#queen - again ANY
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bluerosefox · 5 months ago
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Little Danny's Big Adventure
New idea.
Okay now hear me out.
-Pulls out AU idea cauldron and tosses stuff into it-
Let's put in some Ghost King/Prince Danny.... But also some deaged to toddlerhood Danny that gets yeeted into the DCverse!
Like imagine, tiny baby Danny with his tiny crown of ice floating above his head and his galaxy cape wrapped around him and uses it like a baby blanket. He didn't mean to fall into a different universe, a natural portal opened up and he was being a curious little thing! He didn't mean to trip and fall in during his nap time.
Nor was he expecting to fall into this realm during a rogue attack and knock out said rogue cause they were being a meanie and harming people and now Danny just wants his nap time cause he spent a lot of his tiny engery and he wants to find a nice spot.
Danny finds a place to crash, snuggling himself into his cape and the astronaut bear Danielle got him during her last visit that he takes everywhere since.
He's out like a light as the door to this safe house that belongs to one of the Bats opens up.
Meanwhile. In the Infinite Realms, Queen Regent Jazz is going into Mama Bear Jazz Mode trying to find her deaged brother, keeping the Realms in check, and is resisting the urge to put CW in time out Soup Time because he's being cyptided again about Danny whereabouts!!! UGH!
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wolfssixshadows · 2 months ago
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Friendly reminder that Kaz goes to stare at the Emerald Palace everytime he feels low on rage. Just one good look at the eyesore and he's back and ready to take on the world.
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ohmaerieme · 11 months ago
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im cringe and thats good .... ill never be based and thats not bad ...theres noone id rather be than me ......
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ningadudexx · 2 months ago
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commissions i did last month!!! thank you so much to everyone ^_^ these were really fun to draw!!
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skullfragments · 7 months ago
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soooo i've been real busy this past month and change working on this monster of a painting! it was originally for the GO Ref library study club but clearly took much longer than i anticipated😅
for those of you who don't recognize it, this is based on one of my favorite historical paintings, Judith Beheading Holofernes (1620) by Artemisia Gentileschi. i love the Baroque period and this painting (as well as her other works) makes me insane. here it is Good Omens style so maybe all of you can be insane with me <3
"Aziraphale (and Crowley) Beheading the Metatron"
(non-bloody and non-glowy versions under the cut)
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everywaythatmatters · 7 months ago
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Attolia broke an amphora once…
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wonder-worker · 4 months ago
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A central element of the myth of [Eleanor of Aquitaine] is that of her exceptionalism. Historians and Eleanor biographers have tended to take literally Richard of Devizes’s conventional panegyric of her as ‘an incomparable woman’ [and] a woman out of her time. […] Amazement at Eleanor’s power and independence is born from a presentism that assumes generally that the Middle Ages were a backward age, and specifically that medieval women were all downtrodden and marginalized. Eleanor’s career can, from such a perspective, only be explained by assuming that she was an exception who rose by sheer force of personality above the restrictions placed upon twelfth-century women.
-Michael R. Evans, Inventing Eleanor: The Medieval and Post-Medieval Image of Eleanor of Aquitaine
"...The idea of Eleanor’s exceptionalism rests on an assumption that women of her age were powerless. On the contrary, in Western Europe before the twelfth century there were ‘no really effective barriers to the capacity of women to exercise power; they appear as military leaders, judges, castellans, controllers of property’. […] In an important article published in 1992, Jane Martindale sought to locate Eleanor in context, stripping away much of the conjecture that had grown up around her, and returning to primary sources, including her charters. Martindale also demonstrated how Eleanor was not out of the ordinary for a twelfth-century queen either in the extent of her power or in the criticisms levelled against her.
If we look at Eleanor’s predecessors as Anglo-Norman queens of England, we find many examples of women wielding political power. Matilda of Flanders (wife of William the Conqueror) acted as regent in Normandy during his frequent absences in England following the Conquest, and [the first wife of Henry I, Matilda of Scotland, played some role in governing England during her husband's absences], while during the civil war of Stephen’s reign Matilda of Boulogne led the fight for a time on behalf of her royal husband, who had been captured by the forces of the empress. And if we wish to seek a rebel woman, we need look no further than Juliana, illegitimate daughter of Henry I, who attempted to assassinate him with a crossbow, or Adèle of Champagne, the third wife of Louis VII, who ���[a]t the moment when Henry II held Eleanor of Aquitaine in jail for her revolt … led a revolt with her brothers against her son, Philip II'.
Eleanor is, therefore, less the exception than the rule – albeit an extreme example of that rule. This can be illustrated by comparing her with a twelfth century woman who has attracted less literary and historical attention. Adela of Blois died in 1137, the year of Eleanor’s marriage to Louis VII. […] The chronicle and charter evidence reveals Adela to have ‘legitimately exercised the powers of comital lordship’ in the domains of Blois-Champagne, both in consort with her husband and alone during his absence on crusade and after his death. […] There was, however, nothing atypical about the nature of Adela’s power. In the words of her biographer Kimberley LoPrete, ‘while the extent of Adela’s powers and the political impact of her actions were exceptional for a woman of her day (and indeed for most men), the sources of her powers and the activities she engaged in were not fundamentally different from those of other women of lordly rank’. These words could equally apply to Eleanor; the extent of her power, as heiress to the richest lordship in France, wife of two kings and mother of two or three more, was remarkable, but the nature of her power was not exceptional. Other noble or royal women governed, arranged marriages and alliances, and were patrons of the church. Eleanor represents one end of a continuum, not an isolated outlier."
#It had to be said!#eleanor of aquitaine#historicwomendaily#angevins#my post#12th century#gender tag#adela of blois#I think Eleanor's prominent role as dowager queen during her sons' reigns may have contributed to her image of exceptionalism#Especially since she ended up overshadowing both her sons' wives (Berengaria of Navarre and Isabella of Angouleme)#But once again if we examine Eleanor in the context of her predecessors and contemporaries there was nothing exceptional about her role#Anglo-Saxon consorts before the Norman Conquest (Eadgifu; Aelfthryth; Emma of Normandy) were very prominent during their sons' reigns#Post-Norman queens were initially never kings' mothers because of the circumstances (Matilda of Flanders; Edith-Matilda; and#Matilda of Boulogne all predeceased their husbands; Adeliza of Louvain never had any royal children)#But Eleanor's mother-in-law Empress Matilda was very powerful and acted as regent of Normandy during Henry I's reign#Which was a particularly important precedent because Matilda's son - like Eleanor's sons after him - was an *adult* when he became King.#and in France Louis VII's mother Adelaide of Maurienne was certainly very powerful and prominent during Eleanor's own queenship#Eleanor's daughter Joan's mother-in-law Margaret of Navarre had also been a very powerful regent of Sicily#(etc etc)#So yeah - in itself I don't think Eleanor's central role during her own sons' reigns is particularly surprising or 'exceptional'#Its impact may have been but her role in itself was more or less the norm
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paintpanic · 4 months ago
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Artfight attack (...eventually, when I'm able to upload it to the site-) for @giantchasm ft. their take on resurrected Sectonia! They drew mine earlier this month, so I figured I'd return the favor.
(Bonus under the cut.)
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jerreeeeeee · 2 months ago
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i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?
#mine#taz balance#taz lup#lup#like idk i think lup’s down to kick necromancer ass but when it comes to being like. WARDENS of a PRISON. would that not be uncomfortable??#but like taking the job is the only way to avoid HER being thrown in prison??#idk the raven queen being a cool & chill goddess boss is definitely fun but when you actually think abt it#i don’t think i’d agree with her. i think if i lived in that world i’d think she were sort of evil#which like also to get into the hunger vs authority its not very explored because its not at all the point#the hunger is meant to be nihilism and despair and dissatisfaction its at its core an emotional story about joy & love#but like john starts out rebelling against laws. laws of the universe; except that it turns out a being wrote those laws (jeffandrew)#so the hunger is also sort of a force of rebelling against unjust constraints in the pursuit of freedom?#and the heroes end up preserving the status quo and saying you just have to find joy within those unjust limitations#which again. like. the point is that life is unfair and you can find joy and meaning despite it. which is true to real life.#i’m not saying the hunger was right or that despair is the only way or w/e like#yk like taz balance is not a story about society its more about. philosophy i guess#the point is that life’s really hard and you find meaning anyway and that’s preferable to despair and death#thematically for the audience we understand these are standins for ways of viewing reality#and in the real world reality is what it is. its just the world. there’s no authority that writes the laws of nature#like its not a ‘man vs authority’ story its a ‘man vs nature’ story#but IN UNIVERSE nature IS an authority. jeffandrew and the gods. regardless of how much joy you can find in an unjust world#if i lived in it i’d want to make it more just! but anyway like yeah barry & lup working for the raven queen#is kinda an extension on that idea of preserving the status quo#although i guess you could say gods are just forces of nature. theyre not PEOPLE theyre just personifications of existent natural laws#and it ties in w istus and fate as well#although fate is like a comforting guiding force rather than restricting & horrifying#^ pay no attention to any of this i don’t think it really means anything i’m just like. writing thoughts as i have them#not like a hard stance i’m taking just exploring some ideas#any ways#THERES A TAG LIMIT??
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ilovefredjones · 1 year ago
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the frozen ii ending makes me soooooo angry like the whole POINT of frozen i was that elsa learned that she could rule arendelle with her powers and with anna by her side!!! literally in the bway musical she sings ‘i know i’ll never see that sunny day / when this trial is finally through / and it can just be me and you’ like. elsa WANTS to stay with anna
and they try and explain this somewhat in into the unknown, with the ‘who knows deep down i’m not where i’m meant to be’ but. WHY isn’t she where she’s meant to be. all of the first film was her learning that she belonged in arendelle and her powers/herself wasn’t something to be afraid of. why isn’t she meant to be with her family? with her sister who’s been desperate to reconnect with her? why doesn’t she belong where people readily love her and accept her and want the best for her?
and then, what about anna? there is no mention of her wanting/being ready to be queen in either two films. we don’t even see the offer on screen; we don’t get the sisters’ quiet, vulnerable conversation where elsa admits to wanting to live with the rest of the nature spirits and anna offers to take her place as queen. we don’t see anna begging elsa to stay in the forest because she can rule if elsa’s happier there. we never see their dialogue. it’s just so sudden. is anna once again just going along with what her sister wants? is elsa isolating herself all over again? we just don’t know. they both seem happy, but there’s barely any indication that it’ll lead up to that point.
it just makes no sense for either of their arcs, or their previous wants/needs. if they were meant to stay together, why separate them again? they just got each other back. and now they’re alone again.
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letmetellyouaboutmyfeels · 7 months ago
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For $5 USD stop making everything about that goddamn show for five minutes.
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cloudysfluffs · 1 year ago
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I love the way you drew Sam and Max in your art style! I hope you do more tk art of them (no pressure though draw what you want)
there is nothing id rather draw for you anon!!!! i LOVE making art of these two <3333333333
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(dont worry, sam's got a sneaky way of escaping)
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(ns//fw and/or fetish blogs please dni🙏🙏)
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lesbianturrets · 7 months ago
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A little training before the real deal.
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crowcrash · 6 months ago
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big day for the wings of fire community
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markantonys · 8 months ago
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appreciation post for elayne the queen. elayne the politician who is incredibly competent, who is very very good at remaining calm in a crisis and remaining diplomatic in a conflict. second-half-of-series elayne who's grown into a wise and mature leader, who is grounded and practical but still has the same fierce heart she's always had, who feels things so deeply yet manages to set her personal feelings aside in favor of focusing on the bigger picture. who does take big risks, yes, but they're always calculated and planned out in advance, even if they don't always pan out as she'd hoped.
i feel like most elayne appreciation posts are about her comic relief value and ~loony tunes~ energy, or about elayne the aes sedai and her mad scientist tendencies, but To Me elayne the queen is the true heart of her character and the version of herself that she ultimately chooses to be by the end of the series, and it often feels underrated even by her fans. she always gets painted as a disaster, and she certainly has her disaster moments, but at her core, this woman is as distinguished as they come!
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pocketgalaxies · 6 months ago
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thinking about if/how the loss of opal as we know her will affect at all their perception of protecting the gods, especially compounded with fcg's death. when you reunite with someone you've missed so much and all he has to tell you is that his brother was killed by a god and his friend was forcibly surrendered to serve that god in the name of self-protection from predathos. when your best friend found so much hope in their god and went on this journey with you feeling like they were doing the work of a god who helped him find purpose, and all there is to show for it is a pile of scrap metal. how do you reconcile the idea that your mission is to defeat this entity that threatens the gods, when the gods are relentlessly demanding sacrifice and death from the people you love in order to protect themselves. how can you not think for at least a moment that maybe the gods deserve to be destroyed
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