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grimmsbride · 1 year ago

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❛I’ll give you lessons, it’s so much to know. ❜ ⸺ Gojo Satoru

【⠀♱⠀】 SYNOPSIS. satoru just wants to show you how different real sex and literature sex is.

【⠀♱⠀】 AUTHOR’S NOTE. i know there’s like plenty of virgin x experienced satoru fics but i just wanted to write this one based off my own experience. so yeah, hope you enjoy there may be a part 2. 3K+ WORDS & PLEASE EXCUSE GRAMMAR MISTAKES

Novels were so easy to get lost in. The moment your eyes landed upon a link of words you were lost to the world; glued to the seat underneath you for hours until your eyes demanded rest.

This was your current situation; glued to your bed, back pressed against the hill of plush pillows whilst your eyes skimmed the sentences within the book. You held the paperback delicately, lips parting every so often to giddily act out a piece of dialogue.

You loved books. Loved reading them, writing them, and much more.

What you didn’t love, was being interrupted while reading one.

The knock against your door was enough to cause your head to snap to it, bottom lip curled tight under your teeth as annoyance threatened to bubble over. With a heavy sigh you slumped into your pillows, “Yes, Satoru?” Your voice ranged monotone, something you used frequently whenever your beloved roommate and friend; Gojo Satoru, decided he needed attention during your reading time.

The door opened with haste, the tall white-haired male entering with a small frown. “You never sound excited to see me.” Satoru breathed, hand rising and lowering against his chest as if truly wounded by your behavior. An act that dissipated the moment you rolled your eyes— the man chuckling and entering the room fully to sit upon the corner of your bed. “I’m bored.. The rain killed all my plans.”

His complaints were barely registered the moment your eyes landed back to your book— a single mhm escaping you instead. A silence covered the room, feeling your bed sink as his long form stretched out upon the edge. Still, your eyes remained on the manilla pages; far too consumed in the utter debauchery playing before your eyes.

Unfortunately for you, Satoru didn’t let this slide for long; given his hand rose to poke the bottom of your foot.

You blinked harshly, lowering the book to cast a glare his way; Satoru’s eyes elsewhere as if innocent. The moment you returned to your book however— he poked you again, going in for a third one just for good measure.

Your legs slid up quickly, book falling to your lap as you glared at the man. “Satoru, how old are you?!”

“I’m bored..” He repeated, cheek sinking into your soft blankets as his pretty eyes stared up at you. Any other time you would have gave into the infamous pout, but not this time. You were enjoying your book far too much.

“Not my problem, find something safe to do.” You huffed, grabbing your book from your lap to slap Satoru’s reaching hand with.

With a quick recoil of his hand, the man sat up, huffing softly. “Like what?”

You groaned, leaning back against your pillows. “I don’t know, Gojo. Cook a dish, sleep, maybe read a damn book— just stop worrying me to death!”

Silence carried around the room for a moment, a bout of anxiety settling deep in your stomach at the man’s unreadable expression. Have I upset him? Was the single thought running in your mind. There were times he was unbearably annoying but again— Satoru was your friend and someone you held very dear.

“Sato—“

“I’ll read a book.” The man rose from your bed slowly with a soft sigh. This alone caused the small bout to quickly grow; your eyebrows furrowing and racking your mind for the perfect apology.

Until.. your beloved roommate and great friend snatched your book right from your hands— dashing out of your room before you could even blink.

Your eyes slowly widened as you registered the situation, fighting with your blankets to throw off as expletives escaped your lips rapidly. You were finally free from the web of comfort— rushing out of your bedroom towards where you loudly heard Satoru reading your book.

“His voice was husky, low; a tone that caused warmth to spread from my stomach all the way to my toes..”

“Satoru— give me back my book!” You rushed towards his spot standing beside the coffee table, watching him raise the book higher and crane his neck to continue to read; all while with a shit eating grin.

“He was close now, eyelids low with plump lips slick with my..” Satoru’s words slowed, eyebrows coming close together for a split moment. “— arousal.” His eyes were wide at this point, falling to your face which held a mix between embarrassment and anger.

The two of you watched each other for a moment, lips forming into a grin and the other a frown; the silence breaking the moment you groaned and landed onto the couch. Satoru quickly followed, snickering to himself as he quickly went back a page;

“Looks like I need to reread for the full effect..“

“Satoru, bite your tongue and die—“

Your harsh words were over shown by his downright maniacal giggling as he read over the pages, leaning back against the cushions. You spared a glance to spot the bright smile drawn across his features, glossy lips parting to softly read out the scene.

Another groan escaped you as you leaned back, balling up the shirt you wore in your hands. You shouldn’t be this embarrassed, really— or should you? Sex was sex, obviously; but it was a little different to be sexually active and simply being reading about. Plus, it was no secret you were a virgin— so you were sure you looked like a perverted hornball.

You wanted to die right then and there.

Soon enough, however; your stolen book made contact with your lap, which caused your eyes to open and land onto the culprit.

Whose grin was still intact.

“So that’s why you wanted me to leave so badly.”

“Satoru, please..”

The man snorted softly, dimples deep and turning to face you. “I’m not making fun of you [Name], it’s normal— it’s like a guy watching porn..” His eyes trailed off for a moment, dancing about the room before clicking back to you. “— Though I have to ask, is this the same stuff you spend time writing about?”

The heat growing within you was becoming too much, washing over your face and causing the embarrassment to dive deeper and deeper. “N—not all of it!” You huffed, eyebrows pinched close as you watched the man raise his hands defensively.

“Like I said I’m not judging either way. It’s just, interesting is all..” He shrugged to himself, leaning back against the cushions as his arms stretched out upon the couch. Satoru’s eyes flicked to your own, grin deepening the moment he noticed your bewildered expression. The man, as teasing as ever— leaned over just a bit closer. “Because you’re a virgin, that’s why.”

“Oh.” You spoke softly, eyes falling from his face to your lap, lips pushed close for a moment— the heat in your face seething at this point. “Well yeah, it’s uh.. ya know, my imagination so it kind makes up for.. lack of experience?”

Satoru stifled a short laugh, slinking away and facing forward. “Your smut is completely different from the real thing, though.” He claimed, tone teetering between cocky and just a tad playful.

You rolled your eyes as a soft obviously escaped your lips hearing the man chuckle. Satoru wasn’t wrong, you were sure real life sex and literature were completely different. From reactions down to positions, it was bound to be very distinct.

Still, the question of how different lingered within you.

Slowly your eyes rose from your lap to settle upon your roommate and great friend, only to suck in a breath the moment you noticed his gaze already upon you. Nervously you wetted your bottom lip, bringing your arms even closer to your chest.

“H..how different?”

Without missing a beat the man was turning to face you, one arm falling to his lap.

“I could show you.”

Satoru’s words took a moment to register, you being unable to hear anything but your rapid heartbeat. It felt as if you were lit on fire, staring up at the man who glanced down at you with clear intent swirling in his eyes. His hand remained on his lap, waiting patiently for a response from your quivering lips.

He was your friend and roommate too; he was supposed to nothing more and nothing less. Every alarm was going off in your head, stating getting entangled in such a way would be a bad idea all around.

But, you ignored them. Wholeheartedly. The stiff nod you gave a clear response.

Except Satoru wasn’t having that, scooting closer as he shook his head at you. “I’m not words on paper,” He spoke cooly, staring down at you carefully. “—I need you to say it.”

You struggled to hold his intense gaze, eyes dancing just about anywhere to avoid it. Your hands fell to the pajama bottoms you wore, carefully clearing your throat. “I… Want you to show me.” You spoke softly, finally glancing back up at the man.

You breathed softly as he drew closer, feeling his hand fall to your thigh to part and intrude the space between them. Satoru lowered towards you, your eyes fluttering shut the moment you two kissed.

It was a embarrassing how inexperienced you were; barely being able to keep up with his lips despite the already slow pace. Your hands rose to grasp his arms, eyebrows pinching close as his tongue treaded across your mouth. A soft moan escaped you, causing his tongue to slither in and tangle with your own.

It was a foreign feeling, one that caused your mouth to ache and for a flutter to occur between your thighs. You gasped softly as his hand slid off the couch to your back, carefully pressing against it and lowering you onto the couch.

Satoru’s long form hovered over you, hand smoothing across your thigh for a moment before rising to the waistband of your pants. It simply rested there as he continued to mark your mouth as his own; lathering his tongue in the wet cavern and sucking on your own appendage to hear you whine. By the time he released from the kiss, drool was trickling down the side of your mouth, lips a mess and red from his own.

You panted softly, watching as he rested on his haunches. Satoru’s other hand met your waistband, toying with the fabric for a moment before removing his hands all together.

The action caused you to raise your eyebrow, biting the inside of your cheek. “Satoru, are y—“

“‘M waiting until you take your pants off.” He said as if the answer was obvious. The man made a show of leaning back to sit on his ass, arms crossed infront of him.

Whether to show he meant business or to restraint himself was something you would never know nor care for seeing as you were currently groaning at his words. You knew your pants would be off in the end anyway, but something about him doing it would.. well, ease your nerves somehow? Who knows, you can’t find an excuse in the moment.

Especially not when the man is simply grinning at you, refusing to make a move until you listened to his request.

Knots formed in your stomach as you rose your bottom half off the couch a bit, thumbs hooking on your pants and panties and slowly tugging them down your legs.

About halfway Satoru was helping, clearly impatient despite the look he was giving you just a moment ago. He tossed the garments off to the side, turning back to spot your thighs closed tight together.

The man blinked in response, even laughing a little to himself as his hands rose to rest upon your knees. “You always look so expressionless while reading your little books..” Satoru spoke coyly, thumbs lowering to press into your heated skin. “Yet here you are; legs closed and barely looking at me.”

“I’m nervous, Satoru. You can’t blame me.” You spoke softly, blinking up at the male who only smiled back. You hissed as his hands fell to the side of your thighs, his fingers trailing the skin to allow you to get used to the feeling.

“There’s no need to be. It’s just me, sweetheart.. no one else,” His voice was calm, easing your mind just a little. His hands lowered to the underside of your legs the moment he noticed you sinking into the couch more, thumbs peeking through the tiny slit between your legs. “— just you and Satoru.” That was enough to allow him to ease your legs apart, revealing your slick slit and more as he widened them further.

You grew uncomfortable under his gaze, adjusting yourself as your hands balled up the shirt you wore. Your stomach leaped however the moment you watched him began to lower and situate himself between your legs, face hovering just a breath away from your wet heat.

You hissed as his breath fanned against you, shivering the moment you felt his thumbs lower to gently pull your folds. “Satoru..” You whimpered softly, gasping as you felt his lips graze your pussy.

“Just relax for me..” Satoru hummed softly against you, tongue lolling out to lick a stripe up your slit. His hands tightened against your legs the moment you twitched, keeping your hips down against the couch as his tongue continued to work up and down your cunt.

You’ve never felt something like this before, it was well… weird. It’s not as if you were unfamiliar with pleasure in general. You’ve touched yourself enough to know what does and doesn’t feel good, or what type of response you would receive from yourself.

But Satoru was.. territory you have never encountered before. It was different, far too different to get used to in the moment. You were unable to contain the soft breaths and moans that escaped you, eyes screwed shut and not daring to look at the man currently ravishing you with just his tongue.

It was as if he had already studied your body; tongue dancing across your slit for a moment before lapping at your clit, squeezing your legs the moment they began to rise from the attention. Hearing your rushed cries was pure bliss, soft breathy moans escaping his mouth as he refused to allow you to move away from the pleasure.

Your back was arched now, arousal dripping down to your taint and surely the couch as Satoru sucked and licked your little bud raw. Your toes were curling, legs shaking, and your breath became labored; eyes peeking open to spot his gaze settled onto your face— clearly happy the moment you looked at him.

Satoru’s hand rose from your thigh and allowed his thumb to replace his mouth; rubbing your clit into circles, watching you carefully. “So wet, baby.. you hear it don’t you?” The man went silent whilst his thumb sped up, allowing you to hear the soft squelches of your pussy over the heavy breaths that were escaping you.

You gripped your shirt harshly, whimpering as your legs threatened to close from the pleasure. “S—satoru.. fuck, fuck..” You hissed the moment he leaned down again, feeling his tongue replace his thumb and set a harsh pace against your clit again.

What’s more, you felt his hand low, finger circling your sopping entrance for a moment before slowly pushing the long digit in. You whimpered at the sudden intrusion, but recovered quickly given the continued sucks and licks on your bud.

“Sato—satoru, fuck..!” You cried out, hands lowering to his fluffy white hair, taking the tresses between your fingers for something to hold. Your legs shook, bouncing about and threatening to close as his tongue sped up, while his finger slowly pushed in and out of your opening.

Your stomach was tense, grip tight, and mouth loose with moans as your orgasm hit you far too quickly; a beautiful string of sounds escaping you, as your legs shook around him. Satoru groaned into your sopping sex, gripping your leg as his actions never let up; carrying you through your orgasm effortlessly.

Little tears pricked at your eyes as pants escaped you and with shaky legs you were gripping his hair, pulling him away from your pussy quickly.

“Need to.. breath, Satoru.” You huffed softly, mouth hanging open and whining as you felt his finger slowly slide out of you. Through hazy vision you took in his beautiful features; spotting the red flushing his pale skin and the absolute mess of saliva and your essence coating the lower half of his face.

Satoru smiled up at you with low eyelids, circling the inside of your thigh with his thumb. “Breathe.” He hummed to you, rising up from between your legs to hover above you. The moment your eyes rose to meet his own, his head was lowering to plant a wet kiss to your cheek. “You don’t know how pretty you look like this, [Name].”

The warmth from both his actions and words were burning you up, your eyes shutting and not daring to look at him as a soft whine escaped you. You heard the man chuckle at you, feeling his hand gently squeeze your thigh.

“So shy..” Satoru teased, hand lowering to glide his fingers up and down your messy slit, paying extra attention to your bud with each pass. His eyes lowered as he spotted your legs widening, smile deepening in response. “You want more, huh? You want my mouth on this pretty pussy again, don’t you?”

The vulgar language had you whining, hips rising as soft pleas escaped you. This was enough for the man; slinking back to his previous position all while pushing at your thigh again.

His tongue moved up and down, side to side; reaching places that erupted feeling after feeling within you. Your mouth became raw from how loud you were becoming, arousal pooling under you as your grip never loosened on his hair.

Satoru’s breathing was heavy against you, tongue lowering to your hole and slowly pushing in; fucking you with the slimy appendage while working circles into your bud with his fingers. Despite these expert actions his eyes never left your face, feeling his cock strain within the confinements of his clothes.

Everything about you was addictive at this point. The moans you tried to cover, the way you absolutely refused to look at him, hell; even the twitches of your legs when the pleasure became too much. Satoru could only focus on you and nothing else. Especially not some dumb book that couldn’t make you feel half as good as he was right now.

Satoru’s tongue rose to allow his long digits to push into your awaiting entrance. The man hissed as your velvety walls clamped around them, using his thumb to circle your clit while he rose. “Can barely move my fingers, princess— you have to relax for me.”

You slowly nodded, a subtle pout forming as your hips rose. “‘M trying Satoru..” You huffed softly, eyes threatening to close as you felt his fingers pull back before pushing back in slowly. The pressure and pain dissipated the more you settled into the couch, pleasure even forming the moment his fingers curled. A moan escaped you shortly after, watching his grin widen.

“Good girl, that’s it..” He spoke sweetly. Yet his eyebrows furrowed the moment you closed your eyes, hand rising from your thigh take your cheeks in his hand— turning you forward again. “Mm.. don’t do that, lemme see you. Don’t look away.”

With how easily he was ruining you with his fingers, the task was difficult— but you obeyed; hands falling to his shoulders to hold tightly.

Your hips shook, rising to meet the thrusts of his fingers as a continuous honeyed melody fell from your swollen lips. Praises escaped the man above you as he felt your walls pulse rapidly, his thrusts increasing the moment your moans began to pitch.

“Fuck..! Satoru, I’m close!”

Your whimpers went unheeded, his pace quickening as he leaned down to press his lips against your neck. Your hips rose in the air for the last time as a prolonged moan escaped you, making a mess all over his hand.

This time Satoru pulled his hand away, allowing you to regain your breath while kissing your skin. Your grip loosened upon his body, eyelids falling shut as your pants slowed carefully.

A silence carried in the room until Satoru leaned down, resting his forehead against your own as he spoke;

“Do you know the difference now, [Name]?”

Regaining your breath, your hand rose to smooth across his neat undercut.

“Yeah, yeah I do..”

COMMENTS & REBLOGS ARE APPRECIATED !

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lilianasgrimoire · 9 months ago

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Witches & Witchcraft: Types & Definitions

There is an abundance of types of witches, some being more common than others, for example, death witch or hedge witch. I have provided the different types of witches with a brief description/definition of what they study, believe and tools most commonly used for each.

The types of witchcraft is entirely up to the individual which they prefer to do. One person may only follow on type of magick whereas another may follow several. Listed are a handful of the many kinds, but I'm listing the most common/known types of magick/witchcraft that people fall into.

I have grouped some witches together as they fit together under the same or similar definitions.

Types of Witches

Religious witches;

Christian, Satanic (Theistic), Laveyan Satanic, Hellenic, Celtic and Wiccan, etc. are witches that follow a primary belief system and incorporate their religion into the craft.

Non-Religious witches;

Secular - doesn't work with [a] deity(ies).

Science - (also a craft type), uses metaphysical and scientific fads and theories mixed together.

Other types of witches;

Solitary - works alone and is not part of a coven. Won't typically work with other witches for spell work or any part of their practice.

Eclectic - a practice that includes multiple practises from different areas. A mixture of all practices, may practise one more than another, or all equally.

Hereditary/Generational - a witch who is born into a family whom practice the craft. The term 'Blood witch' is often a hot topic of controversy as to whether it makes one a more powerful witch.

Traditional - a type that is based on honouring the traditional ways of magick, which also ties in nicely with generational/hereditary witches.

Chaotic/Chaos - a witch who utilizes new, non-traditional and unorthodox methods. It's still relatively new and highly individualistic practice while still drawing from common forms of magick.

Types of Witchcraft/Magick

Green Witch; A witch who uses natural magick, such as creating blends of different plants, or primarily using herbs and/or crystals spells in their craft. Tools mostly consist of herbs, crystals, stones, flowers, soil or other greenery.

Hedge Witch; Also know as an astral witch, this type of magick is orientated around spiritual work such as astral projection, lucid dreaming, spirit work, healing and out-of-body magick. Tools mostly consist tarot cards, runes, pendulum, stones, crystal ball, mirrors & candles.

Dream Witch; Mindful and internal magickal practice mainly based from interpreting dreams and/or engaging in lucid dreaming. Practises used to 'de-code' symbols and messages in the dream world can be used similarly to how one would use divination techniques. Tools mostly consist of dream catchers, candles, books of glossaries of symbols.

Sea/Ocean; Derived from materials and abstract ideas involving ocean and the oceanic world. Sea or ocean magick can be worked with by using things found on or relating to a beach/lagoon. A sea witch might draw their energy from such tools. Tools commonly consist of driftwood, pebbles/stones, seashells, ocean water, bones, seaweed, candles.

Storm/Weather; magick used through combining one's energy with the weather; most commonly rain. Weather witches will collect different ingredients provided by the weather, absorb energy from storms, manipulate winnds, or perhaps predict the weather. Tools most commonly consist of rain/snow water, symbols/weather maps, crystals.

Cottage/Hearth; Magick that is weaved and worked or embedded into mundane tasks around the house or for loved ones. Cottage magick is usually worked into cleaning, hobbies or cooking. Tools commonly consist of essential oils, incense, bells, flowers, cleaning utensils, spices and herbs.

Tea Witch; Creating blends of teas for protection, remedies or even to use for tea-leaf divination. Tools commonly consist of tea, herbs, waters, spices.

Tech Witch; Use of technology in the craft, mostly based through phones or computers. Mostly used for storing of information, grimoires, spell books and Book of Shadows/diaries. Tools consist of apps on the phone, digital sigils, online blogs and pages.

Garden/Flora; Mostly (if not all) focused on herbal and botanical measures. Many garden witches have their own garden and plant flowers and herbs to draw in energy for their home and to include in rituals and spells. Tools commonly consist of flowers, soil, seeds, greenery, twigs/tree branches, leaves.

Elemental; Using all 4 (or 5) elements in an honouring or acknowledging form. A witch can choose to work with all, or singular elements. One may have a dedicated area on their alters to a particular elements. Tools consist of anything related to said element.

Faery/Fae; Magick for those who communicate with, and/or work with the Fae. Those whom work with fae may also leave offerings regularly as thanks for the assistance of a faery in their spell work. Tools commonly consist of anything sweet, sigils, offerings.

Spirit; A practice which an individual will perform spell work in conjunction with (or the help of) any manner of spirit, including Ouija, demon spirits, spiritual contact of any kind, working with ancestors. Tools commonly consist of crystals, bells, incense, Ouija boards, tarot cards, pendulums, sigils.

Draconian: The use of dragons and dragon imagery; whether it be trough astral matters or in spells and rituals. May also be connected with dragon spirits on their journey. Tools commonly consist of dragons art, statues, candles.

Seasonal; Utilizing and drawing energy from specific time periods of the year for their magick. One individual may feel more powerful at a particular time of year. It can also be spread out into the 4 seasons. Tools commonly consist of herbs related to certain seasons, stones, ruins and the weather.

Music; Can be through singing, humming, playing an instrument, creating music or having it on during spell work to add energies. Tools consist of speakers, instruments, voice, chimes, lyrics & sheet music.

Art & Craft; Anything from painting to knitting to building something. Tools consist of anything you can craft with.

Sigils; Working majorly with sigils and the intent that can be put into them to activate their power. Tools commonly used are pens, paper, makeup, candles.

Astronomy/Space/Luna; Correlates their belief in conjunction with the planets, stars and/or moon. Versed in moon phases and tend to do spell work at night rather than day time. Tools commonly used are horoscopes, calendars, charts, moonlight, moon water.

Energy; Those who prefer to do magick through energy exercises and manipulation rather than many physical tools or materials. This may also include aura work. The only tools needed for this type is yourself.

Crystal; Magick that is worked commonly with stones and crystals. The practise may include chakra balancing, crystal meditation and even spell work or rituals. Extensive knowledge of stone, including how to identify them. Tools most commonly used are crystals, books, grimoires and stones.

Literacy; Those who practise through books and literature - studying the craft after the 'beginner' phase of learning. Tools are books, poems, written work.

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mekkthemighty · 3 months ago

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So just came from seeing Wild Robot and a few things, SPOILERS for books and movie ahead btw

I will preface this by saying it was a fantastic film that I absolutely loved, the visuals were mindblowing and made me jealous of the practiced skill of the animation team

Anyway my biggest complaint for the movie (and I get why they did it) was the moment where the literal power of love wakes up the deactivated Roz, I really liked the book Roz that genuinely was still a robot to her core, emotionless and robotically logical but nevertheless falling into the patterns of motherhood due to her AI learning from nature

They did the power of love in the books too, it helped the animals overcome their fear and work together to pull off some epic battle tactics which weren't in the movie, like for the final fight of book one they had Nettle the bear's self sacrifice to take out the RECO only to be saved by the river fish was awesome, and all the birds raining bird poop all over the sensors of another one only to lead it blind into a muddy bog so it can be kicked to death by the moose, final battle in movie (while visually fantastic) lacked any of that strategy the animals learned from Roz

I had hoped they'd have focused more on the "helping others is a survival skill" aspect and the learning curve that took her from robot to wild robot, but the themes of motherhood were beautifully done

Oh and ROZ's camouflage skills, where was the intentional mud and moss coating of her body making her look like a cyborg treant, I mean they do the character design with moss and dirt by the end but they just accumulate over time naturally... instead of Roz just slathering herself with it and being a bush around which the animals all gossip

Also one last note, in the book Longneck is killed by a human with a rifle, Robots can't harm living creatures is a major plotpoint in the books, its a barrier Roz has to overcome and the RECOs are even subject to it which is why the animals had a shot against them in the first place, this is a plot point that the movie Brightbill even states out loud right before a robot pops out and shoots Longneck, like wtf

Other things I wish they kept from the book:

Brightbill turning Roz off and on again and temporarily thinking he committed matricide

Roz vs the bears during the learning curve

The learning curve

Roz and Brightbill bonding over the shared experience of being the only surviving "egg"

Roz being the goddamn prometheus of this islands critters literally teaching them to harness fire

Things the movie added that I liked

Brightbill acting like a robot

Fink the fox being a fully realised character (tho at the cost of some other favs)

Felling the tree to redirect the river to stop the forest fire

Vontra, just everything about it

The stickers for 10% off your next universal designs purchase

Brightbill helping build the lodge

"I am low on power, have made unsanctioned alterations to my code, and have been damaged in ways that have likely voided my warranty" "what she means is she loves you"

Pinktail Possum was great and so were her kids

"Are you here to kill us?" Whether your answer is yes or no, you're about to get yeeted by a moose

"HELLO I AM ROZZUM UNIT 7134 DO YOU NEED ASSISTANCE!" While chasing down random animals

Roz "I am not a mother I am a robot, I must be recalled at once"

Pinktail "no you're a mom now"

Roz "understood I am a mom now"

Still a great movie just wish they kept Roz a robot through and through and just kept with the whole "she doesn't need to have emotions to be a good mom" thing

Definitely recommend a watch of it

#wild robot #robot #peter brown #the wild robot #book vs movie

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biggie-chcese · 3 months ago

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An Overanalysis of Coalescence

(rain code spoilers below)

shoutout to copy abilities in media, gotta be one of my favorite genders. first time i saw yuma sensing aphex use his forte, i knew i was in for a treat.

in fact, the fortes are interesting in general. i absolutely love how well-established the rules and limitations are for each one: fubuki cannot rewind time further after doing so once, halara cannot see living beings in their postcognition, vivia cannot touch anything in spectral mode, desuhiko gets exhausted when he's disguised for too long, and yuma....

wait actually what are the limitations of coalescence?

shinigami tells yuma that, with coalescence, he can only use it if he gets consent from the other party and holds hands with them as he uses it. those are some pretty good limitations, i'd say. they fit very well with yuma's arc about depending on others, too!

except... neither of those limitations are true. makoto has the same exact powers as yuma, yet he thoroughly breaks both of those rules.

first of all, he uses it to copy the handwriting (put a pin in this btw) of the other master detectives while they are unconscious. now, im sure we're all aware of this, but being unconscious is, notably, not giving consent. yet makoto seems to have no issue taking their abilities in such a state. extremely naughty of him.

but, if we look at the scene in the ch 5 bathhouse, he still asks yuma to "give me a hand" like some sort of fae creature pulling a "Your name, please?" trick. perhaps an argument could be made that the person doesn't have to give consent, but you can't use coalescence if they actively deny you. so...

Rule #1 - To use coalescence, you need the other party to not not give consent.

so how about that second rule? you need to hold hands, right? i think that's somewhat true, but yuma is definitely under the misconception that you need to be holding hands the whole time. this is wonderful to me, by the way. how terrible life would be if he wasn't adorably holding hands with his friends... but of course, it's not necessary, because makoto only needed to grasp yuma's hand for a little bit to gain all the benefits of the mystery labyrinth.... except getting his own big titty goth gf. sorry, pal. anyway,

Rule #2 - Hand-to-hand contact is required to activate coalescence, but it doesn't need to be maintained.

we kinda knew this from the start, though didn't we? not only were all the other master detectives able to enter and stay in the labyrinth (put a pin in this too) without keeping a hold on him the whole time, but also yuma could sense the other fortes being used on the amaterasu express without holding hands at all...

wait why the fuck could he do that? also, why does he never do it again??? is sensing fortes a part of coalescence? is it because of his nebulous mind-fuck bond with shinigami still not setting itself in stone? did the writers simply forget he could do that? once he reaches kanai ward, he doesn't sense when any of the other detectives use their abilities unless he's holding hands with them. does the rain cause some interference? what the fuck was up with this? okay, whatever.

Rule #3 - Without holding hands, those with coalescence can still sense when other fortes are being used in close proximity... sometimes.

with that wishy-washy rule set in place, let's unpin the thing about the detectives sharing yuma's access to the labyrinth. shinigami tells yuma that coalescence "works both ways" when used, which is really interesting to me. in this case, it automatically gives the mystery labyrinth access to his friends without yuma consciously doing so, which implies a lack of control over what the other party gains from him when he uses coalescence. but this raises another question: what would the other person gain from him if he doesn't have the book of death's pact?

when makoto uses it on him, yuma gains nothing new, but that could just be because makoto has nothing to give that yuma doesn't have. what happened to people that pre-game number one used coalescence on? did they temporarily gain a weaker version of it? did they get imperceptively better deductive reasoning skills? did they gain some extra trauma? either way, im interested in how this "both ways" thing works when yuma doesn't have shinigami equipped.

Rule #4 - Coalescence works both ways. If the user takes an ability, they will unconsciously give an ability in return.

now it's time to unpin the part where we mention that makoto uses coalescence to copy handwriting, because this opens a whole other can of worms. the whole game, i was under the impression that coalescence only copied fortes. or, at least, i thought it exclusively copied supernatural abilities, since the labyrinth is technically not a forte. then again, desuhiko claims his forte isn't supernatural, so i guess that's on me.

but still... handwriting? that's a very mundane thing to copy. what else can he copy? skills? trades? physical abilities? could he hold hands with neurosurgeon and get the job done just as well? if he held hands with halara and chose to target their fighting skills instead of postcognition, would he, too, be able to take out a hoard of peacekeepers?

i can say one thing almost certainly: he can't just copy over knowledge. as in, if someone knows something about the case, he can't just shake their hand and get the answer transplanted into him. he doesn't even get the knowledge of how the fortes he borrows works- everyone has to tell him the rules. so it seems to be limited to skills and abilities, even though we could theoretically blur the definition of what makes a "skill" and what constitutes as "knowledge."

but that's not all, is it? one of the strangest usages of coalescence we see is when yuma shares fubuki's power. it's never yuma who's rewinding time. it's fubuki, but yuma instead gives her a support buff in stamina by sharing the burden of her exhaustion debuff. and while he never seems to be nearly as tired as she is (cowardice from the dev team for not giving us suspiciously flushed and sweaty sprites for yuma like they do with fubuki), from this alone we learn that coalescence doesn't just copy abilities, but it copies... feelings too?? does this mean he could reasonably act as a healing salve to anyone who's exhausted- not just forte users- by sharing it with them? at the very least, he can share the burden (or boon possibly?) of any side effects or drawbacks of someone else's forte. that just makes me curious about what'd happen if he used coalescence on someone who's forte has a drawback of making them horny. who said that.

Rule #5 - Coalescence copies fortes, skills, supernatural abilities, and can even lessen the side effects of abilities through sharing.

edit: i forgot about one more rule, but the game outright tells you this one and it's indisputable, so i won't go into any deep analysis. still, for the sake of completion:

Rule #6 - Coalescence can only hold one ability at a time. Copying a new ability will automatically overwrite a previously stored one.

and that's it, i think. these are all the rules and limitations of coalescence. absolutely busted ability too, especially in a world with heavy limitations like melami's or zange's. but with that in mind...

why did shinigami lie?

or, well, i guess a better question would be "why was she mistaken about its limits?" my theory is that number one lied to her about those limitations on purpose.

we all saw how makoto used coalescence- with lots and lots of trickery. while his grand scheme through the whole game plan could not have been done alone, he still uses people quite extensively, especially the detectives.

i used to always wonder if number one even used coalescence, because there's something real ironic about it being the ability of Number "I Work Alone" One von RainCode. knowing what i do now, i think he used it like makoto- tricking people into grabbing his hand and using their skills as a means to an end. he never considered it "working together" because it truly isn't.

but when he forms a pact with shinigami, he tells her the rules of coalescence. and he lies. he lies by making a set of rules that'd force his amnesiac self to depend on others, and i genuinely love that.

i love that a lot

#rain code #raincode #mdarc #yuma kokohead #makoto kagutsuchi #rain code spoilers #mdarc spoilers #i could also talk about how i think coalescence is why yuma's blood created the perfect homunculus #because he's already built for copying #but that doesnt really fit in there so just imagine it #biggie's rain code ramblings

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saltyspacecat · 5 months ago

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Some thoughts about contrasting characteristics and diversion tactics in A Deadly Education (I have not yet read the other two books in the series)

Regarding El, she is described as feeling like its going to rain, and its understandable why people would see that and immediately think "bad", but rain isnt necessarily a bad thing. I think Novik chose that specifically because of the symbolism a coming storm can bring. Its destructive and scary, yeah maybe, but rain is cleansing, it brings new life/growth.

I have a hunch that is going to tie in quite beautifully with her character arc/what ever role she will grow into in the next two books.

And I feel like Novik does a lot of subtle misdirection like this, giving El a description we're meant to immediately interpret as bad, but that can actually be interpreted much differently if you stop to think about it (maybe the only reason people fear her is because they fear the unknown. she's not bringing destruction as death, she's bringing it as change. and people hate change, change is scary in and of itself). I notice this misdirection a lot with how Orion and her are being constantly contrasted. They are very much opposites in a lot of ways--physically: Orion is pale and silver haired and kinda more small of stature for a guy, El has darker skin, dark hair, on her way to being above average in height; socially: orion is well loved and well recieved, kinda socially oblivious tho (very autistic imo) doesnt realize all the structures benefiting him, whereas El is an outcast people take an automatic disliking to, is very socially speculative,extremely good at reading people, and very aware of how everything functions, the structure of the hierarchies, the systems in place and necessary procedures to make it through life at the school, etc. -- but if you stop reading into all the opposites that are being deliberately thrown at you and analyze their relationship and their characters, you see they have a lot of core things in common. like that they both have similar feelings of social isolation (even if it is in opposite directions), theyre both brave and self sacrificing. It almost feels like im not meant to realize that yet, because then i will realize how everything is going to end. (I have a fear that the self-sacrificing bit is reaaalllly going to hurt later on.)

There is also a prevalent theme of ballance in this book, and that ties into the comparing and contrasting of Orion vs El. They are extremely yin yang coded.

I feel like this isnt the kind of thing I'd usually be thinking so deep about in an average book, but this author has already proven that shes is very smart. The ways she writes about the different politics, the realistic characters (looking at you, trauma responses so realistic they triggered my own XD), the rich culture of the school and of the magic itself, etc., it makes it feel completely possible that she'd be doing all of these subtle things very on purpose. Immediately I think of the scene in the library, where the school is using distraction and misdirection to try to keep El from noticing the maw-mouth. And the thought of Novik using this kind of misdirection/distraction literally in the story (like the library scene) but also as writing device (where its not directed at the main character, but at us, the audience/4th wall) is soooooo cool to me wow.

Naomi Novik is a genius.

#fromthemouthofjay #the scholomance #a deadly education #naomi novik #yin yang #orion lake #galadriel higgins #booklr

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satoshi-mochida · 8 months ago

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Master Detective Archives: RAIN CODE+ launches October 1 in the west

From Gematsu

Master Detective Archives: RAIN CODE+ will launch for PlayStation 5, Xbox Series, and PC via Steam on October 1 in the west for $59.99 / €59.99 / £54.99, Spike Chunsoft announced. In Japan, the game will launch as previously announced on July 18 for 6,350 yen.

The Japanese release will only support Japanese voice-overs, and Japanese, Traditional Chinese, and Simplified Chinese text at launch, but will be updated with additional language support when the western version launches. The western release will support English and Japanese voice-overs, as well as English, Japanese, French, Italian, German, and Spanish text.

The PlayStation 5 version of Master Detective Archives: RAIN CODE+ will be available both physically and digitally worldwide, while the Xbox Series and PC versions will be digital-only. In the west, a “Lucid-Noir Limited Edition” will also be available for $99.99 / €99.99 / £89.99, which includes a copy of the game, an outer box with artwork by Rui Komatsuzaki, a SteelBook, 6.5-inches Shinigami plush, and the official soundtrack “Noise of Neon.”

A Digital Deluxe Edition will also be available worldwide for $69.99 / €69.99 / £59.99 / 7,200 yen, which includes the base game, a digital art book, and a digital soundtrack.

Pre-orders for any edition on PlayStation 5 include the novel “How to Be a Master Detective: A Halara Nightmare Case.” First-print physical copies of the game include a printed version of the novel, while pre-orders for the digital edition include a digital version of the novel.

Master Detective Archives: RAIN CODE+ is an enhanced version of Master Detective Archives: RAIN CODE, which originally launched for Switch. It adds the following content:

-Enhanced Graphics and Reduced Loading Time – Supports 4K graphics, enhancing the beauty of the Kanai Ward cityscapes and characters. Load times are significantly reduced compared to the original version.

-New Gallery Mode – Enjoy cinematics and background music -Includes All Previously Released Downloadable Content – Play through all five substories featuring different Master Detectives

“Ch. Desuhiko: Charisma Killed the Cat”

“Ch. Fubuki: Fubuki’s Luckiest Day”

“Ch. Halara: Raining Cats & Dog”

“Ch. Vivia: The Near-Death Detective + Ch. Yakou: Thank You, My Detective”

Watch the announcement trailer below. Visit the official website here: English / Japanese.

Announce Trailer

English

[Currently set to private]

Japanese

youtube

#Master Detective Archives: RAIN CODE+#Master Detective Archives: RAIN CODE #Master Detective Archives #RAIN CODE #Spike Chunsoft #Too Kyo Games #Gematsu #Youtube

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asaka-lucy-dr-rc · 9 months ago

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RAIN CODE Fan Meeting Report ③

From the second reading to the end of the of the daytime program.

RAIN CODE Fan Meeting Report ①

RAIN CODE Fan Meeting Report ②

⚠️This is a looong post and contains spoilers! Only read this if you have already played RAIN CODE and have time.

After introducing the merchandise sold at the event, Fukuhara, Suzushiro, and Ishikawa gave a reading performance. The reading was a direct reenactment of the game's dialog from Chapter 1, when Halara's forensic forte was first shared with Yuma, so I will just leave out the details.

After that, KENN joined in and the four VAs gave a reading performance. This was a re-enactment of the part after the Mystery Labyrinth in chapter 2, where Kurumi gave Yuma information about the homunculus and Yuma shared it with other detectives of the Nocturnal Detective Agency. Yakou's lines were replayed by playing the voices in the game, and Fubuki's and Vivia's lines were simply omitted. In the actual story, Vivia mentions Death God here, implying that he knows Yuma is possessed by Shinigami, but those lines were left out, and Shinigami forced a punchline by being a bit silly instead. I remember it ending with a meta-statement like, "The most mysterious thing is that Fuzz Head's voice is heard even though he is not here."

I forgot to mention in my previous post that the entire script for the reading was done by Spike Chunsoft staff, and Kodaka was not involved at all. (From the way he talked, it sounded like he didn't even supervise it). So the story itself was not something worth explaining in detail. Just the VAs' performances were really perfect and wonderful :)

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The next segment, "Kanai Ward Citizen Survey", featured a game in which the VAs predicted which answer to a three-option question would receive the most votes from the audience. The audience was treated as Kanai Ward residents, and voting was done by clapping their hands. The person who best predicted the audience's answer won a book token printed with the main artwork of the RAIN CODE Fan Meeting.

The first question was as follows:

Q1.Which Forensic Forte would you use if you could? 1. Halara's Forensic Forte 2. Desuhiko's Forensic Forte 3. Fubuki's Forensic Forte

Maybe they dared to make it easy because it was the first question, but clearly Halara's abilities are too limited compared to the versatility of Desuhiko and Fubuki's abilities 😅 so the VAs predicted that it would most likely be either 2 or 3. And here's the result of their choice:

(The VAs were given placards to hold up to answer the questions.)

Then, the option that got the most votes from the audience was "3. Fubuki's Forensic Forte". To which the VAs said, "I knew everyone wanted to rewind time." lol

The level of popularity was Fubuki > Desuhiko >> Halara.

The next question was this:

Q2.Who is the detective you want to be your boss? 1. Yakou 2. Halara 3. Yuma before losing his memory. (Number One)

When Kodaka saw these options, he immediately commented as follows:

But Suzushiro said "Isn't Halara too strict? Yakou seems to be very subordinate-minded." Then Ishikawa said, "If I were to become Halara's subordinate, I would like to see Halara looking at pictures of cats."

(The gesture of looking through the gap is what she actually did on the stage!)

And here's the result of their choice:

I was so convinced by Ishikawa's opinion, but she actually raised Yakou's number. (She betrayed us! 😂)

Only Fukuhara chose 3 and was asked by the MC why:

(He really loves Yuma!)

Then, Kodaka commented as follows:

Fukuhara countered, "But don't you think it's good that he only shows his true face to me!?" (He seemed to imagine what would happen if he became Number One's secretary or entourage 😄)

But whether his arguments did not resonate with the audience or were simply not popular enough, the option that got the most votes from the audience was "1. Yakou".

The level of popularity was Yakou > Halara > Number One.

Q3.Which organization would you prefer to join? 1.World Detective Organization 2.Amaterasu Corporation 3.Resistance

Kodaka saw these options and again immediately commented.

(That's true 😂)

The VAs began to discuss these options and which organization would give them the best chance of survival. However, all of them are very risky 😅 WDO's work is fraught with danger (as a lot of detectives were actually killed in chapter 0), and workers in Amaterasu would be executed if suspected of rebellion. Of course, the Resistance is always fraught with danger!

After such discussion, here is what they chose:

When asked by the MC why they chose Amaterasu Corporation, Ishikawa and KENN replied:

(Becoming an Ama-Pal developer is certainly a fairly peaceful option 😆)

Fukuhara replied that the reason he wanted to join WDO was because of his love for Yuma, and Suzushiro said she wanted to use Forensic Forte.

And as a result of audience voting, the most popular option was "1.World Detective Organization".

The level of popularity was World Detective Organization > Amaterasu Corporation >>> Resistance. (FYI, WDO and Amaterasu were almost equally popular. WDO was slightly more popular).

Last Question: Which line do you want Shinigami to say? 1. "Kyahaha! Down the rabbit hole we go!" (JA: きゃっきゃっきゃ！　いざ、迷宮入りーーーー！！) 2. "Luminous darkness! Shining rainbow! Glorious stellar spiral! Bello Fresco Grand Finale!" (JA: ダークネスシャイニングファビュラスレインボービューティフルマックススクリューラブリーフレッシュグランドフィナーレ！！) 3. "I hope he dies with his upper body stuck in the pond." (JA: 池に上半身が突き刺さって死ねばいいのに)

*As for the third, I don't remember where Shinigami said it, so I made up the translation myself. I used "he", but it may have been said to a female character. The first and second should be correct because I checked the English version of the videos on YouTube.

As for the first line, KENN mentioned that this line was memorable, but I need to make some explanations so that you can see why he said it. This line is said by Yuma and Shinigami enter the Mystery Labyrinth, but it differs considerably between the Japanese and English versions. If I translate the original Japanese line into English, it should be like "Now enter the Labyrinth!" However, in Japanese, it actually shares a meaning with another word that has a different meaning, but if it were put into English, it would lose that meaning, so it was probably changed to something completely different. In Japanese, when things are left unresolved, the thing is described as having entered a labyrinth. So KENN commented that he found it interesting that a word that was originally used in this sense was literally used in the sense of entering a labyrinth.

The second line is the one that Shinigami says at the end of Mystery Labirinth, when she reaps the soul of the true culprit:

Kodaka said it was based on the scene when the main characters perform a special move in the Pretty Cure series, a famous Japanese anime for girls. Suzushiro said that she searched for videos of Pretty Cure on YouTube and used them as a reference for her performance. When I heard this, I remembered that the title of the music played in the scene is "Heart Catch! Convict! Convict!" in the OST. I think "Heart Catch" is based on a title of one of the Pretty Cure series: HeartCatch PreCure! - Wikipedia

By the way, for Japanese Otaku, "heart catch" is also a word with a different meaning. I know the correct grammatical order in English should be "catch heart", but Japanese otaku dare to say "heart catch" when a cruel character grabs someone's heart (as an organ). So I think the reason for such a music title is a cross between the Shinigami harvesting the soul scene and the cute image of Pretty Cure.

Sorry for the long explanation! 😣 And my memory is a little fuzzy as to which answer the VAs chose here. I think 2 was the most popular. And in fact, 2 was the most popular among the audience, and Suzushiro actually read the line out loud!

The level of popularity was 2 > 1 >>> 3.

As a result of this game, it was Suzushiro who was the best at guessing the audience's answers! She received the book token and declared that she would use it to buy some RAIN CODE books :)

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In the next segment, "RAIN CODE Maniac Quiz", the audience answered super-geeky questions about RAIN CODE. All questions were true/false and the audience answered by opening their fist for true and clenching their fist for false.

The audience was first asked to stand, and the person who made the mistake was treated as having left the quiz at that point and was seated. And when there were only a few people standing, the game was over. Those who stayed until the end received limited edition merchandise. (They received a card that looked like a pass).

This quiz was full of really difficult questions! 😅 There were 7 questions in total. I encourage you to see if you can answer them.

The questions were as follows:

The tallest person in Amaterasu Corporation is Dominic. True or false?

2. It is in Chapter 4 that Shinigami shows the pose in the following image. True or false?:

3. The word "WINE" is written on the label of the wine bottle* used in the case in Chapter 2. True or false? * The bottle was used as a prop for a play by the Aetheria Academy Theater Club.

4. The cat in the photo Halara was looking at in Chapter 1 had blue eyes. True or false?

5. The color of Pucci's stuffed bear* was white. True or false? * It is the stuffed bear that was sitting on a chair in Pucci's room in Chapter 0.

6. The load capacity of Ama-pal is 120 kg. True or false?

7. In chapter 1, the amount Halara asked for as the price for helping Yuma was 5,500,600 shien. True or false?

The order of the questions may differ from the order of the actual quiz, but in any case, only those who answered all of these questions correctly were eligible for the prizes.

The correct answers are written at the very end of this post!

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Finally, the participants gave their closing remarks. The VAs all said that it was the first time they had seen the fans since the game was released, and that it was nice to know for the first time that these people love RAIN CODE.

Ishikawa said that even from the stage she could see some fans wearing merchandise shirts or carrying Shinigami bags, and felt that RAIN CODE is really loved.

Fukuhara said that he was very happy because this was the first time he had been able to talk with spoilers. (He had been on the RAIN CODE introduction live stream before RAIN CODE was released, so he had had many opportunities to talk about RAIN CODE, but this was the first time he had done so with spoilers).

The following is Kodaka's final comment, which I tried to write as accurately as possible:

"It took six years to make RAIN CODE, and as you can see from the credits, there were a lot of people involved in making RAIN CODE. I was nervous about releasing it because it was the result of so many people's efforts, and I was worried about whether how many people would like it, but I am glad that there are a lot of fans who have gathered here with such enthusiasm. I am sure that RAIN CODE will have new developments and other things to come, so please continue to support us. Thank you very much."

After the closing remarks, Shinigami's announcement began. Shinigami then asked the audience, "Did you have a great time?" and the audience responded with applause 👏👏

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Correct answers to the RAIN CODE Maniac Quiz! :

1.✅ True. (Dominic's height is 225 cm (7'4").) 2.✅ True. (You can see this pose in the result of the second Shinigami Puzzle in Chapter4.) 3.❌ False. (It was labeled LEQUELR.)

4.❌ False. (Black is correct.) 5.❌ False. (Pink is correct.) 6.❌ False. (100kg is correct.) 7.❌ False. (5,500,800 shien is correct.)

How many questions did you get right? I got the third question wrong and dropped out 😝 (In a post-event interview in the media, Kodaka said he did not know the correct answer from the first question. lol)

This is the end of the daytime program!

#my art #rain code #rain code's fan meeting #yuma kokohead #shinigami #halara nightmare #desuhiko thunderbolt #kazutaka kodaka #syohei sakakibara

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sakura-code · 1 year ago

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Misfit AU: Occults & Supernaturals

So another thing I realized why I feel off about my Misfit AU is that I had no idea how to incorporate supernaturals and occults into the AU naturally. In the game, we could see there are supernaturals in terms of the detective characters having Fortes, there being a ghost in the chapter 1 sidequest, and the freaking Book of Death itself from the WDO vault (which may have been acquired by another area involved with magic). Since it seems like the supernatural does exist in Kanai Ward itself, I figure I can give more expansion to the magic system in Kanai Ward to make it more a part of the world in the AU.

Basically, there are practices of occults such as the supernatural connections with the ghosts, herbology, potionology, etc. It was most common outside of the city of Kanai Ward in the Outskirts, a village-like area on the outside of Kanai Ward. However, when Amaterasu planned to expand to their area, the Outskirts rejected them and it led to a war between the areas with Amaterasu and the Peacekeepers coming out on top. Now, occult practices are shunned in Kanai Ward, being feared for their dangerous magical feats and practices.

Yuma and Vivia are both from the Outskirts and moved into Kanai Ward after the war. Hence why Yuma has connections with the Book of Death (through his family’s blood) and Vivia has the most supernatural ability. It’ll be a good bonding moment when Vivia learns Yuma is from the Outskirts like him.

#master detective archives: rain code #rain code #Shinigami #book of death #magic system #Misfit AU #brainstorming #feedback are welcome

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snivyartjpeg · 10 months ago

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Rain Code x Fire Emblem

in which our amnesiac protagonist wakes up and is thrust into an all out war

i also commissioned @loremaster to draw this amazing yuma for the au!

Spoilers under the cut:

i'd like to imagine the final boss is the First Dragon's (Number One for short) Clone

additional lore:

makoto and the hommunculi were made by a dark cult called Amaterasu. they wanted to create an undead army through necromancy to take over the world or whatever. this is kind of the primary conflict of the game

shinigami is a death dragon. number one makes a pact with her because he aims to kill the immortal dragon clone of himself, and only something that specializes in death can do that

the book of death is a legendary dark tome that's relatively weak at first but its powers awaken late game

zombified hommunculi would be kind of the "mindless mob" enemy you see in the training levels. they'd be generic until late game where you get rematches with old bosses (as well as specific recruited characters should you have let them die)

i didnt draw them but the aetheria trio are like. definitely a pegasus knight trio that can do triangle attack

also yomi is a holy knight because of the irony (and his self righteousness). he's the main recurring "i must retreat!" antagonist for a while lol

yakou is your jaegen of the game that's powerful at first but falls off later. and then he dies for plot 😔 also his horse is named Ama, cause she's his pal <3

yes i designed number one's dragon from the flight rising coatl. it just kinda screams yuma to me

tbh i wrote like the entire plot on discord a while back but i aint writing allat again sorry. just know this au is rotating in my brain like crazy. i love you fire emblem

#rain code #raincode #master detective archives: rain code #mdarc #yuma kokohead #shinigami #kurumi wendy #yakou furio #makoto kagutsuchi #fubuki clockford #desuhiko thunderbolt #halara nightmare #vivia twilight #fire emblem #crossover #rain code spoilers #once again creating a rain code au that appeals only to me

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moldsporr · 10 months ago

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Book of death twink

I made a design for him before but it seemed too Plain to me.... so here he is

The writing on his shorts say "Death" and "Mystery" (written in the Akuma Kun demon language. Because I love that show)

Yaaay book boy

#rain code #master detective archives: rain code #raincode #mdarc #book of death twink #art #fanart #my art #digital art #design

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physalian · 4 months ago

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List of “I need to calm the fuck down” music

(please reblog your own)

Most Trance Music if this list is intimidating- Usually not something you dance to, doesn’t have a lot of percussion and erratic noise. It’s supposed to entrance you.

This list spans the following genres: Pop, folk, grunge, cinematic, and rock.

Maybe I’ll make a Spotify playlist or something with all of them, idk. These are not in alphabetical order but I tried to keep multiple artist entries grouped.

I had the whole thing color-coded but Tumblr didn't like that so here's it in boring text (I still have the colored one if anyone wants it)

WITH LYRICS

Good for Me - Above & Beyond

On a Good Day - Above & Beyond

Blue Sky Action - Above & Beyond

The Hollywood Bowl Show - Above & Beyond

I Love You Always Forever - Donna Lewis

I Will Follow You Into the Dark - Death Cab for Cutie

Through the Eyes of a Child - AURORA

Retrograde - Pearl Jam

Run Boy Run - Woodkid

The Night We Met - Lord Huron

Would That I - Hozier

After All These Years- Journey

Let it All Go - Birdy

Holocene - Bon Iver

Home I/II - Dotan

Outro - M83

Flares - The Script

O - Coldplay

Fly On - Coldplay

Strawberry Swing - Coldplay

Midnight - Coldplay

Lovers in Japan (Acoustic) - Coldplay

Clocks - Coldplay

Every Teardrop is a Waterfall - Coldplay

Up & Up - Coldplay

Fix You - Coldplay

Oceans - Seafret

Dice - Finley Quaye

Medicine - Daughter

Wash Away - Joe Purdy

Upside Down - Jack Johnson

Heartbeats - Jose Gonzales

Teardrop - Massive Attack

I Still Haven’t Found What I’m Looking For - U2

Where the Streets Have No Name - U2

Beyond the Sea - Bobby Darin

Life is a Highway - Rascal Flatts

Something I Need - OneRepublic

Dead in the Water - Ellie Goulding

Mr. Brightside - The Killers

Morning Elvis - Florence + The Machine

End of Love - Florence + The Machine

What the Water Gave Me - Florence + The Machine

Sky Full of Song - Florence + The Machine

Free - Florence + The Machine

Choreomania - Florence + The Machine

Walls - Kings of Leon

While My Guitar Gently Weeps - Tom Petty/Prince

Silver Spring - Fleetwood Mac

Big Love - Fleetwood Mac

Landslide - Fleetwood Mac

Everywhere - Fleetwood Mac

Don’t Look Back in Anger - Oasis

The Albatross - Taylor Swift

The Archer - Taylor Swift

You’re On Your Own Kid - Taylor Swift

Clean - Taylor Swift

On My Way - Phil Collins

Hoppipolla - Sigur Ros

I Shall Not Walk Alone - The Blind Boys of Alabama

Send Me On My Way - Rusted Root

Manic - Cloves

Dorian - Agnes Obel

Down to Earth - Peter Gabriel

Shine On You Crazy Diamond I-IV - Pink Floyd

On the Turning Away - Pink Floyd

High Hopes - Pink Floyd

Wish You Were Here - Pink Floyd

Comfortably Numb - Pink Floyd

Take it Back - Pink Floyd

November Rain - Guns n’ Roses

Breathe Me - Sia

They’ll Soon Discover - The Shins

Just a Kid - Wilco

Evenstar - Howard Shore

Just Like Heaven - The Cure

Angela - The Lumineers

Scotland - The Lumineers

Nobody Knows - The Lumineers

Sleep on the Floor - The Lumineers

The Ink from Books - Sleeping at Last

Lightning Crashes - Live

Disarm - The Smashing Pumpkins

Glitter in the Air - P!nk

Silhouette - Aquilo

Water Under the Bridge - Adele

Golden Hour Album - Kygo

Stole the Show - Kygo

Wake Me Up - Avicii

Heaven - Avicii

Hope There’s Someone - Avicii

Fade Into You - Mazzy Star

WITHOUT LYRICS

Flow State (Continuous Mix) - Above & Beyond

Memory Gospel - Moby

Immanuel - Tony Anderson

Define Dancing - Thomas Newman

Haiku/Nemo Egg - Thomas Newman

American Beauty - Thomas Newman

Chasing Ice - J. Ralph

One Day - Hans Zimmer

Thunderbird/The Decision - Hans Zimmer

1917 - Thomas Newman

The Mighty Rio Grande - This Will Destroy You

The Minecraft OST - C418

The World of Goo OST - Kyle Gabler

Tessa - Imagine Dragons

Forbidden Friendship - John Powell

Experience - Ludovico Einaudi

The Aviators - Helen Jane Long

Once There Was A Hush Puppy - Benh Zeitlin

On the Nature of Daylight - Max Richter

The Beginning - Factor 8

End of An Era - Zach Hemsey

I Walk With Ghosts - Scott Buckley

The Chasing Coral OST - Dan Romer

The Luca OST - Dan Romer

Arrival to Earth - Steve Jablonsky

Tower of Joy - Ramin Djawadi

Light of the Seven - Ramin Djawadi

Into a Nighttime Sky - Jeremy Zuckerman

Greatest Change - Jeremy Zuckerman

Your Hand in Mine/Home - Explosions in the Sky

Ori, Lost in the Storm - Gareth Coker

Arrival of the Birds - Cinematic Orchestra

Fireflies - Mychael & Jeff Danna

Across the Stars - John Williams

The Soul OST - Trent Reznor & Atticus Ross

The Queen’s Gambit OST - Carlos Rafael Rivera

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