#queen - again ANY

[vantablackdraws]

*taps mic* Dizzy with dragon horns

[bluerosefox]

Little Danny's Big Adventure

New idea.

Okay now hear me out.

-Pulls out AU idea cauldron and tosses stuff into it-

Let's put in some Ghost King/Prince Danny.... But also some deaged to toddlerhood Danny that gets yeeted into the DCverse!

Like imagine, tiny baby Danny with his tiny crown of ice floating above his head and his galaxy cape wrapped around him and uses it like a baby blanket. He didn't mean to fall into a different universe, a natural portal opened up and he was being a curious little thing! He didn't mean to trip and fall in during his nap time.

Nor was he expecting to fall into this realm during a rogue attack and knock out said rogue cause they were being a meanie and harming people and now Danny just wants his nap time cause he spent a lot of his tiny engery and he wants to find a nice spot.

Danny finds a place to crash, snuggling himself into his cape and the astronaut bear Danielle got him during her last visit that he takes everywhere since.

He's out like a light as the door to this safe house that belongs to one of the Bats opens up.

Meanwhile. In the Infinite Realms, Queen Regent Jazz is going into Mama Bear Jazz Mode trying to find her deaged brother, keeping the Realms in check, and is resisting the urge to put CW in time out Soup Time because he's being cyptided again about Danny whereabouts!!! UGH!

[wolfssixshadows]

Friendly reminder that Kaz goes to stare at the Emerald Palace everytime he feels low on rage. Just one good look at the eyesore and he's back and ready to take on the world.

[ohmaerieme]

im cringe and thats good .... ill never be based and thats not bad ...theres noone id rather be than me ......

[ningadudexx]

commissions i did last month!!! thank you so much to everyone ^_^ these were really fun to draw!!

[skullfragments]

soooo i've been real busy this past month and change working on this monster of a painting! it was originally for the GO Ref library study club but clearly took much longer than i anticipated😅

for those of you who don't recognize it, this is based on one of my favorite historical paintings, Judith Beheading Holofernes (1620) by Artemisia Gentileschi. i love the Baroque period and this painting (as well as her other works) makes me insane. here it is Good Omens style so maybe all of you can be insane with me <3

"Aziraphale (and Crowley) Beheading the Metatron"

(non-bloody and non-glowy versions under the cut)

[everywaythatmatters]

Attolia broke an amphora once…

[wonder-worker]

A central element of the myth of [Eleanor of Aquitaine] is that of her exceptionalism. Historians and Eleanor biographers have tended to take literally Richard of Devizes’s conventional panegyric of her as ‘an incomparable woman’ [and] a woman out of her time. […] Amazement at Eleanor’s power and independence is born from a presentism that assumes generally that the Middle Ages were a backward age, and specifically that medieval women were all downtrodden and marginalized. Eleanor’s career can, from such a perspective, only be explained by assuming that she was an exception who rose by sheer force of personality above the restrictions placed upon twelfth-century women.

-Michael R. Evans, Inventing Eleanor: The Medieval and Post-Medieval Image of Eleanor of Aquitaine

"...The idea of Eleanor’s exceptionalism rests on an assumption that women of her age were powerless. On the contrary, in Western Europe before the twelfth century there were ‘no really effective barriers to the capacity of women to exercise power; they appear as military leaders, judges, castellans, controllers of property’. […] In an important article published in 1992, Jane Martindale sought to locate Eleanor in context, stripping away much of the conjecture that had grown up around her, and returning to primary sources, including her charters. Martindale also demonstrated how Eleanor was not out of the ordinary for a twelfth-century queen either in the extent of her power or in the criticisms levelled against her.

If we look at Eleanor’s predecessors as Anglo-Norman queens of England, we find many examples of women wielding political power. Matilda of Flanders (wife of William the Conqueror) acted as regent in Normandy during his frequent absences in England following the Conquest, and [the first wife of Henry I, Matilda of Scotland, played some role in governing England during her husband's absences], while during the civil war of Stephen’s reign Matilda of Boulogne led the fight for a time on behalf of her royal husband, who had been captured by the forces of the empress. And if we wish to seek a rebel woman, we need look no further than Juliana, illegitimate daughter of Henry I, who attempted to assassinate him with a crossbow, or Adèle of Champagne, the third wife of Louis VII, who ‘[a]t the moment when Henry II held Eleanor of Aquitaine in jail for her revolt … led a revolt with her brothers against her son, Philip II'.

Eleanor is, therefore, less the exception than the rule – albeit an extreme example of that rule. This can be illustrated by comparing her with a twelfth century woman who has attracted less literary and historical attention. Adela of Blois died in 1137, the year of Eleanor’s marriage to Louis VII. […] The chronicle and charter evidence reveals Adela to have ‘legitimately exercised the powers of comital lordship’ in the domains of Blois-Champagne, both in consort with her husband and alone during his absence on crusade and after his death. […] There was, however, nothing atypical about the nature of Adela’s power. In the words of her biographer Kimberley LoPrete, ‘while the extent of Adela’s powers and the political impact of her actions were exceptional for a woman of her day (and indeed for most men), the sources of her powers and the activities she engaged in were not fundamentally different from those of other women of lordly rank’. These words could equally apply to Eleanor; the extent of her power, as heiress to the richest lordship in France, wife of two kings and mother of two or three more, was remarkable, but the nature of her power was not exceptional. Other noble or royal women governed, arranged marriages and alliances, and were patrons of the church. Eleanor represents one end of a continuum, not an isolated outlier."

[paintpanic]

Artfight attack (...eventually, when I'm able to upload it to the site-) for @giantchasm ft. their take on resurrected Sectonia! They drew mine earlier this month, so I figured I'd return the favor.

(Bonus under the cut.)

[cookiedough77]

i saw a bee and a ladybug toy thing idk at the grocery store and thought

"hehe like queen bee and ladybug from... miraculous ladybug"

i have a serious problem

[jerreeeeeee]

i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?

[ilovefredjones]

the frozen ii ending makes me soooooo angry like the whole POINT of frozen i was that elsa learned that she could rule arendelle with her powers and with anna by her side!!! literally in the bway musical she sings ‘i know i’ll never see that sunny day / when this trial is finally through / and it can just be me and you’ like. elsa WANTS to stay with anna

and they try and explain this somewhat in into the unknown, with the ‘who knows deep down i’m not where i’m meant to be’ but. WHY isn’t she where she’s meant to be. all of the first film was her learning that she belonged in arendelle and her powers/herself wasn’t something to be afraid of. why isn’t she meant to be with her family? with her sister who’s been desperate to reconnect with her? why doesn’t she belong where people readily love her and accept her and want the best for her?

and then, what about anna? there is no mention of her wanting/being ready to be queen in either two films. we don’t even see the offer on screen; we don’t get the sisters’ quiet, vulnerable conversation where elsa admits to wanting to live with the rest of the nature spirits and anna offers to take her place as queen. we don’t see anna begging elsa to stay in the forest because she can rule if elsa’s happier there. we never see their dialogue. it’s just so sudden. is anna once again just going along with what her sister wants? is elsa isolating herself all over again? we just don’t know. they both seem happy, but there’s barely any indication that it’ll lead up to that point.

it just makes no sense for either of their arcs, or their previous wants/needs. if they were meant to stay together, why separate them again? they just got each other back. and now they’re alone again.

[letmetellyouaboutmyfeels]

For $5 USD stop making everything about that goddamn show for five minutes.

[cloudysfluffs]

I love the way you drew Sam and Max in your art style! I hope you do more tk art of them (no pressure though draw what you want)

there is nothing id rather draw for you anon!!!! i LOVE making art of these two <3333333333

(dont worry, sam's got a sneaky way of escaping)

(ns//fw and/or fetish blogs please dni🙏🙏)

[lesbianturrets]

A little training before the real deal.

[jjackdawed]

big day for the wings of fire community