#queen mary exhibit

[gwydpolls]

Time Travel Question 57: 19th Century

These Questions are the result of suggestions from the previous iteration.

This category may include suggestions made too late to fall into the correct grouping.

Please add new suggestions below if you have them for future consideration.

[royalpain16]

The Queen Mary museum exhibit from 2018.

My family and I visited the Queen Mary in Long Beach, California in 2018. We stayed overnight and some very charming rooms. My children took a ghost tour, and we ate at Winston's which is a restaurant named after Winston Churchill. The accommodations were old and classic. I had a great time. The food was delicious.

It was also a museum on board which boasted outfits worn by Princess Diana. My husband and I toured the museum and I took some pictures (pictures weren't allowed). There were just about three people in that museum when we were touring it. Let me know what you think if these outfits are real or not. They had some outfits from Catherine Duchess of Cambridge at the time, and maybe an outfit or two from Princess Grace.

Part 2 of 7

[lollobarcollomanonmollo]

women artists that you should know about!!

-Judith Leyster (Dutch, 1609-1660)

During her life her works were highly recognized, but she got forgotten after her death and rediscovered in the 19th century. In her paintings could be identified the acronym "JL", asually followed by a star, she was the first woman to be inserted in the Guild of St. Luke, the guild Haarlem's artists.

-Artemisia Gentileschi (Italian, 1593-1656)

"... Si è talmente appraticata che posso osar de dire che hoggi non ci sia pare a lei, havendo fatto opere che forse i principali maestri di questa professione non arrivano al suo sapere". This is how the father Orazio talked about his nineteen year old daughter to the Medici's court in Florence.

In 1611, Artemisia got raped, and she had to Undergo a humiliating trial, just to marry so that she could "Restore one's reputation" , according to the morality of the time. Only after a few years Artemisia managed to regain her value, in Florence, in Rome, in Naples and even in England, her oldest surviving work is "Susanna and the elders".

-Elisabeth Louise Vigèe Le Brun (French, 1755-1842)

She was a potrait artists who created herself a name during the Ancien Règime, serving as the potrait painting of the Queen of France Marie Antoinette, she painted 600 portraits and 200 landscapes in the course of her life.

-Augusta Savage (Afro-American, 1892-1962)

Augusta started making figures when she was a child, which most of them were small animals made out of red clay of her hometown, she kept model claying, and during 1919, at the Palm Beach County Fair, she won $25 prize and ribbon for most original exhibit. After completing her studies, Savage worked in Manhattan steam laundries to support her family along with herself. After a violent stalking made by Joe Gould that lasted for two decades, the stalker died in 1957 after getting lobotomized. In 2004, a public high school, Augusta Fells Savage Institute of Visual Arts, in Baltimore, opened.

-Marie Ellenrieder (German,1791-1863)

She was known for her portraits and religious paintings. During a two years long stay in Rome, she met some Nazarenes (group of early 19th century German romantic painters who wanted to revive spirituality in art),after becoming a student of Friedrich Overbeck and after being heavily influenced by a friend, she began painting religious image, getting heavily inspired by the Italian renaissance, more specifically by the artist Raphael. In 1829, she became a court painter to Grand Duchess Sophie of Baden.

-Berthe Marie Pauline Morisot (French,1841-1893)

Morisot studied at the Louvre, where she met Edouard Manet, which became her friend and professor. During 1874 she participated at her first Impressionist exhibition, and in 1892 sets up her own solo exhibition.

-Edmonia Lewis or also called "wildfire" (mixed African-American and Native American 1844-1907)

Edmonia was born in Upstate New York but she worked for most of her career in Rome, Italy. She was the first ever African American and Native American sculptor to achieve national and international fame, she began to gain prominence in the USA during the Civil Ware. She was the first black woman artist who has participated and has been recognized to any extent by the American artistic mainstream. She Also in on Molefi Kete Asante's list of 100 Greatest African Americans.

-Marie Gulliemine Benoist (French, 1768-1826)

Daughter of a civil servant, Marie was A pupil of Jaques-Louis David, whose she shared the revolutionary ideas with, painting innovative works that have caused whose revolutionary ideals he shared, painting innovative works that caused discussion. She opened a school for young girl artists, but the marriage with the banker Benoist and the political career Of the husband had slowly had effect on her artistic career, forcing her to stop painting. Her most famous work is Potrait of Madeline, which six years before slavery was abolished, so that painting became a simbol for women's emancipation and black people's rights.

-Lavinia Fontana (Italian, 1552-1614)

She is remembered for being the first woman artist to paint an altarpiece and for painting the first female nude by a woman (Minerva in the act of dressing), commissioned by Scipione Borghese.

-Elisabetta Sirani. (Italian, 1698-1665)

Her admirable artistic skills, that would vary from painting, drawing and engraving, permitted her, in 1660, to enter in the National Academy of S. Luca, making her work as s professor. After two years she replaced her father in his work of his Artistic workshop, turning it into an art schools for girls, becoming the first woman in Europe to have a girls' school of painting, like Artemisia Gentileschi, she represent female characters as strong and proud, mainly drawn from Greek and Roman stories. (ex. Timoclea Kills The Captain of Alexander the Great, 1659).

[gabriellademonaco]

Queen Mary wore a pair of sapphire and ruby earrings gifted by Queen Margrethe for the first time during the state visit to Norway.

The earrings were on display at the special exhibition "A Queen's Jewellery Box" on the occasion of Queen Margrethe's 50th jubilee in 2022.

[ancientfabricspreservation]

Jan Bartek - AncientPages.com - New scientific research has revealed a piece of tartan found in a peat bog in Glen Affric around forty years ago can be dated to circa 1500-1600 AD, making it the oldest known surviving specimen of true tartan in Scotland.

The Scottish Tartans Authority commissioned Dye Analysis and Radiocarbon testing on the woolen textile to prove its age.

Scotland's Oldest Tartan On Display For The First Time!

Glen Affric tartan - Scotland's oldest-known true tartan discovered by The Scottish Tartans Authority to go on display for the first time at V&A Dundee's Tartan exhibition.

Credit: Alan Richardson Pix-AR

The first investigation was dye analysis carried out by analytical scientists from National Museums Scotland. Using high-resolution digital microscopy, four colors were visually identified for dye analysis: green, brown, and possibly red and yellow.

The dye analysis confirmed the use of indigo/woad in the green but was inconclusive for the other colors, probably due to the dyestuff degradation state. However, no artificial or semi-synthetic dyestuffs were involved in making the tartan, which pointed to a date of pre-1750s.

Further clarification on the age of the tartan involved radiocarbon testing at the SUERC Radiocarbon Laboratory in East Kilbride. The process involved washing out all the peat staining, which would have otherwise contaminated the carbon content of the textile.

The Radiocarbon testing results identified a broad date range between 1500 and 1655 AD, with the period between 1500 and 1600 AD the most probable. This makes it the oldest-known piece of true tartan found in Scotland – the Falkirk ‘tartan,’ dating from the early third century AD, is actually a simpler check pattern woven using undyed yarns.

The Glen Affric tartan, which measures around 55cm by 43cm, is now on display for the first time at V&A Dundee’s Tartan exhibition.

by TaboolaSponsored Links

The piece will be the oldest exhibit among more than 300 objects. The exhibition examines tartan’s universal and enduring appeal through iconic and everyday examples of fashion, architecture, graphic and product design, photography, furniture, glass and ceramics, film, performance, and art.

“The testing process has taken nearly six months, but the effort was well worth it, and we are thrilled with the results!

In Scotland, surviving examples of old textiles are rare as the soil is not conducive to their survival. As the piece was buried in peat, meaning it had no exposure to air and was therefore preserved.

The tartan has several colors with multiple stripes of different sizes, and so it corresponds to what people would think of as a true tartan.

“Although we can theorize about the Glen Affric tartan, it’s important that we don’t construct history around it. Although Clan Chisholm controlled that area, we cannot attribute the tartan to them as we don’t know who owned it.

“The potential presence of red, a color that Gaels considered a status symbol, is interesting because of the more rustic nature of the cloth. This piece is not something you would associate with a king or someone of high status; it is more likely to be an outdoor working garment," Peter MacDonald, Head of Research and Collections at The Scottish Tartans Authorit said.

Scotland's Oldest Tartan On Display For The First Time!

New scientific research has revealed a piece of tartan found in a peat bog in Glen Affric, Scotland around forty years ago can be dated to circa 1500-1600 AD, making it the oldest known surviving specimen of true tartan in Scotland. Credit: Credit: Alan Richardson Pix-AR

“The Glen Affric tartan is clearly a piece of national and historical significance. It is likely to date to the reign of James V, Mary Queen of Scots, or James VI/I. “There is no other known surviving piece of tartan from this period of this age. It's a remarkable discovery and deserves national attention and preservation. “It also deserves to be seen and we’re delighted that it is to be included in the Tartan exhibition at V&A Dundee,” John McLeish, Chair of The Scottish Tartans Authority, said.

“We knew The Scottish Tartans Authority had a tremendous archive of material and we initially approached them to ask if they knew of any examples of 'proto-tartans' that could be loaned to the exhibition.

I'm delighted the exhibition has encouraged further exploration into this plaid portion and very thankful for The Scottish Tartans Authority's backing and support in uncovering such a historic find.

To be able to exhibit the Glen Affric tartan is immensely important in understanding the textile traditions from which modern tartan derives, and I'm sure visitors will appreciate seeing this on public display for the very first time," James Wylie, curator at V&A Dundee said.

Tartan at V&A Dundee opens on Saturday, 1 April, until 14 January 2024.

Written by Jan Bartek - AncientPages.com Staff Writer

Source: Facebook

Source: AncientPages.com

[behindthecrowns]

Colorized footage of King George V and Queen Mary on the miniature train on Treasure Island at The British Empire Exhibition, Wembley, London, 1924.

[tiaramania]

Today is a big day for tiaras so everyone brace yourselves.

All three Scandinavian monarchies will be bringing out their tiaras with a state visit from Denmark to Sweden and one from Moldova to Norway.

The highlight will of course be seeing which tiara Queen Mary chooses for her first state visit. I can't decide if it will be the Pearl Poiré Tiara or the Ruby Parure Tiara. The pearls are probably the second most important Danish tiara after the Emerald Parure Tiara that she debuted last week for a gala portrait but those can not be taken out of the country.

Or she may decide to stick with the rubies and save the pearls for the state visit to Norway in a few weeks. That spaces out the new tiaras a bit and the rubies were originally made for the first Bernadotte queen of Sweden so there's a great Swedish connection there.

The livestream for the Danish/Swedish state banquet starts at 7:15pm local time and you can watch it here.

Then it's also the Met Gala which usually provides a few tiara appearances depending on the theme. This year the Costume Institute's exhibition is titled 'Sleeping Beauties: Reawakening Fashion' and the dress code is 'The Garden of Time' inspired by the short story by J.G. Ballard. I think we will probably see a lot of flower crowns but hopefully a few of those flowers will be made out of gemstones.

Personally, I think It's the perfect opportunity to break out this tiara with a watch hidden behind the central flower. It was made circa 1960 and was last sold at Bonhams' in 2015 for 6,250 GBP. I just really want to see someone bending down so that their friend can check the time on their tiara.

The livestream for the Met Gala red carpet starts at 6:00pm local time and you can watch it here.

[comtessezouboff]

Paintings from Buckingham Palace: part I

A retexture by La Comtesse Zouboff — Original Mesh by @thejim07

100 followers gift!

First of all, I would like to thank you all for this amazing year! It's been a pleasure meeting you all and I'm beyond thankful for your support.

Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures.

Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle, Kensington Palace and the most remarkable of them, Buckingham Palace are both residences and open to the public.

About 3,000 objects are on loan to museums throughout the world, and many others are lent on a temporary basis to exhibitions.

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This first part includes the paintings displayed in the White Drawing Room, the Green Drawing Room, the Silk Tapestry Room, the Guard Chamber, the Grand Staircase, the State Dining Room, the Queen's Audience Room and the Blue Drawing Room,

This set contains 37 paintings and tapestries with the original frame swatches, fully recolourable. They are:

White Drawing Room (WDR):

Portrait of François Salignan de la Mothe-Fénelon, Archbishop of Cambrai (Joseph Vivien)

Portrait of a Lady (Sir Peter Lely)

Portrait of a Man in Armour with a red scarf (Anthony van Dyck)

Portrait of Alexandra of Denmark, Queen Consort of the United Kingdom and Empress of India (François Flameng)

Green Drawing Room (GDR):

Portrait of Prince James Stuart, Duke of Cambridge (John Michael Wright)

Portrait of Frederick Henry, Charles Louis and Elizabeth: Children of Frederick V and Elizabeth of Bohemia (unknown)

Portrait of Infanta Isabel Clara Eugenia of Autria and her Sister, Infanta Catalina Micaela of Austria (Alonso Sanchez Coello)

Portrait of Princess Louisa and Princess Caroline of the United Kingdom (Francis Cotes)

Portrait of Queen Charlotte with her Two Eldest Sons, Frederick, Later Duke of York and Prince George of Wales (Allan Ramsay)

Portrait of Richard Colley Wellesley, Marquess of Wellesley (Martin Archer Shee)

Portrait of the Three Youngest Daughters of George III, Princesses Mary, Amelia and Sophia (John Singleton Copley)

Silk Tapestry Room (STR):

Portrait of Caroline of Brunswick, Princess of Wales, Playing the Harp with Princess Charlotte (Sir Thomas Lawrence)

Portrait of Augusta, Duchess of Brunswick With her Son, Charles George Augustus (Angelica Kauffmann)

Guard Chamber (GC):

Les Portières des Dieux: Bacchus (Manufacture Royale des Gobelins)

Les Portières des Dieux: Venus (Manufacture Royale des Gobelins)

Les Portières des Dieux (Manufacture Royale des Gobelins)

Grand Staircarse (GS):

Portrait of Adelaide of Saxe-Meiningen, Queen Consort of Great Britain (Martin Archer Shee)

Portrait of Augustus, Duke of Sussex (Sir David Wilkie)

Portrait of Edward, Duke of Kent (George Dawe)

Portrait of King George III of Great Britain (Sir William Beechey)

Portrait of King William IV of Great Britain when Duke of Clarence (Sir Thomas Lawrence)

Portrait of Leopold I, King of the Belgians (William Corden the Younger)

Portrait of Prince George of Cumberland, Later King George V of Hanover When a Boy (Sir Thomas Lawrence)

Portrait of Princess Charlotte Augusta of Wales (George Dawe)

Portrait of Queen Charlotte at Frogmore House (Sir William Beechey)

Portrait of Victoria of Saxe-Coburg-Saafeld, Duchess of Kent (Sir George Hayter)

State Dining Room (SDR):

Portrait of Charlotte of Mecklenburg-Strelitz, Queen Consort of the United Kingdom in Coronation Robes (Allan Ramsay)

Portrait of King George III of the United Kingdom in Coronation Robes (Allan Ramsay)

Portrait of Augusta of Saxe-Gotha, Princess of Wales (Jean-Baptiste Van Loo)

Portrait of Caroline of Ansbach when Princess of Wales (Sir Godfrey Kneller)

Portrait of Frederick, Princes of Wales (Jean-Baptiste Van Loo)

Portrait of King George II of Great Britain (John Shackleton)

Portrait of King George IV of the United Kingdom in Garther Robes (Sir Thomas Lawrence)

Queen's Audience Room (QAR):

Portrait of Anne, Duchess of Cumberland and Strathearn (née Anne Luttrel) in Peeress Robes (Sir Thomas Gainsborough)

Portrait of Prince Henry, Duke of Cumberland and Strathearn in Peer Robes (Sir Thomas Gainsborough)

London: The Thames from Somerset House Terrace towards the City (Giovanni Antonio Canal "Canaletto")

View of Piazza San Marco Looking East Towards the Basilica and the Campanile (Giovanni Antonio Canal "Canaletto")

Blue Drawing Room (BDR)

Portrait of King George V in Coronation Robes (Sir Samuel Luke Fildes)

Portrait of Queen Mary of Teck in Coronation Robes (Sir William Samuel Henry Llewellyn)

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Found under decor > paintings for:

500§ (WDR: 1,2 & 3)

1850§ (GDR: 1)

1960§ (GDR: 2 & 3 |QAR 3 & 4)

3040§ (STR, 1 |GC: 1 & 2|SDR: 1 & 2)

3050§ (GC:1 |GS: all 10|WDR: 4 |SDR: 3,4,5 & 6)

3560§ (QAR: 1 & 2|STR: 2)

3900§ (SDR: 7| BDR: 1 & 2|GDR: 4,5,6 & 7)

Retextured from:

"Saint Mary Magdalene" (WDR: 1,2 & 3) found here .

"The virgin of the Rosary" (GDR: 1) found here .

"The Four Cardinal Virtues" (GDR: 2&3|QAR 3 & 4) found here.

"Mariana of Austria in Prayer" (STR, 1, GC: 1 & 2|SDR: 1 & 2) found here.

"Portrait of Philip IV with a lion at his feet" (GC:1 |GS: all 10|WDR: 4 |SDR: 3,4,5 & 6) found here

"Length Portrait of Mrs.D" (QAR: 1 & 2|STR: 2) found here

"Portrait of Maria Theresa of Austria and her Son, le Grand Dauphin" (SDR: 7| BDR: 1 & 2|GDR: 4,5,6 & 7) found here

(you can just search for "Buckingham Palace" using the catalog search mod to find the entire set much easier!)

Drive

(Sims3pack | Package)

(Useful tags below)

@joojconverts @ts3history @ts3historicalccfinds @deniisu-sims @katsujiiccfinds @gifappels-stuff

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[saintmeghanmarkle]

Markle's Folly by u/C-La-Canth

Markle's Folly Today, I watched a movie based on the show Downton Abbey. For those who don't know, it's a British series set at a beautiful English manor in the early 20th century which depicts the lives of the aristocrats who live there and their domestic staff. The movie I saw takes place in 1927, and the plot revolves around a visit to the estate by King George V and his wife, Queen Mary. King George was Queen Elizabeth's grandfather, and the movie (although fictitious) takes place when Elizabeth would have been a baby. As I watched this sumptuous show (which won more Emmys than any other international program ever), all I could think about was how profoundly stupid and shallow MM is. Of course, the show's story happened a century ago, and some of the customs and formality have fallen out of fashion. Just the same, the excitement and respect that the citizens had for their King and Queen, and the dedication and loyalty they exhibited is similar to what people still feel. I remember seeing the Queen years ago at the Highland Games at Braemar. Her carriage made a loop around the field, and to see her sweet smile and royal wave was absolutely thrilling. Anyway, every time I think about how Meghan, that loathsome, festering pustule of a human being, had a one-in-eight-billion chance to meet HLMTQ, chat with her, live amongst the priceless treasures of those amazing properties, participate in one of the world's most historically rich environments, to listen and learn from a gracious and wise woman who'd met the most prominent leaders of the 20th and 21st century......I literally feel nauseated. I don't think there is anyone else in history who has squandered more privilege and opportunity. Harry forfeited it, but at least he knew what he was losing. But I don't think for even one nanosecond could Meghan stop feeding that insatiable ego of hers. She was so intoxicated with her own sense of importance and value (I am talking lunatic level here) that she was incapable of appreciating the potential treasure she was gifted. I don't know of any human who has fallen as far as Meghan Markle has for such petty reasons. I am also convinced that she is the worst kind of coward: when faced with the relatively minor task of adjusting to a new lifestyle, she fled (with her insipid dolt of a husband), and she tried her best to punish everyone else for her own weakness and failures. I don't know how a normal person can operate knowing how much damage they've done like she has, but then again---I don't think she is normal. post link: https://ift.tt/40lfBU2 author: C-La-Canth submitted: May 01, 2024 at 05:04AM via SaintMeghanMarkle on Reddit disclaimer: all views + opinions expressed by the author of this post, as well as any comments and reblogs, are solely the author's own; they do not necessarily reflect the views of the administrator of this Tumblr blog. For entertainment only.

[winxbutbetterimo-ovo]

Alfea Overview v2

i drew out a layout for Alfea i will use for specifications of my overview. did i make alfea a smidge taller? Yes but oh well, anyway lets begin.

The Alfea College for Fairies is a girls' boarding school in Magix for Fairies and the oldest (established 9000 years before the start of the story) and most prestigious educational institution for fairies. 

The education in Alfea lasts 3 years, one for each Fairy Form in the journey of an aspiring full-fledged fairy. Base form, Charmix, Enchantix.

The Alfea students are mostly in training ages 16-18 (unless they have been held back a grade like Stella, so in her case, 17). Fairies here learn how to control their power, fight evil, learn new spells as well as learn how to be their realms' queens and guardian fairies. In this way, Alfea is a little like a military boarding school for the elites.

In the Past

The Alfea Champions were an ancient trio of legendary fairies who were believed to be the most powerful fairies in all of Alfea History. Their feats have been known to be passed down through generations, immortalised in statues that stand in the Alfea Museum, and had been recorded in Legendarium. Ress of the Flame, Chevonne of the Water and Farcelia of the Wind. They were real fairies, but it has been so long that their legends outlived their actual story of their lives.

When Mavilla was headmistress of Alfea, owning and exhibiting the strengths of one's Fairy Animal was considered a vital part of a fairy education. Everything taught was a reflection of the contents of the Tome of Nature. Eventually, Mavilla changed this. 

Alfea used to have a crest which was a curved golden "A" on a purple and blue flower with a golden outline at the top of the school gates, just above Alfea's gate. The "A" of the crest is also seen on what used to be the school's uniform, consisting of a burgundy long-sleeved and knee-length dress and mary janes. The neck part of the dress has white lace and a dark burgundy loop.

At another point in time, Eldora was the keeper of the Alfea Greenhouse and taught floral magic.

School years

First Year

Freshmen fairies learn how to master their own source of power, as well as their base fairy form, and learn basic spells they can use in their daily life and in battle if necessary. Metamorphosymbiosis, Potionology and Survival Training are part of the first year curriculum. Fairies also learn how to explore diverse environments in the Simulation Room as part of their survival training. 

Second Year

Second Year fairies have the goal of earning Charmix. Their classes include, magic invocation, magic self-defence, applied convergence and cognitive analysis class, where fairies learn technical incantations, and spells requiring accurate pronunciation.

Third Year

Third Year Classes include, History of Magic, and those who achieve Enchantix will participate in Battle training to hone their skills. The fairies also have a final thesis, also earning Enchantix is more like an extra credit thing.

Graduation

After earning Enchantix, the basic fairy education is completed and they will graduate with Honours and receive the titles of Guardian Fairies of their respective homeworlds on the Day of the Gift. Without Enchantix, the girls still graduate, but they don't become guardian fairies. In this case, they return to their home world and can decide if they want to work towards being a guardian fairy by being an apprentice to one until they earn their Enchantix, or they can do something else. Alumni can also decide to extend their studies and do their masters here at Alfea in any Subject already offered, being mentored by any of the current staff

Winx After Graduation

They taught for a short period of time, before choosing to take their masters here in various subjects in addition to being substitute teachers from time to time.

Architecture and Layout

Outside

The Alfea Natural Park, which is a refuge for Fairy Animals, is found in the forest. It is unknown if parts of the forest close to the school belong to the school or not, but they are also used for classes and tests.

There is a bus stop where students, guests, and staff members can take buses from and to Magix City and to other places in Magix.

Protective barriers meant to keep non-magical creatures, non-fairies, and bad weather out are seen many times in the series.

The School Gates are the only access to the school compound. They consist of a large pink archway with two wing-like doors that move to open or close the gates.

Its campus is a large castle with pink walls and blue roofs built around a courtyard.

Ground / First Floor

Most of the Classrooms are found on the ground floor around the central courtyard. The side buildings have corridors through which the classrooms can be accessed and it has stairways from which the upper parts of the school can be accessed.

Namely: On the East Wing, Applied Convergence Classroom, Technical Incantations Classroom, Magic Invocation Classroom, Magic Defence Classroom, and on the West Wing, Potionology Classroom, Metamorphosymbiosis Classroom, and the Survival Training Classroom. Each classroom also acts as storage for whatever items the subject requires.

The School Kitchen, where Chef Sfoglia works, Students may also be assigned to do the cooking as chores or as punishment. Located in the West Wing

In the North Wing, The Entrance Hall is a large room found opposite the School Gates, and it is accessed by a set of grand stairs.

The Cafeteria / School Hall is a large room found on the ground floor. It has a large dome of glass as its outer wall and there are long tables where the students have their breakfast, lunch, and dinner. It has a special tier for staff members. Parties and balls are often held there and during such occasions, the tables are removed to make a place for the festivities. It is found below the Headmistress' Office and behind the Entrance Hall, in the North Wing.

The West Wing also contains The School Infirmary where students are treated in case of health problems and injuries. It is composed of an office and a resting room with many beds. It is managed by Nurse Ofelia and her assistant.

The West Tower is where the Magic Archive of Alfea is found. Precious and rare books and scrolls about many things can be found there and the school's Codex used to be kept there. A Pixie, named Concorda, is the keeper of the Secret Archives.

The first floor of the east tower contains the Applied convergence Classroom which also acts as the School Amphitheater for formal gatherings required by the Headmistress or otherwise. the students sometimes attend the school assembly and it is also where general meetings are often held, especially in crisis times. There is a table with chairs around it where staff members sit. Exams may also be held there.

The Central Courtyard is a large open space at the centre of the school. It contains:

Benches where students can sit and spend their free time. The Well, with underground tunnels that connects Alfea to the other magical schools, and contains various rooms and obstacles to go through in order to obtain the Star of Teamwork. It functions as a gathering area for celebrations such as the beginning of the year and graduation ceremonies are done. It also serves as a landing space for Red Fountain ships.

Around the sides are the Gardens of Alfea. A place where students can relax and study and even practice their abilities with the accompaniment of nature.

And around the back is an open space mainly used for classes with a practical component.

Second Floor

The student Dormitories (enchanted to be bigger on the inside). Located in both the East and West Wings.

The North wing’s first floor’s ceiling is very high, taking up 2 floors, and therefore technically there is nothing here.

The Simulation Room is where virtual simulations take place. It can also be used to teleport people to other locations. Professor Palladium is the one who is in charge of the Simulation Chamber.

There is technically nothing here in the West Wing because the Archive Room Ceiling is the tallest in the entire school, taking up 4 floors. (Tho it can still be accessed from here as well but the platform is small so people usually dont.)

Third Floor

The student Dormitories (enchanted to be bigger on the inside). Located in both the East and West Wings.

The History of Magic Classroom in the East Wing Tower

And in the North Wing, the staff and Faragonda’s offices. Outside of which there is a small seating area.

There is technically nothing here in the West Wing because the Archive Room Ceiling is the tallest in the entire school, taking up 4 floors. (Tho it can still be accessed from here as well but the platform is small so people usually dont.)

Fourth Floor

The student Dormitories (enchanted to be bigger on the inside). Located in both the East and West Wings.

The Dance Studio/Gym in the East Wing Tower.

In the North wing, Faragonda and the Staff Quarters. Only accessible via the offices.

There is technically nothing here in the West Wing because the Archive Room Ceiling is the tallest in the entire school, taking up 4 floors. (Tho it can still be accessed from here as well but the platform is small so people usually dont.)

Fifth Floor

Only contains the Viewing Decks atop the two Towers of Alfea. Only accessible by Flight or Teleportation.

Basement

The basement of Alfea is sprawling. It contains what will become Musa’s Music Cafe, the Alfea Museum, the Hall of Memories (formerly: Fairy Animals), the magical Entrance to the Alfea Greenhouse, the Library (containing the Research Lectern with Miss Barbetea as its Librarian) with its Restricted Section, and finally the Hall of Enchantments (It contains the hall of infamy, where the portraits of all the enemies of the Magic Dimension can be found, the entire history of the magical universe and contains the Heart of Alfea), only accessible through the Headmistress’s Office.

The rest of the images here include a Key, a Compass and a small sketch i did to plan out how many floors Alfea actually has.

Finally staff:

Headmistress Faragonda (Applied Convergence)

Miss Grizelda (Magic Defence/Applied Convergence)

Professor Palladium (Potionology/Survival Training)

Professor WizzGizz (Metamorphosymbiosis/Technical Incantations)

Professor Avalon (s3 new) (Magic Invocation)

Professor Daphne (s6 new) (History of Magic)

Chef Sfoglia, In the Kitchen

Nurse Ofelia and her assistant. In the Infirmary

Pixie Concorda, the keeper of the Secret Archive

Miss Barbetea the Librarian

Knut the Janitor (s2 new)

Dorm Assignments

The students use all three levels of the student dorms. And where they go rotate every three years. So if you joined the school and are assigned to the second floor dorms, you stay there until u graduate then the freshmen after you will take over it.

Once again all dorms are enchanted to be bigger than they seem.

For the Staff, (All dorms are enchanted to be bigger than they seem from the outside)

Faragonda and Grizelda (daphne in future) Share a dorm, the North Wing, central Dorm.

Palladium, Wizzgizz, Avalon share a dorm, the North Wing, East (left) Dorm

When the winx become teachers, they will insist on sharing a dorm, the North Wing, West (right) dorm.

The non teaching staff usually have a built in dorm at wherever they are working, so Miss Barbetea has a room in the library, and Nurse Ofelia and her assistant share a room in the infirmary and so on. Their rooms are also enchanted so they are bigger on the inside.

Sketch Dump:

[vivelareine]

L'Année littéraire, 1783, on the switch between Elisabeth Vigee-Lebrun's original portrait of Marie Antoinette in a muslin dress to a portrait with a more traditional court dress:

"It was noticed that the [portrait] of the queen, first exhibited at the Salon, was weak in tone and color. Madame le Brun has substituted another which has more effect; the graces and reputation of this august Princess are very well preserved."

[stephensmithuk]

How Watson Learned the Trick

This short tale was commissioned to go into one of the books to go into Queen Mary's Dolls' House, a gift from the country to the wife of King George V and the woman for whom the ocean liner now in Los Angeles is named. It was made at a 1:12 scale and showcased the finest consumer products of the day. It was put in public display to raise money for charity at the British Empire Exhibition of 1924-25, a massive colonial exhibition at Wembley that even included a mock air attack show involving the RAF.

Afterwards, it was moved to Windsor Castle where it remains to this day on public display.

The main legacy of the British Empire Exhibition was the sports stadium built for the event, which become Wembley Stadium, the home to English football finals among many other things, including music, professional wrestling and the 1948 Summer Olympics. In 2003, it was closed, demolished and replaced by a new stadium on the same site, which does similar things.

Disposable razor blades were first patented in 1901, by King Camp Gillette, creator of the company of that name, now part of Procter & Gamble.

Before that, safety razors with guards to protect you from cutting yourself deeply while shaving were around - reducing the need to visit a barber for that - but needed sharpening, something best left to a professional.

[gabriellademonaco]

Queen Mary’s Engagements in Sep 2024:

04/09: Carlsberg Foundation Research Awards

05/09: Flag Day

11/09: Summer Cruise - Official Disembark

11/09: Summer Cruise - Dinner on Dannebrog

12/09: Reception for Olympic and Paralympic Participants

23/09: National Conference for Health Care Nurses

23/09: National Teaching Award

25/09: Opening of Exhibition on Mary Elizabeth's Hospital

26/09: Independent Research Fund Denmark

26/09: Old Stock Exchange's 400th Anniversary Dinner

28/09: Psychiatry Summit

[armoricaroyalty]

November, 2017. Thanks to public interest in its youngest members, the Armorican royal family is riding high on a wave of unprecedented popularity. Support for the monarchy is at all-time high, but life under the microscope could push them to the limit…

Previous | Chapter Start | Beginning | Chapter 4

Crown Princess Rosalind asks her father, Andre, King of the Armoricans for permission to propose to her girlfriend, Mary Yokoyama. Andre accedes to the match, and an elated Rosalind carries her joy into a meeting with her best friend/professional underling Theo Adams (who is also her younger brother's ex). From Theo, Rosalind learns that she is the subject of a new book by famed royal journalist Kristina Greene.

Meanwhile, Prince Frederick and his girlfriend Lady Emily are staying in Uspana and aiding in preparations for the Armorican's upcoming state visit. Emily is eager to become engaged, but Freddy is distracted by his frustrations with his family, particularly his younger brother, Prince Jacques.

Jacques has pulled out of the trip last-minute, but his wife, Vivienne, Duchess of Laye is still attending. He berates her for her clothing choices as she prepares with the trip, and the argument culminates in an incidence of physical violence, the first in their marriage.

Things are similarly strained between Andre and Queen Elise. Andre is planning to use the Uspanian trip to spend time with his mistress, Leonor Reyes, a princess of Uspana. Elise delivers an ultimatum: if Andre does not end his relationship with Leonor, she will file for divorce. Shaken but unable to defend his actions, Andre spends the night alone.

After arriving in Uspana, Vivi strikes up a conversation with the charming Julian Reyes, grandson of the formidable Queen Beatriz of Uspana. While Julian's uncle, Crown Prince Arnaut, scolds him for engaging in a dangerous flirtation with a married woman, Andre meets with Beatriz who suggests that he abdicate.

That night, the families convene for a formal state dinner, followed by a dance. Freddy and Emily share a tender moment on the dance floor while Vivi and Julián dance and flirt, deepening their attraction. Andre attempts to council Rosalind about the seriousness of her position and her relationship with Mary, but she grow suspicious when he begins to speak regretfully of the mistakes he has made in his relationship with her mother.

Andre and Leonor retreat to his room and have an intimate moment while Rosalind calls Mary, who is in Aducia, tracking down Freddy's ex-girlfriend Kelly Farrier and her young son, Arthur Farrier. Having illicitly secured a DNA sample for a paternity test, Mary is due to join the rest of the Armoricans in Uspana.

The next day, Freddy has a meeting with Theo. The two tour the museum exhibit he worked to create and rekindle their friendship, ending on a playful, affectionate note. Mary, meanwhile, is ambushed by the paparazzi at the airport -- someone has leaked news of her relationship with Rosalind and the sordid details of her first marriage, which ended with the mysterious disappearance of her still-missing husband. Pursued by the press, she flees to the safety of Nakawe palace, where she takes refuge with Rosalind. The two agree to an engagement but decide that they must find a "bigger story" to bury the scandalous story about Mary's past. The couple meet with Freddy and Emily, urging him to propose to divert media attention away from themselves. Freddy is reluctant, but ultimately decides to propose after a heart-to-heart with his father. Emily accepts, and the couple announce their engagement to the delight of the nation.

Mary and Rosalind attend their first public event as a confirmed couple, but most of the media focus remains on Freddy and Emily. Leonor persuades Andre not to veto the couple's relationship. After a false start, Vivi and Julián act on their attraction and have sex in her hotel suite.

The next morning is the Armoricans' final day in Uspana. Leonor and Andre part on a melancholy note, unsure when they will see one another again.

After returning to Armorica, Theo ends her relationship with line cook Rob Lewis. He goes to a bar to drown his sorrows and drunkenly agrees to an interview with Kristina Greene. Vivi returns to her marital home, and reconciles with Jacques. Andre returns home to Elise and informs her of his decision to end their marriage.

In the epilogue, Rosalind and Mary break into Kelly's apartment. DNA testing has confirmed that Arthur is Freddy's son, and the two break into her apartment to coerce her into signing an NDA and accepting a large annuity in exchange for her silence.

[behindthecrowns]

Queen Mary's dolls' house

The idea for building the doll's house came from the Queen's cousin, Princess Marie Louise, who discussed her idea with one of the top architects of the time, Sir Edwin Lutyens, at the Royal Academy Summer Exhibition of 1921. Sir Edwin agreed to construct the dollhouse and began preparations. It was created as a gift to Queen Mary from the people, and to serve as a historical document on how a royal family might have lived during that period in England. Today Queen Mary's dolls' house is exposed in Windsor Castle, UK.

[emma-dennehy-presents]

Celebrating Black Queer Icons:

Tourmaline

Tourmaline (formerly known/credited as Reian Gossett)is a trans woman that actively identifies as queer, and is best known for her work in trans activism and economic justice. Tourmaline was born July 20, 1983, in the Commonwealth of Massachusetts. Tourmaline's mother was a feminist and union organizer, her father a self defense instructor and anti-imprisonment advocate. Growing up in this atmosphere allowed Tourmaline to explore her identity and encouraged her to fight in what she believes in. Tourmaline has earned a BA in Comparative Ethnic Studies, from Colombia University. During her time at Colombia U, Tourmaline taught creative writing courses to inmates at Riker's Island Correctional Institute, through a school program known as Island Academy. Tourmaline has worked with many groups and organizations in her pursuit of justice. She served as the Membership Coordinator for Queers For Economic Justice, Director of Membership at the Sylvia Rivera Law Project, and as a Featured Speaker for GLAAD. Tourmaline also works as a historian and archivist for drag queens and trans people associated with the 1969 Stonewall Inn Uprising. She started doing this after noticing how little trans material was being archived, saying that what little did get archived was done so accidentally. In 2010 Tourmaline began her work in film by gathering oral histories from queer New Yorkers for Kagendo Murungi's Taking Freedom Home. In 2016 Tourmaline directed her first film The Personal Things, which featured trans elder Miss Major Griffin-Gracy. For the film Tourmaline was awarded the 2017 Queer Art Prize. Tourmaline served as the Assistant Director to Dee Rees on the Golden Globe nominated historical drama, Mudbound. Tourmaline has co produced two projects with fellow filmmaker and activist Sasha Wortzel. The first was STAR People Are Beautiful, about the work of Sylvia Rivera and Street Transvestite Action Revolutionaries. The second was Happy Birthday, Marsha, about Marsha P Johnson. Happy Birthday, Marsha had all trans roles played by trans actors. Tourmaline's work is featured or archived in several major museums and galleries. In 2017 her work was featured in New Museum's exhibit Trigger: Gender as a Tool and a Weapon. In 2020 the Museum of Modern Art acquired Tourmaline's 2019 film Salacia, a project about Mary Jones. In 2021 the Metropolitan Museum of Art acquired two of Tourmaline's works for display in Before Yesterday We Could Fly: An Afrofuturist Period Room. Tourmaline is also the sibling of:

Che Gossett

Che Gossett is a nonbinary, trans femme writer and archivist. Gossett specializes in queer/trans studies, aesthetic theory, abolitionist thought and black study. Gossett received a Doctorate in Women's and Gender Studies, from Rutgers University, in 2021. They have also received a BA in African American Studies from Morehouse college, a MAT in Social Studios from Brown University, and a MA in History from the University of Pennsylvania. Gossett has held a fellowship at Yale, and currently holds fellowships at Harvard, Oxford, and Cambridge. Gossett's writing has been published in a number of anthologies and they have lectured and performed at several museums and galleries of note, including the Museum of Modern Art and A.I.R. Gallery. Gossett is currently working on finishing a political biography of queer Japanese-American AIDS activist Kiyoshi Kuromiya.

I originally intended to do separate profiles for Che Gossett Tourmaline, but could not find sufficient information about Che Gossett, beyond their credentials and current academic activity. That means that this will be the last of these write ups for a bit. I plan on picking it back up in October for the US's LGBT History Month and UK's Black History month. With time to plan ahead and research more I hope to diversify my list geographically and improve formatting. I plan on starting to include cis icons as well, like Rustin Bayard. If you come across this or any other of these posts Ive made this month I would love feedback and suggestions for figures you would like to see covered.