#quite the achievement
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Kyle Hebert as Ryu (Street Fighter) | Friday, 06.14.24
Can you believe it's been 15 years since Kyle Hebert voiced Ryu following the 2009 release of Street Fighter IV? That's quite the achievement for a veteran voice talent since he's continued to voice Ryu in other games, like Marvel vs. Capcom 3: Fate of Two Worlds and Super Smash Bros. Ultimate.
And yes, there's more down below, so comment below on which video game you enjoy the most.
2009
Street Fighter IV (video game)
Street Fighter IV: The Ties That Bind (anime movie/OVA; English dub)
2010
Super Street Fighter IV (video game)
2011
Marvel vs. Capcom 3: Fate of Two Worlds (crossover video game)
Super Street Fighter IV: 3D Edition (video game; Nintendo 3DS port)
Ultimate Marvel vs. Capcom 3 (crossover video game)
2012
Street Fighter X Tekken (crossover video game)
Wreck-It-Ralph (movie; cameo)
2014
Ultra Street Fighter IV (video game)
2015
Super Smash Bros. for Nintendo 3DS & Wii U (crossover video game; post-launch DLC)
2016
Street Fighter V (video game)
2017
Marvel vs. Capcom: Infinite (video game)
2018
Super Smash Bros. Ultimate (crossover video game)
2019
Power Rangers: Battle for the Grid (crossover video game; also voices Crimson Hawk Ranger)
Teppen (crossover video game)
2021
Fortnite (video game; added via update)
2023
Street Fighter 6 (video game)
#kyle hebert#ryu#ryu street fighter#street fighter 4#street fighter 6#street fighter#street fighter 5#video games#happy birthday#capcom#capcom games#street fighter x tekken#video game characters#fighting games#fighting game characters#playable characters#super smash bros. ultimate#15 years later#since 2009#flashback friday#june 14#june 14th#june 2024#voice talent#voice actor#quite the achievement#ken masters#sakura kasugano#female protagonist#protagonists
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The holy trinity.
Originals and batches under the cut
And the other assorted ones
This was literally so much fun to do- I love these memes with all my heart I hope you love them too! <3 thanks
#if you achieve all three you attain inner peace#gay#man#and stupid#ace attorney#art#my art#miles Edgeworth#phoenix wright#larry butz#Narumitsu#just finished taht one anime episode where they just made up their entire backstory#it was quite good#the bloopers are better#Artistic endeavours
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why did anyone bother with making animated movies after Prince of Egypt? did they think they had any chance of ever comparing?
#prince of egypt#kinda cute they'd think that#when it's quite literally the crowning achievement of humanity's collective artistic ability
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not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.
#for klavier because it's not as direct it's about how we never see him actually wearing lipstick? even though apollo literally attends#a concert of his which is where you'd most expect him to wear makeup. but apparently he just doesnt. or at least not in public#klavier gavin#kristoph gavin#i feel like there are several ways you can read into it. the misogyny/toxic masculinity one is really obvious clearly with kristoph's#singling out of men specifically and klavier's (probably accidental?) condescending manner of calling women 'fraulein' plus his general#mildly patronising attitude towards many of the women in the game (also probably unintentional)#(i think he's trying to be charming and it's coming off wrong to some of them. like ema. and me.)#but i feel like there's also maybe an element of... inherent perfecfionism to it? like both of these products are conventionally beautifyin#products and kristoph while he is open to showing people he uses nail polish specifically chooses one that's clear and missable unless you#see him apply it. he also feels the need to justify his use of it and specifically spell it out as something he chooses to do rather than#needs to do even though duh. that should be obvious.#idk there's just something about his seeming need to take control of that narrative that i find interesting. his need to spin it into a#'there's nothing wrong with my nails but I had the foresight to see that even the smallest parts of my appearance should be kept immaculate#and it's a choice i'm making to refine an already adequate part of my personage /not/ to cover some unsightly defect.' the need to emphasis#that specifically is so. hm. and with klavier i could see it being a case of him liking makeup liking the pops of colour yet being unwillin#to admit to it because he's afraid that other people might see it as him being dissatisfied with his own appearance regardless of if he is#or isn't. or even just perceiving colourful makeup as being unseemly because it's so overt and unnatural.#like i can see this as them both viewing 'real' beauty to be that which is inherent to a person and seemingly effortless#thus somehow negating the beauty which one achieves through cosmetics or other external means.#and if you want to use external means to achieve beauty or neatness or whatever then your only valid options are those which blend into you#natural state. like clear nail polish. or really awful spray tan.#i feel like klavier's less confined by these ideas (if they hold merit at all) considering he actually owns coloured lipstick and he wears#jewellery (admittedly quite 'masculine' jewellery no gems or pearls or anything like that but jewellery nonetheless) but i think it just#makes it more interesting that he doesnt seem quite able to cross the line anyway. like it's that ingrained into his system.#anyway that's all i've got. you guys should tell me what you think too#annotations
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I love Jar of Mice! I've never seen creature designs like Thrones before.
You mention Ibis tissue in some of the posts, and I read the old post about it - has the lore changed since then? Does it have anything to do with the bones of God at Godtomb?
I'm very flattered! I don't think of Thrones as particularly creative but I suppose that's because I know all the ingredients for them... Actually let me take this post as an excuse to go into them a bit!
I extremely enjoy taurs and human "hybrid" style creatures like sphinxes a massive amount, but there are a ton of artists who's particular styles and sensibilities have inspired me. Coming to mind off the top of my head are artists on social media like Bwusagi, Suzumori521, Deerchip, Theveryworstthing, iliothermia, and definitely more...
I tend to collect a lot of art of centaurs, sphinxes, harpies, and dragons that catches my fancy, here's some of it:
(An Islamic depiction of Sagittarius, Salome Sphinx by Nicholas Kalmakoff, ????, Nagas by Rabi Behera, Şahmaran)
Edit: forgot the Lamassu, which is a more specific inspiration than any of the things above or below.
Jim Woodring is one of my inspirations for Thrones that people tend to clock, and they're correct. It's probably the colors, patterns, eyes, shapes.....
Oh and.
Her.
And for the second question, yes! The tissue was once on the bones, although the Ibis tissue used in the temples for the creation of dagnyds is much more equivalent to a cell culture than anything at this point. It's desire to grow and take form is the creative force that humans have harnessed to create dagnyds..... for better or worse.
I don't have any art of it i'm happy with, but here's some several year old pixel art of an Oracle Computer, which is filled with the stuff. Honestly though, I don't think "black goo" is very compelling or visually interesting considering what the stuff actually is. It needs work.
Everything always needs work...
#My art doesn't hold a candle to any of this tbh and i don't want to @ anyone and be annoying#Looking through the insp folder for JOM and its like...#pokemon minoan frescos manga medieval Islamic paintings moebius dinotopia historical costumes a picture of a bug... and so on...#i particularly like medieval things that veer into being very surreal combinations of anatomy#you'd be amazed what you can achieve by covering something in polka dots#looking at my pixel art from several years ago and being like damn this is quite good still#i could probably do better now... i want to get back to it#also i have not read dungeon meshi btw i just saw that art above like 2 years ago and was like holy shit that fucks#answering#jar of mice#misc#flattered ppl think thrones are unique i guess they're just a thorough enough blend of a large enough number of things that they don't come#across as derivative
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“how much can you change and get away with it, before you turn into someone else, before it's some kind of murder?”
#nico rosberg#formula 1#f1#web weaving#brocedes#the fact he went through so much change just to achieve his title#sacrificing things he loved to achieve the one dream hes wanted to make a reality for years#do you think that. when he ate those frosties during the weeks before the last race#he thought of shared boxes of cereal shared hotel rooms and boy he used to call home?#how do you handle it when you love a sport fully but it doesnt quite love you back?#do you sacrifice everything you are or do you run?#which one did nico choose?#richard silken
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Meet Mrs. Morgue I guess
She’s a reoccurring Slaughter Time contestant and Mrs. Morgue is merely a stage name of sorts.
#madness combat#madcom#madcom oc#art#madness project nexus#Worlds freakiest G03LM#which is quite the achievement when Garrett Goyle exists
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ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--
But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.
And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.
That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.
Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.
And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"
So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.
Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.
#dead boy detectives#edwin payne#the case of the very long stairway#im sorry this really IS the short version of my thoughts i swear#i didnt want to get long and rambley backing everything up and mentioning everything else this forces me to reconsider#i just feel like i've barely interacted w this fandom and still seen quite a few odd duck takes on this moment imo#i dont think he wouldntve got the nerve to say it otherwise#(he was already going to! & if anything his new experiences in hell only cement that being the right choice)#and as much as i get what fear can do to a person i still definitely dont think he was resigned to staying in hell if charles reacted badly#i truly think he just couldnt keep it to himself any longer#the show is upfront about his escaping hell being a testament to his own strength rather than a lucky break of some sort#so i think even being on the receiving end of a rescue mission getting out still must take a lot of strength in this universe#and telling charles that definitely made him stronger/in less pain#so yeah totally necessary it happened where and when it did in my book#also i hope it doesnt sound like im being dismissive of anything charles says in this scene#but the way i see it those were all things they both already knew#so reaffirming them just adds to the idea that the act of Telling Each Other Things is what's so important here#rather than counting as a truly separate thing this conversation achieves#just my two cents
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he really lost everything when he lost ghilan'nain, didn't he. everything he did was for nothing the moment she died. he was never going to succeed without her.
#datv#dragon age#dragon age the veilguard#datv spoilers#dragon age the veilguard spoilers#ghilan'nain#elgar'nan#she was the one who understood the blight. not him. they could never achieve their goals without each other. they needed each other.#both for their grasps for power and because they were all they had left.#sorry will be posting about these two dumbasses bc if i dont i'll have to post about the companions and i dont think#my heart has recovered quite yet for that#i stand by my cancled wife and her shitty father-in-law but also they need to be put down#old yeller sytle#like i doubt whatever theyre planning would of worked. i doubt ghilan'nain could “tame” the blight. but thats when the fight changed for him#thats when HE knew it couldnt work anymore
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Emer, Jude, & Zara from The Invocations by Krystal Sutherland.
#the invocations#krystal sutherland#book fanart#illustration#art#books#literally drew this bc the cover art + IC versions are....nice art but that is NOT my visibly dying slicked-hair butch jude wolf.#i also wanted to make them look more like teens than the ic version but idk if i quite achieved that lol#zara is the tallest im pretty sure. this is just a composition thing lol....pretend she's kneeling or something...#i dont think the demons look like that really. they're more fleshy and visceral. i just wanted to do something vague
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AEIWAM: WHY does Aizen eat mayo on white bread?!!
There's a lot of things wrong with that guy.
#also because i was trying to think of the worst sandwich possible to indicate what a monster aizen is#came up with absolutely the worst sandwich#and then i remembered Aizen is a weenie who doesn't go quite hard enough to achieve his goals#so i backed up two steps to the second-and-a-half worst sandwich#untoasted whitebread with an incorrect amount of mayonnaise#that's his go-to snack#and nit just because he put Gin#a corn snake in a business suit#in charge of stocking the pantry at Las Noches#though Orihime's ability to make nutritional meals out of clown menu nonsense is extremely helpful#AEIWAM#An elephant is warm and mushy#bleach#bleach fanfic#sosuke aizen
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litany of the martyrs (click for better resolution!)
#at some point i wanted to make an illustration for each character but in retrospect maybe each is multiple song-coded..#drew the sketch for a quincy thing after a chat with a mutual reminded me this song existed dfsghjkl and then spent weeks rendering this#quincy cynthius martin#adamandi#i'm finally done with this! the saints especially were joys to paint and the halo a menace.... this has been the most ambitious one so far.#but it also took quite long because i only worked on it <engages with quincy> when mentally okay to deal with the themes. i'm not religious#but i do identify with the irrational(?ish) guilt + family legacy + academic achievement + disregard for self. also more complex thoughts#about love [but depsite quincent being a large part of quincy's character this piece deals with mostly the Rest of it. so another time..]#anyways! in the original sketch- the saints had heads bent towards quincy so the halo spikes pointed at him. but this worked better! halos#of the saints implying/creating one for quincy was a concept from the start though. in the show they don't touch him directly here but#differences in mediums i think- i don't have time in an image to craft a narrative so everything has to be happening. also artistic liberty#misc inspiration for this includes stained glass windows. i might have maybe misinterpreted the saint costume but i think i logic-ed it out#as the cloth part following a nun's habit w the hood. and then halo above. the material is also more transparent originally but i had. um.#too much fun painting fabric folds.. if you look closely you can see the basis of faces though behind the cloth; but only the vague shapes#because smth obscurity + inhumanness// cassian is the only one i gave a mouth though. that stems from melliot's post about the saints and#st cassian as spokesperson (<- did research teehee!) that's also how i found out which costume = which saint. speaking of which.#left to right: 'st lucy take my hand' // 'st lawrence give me strength' (presses quincy forward; but hand on shoulder connotates guidance)#/'st cassian help me smile' (quincy's mouth is btwn a grimace and a smile; tilts up at side. also no direct touch bc added insidiousness.)#//'st jude [...] i hope your causes burn' (jude's hand is in two places to show movement- nearing the flame and then snatching back; burnt)#other notes: at the midst of the flame the core is shaped like a human heart /the saints and their wax are all melting like the candle for#fun visual effect and also this way they are even less tangible <real>. perks of painting as a medium i guess. // also insp from icarus?#wax and burning imagery; looking at the halo and rays as parallel to sun that burns. too close to the sun; melting; hurting; hurtling //#candles at bottom are a nod to the frankly gorgeous set// also the entire composition kind of stems from the lyric <what use is a candle if#both ends aren't burning>; the two sides between the concepts of catholic guilt and academic perfection that spur quincy#the halo above (saints and guilt; litanyofthemartyrs) and the 'halo' below (academic papers; insp from choreo for perfect at school)#the papers were originally supposed to be more glowy. but i like the idea of it now being a reflection of how quincy's priorities shift#also of note is that <candle> in centre = quincy; w burning candle + aforementioned heart in flame -> most human; idea of love + passion#last thoughts: kneeling + hands close tgt = prayer //wax dripping onto the red As make an effect that looks like blood. because i like#hiding that within the adamandi pieces :OO continuity!! // i've run out of tags but yeah! had fun with this one! every so often i go a#little insane in making art and the final result astounds even me. ngl i'm quite proud of this one. pretty colours <3333
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jean kevin and neil all being 19 when they officially leave the nest feels significant somehow
(kevin being 19 when he runs, jean being 19 when renee takes him, neil’s fake age being 19 when he leaves after christmas and his real age being 19 when he leaves after riko is shot and he’s officially pardoned by ichirou)
#19 is a happy number (in number theory meaning the sum of the square of each digit reaches 1 in a sequence)#fitting because they escaped#angel number 19 means that you should persevere and trust ur spirit guides are leading you to peace#in numerology it represents ‘an energy of expansion and a new life’#and it matches with the sun card in tarot because the digits add up to 10 and those digits add up to 1 which is the sun’s energy#the sun card itself represents hope optimism and good fortune - it generally means that the universe is aiding you in moving forward#and achieving your dreams#also indicates overall good health - which considering what all three went through prior to leaving and their mental struggles#it doesn’t quite fit#but it definitely seems age 19 for all of them offers them the road to healing eventually#and on that note - 19 is the sacred number of the goddess brigid who amongst other things was the goddess of healing and protection#also the metonic cycle is a 19 year period after which the lunar cycles occur on the same day - there’s a lot about cycles ending#and new - better - lives beginning in relation to the number 19#and of course it’s the last year before ur twenties#always something ending and something beginning#so yes i think age 19 is fitting for them all to be freed finally#aftg#neil josten#kevin day#jean moreau#chatting shit in the tags again!! couldn’t be me!!
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So pre-Fall he DID have a chest star that was just permanently there without the magic-channel glow (2x09) i'm !!! (or at least if it was dimmed, it hadn't been cut out yet)
#tdp spoilers#the dragon prince#tdp#key to his heart theory#s6 spoilers#trailer#character designs#tdp aaravos#aaravos#wishlist achieved#it doesn't quite like look the merciful one's but. it's There? so#thank u 1x01 design i always had faith in u#mine
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ANDREY STAMATIN
Keep a close eye on Peter. You'd become desperate and turn into a villain without him.
I spend a lot of time thinking about daniil and peter, but something just clicked into place for me with andrey. so!
I am. currently untangling this thread of thoughts about the stamatin twins and daniil and this kind of. triangle that's happening. a three fold bullet for sure, the kind of recognition-awareness-understanding where three people become one, but to step back from that. when daniil and andrey talk, there's a specific shape of peter that stands in his conversational absence. so: triangle formation. it's opposite-adjacent-complementary to daniil and peter's conversations. it all goes back to that first conversation you have with andrey. it's giving knife. love it!
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
#OBSESSED WITH HIM#like i was Intrigued by him but i think re reading girard made me go OH i understand you now#wild that i never connected dots between daniil 'Defeat Death' dankovsky and andrey 'Sentenced To Death In Four Countries' stamatin#the transgressive aspect to andrey was like. yeah buddy. you and daniil are reflections in that way of course. but now im like.#oh. okay! got it.#andrey was always harder for me to get a grasp on because i work better at analyzing character pairs but you cant do andrey#without some version of peter and that's three people (debatably four). thankfully. AW2 has me thinking thoughts about#characters in stacks of 5. so now i get to think new thoughts about this game#pathologic#andrey stamatin#shdhghgh classic patho dialogue with patho 2 character designs. i will do it again until we get the bachelor's route#ehdhghgh i wanted to talk about girard's triangle that's happening too but it's not quite. right.#because daniil is the mediator but the thing desired is an abstract-literal thing that all three of them are reaching for#but are unable to conceptualize without the other two in place#i'll get back to this thought later. but its like. the twin dialogue of pulling in opposite directions. but now 3 sides of the same coin#coherent recognition is achieved with. daniil. and also transformative violence as a catalyst.
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the other hot thing about men's historical wigs esp long wigs is how wearing them all the time somehow manages to make catching sight of a man's short natural hair seem incredibly tantalizing
#which is quite the achievement considering there is no more boring sight in the modern day than men w short hair lol#the eroticism in seeing something that's normally covered etc etc.#thoughts
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