and ponyboy that brings him back when he realizes his anger is doing more bad than good for his little brothers. It’s opening up and allowing his brothers in that helps his character.

that being said, people often focus more on his bad traits than his good traits. its a running theme in the outsiders fandom, i’ve noticed

sodapop curtis

7.5/10

highest rating i have on this list!! fanfiction.net outsider fics ive gotta say i actually just cant handle it so thats why it isnt a full 8 and ao3 is a 50/50

people put that hes soft but also forget that hes wild. hes batshit CRAZY. hes just as protective as darry and just as snarky as ponyboy. hes soft!! hes rough!! sodapop curtis is a dynamic character!!!!

johnny

5/10

ehhhhhh, most johnny portrayals i’ve seen are either really good or really bad. kinda ponyboy’s problem, being seen as weak. hes just a dynamic character who is allowed to be weak but also has so many strong traits about him. he is a frightened wounded animal to most but to the gang hes something more than that. also, snarky and ‘over’ johnny portrayals are great.

dallas

4/10

most portrayals i’ve seen are pretty good but its the same problem ive seen in all the boys— they only focus on a few traits dallas has (aggressive, tough, hardened) and stick with that. forgetting the youth in dallas winston and making his character honestly… less tragic?

imo the tragedy of the outsiders is the youthfulness in all the boys and how shitty situations couldnt make them more vulnerable, so i would love more of a vulnerable dallas in fics around the gang. another thing, people forget how much ponyboy really does mean to dallas. johnny and ponyboy were both his brothers and he’d did so much for the both of them precisely bc of that

two-bit

5/10

again.💔people forget how DYNAMIC these characters are!!! two-bit knows when to get serious for the love of god!!

steve

1/10

what portrayal. ☹️ppl dont write him enough and if they do its like one line #justiceforsteve

in conclusion

the outsiders fandom often have such good portrayals but only for one part of their character. this isnt to shame anyone or anything!! but this is just a helpful criticism ?? for any writers out there portraying the boys!! trust me i had to think abt this too lmao