#qube art gallery

[qubeartgallery-blog]

https://www.qubeartgallery.com/blog/wall-art-the-beauty-of-graffiti/

[jessica-g]

WHERE: whitview, QUBE. WHEN: 4:36 PM @elisabethstarters​

Having finished up her work for the day in Whitview, Jessica went on a little stroll. She didn’t want to head back to Port Elisabeth just yet, not having explored this part of the island much beyond the locations they’d looked at. Her fellow PA, Rebecca, headed back to their temporary home base almost immediately, citing a long awaited spa session at The Ivy. Jess however, decided to wander. And her wanderings brought her into an art gallery.

After taking in several rooms full of art, she landed on a work that she zoned in and out of, focusing and unfocusing her eyes. Maybe it was fatigue of the day, the week, getting to her, but she really wasn’t sure what she was staring at, at all. 

“I think I’m missing the art gene required to appreciate this, because I just don’t get it,” she said to the first body she felt move into her periphery.  “I mean...I just don’t see it. Do you see it, whatever it could mean?”

[lamilanomagazine]

Roma, tutti gli eventi della Biennale MArtelive

Roma, tutti gli eventi della Biennale MArtelive. Dal 15 al 23 ottobre, la Biennale MArteLive, il più grande festival multidisciplinare diffuso d’Europa con oltre 1500 artistiprovenienti da tutto il continente, irrompe per 9 giorni e in oltre 100 location (liveclub, teatri, gallerie, piazze, muri, parchi archeologici, ville) a Roma e nel Lazio, con molteplici espressioni artistiche, che vanno dalla musica al teatro, dalla danza alla street art, dall’illustrazione digitale alla scultura, dalla moda ai videoclip. Un vero e proprio salto quantico (quantum leap). Se gli islandesi Múm, icona dell’indie elettronico europeo, hanno fatto da apripista alle preview della Biennale MArte Live, insieme alsold out dei Godspeed You! Black Emperor, lunedì 10 ottobre, è stata la volta di un’altra anteprima d’eccellenza: presso lo Spazio Rossellini – Polo Culturale Multidisciplinare della Regione Lazio – infatti, Davide Enia, accompagnato dalle note di Giulio Barocchieri, ha portato in scena il pluripremiato spettacolo L’abisso, che affronta la tragedia degli sbarchi nel mediterraneo.   Dal 15 al 23 ottobre la multidisciplinarietà di MArteLive si diffonderà invece a livello regionale attraverso 13 progetti speciali/festival all’interno del cartellone generale della Biennale; una galassia di eventi off divisi per genere e disciplina artistica, organizzati in collaborazione con numerosi enti e associazioni del Lazio, saranno infatti ospitati in circa 100 location sul territorio. Il nucleo centrale del festival, MArteLive Lo Spettacolo Totale, si svolgerà invece dal 18 al 20 ottobre presso il Qube di Roma; mentre, tra gli eventi finali post-Biennale, il26 ottobre sarà la volta di una delle due uniche date italiane di The Afghan Whigs (con special guest Ed Harcourt), la strepitosa alternative band statunitense inventrice del soul-grunge.   La Biennale MArteLive è un progetto ideato e curato da Giuseppe Casa, in collaborazione con i vari responsabili di progetto e le diverse organizzazioni esterne coinvolte. Con L’abisso di Davide Enia il progetto PerFomAzione Sociale entra in teatro. L’Officina delle Culture APS, nell’ambito della Biennale MArteLive, presenta allo Spazio Rossellini e al Teatro di Mostacciano dal 10 al 23 ottobre sei spettacoli teatrali e tre concerti con Davide Enia, Viola Graziosi, Ascanio Celestini, Controcanto Collettivo, Alexandros Memetaj, Luigi Morra e tre concerti di Errichetta Festival con Archive Valley (Rochlitz, Petretti, Zenini), Stereoteismo Trio (Pascucci, Schiavo, Colucci) ed Errichetta Underground. Il progetto è realizzato con il sostegno della Regione Lazio e del Ministero del Lavoro e delle Politiche Sociali nell’ambito del programma Comunità solidali 2020 e in collaborazione con Scuderie MArteLive e MArteSocial. Domenica 16 ottobre al Teatro di Mostacciano verrà presentato Settanta volte sette di Controcanto Collettivo che contro l’odio diffuso celebra il perdono, ricordandoci che dentro la ferita, dentro la memoria del male subito e al di là di ogni convenienza, esiste la possibilità di un incontro. Segue lunedì 17 ottobre TVATT di Luigi Morra, in cui la violenza della sopraffazione fisica e del picchiarsi, scavata nei codici in un territorio circoscritto, viene catapultata nella dimensione teatrale e ridiventa spettacolo, tra ironia grottesca e performance. Su:ggestiva parte il 14 ottobre, con Sebastiano De Gennaro ed Enrico Gabrielli, polistrumentisti di fama internazionale, che vantano, tra gli altri, collaborazioni con i Calibro 35, PJ Harvey, Nic Cester, Rkomi e Daniele Silvestri. Co-fondatori insieme a Francesco Fusaro dell’etichetta discografica 19’40’’. Il duo presenterà Microcosmicomica, uno spettacolo musicale da loro definito “per l'infanzia di compositori del '900 che va bene anche per i grandi”. Il 15 ottobre si aggiunge lo spettacolo di Federico Dragogna, membro della band Ministri, dedicato a Fabrizio De André. Quello che ho capito di De André è un’ibridazione tra musica e reading, attraverso la quale si racconta il celebre cantautore ligure in una chiave del tutto personale e avvincente. Il 16 e il 17 ottobre, invece, gli I Hate My Village offriranno un’esperienza unica: la band, nuovo punto di riferimento per la scena alternativa e rock in Italia, si insedierà nel Ninfeo della Villa dei Quintili per una residenza all’insegna della composizione e della sperimentazione, durante la quale il pubblico avrà la possibilità di assistere a quattro imperdibili sessioni di prove aperte chiamate Ruderi Session. Questa esperienza verrà poi riportata integralmente in un concerto speciale il 23 ottobre, durante il quale la band suonerà anche diversi estratti dal loro ultimo album Gibbone. #ALTRNTV Festival torna a Roma per la sua terza edizione con un programma d’eccezione che vede, dal 15 ottobre, in 10 live club della Capitale ben 27 concerti diffusi e 80 artisti coinvolti, tra cantautori, band, dj, fotografi e illustratori che esporranno le loro opere a tema musica live. #ALTRNTV è un festival musicale itinerante nato nel 2017; come progetto speciale facente parte della Biennale MArteLive, il festival multidisciplinare diffuso ideato e diretto da Giuseppe Casa, #ALTRNTV vuole essere una rassegna musicale multi-genere, in cui, nonostante la contemporaneità degli eventi, non vi è alcun tipo di concorrenza tra di  essi, offrendo ogni locale coinvolto una specifica proposta artistica, adatta a gusti diversi e in grado di raggiungere pubblici paralleli. Tra i numerosi artisti che parteciperanno in questa edizione: Cor Veleno + Tre Allegri Ragazzi Morti, Marlene Kuntz, Gianluca Petrella/ Cosmic Renaissance, Edda, Giumo, Mellow Mood, Giorgio Poi, Altin Gün, Bobby Joe Long's Friendship Party, Nada. Danza Battente, il festival di danza contemporanea urbana che dal 15 al 21 ottobre avrà come palcoscenico della riflessione sullo spazio urbano, sull’abitare e sugli stili di vita attraverso il corpo e la danza in tutte le sue contaminazioni due piazze del Municipio XII di Roma, piazza Carlo Alberto Scotti e largo Alessandrina Ravizza. In apertura e in chiusura del Festival, numerose performance si alterneranno nelle due piazze tra le 17.00 e le 23.00, mentre nei giorni centrali della rassegna si terranno diversi laboratori presso il Teatro Monteverde.... Read the full article

[stainedpaper]

Next to "Garden", 2016. @qubegalleryph #artoftheday #artph #painting #portrait #art #femaleartists #contemporaryart #artistsoninstagram #isobelfrancisco #artistoninstagram #artoninstagram #drawing (at Qube Gallery) https://www.instagram.com/p/CW8TcVzvDZe/?utm_medium=tumblr

[caveartfair]

The Avant-Garde Art That Was Made for TV

Rain Inside Heart (Snow), undated. Nam June Paik Nam June Paik Art Center

In the 20th century, television became an important outlet for the boldest artists among us, who co-opted broadcast cable to experiment with new technologies, subvert the coded social messages promoted through media, and amplify their own public image—all efforts that are still top-of-mind in the 21st century.

Lucio Fontana was among the first to suggest art’s performative capabilities—and TV’s ability to magnify them. During television’s original “Golden Age” in the early 1950s, the provocative Italian-Argentine artist appeared on Italian TV with an important message for the public. Reading from his “Manifesto of the Spatial Movement for Television,” Fontana passionately advocated for TV as an artistic medium. Technologically driven artists in his short-lived Spatialist movement frequently transmitted their “new forms of art” on television, albeit to a largely unmoved audience. Still, they influenced generations of new media practitioners, many of whom found inspiration in TV—as subject, material, and medium—as it became increasingly central to our daily life and consumption of culture.

Charlotte Moorman performing on Nam June Paik’s TV Cello wearing TV Glasses, Bonino Gallery, New York City, 1971. Takahiko Iimura Grey Art Gallery

Antique TV Cello, 1975. Nam June Paik Galerie Bhak

It may not be a coincidence that the rise of avant-garde Happenings—publicly staged artworks that sought to test conventional relationships between performers and their audiences—in the 1960s was simultaneous with TV’s growing ubiquity in the American home. But unless you regularly hung out in Greenwich Village bars or unventilated SoHo artists’ lofts, boundary-pushing performances by doyennes of the downtown New York art scene like Yoko Ono, John Cage, and Nam June Paik would have been experienced almost exclusively on late-night cable.

While the fabled Happenings had an air of trendy, insider sophistication, some artists went out of their way to also reach broader audiences. In 1973, Paik collaborated with Jud Yalkut to air a “televisual realization” of one of his performances on WNET/Thirteen TV. Manipulated and synthesized by Yalkut, 26’1.1499” For A String Player features Paik and “topless cellist” Charlotte Moorman playing Cage’s score of the title on a collection of “instruments”—a pistol, a dish of mushrooms, and a phone used to call President Nixon.

While a broad audience might not have understood the conceptual implications of this experimental video work, other artists went with a more approachable model for their television debuts. The variety show proved a perfect format to capture the creative foment of downtown New York. As much as artists might feel pressured to “build their brand” today, the nonchalant, posturing creatives of the 1970s and ’80s used live television to amplify their artistic personae, disrupting the airwaves with outlandish outfits and in-your-face, rock-star antics.

26'1.1499" For A String Player, 1973. Jud Yalkut Electronic Arts Intermix (EAI)

A slew of artist-run public-access programs—part–talk show, part–live performance, part–freestyle documentary—contrasted with what was available on the day’s “Big Three” cable networks (NBC, ABC, and CBS). The late editor Glenn O’Brien hosted one of the best-known of these efforts: TV Party, which ran from 1978 to 1982. With guest stars like Debbie Harry, David Byrne, Jean-Michel Basquiat, Kraftwerk, Arthur Russell, and Robert Mapplethorpe, TV Party gave an unpredictably raucous insider’s view into the electrically integrated art, fashion, and music worlds. “It all looks glamorous now, but that’s because…television is still monitored and censored by higher powers,” O’Brien told Vice in 2014. “And even though we sort of invented reality TV, if anything, TV is less real than ever. So is reality. We still have our work cut out for us.”

As O’Brien suggested, television’s ability to mediate reality can be manipulative. In 1980, the Conceptual artist Jaime Davidovich—who put on The Live! Show (1979­­­–84), a freewheeling cable program that similarly featured celebrity interviews in addition to sardonic comedic segments—used new technologies to exploit television as an artistic medium. He would push into territory now being revived by popular choose-your-own-adventure shows, like Black Mirror: Bandersnatch (2018).

Davidovich utilized the first interactive television system for his QUBE Project (1980), a pioneering live broadcast in which he and a co-host invited call-in audiences to “direct” the show, providing instructions to the cameramen and studio operators (home viewers could additionally vote via specially-designed remote controls). This interactive tactic became widely used by reality talent shows like American Idol, and my new favorite, the utterly demented Masked Singer.

The Live! Show (January 21, 1983), 1983. Jaime Davidovich Electronic Arts Intermix (EAI)

While Davidovich envisioned a participatory, democratic kind of television, the three dominant networks of the early ’70s prompted Chris Burden to conjure “a way to break” broadcast television’s “omnipotent stranglehold of the airwaves,” as he once wrote. The artist decided to buy airtime on various channels running in New York and Los Angeles, and from 1973 to 1977, he debuted a series of four “commercials.” In one of the tamer iterations, Chris Burden Promo (1976), the names of artistic greats flash on the screen as Burden reads them in voiceover: “Leonardo da Vinci, Michelangelo, Rembrandt, Vincent van Gogh, Pablo Picasso…Chris Burden.” In a way, his ironic gambit worked; the artist became a local celebrity, often recognized on the street. (It probably didn’t hurt that audiences had also watched in amused terror when Burden performatively “hijacked” a taping of the L.A. local cable program All About Art in 1972, holding a knife to the host’s throat and demanding the show go out live.)

Such projects seek to disrupt our otherwise mindless consumption of media. In 1984, Bill Viola upended the traditional TV-viewer relationship with the broadcast of his Reverse Television — Portraits of Viewers. The series of one-minute segments, consisting of unannounced inserts in the regular programming, inverts the gaze of the television viewer: The videos feature 44 Boston locals relaxing in their living rooms, silently staring at the camera as if it were a TV.

Adopting the language—or space—of advertising helped artists subvert commercial messages or push across their own. Perhaps fed up with the proliferation of gender-stereotyped ads, various queer and feminist artists created their own commercials to social and political ends. In a live 1982 performance for Paper Tiger Television’s public-access cable program in New York, Martha Rosler flipped through issues of Vogue, viciously deconstructing the latent messages in its glossy pages, and drawing a hard line between the fashion world and its questionable ethics, such as the industry’s reliance on sweatshops. “It’s the new you,” Rosler intones, “the you you want to be, and can be. The one you wish you weren’t, you don’t have to be anymore.”

The TV Commercials, 1973-77, 1973-1977. Chris Burden Electronic Arts Intermix (EAI)

Rosler’s video is layered but decidedly lo-fi, yet the political strength of a public broadcast relies almost entirely on simple, direct messaging (a fact that became cruelly apparent during the 2016 presidential election—#MAGA, anyone?). Tom Kalin’s Kissing Doesn’t Kill, produced for the activist art collective Gran Fury, caused a sensation when it aired during the height of the AIDS crisis in 1990. Referencing Benetton’s “United Colors” ad campaign, Kissing Doesn’t Kill features kisses between interracial and same-sex couples, as well as straight ones. To forcefully draw attention to a taboo issue then commonly swept under the rug, Kalin interspersed these playful scenes with phrases like “Corporate Greed, Government Inaction and Public Indifference Make AIDS a Political Crisis” (a slogan more potent than, say, Gillette’s recent repurposing of its long-held catchphrase, “The Best a Man Can Get,” under the guise of erasing toxic masculinity.)

Still, there is but one made-for-TV art project in recent memory that can truly claim to have infiltrated the very heart of American mass culture: primetime television. A stunningly highbrow prank by the artist Mel Chin played out on Aaron Spelling’s wildly popular soap opera Melrose Place (1992–99). Beginning in 1995, Chin and a team of 100 mostly unknown artists, named the GALA Committee, cold-called the show’s producers, who allowed them to begin the covert two-year project. Entitled In the Name of the Place (1995–97), the committee supplied the soap opera–style drama with props layered with coded cultural messages on hot-button topics like reproductive rights, American foreign policy, alcoholism, and sexuality. In one memorable scene, when the character Alison Parker discovers she is pregnant, the GALA Committee made her a quilt adorned with the chemical symbol for the abortion pill. Their furtive project was only recently publicly acknowledged; I can’t help but wonder if their props had any kind of subliminal effect during Melrose Place’s initial run.

I hope artists with similarly subversive intentions have been hacking The Tonight Show, The Simpsons, or The Marvelous Mrs. Maisel, though somehow, I doubt it. “Disruption” has become a buzzword among tech firms, but to “disrupt the airwaves” now seems old-fashioned in the crowded streaming world, where choices of channel and show are plentiful but paralyzing. While we might be watching more of it than ever, television today largely encourages experimentation in dramatic storytelling, with less emphasis on revolutionary messaging; as Burden contended before he died, the media remains under corporate control. Still, although there are many net-savvy artists taking video in new directions, there’s a creeping sense that few can cut through the noise. It’s more important than ever that new strategies be created if artists are to successfully permeate the deepest layers of our cultural consciousness.

from Artsy News

[tipsntravel4u]

Boba Happy Hour At Qube Market On 21st September With The Alley, Instea & More

This blog post was recently published by penangfoodie.com. I hope you enjoy this as much as I did.

Hello, friends! September is indeed a very exciting month for all of us. There are so many holidays! Of course, thrilling events go hand in hand with so many off days. We are sure that you have everything planned out, but we have found out an event that’s hard to say no to. If you’re a huge bubble tea fan, this event is made only for you! Boba Happy Hour, anyone?

Qube Market

Photo: Qube Market (Facebook)

Brought to you by Mah Sing Group, Qube Market is going to be a monthly event with different activities and monthly themes. In the month of September, they are celebrating our love for bubble tea! The one of a kind event has the biggest brands from the bubble tea universe and even boba merchandises made by locals. Of course, the highlight of the event is Boba Happy Hour!

Qube Market Penang

Boba Happy Hour

Photo: Qube Market

Photo: Qube Market

The Alley, Instea, Meme Xpress, Mata Mata, and many others will be joining this unique event. For one hour only on 21st September, these brands will be participating in Boba Happy Hour. You will find all kinds of different promotions including buy one free one, second cup of bubble tea for 50% off, and other deals. Save some bucks while enjoying your favourite bubble tea!

Food Trucks

Photo: Qube Market

Photo: Qube Market

Additionally, you can pair your beverage with some local favourites. If you are feeling hungry, Qube Market got you covered! Food trucks will also be available in the vicinity. Taste different dishes including burgers, laksa, char koay teow, and belacan chicken. Bubble tea and fried chicken are always a very good idea! After satisfying your cravings, it is time to check out boba merchandises!

Boba Merchandises

Photo: Qube Market

Photo: Qube Market

Scrolling through Facebook, you will find many boba inspired items! Do you want to get your hands on these awfully cute items? Well, Qube Market is the place to be. On the same day, there will be an arts and crafts market surrounding the monthly theme. Check out boba tote bags, boba hair clips, boba earrings, and boba shirts. Don’t forget to buy metal straws for your bubble teas too!

Happening on the 21st September

Photo: Qube Market

Photo: Qube Market

Boba Happy Hour from famous bubble tea brands, food trucks selling local delicacies, and boba merchandises! It is definitely an event that is really hard to pass. Boba lovers, it is time to mark your calendars and head down to Qube Market. As this is going to be a monthly event, we are so excited to find out next month’s theme. No worries, we will keep you updated as always!

Event:Qube Market

Address: Southbay Sales Gallery, Bayan Lepas.

Date: 21st September 2019

Time: 3:00 p.m. to 9:00 p.m.

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[catherinewilks-blog]

Round up

Sorry I haven’t posted much this week, as a summary and excluding all the emails and funding writing (plus trip to the zoo and Ladybird Book exhibition with Ruby (school holidays have begun)...

I went to a meeting at the Qube on Wednesday with about 10 other projects/ organisations with an arts/ cultural vibe so that we can discuss more ways of working together and find ways to promote the arts in Oswestry. I was a little disappointed that we weren’t more creative and innovative with our thinking, however I do think it is a positive that this meeting has happened. More meetings will be scheduled and they force us to look up and out, and you never know what might come of that. As and when more notes and work comes from this group I will share. There are a lot of things happening- Oswestry is a pretty amazing place. 

Organisations/ projects represented...

Qube

Hermon Chapel

Oswestry Library

Oswestry Tourist Information

Oswestry BID

BVA

Shropshire Council

Oswestry Town Council

The Willow Gallery

Us!

On Wednesday afternoon we had a meeting with all volunteers who work in the shop. This meeting has come from the development of the new organisational structure and it was an opportunity to go through role agreements, safeguarding, supervision support, communication, what support people would like. The shop team will now continue to meet on a weekly basis at 2.00pm on a Tuesday. 

Thursday I spent most of the day talking to people- I loved it.

I know I said I wouldn’t mention writing- but the first draft of final lottery proposal is done and I have sent to Jo. Aim is to finish next week and send off for feedback from support person at Lottery. 

We have also had two external requests for speaking this week which I need to remember to talk about next week and follow up.

[edschinito23]

#photography #model #art #gallery Thanks to 📸 Jr Dinglasa (at Qube Gallery)

[qubeartgallery-blog]

Qubeart

QUBE Art Gallery is your one stop destination to all artwork supply related services such from Fine Art Printing to Art reproduction. We provide pigment based high quality printing on the best quality canvas and papers using our wide format inkjet printers. We have a huge collection of artworks and frames as well as the breadth and flexibility to fulfil the diverse needs and custom requests of our varied customers

[gipongase]

my favorite piece from @lheedeiparinetaneo solo show at Qube Gallery, must see to appreciate this awesome exhibit! until june 30 pa! support local art, drop by mo guys sa gallery (at Qube Gallery)

[qubemagazine]

New Post has been published on Qube Magazine

New Post has been published on http://www.qubeonline.co.uk/earth-building-uk-ireland-fostering-earth-building/

Earth Building UK and Ireland – Fostering Earth Building

Earth Building UK and Ireland conference and workshops week:

CLAYFEST June 12th to 17th 2017

The renaissance of earth building in the UK reflects not only the beauty and utility of the material but also the pressures of rising building costs and the need for lower energy use and waste in building products.

This is Earth Building UK and Ireland, EBUKI’s third Clayfest as a way of sharing specialist knowledge and supporting the growing earth building community. This year we are excited to bring four days of expert-led workshops to Lincoln Heritage Skills Centre, based within the grounds of fabulous Lincoln Castle. These will be supplemented by tours of the best local earth buildings in Lincoln and followed by a conference in the University of Lincoln on Friday about the emerging science on clay.

Workshops

Workshops will be run by international leaders and will cover a wide range of subjects from earth structures to decorative finishes. Techniques included will be cob, adobe, rammed earth, Lincolnshire ‘Mud and Stud’ and clay and fibre structures. Clay and fibre and clay and lime mortared structures will be joined by master classes in earth plasters to show some of the range of materials and finishes possible.

Clay mortars, with or without lime are now recognised to comprise a high percentage of historic and conservation masonry structures. Versatile, locally available, breathable and low emission clay mortars are due a comeback and can be used in anything from self-build to sky scrapers.

Locally Lincolnshire has a long tradition of ‘Mud and Stud’, a robust form of wattle and daub also taken with the first ships from England to North America. At Clayfest Rob Ley and Trevor Oliver, two local experts, will teach this technique from start to finish by constructing a small building, complete with openings and roof connections.

Adobe and rammed earth, two techniques used worldwide, will combine to produce a domed oven that can burn straw and twigs. Based on a Spanish design from a region with little standing woodland this workshop will show the skills needed to make adobe bricks and mortar as well as how to set out simple and complex geometry, all on a rammed earth plinth.

Our cob workshops will show everything from the most basic to complex. With the versatility and durability of this material, it’s no wonder it has been used all up the west coast of both the UK and Ireland in the worst of all weathers, as well as many other places. The cob workshops combine brilliantly with our demonstration on the use of combining clay and fibres to make complex shapes and different surfaces with eye, hand and tool.

Clay plasters are increasingly finding their way into art galleries and fast food restaurants. Their excellent abilities to mop up humidity and VOCs make them ideal for the increasingly sealed indoor environments, where we spend perhaps 80% to 90% of our lives. They can also produce stunning effects, beautiful colours, many textures and all from materials either bought in a bag or dug from site.

There will be pop-up sessions from a range of British and European partner organisations. There will be daily shows of a French teaching system showing how earth, air, water and force are able to produce earth structures, from loose grains to solid walls.

  Earth Building UK and Ireland – Fostering Earth Building

[andreaspinelliart]

My live painting of Via Padova Orchestra & Roy Paci @Menotti Theatre is on national TV news. Just for few seconds but my idea and my point of view obtained a great and prestigious space. I'm very excited! I sincerely thank Area M, Teatro Menotti, Orchestra di via Padova & Roy Paci. Soon portrait will be released exclusively for Qube Music accompanied by shots of talented Gabriele Loda Photography. Link al → video: http://tiny.cc/AndSpiArtTG3 – – – – – Il mio Live Painting all' Orchestra di Via Padova & Roy Paci live al Tieffe Teatro Menotti Milano è sbarcato oggi pomeriggio su mamma Rai3 per il Tg3 nazionale 🙂 Anche se solo per pochi secondi un'idea, un mio modo di vedere le cose col quale mi confronto ogni giorno ha ottenuto un grande e prestigioso spazio. Sono molto emozionato! Ringrazio di cuore Area M, Teatro Menotti, Orchestra di via Padova & Roy Paci. A breve il ritratto sarà pubblicato in esclusiva per Qube Music corredato dagli scatti del bravissimo Gabriele Loda Photography. Link al → video: http://tiny.cc/AndSpiArtTG3 #rai #tv #national #andreaspinelliart #livepainting #art #illustration #drawing #draw #picture #artist #sketch #sketchbook #paper #pen #pencil #artsy #instaart #beautiful #instagood #gallery #masterpiece #creative #photooftheday #instaartist #graphic #graphics #artoftheday (presso Tieffe Teatro Menotti Milano)

[qubeartgallery-blog]

Printed onto bright 400gsm cotton, hand-stretched on heavy-duty 4cm-deep stretchers, your photos & art will look visually compelling with our sharp, detailed canvas prints that last 100 years without fading. At QUBE Art Gallery, our advanced large-format printers print at 2400 dpi using a 10-colour pigment ink system, for smooth graduations, less bronzing, and an impressive colour range. Printed, using the giclée method, on tight-weave bright white 400gsm cotton canvas with a uniform, non-cracking surface, prints are hand-stretched onto heavy duty 38mm-deep knotless, solid, kiln-dried fir stretcher bars from sustainable sources in Europe. Prints come with built-in corner wedges that make it easy to tighten the canvas. They arrive ready to hang, backed with brown framing tape and a flat hanging system that keeps your canvas lying perfectly against the wall.

[qubeartgallery-blog]

QUBE Art Gallery offers a vast range of Picture Framing Services that are customizable to suit your style and preference. The team uses various materials such as wood, acrylics, metal and more as the perfect encapsulating medium for your photos, mementos or artwork. With an assurance of high quality materials, a detail oriented team and the use of the latest technology, QUBE is the ideal choice for you to frame your greatest memories.