i can also see him take good care of his wife once their child is born tbh
referenced ask
Oh yeah, me too. I think Kid would make a good dad and husband - he'd be a blunt, often times obnoxious shit, but you'd never have to wonder what he was thinking, and you'd never doubt his loyalty.
And he can be scary, and I'm sure he struggles with being abusive - and I'm sure he can be. I don't think it's out of character for Kid to be an actual bastard of a man, I just don't tend to lean that way in my head canons for him.
He's loud and angry and scary, but idk, I just don't see him being the kind of person who abuses someone. At the least we haven't gotten any scenes in canon that make me think it's a flaw he has - but it is one I could see him having.
What I'm saying is - y'all know how I vibe him, but I don't think that people who write him more volatile are wrong at all. He 100% has the character capacity to be a true villain.
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The thing I keep coming back to, with all the *gestures expansively* is that real life doesn't have peaceful epilogues.
Every single win has to be defended. Forever. I'm sorry. It sucks. The Nazis lost until they stopped losing. The US had abortion rights, and then 50 years later it didn't. Empires fall, and then they invade other countries again. Oppressive regimes are overthrown and replaced with other oppressive regimes. You will never finish the work etc etc etc. Which is why it's so fucking important to be able to acknowledge and celebrate progress, when it happens. The people who came before you didn't put in all that work for nothing, and you aren't, either. You can't save it all for the Ultimate Victory because there is never going to be an Ultimate Victory. There's no such thing as a time when everything is good, and ours shall not be the commune of Heaven.
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If you don't mind my asking, how do you go about drawing fat? :3
JUST THE EXCUSE I WAS LOOKING FOR
So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-
For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:
But also a fat one too!
And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)
THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.
THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!
THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot
THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!
A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!
Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this
Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.
This is demonstrated really well on the arms especially-
Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not
These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!
Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!
And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.
This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!
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Family Resemblance
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I
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I had another 11pm brain worm.
Enjoy
-x-x-
Daniel Wayne, the younger toddler brother of Bruce Wayne and the son of Martha and Thomas Wayne had been kidnapped the night their parents were murdered.
Daniel had been snagged the moment their killer heard people headed to the alley and Bruce in his state of shock didn't realize it until it was far to late and could only scream in horror (from everything) as his baby brother is crying his name. (If you wanna make it even more heart wrenching, make it Danny's first time being able to say Bruce's name right and/or Bruce had said some mean things to Danny earlier after he accidentally broke something of Bruce's, something like 'I wish youd go away' or 'I never wanted a brother, you're such a bother!')
Bruce is being held by Alfred as some police officers are chasing down the Wayne's parents killer while some stay behind to see if they could do something.
Minutes turn to hours and as they wait, praying the police at least found Danny, Bruce is ridden with guilt. From his parents death to allowing his brother to be kidnapped.
Eventually the police return to give Alfred and Bruce the news. And it's not good.
The killer escaped and Danny was nowhere to be found.
And it would take many years before he would be found.
-x-x-
Bruce gets a call from Damian during school hours one day. When he answers he is greeted with Damian demanding him to get to the school and explain himself.
Confused Bruce asks what does he mean and Damian responds with
"The two new students in class today are the spitting images of you and I father! Either they are poorly created clones or you have more hidden blood children!"
-x-x-
Meanwhile the very students being discussed are calling up someone too
"Ellie? Dan? What's wrong? You better not have made too much chaos already, I just paid for the uniforms for that place."
"DAD! I THINK ANOTHER ONE OF THE FRUITLOOPS FAILED CLONES SOMEHOW SURVIVED!"
"What?"
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hey guys did you know that um. did you know. first of all did you know i'm losing my mind, secondly, do y'all remember in tma how when someone reads a written statement, they don't really Stop unless they're interrupted? and they read the whole thing easy cheesy, no issues with reading whatever words are there? like. jon literally could read french for a whole statement and was Fine. granted, that's Jon, but like nobody else struggled with pronunciations and whatnot (that i can recall)
presumably, this is an eye thing. either as employees of the institute, or because everyone there is just also eye-aligned in some degree (melanie had the ghost hunting show, the eye is fond of martin, etc)
and then there's tim in season 3 ep 86
[Sigh] Statement of… uh, Benjamin Hatendi… Hateendi? Regarding a… [papers rustling] a blanket. Dead friend. Monster. Regarding his unavoidable and gruesome end. How he tried to hide. He couldn’t. Statement is from… 1983, March 2nd. And I guess… [long sigh] I guess I’m doing this one. Tim Stoker. Archival assistant… Archival prisoner at the Magnus Institute.
correct me if im wrong but i don't recall anyone struggling with pronunciations before this bit. but that's not even the biggest thing here, that's just a lil Taste, a lil Flavor.
note the phrasing there. "Regarding his unavoidable and gruesome end." why would he say this when the written text on the statement says this:
Uh, right. Benjamin Hatendi’s account of… [rustling pages] oh for… a, a strange encounter. Er, statement date, March 2nd, 1983. Melanie King recording. Apparently.
"a strange encounter". that's it. nothing about an unavoidable death, just a "strange encounter". Tim Why Did You Say That.
why would our dear timothy bimothy, who is being pushed to the brink, who is becoming rapidly more depressed and losing hope, say this?
this isn't the only time he's said some weirdly grim shit tho (ep 104)
There was never really any hope for me, though, was there? This was how it was always going to go.
and then there's this bit from elias apparently having Looked into tim (also 104)
TIM
All right, hit me with your X-ray eyes then, boss. What do you see?
ELIAS
Disruption. An unpredictable, angry man with nothing left but the desire to feel in some way revenged.
TIM
[Sarcastic] Ooh, terrifying! Surely only magic could have let you see so deep inside my very soul.
"nothing left" but the desire to feel revenged. and tim doesn't dispute this, because it's true.
when he first joined the institute he did so in order to look for answers about danny, but then he stopped seriously looking. and now that the circus is back, this is all the drive he has left. not looking for answers, just wanting revenge. closure. an end, if you will.
this is Literally It For Him. a couple lines later he suggests elias kill him, he's At The Breaking Point.
he is so tired, he's lost all hope, and he's saying all this grim shit about "unavoidable death" and "this is how it was always going to go" like hmmmm sounds familiar doesn't it. DOESN'T IT (<- is going insane)
(ep 11) [....] despite the rapid response of the paramedics and how much of his medical history I had immediately to hand, there was nothing I could do to save him.
(ep 11) I have no responsibility to try and prevent whatever fate is coming for you. Based on my previous experience, such a thing is likely impossible anyway,[....]
(ep 121) There. That was it. That was our fate; where we would always be.
hmmmm sounds a bit like oliver huh? everyone's favorite ex-accountant avatar of the end?? right??
but then there's this last bit i have from ep 86.
why did he stop reading the statement
Statement.
“My parents never let me have a nightlight. I was always afraid, but they were ju–”
Ugh, this is stupid.
why did he do that. again, correct me if im wrong but when else has someone just Stopped Reading like that without someone or something else interrupting them? why could tim just stop himself?
my theory is this: at this point, tim is completely gone from being aligned with the eye. he no longer seeks to know what happened to danny, he just wants closure. he doesn't wanna do any statement work, and he keeps mentioning these tidbits about hopelessness and the inevitability of terrible events, specifically death.
the eye isn't compelling him to read the statements like it does the others, because it doesn't have as strong a hold anymore. the grip is slipping from him. and by the time the unknowing rolls around, maybe it's lost him for good. maybe he finally fell into a different power he never meant to serve, and yet, he does.
and maybe. just maybe. because i'm so not in denial. but MAYBE. he did die in the unknowing. but maybe he got better.
basically end!tim truthers rise up, this is how end!tim kayaking with his bf oliver banks can still win, etc etc I'm Going Feral <3
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