#quilting ironing board

[anielskaaniela]

How to Make Your Own Ironing Board with Things You Already Have at Home

In this post you will learn how to make your own ironing board. Do you love sewing and quilting but hate ironing? Do you find your regular ironing board too bulky, too wobbly, or too boring? Do you wish you could have a custom-made ironing board that suits your needs and style? If you answered yes to any of these questions, then this tutorial is for you! In this post, I will show you how to…

[tj-crochets]

Set out to make my grandma the curtains she asked me to make but did not do that! Instead I ended up making another block for my scrap quilt (it’s 6 and a half inches square, so it’ll be 6” when it’s sewn into the quilt)

[bevanne46]

Learn how to make an easy Ironing Board on Wheels. The only thing they didn't do that I would do is to put the Ironing Board itself on a board with hinges so you can still use the top bin without losing storage space. https://ikeahackers.net/2019/09/ironing-board-on-wheels-diy.html#comment-385023

[tadpolesonalgae]

Can’t Bring Myself To Hate You — Part 23

Azriel x Third-Oldest-Archeron-Sibling!Reader

a/n: I’m so relieved to finally be getting to this fun part of the story!

word count: 5,699

-Part 22-

——————————————————————————————————————————————

Already there’s a horse and cart in the street, trunks and chests neatly stacked in the back, iron padlocks weighing heavy to keep possessions sealed. Blankets and rugs are tied in bundles, bedsheets and pillowcases that you can still smell, remember the feel of them; the warmth they retained. The heat of bare skin flush to your back. Sleepy golden eyes, sharp even when softened by early morning light. 

There’s a lump in your throat. 

Held between two chests is an open-topped crate, a myriad of personal belongings jumbled about inside: a box you know contains golden rings, his favourite being the one plain band that wraps two hands around his thumb, clinging snugly; a board game you’d tried to play after drinking, back before you’d become closer than friends; wooden goblets with geometric designs burned into their curve; a pair of glasses with circular, coloured lenses. A stack of something wrapped in cloth which must be crockery, ceramic plates with illustrations of crude figures pick-axing ice. A neatly folded quilt is tied down to one of the chests, the one that had been tucked over the back of his armchair, made up of pinks, oranges, magentas, and turquoise. Small tassels hanging off the ends that he’d made himself. 

The door to his house is propped open with a wedge crafted of iron, featuring a rabbit in a coat with carrots stuffed in his pockets. Bas’ figure emerges from the comparative darkness lofting a second, smaller crate in his arms. His eyes find yours but he makes no reaction save for the tightening of the skin at his knuckles. He exits through the waist-high wooden gate, walking to the back of the cart to heft the crate in front of the one your eyes had been previously resting on. “Hi,” you say, stepping closer but pausing a respectful distance away. Bas makes no sign of acknowledgement, muscles in his forearms flexing as he hefts the crate into place, pressing it flush to the back. You consider walking away—he clearly isn’t interested in speaking with you, but… “You’re leaving already?” 

Bas turns, his expression unchanging, still retaining the frown of concentration from transporting heavy objects to and fro but seemingly colder now you’ve appeared. His stature casts a shadow over you. “Something you want?” He asks, tone clipped but not quite sharp enough to be impatient. Softened at the end. You watch him for a moment—nothing seems sufficient enough or appropriate. ‘I’m sorry’, ‘I miss you’, ‘how are you’. Would any of those suffice? You can’t imagine them doing so. Instead you shift on your feet, casting a portion of your attention to the moving wagon standing stationary at the foot of his front garden. “It looks like you’ll be gone soon,” you observe, speaking quieter than normal for an open day. After a beat, Bas folds his arms over his chest. “Either tomorrow or the day after.” Golden eyes shift to the cart, glancing over the trunks, “Ma’s still got a few things to pack, but once those are loaded we’ll be off.” 

Off and gone to the Winter Court, almost entirely out of your reach. You only have six months left to live—do you have enough time to spend on giving him space? You can’t expect him to forgive you so suddenly, so swiftly. People aren’t made like that. But can you risk that time? If you die before seeing him again, or if this is the last time you see him you can’t risk being anything other than honest. But being honest in a situation like this…you need the time to pass to give it the deserved weight. Springing your timeline on him… You don’t want to tell him like this. So instead you look over your shoulder, glancing back into his house. “Got any more boxes that need carrying?” 

“Carrying boxes isn’t going to fix shit,” Bas mutters, the poisoned tone catching you off guard. Have you earned yourself that venom? Apparently so. 

“I just want to help,” you murmur, looking back at him. “I might not get to see you again.” 

“Your sister’s High Lady. I’m sure reaching Winter Court would hardly require a lift of her fingertips,” Bas snaps. His lips press themselves together, like he regrets the outburst. You look down, peering at the cobbles beneath your feet and give a small shake of your head. “I… If you don’t want me there, I won’t visit.” The words sting your throat like bile, hating how they sound on your tongue. “If you want your space I won’t intrude. But it… Obviously I’d like to be able to see you again.” 

A few beats pass without a reply, the quiet resting on your shoulders and you make an effort not to let it ruin the moment. You clear your throat, shaking off the mood and glancing up at him, “So. Any crates I can take?” Your heart quickens—if he denies you here it’s a full stop. You can’t imagine you’d be able to find him again if you lose him. The Winter Court is large, and their ties already strained with the Night Court—there’ll be no strings to pull. But it’s his decision now. It’s in his hands. 

Bas’ jaw works, his eyes narrowing on you in a way they haven’t done in a long time, but it seems he relents, nodding once toward his house, a loc falling across his temple with the sharp movement. “There are two small boxes in the front entrance, one contains shoes and fabrics, and the other contains herbs. Herbs go on top, yeah?” You nod your head, keeping the smile locked up tight. “Herbs go on top.” 

The box full of shoes is surprisingly weighty and you wonder if there are more than a few pairs of boots inside, studded with metal that might be weighing the crate down in your arms. Still you manage, sliding it into place on the last row of space available in the wagon before heading back to collect the box of herbs. You can pick out some of the scents: tarragon, mint, thyme. A hint of pepper and cardamon. The slight warmth of cinnamon and ginger. Rosemary. “I won’t forgive you if you try and make off with my herb box,” a voice calls from further inside. 

You start, gripping the small chest tight. 

Bas is watching from the living room doorway that leads to the hallway, stairs appearing behind him and the kitchen a little further beyond. It’s disturbing in a surreal way, to be standing inside the bones of his home. Gone are the dried herbs and flowers that had been strung along the walls and ceiling beams, rug removed from the floors and furniture sparse of cushions and quilts. Everything that made it a home, every personal detail seems to have been painstakingly stripped away, leaving only that scent of rosemary and freshly tilled earth that has familiarity stretching aching limbs in your chest. 

You summon a huff of laughter, glinting down at the plain chest. “It’s certainly tempting me…” You remember trying foods with him. Things you didn’t have access to in the woods. Dishes you wouldn’t have had access to even if you’d remained in high society. All the different herbs and spices they have here, in Prythian. The range of climates allowing for a variety of taste to grow. You remember the first time he’d soaked chicken in wine among other things, how the meat had tasted a little more bearable, flavoured and soft and tender. Feeling more like meat than leather, without the salty burn to help preserve the food.

“One more upstairs then it’s on Ma.” Bas’ statement cuts through the silent memories washing through, bringing a tremble to your fingertips but you nod. Once you load this chest into the wagon then it’s done on your end. Nothing to keep the conversation going. You manage a small smile but don’t meet his eyes as you turn with the chest in hand, walking it out to the cart and loading it in. From inside you pick out the footfalls of Bas descending the staircase and you stand back to give him room. He slides the box into place and lifts the panels of wood that will prevent any trunks from sliding out on an uphill, latching it in place. Safe and secure. 

For some reason you can’t look at him. As if looking at him will mean acknowledging it’s over, and he’s going away. 

For a moment you simply stand alongside the wagon, neither sure what to say, what to do now the shared task has been completed. Now it’s time for another decision to be made. 

Bas breaks the silence. “Thanks for the help.” You look at him, running your eyes over his expression, trying to gain hints to what’s okay to reply with. Trying to make the right choices. “Thanks for letting me help,” you reply, clearing your throat and glancing back to the wagon. Bas pats his hand once against the wood, shifting to lean his weight against the structure. “We’re going to be heading up northeast first,” he tells you and your ears prick with hope. “Ma’s got a sister who lives around there—near the coast. They haven’t spoken in a long time, but she figured if we’re moving it would be good to let her know.” 

You nod your head slowly. “Have you met your aunt before?” Bas shrugs his shoulders, his eyes skating across belongings piled up in the back, “don’t think so. Not one I can remember, at least.” You nod again, looking toward the cobbles. You should be going. Letting him get on with packing up and moving. “I hope-” Your voice catches and you have to clear your throat, swallowing a breath. Looking up a little to meet his eyes. “I hope things are better for you, wherever you go. For you and your mother.” Is that too far? Have you pushed too much? Bas seems to be asking himself the same questions, and you hope he comes to a different conclusion. 

“Pa mentioned a statue to me once,” he says softly. “One made entirely out of ice, with snakes carved, wrapping around the feet of the first High Lord of the Winter Court. Apparently it’s about the height of one of the Old Pine’s and every scale of the snake’s skin was carved by the same hand.” Bas shifts, his golden eyes locking with yours. “I hadn’t thought much of it, but we’ll be trying to find a spot around that statue since it’s where Pa grew up. Something he remembered from his childhood.” 

Your heart falls numb for a second before skipping into a swift pulse, bumping against your ribs and you take in a subtle breath. You nod your head. Ice statue with snakes. Relief strikes so hard your legs are weakened, having to shift your weight from one hip to the other so a knee doesn’t buckle. “I hope you get to see it,” you manage, sounding strained before you swallow, nodding your head. “I hope you find what you’re looking for there.” 

Bas’ mouth tightens into something that might have been a smile, then he’s nodding his head once in reply and patting the cart again. “I need to check on Ma now—see how she’s managing with packing.” He pushes off from the wagon, and you turn to watch him pass through the waist-high garden gate. He pauses. 

“Give me some time though, yeah? I need…time. Some space. Let me adjust and settle down for a bit.”

You nod your head, happy enough he seems to be allowing you to visit. You can work from there. Earn back his trust. You realise he has his back turned and can’t see you, so offer your reply, “I will.” You want to say more. I’ll miss you until then. I’m sorry. Thank you. 

But, time. 

You still have some of that left to give. 

————

You take your time walking back to the River House, following the Sidra for some way. Affording yourself the allowance to peer in shop windows, gaze at people going about their lives, wondering about what their own stories are. 

You’re happy Bas decided to tell you. Not just about where he would be moving to but about the route he’d be taking to bypass his aunt. You know he didn’t have to tell you. You weren’t entitled to that knowledge, but he decided to tell you anyway. A small piece of forgiveness—a small, tentative first step. After so much darkness in your life it seems like a tiny star twinkling in the sky, clouds parting just long enough to catch a glimpse. A promise that there is good in the world, and if you’re in a bad place now it would be foolish to stop. 

You need to keep going in order to escape it. 

————

The kitchen is surprisingly full when you enter the entry way, discarding your cloak and outer layers to the hooks on the walls, taking care to ease out the ties of your boots before also discarding them alongside other sets. 

Inside there’s no need for jumpers or cloaks, fleeces or scarves. A muffled pop of a log sounds from the living room, honestly sounding closer to someone stepping heavily on an upper floorboard but there’s something about the warmth that tells you the fire’s lit. That and you can make out the faded orange flicker on the wall parallel to the living room’s door where flame light is colouring the cream wallpaper. The smell of heated food catches your attention and your stomach shifts in response, squeezing itself together in complaint as if to remind you of how empty it is. Some warmed bread and butter would be lovely to start the day with. There might even be some chilled clotted cream available in the ice-enchanted larder. 

Rounding the corner, you’re sure you haven’t ever seen the kitchen so full. Glancing at the clock mounted on the wall beside the crockery cabinet however, you realise it’s approaching lunch time. You suppose it makes sense—if Madja’s at ten O’clock and you left after that to visit Bas, then taking your time to walk back will have brought you to lunch. That would explain the business. 

Already there’s crackling from cooking oil on the stove, the smell of heated bread and salt, the slight fattiness of meat mixing with the sweetness of sliced fruit coming from another side of the large kitchen. An egg cracks and you hear the sizzle of it as it hits the pan, the knock of steel as it slices into a chopping board, the smell of chives, onions, and tomatoes greeting you next. On the main table sits sliced bread, baked through with diced olives and rosemary, butter sitting ready for the taking on a platter with a flattened knife propped on the tray’s side. 

Feyre, Mor, and Amren are already seated at the table, each with a plate of what appears to be mashed potato surrounded by steamed beans and thickly cut ovals of tender meat. Amren's plate holds meat more that anything else. Feyre tips a deep boat of spiced sauce over her mash so it drizzles atop the vegetables before passing the boat to Mor, seeming not to care they’re eating in the kitchen rather than the connected dining room. Nesta barks something at Cassian over the loud fritz of the oil and he passes two plates to her side before returning to the chopping board, a few moments later stepping close to her side to slide the sliced chives into the pan with the eggs. A shadow whisks past you into the room, depositing salt and pepper to the side of the stove before hurriedly returning the way it had come. You turn your head quick enough to catch as it scampers back to the upper floors, disappearing through the ceiling. 

At a side along the window-lined wall is Elain, pressing her fork into some well-mashed banana before scraping it off onto some toasted bread, already softened with butter. You make your way over, taking the serrated bread knife from beside her plate to cut a slice yourself, liking the look of the thick crust and seed-scattered bread. Her eyes find you and a smile follows swiftly after, taking in your appearance, “Was it you I heard come in?” You nod, holding the bread firmly as you grind the knife forward to cut the crust, “I forgot to eat breakfast before heading out and lost track of time.”

Pulling a plate down from one of the stacks inside a cabinet with a window in you move the slice from the chopping board, “You’re having lunch?” Elain’s cheeks warm, her lips tightening as she looks guiltily out onto the front garden. “My sleep was troubled,” she admits, “I only awoke around ten thirty this morning.” 

Your brows furrow. “You’re sleeping poorly?” 

“It seems that way.” Elain exhales, pausing the sweep of her knife across the mashed banana. “It’s just the same thing over and over again. I wish the beginning would fade now it’s passed but apparently I must watch the whole sequence from start to finish.” 

She’s still getting the vision? 

You look away from her—down to the side table, “I’m sorry.” But Elain shakes her head, sighing once more before straightening her shoulders. “I’m okay. It’s just a bit of lost sleep.” Before you can ask her anymore however, the sound of footsteps catch your attention, Rhysand and Azriel apparently having finished up whatever had been keeping them from joining the lunch. Elain pushes a smile to her lips then gestures with her eyes to the table, suggesting taking a seat. You follow after her. 

“Finally given up work to grace us with your presence?” Feyre muses, resting her chin atop the smooth skin of her tough knuckles. Rhysand lifts a brow, his mouth curving with a fondness specifically meant for his mate, “I gave you plenty of attention this morning, Feyre.” But your youngest sister doesn’t blush like you would have had a lover repeated those same words for you. Instead her mouth matches his curve, blue-grey eyes alight with twinkling mischief as she inclines her head toward Azriel. “In fact I was speaking to your Shadowsinger. His presence is much more appreciated.” The male in question dips his head by a degree, taking his seat beside Amren as silently as possible while the High Lord and Lady continue their domestic teasing. 

“Is that so?” Rhysand remarks, seating himself in the chair to Feyre’s right, opposite Mor. “Will you tell me what’s so much more appreciated about my brother’s presence than my own?” Feyre arches a brow, her smile widening, “I wouldn’t want to hurt your ego, preening and engorged as it is.” Rhys’ expression shifts to something verging on smug but Mor stabs a thick oval of meat with her fork, lifting it from the plate, shifting it between Rhys and Feyre, “enough from both of you. I don’t want to hear this over lunch.” The compass point of her fork settles on her cousin, Mor’s nose wrinkling, “Az also isn’t a smug bastard, unlike someone else I can think of.”

Elain takes the open seat beside Rhysand and opposite Amren, setting her plate down and drawing her chair back, leaving you to stiffly take the one at her side, across from Azriel. What poor seating choices you’ve all made.

Behind Amren and Azriel, Nesta presses to Cassian’s side who’s holding the plates aloft, keeping them steady as Nesta transfers the four eggs in the pan between them, two soft yolks for the two slices of buttered bread atop each plate. 

“Azriel also remembered to bring me blood more frequently than yourself, Rhys,” Amren drawls from opposite Elain, a wicked croon on her crimson-cut mouth. “Even when he didn’t want information from me,” she adds pointedly. Rhys tilts his head, a plate appearing out of thin air before him on the table along with cutlery and a napkin, “and who’s to say those weren’t gifts sent along from myself?” But Amren doesn’t fall for it, reaching for a glass of red wine, “You won’t fool me, boy.” Rhysand shrugs his shoulders, unbothered by her relaxed attitude. “I suppose if you were still of the inclination to accept bottles of lamb’s blood you’d be receiving a box’s worth. I have a request to make of you.” 

Amren inclines her head, the black cut of her hair slicing along her sharp jaw, faint interest in her silver eyes, “Pray tell”.

Nesta casts salt and pepper over the plates of eggs and chives, then the two of them join the table. As Cassian departed before Nesta, he fills the seat to your right, while Nesta settles in the space opposite him, to Azriel’s left. The only way the current arrangement could be made worse is if Rhysand and Elain were to swap seats. You grimace internally and treasure her presence. 

The High Lord inclines his head to Azriel whose shadows settle a map of Prythian to the centre of the kitchen table. “Cassian and Nesta have already checked through Helion’s libraries. That means excluding the Night Court, there are five other Courts to examine.” As he speaks, thin shadow seeps across the parchment to darken the land of Night and Day, signalling they’ve each been studied.

“Between us,” Rhysand continues, “we can split between those remaining Courts, in turn accessing their libraries. Where I’ll need your help, dear Amren, is translating the books we encounter in the Old Language. I would rather not have to take them all on myself.” Rhysand pauses, lifting violet eyes from the map to the slight female diagonal from his seat, “What do you say?” 

Amren seems to consider his request and you have to fathom how respected she is to so idly take her time considering a request from a High Lord. A few beats pass as her grey eyes trace the island, then blood red lips are cutting into a grin, moon-white teeth flashing in her mouth, “I think I’m going to enjoy opening my Solstice presents this year.” 

Rhysand smiles and you wonder if he was confident Amren would accept or whether this was a gamble on his part. Feyre would probably be able to tell.

Across from the High Lord, Mor clinks her glass with Amren’s, the two females grinning from the other side of the table. There’s a smile on Feyre’s face but you imagine it’s one of those ones that rather than being of your own choice is truly the result of the infectious kind of happiness—seeing people you love enjoying themselves. 

From the other end of the table however, Nesta is studying the map, her silver eyes not even scanning the table before they’re finding Rhysand—suitably distanced from one another. “Five courts and seven of us. I would think you and Feyre would be remaining in the Night Court, leaving us with a court each,” Nesta points out, her tone verging on mild boredom. Steel glints in her hands as cutlery catches the light. “Do you intend for us each to cover the libraries of a court, or do you possess secret reinforcements on hand?” 

The beat of pause that follows her inquiry stretches a fraction of a second longer than it normally would, the tensing as if preparing for a collision to occur as it always feels when those two acknowledge one another. But Rhysand inclines his head to his right and the tension dissipates as swiftly as it had gathered. “I wouldn’t call your sisters secrets,” he muses, slowly. “But yes: reinforcements.” 

You blink. 

From the stiffness of Elain’s shoulders you imagine this is news to her, too, which brings you some level of comfort. More comfort when Elain is the one who meets Rhysand’s gaze, asking, “scouring the libraries for—what?” The relief settles deep. This setting is mildly frightening as it is without the pressure of handling easily observable interactions with others.

Rhysand’s attention settles onto Elain but you get the strange feeling it’s somehow also extending to yourself, “I believe Lucien mentioned the matter of the Prison.” Violet eyes flick over to you. “And that Feyre offered an explanation of the situation last night?” You avoid an answer by diverting your own attention to Elain who is still watching the High Lord. She nods. 

“Would you be willing to help?” Rhysand asks, without much preamble. 

Help? Help how? If it means coming into contact with a single creature that’s supposed to be inside that Prison your answer has to be a firm no. If it means attempting to wield even an ounce of your magic that seems to be sucking the marrow from your bones every passing day your answer has to be a firm no. If it means- 

Your thinking time comes to an end when Elain nods her head, and violet eyes once again flick past her onto yourself. Decision time.

You shift in your seat, unwilling to offer a definite answer, “If I can.” 

The High Lord nods and again you wonder if it was a gamble in relying on your help. As Nesta pointed out, one each to a Court seems an impossible task. But how are two extras going to aid that task? You’d have to pair up, but there would still not be enough of you. This seems to be Rhysand’s next subject matter as he again nods to Azriel, shadows pulling the map closer to the centre of the table so all can see it. Besides you, Cassian’s torso blocks out light as he leans forward, wings casting shadow upon the floor as you each examine the map with new eyes.

“So who’s tasked with which Court?” The General asks, “And who’s taking a solo trip?” 

Instinctively you’d imagine Azriel and Mor would be the two to travel solo—they seem to be the most suited to handling a task like this on their own, but what do you know?

“Well you certainly won’t be visiting Summer Court after obliterating that building,” Mor deadpans. 

“It shouldn’t have been built there,” Cassian replies with a look of mischief.

Leaning closer, Nesta nods her head to the map, “I don’t think Spring Court is a good idea for Cassian and I. I could manage Tamlin but I threatened him the last time I saw him.” Cassian’s smile widens. You guess it makes sense those two would be a pair. “If Summer Court is off the table then we’ll take either Dawn Court or Autumn Court.” 

Right.

Someone’s going to have to scour the Autumn Court. 

Besides you, Elain clears her throat. “I could go to the Spring Court.” She shifts in her seat, nodding to the lower portion of fae-inhabited lands. “I’m sure if I asked, Lucien would be willing to accompany me, and we have an alliance with them, too. I don’t imagine the High Lord of Spring being a great threat to myself but he certainly won’t be to Lu.” It’s a surprisingly sound argument. But if Elain pairs with Lucien than means you’ll be either with Mor or Amren—unless you could remain here and help search any other books in the Night Court with Feyre. 

Just as you’re about to offer the option however, Azriel speaks. “Are your ties with Viviane still sustaining, Mor?”

Mor nods her head though her smile fades almost imperceptibly.

The Shadowsinger nods. “If Mor handles the Winter Court, and Elain and Lucien take the Spring Court, that leaves Dawn, Summer, and Autumn between the rest of us.” Azriel’s shadows shift, further darkening the Courts now with assigned explorers. “Feyre and Rhysand will be staying here, taking care of ruling and the Illyrian texts?” 

The High Lord nods his head, “I’ll be covering the Hewn City, too, and splitting any ancient books between Amren and myself. Feyre will be helping with newcomers.”

“And if Cassian and Nesta are planning to move together that leaves the Summer Court,” Azriel states, hazel eyes find your own set across the table, “which you and I will cover.” 

You try to convince yourself the silence that passes over the table doesn’t stretch like you think it does. 

Hazel eyes hold yours for a second longer before returning back to the map, the Summer Court now tentatively cast in shadow. “That means Cassian and Nesta can take either Dawn or Autumn, but one pair will have to take two courts.” 

At your side, Elain fumbles. “She could come with me,” Elain pushes, “I’m sure she could help in Spring.” 

“Or with me and Cassian,” Nesta presses. 

“She could stay here,” Feyre adds, then turns to Rhysand. “Besides, the Summer Court libraries are part of the Old Temple they have which are deep in the jungle, aren’t they?” Her blue-grey eyes fall to the map, brows pinched, standing from her chair and Mor slides the map along so Feyre can jab her nail to the thick jungle of the Summer Court, an X marked in its middle. “Those jungles are dense, aren’t they,” Nesta adds, glancing to Cassian, a hard look on her face, “no flying overhead.” 

“Which is why we should be the ones to go,” Azriel says, keeping calm but firm. 

Nesta narrows her eyes, silver boring into the male at her side. “The creatures in that jungle are magical, like most of the beasts spread across Prythian. Not to mention poison and venom, and parasites in water streams unless you know which are fresh and safe to drink from. Even the beetles can be lethal, so unless you take a guide which may alert your presence in a foreign court, it will be too dangerous.” 

“Then it’s perfect that she can tell the difference between the poisonous creatures and the harmless ones.”

Azriel holds Nesta’s gaze for a beat before turning to you. “You’ve read about the jungle haven’t you. About the creatures inside?”

You mentioned the spiders the other day.

“I can go with her instead,” Nesta says, eyes sharpening. 

“You won’t be able to protect her as well as I can.” There’s no condescension in his statement, just fact. She’s learning from him and Cassian how to fight, after all. How to wield a blade. 

Nesta’s eyes remain sharp, not straying a second from their target. The temperature seems to rise, air thickening. You swallow, tongue flicking out over dry lips, “I could tell them apart.”

“No. You already have a limited life-span; you aren’t shortening it any further,” Nesta says calmly, her eyes still piercing into Azriel. And yet it’s Elain who shifts again in her seat, sitting straighter, “If she says she can tell the difference, she can tell the difference.” Elain looks over to you, a small smile on her lips. “She’s the best one to send to the Summer Court.”

A muscle flickers in Nesta’s jaw, a few, heavy moments of tension weighing through the room that have your pulse spiking for no discernible reason. Then it ends, and Nesta looks back to the map. “So Cassian and I will take the Dawn Court and the Autumn Court.” 

“You’ll only be taking the Dawn Court.” At the sound of Rhysand’s voice, Nesta’s eyes turn pure silver for a fraction of a second.

She arches a narrow brow, her expression sharper than an Illyrian blade. “So you’ll send Mor instead?” She asks, the hiss of slicing steel underlying her honed tone. “Or do you think you can get Lucien to squeeze his way back into his home-Court?” There’s a dangerous challenge in her silver eyes. 

“Neither,” the High Lord answers, slowly. “Feyre, Amren, and I will remain here. Myself searching the libraries the priestess’ cannot cover, Amren for backup on the ancient texts, and Feyre with helping as we begin a slow evacuation of the towns surrounding the Prison as a precaution and preventative. Mor will cover Winter, Elain and Lucien will cover Spring, and you and Cassian will cover Dawn.”

Even Feyre’s looking at him strangely.

“The Summer Court boarders the Autumn Court,” Rhysand states. “We can’t afford to waste time making extra journeys.” 

So you and Azriel will be taking both the Summer Court, and the Autumn Court. 

Rhysand breaks his gaze with Nesta only to find your eyes further along the table. They’re steadfast. Grounded. “Will you manage that?” 

Why put that decision on you? 

You look across the table to Azriel—why had he of all people volunteered to pair up with you? His logic checks out, but wouldn’t Mor have been able to ward off any magical creatures? Then again, your relationship with Mor isn’t the best… 

Azriel gives no clue to his emotions, other than a subtle incline of his head. 

Your throat rolls, but you force yourself to look back at Rhysand, and offer a nod of your head, “I can manage.” 

All seven Courts are ensconced in shadow. 

————

You sigh as you settle into bed, tucking yourself close between the duvet and mattress. Plumping the pillow beneath your cheek as you curl your knees to your chest. 

You’ll be leaving in three days, but bypassing a coastal town Northeast of Velaris. The condition of you entering the Summer Court jungle was you’d at least have some kind of protection other than Azriel. The sea-town is also the only town outside of Illyria that will sell Illyrian blades, and Illyrian leather from the wild oxen that inhabit the unforgiving terrain of the steppes, its hide significantly tougher to compete with the rocky climate and freezing nights.

You don’t like the idea of having to carry a blade of your own, but you suppose, knowing some of the creatures within, you’d rather be with it than without it. Although you’ve yet to decide whether you’ll be visiting Autumn first or Summer. 

But that’s a decision for tomorrow. 

——————————————————————————————————————————————

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[badassindistress]

Chemise Sewalong January 2025

Step Zero: Materials

Here's a list of materials in advance to give people the time to find fabric. We’ll do some measurements so we know how much fabric we need and get the preliminaries out of the way.

What you are definitely going to need:

Fabric

Thread

Needles

Fabric scissors

Pins

A measuring tape

A ruler or flat edge to draw straight lines

Tailor’s chalk or other method to mark lines on your fabric

What will make this project a lot easier:

An iron and ironing board  - I would say this is a necessity but not everyone has one and you can make a chemise without, it will just be harder and won’t look as crisp.

A thimble - in the long run it will make you sew quicker and be better for your hands

A sewing machine (I am intending to handsew this because not everyone has a sewing machine, but if you do have access to one and want to be done quickly, do the long seams on a sewing machine and glory in the speed of modern technology)

A cutting mat, quilting ruler and rotary cutter – This thing is all squares and triangles and quilters have got squares and triangles figured out

If you’re used to inches, keep a converter handy because my brain is used to centimeters

How much fabric do I need?

A lot. The chemise panels use the full width of the fabric. Decide if you want your chemise to knee length, to the floor or something in between. Then decide if you want full length sleeves or half sleeves.

I’m making long poofy sleeves but a kneelength skirt.

The calculation: my neck to knee is 120cm, my full arm length is 60cm shoulder to wrist (including 5cm extra for poof), so the length of fabric needed is 120+120+60=3 meters exactly.

What kind of fabric?

For the type of fabric I’d recommend cotton or linen for the historic feeling, but go with whatever brings you joy and isn’t stretchy. It needs to be light enough you can gather it up without it getting bulky and not terribly prone to fraying so you won’t go insane while sewing

Go with what is available and sparks joy as long as it’s a light fabric that gathers down nicely. (Thin sheets or table cloths can definitely be used for this). I’m going to use a fuchsia silk I’ve been saving for the airiest dress in existence.

tl:dr – procure 3 to 4 meters (145/150cm wide) of non-stretchy fabric of a lightness and colour that you would like to wear. Wash it, iron it and congratulate yourself on being super productive.

[millersfinest]

the thing in your chest that beats ⁴ | e.w

santa barbara!ellie williams & ex-firefly!reader

wc: 5.9k

mini-series: california | oregon | idaho | wyoming (you’re here)

tags: @elliecoochieeater

blurb: you put up a good fight with those rattlers, but it wasn’t good enough—all it got you was strung up near a beach where the sun scorched you dry. abruptly, their set-up gets fucked by their own prisoners, saving your life by only a thread. but the wrath that lingered under your skin was immense, and you’re not the only one to experience that phenomenon. when another damaged soul encounters your brittle state; the dreams that put you in a tough position manifest into reality. along with a few extra miscellaneous things…

cw: healing!reader, healing!ellie, vulgar language, ellie being avoidant as hell, slow-burn romance, little jj, reader being really depressed at the beginning, little time jump, sexual content but not smut per se, pure sugary sweet ending (almost pissed ME off)

note: omg final chapter!! i didn’t really know how i wanted to end it, so i went through scenic route. i hope you guys enjoyed my little series, because i had fun writing it.

wyoming

For the first time in a long time, you were cozy—absolutely bored and comfortable, and what a delight that was! The settlement in Jackson was everything that you had hoped for. It was warm and welcoming. Not by everyone, but by enough to want this place to feel like home. When the moon replaced the sun and the stars trickled over the night sky, warm yellow lights flickered on. Draping over the center of the settlement, where the establishments flourished. Lighting up a path that was being adorned by the first snow of the year.

It’s been a while since you’ve seen snow in all its icy glory; you were nothing but a child then. Waking up from a troubled sleep, in a spacious home that you could call your own, you shuffled to a frosted window. With your arms wrapped around your body, looking to see minute flurries fluttering from the sky. Collecting in piles on the outer edge of your windowsill.

After a month of already being in Wyoming, at the settlement, reality had set in. You were no longer a soldier, or a slave, or a traveler. Finally, you have made it to the place that was nestled in your mind for endless days, weeks and months.

Relief. Solace. Everything you’ve ever wanted. Except for one thing.

The house was a two-story home, with beige striped wallpaper; mahogany wood accenting arches separating rooms, cabinets, bannisters and floor boards. Upon your arrival, it was already furnished. A long, soft maroon couch. Decorated with quilts and knitted blankets from neighbors. A square wool carpet laid flat under a mahogany coffee table. Lamps in various places, warmly illuminating the room.

A dark wood dining table. Iron cookware. Upstairs, a quiet bed frame with a decent mattress and comforter on top. A couple of pillows. Two dressers. A proportionate closet—this house looked like a home. Minus the adjustments and additions you were planning for. However, it didn’t quite feel like a home.

It was empty… Or you were empty.

Since your arrival, talking with Ellie became a challenge. You rarely saw her; it was like she handed you off to the officials of Jackson’s and dusted her hands from you. It was dramatic to ruminate over a woman who’s only obligation was to get you to Wyoming—to this community. That’s what you tried to tell yourself to stay in line, but it wasn’t working. Even after busying yourself with different jobs and tasks to start earning your keep, you still thought of her.

Hell, you caught glimpses of her. Jackson wasn’t that big. She’d be walking hand-in-hand with a small child, a toddler, talking intimately with a dark-haired woman. You saw them together often. It could only be assumed that they were important—her ex-girlfriend and son. Well, now, you were uncertain if that was her ex-girlfriend… But, again, you shouldn’t be ruminating. You got what you wanted, remember?

It was an early morning when Maria had asked to meet with you, at a coffee shop in the middle of the square. Dressed in an insulated coat with a hoodie underneath, a pair of trusted light-wash jeans and black leather boots; you began a trek from the corner of the settlement in a light layer of snow. The asphalt wasn’t cold enough to let it fester just yet, but the grass held onto the ice. Headphones rested over your ears, playing a tape gifted to you as a housewarming gift from your young neighbor.

Some old rock band from the 90s. Nirvana’s About A Girl played in your ears as your boots crunched the snow.

It took about four songs off the album for you to get to the coffee shop. Pulling the flimsy headphones down to rest around your neck, you entered the shop looking for a head of sleek blonde hair. An aroma of burning coffee beans and sugar infiltrated your nose. Small chatter was heard from people holding warm mugs, looking at old newspapers, reading novels.

From a table in the far corner of the shop, Maria stood to wave you over. A friendly smile spread across your lips, taut and plastered, as you approached the square wooden table. “G’Morning, Maria.” You reached your hand out to shake her hand, professionally.

She looked down at your hand, snickering. Impressed by your insistence on professionalism. After all, she basically was your employer. It was the one thing the fireflies taught you well—respect your superiors. “Good Mornin’,” Maria firmly shook your hand, taking her seat.

The heaters in the shop toasted up your exposed skin, causing you to remove your jacket before sitting down in the seat across from the older woman. Two cups warm mugs were put in front of you, almost on cue, by a young girl with a maroon apron. “Thank you, Melissa.” She smiled at the barista. “I wasn’t sure if you liked coffee, so I just ordered you a hot chocolate. Hope that’s all right.”

“Oh, it’s fine. No complaints here.”

“Good.” Maria curtly nodded her head, pulling a black binder from a bag hanging on the back of a chair. “You’ve been sleeping well in that house?” Dabbing her middle finger on her tongue, she sifted through the pages and hand-written documents.

You blink, wrapping your hands around the ceramic mug. “There’s good nights and bad nights…” Nodding, you attempt to take a sip of the hot beverage, but it was too scolding. “Not the fault of the house, just me.” The ends of your lips curl as a softener to your words. Being negative in the face of someone who granted you a place to stay felt like a crime.

Maria hummed, looking up at with genuine blue eyes. “Well, I hope there are more good nights than bad nights.”

“Yeah, of course!” You shrugged, answering entirely too quickly. Which certainly gave away the fact that you telling the truth. Her icy blues were intimidating, although you’ve seen much worse than a pair of eyes.

Falling asleep alone, in the dark was another challenge you had to face. After spending months on the road with someone, knowing they’re there… It was an eerie feeling being far from them—being along. Especially, those last few weeks leading up to knocking on the community’s door. Whenever you found a place to camp out for the night, her arms would be wrapped around you. Or your arms wrapped around her. Relishing in each other’s clothed or bare bodies; it had become a tragic comfort.

Your skin burned for her like it did on that fucking pillar. It tingled, ached and wanted for her touch. Her lips. Her eyes. Her hands.

The nightmare’s of your traumas persisted when you closed your eyes. You wanted to blame it on Ellie’s absence, but they rarely surrendered with her around. But at least when you woke up, boiling, sweating and heaving like you’d just run a marathon, a pair of arms were there to lull you back to sleep. Kissing the back of your neck to remind you that you weren’t there anymore—that you were safe.

And, when she had her moments, shooting up from your arms with tears rolling down her cheeks. You coaxed her back to sleep with her head on your chest, and affirming whispers.

You couldn’t help but wonder if those moments meant as much to her as they did to you.

She hummed at your response, pursing her lips. “If you’re having any problems let me know. I have some great remedies to help with sleep.” The blonde woman offers, a soft smile spreading on her lips. You nodded, chewing on the soft skin inside of your lip. “Now,” Maria begins. “I see that you’ve had some time to try out some of the positions we offer. Have any taken your interest?”

Flipping through a couple of pages, she continues. “I’ve heard great things from Ava Marin, she manages the patrols. Uhm, and Mrs Hayworth, from the gardens and greenhouse…”

“Mrs Hayworth is a very kind woman. I enjoyed working with her— she’s great at explaining things.” You compliment, thinking about the few days you spent with her planting vegetables and fruit. Her salt and pepper hair puffed in coils around her cherubic but wrinkled face. Crowd feet leading to a pair of squinty hazel eyes. Mrs Hayworth treated her plants like they were her children, and she enforced you to do the same.

“She is— wonderful woman.” Maria agreed.

Humming, you think about all the jobs your tried—which was a lot. Patrol was something that you were used to. Being out in the world wasn’t a grand change. However, you weren’t certain that you wanted to go beyond the walls so often. You’ve spent lots of time patrolling, surveying, killing infected—you wanted to hang that up. Every once in a while wouldn’t hurt, though. “If I were to sign up to help out with the gardens… Would that mean that patrolling would be off limits?”

The blonde woman shook her head, pursing her lips. “Not at all! For patrol, it’s in a sign-up basis. If you were to mainly do patrol, it would mean going out every other day. If you were to mainly work the gardens, that would be more of a consistent job— but you could still sign-up for patrols if you wanted.” Maria informed. “As long as you’ve been approved to go, and you have.”

“Hm…” You thought, weighing your options. The inner rage that you harbored had remained dormant since you arrived. It had been replaced with rumination and sadness for things out of your control. “Gardening full-time seems serene… I’ve spent enough time out there.” Nodding, with a subtle curl to the corners of your lips, you admitted.

Maria begins to scribble with a pen on a sheet of paper, connected to the rings in the binder. “Sounds fitting. But, of course, you can change your mind anytime.”

After you deal with business, Maria continues conversation with you. Casual, of course. You could tell she was trying to pry without being obvious—wanting to know more about you. Willingly, you gave in, because why not? It’s been a long time since you’ve had a real conversation with someone. Maria Miller seemed genuine enough.

However, when she brought up Ellie, the air stiffened. And you could tell she noticed it.

“You and Ellie… Have you spoken, lately? It’s been hard getting a hold of her— it’s like she’s everywhere and nowhere at the same time.” She chortles, taking a sip of her coffee. Pressing her lips together at the bitter taste.

Stunned by the mention of her, you shook your head. Fingers growing numb around the warm, untouched, hot chocolate. “Uhm, no I haven’t…”

She hummed, leaning her head to the start. “That’s odd.” Maria scoffs, bunching her eyebrows. “She made it seem like you two were very close— being that you traveled so far together…” It’s like she was thinking out loud, making you want to bolt from the wooden chair holding onto you. “I mean, she made sure that you got the best house in Jackson… I would assume that she would’ve at least visited—“

“Well, she hasn’t.” Sternly interrupting her, you inhaled, sharply.

Noticing the mistake, she sighed, looking at with blue eyes filled with pity. It irked you. Trying to fix it, Maria plastered a bittersweet smile on her lips. “She’s more like Tommy than I thought.” Bunching your eyebrows, she continued. “My husband— ex-husband— I don’t know… It’s complicated.”

You know the feeling… Kind of.

Ellie had told you about Tommy Miller. He was a very ambitious man, to say the least. Ambitious enough to send a grieving girl to kill someone in his absence—feeding off her own despair. You caught that much. But, if it weren’t for him, you wouldn’t have ever met her. What a selfish thought. “They’re both hermits in their own right, but they always come around.” She released a wistful sigh. “Ellie will come around… Just give her some time to get all her ducks in a row.”

With tight lips, you nodded. How much time? You desperately wanted to ask, but you didn’t. Instead, you stood up, pulling your jacket over your shoulders. “Thank you so much for the hot chocolate, Maria, but I have to go.” Speaking quickly, you slid your arms into your puffer jacket. Maria abruptly stood to her feet with an inquisitive expression.

“Oh, well, uhm,” She began, rubbing her hands together. “Of course. You’re schedule should be out in the next few days. Consider the meantime your sabbatical.” Her eyes drifted over your frame like a concerned mother. “It was a pleasure talking with you, y/n. I’m glad you could join us here.”

Sending another tight-lipped smile her way, you stuck your hands into your pockets. “I’m glad you let me. See you around.”

Leaving the coffee shop, the cold air was a smack in the face. Pulling you from shackles of solemnity—briefly. Raising your headphones back around your ears, you resumed the tape inside of the Walkman clipped to your hip.

Thin flurries of snow began to fall from the bright grey clouds. Trickling over the strands of your hair, melting in contact. Stuffing your hands back into your pockets, you walked down the icy path of the square.

The main square in Jackson was littered with people. Some were standing around conversing, with cigarettes in their hands. Some worked pulling supplies in large wooden carts, moving them to another establishment. You seen a man on a ladder fixing a broken light on the outside of a pub. And a woman walking a train of small children holding hands—like they were on a field trip of some kind. They laughed and giggled under knit beanies, bundled in their jackets that may have been too big for some.

A smile appeared on your lips as you watched them march by you.

You stopped at an art store, looking up at the wooden sign. Quoting Maria, you were on sabbatical; so, you wanted to use this time to fully explore the settlement. In the month that you’ve been in Jackson, you have visited the local pub more often than you’d like to admit. Entering the store, a bell sounded, and you smiled at the few people walking around the decorated shop.

Organic paints and brushes were located in the back corner of the store, taking up two walls and some floor space. While the rest of the store harbored artwork from the people who lived in the community. And some refurbished work found outside the wall. A sign on the wall read: talk to an attendant for group and private classes. You hummed, impressed by the normalcy. Perhaps, you could sign up for one.

Meandering around, your eyes survey the paintings and drawings. Thinking about your home, it could use some personalization. You came across a landscape portrait of two women. The strokes emulated grass—olive tones—that they were lying on—intertwined with each other. Arms and legs entangled. Lips grazing each others cheeks. The strokes that were made were intentionally blurry and messy. Who were these women? Was their relationship as unofficial and indifferent as your own?

Fingers grazing the canvas of the painting, you couldn’t help but think of that freckle-faced woman you’ve grown to adore.

“You interested in that one? Nice choice.”

Even though your headphones played Nirvana in your ears, you could still recognize the outsourced voice. Her voice was like honey. Soft, warm honey. Luring you like a spell spoken by a witch or warlock. God, you missed the sound of her voice. “Funny thing is… The woman who painted this actually has a husband.” She chuckled, glancing at you with a nervous glint.

You froze at the sound of her voice, eyes glued to the art before you. Just blinking. Buh bum. Buh hum. Your heart beat in your ears, in your chest, in your hands—everywhere! Skin growing hot as if you were sat in front of a furnace. Were you mad or just upset? It was hard to tell, even for yourself.

The smile on her lips faded, immediately. Fiddling with her fingers—she always did that. “How’re you settling in—?”

“I’ve already settled in…” Your voice was eerily calm, side-eying her as you spoke. “I haven’t seen you in five weeks, Ellie.”

She sighed, adjusting the knit cap over her hair. Licking her lips, nervously. “I know—“

“I’d be surprised if you didn’t.” When you finally look at her, she notices the irateness in your eyes. Crowding over the feelings of yearning and sorrow.

“Can we talk? Please, just let me explain.”

Gritting your jaw, you peer at her. Thinking about hashing it out within a small walk. But, you were tender, sensitive—you couldn’t be sure that your reaction wouldn’t be explosive. What if she told you she was getting back with Dina? Going back to her family. That alone could send you into ruins. And you too far from your house to escape the public once you unleashed hell upon that woman. “You know where I live.” You told, with a pinched expression.

That was your cue to leave the store, pulling your hoodie over your head. Maybe, today wasn’t the day to tour the community. Another day. Plus, you had to spend the rest of the day anticipating a knock at your door.

It was a glum walk back to your place. You had put your Walkman on pause, walking in a depressive silence. Each step you made up your porch was deliberate and slow. An old swing chair swung in the wind, bolts shaking once you put your weight on the porch. It wrapped around the entire front of the house, and it definitely needed more décor.

Entering your house, you hung up your jacket and kicked off your shoes at the door. Stalking up your staircase, leaning in the railing, you made your way to your bedroom. The un-made bed beckoned you; so you kicked the door closed, and jumped under your covers. Hopefully, getting some shut eye could ease your nerves.

The sleep was rocky—you were in and out. In the moments when you awoke, you pulled a book from your bedside table to read—George Eliot—hoping to fall back asleep. But the novel only intrigued you for hours. Distracting from that anticipation long enough for it to come sooner than you expected.

It was dark, but it was no later than six-thirty.

You approached the door with a heavy heart, sliding your fluffy socks across the wooden floor. The reveal of the woman on your porch caused your body to heat up once more. She turned around, still dressed in the clothes from earlier.

“Hey,”

“Hey…”

Pressing her lips into an awkward line. “Nice porch.”

Scrunching your eyebrows at the compliment, you abandoned the door while it was ajar. Telling her to enter without losing your dignity. Ellie stepped inside, shutting the door behind her. “Shoes off.” You tell her, waving a hand, carelessly.

Walking to the kitchen, you threw onto the stove a metal kettle filled water. While your innate anger was healing, there was still pridefulness about you. You had to have some sort of control over any situation that you’re in. Ellie came to your house; this conversation was on your terms. And it was going to stay that way.

Ellie had navigated around your living room, feeling the softness of the carpet under her feet. I did good. She thought. Ellie taking part in the decision making for your accommodations was true. She wanted to give you the absolute best, because she knew she was going to need some time alone.

Appearing from around the corner, you leaned against the mahogany frame lining the entrance to the living room. With your arms stubbornly crossed over your chest. “You have about seven to eight minutes before that kettle goes off, and when it does, this conversation is over.”

She slid the hat from her head, dragging it down to the place over her belly button. Kneading the fabric with her thumbs. “Do you not want me here?” Her voice cracked, hands smacking down at her sides. “Because we can talk another time—“

“Six minutes.”

Her fingers pinched the bridge of her nose, shaking her head. “You know, what?” Ellie scoffed, striding past you toward your kitchen. Irritation rushing through her nerves. It confused her how she could be so obsessed with someone who might’ve been more stubborn than herself.

You followed her into the kitchen. “What the hell are you doing?”

The woman reached for the kettle, taking it off the small flame. Flicking off the fire, she turned to look at you. “You’re not gonna give me six minutes to explain myself— I’m not gonna let you rush this.”

“I’m not rushing anything.”

Narrowing her eyes, she crossed her arms. Leaning her back against the counter, coolly. “Are you seriously insulting my intelligence, right now?” Ellie raised an eyebrow, mocking words that you’ve said in the past.

Squinting your eyes, glaringly, you scoff. “Just… Talk, Ellie.” You waved your hand, leaning on the threshold bordering the kitchen and the small foyer. Perhaps, you were pushing it a bit too far.

The auburn-haired woman sighed behind speaking. Placing her hands on the edge of the counter. “When I left… It was an immediate decision— made in the middle of the night in a farmhouse I shared with my girlfriend, now ex-girlfriend, and my kid.” She began, eyeing you intently. “I left my family behind, y/n, including Maria and Tommy and anyone else in this fucking community that I knew.” Her hands moved as she spoke, passionately. “In that moment, I don’t think I ever planned to come back. There was nothing to come back to…

Then, I met you. When I thought I traveled so far for nothing— I met you.” Her olive eyes looked to the ceiling, thinking. While your heart blundered under your ribs. “Coming back was never my intention, and I left that way. So, when I walked through those doors… I had a lot of work to do. A lot of bridges to mend and gain the trust of again— which I’m still doing, by the way.”

Her hand jutted out, before slapping against her thighs. “I didn’t mean to ghost you like that. Truthfully, I was overwhelmed.” The woman confessed, scratching the back of her head. “For the first two weeks, I was begging for Dina to let me see JJ, my son. For the next, I was arguing with Tommy for letting Abby go— it was a lot. And I’m sorry, but I didn’t want to put any of that on you.” Pursing your lips, you nodded. “You’ve been through enough… I was protecting you. I wanted you to just focus on settling in.”

“Well, it was hard settling in without you.” It almost came out like a whisper—a little louder than a whisper. Followed by a dry, stubborn chortle. “I spent months on the road with you, and it’s like you just hung me out to dry. That fucking sucked.” Averting your eyes, you peered at the shining floorboards.

She nodded, frowning at your downcast expression. But, there was an element of proudness. Give or take a few weeks back, you’d argue her down over anything. However, this time, vulnerability leaked from you. Poured from your words and demeanor like liquid gold. “I know, and I’m really sorry. It was fucked up. But it will never happen again— I swear to you.”

“What if something else comes up?” You question, chewing on the skin inside your lip.

“I’ll clue you in— every time.”

You hummed, raising an eyebrow. “What’s the status on you and Dina?”

Ellie rubs her nose with her index finger, ready to answer your rapid-fire questions. “Cordial co-parents.”

“Does she know about us?”

A goofy smile spreads across her plump lips. “We’re an us?”

Narrowing your eyes at her, fighting a little grin, you responded. “Answer the question, Ellie!”

“Oh, my God! Yes, she knows about us, and she’s happy for me.” With amused features, she begins to slowly approach you. “Now, are you done with the twenty questions game? Because you haven’t accepted my apology once…” She pouted, sliding her hands over your arms, pulling them from their crossed position.

Batting your eyes at her, feigning thought. The touch of her fingers on you sparked a fire, setting your skin ablaze. Even if it was in your best interest not to accept her apology, you probably still would. The way her eyes looked into you with such gentleness—it couldn’t be replicated by anyone else. “I accept your apology…” You admit, grazing your fingers up the sleeves of her flannel.

“Fuck, yes!” She wasted no time to embrace you, wrapping her arms around your neck. Tightly, you wrapped your arms around her back, leaning your head over her shoulder. “I missed you. I hope you’ll let me make it up to you?”

“You have no choice but to make it up to me.” You spoke against her exposed skin, pecking the side of her neck. “For the sake of lost time.”

Ellie giggled at the brush of your lips, pulling away with raised eyebrows. “Oh, shit. I almost forgot— be right back.” She runs to your front door pulling it open, and leaning to the side to grab a flipped canvas that was leaning against the outside brick wall. It was the portrait you were considering buying at the art store. “Housewarming present!” She grinned, presenting it in front of herself.

You matched her smile, reaching out to take it from her. “That woman is totally gay for making this.”

“So gay. I feel bad for her husband.”

Sharing a laugh, you look back at her, setting the canvas to the side against the wall. Walking up to her, you grabbed her face, caressing the skin of her cheeks. Musing at her earthy features, taking them all in like you’d never see her again. The last time you saw her, it’s like you took it for granted—not knowing if it was going to be a while before you got to look at her the way you wanted to. Leaning into her, you pressed your lips against hers, unabashedly. Her hands found comfort at the divot of your waist, pulling you flush against her.

Sliding your hands down to the nape of her neck, the kiss deepened. You whined into her mouth when she slipped her tongue between your lips. With the combination of her grip on your waist and the taste of her lips, you wanted to merge your bodies—so she could never leave your side again. You’ve survived enough tragic loss; was it so bad to want this one thing? The touch of your troubled lover.

Ellie backed you against the wall, muttering against your lips. “I wanna take my time with you…” She began to trail hot kisses over your cheek, down your jaw, to the sensitive parts of your neck. “Show you…” Smack. “Just how much…” Smack. “I love you.”

Under the waistband of your jeans, you throbbed, but the thing beating inside your chest swelled and beat louder. “Y— You love me?” The tips of your fingers scratched at her scalp, comfortingly. As she pulled her face from your neck, her freckled cheeks flushed.

“Yeah, I do.” Her thumb came up to caress your jaw. “I really do.”

That was your cue to completely devour her. You pulled her upstairs, into your bedroom, to ravish her—to ravish each other. Stripping from your clothes to come unto one another with a sickening love. Her lips traced every part of your body; suckling, nibbling, tonguing down the most sensitive parts. Pulling moans from your diaphragm, seamlessly. She cooed for you and spoke filthily in your ear while touching you with a gentle firmness that only she could replicate over and over—making you come undone hard. As if the universe came from within you.

Stars, planets, galaxies—celestial bodies!

You and Ellie were two halves of one whole. Everything that led up to that beach happened with the purpose of bringing the scorned together. To cancel it out, blossoming something much greater. Somehow, you proved to each other that you were both worth saving. No matter the sin. No matter the guilt. It was all worth it to end up wrapped in her arms, skin to skin, caressing her battered epidermis.

As months progressed, gearing up for the spring season, Ellie had long moved her stuff in. Her easel and unfinished works nestled in the guest room. Her clothes were stuffed beside yours in the drawer before your bed, and the closet beside your door. Bringing in sunrises with sleepy, feathered kisses and innocent touches. It was a dream you both got the chance to live out.

This wasn’t enduring or surviving—it was living. Experiencing life.

With your hands covered in dirt, replanting a radish, joyful voices were behind your back. Looking over your shoulder, a tiny frame was trotting toward you, calling your name. Ellie in his trail, with her hands in her pockets.

Gasping, you turned around with a grin. “Hey, buddy!” You opened your arms for him to promptly land in them. Keeping your hands far from his jacket so the soil wouldn’t dirty him up.

“Careful, JJ, she’s working!” She tried, pinching the bridge of her nose.

“Oh, Ellie, it’s fine.” You waved a dirty hand, sliding them off your fingers, dropping them onto the grass. So you could reach under his arms to hoist him onto your hip. The sun landed just right on his little head, sparkling off his small growing teeth.

Ellie’s lips curled at the sight. “He wanted to come visit you at work before I dropped him off.” She meandered toward you, pecking your lips.

“Just JJ? Or you, too?”

“Both of us, whatever.” Playfully, she rolled her eyes. “Plus, I had to remind you of our dinner date tonight— its mandatory. You can’t be late.” Her fingers pushed fallen pieces of your hair from your forehead.

Once you had gotten into the grove of gardening, time flew by. It would go from seven in the morning to eight in the afternoon like it was nothing. Causing you to miss out on some of the plans you made with your generous lover. “You’ve been reminding me since I got up this morning. Trust me, I remember, Ellie.” You squeezed his chubby cheek, cooing at him. “Ugh, I love him.” You gushed, peering between him and your girlfriend.

“Oh!” You pulled a folded-up paper from your back pocket. “JJ, you wanna do me a big favor?”

His eyebrows lifted, grinning.

“Give your mama back this recipe for me, all right?” He takes the paper in his hands, preparing to unfold it. “Promise me you’ll give it to her…”

“I promise!”

“Okay, bud. Tuck it tight into your pocket until you get there.”

Instead of unfolding, he pushed it into the pocket of his coat, messily. Patting it, to let you know it was inside. Kissing him on his cheek, you put him back on the ground. Eyes glancing at the watch on your wrist. “Well, I gotta get back to work.” Your hand found hers by her side, leaning your body toward her arm. “Thanks for visiting me, babe. Letting me see that beautiful face of yours.”

Ellie blushed, averting her glazing eyes. You leaned your head closer to hers, warmly kissing her cheek. “My pleasure…”

“I’m sure.” You teased, inconspicuously biting her ear. Quick enough that it went unseen to the surrounding people, and JJ as he played with the leaves sticking out of the garden. Ellie released an airy sigh, narrowing her eyes at you. She whined your name as if she were embarrassed. “Don’t be like that— you know I love you.”

“I love you more… But you have to chill. Mrs Hayworth is right there.”

“You don’t know Mrs Hayworth like I do.” You snicker, waving a hand to the older woman a few bins away. The salt and pepper haired woman waved, sending a teasing wink. Ellie looked back at your with confused, and slightly horrified, features. “I’ll tell you about it later. At the dinner I’m not going to be late to.”

“And you better not.” Ellie poked you, with pouty lips.

“Ellie, I won’t.”

“Okay, I believe you.” She kissed you one more time. A little longer. A little deeper. “I won’t keep you from the vegetables anymore. JJ, say buh-byes.” He jumps from a squat, waving his hand with a smile. “I’ll see you later. C’mon, kid.” Ellie hoisted him up into her hip and began walking back the way she came to deliver him to Dina’s. Leaving you with metaphorical heart eyes, pulling your gloves back onto your hands.

And, when later came; over a hearty chicken dinner prepared by Ellie Williams herself, a shiny silver band was presented to you in the pages of a book. Laying over an underlined and highlighted excerpt of the book—something you highlighted. It was a novel you had finished sometime between the end of December and early January.

“‘What greater thing is there for two human souls, than to feel that they are joined for life–to strengthen each other in all labour, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?’” Ellie had recited, evenly. With not a speckle of wavering, or awkwardness, or pause—unless it was intentional. “Adam Bede. Your favorite book… I hope it’s your favorite book.”

Jumping from your chair across from her, you leaped into her arms after placing the book into the dinner table. Pecking your lips across her face. “Yes! Yes! Ellie, a million fucking times, yes!”

“I didn’t even ask the question.” She laughed in your ear, looking up at you with dilated pupils.

Pulling back, you narrowed your tearing eyes at her. “You don’t have to. I already said yes.”

“But isn’t that the exciting part… Popping the question?”

You scrunched your eyebrows. “I thought the exciting part was me saying yes to marrying you…?”

Ellie spent days studying George Eliot, hours setting up the dinner, and minutes shaking with anxiety. Working herself up to saying those magic four words, only for your to swipe the chance right from under her. And, honestly, she loved you more for it. “All right, can I at least put the damn ring on your finger?”

“‘Course, you can, Els.” You pull the book toward you, opening it up on the page with the ring. Ellie takes it from your fingers, glancing at you with opalescent olive eyes. She slid it onto your ring finger, delicately twisting the band around. You grinned, hopelessly, with your bottom lip between your teeth.

Her hand trailed up your arm, squeezing. “My lucky charm…” She muttered, thoughtfully.

“I’m all yours.” You lean close to her lips, glancing at them. “And you’re all mine.”

Neither of you were able to finish the dinner while it was hot.

[stardustandash]

Hi! I just saw your quilted butterflies photo, and I was wondering if you would willing to share how to make them, or link to a tutorial? They're gorgeous and I'd love to try, but i don't know the right search terms to find those, i think.

Oh absolutely! Everyone needs an easy craft to do right now. This will be a photo tutorial, so if you need a video the search terms are "origami butterfly bookmark". The instructions will be pretty similar.

*If you are using a sewing machine a single butterfly should take between 15-30mins, and if hand stitching my guess is ~1hr

Tools: -2 Scrap fabrics or 2x fat quarters, one for the main/outer fabric, one for the inner contrast -I recommend quilting cotton, though any easily ironable, non-stretch fabric will work -ruler and marking tools -scissors OR rotary cutter and mat -Pins (if desired) -Thread in a matching OR contrast colour - depending on preference -Iron and Ironing board - You can use a piece of cotton folded into a thin pad in a pinch as long as it's flat!

Step 1: Cut out two rectangles. You can make the butterflies as big or small as you'd like, as long as it's in keeping with the 2:3 ratio. For me, I like to use 4" x 6" rectangles. Use your marking tools to mark out the rectangle on the back/wrong side of the fabric, then cut them out!

Step 2: Put the rectangles on top of each other, with right/patterned sides facing each other. Make sure all your corners and edges line up. Pin in place if using pins. (in this example one of my fabrics has the pattern on both sides of the fabric)

Step 3: Sewing! Mark a 2" gap on one of the short edges. If using hand needle mark out 1/4" distance from the edges. Sew. If using a machine, line up the edge with the 1/4" inch mark and sew. (Image is completed stitching, not placement on machine)

Step 4: Trim the corners without cutting into the stitching line, then flip the fabric inside out through the 2" gap you left. Make sure to stick your finger or something blunt but pokey -like a chopstick- into the corners to make sure they are nice and crisp!

Step 5: Press all your frustrations out by pressing that fabric! Get it nice and flat and crisp! Make sure you've folded in the edges of the 2" gap to match the seam allowance of the already-sewn edges before you press. Then, if hand sewing, slipstitch the gap closed. If using a machine, set your fabric at a 1/8" distance and sew around the edges, effectively closing the gap and giving you a lovely topstitch detail.

Step 6: Let's start folding! First move we're going to make is folding it in half, bringing the short edges together. Keep in mind, whichever fabric is on the outside will be the main fabric of your butterfly, and what is on the inside will be the contrast! Press hard! Then, make sure the edges you just brought together are facing you for the next step.

Step 7: Take the top fabric of the right open edge and bring it to the left side of the open edge. It will tent up in the corner, use this and press that tent down until you have what looks like a triangle of the outside fabric on top of two rectangles of the contrast fabric. Press! (I forgot to take pics of the whole process with the first one, don't mind the fabric switch).

Step 7.5: Flip your butterfly and repeat step 7 on the other side until you have a strange looking triangle like this.

Step 8: Take the inner corners of the contrast fabric and fold it up towards the outer fabric. The bigger this fold, the more contrast fabric you will see in the final butterfly. Press.

Step 9: Take the tip of one of the corners you just pressed up and bring it back to it's original position. Do not press. Gently press down on the tip of the corner, letting the fabric unfold. The butterfly wing should unfold, with the contrast fabric showing in the centre. Adjust until you have as much contrast showing as you'd like, then press hard. Repeat on the other side.

Congratulations!! You now have a butterfly!! You can make a garland, stick them on hairclips, or simply put them on your windowsill to keep you company! If you want to ensure that your butterfly doesn't unfold, you can add a small hand stitch in the centre of the two triangles that make up the "body" of the butterfly right along where the topstitching is.

Hopefully this was clear to follow, but if you have any questions, let me know!

[leo-fie]

Progress Pride Flag Quilt Block Pattern & Tutorial

Don't you just love the flag of our people? Do you have an inner grandma that years to make stuff? Do you want to combine these two things and make a queer quilt?

Well, I've got you.

Behold the pattern! And my lack of graphic skills, so I drew it on paper!

Basically it's a bunch of rectangles, one half square triangle and a fuzzy cut circle. I don't know shit about quilting and I was able to come up with it. Why centimeter, you ask? Because I'm German and that's what I'm familiar with. Why weird measurements and not jelly rolls and layer cakes and stuff? Because I'm German and quilting is not really a thing here.

Onto the tutorial!

You'll need:

A scrap of fabric of red, orange, yellow, green, blue, purple, black, brown, light blue, pink, white each

additional fabric for the border

Cutting mat, quilting ruler, roll cutter

sewing machine

thread

pins

double sided interfacing

iron and ironing board

fabric sheers

compasses

Step 1: Cut everything. Duh. We'll take care of the circle later, don't worry about that now. The half square triangle is exactly what it sounds like. A square and then you cut it diagonally. That's why I didn't give the length of the hypotenuse.

(Note: I'm making two blocks at the same time, that's why there's so much fabric. Also this is a middle of the night project, hence the lighting.)

I'm using all kinds of different fabrics, different weights and drapes, some stretchy, some transparent, so I needed to interface some of them.

Step 2: Sew the rainbow together. 0,5cm seam allowance on everything, that's exactly the edge of the foot on your machine. Double and triple check that everything is facing the right direction before sewing. The seam of yellow and green does not get sewn fully, only 21,5 cm! That's important later! Also backtack there. Don't forget to iron.

Step 3: Sew the strips to the half square triangle. For this you have to switch between the sewing machine and the ironing board constantly. Attach the shorter strip diretly to one side of the HST, iron it open. The second strip of the same colour gets attatched to the other side of the HST and the first strip. Look at the pictures closely if you're unsure how that works. Also the strips are longer than the triangle. We'll square that up later.

All strips attatched will look like this. See how the two strips meet at the tip!

Step 4: Cut the rainbow part to size. The length between yellow and green is 22cm long. The shorter seam from before plus some seam allowance. The outsides of red and purple are 44,5cm long. These two points are the beginning and end of your cutting line. You will cut a little triangle from every single colour. Do this slowly and carefully. Maybe your fabrics have stretched a bit (mine did). Don't worry, it will be ok.

Step 5: The Y seam, part one. Y seams are tricky, but there's only one for this block. So put your strips part on your rainbow part and line them up so that the tip of the strip part overhangs the seam between yellow and green by about half a centimeter. Remember that it's not about the edges of the fabric, but where the seam will be. But don't sew all the way! Leave 0,5cm at the tip!

You can also mark on your strip piece two lines 0,5cm from the edges of the black. They should form a little square at the tip. There they meet is where the actual tip on the finished block will be. So place this spot directly on the seem between yellow and green and only sew right up to it. Not beyond.

Step 6: The Y seam, part two. Now, fold both the rainbow part and the strips part in half and if you've done the last step correctly, the remaining two edges will allign. Pin and sew.

I can't explain it better than I've done here, I'm sure there are tutorias out there. Good luck!

Step 7: Square up. Iron your block to that everything is nice and straight and flat. Then use the fabric edges of the red and purple to cut the remaining ends of the strips. Use the HST to cut the white. Be careful, the long side of the triangle is on the bias and likely stretched a bit.

I already added borders here. I'm making a pillow case.

Step 8: Fuzzy cut and raw edge applique. Double sided iron on interfacing is essentially double sided tape. It has two types of glue, one gets activated by 2 seconds of heat, the other by 5 or so (depends on the product). The second side is also covered with a paper that needs to be removed before the second gluing. Read the instructions of the product you are using!

Use your compasses to draw a circle on the protective paper side of the interfacing. It's actually two circles from the same middle point, see pattern. Cut it out roughly. Then place it with the rougher side on the backside of your purple fabric and iron for 2 seconds on middle heat. If you've just ironed your fabric before and the ironing board is still hot, wait for it to cool down. Also let the fabric cool down after applying. Then cut out your circle. The interfacing will have stiffened the fabric, so that shouldn't be a problem. Then remove the protective paper, place the circle on the yellow triangle where you want it and iron for 5 seconds. Let cool.

And you're done! The applique at this point is only secured with the interfacing, but it should hold fairly well. The quilting will secure it further.

And that's it. BTW, did you know that this design was made by Valentino Vecchietti for Intersex Equality Rights UK in 2021? Now you do. Happy quilting!

[ahedderick]

Sewing

I was making slow but steady progress on the winter portion of the seasonal small quilt. However, yesterday, my iron fell from the ironing board (where I had left it to cool down after using it) and broke. Now I have to go get a new iron. I don't w-a-a-a-a-n-t toooooo!

Still don't have my oven fixed, either . . so I'm going to have to go down to Home Farm to bake a pie there.

[archivist-crow]

On this day:

FIRE SPOOKS

On August 7, 1887, reports came from Woodstock, New Brunswick, of fires bursting forth spontaneously in the two-story frame home of Reginald Hoyt. Hoyt shared his home with his wife, four children, and two nieces, all of whom were in a state of great agitation due to the unexplainable blazes. At least forty self-igniting fires within twenty-four hours kept the family racing through the house with buckets of water, continuously dousing flames that shot from various smoldering items: a high curtain, a bedroom quilt, basket of clothes, a child's dress hanging from a hook, a feather bed, straw mattress. One report said, "[A] carpet-covered lounge was found to be all afire underneath, among the jute stretched above the springs." Only the family's vigilance kept the entire house and surrounding buildings from burning down.

On August 7, 1948, the Charles Willey farmhouse, located outside Macomb, Illinois, saw the beginning of over two hundred self-igniting fires in one week. Hotspots appeared, starting on the front porch and then moving inside the house. The family stripped the wallpaper from the walls, but it made no difference. Curtains, an ironing board, and an entire bed caught fire. Buckets and pots of water were placed throughout the house in readiness. Finally, there were too many fires to control, and the home burned down. In the following days, two barns, a milk house, and a chicken house also went up in flames. Macomb fire chief Fred Wilson commented, "The whole thing is so screwy and fantastic... Yet we have the word of at least a dozen reputable witnesses that they saw mysterious brown spots smoulder suddenly on the walls and ceilings of the home and then burst into flames."

Text from: Almanac of the Infamous, the Incredible, and the Ignored by Juanita Rose Violins, published by Weiser Books, 2009

[chic-a-gigot]

La Mode illustrée, no. 38, 18 septembre 1904, Paris. Manteau du soir. Modèle de Mme Blanche Limousin, rue La Fayette, 105. Ville de Paris / Bibliothèque Forney

Ce manteau, exécuté en drap gris perle, est garni de velours côté lé nuance fraise et de boutons dorés, la façon très simple permet de l'exécuter en fourrure; si on le veut plus pratique, on l'établira en drap de nuance foncée avec garniture de fourrure.

Les devants et le dos sont taillés en un seul morceau, avec les manches; on garnit le dos et les manches de biais de drap piqués ornés de boutons dorés.

On taille le paletot avec doublure de satin blanc ouaté d'après les fig. 80 à 83 de la planche; on masque les coutures de la fig. 80 sous des biais reliés entre-deux par des biais plus petits. Le dos (fig. 82), est monté au paletot à l[aide de piqûres au bord supérieur et de coutures ordinaires, en bas, on le repasse le long des lignes; on pique le long des plis extérieurs une bande de drap de 5 centimètres de largeur, terminée en forme de pattes.

Les côtés et le dessous des manches ont montés en rapprochant les chiffres semblables; lorsque la couture des épaules est exécutée on fixe la bande du devant, munie d'agrafes; on l'établit en doublure de soie et toile raide d'après la fig. 77 et on la recouvre d'une bande de velours encadrée d'un biais de drap. Enfin on pose la doublure assemblée auparavant.

—

This coat, made in pearl gray cloth, is trimmed with velvet on the strawberry shade and with gold buttons, the very simple way allows it to be made in fur; if you want it more practical, you can make it in dark cloth with fur trim.

The fronts and back are cut in one piece, with the sleeves; we garnish the back and the sleeves with quilted cloth bias decorated with gold buttons.

We cut the overcoat with padded white satin lining according to figs. 80 to 83 of the board; we hide the seams in fig. 80 under biases connected in between by smaller biases. The back (fig. 82) is fitted to the overcoat using stitching at the upper edge and ordinary seams; at the bottom, it is ironed along the lines; we stitch along the outer folds a strip of sheet 5 centimeters wide, ending in the shape of legs.

The sides and underside of the sleeves have risen by bringing together similar figures; when the shoulder seam is executed, the front band is fixed, fitted with staples; we establish it in silk lining and stiff canvas according to fig. 77 and it is covered with a strip of velvet framed with a sheet of cloth. Finally, we place the previously assembled lining.

[bevanne46]

No space for an ironing board? Put an Ironing Cover (found on Temu or Amazon) on your Washing Machine or Dryer.

[tadpolesonalgae]

Please, I’m begging you, show us a little sneak peek for the next chapter of CBMTHY😭🙏

I haven't written much so I'm giving you the first few paragraphs of chapter 23! Hoping to have it finished up and completed by tomorrow but we'll see how this goes!!

' Already there’s a horse and cart in the street, trunks and chests neatly stacked in the back, iron padlocks weighing heavy to keep possessions sealed. Blankets and rugs are tied in bundles, bedsheets and pillowcases that you can still smell, remember the feel of them; the warmth they retained. The heat of bare skin flush to your back. Sleepy golden eyes, sharp even when softened by early morning light. 

There’s a lump in your throat. 

Held between two chests is an open-topped crate, a myriad of personal belongings jumbled about inside: a box you know contains golden rings, his favourite being the one plain band that wraps two hands around his thumb, clinging snugly; a board game you’d tried to play after drinking, back before you’d become closer than friends; wooden goblets with geometric designs burned into their curve; a pair of glasses with circular, coloured lenses. A stack of something wrapped in cloth which must be crockery, ceramic plates with illustrations of crude figures pick-axing ice. A neatly folded quilt is tied down to one of the chests, the one that had been tucked over the back of his armchair, made up of pinks, oranges, magentas, and turquoise. Small tassels hanging off the ends that he’d made himself. 

The door to his house is propped open with a wedge crafted of iron, featuring a rabbit in a coat with carrots stuffed in his pockets. Bas’ figure emerges from the comparative darkness lofting a second, smaller crate in his arms. His eyes find yours but he makes no reaction save for the tightening of the skin at his knuckles. He exits through the waist-high wooden gate, walking to the back of the cart to heft the crate in front of the one your eyes had been previously resting on. “Hi,” you say, stepping closer but pausing a respectful distance away. Bas makes no sign of acknowledgement, muscles in his forearms flexing as he hefts the crate into place, pressing it flush to the back. You consider walking away—he clearly isn’t interested in speaking with you, but… “You’re leaving already?” '

[creations-by-chaosfay]

Do you have any tips you'd be willing to share on getting starting with quilting? I want to try but there seems to be a lot and I don't know where to begin. Or how. If not, I understand. Either way, I hope you're well

First, do you know how to sew? If you don't, a lot of quilt shops and fabric stores (like Joann Fabrics) offer classes, often for free.

Second, do you have a sewing machine? If not, I recommend a thrift/secondhand store and taking the machine to a place that repairs them. I found a local place via the NextDoor app. The licensed retailers often charge outrageous prices, so I opt for independent folks. They aren't licensed to sell machines, but they can repair them. Quilt shops will also know people who perform maintenance and repairs, and they may do so in-store, so ask. I pay $90/machine (for both computerized and manual), and the licensed retailer in my area charges $150/machine, even the manual ones.

For fabric, speak to quilt shop owners about their scrap collections. Many of them will have bins and bins of the stuff. That was the first place I got good quality fabric for pennies. One of my local quilt shops (all quilt shops are independent, Joann Fabrics is not) sells scrap fabric for $6/large zipper freezer bag. The bag had to be able to close, that was the only rule.

For thread, there's a lot of debate on what's the best. I started with cheap cotton thread. It makes a lot of lint, but it was extremely inexpensive, just $5/1200 yards. You want size 50 for sewing and piecing. I favor size 30 for handquilting because it's thicker, stronger, and makes for some visual interest when I use contrasting colors.

For quilt batting, get it on sale. I buy mine at Joann Fabrics, and opt for cotton because I like the way it feels. Polyester and poly-cotton blends are less expensive, often half the price of cotton. They're good options for limited budgets.

Other notions: pins, rotary cutter (I use one with a 60mm blade), rotary ruler (clear plastic with a grid, at least 4 inches wide), cutting/craft mat with a grid, scissors, iron and ironing board (I got mine at a department store for super cheap), and bobbins, all of which are available at craft stores. Remember to do your shopping during sales and with coupons because those discounts make a HUGE difference.

For patterns, I have a pinned post on my blog with links to free pattern sites. If you want to support your local library, go check out quilt books there. Some libraries also offer classes and will direct you to places that offer supplies for free or nearly free. There's a local program in my area that offers a boxed kit with nearly everything you need to learn a new craft without spending a lot of money. They may have staff members who will teach you. Video tutorials by @teresadownunder have worked really well for me; I'm autistic with ADHD, which makes learning some things really difficult. She explains things really well, with lots of visuals and written text. It was was her videos that taught me how to do foundation paper piecing.

If you have any questions, feel free to ask. I highly recommend going to a local quilt shop. They will be absolutely thrilled to teach you. A new member to the cult of quilting? This is wonderful news! One of my blog followers here was really shy about approaching anyone in person because they're a guy and quilting is traditionally a woman's art. He wanted to surprise his grandmother with a quilt because she always made quilts for the rest of the family, but no one had bothered to learn how to make quilts. He's now the family quilter and has thrilled his grandmother with two quilts now. Sure, his sisters tease him, but he no longer cares because quilting is very satisfying work. It only looks complicated, and some of the more advanced patterns are, but that's why I share WIP pics. Y'all can see that it's really quite simple...and it makes my ADHD brain very happy because there's so much immediate gratification. The first time I made corners meet, I did a squealing happy dance.

Good luck, and remember to be patient, take breaks, and have fun. Oh, and set an alarm for every 90 minutes because you may get really into the work.

[fuzzyizmit]

WIP shot of my quilt. 9 rows down out of 41. I have no idea how I'm supposed to take pics of this thing... it can't even fit on my ironing board!

[embroidery-pro]

Your Comprehensive Guide to Successful Sewing

Guide to Successful Sewing

Whether you're a beginner just starting your sewing journey or an experienced seamstress looking to refine your skills, the Guidelines offer a wealth of knowledge to help you succeed in your sewing projects. This comprehensive collection of educational articles covers all aspects of sewing, from basic techniques to advanced methods. Exploring the Guidelines The Guidelines are organized into various categories, each focusing on different aspects of sewing. Let's take a closer look at what you can find:     1 - Sewing Tools   Basic Tools   Sewing Tools   More Sewing Tools   Mats for Rotary Cutters   Rotary Mat Q&A   Scissors and Shears   Rotary Cutters   Measuring Tools   Marking Tools   Tube Turners Part 1   Tube Turners Part 2 2 - Equipment   Setting Up a Sewing Room   Sewing Machine Basics   Buying a Sewing Machine   Pressing Equipment   Ironing Boards   Sergers   Presses & Home Pressing Systems   Serger Stitches   Computerized Sewing Machines 3 - Understanding Patterns   Pattern Markings Part 1   Pattern Markings Part 2 4 - Fabric   The Right Fabric   Preparing to Sew - Fabric and Pattern Preparation   Cotton   Identifying Fibers & Fabrics   Denim - More Than Just Jeans   Napped Fabrics   Unconventional Fabric Sources   Straightening Fabric Grain   Sewing with Knits   Working with Napped Fabrics   Wool   Slick Tricks: Laminated Fabrics and Vinyls   Sewing with Handwovens   Identifying Plaids   Sewing with Minkee-like Fabrics 5 -Linings & Interfacings   Interfacing 101 6 - Notions   Button, Button   Pins   Invisible Thread   Elastic - the Notion that Gives   Selecting Snaps   Bindings & Tapes   Using Bias Tape   Rick Rack 7 - Home Dec   Bed Coverings   Drapery Types   Table Treatments: Tablecloths   Table Treatments: Placemats, Napkins and Runners   Decorating with Quilts 8 - Home Dec How To   Pillows   Fabric Napkins   Covering a Lampshade with Fabric   Making Rod Pocket Curtains   Tab Top Curtains   Making a Shower Curtain   Covering a Bench Top   Tassels 9 - Quilting   Quilting Tools   Quilting Terms   Notions for Quilters   Pre-Cut Quilting Fabrics   Quilting Rulers   Quilting Designs   Making Bias and Bias Binding   Binding a Quilt   Prairie Points   Yo-Yos   Seminole Piecing

10 -  Fashion/Apparel

  Body Types   Clothing Care and Repair 11 - General How-To   Pressing Pants   Simple Seaming Techniques   Seam Finishes Part 1   Fold-Down Casings   Simple Hems   Staystitching   Easing, Gathering & Shirring   Working with Fold-over Elastic   Applied Casings   Twin-Needle Sewing   Seam Finishes Part 2   Ruffles   Working with Stripes   Piping   Princess Seams   Flat Fell Seams   Bound and Hong Kong Seam Finishes   Beading Part 1   Beading Part 2 12 - Garment How-To   Attaching Buttons   Easy Waistband Casings   Centered Zipper   Button Loops   Covered Buttons   Understitching   Dart Basics   Topstitching   Shirt Collar Pointers   Read the full article