#quite the music choices this episode lol

[thefortysecondolive]

Holocene by Bon Iver my most beloved, what are you doing in an episode of SOKO Leipzig?

[bakugoushotwife]

a/n: omg heyyy i make my grand return with my humble offering to @ohkento 's reddit theme collab!! i also have a piece for shouto coming up next, but here is the first one!! i took a while off after kinktober so if this is bad....lie to me!

warnings: dark content. nsfw. no minors. yandere theme gojo, no physical harm to reader, baby trapping, threats (not to reader), female reader, breeding, pentration, oral (fem!receiving), reader is kinda dumb lol.

summary: STORYTIME: I (28M) CAN'T STOP BREEDING MY GIRL BEST FRIEND (28F)!! it's a serious problem...i'm really reaching my breaking point here. i've been in love with this chick since high school and she keeps chasing other guys...but fucking me when the dates go wrong, help!

it’s been his dirty little secret since his years at tokyo tech. you’ve always been a looker, never were you short on attention from lesser men that aren’t worth your time—and yes, that includes when geto crushed on you all through the second year of school. but they never were quite what you were looking for, and every night of passion or attempt at a meaningful connection always ended the same—dialing up your closest confidant satoru to come console you and stuff your cunt full and wipe your tears–to make it better, like best friends do. 

satoru was all too aware of your little predicament, because he had struggled with the same issues–except he realized his fate years ago and was determined to have it. you are his and his alone, no matter how many scrubs that try to take you from him. if only you would open your eyes. you were obviously hopelessly in love with him, of course—that’s why no one could compare! and that’s why you always turned your teary eyes and pretty pussy to him after yet another date gone wrong. he knew he was the only cure, and he’s given up on hoping you’d see the truth for yourself. 

he tried to play the patience card, licking your tears off your face as he pounds his love into you, telling you that you’re worth so much more than those guys you keep letting break your heart. he tried being the nice guy that holds you after yet another promising prospect never texts you back–buying you dinner and bouncing you on his cock until you were crying from pleasure instead of heartbreak. each time, he buried his load in your womb until it was spilling out around him—hoping to give you no other choice but to pack your bags and move onto his estate to further the gojo clan with the very man at the head of it, but it seems your ovaries were just as stubborn as you are. he didn’t know how much more of this he could stomach—just waiting to be your knight in shining armor while laying in bed at night, staring at the pictures of you, both lewd and cute alike while wondering just how long it would take to have you laying beside him in his bed instead of the pixels on his phone screen. 

he’s had enough. it’s clear his plan isn’t working as designed. you must be on birth control—which is both irritating yet complimentary to him. of course you wouldn’t let these bums knock you up. is it insulting that this applies to his seed too? of course, but then again the whole dynamic was rather insulting wasn’t it? fucking other men and crying to him about it when they aren’t the perfect man for you. no shit—no man will ever know you like he does. none of them could ever compete with the life he could give you if you would just face the music. he doesn’t get it either. why bother? why look elsewhere? obviously you’re attracted to each other—so why won’t you make the next natural jump and stop it with the drama-packed weekly bachelorette episodes?

that’s okay. it’s really fine. satoru is such a good friend that he’ll help you, like he always does. he would simply help you to the conclusion that he wants and then everything can proceed according to plan! it shouldn’t be too difficult anyway, you’ll be calling any moment now! you had a date with yet another sure disappointment that gojo knows will desert you as soon as the date is finished. he’ll be dry and boring after the promising conversations you had in the days leading up to the date—you’ll be confused yet again—and the guy won’t pay either, set for split-bill city. gojo knows all of this because he’s ensured that’s what happens, of course! and this is the thirty-sixth man he’s had to pay off to show up to the date and forget about you. a price he’s more than willing to pay no matter how high, though it’s definitely added up over the years. and you know what—now that he thinks of it, none of them deserve you because their weak nature and corrupt morals. he’s been proven right every time, each one of these bottom feeders would take the money no questions asked—maybe that was due to his threats of horrific death if they so much as answered a text message from you again, but who could be sure? 

this one was especially easy to pay off, too. he didn’t even think twice about taking the money. it almost makes gojo mad. he clearly wasn’t heartbroken to walk away from you, and god you deserved so much better. you deserve a man that is willing to pay off any and every suitor that comes into your life just to make you his. you deserve a man so crazy about you he can hardly recognize himself. you deserve…well, him. he’s devoted himself to you for over a decade and it’s time for that to pay off.

your unique ringtone gets him out of his own head to answer, and of course, you’re crying and asking him to come over. pretty girls like you never learn, huh? that’s all forgiven though, as he is a teacher and it’s his passion to help you understand. 

“of course sugar. i’ll be right over. mhm–don’t mention it. that’s what friends are for.” he hums to you over his end of the phone, picking up his car keys to make it to you in record time. you’re your same beautiful self as you answer the door and welcome him inside, though he can see the tear tracks staining your face. it makes him pout a little at the sight no matter how used to it he is. he hates that you let these cretins upset you like this. 

“hey baby.” he pouts sympathetically with you, ducking under your arm to gaze around your familiar living room for any signs of a man he hadn’t yet heard about. he exhales a deep sigh when he finds none. he’s got his hands in his pockets, lips tightened in a knowing grimace. “so what was it this time? no—let me guess: split the bill and then he let you walk home in this weather?” 

you close the door after he’s entered with a heavy sigh. your bleary eyes fix on your hand still clasped around the doorknob, “yeah.” you tug your lip between your teeth and turn to face him. you didn’t have to answer him, for he already knew. it was borderline routine at this point and you were already embarrassed enough. you draw your arms around yourself to feel your own warmth, shaking your head. what was wrong with you? you used to be pined after, wanted—and now you couldn’t even get non-sorcerers to call you back. you haven’t had a second date in years, nor had an orgasm that wasn’t satoru’s handiwork. but even he didn’t want you permanently. you were a good friend and an even better fuck, that’s all. you knew it was pointless to yearn for him, sure he felt nothing other than his ever-present sense of duty and loyalty every-time he took your pain away–no matter the lies that poured out of his saccharine lips to do so. your sad eyes fix on his face, letting your plump bottom lip bounce out from your teeth’s trap. he smirks softly, cock rising because it knows exactly what that look means. 

but unfortunately for you, he won’t just hold you in his arms and promise that you’re worth so much more than you let yourself believe. tonight, he’s going to take what’s rightfully his—and his plan is already working beautifully. you never look away as you walk from the door to him, bracing your tiny and ineffectual hands on his chest. “what’s wrong with me, sato?” you pout, batting your long lashes up at him. his heart could stop just from that look alone. the comfort of his large hands covering yours soothes you already, making the tension drop from your shoulders. 

“you’re naive.” he answers, eyes as bright as ever as they glow like fireflies in your living room. if you were going just by the expression on his face, you’d think he said something kind or even funny, the way he grins softly and blinks his white lashes down at you in wait of your reply. you’re sure you misheard—every other time you asked this question he always said, “maybe you’re just too pretty, huh? ever thought of that, sugarplum?” 

“huh?” you tilt your head to one side, watching his expression shift to amusement. “naive? wh-what do you mean by that?” 

“well, if you weren’t so naive, you’d know, now wouldn’t you?” he pokes his tongue between his teeth, tucking his hands behind his back while you still lean helplessly against him. he likes feeling the weight of your body on his, and he’ll like it even more when he knows it’s a permanent thing. “you’re on birth control.” he states, and your confusion sets in even deeper. your brows furrow, but you nod. 

“yeah? what about that makes me naive?” you posit, used to his antics for the most part. you’ve been around him far too long to mistake his bluntness as an attack to you, even if it stings just a touch. though you did ask, and you have used him as your sexual relief and shoulder to cry on for years now. maybe he’s fed up with lying to save your feelings. 

he looks around for a second, humming. “where is it?” 

you also know better than to question him. if he’s asking you these questions it has to be for a reason—and you don’t have to understand him in the moment. just do what you’ve always done and trust him, support him on and off the battlefield–and never hesitate. it could be the difference between life and death. you learned that on missions together years ago. 

“in my nightstand?” you tilt your head to the other side. he has to admit your astonishment is adorable. he smiles down at you, cupping your cheek lightly. his fingers are so long that his thumb rests on the corner of your lips, fingertips brushing back your hair. 

“go get it for me.” he says as if he asked you to pass him the remote. you narrow your eyes to really study him—and then you see it. the teeming rage, the simmering crazy behind his eyes as they look at you. he is the most powerful man in the world, even if you were scared, there was nothing you could do but obey. but you trust him. and you nod. you turn to pad off to your bedroom and the clicks of his expensive boots follow. you’re used to the butterflies tickling your stomach as you lead him to bed, but you know something’s different this time. you feel like you’ll puke butterflies. but nonetheless, you pull the drawer of your nightstand open and fetch the little foil pack out of it, only a few pills missing from this month’s prescription. you turn to face him with it, mind racing on what he could possibly be doing. knowing him, he’s toying with you–trying to make you as nervous as possible and all this worrying is for no good reason. 

he sits at the edge of your bed, seemingly watching you with interest. he’s happy that you’re humoring him, that’s for sure. not even the faintest hint of protest. maybe you’re not as naive as he thought. in fact, your effortless obedience has his the crotch of his loose hakama’s tightening quickly. your heart jumps in your throat at the sight of him as it usually does—satoru gojo is far too beautiful to be in your house, supposedly telling you why you couldn’t keep a man. the black compression shirt was nearly criminal when it was wrapped around his perfect body. 

“good girl. now flush ‘em down the toilet for me.” he beams, blinding white teeth baring to smile at you. it was a simple request, really. he needed you to stop taking that poison and to stop entertaining the idea of other men. 

“why?” you swallow harshly, voicing your underlying suspicion. 

“don’t you trust me, baby?” he replies with a quickness, tilting his head to mirror yours. he’s doing well to keep himself together–you don’t understand his love for you yet, but he’ll take care of that. he’s a teacher, remember? “that stuff’s not good for you.” 

you hum. the side effects have been brutal, but you’re hardly in the spot for a baby. you can’t even get a boyfriend, much less a baby daddy. “yeah…i know. sucks taking it. guess i could get an iud or something instead.” you think aloud, voice becoming distant as you turn your back to him and dump your pills in the bathroom attached to your small room. you really undersell yourself. you could have been his bride eight years or so ago and been living large. but he’s going to fix it now. his jaw clenches at that declaration, and you feel him watching you the entire time—the doorway a straight shot from the spot he sat in on your bed. 

“no.” he says simply, the lightheartedness gone abruptly. it sends a shiver down your spine, makes your brain alert to the changes within him as he stands and cages you into the bathroom, broad arms stretching to block off the doorway. 

no? he doesn’t want you to protect yourself in any way? that seems a little ridiculous, but maybe he had a good reason. “satoru…i can’t get pregnant right now.” 

“why not?” he asks, looking over your little body nearly trembling from the darkness of his cursed energy growing more oppressive, nearly sucking the air out of the room. your heart pounds, more confused than you were at the start. 

“because i’m…single?” you try carefully, not sure exactly what you were dealing with here. satoru has always been so happy-go-lucky, even when he shouldn’t be. you remember begging him to talk out his stress so that he didn’t explode right after suguru left. so this anger you see set in his features shocks you, his bright and clear sky-colored eyes are clouded and murky, more cerulean than you’ve seen before. his brow is set and you can see the muscles twitching in his jaw. but he’s still smiling, and that for whatever reason is still real. 

“there’s that naivety again, princess.” he licks his teeth, shifting his weight from foot to foot. you look like a deer in the headlights, and he’s giddy at the rush that gives him. you’re finally in his grasp. “you’ve never been single. not since hmmm let’s see, march fifteenth, 2006.” he grins at you–”which makes all this dating real offensive, sweetheart.” 

you want to laugh, but decide against it considering his unpredictability. you shake your head instead, backing yourself to the wall. “what on earth are you talking about? we’re friends–”

“friends that fuck!” he laughs a strained snicker, straightening his posture. “and make sweet hot love, of course. friends that cuddle on the couch and have sleepovers. come on. we’re both adults, don’t insult me. you love me! which is great, because i love you too. i love you so much i’ve made sure that no one could steal you from me.” 

your brows must reach your hairline at that. “stop, satoru. don’t say that! you can’t mean it–fuck, you’re supposed to be married to a kamo or zen’in girl so you can keep making powerful gojo’s right? isn’t that what you always said in school?” 

“you’d give me powerful gojo’s.” he smirks, breaking the barrier of the bathroom’s threshold by stepping closer to you, leaning down to be on face level. “i was only trying to make you jealous sugar! just like this whole stunt you’ve been pullin’, dating around to try to find someone that makes you feel like i do? tch, hahahaha—it’s impossible!! just stop it, be mine and be happy like you should be.” he grasps your chin with a surprising gentleness given his unhinged and maniacal laughter, smiling down at you with something you recognize as his power-trip going off the rails—but. 

but you’d be lying if you said you were scared. he’s declaring his love for you in the most profound way possible, however crazy it–and he–may be. and you’d be lying if you said he didn’t absolutely see right through you. he has the six eyes after all, you should have known he knew what you were trying to do. you were trying to numb the pain of never being his…but you were actually manufacturing that whole scenario. you’re the only girl he’s ever seen, and it’s clear from the desperation mixed in with the insanity—he needs you. 

you reach back and flush the toilet, letting the little white pills circle the bowl and disappear entirely. satoru gojo has always been insane. you’ve seen it firsthand on many missions and battles against curses and sorcerers alike. it just surprised you to see him turn that look upon you–but now you know it was just to get your attention. 

though you don’t doubt what he’s capable of, you have no intention of pushing him to find out.

his eyes go from crazy to ravenous in seconds. you’ve accepted his proposal with hardly any effort and he intends to show you the difference between his sweet hookups and his passionate need to claim the woman of his dreams. 

“so you…scared off all those guys?” you ask, raising a brow as your face still rests in his clutches. he swipes his thumb over your bottom lip, nodding vigorously. 

“sure did, princess. i was trying to let you figure it out on your own…” he sighs, brushing your hair back behind your ears as his eyes scan over your body again. he needs to feel you. “but you’re not a quick learner, hence why i’m on plan b.” he winks, scooping you over his shoulder moments later. he puts you on your bed, the short walk made shorter by his teleportation. he’s just too impatient, brain swelling with the flashing images of you in traditional wedding attire and round with his heir. it all feels within reach now, and he has to try it out now. “gonna show you how bad i love you–you’ll never go anywhere else.” he mutters, lanky frame swallowing up your body, hips pinning yours to the bed beneath you. “you’re gonna give me a gojo and you’re gonna look so fucking good doing it.” he mutters, lips attaching to your neck reminiscent of the way they have a million times. though this time, there’s intention behind it—or well. this time you’re aware of the intention behind it. 

in all your times together, his dirty talk has been contained to praising your body and how good you feel to him. his incantations to knock you up has your heart beating funny and wetness pooling between your legs. you make a soft gasp sound for him, elongating your neck to let him leave real marks of possession where you’ve previously resisted. your body writhes and twists under his as his teeth knick and nip bruises into your skin. he’d spell his own name with them if he could, even a ring and a baby wasn’t enough in his eyes. he needs the world to know you’re his, that you’ll always be by his side, that you were born to be his. 

“that pesky birth control’s gonna have to wear off though–so we have time to get married before you get pregnant–if that matters to you.” he moans at the idea, hands sliding under your top to push it over your head. his mouth moves to suck the swells of your tits once they’re exposed to him, humming out his satisfaction at the warm skin. your head digs back into the mattress—mind absolutely drunk on his affection and devotion. it’s all you’ve ever wanted and now it’s right here, and from the man you’ve always wished you could have—how could you ever deny him again? 

your hands pull at the fabric on his back, hips bucking up for a source of friction. he breaks away from marking up your chest to bare his to you, throwing his t-shirt into some corner of your room to be forgotten about until tomorrow. this wouldn’t be your room much longer anyway–you’ll be moved into the estate within the next two days, he wouldn’t be able to live without you now. then he’s pushing you up towards the headboard, ripping off your lounge shorts to reveal those cute panties he knows you wear when you’re trying to impress him. color him fucking thrilled at your puffy pussy lips indenting the fabric around them, making him groan at the sight. he thumbs at your clit through the cotton, sparkling eyes flickering between the growing wet spot in your panties and the adorable scrunches of your nose and the pinch of your brow from the pleasure he’s dishing out before he’s even really touching you. you’re so cute he can’t pace himself, needing to consecrate your importance to him in the best way he knows how. 

you help him get you out of your underwear, shamelessly spreading for him after hundreds of rendezvous—you’ve lost your shyness and he loves it, loves seeing your neediness for him in the glaze of your pretty doe eyes and the way you swing your hips around to beg for his attention. “tell me you love me.” he hums, nosing apart your pussy lips. his cock throbs at the scent, and you feel goosebumps break out across your skin at his command. 

“you’re the one for me, sato. i love you.” you whisper so intimately he can feels his cursed energy pulsing like the rest of him. he groans, submerging his face in your cunt with a genuine pleasure you’ve only seen from him. he loves eating you out, loves the taste of you on his tongue—loves how your noises only rile him into fucking the bed, whining and grunting with his own neediness that he could only unleash once he’s properly readied you for it. 

“you taste so fucking good baby…so sweet down my throat. get loud, i don’t care it’s an apartment. you’ll be moving out soon anyway.” he smirks, latching onto your clit to make your legs jolt like they always do. it makes him giggle every time, and the vibrations feel even better against your sensitive bundle. he rolls it around his tongue, letting his index finger explore the wetness he’s helping you create. he pokes into your entrance, knowing how violently you craved something inside. his thoughts are confirmed by the way you clench around the digit, whining and bucking into it for more. he’s more than happy to oblige, finger fucking you with two long and thick fingers while his tongue works overtime on your clit. he loves watching you at this part, enamored by your face as your hips involuntarily jump from the bed, smacking your clit into his nose instead of his skilled tongue. 

your entire body is warm, jerking like you’re receiving electrical shocks from the pleasure satoru reigns down, gasping and sputtering on the edge of orgasm just a few minutes after he started. it’s always like this with him–though this time was special because you knew your life was changing before your very eyes—that satoru’s energy was growing so rapidly because he’s letting go of all kinds of stress and pent up frustration and anger. “please—wanna cum please sato–”

“daddy. i’m daddy now. ask daddy nicely.” he chuckles as he leans his head against his free hand, curling his fingers into the spot he knows so well just to watch your mouth drop and eyes widen in absolute blissful shock. you nod–brain fuzzy from his constant teasing and his new nickname. 

“daddy!! yes—daddy! please, oh my god—daddy let me cum!” you sound so good when you say it–it’s all he ever wants to hear for the rest of his life. he can’t wait for you to make him a real daddy. 

“oh missus gojo can do anything she wants.” he coos as if he didn’t make you expressly beg for permission, lowering his face to your cunt again with precise licks, shoving your hood back to absolutely abuse your sensitivity. your legs develop a mind of their own and you’re spiraling over the edge before you can understand what he’s doing. floating balls of color cover your vision and you scream his name just as loud as he wanted. he grins in satisfaction, hands resting on your knees so he can push himself forward for a sloppy kiss; slick covered lips sliding against yours so you could taste your own essence via his tongue shoving its way in your mouth with a hearty moan. you match his eagerness, making out with satoru with more passion than ever before–because you both have the security of knowing it’s real this time. he maneuvers his hips until his leaky tip catches on your hole, his breath shaky as before he shoves in like he always does. you squeeze him so tight it’s not hard to believe why he lost his fucking mind over this pussy. he truly would do anything to make you his, thank god you didn’t put up a fight. 

“fuuuuck–” he whines a little, finding it nearly impossible to even move in the first place. you feel the burn of his fat and lengthy shaft parting your walls like they routinely do, mouth dropped wide open in pleasure. satoru hovers inches away from your face, so close that the ends of his hair tickle your forehead as he picks your legs up—holding you by the back of the ankles before he sets a brutal pace. his nuts clap into your ass from the way he moves, length curving just right to fill you to the brim. he doesn’t even have to try all that hard to bottom out against your cervix, finding the way you moan and twitch so adorable. “this is why you have to be my wife—i need you for life, sweetheart.” 

your eyes widen at that declaration–though you already realized that satoru would never let you out of his clutches again. you knew he would marry you as quickly as possible based off of his desire to also knock you up as quickly as possible—but hearing him call you that, first missus gojo and now his wife, it all felt so real. his cock slamming into you only drilled it in further, his eyes glowing brighter than you’ve ever seen. the air also grows its own electric field, suffocating and thrilling all at the same time. your eyes are glued to him, entranced by the feral look on his face. you try to hold onto him, but he’s moving so punishingly you can’t even get your hands to work, mind and body on cloud nine. “you’re so beautiful. i’ve been in love…with—you–for years now.” he says in between deep breaths, trying to contain all his focus into drilling you unconscious. 

you shudder, feeling that was completely in the realm of possibility. his balls ache, the need to breed you just as heavy as all the other times you’ve come to him to clean up every mess of yours ever since he’s known you, the need to make you his in a way no one else would be allowed to—it’s carnal. he can’t stop until you’re full of his seed and it takes. he needs to see your breasts heavy with milk to feed his baby from. he needs to see you struggle with the weight of your belly so he can urge you to rest and let him serve you like you should be. he needs to see what the combination of your love looks like; what these last ten years of hard work would become. he’s painting your insides white and still pumping just as fast as before, watching your face tick and jerk with the pleasure you’re experiencing as you tip off of your own peak. he grins, shoving that cum as deep as it will go. he stops when he knows your body can’t take anymore, cuddling you to his chest until you fall asleep safe and sound. he has the whole world in his hands, and that’s never been enough. now he can sleep with a genuine smile on his face. he knows your body will regulate in a few months off the birth control—but that doesn’t mean he can’t get plenty of practice until then. after all, he has a problem! he has to breed his pretty little girl best friend turned future wife. 

[nalyra-dreaming]

COMMENTS on 2x05 - SPOILERS ahead, obviously^^

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First off - this episode made me throw out some things out the window, and rearranged some things, confirmed others - HOLY HELL. A lot of screaming this time, the comments are a bit incoherent because holy fuck. I will need a few days to rearrange stuff after this lmao. . . . . . . . . . .

the (hot) bantering that Daniel does not buy once more

loved Daniel honing in on the change in narration

“narcoleptic pull of the sun” for the younger vamps… I guess that is how they adjusted the lore

MALIK - oh he’s LUNCH. Armand is fucking playing with his food, and honestly, that is quite the… well. Sadistic hunt, to be frank. Supposedly of course those who “deserve” it, but it really reminds me of the “hunting evildoers” they do later, and who they then put into the dungeons for easy snacking

“half in love with an easeful death”

“his methodology is never violent” 💀 (just fatal, depends probably on how you define “violent”)

God Daniel remembering and how they did that is CREEPY

The piano notes - pushing our noses to the important bits, oof

Daniel thinking they had sex (and the reactions both in the past and in Dubai, lol, cute!)

Louis “dined” almost every night he was there….

Mhhhhh Louis’ fangs, and Daniel shaken to the core

Daniel telling Louis he was lonely HIT

“naahhhh”

Them quoting the book there - I love it. Whole passages just recited from the book. Louis reading Lestat for filth, lol - love the dynamic he and Louis have there, lmao.

Oh Louis, sweetie. The way he halted, when Daniel said he was his “first love”

Ah, that is interesting, Daniel questioning Louis not going with Claudia after that bench… “the only choice, the wrong choice” (!!!)

“And then what” looool :)))

Daniel playing the extended file.

OMG

OH MY GOD

Armand going he is at home and always cleaning up after Louis

LOUIS going at Armand for being BORING. Holy shit. “dull as fuck”. “Suffocation by the world’s softest, beigest pillow.” OMG. I know it’s not funny, holy shit, but the DELIVERY?!!!! Oh yeah, Louis loves crazy and apparently he misses it - badly. “Did you want to lick my boots or chop my hands off? Is it the gremlin or the good nurse tonight”!!!! HOLY FUCKING SHIT

Armand mocking Louis “oh it’s so hard to be me” - “It’s so hard to be me” oh my fucking god

AND THEM MOCKING FUCKING THEIR PASTS

AND ARMAND TELLING LOUIS that Claudia did not love him, not like Lestat did, not like HE has. …..

AND OH MY GOD - it’s the Merrick reveal!!!!!!! Of her hating him. Of him having lost her and Lestat. Oh he’s HEARING her calling him!!!! IT’S FUCKING MERRICK in a mixup with the Tulane draft of Armand saving him then (without the Lestat involvement!) FUCK!!!!! I fucking love/hate the writers!!!!!!!! I KNEW THEY WOULD GO THERE BUT HOLY SHIT LIKE THIS???????????

Oh god the wounds. The makeup artists had fun oO.

Ohhhhhhhh Armand is … hurt there. And not having it. Ugh, I get him, but holy shit

Oh hell, the music, and Daniel being slammed around in punishment for Louis!!!

Ohhhhhhhh Armand is full on “gremlin” there. Terrifying shit. “Rest”.

Fascinating, indeed. On all levels, lol. While Louis is screaming in the next room.

“A splinter of coldness in you”

The emotion in “Louis thinks I’m boring”. Ugh.

Armand starting to tell his story, and then breaking off - oh, god, I want him to tell his story to Daniel later, please. Please let it be Daniel in the show, not David.

Love it that Louis and Daniel try to remember pushing their feet into the little rocks next to the tree

Daniel seeing Armand trying to communicate

And HOLY SHIT - that image of Louis in the coffin?!? Tell me I’m not the only one seeing the similarities???? oO

Armand calling out Louis there, deliberately calling Lestat trash, and OH MY GOD Armand theorizing that is why Louis wants to do this, to get the book out?!! To MAKE Lestat chase after Louis because of it!!!!!!!! God the way they call back to the original novel plot lines is AMAZING I literally screamed at that.

And oh my god, the way his voice breaks on the “insanity” part, on “if you want to escape from this prison of empathy I’ve locked you away in” - holy hell. And that small smile.

And him offering to reach out to Lestat for Louis and then NOT TELLING WHAT LESTAT SAID AND CUTTING IT OFF!!! GOD DAMMIT ARMAND. AAARGGHHHHHHHHHH. And the way Lestat’s voice is shaking with fear there. And then screaming!!! WHERE THE FUCK IS HE?! WHY IS ARMAND KEEPING THEM APART?!" AND HOW????

“… have I atoned for my part in Paris”. Ugh.

Armand slowly and gently spellbinding Daniel there was almost beautiful.

And then Louis, NOT asking. And the dynamic changing, immediately. … brutal. Armand’s face there.

And then, and then Daniel suddenly knowing what the words meant, and then. The memory making sense. THEN them both knowing Armand fucking meddled with both their minds. The proof of the fucking “tinkering”, both only having a “truncated version”. “Same precise edit, on two brains.”

And god, Armand coming back, and Louis MIMICKING HIM.

Louis’ face.

GOD YES. HE IS PISSED.

HOLY SHIT. 💀 (again) A lot of my theories are evolving now, with them having pulled up Merrick.

With Armand knowing where Lestat is, and not relaying the message as promised.

With Louis now knowing Armand influenced his mind as well. Holy shit.

They should have called this episode “No Pain” (All the pain). -.-

And the preview, of the blood, and Louis comment of “can you imagine me without the burden of her”.

The BURDEN of her.

Ouch Louis. Just… ouch.

EPISODE INSIDER

“It explains the betrayal” …. (see below)

“It explains everything that is going to happen”(!!!!) Mark Johnson once more.

“The relationship[] has all kinds of problems, many of the same issues he had when he was with Lestat have resurfaced.” (!!!!!) 💀

Assad: “Armand is always conniving. He is always working, and I think that is also the tragedy of him, it’s that he can’t ever relax with the truth.” HOLY FUCKING SHIT

Jacob: “It’s kind of the biggest betrayal, isn’t it, when you choose to spend your life with somebody, you accept each other. I can’t think of a bigger betrayal than lying to that person in such a significant way to the extent that you would rewrite their history.” 💀💀💀💀💀💀💀💀💀 *Jacob: “It makes me angry, now, Armand is so wrong for that.(!!!!)

Eric: “We both discover the depths of duplicity that Armand has gone to, and what he’s done to each of us.”

... what an episode.

[randomfoggytiger]

React: A Late-Canon Reviler Gives the Revival a Try (My Struggle I), Part I

For David Duchovny’s birthday, I put out a poll asking Tumblr which of his projects I should watch for the first time. 

The Revival won. Welp. 

I then, fool that I am, put up another poll wherein I doomed myself by including an option to watch the whole thing. 

And here we are. 

My Struggle I. 

Oh, boy. 

This post will be long because I'm laying the groundwork for the rest of the series.

MY MODUS OPERANDI

I don’t care how cute or cuddly or happy or heartfelt individual MSR moments are, popcorn will be thrown if those scenes are achieved through incomplete, inane, or nonsensical plot points. Give me 1+1=2 or give me death.

The Revival is part of a whole that includes all of Seasons 1-9 and Fight the Future and I Want to Believe. As much as I prefer to distance this series from canon, the reality that it functions as a direct follow-up remains; and it needs to be judged accordingly.

And, as always, I separate the art from the artist~.

...WELP. It’s time to face my doom. 

Let's go!

MY STRUGGLE IV

The intro’s… fine. Engaging, even. 

I did notice, though: the last series and Fight the Future and I Want to Believe began with the same formula: glimpses from what will be an x-files case, then straight to Scully’s perspective. Usually Mulder’s narration and POV didn’t feature until the tail-end of a two or three parter, i.e. Redux or Amor Fati or… well, even then, it was juxtaposed against Scully’s. 

Scully was the voice of The X-Files-- even Chris Carter noted that her report of each episode’s casefile became a motif of the show. Mulder’s narration was rare, very rare, even in episodes that were written to focus on him. 

A definite and purposed choice, to be sure. Mulder as an active agent in his own story. …OR a story that focuses on Mulder’s voice instead of Scully’s. 

We shall see. 

The intro continues; and it’s still engaging, possibly gripping (too bad I know where this leads)... but the music got a bit LOTR there. Is that just me? Seems… mellow, orchestral, a little more fantasy than sci-fi. Am I nitpicking? Maybe. 

The BIBLE references UFOs?? Lol, no. (Unless you count the objects described in Revelations-- the book, not the episode-- but even then, those are largely considered to be drones, not UFOs.)

Chris Carter, I see you. 

(Note from the future: NOW I see why the Bible bit was included-- lots of heavy-handed "God means this, Scully" in order to get her on-board to join the files. Ugh.)

…They’re really doubling down on the UFO lore, huh. All of which evaporated because of global warming, I guess. 

GUYS, why couldn’t this have been about life on Earth after Colonization?????

It fits with the disaster footage, it fits with Mulder’s voiceover, it fits with the character progression from Season 9 (I GUESS), it fits with a whooooooooooole ton of other factors. 

I’ve never been one for wanting Colonization in canon, but it literally would have worked for this series. There wouldn't need to be a complete wipeout of humanity, maybe just a “disaster happened, but the humans are fighting back” scenario. 

And that would fit with Mulder and Scully’s "breakup", PERHAPS-- they spent so much time working, trying to save the world (she in science, he on the ground or with untainted factions who coalitioned post-Colonization) that their relationship cracks would need to be actively worked through. Not broken up so much as together and repairing.

It would also help CC and co. to avoid the tempest of modern US politics and the more mainstream conspiracies that were taking hold at that time-- a broader reach to all audiences, a "bigger picture" for everyone to unite under.

(Guys, they should have let me write for this show. …I take it back, I’d have quit after three days.) 

Also: The show writers spent all their brain power on this sequence and this sequence alone, didn’t they? 

Obiwan Kenobi and Military Man are going on a bus somewhere.  

...On closer inspection, neither man looks like anything like Obiwan Kenobi, but the nickname is staying.

We’re back to Scully at a hospital-- not unlike I Want to Believe’s opening.

Skinner called? Oh. Didn’t know he was “here” this early. 

WAIT. 

Wait, wait, wait. 

Scully just called up Mulder like nothing’s a big deal? He answered like nothing’s a big deal? She’s smiling over his joke from the get-go?

…And we’re supposed to believe they’re seriously broken up. Which the show will insist is the case. 

David and Gillian really said, “Script? What script?” and did what they wanted. I salute them. 

Also, “What’s happening out there, Scully?” is a great line to point to Mulder’s continued isolation… which the series will IMMEDIATELY toss aside because he’s, apparently, not been as much of a hermit lately? (Granted, this could be a joke at his own expense because he’s no longer claimed by ~the darkness~, but…. I don’t think the writing’s gonna be that clever, I’ll be honest.)  

Siiiiiiiiiiiiiiiigh. 

Fine, I admit it. 

I’m loving this so far. 

And that’s gonna make me even angrier later on. 

“Why doesn’t he [Skinner] just call me?”

“He doesn’t know how to reach you, Mulder. I barely know myself.”

Mulder is baffled and a tinge annoyed, Scully is amused and straight shooting. 

THERE IS NO HINT, BEHAVIOR, OR MANNERISM SUGGESTING THEY’VE BROKEN UP. None. At all. He’s isn’t reluctant to answer her call, isn’t sad or withdrawn, isn’t affected by anything she’s saying other than to be teasy or poky. She isn’t hesitant to call, isn’t sad or depressed, isn’t anything other than a little pleased to dangle a juicy tidbit in front of Mulder’s face. 

This is gonna follow IWTB’s ping-pong writing-- they’re fun and in-character, they’re suddenly out-of-character, they’re fun and in-character, they’re suddenly out-of-character, etc. etc. etc.-- isn’t it?

(Mulder taping over his laptop’s webcam is a great touch and not something at all that I’ve done before. At all.) 

“I thought you were done with UFOs-- the ‘stranglehold they put on your very existence’, I believe you put it.” 

“I’m just the messenger, Mulder.”

That’s GOOD, that’s necessary writing. That’s planting the seeds of what happened between them, what led to a cooldown or a breakup or a whathaveyou. AND STILL neither character acts as if they’ve broken up: no melancholy, no sadness, no nothing. 

Mulder’s timbre became a little sardonic while quoting back her words, but that doesn’t mean they’ve broken up. If anything, that points to a bicker and line-in-the-sand between them-- him bringing up UFOs at the dinner table and her reminding him to talk to someone else about it before turning the topic to how the lettuce is growing or something.

Neither actor is performing like one would if pain and trauma and heartbreak and distance were placed between them; and that really complicates things because the breakup is built on top of the aforementioned list of struggles. 

Would Mulder have dug his heels in post 2012, seeing it as a sign that “the aliens” just changed their plans? Yes. 

Would Scully have seen a pursuit down that rabbit hole as a waste of time? Debatable. The Truth S9 Scully wouldn’t have-- the aliens are still out there; and they cost her months of her life, months of Mulder’s abduction, months of Mulder’s death, months of Mulder’s separation, and the ultimate cost: William’s adoption and their life on the run. Post The Truth Scully would have seen this as her quest, too: she won’t give up, she says in the finale, because he won’t. 

IWTB Scully, however, would- and that's a problem. 

I’ve already discussed, at length, how out-of-character Scully was in I Want to Believe (posts here.) Although Mulder doesn’t escape from the same writing blunders, she is really, really scalped: of her courage, of her will, of her determination. 

Whenever Scully gave up, in canon, it was only because she thought she was holding Mulder back, or when she felt Mulder had lost his faith and trust in her. That held true in Season 9-- despite the appalling writing choices there, too-- but didn’t in IWTB. 

The Revival had the perfect opportunity to factory reset the writers' mistakes: portray a wiser duo who continue to fight the fight according to their strengths, like they always have before Mulder ever met Scully. (When Mulder tells Scully to set up a meeting with Skinner, he adds, “Don’t pretend I’m going alone”-- which reinforces my point.) 

But I know that's not going to happen.  

Scully goes without argument-- THAT’S GOOD, THAT’S GOOD CHARACTER WRITING. At this point in the game, of course she would-- they trust each other, they have for years, they’d have reached even deeper levels after going on the run for [insert math] years. All good things! 

The problem: this will create a huge conflict with her actions later.

(I’m already so disappointed.) 

“Uber?”/”Hitchhiking. Relax, Scully, I’m kidding” was a fun modernization of their humor, I’ll take it. 

This scene is starting to highlight the distance between them, which is all well-and-good, but feels tonally different from the previous scene. As in, their two scenes were definitely filmed on different days, in different moods, and with different intents. 

She’s worried about him, with tears in her eyes; he has his walls up; there’s distance, as previously noted. 

“Good for you to get out of that little house every once in a while”/”Certainly was good for you” is followed up with knowing, indulgent, pleased smiles and you expect me to believe these two are seriously broken up. Nope. I’ve seen Scully sad but amused, I’ve seen Scully too sad to be amused, but these two? This moment? Nah.

Tonally dissonant-- the IWTB problem: at-ease and close one minute, at-odds and distant the next. Hoorayyyyyy....

None of this makes sense for a long-term, permanent (as Scully infers later to someone else) breakup. Nor for a short-term, semi-permanent one. Math doesn’t math. 

“I’m always happy to see you,” she says, implying he's the one who permanently pulled away… which will be contradicted later this very episode. 

“I’m always happy to find a reason [to leave the house],” he says, somberly. 

Both of which are odd lines. 

If he’s happy to leave the house to see her… why hasn’t he? 

If she’s happy to see him, always, but says a relationship between them was "impossible" (which she will later), why is Scully staring at him with heart eyes, hoping he gets better so they can continue their relationship? (And mark my words, this tone underscores her interactions with him the rest of this series.) 

Tad’s here. He’s... fine. He represents the overly cautious very well. At least he hasn’t gone full Alex Jones mockumentary (...yet.) 

I’ve heard criticisms that Mulder and Scully don’t act like themselves in this series, but based off the few minutes I’ve seen here… I don’t agree. 

The essence is the same. Truly. Scully’s got the same face that lights up the same way, Mulder’s got the same expressions and young-at-heart humor. Neither are really melancholic. Neither are David or Gillian esque. 

Perhaps that will change. 

(Note from the future: OH BOY. Which Mulder and Scully are we talking here-- OG Mulder and Scully? Nope. IWTB Mulder and Scully? Yep. David and Gillian? Once or twice.)

But, again, their interactions feel… wasted. Hollow. They’re supposed to be broken up, but their breakup doesn’t contribute to their interactions or the plot. They’re supposed to have suffered and are working back to each other… but they aren’t really separated, haven’t seemed to suffer (note from future: except for one scene which comes outta nowhere), and won’t collapse back together on-screen.

They’re supposed to be wiser and more mature, but they’ll still engage in a silly will-they-won’t-they while Mulder eats up the latest UFO or conspiracy slop he’s either already engaged in or debunked [insert math] years ago and Scully clings to her cowardice like a leech. 

First nagging problem: Scully smiling at Tad, Scully excusing Mulder’s mannerisms when he becomes briefly jealous, Scully making nice with a conspiracy nut. 

…Isn’t that Mulder’s job? Didn't she leave because conspiracies were consuming her life? Does this mean she actually does want this life back but is she playing coy or elusive because...?

Furthermore, when Mulder popped a comment off to a witness or informant in the past, Scully never excused him-- just breezed over it professionally with another question. She’s only saying “excuse him” here because she’s taken a shine to Tad. WHY, on this post-2012 global warming green Earth, WOULD SHE?

Tad says Mulder is the X-Files, Mulder says that “book is closed”... WAIT. Wait, hold up--

Pause. Stop. Rewind. 

Mulder wants to believe. Actual proof is hard to come by. 

Tad thinks Mulder is the X-Files. 

MULDER SAYS… *ahem*... Mulder says, “I’m afraid that book is closed.” …Which means he’s no longer into UFOs or aliens, too. SO. why did Scully LEAVE.

If that’s behind him, why aren’t they together again???? Mulder didn’t know who Tad O’Malley was a minute or so ago, meaning he’s been outta the conspiracy scene for a bit. That MEANS his departure from Conspiracyville's been long enough to patch-up his obsession and ensuing depression, I guess.

But then... what about Scully??

Because Mulder wants her to come back (already subtly established in each scene), and Scully is concerned for his welfare; but Scully thinks he’s still into UFO conspiracy and hasn’t come back because of it? BUT SHE ISN’T SHOCKED WHEN HE SAYS “I’m afraid that book is closed” MEANING SHE KNOWS HE’S PUT THAT BEHIND HIM... BUT STILL HASN’T RETURNED?

And both of them aren’t acting as if they’ve broken up, anyway, except for a pointed line of dialogue here and a brief reaction there before they yeet back to the status quo.

They’ve left that behind them, Scully says, for better or worse. And Mulder latches onto that better or worse, making a pointed barb at their breakup, but…. There’s no writing glue, just suggestion and inference; and the suggestions themselves don’t add up. 

Here come the bullet points. 

Season 10 posits Mulder became depressed after the aliens didn’t invade in 2012-- that’s reasonable and logical, his nature is depressive when his expectations are subverted or smashed or etc. 

Season 10 also posits Scully left because Mulder became too much to deal with. That’s… not logical, since her nature is to rescue and nurture, even when Mulder’s being an actual boil on her sittin’ cheeks (ala Demons, etc., etc.) 

Season 10 posits Mulder’s hard to get a hold of-- despite being in the same house the FBI helicoptered to in IWTB-- and posits it might be hard for Scully to get a hold of him-- despite the fact both characters easily got in contact, knew it was each other, and even joked about the fact it’s hard to get in contact with Mulder… which means it really isn't. (The script doesn’t catch these discrepancies, of course, pretending Mulder is very hidden away at the same ol' house he'd been discovered at in 2008.) 

Season 10 says Scully doesn’t want UFOs to be part of her life anymore, that it was a stranglehold… yet she came along on a conspiracy gig without question to… what? Be around Mulder? But then, why warm up to the conspiracy guy-- an embodiment of what drove her and her partner apart?

Season 10 posits Mulder chased Scully off with his conspiracy spiraling YET ALSO states he’s put that part of his life-- conspiracies, UFOs, the X-Files-- behind him. Which implies: A. Mulder’s aaaaaaall better now and B. he put that all behind him but Scully never came home and C. Scully shouldn’t know he put that all behind him if that’s what’s keeping her away; but she does know because his declaration doesn’t take her by surprise, which means she’s still driven away and concerned for him for no discernable reason.  

Season 11 posits Scully didn’t leave because Mulder became too much to deal with but because she, too, had issues to deal with. This point wasn't mentioned or hinted at in the episode that introduces their breakup, which makes that line of reasoning a complete rewrite. (Whatever. I’ll judge how well that’s executed when I get there.)

It doesn’t add up. 

Are we surprised. 

Five seconds after this, I had to listen to a back-and-forth between Tad O’Malley and Mulder on conspiracies and Conservatives and alien beliefs and the O’Reilly Factor and….

This seems out of touch, I’m not sorry. 

When this show aired, Conservatives already had their miles-long conspiracy theories. For Mulder to be ignorant of that fact while allegedly knowing exactly who and what Tad believes while also alleging….

More bullet points!

Fox “I’m afraid that book is closed” Mulder has, supposedly, been out of the conspiracy scene. 

Fox “I’m afraid that book is closed” Mulder isn’t aware that not only did 2015 Conservatives believe in aliens-- despite the fact Tad is a watered-down copy-paste of Alex Jones-- but that there were also Conservative believers in the 90s (who were a fringe in their own group, but.) This was Mulder’s expertise; and his eidetic memory isn’t likely to have tossed that info because it was no longer relevant to his life. 

Fox “I’m afraid that book is closed” Mulder has supposedly not been out of the conspiracy scene-- despite saying he is-- because he does know who Tad O’Malley is-- despite not knowing who he was two minutes ago. 

Mulder is assuming that Conservatives “of your credentials” don’t believe in UFOs or “9/11 false-flag conspiracies” despite people from the Left, Center, and Right publicly believing those conspiracies in 2015. 

Fox “I’m afraid that book is closed” Mulder is supposed to be dismantling Tad’s grift; but he (and the writers) sound uneducated and incredibly out-of-touch during this dialogue-- as if all Conservatives were still Bush-era believers. Most were suspicious of the government by this time (they helped elect a man who ran on a “drain the swamp” campaign, after all.) Mulder’s bewilderment here is old and tired, even by 2015 standards. 

This writing is flashy-- long sentences, quick back-and-forths-- but poorly constructed and badly executed. 

This is also the first segment where David Duchovny is peeking through Fox Mulder; where Scully is swinging wildly between absolutely-fine-with-Mulder and we’re-no-longer-together; and where we, the audience, are being force-fed that only one side of the political aisle believes in aliens-- or the Bigger Question or whatever-- on a show that wants to poke at unfounded conspiracy beliefs.

Oh, look! Scully made a Scully-face, so everything’s good now! 

(UuuuuuuuUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUGH--)

Sveta. Aww, I like her--

“You don’t remember me.”

“No, I think I’d remember.”

WHAT WAS THAT. 

Show writers, STOP with the romantic triangulation, it’s NOT. GONNA. HAPPEN. David doesn’t even TRY to make that romantic-ish. Yet you angle on Scully’s face as if she’s supposed to be out-of-the-loop and a tinge jealous. 

WAIT, WAIT, WAIT, hoooooooooooooooooooold up. 

Svetta was a dark-haired little girl Mulder interviewed after her first abduction, meaning she’s set up to be another Samantha. 

So…………………. What’s with the murky jealousy issue, CHRIS. You wedged it in solely so Scully would feel jealous over Mulder? Y’know. Like I Want to Believe? 

And I say Chris Carter because he wanted to play the breakup angle:

"We do it in an interesting way," Carter told The Hollywood Reporter. "We put some of the tension back in that was relieved by them being together. It added to the storytelling opportunities. It's something that I came up with; I had been thinking about it. There was always talk of [breaking them up] if we did another movie."

The first shot canon takes right between the eyes:

Scully being “familiar” with the “screen memories” abductees are given was a cool touch… except she’s never been given “screen memories.” The abductees in Jose Chung’s From Outer Space were given screen memories-- she was returned a blank slate. (Even Mulder didn’t have “screen memories” after his abduction.) 

Scully poking Sveta about aliens taking her unborn fetuses seems a tad (heh) strong except all the alien-related pregnancies have been the result of government testing, not alien probes. So. If this scene followed canon's rules, her skepticism would be warranted.

But this skepticism is still odd. 

Two seconds ago, she was making nice to Tad O’Malley in the car, and now she’s leading the questioning for Sveta. The odd icing on top of this odd cake is that Scully left because she didn’t want UFOs to have a stranglehold on her life, yet here she is leading an interview with an abductee.

Sveta: “I have alien DNA, for sure.”

Scully: “Have you had a doctor confirm that?”

Sveta: “No.”

Me, too, Mulder. Me, too. 

Scully doesn’t question the alien DNA bit, so that’s good. 

…I’ll bet everyone forgets she and Mulder have a bit lingering in their systems from the black oil and his brain thingy and residue from when she touched the ship and and and. 

“Something you can test. Dana.” 

What… what was that. 

Honestly, what was that. Whatever mood David was conveying through Mulder, it didn’t match anything from any previous scenes, let alone this one.

Is he poking at Scully? Why? He’s not jealous anymore (if he even was.) The way he says it and her expression in response implies they have a tense back-and-forth going on, but they don’t. THEY DON’T. 

We’re 13 minutes in and I could make another numerical list. But I won’t. Yet.  

Back to not-Obiwan Kenobi and Military Man. 

That alien’s stupid bad-looking. 

Wait. 

That’s not how canon said Roswell unfolded. 

And the first alien shot on Earth was by Deep Throat’s hands-- that was his whole turning-point backstory. 

CURSE YOU, LACK OF A SHOW BIBLEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!

(Note from the future: All of that past canon? Fake. Faked. All lies. None of that happened.)

“What have you done??” Not-Obiwan Kenobi yells… and what have they done? 

Back to Scully and Sveta. 

Sveta can move things with her mind-- not all the time-- but at least Scully is listening to her claims without automatically shutting them down. 

But also…

“I can move things. With my mind,” should have IMMEDIATELY had a greater impact on Scully, up-close-and-personal as she was to her son’s abilities. But nope! No reaction! Of course! 

Sveta “You were together but now you’re not” is asking the right questions. I don’t even mind Sveta. I’ll bet this episode’s the last time we see her, though. 

Does she contribute to anything? No. But she’s nice, so. 

WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAIT, WAIT, WAIT. 

Scully diagnosed-- wait, hold up, list time. 

Scully diagnosed Mulder with depression. 

That killed their relationship. 

…THAT killed their relationship? After everything? 

The writers are going to have to explain, in detail, why that killed it. 

Why does canon need to explain? Because we have a history of Scully sticking by Mulder during the worst periods of both their lives-- leaving him would have to require a very, very good reason.

And there is no indication, thus far, that Mulder’s depression drove a humungous wedge between them, forcing her to walk away. In fact, there is no indication a wedge exists between them, AT ALL-- only the odd, inconsistent word or phrase here or there that bears no weight on the plot or their ultimate decisions.

Whenever Scully left in canon, it was because she could no longer help Mulder. Season 11 will rewrite Season 10’s initial explanation but setting that aside: we’re not given any indication that she did try to help him; or that his depression was so deep and so dangerous that it drove her away.

And if it were that deep or that dangerous enough to drive her away, Scully leaving would have been the last and worst possible action she could have taken. If Mulder's mental state was in such a massive nose-dive that she couldn’t handle what he was going through, Scully-- a medical professional-- would have had him hospitalized, even temporarily against his will, because she would know (per Demons or Gethsemane or Amor Fati) that this level of depression always manifested in suicidal tendencies for her partner.

But Mulder, as per the rules laid out in this episode, never went that far in his deterioration. (Note from the future: We'll get to that.)

If he had, Skinner would have been aware of his hospitalization and wouldn’t have asked for his help; Scully would have been aware and wouldn’t have passed on the information; and Scully wouldn’t have called from the hospital with a degree of buoyancy when relaying Skinner's request to Mulder. 

In short: Scully leaving = very big, very drastic measure. Mulder suffering from depression = very big, very bad consequences. Scully's nature and past actions = getting Mulder help, even if he resists at first (i.e. shooting him in the shoulder to save his life.) Mulder and Scully's partnership = unbroken, except through distrust or botched writing.

“And you have a child together.”

Wow, that wasn’t clunky at all. 

SCULLY STICKS SVETA HARD WITH A NEEDLE BECAUSE SVETA MENTIONS WILLIAM, darkly saying "That's enough", SO SVETA WOULD KNOW SHE DID IT ON PURPOSE.

I’m… so disgusted. Like, eck. Urk. Awful. 

Telling Sveta to back off, strongly, would be in-character; USING PAIN TO DO SO is…. So wrong on so many levels. Scully never utilized medicine to inflict pain or injury on her enemies.

Wow, this grossed me out. You know why?

Scully diagnosed Mulder with depression and left. At first glance, that seem like an out-of-character action that the writing can salvage later by this or that means.

BUT THEN, Scully inflicts pain on Sveta for mentioning William, leaving the audience with the impression that she’s vindictive. 

Which then connects the dots between “vindictive” and “left Mulder when he was diagnosed with depression.”

And since we, the audience, haven’t been given a stronger reason for how Mulder’s depression got that bad or why she didn’t help him through it, we’re then left with a sour impression of Scully’s character. 

The writers then try to imply Sveta was spilling out Scully’s personal secrets to prove that her powers were real, but that still doesn’t give Scully the right to abuse her power. Especially because a traumatized woman was trying any method possible to be believed.

And the fact that Sveta is also victim of the government weaponizing science and medicine makes me even angrier at Scully.

Ohhhhhhhhhhhh, BOY, another helicopter outside the Unremarkable House, my favorite part of IWTB....

Mulder’s never seen… an alien replica vehicle. 

Oh, my mistake: “No. Never. Not like that.” Covering all the bases, I see. Y’know, in case the writers FORGOT MULDER SAW ONE in SEASON 1, EPISODE 2. 

OH, LOOK, he’s got his wonder face back, everything’s aaaaaaaaaaaaall better now!

Running on free energy they’ve had since the 40s, sure Jan. Whatever you say. 

This just feels so old. Like. Tech we haven’t had since the 40S, GUYS, GET IT, BIG MONEY CORPOS KEPT IT FROM US. Yeah, we got it. 

And the flashbacks to Not-Obiwan Kenobi just walking off with an alien corpse because Military Man didn’t… see… value in studying… it. I guess. 

Scully doing “God’s work” giving kids ears because their biology neglected it.

I admit, that’s an intriguing window into her perspective of God vs. science, and how she sees a person’s biology separate from God messing them over or messing them up just because. I dig it.

(Note from the future: This will be used as a plotline club rather than a nuanced discussion of her faith.)

Mulder being the most challenging relationship she’s ever had-- “and the most impossible”-- is a weird line. Because yes, it’s true that their relationship is challenging; but her fervor at impossible is the only time in this episode we see an adversarial tendency, DESPITE My Struggle I trying to drum up moments to prove TENSIONS still LINGER (they don't.) 

It’s IWTB all over again. Siiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh. 

“Yeah. I got that impression.” Tad says, and Scully’s hurt because she thinks Mulder gave Tad that impression of her. 

So. So. Wait. 

Scully lied when she stated “It’s impossible” because she didn't like Tad poking into her private affairs?

But she sounded truly convinced their relationship was "impossible" while saying it.

So, she was either angry or still confused about her emotions-- which is fine, Scully's not always in-tune with her inner workings-- when Tad replied, "I got that impression."

Which explains why she was so hurt at Mulder's seeming rejection.

Because she thinks Mulder’s behavior led Tad to that conviction.

Which means CC just wants Mulder and Scully to be caught in a miscommunication fic.

Also, why is Tad so sad about this? Were they his OTP, or is he pretending to sympathize to get in Scully’s pants? Because that’d be crummy, Chris, to have her be overly nice to Tad only for him to try to twist that into an opening as the new conspiracy guy on the block. 

On a lighter note, Chris Carter said Mulder and Scully could still get it in their 50s, so there’s that.

HE DID, HE DID SET SCULLY UP TO BE PURSUED BY TAD--

WHAT. WHAT. WHAT WHAT WHAT--

KNOCK IT OFF, CHRIS. 

Poor Sveta. She’s gonna be butchered in this script, isn’t she?

The series is EATING up vast amounts of time with very little scale or grounding. For all I know, a day or a week could have passed. 

It’s so, so badly paced. 

Mulder’s investigating now, without Scully, because he noticed Sveta had a tell during the interview. 

Um. 

Sure, that’s a Mulder thing to do.

Oh, wait. This is the “work of men” realization.   

The dialogue between Mulder’s questions and Sveta’s answers are really disjointed, as if they’re mildly talking past each other-- another aspect of IWTB I couldn’t stand. 

Welp, at least it’s easy to prove they were both written by the same people. 

The second shot-in-the-head for canon: 

“Sveta, who took your babies?” 

“Men.”

“Men? Humans? You saw their faces.” 

Also, Sveta’s babies are referred to as her babies, but William-Jackson isn’t Scully’s baby despite sharing half her DNA but Emily Sim was Scully’s baby despite also only sharing half her DNA.

It’s a mess. 

Well… Mulder doesn’t seem too surprised here that men were involved in her abductions (I mean, he's long since been aware the government was involved from day one, so.) It’d be really stupid if the writing made him surprised about this later, wouldn’t it?

…Wouldn’t it?

Another poorly constructed set of lines:

“I haven’t worked for them [the government] in years.” 

“But you always wondered… if they were lying to you, too.” 

No, he didn’t wonder-- he believed it.

A wonky way to address his old skepticisms, for sure. 

JUST AFTER I NOTED THAT MULDER DIDN’T LOOK SURPRISED AT SVETA'S REVELATION, HE CALLS UP SCULLY AND MAKES A BIG DEAL ABOUT IT BEING A CONSPIRACY OF MEN. 

I knew this was coming, but maaaaaaaaaaaaaaaaaaaaaaaaaaan that was so, so poorly handled.

SCULLY WAS GETTING (sort of) WINED AND DINED BY TAD O’MALLEY??????????????

I HATE IT HERE, WHAT ARE YOU DOING, WHAT IS HAPPENING, WHAT IN THE WORLD AND WHY, HOW COULD YOU BE SO EASILY FLEECED, DANA, THIS ISN’T AN ED JERSE PARALLEL BECAUSE YOU THINK MULDER DOESN’T WANT YOU, THIS IS STUPID, THIS IS THIS IS THIS IS

WHAT. 

I thought Scully had dated Tad O’Malley in the past (sometime after the breakup) but this is worsefarworse. 

SVETA IS THE KEY TO EVERYTHING, I’M SO TIRED. 

“Mulder, where are you going?” sounds exactly like Scully, and now I’m mad Gillian didn’t use that voice for the rest of the show (voice recovery aside....)

I KNEW SKINNER WAS BEHIND GETTING THEM BACK. He just calls up Scully to call Mulder up, then just unlocks the old office when Mulder wants to get back in. 110% Skinner thought this would help his buddy Mulder. And he’s not wrong. 

Wait. 

Did Skinner put in more effort to save Mulder from his mental health struggles (per this My Struggle I episode) than Scully??????

Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii-- my brain is broken. 

The hold on Skinner’s face while he says “Can you tell me what this is about” was way too long. 

Also, don’t try to play coy with me, Skinman. 

Now the camera’s zooming around and losing its “X-Files” feel by being too… modern. 

Skinner telling Mulder to calm down is the only time in canon where I agree with him. Mulder’s just spouting and demanding and not really making clear sense and this is why you don't let Mulder back into his basement without Scully by his side, Skinner-- don’t you remember that lesson?

Skinner telling Mulder to calm down then saying he doesn’t take orders from him only for Mulder to say “Who do you take orders from?”, ugh.

GUYS, THIS WAS RESOLVED IN SEASON. 2. BECAUSE MULDER KNEW MEN WERE BEHIND THE CONSPIRACY SINCE SEASON 1, EPISODE 2; AND SKINNER SINCE SEASON 2, EPISODE ASCENSION.

BECAUSE SKINNER’S ALREADY HAD HIS LOYALTY TESTED AND THIS IS HURTING MY BRAIN MAKE IT END.

I’m not even 25 minutes into this, help. 

“Why do you think I called you? Because I was looking out for you, because I’ve always looked out for you.” Is… is Skinner the only character who’s progressed? That’s exactly what he would do-- he’s acting sensibly, rationally, and in-character... and more mature, more veteran, than his agents.

I know the Revival is supposed to be “Mulder and Scully all grown-up” but none of their actions have been intelligent, measured, or informed by their age or life experience. It’s a farce that I hope future episodes will rectify. 

“A decade of my life--” Mulder rants and kicks his poster like a toddler AND YOU KNEW ALL THIS INFORMATION FROM SEASON 1, MULDER. NONE OF THIS IS NEW. WWWWWWWWWWWWWWHAT IS THIS. 

I can’t imagine how disappointed philes were when they tuned into this episode. Well... I can because of how I feel; but at least I knew, roughly, how bad it would be going in. 

This is worse. 

Skinner: “You’re blaming me for that?”

Mulder: “No, I’m blaming myself. I’m sure they lied to you, too.” 

This isn’t a revelation, chump. 

At least Skinner confirms my theory: “There hasn’t been a day since you’ve left that I haven’t reached for my phone to call you, Mulder, wishing you were still down here.” 

Feral Mulder is touched. 

“Since 9/11--” OH NO, WHY ARE WE GOING THERE “--this country’s taken a big turn and in a very strange direction.”

Guys. Guys. This isn’t… this… what. 

“Now they police us, spy on us, and tell us that makes it safer--” CAN THE WRITERS GET OFF A SOAP BOX FOR FIVE SECONDS. Of course it isn’t safer to be unnecessarily policed or spied on, but the answer isn't just "boo, the government!" What… why… my brain’s melting, I feel it deteriorating. 

This, again, feels so Bush-era. Like, whoever wrote this didn’t update their mentality. 

Also, the camera shots and cuts are weird. Holding too long, zooming out at “pause and take THAT in” moments, focusing on Mulder’s phone while he silently calls up Skinner to prove a point… it’s supremely unsubtle.

Back to Tad, I don’t care. You did this to yourself, Scully, cozying up only to be used as a name drop on his show. Stupid. 

Is Scully gonna be shocked she has alien DNA? She shouldn’t be. 

But then again, Mulder shouldn’t be shocked this has all been a work of men, so. 

She’s expecting-- no, hoping-- for a call from somebody named Mulder. 

Sure, they’re broken up with hard feelings. Sure. Absolutely. 

Is this old man Not-Obiwan Kenobi?  

Of course.

At least Mulder seems old hat at this informant business. 

But of course, he’s “not even close” to putting it all together. 

Stupid. 

WAIT.

The countdown was WRONG-- Mulder states it began, not ended in 2012, meaning he's believed this theory for some time. Meaning... why was he so depressed after 2012? Why are there still depression concerns in 2015?? Seriously, what's with his depression if the 2012 Colonization was allegedly the cause of it but there is no Colonization and the clock's simply been reset????

WHY WAS HE DEPRESSED IF HE RECONFIGURED THE COUNTDOWN. WHAT.

Mulder: "Not by aliens, not with aliens, but by a conspiracy of men--"

“You’re wasting my time.” Tell him, old man Not-Obiwan Kenobi!

“Ten years ago, you came to me--”

Wait, ten years ago? What, 2005? The guy showed up while Mulder was on the run? And Scully never… knew about this?

There were no aliens lighting each other on fire??????????????????? WAIT, I NEVER HEARD THIS INFORMATION. 

THERE WERE NEVER ALIENS, AT ALL???????????????????? Like, AT ALL????? 

The writers are saying that Scully's experience on Ruskin Dam in Season 5 was not two warring alien factions BUT TWO GROUPS OF MEN LIGHTING EACH OTHER ON FIRE, OR GIVING EVERYONE FALSE MEMORIES OF ALIENS LIGHTING EACH OTHER ON FIRE, OR...??????

hONESTLY. 

Let's be real specific for a second: Chris Carter expects us to believe that the ENTIRE mytharc from the original show was ALL faked; that there were no aliens, ZERO, ZILCH; and that CSM and Deep Throat and all the others created elaborate schemes JUST to manipulate MULDER because the aliens weren't a threat from the start????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? DON’T BELIEVE YOUR LYING EYES. THEY WERE ALL MEN IN SUITS.

Like… do you realize how stupid that is? How actually, unfathomably stupid that is? It’s not just “the aliens didn’t invade because of global warming,” no, it’s “they were never a problem to begin with, we just manipulated Mulder into believing they were because… because he’s so important, I GUESS.”

Roswell’s also a smokescreen, of course. 

Y’know how, during the 90s, DD thought The X-Files was a stupid sci-fi show? If he thought each mytharc plot was as bad as this one, no wonder he wanted to bail. 

Oh, by the way, the global warming explanation is part of a theory: the fascist elites will dominate the world and escape from consequences into space, leading the rest of humanity to die by a globally warmed planet. The aliens weren't chased off by global warming because they were never a factor to begin with.

Wow.

I CAUGHT A CONTINUITY ERROR!

Scully shows up at his place in her uniform from yesterday, panicked, like she’d just run from Tad’s side to see what happened despite her saying over a day has passed.

Going to ignore his “What are you doing here, Scully?” because we’ve ping-ponged back to the out-of-character Mulder that the writers use when it’s time to remind everyone he and Scully are broken up. 

It’s IWTB all over again, I’m so tired. 

They’re talking past each other and he’s touching her shoulders now because he needs her to trust him and yadda yadda yadda. 

It’s soooo, sooooo, soooooooooooooooooooooooooooooooooooooooooo highschool, I’m sorry. This is Riverdale. This is [insert whatever teen series you want to watch.] These are teenagers masquerading as adults, for the angst.

None of this holds up, their emotions shift left and right without provocation, things just happen, and there is no strand of continuity stringing anything together.

Scully trying to talk Mulder down from further pursuit doesn’t make sense because, AGAIN, she’s the one who's always gone back to the files even when he walks away; and every time he’s given up, or wanted to, SHE'S called him back and held him accountable and kept him going. 

This is the Scully from IWTB with no gumption of her own, who denies her leaps forward because of plot, plot, plot. 

Guys, I’ve been religiously dosing myself with caffeine (via chocolate), but my body keeps trying to make me go to sleep because it’s so uninvested. I don't even need sleep.

“This is my life, this is, this is everything I believe in--” HOW. MANY. TIMES. Has he said this before. WHEN HAS THAT LINE EVER WORKED ON SCULLY.

But that's beside the point: "this" was no longer his life after Amor Fati, by his own choice. Closure brought him closure, but he was already spittin' walk-away talk by Requiem, chose to leave in Vienen, and insisted Scully stay gone in Alone. In Season 9, it was Scully who had to beg him into hiding to pursue the Truth or whatever; and it was Scully who brought him the case in IWTB and Scully who relayed Skinner's request and tagged along both times until she got uncomfy and decided never mind, too hard.

Y’know? This claim gets to me because it’s a lie. A lie so blatant that 90s Mulder would have thrown hands over it, a lie so baseless that it erases his declaration in the hallway:

“I don’t know if I want to do this alone. I don’t even know if I can.” And every time Mulder yells his “THIS IS MY LIFE”, he erases that part of his past, the part that willingly left the files or the big Truth or the next chase to save Scully’s life or to keep her by his side. 

Chris Carter said Mulder and Scully were The X-Files post The Truth… but I guess he keeps conveniently forgetting that. More accurately, he keeps making MULDER forget that, in spite of all evidence in Mulder’s history and personality to the contrary. 

It infuriates me. 

“Tad O’Malley is a charming man--” get outta here. 

Now Scully’s been played the fool so she’s going to think Mulder’s being toyed around with by a social media sociopath. You’re an idiot, Scully. 

You’re an idiot, Mulder. 

You expect us to be idiots, writers. 

Here’s some ham-fisted “Fate” dialogue for you, *ahem*:

Scully: “How do you know he’s not playing you, he’s a player!” (You would know, Scully.) 

Mulder: “He’s a Godsend!”

Mulder’s not a believer in God, BUT this is also supposed to refer to the God conversation Scully and Tad had in the hospital, which will inadvertently make Scully ~believe~ again.

“What are you talking about?” I’m with ya there, Scully. I’m with ya, there. 

Scully’s trying to insist Mulder's on a verge of a breakdown, which… UGH. 

This scene implies Mulder hasn’t had a breakdown or a break from reality YET-- Scully spends the episode constantly concerned for his health and begging him, here, to watch what where he's stepping because he’s on the verge of spiraling. 

Which means he hasn't spiraled, because she's afraid of what would happen to him IF he did.

MEANING that there wasn’t an inciting factor that made her leave: no alcoholism, no outbursts, no nothing. He just became depressed, probably withdrawn, and wouldn’t change; so, she left. 

Do you realize what that means, per this episode? It means Scully ANTICIPATED a breakdown and left BEFORE it happened. Then hoped he’d get better before it did. 

Which breaks the established morals of her character. If she had been able to help, she would have stayed. If she hadn’t been able to help, she would have found another way to help him, even if it involved calling in a third party against his will. Instead, she withdrew and hoped he would get better BEFORE he reached a breaking point-- essentially, leaving him to an impending breakdown while hoping and praying against it.

This makes her decision to leave a mark of weak character-- not because she was a woman who left her depressed husband, but because Dana Scully, whose character we amply know, left. It checks none of the boxes she'd have to clear first before choosing to take one step out the door.

All the fic I’ve read to justify their breakup-- and make no mistake, CC wrote her to say “as your friend” intentionally--  or time apart or whathaveyou had Scully reach a breaking point. Because, of course! That's logical. But here, in canon-- in black and white-- that didn’t happen. 

We, the audience, have to create a plausible scenario in our minds to justify the steps she took. Because. it. Is. not. In. canon (as per this episode.) 

Now Scully’s gonna get jealous of Sveta, I’m so done. Riverdale, uuuuuuuuugh. 

Mulder just lets Scully walk away because Scully thinks he wants Sveta but “Sveta is the key to everything” and if Scully wants to misunderstand that she should have more trust in him, I guess, and I NEED A RESPIRATOR.

He just says “Scully” once  and lets her huff off.  

TAD’S BACK, GO AWAY. 

WAIT, TAD STOPS HER BEFORE SHE LEAVES. 

Mulder: “I would have invited you, Scully, but I didn’t think you would come.” 

That’s…

That’s….

Let’s break down this stupidity: 

Scully shows up. 

Mulder had Sveta in the house because he was calling her and O'Malley for a group meeting. 

When Scully becomes nearly hysterical over his safety, he doesn’t reason with her, just spouts like a lunatic. 

When she misreads the Sveta situation and stomps off, he lets her go with a weak, “Scully"--

--because he knew Tad was right behind her and was pulling in to stop her from leaving. 

Because Tad and Sveta were invited but Scully was not. 

And Scully was not invited because.  

Because she might not show up. 

I’m just preaching to the choir at this point, continuing on. 

Scully gave in, just like that. Guess she’s not leaving, anymore. 

She’s so, so… spineless. Has been since Season 9, has been a BIT since Season 8 (though that was at least justified and kept to a bare minimum.) 

I’m just. So sick of passive Scully. 

I HATE THOSE STINGER NOISES NOW. 

It’s always, “You can't let this information out because these men work in secrecy”/”What is it?”/”You’ll see”; then stinger; then we, the audience, are immediately shown what it is.

No suspenseful build-up.

Tad: “Then why are you [Scully] here?”/”Scully: “Mulder, what are you up to?”/Mulder: *knowing look*/stinger/next scene.

KNOCK IT OFF ALREADY.

“Implanting of alien embryos”-- so Sveta’s babies weren’t her babies. 

So Scully’s baby wasn’t her baby. 

But Emily was her baby but William isn’t. 

Sure, Jan. 

In spite of this information, the Revival will paint William as their son until it doesn’t; despite, again, stating from day one that the alien babies are implanted embryos and not biological babies.

So, these two boneheads should have suspected that William wasn’t theirs, anyway. 

Even though William is theirs because the CSM timeline doesn’t add up, which they would have mathed in their heads by the time little William was snuggled in their arms. 

It’s all so stupid. 

Why does this feel so fearmongery about the government? And I’m not going to sit here and say the government should be trusted-- it has a VERY bad history, I'm aware. But this is “my first conspiracy” level of worldbuilding.  

Did the writers think it was clever to set O’Malley up as a bad actor then reveal he was a good actor, modeling him after the notorious Alex Jones only to point and jeer, “HAH, you assumed! He’s actually on Mulder’s side!” 

Because that’s not genius, that’s laziness. 

Scully only now decides to inform everyone Sveta has no evidence of alien DNA? So, what, she was never going to tell them unless Mulder kept being, what, crazy? 

“They got to her” says Mulder about Sveta, but Scully LITERALLY SAID she had no alien DNA, so what was Sveta supposed to believe???????? That Tad O'Malley wasn't using her for as a hoax???

Mulder ran all the way to her house, or ubered then ran, or whatever… and she’s gone, of course. 

Poor Sveta. 

Tad O’Malley’s Truth Site is gone, oh, noooooo. 

Look, I’ll always be against censorship. But this is sending so many odd and mixed signals that it’s creating craaaaaaaaaaaaazy levels of dissonance. 

Mulder wrote “Don’t Give Up” in Scully's car dust…. 

Riverdale. 

Mulder presents the global warming = no aliens theory? 

I’m so tired. 

WAIT, SCULLY BELIEVES MULDER'S THEORY NOW THAT HER BOY TAD’S BEEN PULLED OFF THE NETWORK. 

“We need to find her [Sveta], Mulder,” Scully insists. 

Hold on, prediction time: Scully only changed her mind because this case now involves her-- i.e. only extending empathy to Christian (a boy that reminded her of William) and not to the string of missing, possibly murdered, women in IWTB.

OF COURSE. Her results for Sveta ended up being wrong AND HER OWN GENOME HAS ALIEN DNA IN IT, TOO. 

You selfish, self-centered clone of Dana Scully. 

Scully truly hasn’t recovered since… Season 9, let’s be real, where she told Mulder to leave then spent the whole year crying over his absence. In IWTB, she brought Mulder a case then left him when he wouldn’t stop his pursuit (to SAVE. LIVES.) And in the Revival, she called Mulder and the gang crazy until her own genome showed alien DNA. 

Hate this, hate this, HATE this. 

Also, yeah, she already knew she had alien DNA in the OG series, moving on.

Oh, and now they get a call from Skinner just when Scully says someone has to stop the bad guys. 

OF COURSE. 

Remember the God convo from earlier, guys???? GOD. FATE. SOMETHINGSOMETHINGSOMETHING. 

You had ONE good idea to explore-- how Scully views God vs. the aberrations of biology-- and then just... used it as a convenient club to beat in the “God/Fate means for us to do this” instead. 

“Scully, are you ready for this?”

“I don’t know there’s a choice.” 

Can’t someone PLEASE just explore her faith with nuance? PLEASE? 

Sveta's DEAD???????? I’M SO MAD, I liked her!

YOU FAILED HER, SCULLY. 

YOU FAILED MULDER, SCULLY. 

WHY DOES SCULLY HAVE TO KEEP FAILING PEOPLE???????????? 

Skipping the CSM scene because I don’t care, the END. 

CONCLUSION

How does Scully’s mischaracterization keep reaching new lows? 

How does Mulder become less wise with age? 

How is Skinner the only mentally mature character here?

I’m so tired.

[mulders-too-large-shirt]

s4 episode 2 thoughts

ah, this episode! i have heard it is very scary. so i’m curious to see how creepy it can be. usually what gets me the most is body horror, at least so far. 

i’m really not a horror fan so i’m interested to see if this will push my limits or just be kinda silly. remember that evil AI in like s1 episode 8? and when it was unplugged it said “noooo, brad :(“ or something like that? yeah that one just made me giggle lol

(author's note after seeing the episode: what...)

(additional author's note: read to the end to see why i think this episode might be actually about the civil war's long-term consequences)

how far we have progressed since then! 

let us begin!!!

we open with a storm and some scary music. pretty intense for the first few seconds. oh, now someone is giving birth. it is very dark and hard to see but it appears these individuals do not look like your average fellow off the street.

GAG! slurping noises are produced as the baby emerges. birth counts as body horror btw i do NOT make the rules. EUGH the umbilical cord…

(sorry y’all pls take no offense to those who have or desire children someday... it’s just something that makes me feel dizzy to watch but i support your dreams and choices i promise 🙏)

okay, but the baby is crying so that’s usually a good sign right? like better than a quiet baby, i think.

but a bunch of people are leaving after the delivery and i thought they would stick around to do things like look at the baby and see if it is healthy and stuff. but no. they’re leaving. where are they going...

they’re digging a hole?????? WHAT DA HELL. BABY IN THE HOLE??!!!!!! while someone cries terribly. OMG the grief…

WHAT THE HELL???

what have i gotten myself into……

intro time. always gonna think about that tweet regarding scully’s glamour shot on her ID. anyway just in case you forgot the truth IS out there.

so we see some kids in a place called home, pennsylvania, and they’re playing baseball. you know how children are, with their baseball. it’s as serious to them as a senator running a reelection campaign. 

kid knocks the ball over the fence, and onto the property of “the peacocks”. the kids will NOT go get the ball, and instead find a spare. seems they prepared for this, or could maybe find a place that isn’t next to a very scary house to play ball, but i understand spacial constraints.

OH???? the kid is digging his foot in to go swing and…. BLOODY PUDDLE???? THIS MUST BE THE BABY FROM BEFORE????

he backs away as we see a tiny hand in the dirt. that poor kid omfg he must have been traumatized… and his sneakers were so bright and white…..

cutscene to mulder in the field after all the kids have fled! ah, mulder loves his baseball. in fact, he even sniffs it. he’s practicing his pitching LMAOOOO please be serious for FIVE minutes. 

scully is measuring the hole while he does all this. in fact, he is not stopping. it just keeps going while she talks about the angle of the shovel.

she makes some quip about quitting the FBI and becoming a spokesperson for the ab roller, when he SHOVES THE BALL UNDER HER NOSE and says “smell that” THIS MAN IS SUUUUUCH A WEIRDO I LOVE HIM

“it’s perfume. eau de ball” (stupid little mulder smile)

very strong juxtaposition between baby death and a daydreaming mulder, but that is the sort of thing we have come to expect from this show. he seems enchanted.

WAIT! he’s talking about his sister… “all-day pickup games out on the Vineyard” and going down to the beach… no cell phones or faxes… oh man, this baseball has him talking about his family :(

“mulder, if you had to do without a cell phone for two minutes, you’d lapse into catatonic schizophrenia” <- WELL GET HIM! it is true. he is always making calls and then abruptly hanging up.

feels weird to be smiling like a fool at my screen as these two talk about their lives after seeing the opening scene... but here we are!

“scully, you don’t know me as well as you think you do. you know my work demands that i live in a big city, but if i had to settle down, build a home, it’d be a place like this” 

OHHHHH MY GOSH

1. he has though about settling down and having a life outside of his work, and this is such a character reveal, and i know he wants like a small army of children, and

2. i just KNOW those words are gonna come back and bite him when this place is revealed to be some sort of cult

she says it would be like living in mayberry which i had to google BUT: it is the town from the andy griffith show. ah, i see. so very quaint.

someone pulls up to see them and i paused at just the right time to see that mulder’s shirt is very baggy and living up to my URL, which is good because sometimes i worry it’s a bit TOO niche, but i made it after watching 4 episodes so i’m too attached to change it now. meanwhile, scully’s coat is wonderfully sleek and it’s a fun little contrast.

this is sheriff taylor, who says this is a very small town, and there are no real suspects. mulder asks about the peacocks next door, and the sheriff goes… quiet. apparently three boys lived there, and their parents were hurt in an accident. the sheriff and his team tried to administer care to the parents, but the boys took the bodies home??? that’s. odd.

so these peacocks have no electricity, grow their own food, and… are inbred. the sheriff says they are feeble and sad, and wouldn’t have any idea what they are talking about. which just makes me think they are the prime suspects.

the sheriff is saying that he loves his town, it is quiet and peaceful, and he knew someday it would change when something terrible happened. when he saw “it” in the ground, he knew that day had come. he seems convinced it’s an outsider but also he is purposefully ignoring all the evidence in the other direction. and he wants their help, but he doesn’t want anything to change. 

(i see... this is about the terrible secrets of small towns and the wish to keep everything quiet and preserve an idyllic image rather than make meaningful change)

apparently they were recommended to help out when “the victim” was described, so mulder says that maybe they should go take a look.

and whew, when they cut to a bundle of blankets next to some cans of spam (that look like they’re partially covered to hide the branding?) it’s a lot. it's a lot to handle, for me, emotionally, but i guess that's a fairly normal reaction. the sheriff just pulled the baby right out of the fridge. we also meet a deputy named barney.

they shove poor scully in a tiny bathroom with just a sink in it to do her work, because they don’t want anyone else seeing the autopsy go down. the sheriff says they can’t do it in his office, because everyone knows he never locks his office door, and they’d start rumors. this whole small town thing is starting to seem quite oppressive.

mulder is also here in this tiny closet-like bathroom, and i can feel the claustrophobia from here. despite the lack of space, scully begins.

and she is taken aback, but not as much by the fact that it is a child but that said child “has been afflicted by every rare birth defect known to science”. mulder has his arm on the wall leaning in and watching in a way that is weird for the space.

we only see a few shots of the baby- thankfully, because i don't think i could handle seeing any more of it than we do- but it’s enough to make me go whew, shout-out to the props department for making something that looks like that, because that is how i cope with seeing things on this show that make me nearly faint

she is reciting the various things that this child has been born with, and mulder says that they can probably rule out murder, right? but scully says idk… it looks like it WAS murder, actually. dirt in the nose.

lord, they walk out after doing that and somehow don’t need to like, down some vodka or something to cope. 

“imagine all a woman’s hopes and dreams for her child, and then nature turns so cruel. what must a mother go through?” oh my gosh is scully gonna make me cry…

“apparent not much in this case, if she just threw it out in the trash”, says mulder, while they sit on a bench on he is manspreading like you would not believe. but i assume they are in a tough spot mentally so manspreading is permitted in this situation.

“i guess i was just projecting on myself”, she says, and oh my gosh does scully want kids someday…. stop i’ll cry!! i’ll cry. 

“well, just find yourself a man with a spotless genetic makeup and a really high tolerance for being second-guessed and start pumping out the little uber-Scullys” he says, rubbing her back.

and i can’t decide if this is funnier if he’s truly and deeply down terrible for her and suggesting subtly that HE could be that man, or if he’s just being a really good pal. so i’m gonna turn around both options in my head for a while and see which sticks.

“what about your family?” “hm? aside from the need for corrective lenses and a tendency to be abducted by extraterrestrials involved in an international governmental conspiracy, the mulder family passes genetic muster” (said with a celebratory flourish of his hands)

oh my gooooooosh i love them both so bad. he is SUCH a nerd. and his constant need to joke about the horrible things… even when they are approaching a serious topic, life ambitions and the desire to start a family, he has to go in there with some sarcasm to avoid getting Too Serious...

see? he has good genes. allegedly. go forth.

but he sobers up, points out that the child they had to just examine is a serious tragedy, and some likely very young parents are probably incredibly scared. but this isn’t really an FBI matter. 10 points to him for being serious for once.

she is brainstorming how such a thing could happen- “now, we all have a natural instinct to propagate” “do we?” <- ace mulder subtext i see you…

scully is convinced that the woman who gave birth to that child did it against her will, and mulder points out that kidnapping is a bureau matter… she seems determined to save someone caught in a horrible circumstance here, and i admire that about her, the sense of justice she has. she gets up to go investigate.

but he calls out: “hey scully- i never saw you as a mother before” <- OH MY GOD??? OH MY GOD. i can’t even begin to process that right now. oh my gosh it seems like he has wanted kids SO terribly… but scully never really brought the subject up, which is fine because not everyone wants kids!! but what does it say about her character if she DOES…? i am analyzing.

i hope she is happy someday with whatever she chooses. music is playing as he looks after her. do not for a second think i missed that little musical flourish and gaze combo.

so, they go to the peacock's farm. where they find a chopped off pig’s head on the steps. it doesn’t seem to bother them at all, which must be a testament to the strength of bureau training.

mulder tries to do his usual “enter first and ask questions later” thing, but scully STOPS HIM, saying there is no probable cause.

WHAT!!! for once they did NOT JUST BURST IN!!??? their random entering of places is one of my favorite running gags and for once they didn’t. oh she is serious about this one…

so they just peek inside instead…. and then they get their guns and go inside after seeing a table covered in blood. oh…. the scissors from before…. yes, bloody table = probable cause

there is blood everywhere, and the footprint from the crime scene matches the footprint in blood on the floor. AND they find a bloody shovel. well!!! we know who did it now!!! but… where are they??

it is soooo dark and creepy as they make their way through the house. and someone is WATCHING THEM THE DARK as they investigate. BLEUGH we get an extreme closeup on their eyes…….

i am spooked.

now scully is on the phone with sheriff taylor, who is describing the warrants for the arrest of the peacocks he put out, while mulder slams a TV in their hotel room, trying to get it to work. typical mulder behavior

(i bet they felt a need to incorporate some silly moments to lighten out the heavy heavy heavy content, and honestly i didn't think it would work, but for me it kinda is. don't get me wrong, it's still VERY heavy, but it's not start to finish just trauma like we got in calusari, which stands out to me as being the darkest and least fun episode in the series so far. but let mulder sniff a baseball a little and smack a TV and our agents talk about having a family and it is slightly less overwhelming in terms of tone)

and she brings up the white cadillac they found there but he says get a lot of abandoned cars. damn, who is abandoning a cadillac...

what is this sheriff hiding…?

he pulls out his gun from a locked box, and seems deeply regretful. before he puts it back in the box… hmm…

back at the peacock farm. the brothers are packing what looks like clubs into the cadillac. and i notice how silent and scary the whole thing is… no music whatsoever.

meanwhile, mulder is doing a little dance to try and get the TV working, which scully is smiling at him in a way that implies long term affection and exhaustion. i want to get those gifs and save them upon my blog forever and ever.

he’s trying to watch the knicks game, but as she heads out, he says “goodnight mom”, and she looks… uncomfortable. i mean, it’s a weird thing to say, but still. he says a lot of weird things and she doesn’t always look sort of… hmm. idk, the only phrase that comes to mind is “cut to the quick”. i WILL be analyzing that.

she tries to leave and the lock is broken, so he places a chair underneath, which might do something but like… probably not a ton.

anyway, back to the cadillac, where the brothers are pulling out while listening to music. where are they going….

sheriff taylor is up late at night, “taking one last look around before it all changes”. oh, he loves his town… but it is rotten, like mulder says. AND HIS WIFE DOESN’T LOCK THE DOOR AS THEY COME IN!!! NOOOO!

the brothers are on the move, while scully sleeps and mulder watches a fuzzy documentary on hyenas?? okay. king behavior.

but back at the sheriff’s house, he can hear the brothers approaching, and pulling into his yard. oh no…. he looks out the window and the brothers aren’t there. so did they already get in…?

he’s going for the gun, he says, and they enter his house. and he’s got a baseball bat, but where is the gun! they have clubs! like the kind the bad guys in zelda use!!! they look very very dangerous!

he hears them approach as his wife is under the bed……… and he swings his bat at the intruder, but he is barreled right over, it’s three on one, and they beat him RIGHT AS HIS WIFE SEES THE WHOLE THING FROM UNDER THE BED. and they sniff and sniff and FIND HER UNDER THERE????????

what the fuck. who came up with this…….. that song is still playing as they get in their car and leave. i'm sure the song also has some significance to the meaning of what these guys are doing but tbh i have never heard it before so it's hard to unpack.

the deputy is at the scene of the crime the next day, smoking a cigarette, hands shaking in terror. he had come over to give the sheriff a report… and found them that way.

so the owner of the cadillac was found in baltimore, she had left it behind after running out of gas. this is not a lead in the slightest.

mulder is investigating the scene while scully pulls out files from the crime lab, and it is. well, it is very bad, to put it bluntly. the crime scene is horrific. 

she says that the crime scene messed up the tests on the infant… but mulder proposes that… perhaps each of the brothers were the father? she talks about how babies are made and how that makes no sense, but he proposes that generations of inbreeding could maybe make such a mutation. but she says that isn’t possible, they’d need a female family member and there aren’t any left. hmm...

scully wants to try and trail them right now and go save whoever it was that was forced to give birth, but mulder points out that they are outnumbered and could further endanger the victim. what to do…? i don’t know the answer. 

oh! the deputy barges in and says he’ll take them up there so it’s three against three. and they have guns, which should give them the advantage. okay. shoutout to the deputy.

mulder seems suspicious however, and says his suddenly entry was a bit “too chuck bronson for me”. so yeah, i had to google that too. this chuck fellow is the guy from machine gun-kelly. and NOT that sleazy rapper one. the more you know.

scully is confused, though, because why would they kill the sheriff? he didn’t even investigate them. unless they somehow overheard them talking about issuing the arrest warrants while in their house… and they are operating under the assumption that the brothers were not in the house when they were…. but we know that someone was in hiding!!!

OH! back to the house. one of the brothers declares he is hungry. we finally get a semi-decent look at them, and they are incredibly gruesome. someone is under the bed still…. 

and when they declare that they are “ready”, they strip down. they knew this day- and change- was coming, and all they can do is be ready for it. this is our home. and this is the way it’s gonna stay. 

again, i ask, who came up with this……

the deputy and our agents are on the property, now. deputy wants to come in from the front and let them take the back. a brave thing to offer, but i am slightly suspicious of him. they have wired headsets on and bullet proof vests on, and he is going in.

so they’re approaching- scully and mulder in the field, the deputy out in front. scully is peeking through binoculars but she doesn’t see anyone inside!!! it has to be a trap!!!!

OH MY GOSH!!! just as scully tells the deputy to not go in, he opens the door and an AXE SWINGS DOWN AND CHOPS HIS HEAD OFF!!!!!

i am sorry for being suspicious of you, deputy. may you rest in peace.

mulder’s reciting his facts from the hyena documentary. they are witnessing something akin to prehistoric humanity. but he has an idea: divert them out of the house, so they don't have to deal with their traps. it is a good idea.

so they are sneaking into the pig pen, which had to be a pain to shoot. “scully, would you think less of me as a man if i told you i was kind of excited right now?” he asks as they try to get the pigs in a line to topple like dominoes or something???

“is there some secret farmer trick to getting these things moving?” “i don’t know!” lmaooo these city slickers...

they’re shoving pigs straight out the gate, and she’s trying to say some magic pig words from babe, which her nephew apparently watches all day. you know what that means...

! SCULLY LORE REVEAL ! she has a nephew!

but there are more pressing matters at hand than a lore reveal as one of the brothers emerges, falling for their piggy trap. we see them in daylight now, and it is an unsettling sight. 

as the brothers try to herd the pigs back in, the agents sneak in, with mulder picking up a giant log to poke open the door. and it is a good thing he did that, because a trap descends right on the log that surely would have beheaded him as it did the deputy if not for the log taking the axe/weapon thingy for him. thank you for your service, giant log.

they sneak in beneath the log and close the door as if nothing went down. scully is yelling to see if anyone is in the house. they’re doing a sweep in excellent coordination. mulder mumbles “oh no” and i’m scared but he just picks up a newspaper that says elvis is dead and frowns 😭 his ass cannot be serious for more than five minutes 

but something approaches!!!! they enter the bedroom and see photos of generations and generations of this family, with varying conditions. and at this moment mulder notices that someone is under the bed!!

he’s trying to say that they’re here to help, but whoever is down there is screaming, screaming at them to go away. so scully tries to move the bed, but she’s strapped to a board underneath the bed, and they pull her out and…. oh my gosh, she has no limbs, i think? it’s dark and hard to tell. they keep her under the bed..........

mulder says they’re going to get her home, but after a glance at the pictures on the wall, scully says that she already IS home. it’s mrs. peacock. the mother of the family that they thought died in the car accident!!!!!!

she is sobbing and they roll her back under the bed, with mulder having a horrific look on his face, unable to process what he just saw. 

mulder is back on the prowl to find the other brothers. and he tasks scully with trying to convince mrs. peacock that she is the only one who can get “her boys” out of here without them being hurt. a mighty task, indeed.

she walks away, and he says “scully, w-watch your step” and he’s worried about her and i want to cry. oh!! we see a trip wire……….

so scully goes back to mrs. peacock, explaining that she needs medical attention, and the agents are here to help. she says that this is their home- why leave it? she has to see if the boys are okay. 

and she lost her limbs in the accident that killed her husband. “sewed me up just like the family learned in the war of northern aggression” OH! so that is an WILD thing to say in pennsylvania. but it was at this point i thought i was putting the pieces together for an extended metaphor...

but she insists she felt no pain, and that no one in the family does. and they’re such good boys. scully points out they murdered three people, and mrs. peacock says she can tell scully has no children, but maybe someday she’ll learn the pride and the love “when you know your boy will do anything for his mother”

well i think you probably just made her swear that off forever!!! so!!!!!

the brothers see mulder in the window, and they start to run in. and as he holds one at gun point, another tries to bash in his head, so scully shoots him. but this isn’t enough to take him down! and the other one joins in on their attack, so it’s two against one tag teaming mulder!!! oh my gosh scully can you use your perfect aim???

yes, she can, but despite emptying the whole clip, they aren’t hurt!!! 

they’re running and running and dodging a whole lot of terrible blows, and scully yells out that she has the mother! she trips over the wire and one of the traps falls RIGHT into one of the brothers, seemingly finally taking him out.

she notices marks on the floor, and when they go back for mrs. peacock, they can’t find the other brother or the mother.

so they put out an APB for them, saying that in time, they’ll catch them. but he counters with “i think time already caught them, scully”

cutscene to the cadillac- where mrs. peacock says that “sherman and george were good boys”- SHERMAN? a union name? edmund, sherman, and george… 

it ends with mrs. peacock saying that there will be more peacocks, and they have to find a new home, make a new family to be proud of. she is in the trunk of the car while she says this.

okay so first thoughts: WHAT THE FUCK.

this episode definitely lived up to its horrific reputation. but i can’t figure out exactly what it is it MEANS!

beyond exploring the horrific topics of generational abuse, i feel that there is something a bit deeper going on here. i actually felt so compelled to see if i was imagining things that i went on the wikipedia page for the episode, which spoke of its themes on the american dream and the nuclear family. those themes i see for sure- how mulder was talking about settling down in a place like this, so quaint and quiet, how they started discussing their own desire for a family, and how every idyllic thought about what a family could be was upended on its head with the peacocks. that made sense to me. but...

that line- “the war of northern aggression”- was what the confederates called the american civil war to justify their rebellion. this is notable for the fact that this whole episode took place in pennsylvania, which was a union state- but somehow, they got so twisted up in their own hatred that they’re parroting the lost cause ideology over a century after the war.

the repeated motifs of “things being the way they are in a small town, in our town, in our home”- is that a symbol for the festering of post-civil war wounds? the inability for the war to make meaningful change when it came to the attitudes of the people on the losing side, who continue- even to this day- to spew their hateful ideology? the inbreeding metaphor- is that a representation of how hate begets hate begets hate, generation after generation, compounding and corrupting by the lack of intervention from outsiders who are too afraid to change “the way things are” and call out harmful behavior? and the newspaper from elvis’s death… is that another allusion to the family (or perhaps certain parts of the country) living entirely in the past, in addition to their lack of electricity and water, just stewing in their own hatred? even the name- home- reminds me of the “house divided cannot stand” rhetoric. is this talking about the rot of "back in the good ol' days" thinking?

or if not a metaphor for the country, and instead just the horror of abuse? of how people can feel that things are the way that they are, and so that makes it correct, no matter what the cost? about how warped perceptions of family can be made and shaped? and the fact that mrs. peacock went along with all of this, despite being the biggest victim of the family... is that to speak on the twisted nature of gender roles and how they are weaponized in familial abuse?

i have to clarify that i am not an expert on abuse in the slightest; i am just trying to work through the themes of what i just saw. you know how it is on this blog; i do my best to interpret the big issues, but also recognize that i can only see and comment upon so much.

i'm really, really curious to hear how you interpreted the episode, though. or how audiences have understood it in the past, or if it has ever been re-evaluated. what did the cast and crew have to say on it? i want to know.

man. this is gonna really make me ponder. i want to know. it was too purposeful to just be a “wouldn’t it be fucked up if…” sort of situation.

regardless of the terror, i actually thought this episode was pretty good. it felt cohesive, not just a sideshow of horrible things to make you feel shocked. and we learned more about our characters- their ambitions in life, the possibility of a family someday dangling over their heads, and the terror associated with everything that could go wrong. i think there is always some fear about starting a family (i wouldn't know, but i do read books and stuff), and for scully to just now vocalize her thoughts on the subject and to immediately see this case- i can only imagine what it did to her thought process.

i thought the more light-hearted elements were working at the beginning- mulder's TV dance, baseball time, the merits of their genetics, family talk- worked well at first. but by the end it was just... damn. that was a lot. maybe that is the indication of a successful episode, that it can take you along heavy subject matter with a sense of character analysis and horror, but end with just terror.

i'm not a horror fan outside of this show, so the balancing of the heavy and the humor always baffles me a little bit. i don't know how other materials do it, so i can't really say if it could have been done better or worse. i think the important part though is that they don't turn the tragedy itself into the joke. it wasn't giving "point and laugh at the horrible peacock family!" it was finding humor in other situations, that ultimately still surrendered to the sober feeling of what humanity can do.

whew. this one is definitely gonna stick with me for a while, and i’ll need like 12 hours to formulate my thoughts into something comprehensible. but, you ask, did you like the episode?

yes! while i'm not sure i'd watch it again for funsies, i thought our agents had to confront some inner demons while also learning a lot about them together and individually, which is exactly the thing i want in an episode. i think it brought them closer and they understand each other better, and i think we're getting into some real juicy parts of their relationship. i can't stop thinking about him rubbing her back- how terribly devoted they are to each other, regardless of if either of them can put that into words. those dynamics of devotion that go beyond words- it's so special to me.

and sure, i'll take the bait, and daydream about them living together... i am not above fan service in the slightest. it is me, the fan, who loves to be serviced.

but again. i'm spooked.

[devilsrecreation]

Since the ep is INSPIRED by POTO, I’mma point out the similarities and differences

Similarities/references to POTO:

-There are obvious parodies of the characters in the book/musical. Neema’s obviously the Phantom, Paka kinda has Christine’s role, Nne and Tano are kinda like Madame Giry, and there’s an herbivore with Carlotta’s role. Maybe a wild ass

-Neema pulls very similar stunts Erik pulls, mainly sabotaging performances. But he also has a secret lair in a water cave that he takes Kiburi’s float and Paka

-The Grasslands has a tradition called the “kupiga mpira”, meaning “masquerade ball” where everyone dresses up in costumes. Neema crashes the party lol

-Like Christine, Paka is a (rookie) performer and has a relationship with the Phantom

-I guess you could say both Erik and Neema had a hard life (granted, Neema’s past wasn’t as bad as Erik’s but still) that somehow affected their reputation

-He put Paka to sleep with a soothing melody (AKA he recreates “Music of the Night”)

-“[Why would anyone want to date a strange individual who’s killed people? That just sounds like a toxic relationship.]”-Neema at one point

-The reptiles like to refer to Neema as an “angel of music”

-Tamka brings up “the point of no return”

-Like Erik, Neema kills someone

-One of the reasons he sabotages a show is that a certain spot isn’t left for him. It’s HIS spot, no one else’s

-Neema and Erik both get exposed

-Both phantoms get affection at the end

-Neema’s point of no return is to either quit this double life thing and go back to being in Kiburi’s float or stick to being a phantom and leave his only family permanently. Although Tamka/Nduli think Neema’s gonna give THEM a choice to either join him or he’ll kill everybody, to which Kiburi shuts it down cuz that makes zero sense

Differences:

-There is no operatic singing in the episode. It has singing (the Grasslands are a musical place) but not actual opera. Also there’s no Raoul nor Persian

-While Erik loves/is obsessed with Christine, Neema is aromantic and has no interest in anyone

-Neema does not wear a mask that covers his face (except during the masquerade scene)

-Like I said before, everything between them is platonic and healthy. Though Neema DOES have a soft spot for her. If anything, they’d be QPP’s

-Erik and Neema haunt their respective places for different reasons. Erik does it cuz of his passion for opera and obsession for Christine. Neema honestly just likes the music. The hero thing just comes with it.

-Two things: it was completely platonic and Neema hummed the song since he’s mute and can’t sing. It’s more of a lullaby than a romantic ballad

-Neema isn’t jealous nor possessive. The most he does when he sees Paka with someone else is make sure they don’t hurt her. He’s more protective if anything

-my guy is not a teacher. He’s never taught anyone anything (except maybe how to stand up for yourself)

-As much as I love the scene, it ain’t happening with Neema and Paka. Way too sexual for them (and the episode fic) 😭

-Unlike Erik he killed someone cuz he was hungry, not to sabotage the show. Though everybody else seems to think differently

-He doesn’t kill anyone cuz of it, although he does cause a monkey to interrupt it by scaring him

-While Erik’s face gets exposed during an opera in front of everyone, Neema’s confronted by Kiburi’s float and basically gets exposed then

-Erik gets a kiss while Neema and Paka share a hug and a head pat :)

-Neema’s ending is veeeeeeery different from Erik’s. Neema doesn’t die like in the book nor does he completely quit being a phantom and not see Paka again. He goes back with his float in the end, but he continues to be a Phantom hero in the Grasslands.

There’s a reason Neema kept up the whole “Phantom” act and it kinda has something to do with his past. Neema was raised by strict, but somewhat supportive parents as a hatchling. He never learned to actually talk but his parents convinced him that being quiet was a good thing. “Silence is golden” they’d always say. “Just do as you’re told and they’ll like you”. It was like that for a while until the day he saved that lizard. Being referred to as a “hero” awakened something in him that day. He likes being some mysterious heroic entity, he likes playing with the Grasslanders and telling them what to do, he likes keeping animals on their toes, he likes the music the Grasslands have.

He likes being his own animal.

He’s been following and obeying his leaders all his life. Don’t get him wrong, he doesn’t necessarily mind it and he loves his friends, but it just feels nice to be someone now that he’s found his passion.

Nne and Tano found out when they got hungry and wanted to try something different rather than a mole rat or trying to eat animals from the Pridelands. They soon found themselves in the Grasslands and just so happened to spot Paka walking around. Just as they cornered her, Neema came out of nowhere, gave Paka a chance to run away, and began to attack the pair…until they recognized him like “Hey wait a minute…we know you! You’re one of the crocodiles in Kiburi’s float! What’re you doing here?”. It took a bit, but the pair finally figured out that Neema was a phantom and decide to join him. They never let anyone know since (until Kiburi basically forced them to tell where Neema was going).

Ever since Paka heard about this supposed phantom saving one of her lizard friends, her sleep schedule has been out of whack (seeing how black-footed cats are nocturnal) and she’s been obsessed with seeing it for herself. It only grew when Neema saved her and she went from wanting to see him to wanting to get to know him. Luckily, Neema took interest in the little feline due to her personality and shared love for music and began watching over her. He’s even led her to his water cave (where he hummed her his lullaby) and their friendship grew from there. She doesn’t really understand him so they communicate by yes or no questions until Kiburi comes along. Same with Nne and Tano.

Unrelated, but I just realized a pattern with my headcanons for Kiburi’s float: I gave them all desires

Kiburi wants to be good enough to make his dad proud like he promised

Tamka wants to be seen as more than just one thing (which is an idiot). He wants to pursue his passion and show he’s capable of doing things

Neema wants to feel like somebody. Like I said, he’s been a follower for way too long and he wants to find himself

Nduli wants everything to stay the same. He’s lost so much due to change and he doesn’t want to lose anything or anybody else, so he clings to his loved ones in hopes they won’t let go

Wakali wants to be taken seriously since her young age and albinism causes other animals to underestimate her

Even Makuu wants to show everyone that he’s changed his ways and wants to leave a legacy. It was the same thing with Pua, although nowadays he just wants to live his best life

Ucheshi got what she wanted in that Udugu episode I have-she got her big brother back :)

[aciddaffodil]

Winter 2024- What I Finished

So as this anime season is coming to an end. Here are the shows I actually kept up with and overall enjoyed immensely.

There will be spoilers so be warned lol

The Unwanted Undead Adventurer

I have enjoyed this series, the way Rentt is so determined to become a mithril-class adventurer even as an undead. The 3D models for the fight scenes move pretty well with the background matching them, especially in episode 9. This series is a slow-burn, even with the story progression, but I appreciate it because we see so much character growth for Rentt and how he interacts with the people and his friends. The music is fairly average for the series, but it does have some good moments especially when Rentt is in thought or making a choice. I loved coming full circle and him regaining his "human" features even though he still is very much a vampire now. Shun Narita, the composer for the series had some standout moments (fight scenes and contemplativeness) of music throughout the season so hats off to him.

The Wrong Way to Use Healing Magic

I fell in love with the humor of this series from the get-go and not a single episode is a disappointment. It is so full of life and this past week for episode 11, the line " Now that's the wrong way to use healing magic" was used in a perfect moment. The lead up of Usato's characters growth and seeing all his hard work and "torture" from Commander Rose's training *actually* matter was brilliant. Element Garden has done a great job with the music that just gets your blood pumping. Probably will make a separate post for this series once it's over.

A Sign of Affection

The shoujo everyone is talking about, FOR GOOD REASON. To see the romance between the leads develop was so satisfying and wholesome. The development of the side characters so far is handled well, and at times the flashbacks scenes take over an episode but they are necessary. The art style and the use of lighting are done so well. It was a very cute show and always will love seeing an adult romance.

Solo Leveling

What can I say that hasn't been said already? I started reading the manwha in 2019 and have reread many times since. Hiroyuki Sawano was a great choice and the soundtrack WILL be on loop once it's released fully. Smart pacing choices to have it end with him gaining a job, this week will be a blast of an episode. Wish it had been slotted for 24 episodes... The last two episodes KILLED it, the animation, the music?! I was on cloud nine.

Mr. Villains Day Off

A perfect wholesome background anime, that is just about a Villian who loves pandas on his days off. The episodes where they focus on the Rangers aren't super interesting and makes you question the ethics of the world? It's a very cute show and sometimes, it's just a need in life. Ending was split between resolving the previous episode and the lead up to the Rangers and the Villian's battle.

Villainess Level 99: I May Be the Hidden Boss but I'm Not the Demon Lord

The Isekai'd into an Otome game genre is SO saturated but somehow I ended up loving this show. Yumielle is so autistic coded and straightforward, no one quite knows how to react to her. Patrick is head over heels for her, not that she ever notices, and they're dynamic is adorable. I have laughed watching this show and the only reincarnation anime that didn't bog me down with guessable plot.

Hokkaido Gals Are Super Adorable!

I fell so hard for this anime that I binge read the manga...who's art is definitely butchered in the adaption, it's so wholesome but the way episode 11 ends off MY GOD the miscommunication hurts me, and people will definitely riot watching the finale...and then picking up the manga to suffer for 40 chapters...BUT it's worth it. Tsubasa and Fuyuki all the way, they're chemistry is the best in the show as they each influence each other to open up, to be serious about the future and to help themselves grow as people. So sad to see this show go but maybe we'll get another season?

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!

This anime has me kicking my feet in joy and makes me miss my long-distance partner so fucking much. When Kurosawa and Adachi kissed? I was whooping in happiness. Adachi has a lot of room to grow with his communication with Kurosawa but pretty sure the final manga cover is a wedding outfit? My poor notes app I use to write my thoughts/observations as I watch seasonal anime is " SO GAY. KISS PLEASE." for several episodes between them. I loved that the end credits was the wedding but I can't wait to read the manga to compare it!

Gushing Over Magical Girls

I'm not one to watch ecchi shows but this, THIS is just such a delight to watch. Utena is such a loveable protagonist, a magical girl loving person who gets turned into a villain and has to "fight" the girls she loves. By fighting its not LMAO. I adore all the characters in this show and how fresh the writing for them is. Its beautifully animated and the finale was so much fun to watch!

Mashle S2 - Divine Visionary Arc

I picked up the first volume at the bookstore halfway through the season to try reading, after Bling-Bang-Bang-Born blew up, and I was not disappointed. Binged Season 1 and caught up in a day. There's just something so satisfying with gag humor and shounen fight scenes. I love everyone (besides for Innocent Zero, fuck that guy) and will for sure be binge reading the manga. The music, as always, is so hype and having rap for the fight scenes is very interesting. The soundtrack for S2 just released yesterday and has some amazing tracks on it.

Shangria-La Frontier

What. An. Amazing. Show. Never thought I'd like a VR Gaming anime as much as I do now, but this was just so vibrant and humorous. Sunraku's tenacity at gaming and taking on challenges, plus my love for rogue/assassin builds from DND, made him such a likeable character. The entire Weathermon fight to be slotted for 4 episodes was just..gorgeous and stunning. The Music?!? God its perfection. The NPC's of Rabitzu... to have characters and just to not be weird was very much appreciated to me. I sincerely wish it had the fandom that other Fall 2023 shows, cough cough Frieren, Undead Unluck and Apothecary Diaries, has because I just want more merch sobs. The cosplans I have for this show? Too many, and its already in production for another 2 cour season for this fall!!

The Apothecary Diaries

What a spectacular show and fabulous 24 episodes. The animation, the music (Satoru Kosaki, Kevin Pinken, Alisa Okehazma), the characters, the backgrounds?! I enjoyed watching the characters interact and loved the humor in the animation. I also just read and caught up with the manga in 2 days...so it's that good and a worthwhile watch and read!

[marvel-starwarsfangirl]

Why I Love Crosshair- A Story About Persevering

I talk about Crosshair so much on my blog. With TBB ending in a few days, I wanted to share with y'all why he resonates with me so deeply. This show and these characters have touched the hearts of so many in this fandom. I'm curious, which Batcher has resonated with you? Anyways, here we go!

Crosshair's hot. That's it. I'm a simple woman. Moving on.

He's really freaking cool- I'm not gonna like, seeing Crosshair make those trick shots has me on the edge of my seat. It's just so much fun to watch someone do an incredible skill whether it's dance, playing music, or in Crosshair's case, take out several battle droids with one shot. I love it.

His character arc- Crosshair is one of the most interesting and complex characters I've met in recent years. I'm not going to lie, it's refreshing to see a really well-written morally grey character. Crosshair's one and only loyalty is to his family (plus a few others). He will do anything for them. However, Crosshair isn't drawn to some bigger cause like Echo or Omega are. From my POV, it's something interesting to think about. What makes a good person? How far is one willing to go for someone they love? At what point does that loyalty and love turn selfish or self-destructive? These are all questions that Crosshair's character brings up.

I also appreciate the love and passion put into his character. Jennifer and the team took their time to give Cross a proper redemption. It wasn't as simple as "Crosshair just flips on a dime" or "he dies proving he still loved them." No. The change had to come from Crosshair. Crosshair had to be the one to make the steps towards coming home. It had to be his choice and his choice alone, not something that was forced onto him. I really appreciate that tbh. People are so complex and we all make mistakes. Crosshair made some pretty bad choices (not that he was 100% in control). Still, he had to figure things out for himself and when he was ready, he decided to come home.

His story- Crosshair's story is one of struggle and persevering in my eyes. "The Outpost" is one of the best depictions of what it's like to struggle with mental health. It's why I love it so much. I see a lot of myself in Crosshair. So often, it's much easier to just lie down and quit. But Crosshair doesn't quit. No. He fights. He fights so hard and in the end, he makes it. To see Crosshair come home after so long meant the world to me. There is a light at the end of the tunnel. You can and will make it. And he didn't do it alone. Omega continued to be a light in his life. Crosshair reminds me to never give up. Even when it all seems impossible, we need to keep going and there is hope for the future. When he meditates with Omega, I almost cried. That episode reminded me of my mom because she's constantly encouraging me and supporting me. She always tells me that I have to be the one to help myself. It's difficult and she will be there, but I can't just expect things to fix themselves. Similarly, Omega told Crosshair that he needed to help himself. I don't think I've ever related to a SW character as much as I have with Crosshair.

Crosshair has taught me so much about myself. Through him, I've learned that there's a lot going on in my head that I need to work on. I realized why S1 Hunter pissed me off so much. Because like Cross, there are times at home where I feel like no one listens. He taught me to keep going, to keep fighting, especially in times of great uncertainty. Crosshair and Omega's relationship shows just how special the impact of one person can have. I see their relationship reflected in my life in many ways. There's so much more I can say about Cross, but we would be here forever lol.

I am so grateful for Crosshair. I am so grateful for his story. He might be just a character, but he's really helped me tackle some rough times in my life. I love him with all my heart and will forever be thankful to TBB team for bringing his story to life.

Thank you DBB, Jen, Brad, Michelle, and everyone on TBB team. Thank you for everything ❤️

[highfantasy-soul]

Moments I loved from NATLA Episode 4 - Into the Dark ❤️️❤️️

Aang and Iroh interacting more - love that they're not friendly to each other, per se, but it builds a foundation that makes their later respect make sense

The Earth Kingdom being harsh with their 'fallen foes' is nice to seed in here as in the animated version (season 1), most of the 'bad' stuff was relegated solely to the Fire Nation

The Earth Kingdom is no pushover and it's nice to see that early

Sokka defending his dad "My dad would have never done what you did" even after he commiserated with the Mechanist about his dad 'not valuing' what Sokka could bring to the table.

Though Sokka is frustrated that his dad doesn't see "him", he knows his dad is an honorable man doing his best and when Sai tries to use him as an example of 'doing the wrong thing just to survive', love that Sokka calls him on it

SECRET TUNNEEELLLL!!!

Like them introducing this now - all old buildings have secret passages - it's just a law

Teo's "its time to fight!" attitude - love it. He's so ready to stop cowering and wants to hit back

Flopsy statues!!!!!

Rolly ball throne? Nice touch

"Bumi? BUMI!!" :D

"You did 🤨" Love how Aang keeps his "I'm just gonna say the truth and I don't care if that's 'not allowed' I'm gonna do it anyways because your social rules are stupid" attitude

Katara's water pouch!!

Love the shake in Jet's voice as he tells Katara "I am nothing like the firebenders"

Katara's assessment is shallow on her part, but the core has a ring of truth - no, freedom fighters aren't the same as their oppressors, but when you start harming your own people to hurt the enemy, then you really have lost sight of what's right and wrong - why you're fighting.

FREEZE JET'S ASS!

I love Jet, especially this version of him, but yeah, no touchy

And Katara is absolutely right: Jet might have helped her through her block, but her power, that's all hers.

What are you going to do, Zuko?? What choice will you make!!??

Love that we're getting this choice of his here in Omashu

Bumi's puns 😭 kill me now - though very canon accurate

Like the vibe that everyone just has to laugh as to not anger him - there's less of a whimsical madness vibe to Bumi here and a more serious - yeah, this guy is our leader vibe that's quite unsettling

The tonal shift with Bumi did give me pause, but I like how the writers kept the jokes, the games, his eccentricities, but shifted the vibe to make them darker

In the cartoon, whimsy might work, but if you think about it realistically, that leadership style would NOT work during a war - a 100 year war, at that.

HIPPIIEESSSS!!!!

Sokka getting into that maraca - you let your little musical heart fly

"What are you doing here?" "We're doin' what we're doin'" :)

Oma and Shu lesbian supremacy!!!

Always get chills when this story is told

Lol Sokka's "There's no such thing as angry spirits." Right before the episode where they're kidnapped by an angry spirit XD

Love the switch up of the rocks not really being the path out - keeping us animated show fans on our toes as to what the lesson will be this time

Everything about the Earth Kingdom soldier's interaction with Iroh - all of it is just so good.

The cartoon glossed over Iroh's warmongering past - but he did do terrible things that hurt so many people. No, 'it was war, I was a soldier' is not an acceptable excuse (we didn’t accept it with Jet, so why the double standard for a ROYAL MILITARY GENERAL??)

The funeral scene

Leaves from the Vine

Zuko offering a soft and kind memory of Liu Ten instead of just talk about him being a soldier

Zuko sitting next to Iroh so he won't be alone!!!!!!!!!

The conversation between Katara and Sokka in the cave where she talks about how Jet helped her and Sokka how Sai helped him - then Katara reminding Sokka that when he was forced into a leadership position for the Southern Water Tribe, he didn't have anyone to help him through that

The concept of us all needing people to help us through our journeys is so important and really comes around at the end of the episode and just through the entire series

BADGERMOOOLLLEEE!!!!

Is it bad that all I could think about was how cute it was the entire time it was on screen?

Dallas Liu is so. Freaking. Good. At. His. Stunts!!!!

And the first mention of the theme Zuko struggles with of compassion being weakness!

Sokka's little 'thanks!' as Katara saves him from the badgermole XD

Seriously, all the little touches in Ian Ousley's performance are great

Idk why Sokka assumed the badgermole was a man, that's clearly a dignified lady

The power of sibling love guiding the badgermole was a great alteration from the OG - if they can be controlled through music, they can definitely respond to emotions

Bumi's whole speech here - and his willingness to get crushed - is what brought me around on this portrayal of him

He's right: it's a game where you have to make impossible choices - you have to fight even when you don't want to (a much more poignant message for Aang than 'look at things a different way')

The power of friendship saves the day!!!

"You CAN rely on your friends - and that's the only way I'm going to save the world: with my friends"

"You think like a child" (derogatory) "Is that really so bad?" (genuine)

Bumi made Appa's whistle!!! 😭😭😭😭

One last time Zuko chooses protecting his uncle over capturing the Avatar 🥲

"Everything I need is right here on this boat" 😭😭😭

[Masterlist of my NATLA thoughts]

[devilagent]

SONGS I ASSOCIATE WITH NICHOLAS. in depth because i am insane!

DARK SHADOWS THEME / NIGHT OF THE PENTAGRAM.    these are pretty self explanatory! i figured to add some actual music from the series on here especially since Pentagram has played often in nicholas scenes.

STAY DOWN HERE WHERE YOU BELONG.    this is 100% a self indulgent choice i will admit, tiny tim is one of my favorite singers especially when he sings with his deep voice, which he does on this track.  truthfully, nicholas should've stayed down below where he belongs.

BURNING FOR YOU.    i Always associated him with this song whenever itd play on the radio, another one ive seen people associate him with is Dont Fear The Reaper. i chose this one specifically for its lyrics. 'i'm living for giving the devil his due / i'm burning for you' really freaking good. 

WHO IS SHE?    i love how hypnotic and psychedlic this song sounds. i understand its a modern song but the vibe of it is So Trippy and the hypnotic instruments feel fitting, as if looking into nicholas psyche itself!! i wish i could find more songs like it that match his character. as for its role in his playlist, i interpret the song as nicholas meeting maggie for the first time.

SHE'D RATHER BE WITH ME.    60s song woohoo! the POV of this track is nicholas at joe, about maggie. it sounds SO arrogant and aligns quite well with his feelings on the matter. don't let his confidence fool you though, he knows deep down she'd rather be with joe. this is during the time he began to sabotage their relationship. BOOOO NICHOLAS

EARTH ANGEL (WILL YOU BE MINE?)    silly sappy love song. nicks feelings toward maggie, for sure viewing her as an angel on earth. which, she is polar opposite of what he is. her kindness and love has bewitched him.

YOU'RE AS PRETTY AS A PICTURE.    this track is an era of music i continually try to find more for nick. i LOVE this era music, it matches him well. if this song sounds a bit unnerving, its supposed to be. i want sweet old songs that feel unnatural or unnerving on a nicholas blair playlist, because of what he is. this is one is my favorite tracks for that reason. this song is meant to be nicholas feelings for maggie once again, "pretty as a picture" implies her fathers paintings, one of which she sold to him. see what i did there...

TONIGHT YOU BELONG TO ME.    yet another track meant to be unnerving. this song is definitely signaling the black wedding. 

GOODNIGHT SWEETHEART, GOODNIGHT.    i'm sorry im such a sicko /LIGHTHEARTED another song with unsettling tones. this song is implying episode 632! after being sacrificed on the alter... 

I CAN'T LET MAGGIE GO.    incredible song reccomended by @widowshill , its Perfection! very 60s vibed and describes nicholas feelings quite well. i adore it! it's true, he genuinely struggles to let her go and face the facts of the situation. he needs to accept things as they are even if he genuinely loves her.

AFTER TONIGHT WE SAY GOODBYE.    nicholas defeat, when he is destroyed on top of widowshill. directed toward maggie along with everyone else in Collinsport. most people will not really miss him LOL 

MR SANDMAN  (HALLOWEEN II VERS.)    i love this version so much. its atmosphere, the crackling of the music player, the jarring quality. its SO GOOD and fitting!! it makes sense for nicholas to be mr sandman since he hypnotizes people too, lol.

MIDNIGHT, THE STARS & YOU.    hm, this song wasn't geared at anyone in particular, just a general vibe that matches nicholas aesthetic! it could be interpreted as him & maggie as well i suppose.

THE MAGICIAN.    the lyrics to this one REALLY get me, they describe nicholas's character well. it was the first song i ever associated with him & its pretty solid. " do you find it gets a little easier each time you make things disappear? / old fools the magician bends the rules / as the crowd watches his every move "  JUST A SHAKING HAND WITHOUT A CONCRETE PLAN!! I'M A SHAKING HAND WITHOUT A PLAN!!! (screams on the floor)

WHEN HE DIED.    modern song but eh! got the spooky vibe and i like the lyrics. its self-explanatory, nicholas's destructions. its unhinged!

GOODNIGHT DAD, I LOVE YOU.    don't worry about it...completely self indulgent on my part.

WE'LL MEET AGAIN.    implies that nicholas always comes back, eventually! you can't keep a scheming warlock down for long! 

[redshoes-blues]

Alright, now that I’ve watched the new Doctor Who episodes, here are my thoughts (below the cut because it turns out I had a lot to say!):

First, Space Babies:

— I thought it was…okay? It was a serviceable first episode, though I do wonder what the thought process was behind starting an intro season with such a weird concept. Throwing new viewers into the deep end?

— Lots of exposition, and I feel it could’ve been done a bit more naturally, but it isn’t a big deal. I’m watching the show with my brother who is twelve and new to DW (he’s only seen Nine’s season), so that infodump was helpful for him and new viewers even if it could’ve been handled a bit better.

— THE RANI MENTION!! Obviously exciting, but I may be even more intrigued by the lack of mention of the Master. Clearly lots of hard feelings there.

— The butterfly thing. Okay. What was happening when Ruby transformed into that green creature? I have many questions. Maybe it was just an example of a butterfly effect, but why is she that creature? Because it was a Changling she was swapped with? Sometimes things fly over my head so who knows.

— Major uncanny valley with the babies, which kind of made me wish they went a bit more in a horror direction with them, but ah well.

— WAS THAT CORUSCANT?! Maybe not *literal* Coruscant, but it has to be a reference, right? I mean, they referenced Star Trek too!

— I immediately adore Fifteen and Ruby’s dynamic. They have wonderful best friends energy and Ncuti has already proven himself as an amazing Doctor.

— Very intrigued by both the snow (clearly a recurring thing) and the DNA scan the Doctor is doing at the end of the episode.

— In terms of the snow, I wasn’t expecting to get emotional so early on in this series, but that and the scene where the Doctor is talking to the baby about his past made me well up. Beautiful writing there in an otherwise pretty silly episode.

— The little call-out of how hypocritical anti-abortion people are. Love to see it.

— Also the babies never being hugged before?! I’m sorry but that’s so devastating oh my god.

— Clearly a major theme of the series is going to be adoption, where the Doctor and Ruby came from, as well as their found families. I’m a huge sucker for found family, so I’m quite excited to see this inevitably come up again throughout the season.

— I love RTD for refusing to ignore that the Timeless Child is a thing that happened, and not only for that, but also for actively working to make it a serviceable aspect of the Doctor’s character now. It wouldn’t have been my choice for a plot, but it’s here, and I’m glad it isn’t being retconned. And I love how it parallels Ruby’s story. Also: the line about the baby Doctor being left in the void of space was so sad.

— I enjoyed the callbacks to The End of the World!

— Overall, the episode was fine, nothing special, but there were some lovely moments.

The Devil’s Chord

— Okay. WOW. I loved this episode so much. This is by far my favourite of all the episodes we’ve gotten with Fifteen and Ruby, and I can see it becoming a new favourite in general too.

— I loved when Fifteen and Ruby stepped out of the TARDIS and we got a little Abbey Road moment. Expected? Yes. But it was very adorable.

— Maestro was an incredible villain and Jinkx was giving everything!! Are they a child of the Toymaker? I feel like that was sort of implied, but either way they’re definitely part of his liege. I’m sure we’ll be seeing many more of the people connected to him throughout the series.

— Conceptually, I loved this. I love when DW takes a big concept asks questions. Like what would the world be like without this thing that’s so integral to humanity that we take for granted? It reminded me a little bit of the Yesterday movie (“what if the Beatles’ music didn’t exist?”) if it was good and thoughtful lol.

— I loved the slight corniness of seeing the world without music and how devastating that is. It made me cry seeing Ruby and Fifteen in the 2024 post-nuclear earth without music. And then seeing the joy Ruby’s song brought to people?! That song itself was absolutely beautiful and I’m so thrilled Murray Gold is back because wow. Stunning. Made me cry!

— We also learn that it’s June (or July?) 2024 now, which means they’ve been travelling for about six months. That’s quite a substantial chunk of time that we haven’t seen. Which leaves a lot of wiggle room for Big Finish audios. And that’s always welcome!

— The Doctor’s soul is split in two?! Woah. That’s a big deal and was brushed over really fast? Which is fine, maybe we won’t come back to that. But that in itself is very interesting.

— The Harbinger again. Hmmm.

— Also: Susan Twist again? What is happening!! She appeared in the previous episodes too.

— Ruby and Fifteen’s outfits were so fuckin good, I know so many people will cosplay them and look incredible doing it. I need Ruby’s dress badly.

— The part when Maestro was trying to steal Ruby’s song inside of her soul (very cool concept) and CAROL OF THE BELLS PLAYED OH MY GOD. The callbacks to the church are crazyyy and I’m so intrigued. I’m loving the mystery.

— SUSAN MENTIONED! All of these classic who references…Susan, other Time Lords, etc. are making me wondering if they’re just unsubtle easter eggs OR if they’re building towards something.

— Maestro referred to Ruby as a “creature” which is another tidbit that may point to her not being human, which I’m very intrigued by.

— I enjoyed the fourth wall breaks, which were slightly unsettling and especially the theme song beginning in piano which was such a cool callback to the original DW theme.

— THE SNOW IN THE TARDIS?! What is happening omg. The collision of that memory into the current time where Ruby is…what’s going on?! I’m scared but so, so invested.

— Musical number at the end was so much fun. Was it necessary? Not at all. But it was good camp fun and that’s why I watch DW, so I’m here for it!!

— There’s definitely more I’m forgetting to mention because this episode had a lot packed into it, but basically I loved it so much and am adoring Ruby and Fifteen as a duo. This was strong writing and a great episode for me!

[cherry-berry-candy]

How do we feel about TEoD?

so, overall my feelings are... mixed. some of the problems i had last episode seemed to be confirmed, there were some themes i wasn't expecting (pleasantly surprised), and there were some themes i wasn't expecting (unpleasantly shocked)

soooo time for another cut and a lot of thoughts (including a lot of complaints, be prepared) (also, nyx did a lot of writing for this oops)

TRUMAN SHOW

(i promise this isn't our main gripe lol)

okay, first thing's first, elephant in the room- tv show theory wasn't confirmed. well... not necessarily confirmed, but still very possible. the TARDIS crew not-quite-literally (or was it literally...) watch previous episodes on a television screen, and mrs flood is mrs flood. or, is she? we'll get back to her.

so, we know people have said that this is more than likely not the end of the current story- we should wait to see where the second block of 8 episodes go! usually we'd agree with this, but we take issue with something for this particular theory. we're going to explain why we think this season is worse off without a confirmation for this particular thing- assuming it's accurate.

take mrs flood for a moment, in isolation. she does some odd unexplained things- saying ominous stuff, knowing things you wouldn't expect her to, speaking to and looking to camera, etc. that we don't fully understand her now is fine- there's a bit of mystery to chew on, and it doesn't take away from the enjoyment of the episode, unless we assume that the explanation won't be sufficient.

the tv show theory explains a lot more than this, though. yes it recontextualizes in-universe events, but it also recontextualizes the experience of watching the show itself. the relationship between the doctor and ruby growing so fast, the anachronistic music in Rogue, the musical number in The Devil's Chord, the choice to not show hardly any moments before or after adventures, and more.

before getting an explanation of these things, i feel these things are distracting. this doesn't feel, to us, like the type of thing that should be a long game. obviously, there's plenty more than enough for us to pick up on to give the impression of tv show theory being real. but, for anyone not digging into this, hoping, praying for an explanation for the oddities, like we have been- this is just a series of strange choices.

even for me, someone who is all aboard still- this is a full season of show! maybe "full" is an odd word for it being so short, but there is some intention of a contained arc in these 8 episodes. so, in some sense, it should be taken as its own. and on its own- these choices are unexplained. even if they get explained later, i think this season is forever weaker for it.

Thoughts from TLoRS

(and how they were affected by TEoD)

we made a post following TLoRS with some issues we had, that might be resolved by the end of TEoD. so here's how those panned out, in our eyes

im going to skip over anything that's just "well, tv show theory isn't confirmed yet, so this is still weird! ¯\_(ツ)_/¯" to avoid redundancy.

some characters- in particular, rose noble, ibrahim, and carla- didn't do anything this episode. just like they did nothing last episode. so why were they here lol. carla being in this episode being seen getting turned to dust im alright with. but what's the point of the other two? why did carla need to come to UNIT? it seems like the reason rose was here was to bring carla in- especially since she just stands around, even when everyone else is firing at the TARDIS. she only gets one line upon waking up. and i don't think carla contributed nearly enough to TLoRS to justify either of them being around for this story. ibrahim doesn't seem to have a reason, even outside of that. lol.

one could argue that carla was brought to UNIT so mrs flood could have an excuse to be alone with cherry (oh hey. nice name sagkjsjakdg). but like... why did that need to happen? like, okay, mrs flood needed to spout some ominous stuff to camera, but she couldve done that to carla, no? or just done it to cherry with carla just... in the other room? especially with mrs flood's only role in this episode being to ~be mysterious~. a little of our feelings on this is flavored by That One RTD Interview, but... it just feels pointless to do it this way! maybe it'll be clearer later why we needed to have mrs flood be ominous to cherry specifically, specfically without carla around but... idk.

the thing with the radio reading "15:08" and "service not available" before susan's speech (immediately following Carla saying "go and get her!") still don't mean anything, yet. i guess. we saw it flicker a bit more, and see that 24 minutes passed (there were still nearly 36 minutes left in TLoRS when we saw the radio that episode. wonder what's up with that) but otherwise nothing.

the themes around sutekh actually did sell me on him being here! the idea that the doctor has been bringing death wherever he goes is a great one to explore this way! the reveal is still the reveal, but i was happy with the them explored here, and ill get more into that later down the road in the next section

FINALLY, THOUGHTS ON THE EPISODE ITSELF

(still ft. some broader season thoughts, but more focused on this specific episode)

can we stop writing kate to be just. fully stupid. please. im tired of her just firing at gods like it's going to do something. im fine with her being morally funky because UNIT but oh my god.

the "there will be birds" line is cringe and out of nowhere and lame. LMAO like. i don't think i could put it in any way that's smart. it's jarring for her to say such a flowery line before she dies and it's odd and it's cringe and it's lame

satisfying susan (triad) explanation. neat

god we love 15. "ruby roo"? "melanie b"? absolutely lovely

the doctor closing the door behind him on all the death he's caused? mwah. chef's kiss

not going to think about the DNA data existing in 2046. it doesn't matter. not thinking about it

"i traveled to all those worlds. i thought it was fun." what a great parallel to the archeologist from Pyramid of Mars that the narrative once defended. someone smarter than me could say more, but im too busy complaining. oops

didn't watch the tales of the tardis, but from the outfits it seems like they slotted it chronologically in the middle of this episode. neat!

"cultural appropriation" is a response that tickles me, and is also appreciated. glad the acknowledgement is made. that said, i saw some people still taking issue with the portrayal here so... maybe that growth isn't all the way done yet.

the doctor not acknowledging that the 4th doctor was him is so interesting. it also recontextualizes him calling 14 rose's uncle a bit- he really is trying to separate from who he used to be. maybe this also adds to him still not visiting susan. this also plays into the theory that he was straight up lying about having healed from 14's experiences- this too could have been him trying to separate!

if you can't tell, im saying all this as i rewatch the episode. not much to comment on where we're at, so a good time to bring up- the effects struggled in this episode, just a bit. the greenscreening of the og tardis in the time window was a little rough, and the makeup is (imo) noticeably worse. or rather, noticably noticable. maybe it just shined in the lighting of TLoRS? it was odd.

feel like "silence can reign" instead of quoting "silence can fall" is a potential missed opportunity? this one doesn't matter really, i think i'm just surprised

also i was reaaaally think this was going to be a "ruby is a devilspawn" moment, it almost feels like it was teased? idk, maybe i just was theorybrained. lol

oh okay. the tardis just has a laser beam in it. alright. sure i guess

this face is so fucking funny to me LMAO

okay i actually don't really. understand what's happening in the vortex here. like what is the cause and effect. idc that it's supernatural i just don't understand what the supernatural thing is. maybe that's a me problem.

the corniness of them all silently stepping outside... okay

okay other people brought it up before but. what about all the identical-looking susans across the modern day 😭like are they just gonna live their lives and no one's gonna think about it?

wait how did they. how did they get the data on ruby's mother. why didn't they just do whatever that process was before.

just some girl! okay, sure! i like the idea that she wasn't actually special, there were just weird circumstances that caused everything-

"we invest things with significance" awww that's kinda sweet actually :)

...

okay but hold on. what was the snow all about though. why could ruby create snow around her. and why did the memory keep changing. and what made the 66.7 meters relevant to her mother and to 73 Yards. and also...

this season has done a lot with myths and stories and such, but usually there's something... more to it. as there has been in other episodes like this in previous eras, too! in space babies, the spaceship creates something from stories. in 73 Yards, the mythology of fairy rings is implied to be based on a true story, in some sense. but here, a story just... became fantastical. for no reason other than being a story. and only specifically for ruby sunday. half the story or not, this is incredibly unsatisfying for a finale, lol

the pointing thing is. lame. the pointing doesn't make more sense in hindsight. it makes less. who the hell dramatically turns around and points at a sign to unofficially name their child. 😭

i really like the doctor projecting his issues onto ruby. like i don't because don't traumatize her just because you've dealt with it LOL but i do like it because Character Flaw

HEY WHY DOES THE DOCTOR LOOK INTO CAMERA HERE.

wow, the doctor... basically kicks ruby out of the tardis. dude you suck so much ass 😭

"my real mum" your WHAT? what do you mean your "real mum" who the hell has been raising you this whole time? russell. russellllll. come on dude 😭

kinda weird ruby never mentioning the possibility of having a dad just... went away here. is that intentional? idk. i don't really get why or how it would be, so i guess it's just retroactively weird that she never wondered about her dad until now.

hi mrs flood! who are you!! people are pointing to missy vibes (the umbrella!), the outfit similarity to romana at... one point? i don't know classic who aslkgaklgd there are a couple other characters people have pointed out, as well as the "clever boy" reference. kind of reminds me of rogue being a seeming amalgamation of some other characters, like river, jack harkness, and the master. hmmmm

well! there it all is! our disorganized thoughts. too tired to make a conclusion though LOL so im just. putting this all out there lmao

[adrinoir]

Lukagami is still a good ship (Determination is proof)

Wow finally thought of something to write lol

DISCLAIMER: I have NOT watched any episodes beyond Kwami’s Choice: Pt 1.

***

So, I have been rooting for Luka and Kagami to get together for quite some time now. I did not see enough chemistry between the Adrigami and Lukanette ships, and I think Lukagami getting together would be so interesting, even more so after watching Determination!

Why? Hear me out.

Handling Marinette & Adrien

So, it’s been made pretty obvious these two are stuck in the middle of the whole Adrien likes Marinette and Marinette is now denying her feelings for him situation. But the funny thing is, BOTH of them CHOSE to be a part of it. They didn’t have to be but they are.

Luka encouraged Marinette to meet up with Adrien one-on-one and then went with her for extra support. Kagami did the same thing with Adrien. They both want them to get together and keep egging them on and getting involved in the process.

So, they have similar ideas and ways of handling the mess that is Adrienette lol. I appreciate that they did the same thing but in their own ways. It makes them work well together. This all brings me to my next point.

Being able to read Marinette & Adrien

Okay so their first conversation in Determination was *chef’s kiss.*

These two have this common trait of being able to read people - or at least people they care about - really well. The first conversation Luka and Kagami had one-on-one is pure proof of this.

Let me reiterate what was said:

Kagami: Adrien’s problem is that he doesn’t realize his feelings for Marinette are love.

Luka: I think it’s because he’s a kind and generous person. He loves everyone and everyone loves him back. He’s lost in a jungle of love - he can’t read the signals Marinette sends him.

Kagami: That’s true. Learning to read Marinette’s signals is a complex endeavor. It took me a lot of time.

I love how well they explained Adrien and Marinette in the matter of just a few sentences. Imagine if Luka and Kagami spent more time together. I feel like they’d have no issue figuring each other out and would be able to have deep conversations with one another.

Opposites Attract

Other than the couple of similarities I mentioned, Luka and Kagami are very different from one another. But that’s perfectly okay! As the title for this section says: Opposites attract!

In reference to Determination, just look at the difference in how they carry themselves and the different ways they encouraged Marinette and Adrien.

In this episode, Luka is his usual soft-spoken self. He has that tiny bit of a push when he talks to Marinette about going out with Adrien, but it’s not much. He mainly uses his comparisons to music to get her to understand why talking to Adrien one-on-one is so important. He didn’t make it sound like it was going to be a date, but just a meet up so she can get to know Adrien better. Plus, he didn’t push to go with her, he decided to once Marinette asked.

With Kagami, she was extremely pushy. Kagami is very direct in everything she says. So, her way of going about it had the same intentions but was approached very differently. She made Adrien ask Marinette out. Adrien was the one who switched it around to make it seem as if it wasn’t a date. He explained to Marinette over the phone that his feelings of have changed but doesn’t know in what way, and then simply asked her to simply go with him to the Grevin Museum. Kagami didn’t like that and kept directly saying throughout the episode that he loves her and is experiencing jealousy (when he saw Marinette and Luka together). Also, she immediately insisted on accompanying Adrien because she didn’t trust that he’d know what he was doing.

All that being said, this would create a good balance between Kagami and Luka if they were to date. Kagami would be the one who’s direct, Luka would be the one to soften the blow. They’d give each other different perspectives on things and have interesting conversations.

I’m just imaging if they ended up together how the confession would go. Kagami would say something like, “Luka, I’m in love with you. We should go on a date.” And Luka would be like, “That’d be great. I feel we have such different melodies, yet they sound beautiful together.” Or something even more romantic, like how he confessed his feelings to Marinette in Silencer. 

Determination aside, in other episodes involving Luka and Kagami, the differences are pretty obvious, too. In reference to my first post about Lukagami, Luka is very laidback and dismissive, his mom lets him do what he wants. Vs Kagami can be very uptight and deals with a strict mother that keeps her from doing a lot of things she enjoys. If you wanna read more of my reasons, click this to read my other post.

Anyhow, I like the possibility of this ship. I think it’d be interesting to have the two other love interests end up with each other instead of the main characters. HOWEVER, I do still love the headcanon idea of Kagami being a closeted lesbian who loves Marinette. Both ideas are great.

[waitmyturtles]

Fuck. I have more on The Eighth Sense. (I’m gonna get all Moonlight Chicken-meta on this show!) (First big meta here.)

1) I loved the scene in episode 6 of the two guys having roadside snacks at the rest stop. There was a LOT going on in those scenes at that stop, but I particularly liked their conversation on the bench, because it indicated a lot of the pressures that Jae Won faces. Lines like: “We are always living in other’s [sic] frameworks in this world.” “Don’t try to get out of the box.”

And then Ji Hyun takes a bite of the sausage-and-rice-cake skewer, the very food they were criticizing a moment before as being stereotypical of that “box,” and clearly enjoys it. 

What does that say to me? It says to me that Jae Won is putting a lot of WORK to be IN the box that I think he’s in -- the chaebol-influenced box that his life is being directed towards. That pressure is driving him so insane that, again, I think he’s having dissociations because of that pressure. 

But I love how gently this scene indicates that pressure, that reality that Jae Won is burdened under. And that at this moment, he has no choice but to live in the box. And pretend to enjoy it.

2) And (eff Viki for not allowing screenshots), please enjoy this shitty-ass photo (lol) of the bench the guys are sitting on, because I think that this bench shot was brilliantly done.

That ghostly person always by Jae Won’s side. 

3) The man operating the roadside stand. Giving things away to the two guys because he thought they were cute. 

I wish I could parse more the meaning of the trot soundtrack that the guys were given. I know very little about trot, except that it’s considered in many ways, “old folks” music, although there are many new artists today who are popular trot singers. I wonder if the trot soundtrack is meant to indicate to the guys a remembrance of happier times.

And the roadside guy himself. He also serves as evidence (to me, at least) that the entire episode was a dissociative experience, becauuuussee: call me a cheap auntie, but what’s this guy doing, giving stuff away?! Lol. Fireworks are expensive!

But also. I got this feeling (PLEASE feel free to NOT roll with me on this one, because it was ONLY a fleeting thought) that maybe that guy was meant to be a reflection of Jae Won’s father, IF Jae Won’s dad accepted him for who he was. (THIS IS ONLY A FLEETING THOUGHT, NOT EVEN A THEORY -- just something that popped in my head as I was watching the episode. Don’t quote me on this one! I don’t think Jae Won’s dad would give away free fireworks, lol!)

Why did I think that? The guy had no reaction when Jae Won said he was traveling with his “boyfriend.” It made me wonder that Jae Won wanted to live in a world where he could say that so easily. That he could speak to people, to older men in his life, who would accept Jae Won for who he was/is as a queer man. 

4) Last thought. I don’t know the reality of Ji Hyun being a part of the Sea Cadets, but something that REALLY worried me in the first episode was Joon Pyo saying to Ji Hyun, upon peeping the Surf Club’s website on Ji Hyun’s computer — that Ji Hyun couldn’t swim.

If Ji Hyun had been a part of a school team called the Sea Cadets that exposed him to the ocean, then… okay. But that was revealed in what I think was the dissociative episode 6.

So I feel like I can only go by what Joon Pyo said in episode 1, and think that Ji Hyun isn’t familiar with ocean swimming.

I surfed for like, a mini-season once in my twenties (it was RADDDDDD, but expensive, and I am not a morning person to get up so early to catch waves). (But I highly recommend trying it, because catching a wave even on a longboard can be such a high.)

Anyway, during that time, I basically only swam and lifted weights to train. I can’t quite remember the rule of thumb for how many meters you needed to be able to swim in a certain amount of time to be considered a safe surfer, but I know I had to practice for a solid week, every day, to get to that goal, because I didn’t swim regularly before then. And then I spent the summer only swimming as cardio. Surfing — with all the paddling out, the fight against the waves as you paddle out, the balancing on your board as you wait for a wave to come in — is EXHAUSTING. You burn maaaajor calories with surfing and training. (Jae Won not being hungry for ramen after that first session is suspicious.)

Not a single surf instructor in the world would let someone who couldn’t swim anywhere near the longest longboard you could find. An instructor wouldn’t let a non-swimmer surf on a fucking mattress. At least, the instructors I knew back in mah day. I don’t know how it is now, if you were to take lessons at like, a resort. But I know I couldn’t have hired a teacher back then if I couldn’t swim.

One rule you have to learn is how to dismount the board when you wash out — the boys do it correctly on the show, you kind of tuck in and jump off the side with your butt splashing down first.

But anything can happen. A common occurrence is you washing out first, with your board flying above you (it’s connected to your ankle, so it’s bound to slam down near you), and possibly smashing the top of your head.

So putting all of this together: if Ji Hyun did indeed drown? It may have been because he didn’t have the strong swimming skills he needed to surf properly. It’s interesting that we didn’t see the Surf Club vet for that prior to the first surf trip. And I gently wonder, if anything happens to Ji Hyun in the “reality” part of the show, if Jae Won blames himself for not knowing that Ji Hyun might not be able to swim.

Damn. This show is doing it to me. GAAAAAHHHH. @lurkingshan​.... you were so right about this show.

[thebreakfastgenie]

If you had to make a script for a Billy Joel episode of Glee what episodes would you put in it

Okay so I actually think the Billy Joel episode of Glee did a decent job with the songs it chose:

Movin' Out

Piano Man

My Life

An Innocent Man

Honesty

Just the Way You Are

You May Be Right

They had previously done Piano Man, Only the Good Die Young, Uptown Girl, New York State of Mind, and The Longest Time.

They had no problem using Piano Man again, so I'm going to treat songs appearing previously as no object, that being said I feel less strongly that Only the Good Die Young is essential since it was used in the show elsewhere. Anyway I'm going to come up with seven songs because Movin' Out had seven and that gives me a guide lol. This isn't a cohesive episode plot it's just songs I think would work well, I will think about a cohesive episode plot but I need more time for that.

I would do:

The Entertainer (idk who would sing this but I'm picturing Mr. Schue bringing someone in to mentor the kids about the music business and this person being cynical and singing this song)

You May Be Right (but edited better, christ I hate how they edited it)

Tell Her About It (I see Blaine doing this one)

Allentown (that tank factory you're obsessed with fits in with the dying industrial town theme, also the music video for this is a little homoerotic so Kurt and Blaine could do something with that maybe)

An Innocent Man (in the episode this is used as a teen angst romance thing and it's great, it was kind of a surprising choice to me at the time and it was excellent I would keep it)

Summer, Highland Falls but only if Blaine gets to sing/play piano (I can't stomach a Glee cover of Vienna even though I think Darren Criss could do it so he gets Summer, Highland Falls)

We Didn't Start the Fire (Gwyneth Paltrow's substitute character should do this one. Also I know Mr. Schue becomes a history teacher but it doesn't suit him.)

I know Piano Man is obligatory but fuck that. It's too long and you can't edit Piano Man because Billy Joel will write a whole other song just to yell at you. Also like enough already. Enough.

Some other considerations:

This Is the Time as a Finn/Rachel graduation/breakup situation, featuring the other high school kid couples facing an uncertain future as well

My Life was great in the episode also and I would love to see that again

It's Still Rock and Roll to Me in the context of the kids freaking out because their intel says their competition (that school in the pilot with the steel drum band) is doing something flashy and new and Mr. Schue reassuring them that it's all still just rock and roll and they just need to do what they do

Keeping the Faith in the context of doing an old school throwback number for a competition but I would kill myself if I had to watch Glee do that because old school throwback numbers were my school's show choir's Thing and they won all kinds of competitions and everyone was obsessed with them

Miami 2017 when one of the original kids has a getting fired/quitting/dropping out arc in New York and is being dramatic about it lol

[kindred-spirit-93]

and now for a post this blog was made for (take this as free trial of what to expect down the line. fair warning; not to scale)

If I had a nickel for every time a protagonist had to choose between a sword and a guitar, I'd have two nickels, which isn't a lot, but it's weird that it happened twice.

the first (and tbf only) two that come to mind are Manolo from the book of life and Kubo from Kubo and the two strings

quick background: manolo had to fight a giant toro (all the bulls his bullfighter family killed ever, and kubo had to defeat his grandfather the moon king in his final form. also he uses a shamisen not a guitar. but it fits the category so theres that)

and its such a beautiful and strange concept; to be presented with the choice of peace via music, or violence (so to speak) by the sword, and it works. the apology song moved me to tears the first time i heard it and kubo's words are truly beautiful and ones i wont forget.

i think its what the music relays rather than the instrument that brings about a change of heart or leads the hero to victory; their empathy and humanity. family is a prominent theme too, one of love and guidance and ocassionally a source of greivance lol.

i havent watched either films in quite a while (BoL 10 years ago oof) but both songs/ pieces speak so much truth they are able to do what the sword could never achieve. and now for a segment i like to call from where i stand, where i get to link fiction with my life and experiences to provide insight from, say it with me now, where i stand: as an aspiring psychiatrist in a part of the world where mental health is still finding its footing in the public eye and sadly among other healthcare students, its hurts to see how little we listen to each other, compounded by how simple and effective just basic human connection is in somehwat alleviating (albeit temporarily) whatever it is someone is going through. empathy my dudes. it goes a long way.

manolo appologises for the centuries of grief his family profession has inflicted on the bulls, and extends a warm hand of understanding and sincerity, while kubo uses the power of memories and love to prove to his grandfather that so long as he has his eye, an eye capable of seeing (and by extension a heart capable of loving and a soul capable of feeling), he will live and prosper. their humanity prevails and brings peace.

final word: to quote Jonathan Decker from a CT episode i cant remember lol: "Kindness won't always change someone, but it shows them you won't be changed." and i think its an important gap to mind, in the sense that the magic of music or whatever wont fix our real life probelms, like a failing relationship, but kindness and empathy and humanity are all necessary for healing and growth. and that, i believe is the message behind the trope. a good day to you all.

me, an intellectual: