Sherlock & John Portraits - (2023)
(To be honest, I drew these two artworks in November 2022 but I completely forgot about them. It was high time to post them, I guess 😅)
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
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nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.
nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)
they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)
and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane
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I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)
SO do you have any favorites among the paintings that represent this story??
OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS
I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).
Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀
Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.
(Photo. Marie-Lan Ngyuen)
(Photo. Museo Claudio Faina)
Also the one in the Theoi.com archives is a real classic - perfect energy.
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this isn't directed at anyone specifically, as this is a sentiment i've seen a lot, but i think some people were expecting some kind of catharsis in regards to Neo being punished or just straight up dying in the volume 9 finale because they don't personally like and are therefore dismissive of the character; and then making claims that it was bad writing that she didn't get the shit kicked out of her and was then killed, but instead getting to bow out gracefully and taking the first step to improve on herself and find herself again (which, i have to say, is not a redemption, the claims of 'bad writing' always paint it as such which is weird to me - it's like, the start, at best)
and i've been seeing this sentiment for months and, from the perspective of someone who never really had an issue with the character and liked the way she was handled, every time i've always had the same question of like, is it bad? or do you just not like it? cos let's be real that's been a major, major problem in this fandom for years, and even the people who complain about it coming from the loud vocal minority are often guilty of similar behaviour, just in more 'acceptable' ways
there was this really good post i reblogged the other day, which i'll link here, which basically covers my general feelings on this in regards to media in general, but in specific regard to the show;
a) the main characters' priorities have never been on personal payback, and neither has the show's (which it makes a point with several times, with Yang and Blake giving Adam multiple opportunities to stop and just leave as just an example, which he doesn't take), so there's no reason for them to go after Neo when she's no longer a threat
b) by the time WBY would've had the opportunity to 'punish' Neo for everything she did, Neo was possessed, and in the aftermath of that, was no longer hostile to them because of the events leading up to her getting possessed in the first place
RWB/Y is a show with lots of thematic resonance, we see parallels and layers and one of the major themes in the show is grief, and how you handle it; in the Ever After, Neo serves as a microcosm of Salem - she lost the one positive (though ultimately co-dependent and not particularly healthy) relationship she had after a horrible childhood of isolation and instead of coming to terms with her grief, she dedicates herself to revenge (which was her characterisation click moment when she returned in volume 6, as that return actually gave her motivations and a goal, versus how she was in volumes 2 and 3, where she was just kinda there and didn't have all that much to her) and it consumes her, so when she actually does get that revenge she wanted, instead of there being any kind of catharsis, she's just left hollow and empty because she has nothing left, which leaves her open to getting possessed by the Cat
but after being freed from possession, Neo has no reason to keep fighting because of that prior realisation, and comes to the conclusion that she needs to move on, with the best opportunity to do so being letting the Tree help her. and this is what loops back to the post i linked; Neo is given the option to stop and change and she takes it
does it come too late? sure - but by the same note, better late than never. besides, the Ever After is a fairytale world where the normal rules don't apply, so 'late' isn't as damning as it would've been
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