#quaggiù
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attento a non macchiarti d'olio eh
#NON SIAMO CALMI QUAGGIÙ#NON SIAMO CALMI PER NIENTE QUI#colapesce#dimartino#la primavera della mia vita
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È la seconda volta che ad una mia amica strettissima muore d'infarto un genitore o chi riveste un ruolo simile in famiglia.
È la seconda volta che mi sento impotente.
È la seconda volta che mi chiedo come starei se succedesse a me con la situazione di merda che mi ritrovo: come mi immagino oppure no?
#da quaggiù poi#infarto#io poi sempre lontana dalle mie amiche#quando il covid quando il giappone#vabbè#lutto#my life in tokyo
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Matilde dove sei? Ho avvertito quaggiù, tra la cravatta e il cuore, più su, una certa malinconia intercostale: era che tu all'improvviso non c’eri. (...)
Pablo Neruda
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(Less Than) Noble Intentions: Chapter 19 - Field Day
Fandom: TRR
Pairing: Drake Walker x F!OC (Harper Gale)
Series Summary: The social season may be over, but Harper Gale’s problems are just beginning. With everyone at court a potential suspect, can she and Drake survive the engagement tour and get to the bottom of the plot against her and clear her name? An AU take of TRR2 featuring my OTP - Harper & Drake.
Masterlist: (Less Than) Noble Intentions
Chapter Summary: It's off to the bridal boutique, but Harper and Olivia have a secondary agenda...
Word Count: 6,200
Rating/Warnings: M (royal bitchiness, possible emotional abuse, kidnapping, threats of murder)
Chapter theme song:
A/N: So, I have tried to keep everything as realistic and accurate as possible in terms of the locations that are touched on in this chapter. The only thing that is made up is the antique store. As usual, translations for the French and Italian are at the end.
Chapter 19 - Field Day
The five-minute drive to the bridal boutique is every bit as excruciatingly awkward as can be expected.
"What part of we are already running late is so difficult to comprehend?" derides Madeleine before the limo door even shuts. "When I tell you to hurry, I expect you to do exactly that!"
"I'm sorry, Lady Madeleine," stammers Penelope tearfully. "The heel of my shoe became caught on—"
"Save it!" the Countess of Fydelia snaps. "If you cannot do something as simple as totter down a corridor without breaking your neck, then frankly, I do not see how you are supposed to be of use to me."
Penelope's face turns whiter than a sheet. "I—"
"As lest you forget, I took you on as a lady-in-waiting as a favour to your family, given the historically close personal relationship between our fathers," Madeleine reminds her with a steely edge to her voice. "But that does not mean that I cannot send you packing just as easily. And if you do not get your act together, then that is exactly what will happen. Am I clear!"
"Yes," Penelope whimpers, lowering her gaze.
"What was that?" demands Madeleine imperiously.
"Yes, Your Majesty."
"And the same goes for the rest of you," adds Madeleine, casting the haughty gleam of her gaze over the limo. "One misstep — proverbial or otherwise — and you are gone. Not just from my employ, but from court as well."
Shifting my gaze over to Hana, I see that she is just as perturbed as I am about this borderline psychotic power-trip.
Talk about being a queen bitch...
Olivia scoffs from her seat in the corner. "How about you try making a threat you can actually carry out..."
Madeleine bristles. "As Queen I will have the authority to—"
"Do exactly what Christian permits you to do," Olivia interjects flatly, examining her nails. "As lest you forget, you will only ever be a queen consort — not queen regnant."
The Countess of Fydelia's eyes narrow. "That is but a technicality."
"I still wouldn't overplay my hand," Olivia cautions with a smile. "Wouldn't want to get caught out on a technicality now, would you?"
Madeleine glares down the length of the limo like a viscous viper.
"Didn't think so," smirks the Duchess of Lythikos as the driver pulls the vehicle to a stop...
...and the paps immediately descend on us like a swarm of black flies.
"What the—?" I blurt, catching the flash of the cameras through the blacked-out windows. "When did they get here?"
"Five minutes ago," replies Madeleine tartly, slotting a pair of shades on.
My jaw drops. "You... told them where we were going?"
"Of course," she affirms as the Royal Guard who had been riding shotgun manages to squeeze his way through the human press to open the door. "Royal patronage elevates the esteem and profile of any institution. It is only right that the press should be invited to cover the visit."
"Like that's the only reason..." I mutter as Madeleine steps out of the limo and the roar of the crowd becomes deafening.
"Contessa!" several people shout. "Contessa Maddalena! Quaggiù, per favore!"
"It's horse shite, by the way," Olivia advises as she slides past me. "The only thing she is looking to promote is herself."
"Well, she definitely seems to be succeeding..." I admit, watching the Guards struggle to hold the photographers back as Madeleine sashays her way towards the doors of the boutique.
Olivia scoffs. "It's an act of desperation. Nothing more. She knows she is on thin footing with Christian... and the public."
"Great..." I groan, pulling Drake's blue aviators from my clutch as I, too, exit the limo.
Rather than being an unfortunate one-off, it seems like yesterday's altercation at the Apple Harvest Festival was actually the opening salvo in a concerted campaign of media brinksmanship that Madeleine is determined to win.... at my expense.
Yet, I'm just not sure I have it in me to play her contrived publicity game. The paps have already up-ended my life more completely than I would've ever thought possible, so the last thing I want to do is pander to their voracious appetite for scandal.
"Duchessa Harper! Duchessa Harper!" the photographers shout as I step out onto the sidewalk. "You made it to Italy! What do you think of the city so far?"
"You did not travel with the King and future Queen! Were you forced to make alternative arrangements because of your argument?"
"Will you attend the opera tonight?"
"When was the last time you spoke to your family? Is it true you cut all ties with them?"
Gritting my teeth, I force myself to keep my head down and my feet moving forward as the invasive questions zing over my head like bullets. Camera bulbs flash in my face as the photographers press in, trying to get that front page close-up...
...and that's when I spot him.
My heart skips an uncomfortable beat as recognition hits me like a punch in the chest.
Oh, my God, the photographer from Applewood!
He's standing in the second row, regarding me almost casually, like a tourist at a zoo, faded red baseball cap slung backwards over his head, just as in the picture Ana de Luca had saved on the flash drive.
Our eyes meet and I stumble to a stop, unable to tear my gaze away, my morbid curiosity overpowering my senses even as the paps close in around me...
...but then I feel the warmth of a hand on my back and the sound of a familiar voice brings me back to earth.
"Nous vous tienons, Demoiselle," Allard assures me, appearing at my side to shield me from the press invasion.
Glancing up, I see that Schweitzer has taken up position in front of me, using his body like a blocker to force a path through the crush.
Curling into the safety offered by my Guard's no-nonsense attitude, I let them whisk me into the boutique.
"Thank you..." I say sincerely as we pass through the doorway into the foyer.
Allard relinquishes his hold on me with a nod. "Certainement. Vous allez bien?"
"Yeah..." I reply, heart pounding as I try to recollect my bearings. "I just—"
"Oh, my gosh!" gasps Hana, stumbling into the boutique behind us. "That was horrible!"
"C'est le bordel!" agrees Kiara as she and Penelope manage to squeeze themselves through the press before the Guards shut the door. "Qu'est-ce qu'elle croyait?"
"She wasn't," Olivia replies flatly, shooting an accusatory glance over her shoulder at Madeleine, who is already being given a queen's welcome by the boutique's owner.
A tense silence descends as we all process this assessment.
"I... I suppose we should go through," Hana suggests eventually.
"Oui," Kiara affirms with a huff, smoothing the front of her dress. "Sa Majesté expects our assistance."
Penelope glances uncertainly towards the fuss being made over Madeleine. "I don't think she's expecting mine..."
"Don't be silly!" Kiara admonishes, looping her arm through her friend's to tug her forward. "She just had a petite éclat. Every bride gets nervous and she is under a lot of pressure to maintain constant perfection. But that is why we need to help her, non?"
Penelope looks like she's about to disagree, before finally acquiescing with a sigh. "I just miss Merlin and Morgana..."
"J'sais..." consoles Kiara, patting her reassuringly on the back of the hand. "Hopefully once the tour is finished, Madeleine will allow you to send for them."
"I doubt it..." Penelope mutters meekly as they join Madeleine in the store proper. "She said she hates yappy little dogs. You don't suppose they have anything here with poodles on them, do you?"
"I don't think this boutique specialises in that type of lingerie..."
"Oh..."
"I'm sure they have some pretty floral designs, though!" Hana offers encouragingly. "Italian lace is known around the world for its intricate rebrodè detailing."
"Yes, because that's what men care about on the wedding night..." Olivia mutters dryly, turning towards me. "You coming, or what?"
"Huh?" I ask, snapping my head up. "Umm... Yeah. Sorry."
"You better be," she snips disdainfully as she starts down the foyer as well. "I refuse to be the only sane participant in this clown show..."
I glance warily back towards the front of the boutique, where the paps were still battling each other, trying to snap a shot of us through the tastefully curated window displays.
"What?" Olivia objects after a beat. "No snide comment? No wry clap-back? You're not conveniently coming down with a sudden fever, are you?"
"I... I saw him," I admit, tearing my gaze away from the feeding frenzy outside.
Olivia grabs my wrist to yank me to a stop. "Saw who?"
"The photographer," I say tightly, pulling my arms around myself in a bid to stop myself from shivering, despite the record-breaking temperatures outside. "From Applewood."
"Dion Guillard..." clarifies Olivia, staring at me intently. "Are you sure?"
"Yes," I nod.
Olivia purses her lips. "He could be here on his own volition, or because someone invited him. Either way, we should make use of this opportunity."
"How?"
"By making him an offer he can't refuse," she replies slyly, pulling her phone out.
My eyes widen. "You mean right now? But Madeleine—"
"Has enough sycophants coddling her already," she counters flippantly as she quickly types up a text. "We only have one chance to do this. Do you want the truth, or not?"
I swallow down the lump in my throat. "I do."
"Good," she nods, slotting her phone away again. "You don't mind if I borrow your hunks, do you?"
"Umm..."
"I'll take that as a 'yes'," she responds, clicking her fingers authoritatively at Allard and Schweitzer. "Meet me in the back in fifteen minutes."
Before I have a chance to respond, Olivia has already spun on her heel and is striding towards the rear of the store, my two Guards in tow.
"'Kay..." I mutter under my breath.
I have no idea what Olivia's plan is... much less how she thinks to arrange a clandestine meeting with the photographer under Madeleine's nose while there's an entire army of paps parked outside watching our every move.
But I've learned during the course of the social season that the Scarlet Duchess is as enterprising as she is resourceful, having pulled a number of successful ploys in a bid to advance herself in the competition. And Drake seems to trust her implicitly, otherwise, he wouldn't have asked her to keep an eye on me while he's off in Dubai.
So, it looks like I'm just going to have to trust her, too.
Taking a deep breath, I move towards the other end of the shop floor, pretending to peruse the various items on offer while I wait for the allotted time to tick down.
Luckily, Madeleine is busy loudly shooting down each and every lingerie option that is presented to her by both the boutique staff and her increasingly frazzled ladies-in-waiting, so nobody really notices when I announce a pretend visit to the restroom.
Slipping back out into the foyer, I move as casually as possible towards the back of the store, knowing that the paps are still watching me like hawks through the windows.
Rounding the corner, I allow myself to speed up a bit, casting my gaze left and right, looking for Olivia...
...when I'm suddenly yanked into a dimly-lit storeroom stacked with cardboard boxes and plastic-wrapped veils and dresses.
"Hey! What the—?" I protest as the door is shut promptly behind me.
"You're late," Olivia informs me dryly, clicking the lone light bulb on above us.
"Sorry, I had t—"
I reel back in horror as my eyes land on the bound and gagged form of Dion Guillard perched on top of a box of lingerie.
"Oh, my God!" I gasp. "When the heck did this turn into a kidnapping?"
"Ten minutes ago," she replies breezily.
I drop my head in my hands. "I am going to jail... I am literally going to jail..."
"Oh, ye of little faith..." Olivia admonishes, stepping over to the photographer.
He shrinks instantly back from her.
My brows shoot skywards. "Jesus Christ... What did you do to him?"
"Nothing," she shrugs. "Yet..."
A chill runs down my spine. Apparently, Olivia's reputation is more than well deserved...
"I presume you know who we are?" she asks Dion levelly, coming to a stop in front of him.
The man nods tightly, brows bunched together beneath the line of his baseball cap.
"And your current circumstances leave you under no illusions as to the lengths we're willing to go to obtain — by force, or otherwise — the clear and unvarnished truth?"
His gaze slips to meet mine for a second before sliding back to Olivia's to give her the barest of nods.
"Good," she smiles, reaching towards him. "Then this will go that much faster."
In one quick motion, she yanks the scrunched-up handkerchief from the photographer's mouth, making him wheeze.
"Sa mère la pute de—"
"Who are you working for?" Olivia demands, folding her arms.
Dion spits on the floor next to her feet. "I'm a freelancer. I work for—"
"We know who you are," Olivia interjects with a wave of her hand. "You're a lowlife slug who's willing to do anything to make a name for himself. You demonstrated as much when you sold compromising photos of my friend here to the press. The question is, who hired you?"
Dion scoffs. "Nobody hired me. I work for myself! That is what I've been trying to—!"
"Liar," Olivia accuses. "We know you didn't just stumble upon this by yourself. Who's your client?"
"Nom de dieu..." he disparages under his breath. "I told you already, I—"
Olivia is suddenly up in his face, knife pressed to his throat. "And I didn't like your answer."
Dion jerks back instinctively. "Your petite friend is correct... You are going to jail..."
"They'll have to find your body first," she tells him silkily. "What little will be left of it, anyway... Because no one here is going to the police. And I'm sure that your so-called friends out the front will secretly be glad for your unexplained loss. The freelance photography business is oh-so cutthroat, after all..."
"Tu es une salle grace..." he snarls through clenched teeth.
Olivia presses the knife tighter. "Then you should know that it's not in your interest to test what's left of my patience..."
Dion laughs bitterly. "À quoi ça rime? You say already that you will just—"
"What if we paid you?" I interject, stepping forward.
Olivia's head snaps angrily around. "Harper, stay out of—!"
"Paid me?" the photographer cuts in, eyes swirling to meet mine with interest.
"To give us the information we're after... voluntarily," I clarify, in a bid to avoid the impending bloodshed. "And to sell us the photos from Applewood."
Dion frowns. "I already sold the pictures to the papers..."
"Not all of them," I correct, hoping against hope that my gut instinct is correct and I haven't just torpedoed Olivia's interrogation for nothing. "You only sold the ones you were told to sell — the ones that fit your client's narrative."
Dion seems to assess me in a new light. "You come prepared... Fine. I'll do as you ask... for five million."
"Ducats?" asks Olivia.
"Euros."
I very narrowly catch my jaw from falling to the floor at the sound of the obscene price tag.
"You've been paid once already," counters Olivia. "The highest we can go is one million."
"Four," insists Dion, somehow managing to find the balls to negotiate even with a knife pressed to his throat. "There are a lot of pictures."
"Which no one else is willing to buy, so two is our best and final offer."
"Three," declares Dion. "And I'll forget this conversation ever happened."
Olivia purses her lips for a moment, before whipping the knife away with a flourish. "Fine. Start talking."
Dion lets out a low exhale. "I received a call some days before the Jamboree. The person had a tip on one of the Prince's suitors, and said it would make big news if it got out. Naturally, I was interested."
"Who was this person?" I ask.
"I don't have a name," he replies. "The tip was anonymous, and the call came from a hidden number."
"Was it a man or a woman?" Olivia queries.
"A man."
Olivia and I exchange a glance. Tariq or Godfrey.
"How did you get into Applewood?" I ask, turning back to Dion.
"A security pass was delivered to my apartment. No return address," he adds before either of us can ask.
"And that didn't seem suspicious?" I press.
"Demoiselle," he scoffs. "I am a paparazzo. I am not going to... How you��Américans say? Count the teeth of a dog?"
"Look a gift horse in the mouth..." I correct dryly.
"Once on the estate, I took some pictures of the Jamboree — in the event, you know... nothing came of the tip — but then I received a message on my phone that the suitor in question was on her way back to her room with her paramour, andI should make myself ready."
"How did you know which room to go to?" I cut in.
"There was a blueprint of the manor included in the same envelope that provided me my security pass," Dion explains. "It was your room that was marked."
His words hit me like a kick to the guts.
It's been clear for a while that my run-in with Tariq has been anything but chance. But to learn the malicious extent of the planning that had gone into setting it up makes me want to actually puke.
Who was sick enough to even think up something so twisted?
"What then?" asks Olivia, diverting Dion's attention from my momentary muteness.
He shrugs. "I took the photos, and left."
"How?" I croak in disbelief. "How could you just stand there while—?"
"I am a journalist," he shrugs apathetically. "My business is to be impartial..."
"You watched me get assaulted," I hiss through trembling lips. "There is nothing impartial about that!"
He shrugs again. "Affairs are messy. Maybe you should choose your lovers more carefully."
I feel my fists clench at my sides as I take a step forward. "He is not—"
Olivia's hand pulls me back. "How did you deliver the photos?"
"There was no delivery," Dion counters with the same level of nonchalance that he's exhibited since he started talking. "I selected the best pictures and put them out to offer to the newspapers. The Sun offered the most for them, so I sold to them the exclusive rights to publish."
"That's it?" queries Olivia. "No one else was given copies?"
Dion scoffs. "Absolutement pas! Selling copies to anyone else would violate the license agreement with the most influential tabloid newspaper in the country! Why would I put myself out of business? I am not an idiot..."
"You didn't send any samples to the person who tipped you off?" I press, having finally managed to regain my composure somewhat.
"Non," he insists. "I said before — he was not a client. I have no obligation for him. And even if I did, I have no way to contact him because—"
"—the conversations were anonymous," I finish wearily.
Apart from lending credence to our suspicions that Godfrey may have had a hand in the set-up, this conversation has confirmed literally nothing.
The people involved in the plot have been too careful in covering up their tracks.
Which means that all our hopes now rest with Tariq... and Drake's ability to find him.
Dion nods. "C'est correct. And I told you everything you asked. We still have a deal, yes?"
"On the condition that you hand over all the remaining photographs — including any digital and backup copies — and disappear off to a godforsaken island somewhere," Olivia clarifies.
Dion nods eagerly. "Naturellement. I always desired early retirement."
"Good," she approves, cutting the bonds from his wrists with a cold smile. "Otherwise I will personally ensure that you don't live to spend a single Euro of your newly acquired millions."
The flash of the wicked-looking blade so close to his groin causes the photographer to blanch involuntarily. "Je le jure."
Olivia flashes him a cold smile. "We'll be in touch..."
"You're just letting him go?" I hiss into Olivia's ear as Dion pushes himself up.
"Unless you would prefer to dump him in the Tiber?"
I reel back. "What! No! I just—"
"Your instinct was right," she advises softly, as Dion gathers his bag and Allard escorts him back out. "He is an opportunistic shark. He just had to be made to believe that he was fleecing us."
My eyes widen. "So, you played bad cop deliberately."
"As you said, this is my area of expertise," she smirks. "And I knew you would not be able to keep your sentimentality at the door."
"Umm, thanks... I think..." I mutter. "But where are we supposed to get three million Euros from? We may both be aristos, but neither of us is Jeff Bezos..."
"The Palace has a designated slush fund set aside for these sorts of expenditures," Olivia assures me breezily, slotting her knife away. "Since you are now a member of the royal family, we'll just send the bill to Jonathan."
I slant her a wry look. "I'm pretty sure that's not what either he or Christian had in mind when they decided to clean up my image..."
"Oh, please!" she admonishes, stepping back out into the corridor as well. "As recently as last year, Constantine was authorising expenditures of five to ten million Euros to stop pictures of Leo shagging B-list actresses on top of various vehicles making it onto the front pages. Three million Euros is trump change for the Rys."
"If you say so," I concede, my mind still reeling from astronomical sums of money that had been so casually bandied about. "Let's just hope Dion doesn't screw us over..."
"He won't," she assures me. "Nobody is stupid enough to cross a Nevrakis."
"The people who blackmailed you did..." I remind her cautiously.
Olivia's mouth tightens as we reach the end of the corridor. "Which was their first mistake. And one that they will pay for dearly."
"You never actually told me what they threatened you with on the night of the Coronation Ball..."
Olivia glances at me sharply. "The less you know the better."
"But—"
"It is for your own protection," she insists. "You haven't played this game long enough to know how to handle something so... explosive."
My eyes widen. "What? More explosive than—?"
Olivia clamps her hand over my mouth. "What did I tell you on the plane?"
"Sorry..." I mumble through her fingers.
She withdraws her hand. "If — on the very slim chance — I require assistance, I'll ask for it. In the meantime, you should rejoin the bridal parade."
"Why? Where are you going?" I ask as Olivia moves towards the back loading doors.
"None of your business," she ripostes, disappearing outside.
"Bye to you, too..." I snip as the door slams closed in her wake.
Olivia may now be on my side, but she is still as caustic as ever.
Turning back towards the main part of the boutique. I barely make it four steps before Madeleine's shrieks of outrage — and the sound of breaking glass — echo down the hallway.
"How many times do I have to tell you, no thongs! They are ribald and tasteless!"
"Yeah, no..." I mutter under my breath as I promptly spin on my heel to head back towards the rear of the store.
I don't care what Kiara may have said earlier; I have no interest in spending the rest of the morning being trapped in a bridal boutique, being screamed at by Madeleine. I have much better things to do with my time... and sanity, especially given that I'm still trying to mentally and emotionally process what the photographer had said. And after everything else that's happened in the past twenty-four hours, a small break would definitely go a long way in diffusing my pent-up stress.
Admittedly, a part of me feels bad for leaving Hana behind to suffer the full brunt of Madeleine's tirade, but trying to pull her away as well would only jeopardise my chances of making a successful getaway. I'll just have to think of some other way to make it up to her.
Not wanting her to get into any unwarranted trouble on my account, I decide to pull out my phone to send her a quick text letting her know that I'm not feeling well, and that I'll hopefully see her at the opera in the evening.
Slotting my phone back into my clutch, I push the back doors of the boutique open with a decisive shove, and step out into the sunshine.
Letting my eyes adjust to the brightness outside, I find myself in a small courtyard. On a whim, I turn back towards my Guards.
"Which way to the Trevi Fountain?" I ask, pulling my sunglasses back down over my face.
Allard and Schweitzer trade glances, clearly uneasy with this request.
"Demoiselle, that is not a prudent—"
"—way to get lost in the crowd?" I counter. "I can't think of a better one. If I don't advertise myself, no one will know I'm even there. Especially while the paps are tied up on the other side of the building."
My Guards don't seem convinced. "Commandant Walker left specific instructions to—"
"I'm not planning on disappearing on you," I assure them. "I just want to make a quick detour to grab some pastries, and check out the fountain. So, which way is it?"
Perhaps seeing that I'm not going to be swayed by any cautionary counter-argument, Schweitzer gives Allard a one-shouldered shrug of acquiescence.
Allard pulls a face before finally resigning himself as well. "Par ici," he says, indicating the far side of the courtyard.
"Thanks," I chirp with a smile, setting out across the cobblestones...
...and promptly get the heel of my stiletto pumps stuck in a crack between the stones.
"Eugh," I grumble, as I manage to wrench myself free after a brief battle. "I really didn't think this through..."
"Would Demoiselle require a taxi?" asks Schweitzer as he helps steady me from behind.
"I was hoping to walk..." I admit sheepishly.
"Via Borgognona is nearby," Allard suggests. "It is a well-known shopping street, though quieter than the more famous Via Condotti. Demoiselle might find more... comfortable footwear there."
"Not to mention some more appropriate clothes in general," I gripe, already feeling the tight fabric of my pencil dress start to stick to me. "How far away is it?"
"Just around the corner."
I flash him a bright smile. "Perfect!"
With Allard leading the way, and Schweitzer holding my hand, we manage to cross the courtyard without further incident, and sneak past the paps still thronging the front of the bridal boutique without getting spotted.
Crossing the pedestrianised thoroughfare, my Guards usher me down a narrower street that is lined on either side by cream-coloured buildings casting some welcome shade in the midday heat.
We pass a smattering of tourists and locals, but luckily everyone seems to be too absorbed in their phones or personal conversations to pay any specific attention to me.
And — more importantly — as Allard promised, the street is composed entirely of fashionable-looking independent boutiques.
"Let's try this one," I suggest, indicating the arched entryway of a store with an Italian name that I do not recognise, but which nevertheless seems to have several options for sandals on offer. And — given the scalding nature of the weather — an open-toe option is definitely appealing right now!
Stepping into the air-conditioned entranceway, I am immediately greeted by an immaculately made up woman with a severe ponytail, who starts questioning me in rapid-fire Italian.
"Umm..."
Luckily, I am saved from the embarrassment of trying to cobble together some kind of inappropriate response with the very limited — and wholly unhelpful — Italian that Bertrand had managed to teach me on the plane by Allard, who steps deftly up to my side.
"Lei è alla ricerca di alcune nuove scarpe."
"Che tipo de scarpe?"
"Sandals," I say, having understood the gist of the question. "No heel."
"Prego," the assistant says, flicking her hand towards some minimalist shelving.
"Gracia," I acknowledge with a smile.
Moving over to the indicated section, I quickly assess the options...
...and nearly die when I lay eyes on the price tags.
"Almost a thousand Euros...?" I gripe under my breath "For a few scraps of leather...?"
But then my eyes land on a pair bejewelled, gladiator-style sandals.
Given my limited window of opportunity to sneak in some sight-seeing before people start to question my absence, I don't have the luxury of being able to hunt for a bargain. And if I'm going to end up forking out this much money on a pair of shoes, I'm at least going to spend it on something that I like the look of.
And these sandals definitely fit the bill.
Decision made, I pull out my phone to quickly find out how my normal US shoe size converts to the vastly different European sizing, and turn back to the patiently waiting assistant.
"Size 36, please."
With a nod, she disappears 'round the back.
While she's gone, I take the opportunity to look up the location of the little pastry shop that the President had mentioned.
Since I'm heading towards the Trevi Fountain anyway, and Madeleine had pulled us out of this morning's meeting before the refreshments could be served, I had been serious when I told my Guards of my intent to tackle two birds with one stone. Especially since it's nearly lunchtime, and chances are I won't otherwise see food until the opera this evening.
The assistant reappears with my selection, and after a quick try-on, I give her a nod to ring up the extortionate purchase, being excessively grateful that I still have cash left in my US account, given that I don't actually have access to my new Cordonian accounts yet.
Stepping back out onto the street, I change out my shoes, slotting my pumps away into the high-end bag that I've been given, and dumping the shoebox in a nearby trash can.
My toes flex gratefully in their newfound freedom as I cross the street to the clothing boutique, wondering how much a top and pair of jean shorts is going to set me back...
In the end, however, I am pleasantly surprised to emerge back onto the street in a simple, white wrap-dress, a straw Panama hat, and a matching straw bucket bag in which I've stowed my old dress and shoes, all for under two hundred Euros, which means I was able to make recourse to the money Drake had given me, and still have plenty of cash left over for other potential emergencies.
"Thanks for the suggestion," I tell Allard sincerely. "It has definitely saved me from melting into the pavement!"
"De rien, Demoiselle," he acknowledges with a smile. "Are you ready to continue?"
"Lead the way, Monsieur!" I tell him with a grin.
Taking up poll position with a scoff — with Schweitzer bringing up the rear — Allard takes us left at the next intersection to zig-zag us down various side streets, presumably in a bid to avoid both the ferocity of the midday sun, and the chances of me being recognised on the busier avenues.
But, the back route pays off, and within ten minutes, I find myself standing on the edge of the crowded plaza that serves as the gateway to the romantic monument.
"Wow..." I breathe, taking it all in. "It sure is busy!"
Allard and Schweitzer exchange a tense look, no doubt worried about the prospect of being able to keep tabs on me in the press.
"I'll be fine," I assure them. "Just a quick peek and then we can get moving."
Neither of them look convinced, but they don't try to dissuade me as I plunge into the crowd.
Skirting around wedding parties, tour groups, and other miscellaneous sightseers, I manage to work my way to the front of the throng, and my mouth parts with a gasp at the sight spread out before me.
The four-storey monument rises up from the base of the fountain, framing the dynamically positioned statues from under whose feet the water gushes into the aquamarine pool.
It's like a Renaissance painting brought to life.
But, while I'm glad to have made the trip out here to see it in person, I can't help but feel my chest tighten morosely as I gaze up at the beauty of the world-famous landmark.
I didn't necessarily realise it at the time, but part of the reason why I enjoyed my outing in the Cordonian capital so much was because I had Drake to share the adventure with. And it was the same in Avignon — his wry quips and local knowledge had definitely brought the whole experience to life, making me see the city through different eyes than I probably would have had I been by myself... like I am now.
Eugh... I miss him...
Reaching for the ties of my bag on impulse, I pull the fastenings apart just enough to plunge my hand inside. Finding my purse, I snap it open and extract a Euro from the coin pouch.
Squeezing my fingers 'round the warmth of the metal, I clench my eyes shut with a heartfelt wish as I turn back towards the fountain...
...before sending the coin flipping through the air to land in the water before me with a soft plop.
Blinking my eyes open, I am somewhat disappointed to find myself still standing solo by the railing, and Drake has not magically appeared before me like the hot Italian guy did in The Lizzy McGuire Movie.
"Worth a shot..." I console myself somewhat dejectedly as I reach back into my bag to extract my phone so I could snap a couple of pictures to send to my mom.
Mission accomplished, I turn away from the fountain to make my way back to the edge of the square, Allard and Schweitzer falling into step behind me as I scan the various store-fronts clustered around the fountain, searching for the bakery with the pistachio croissants.
My eyes suddenly land on something in one of the window displays...
...and without really thinking about it, I let my feet carry me inside.
The little brass bell above the door jingles as I step into the cramped confines of what appears to be a shop selling a motley collection of antiques and touristy knick-knacks. A wizened old man sporting glasses and a thick head of white hair looks up at the sound of my arrival.
"Buon pomeriggio, signorina," he greets. "Posso aiutarla a cercare?"
"Umm... sì," I say hesitantly. "Hai avo... in the window?" I point at the item that had caught my eye with an embarrassed flush.
The man's face cracks into a grin. "Ah, certamente!"
Stepping out from behind the counter, he ambles his way over to the window display, to pull back the protective glass. Reaching in, he lifts up the silver chain and holds it out to me.
I run the tip of my finger across the edge of the pendant with a smile. "It's perfect."
"For you?" he asks, lifting the chain up to my neck indicatively.
"No," I laugh. "It's a present... Por mi amore?"
His eyes light up. "Ah, bellissimo! Lo avvolgerò in su per voi!"
"Gracia," I say as he scuttles excitedly back behind the counter in search of a box.
Pulling one out with a conspiratorial flourish, he sets about packaging up the piece as if he were swaddling a precious child for a hazardous journey, even managing to dig out a slightly dusty ribbon to tie on top.
"Cento euro," he declares, presenting the completed ensemble to me.
Pulling my wallet out, I extract my card. "Visa?"
"Sì! Ovviamente!" he proclaims, slapping a brand new Square card machine onto the counter, that was starkly at odds with the otherwise Ollivander-esque décor of the place.
Slotting my card into the reader, I complete the purchase, and am just about to reach for the box to stow it away in my bag when I feel a sudden presence behind me.
"This is becoming a bad habit with you..."
I freeze at the sound of the familiar voice.
No way...
The story continues in Chapter 20 - Steal Me Away
A/N: As per usual, translations below:
Nous vous tienons, Demoiselle - We got you, m'lady
At the bridal boutique:
Contessa! Contessa Maddalena! Quaggiù, per favore! - Countess! Countess! Over here, please!
Certainement. Vous allez bien? - Certainly. Are you alright?
C'est le bordel! Qu'est-ce qu'elle croyait?" - What mess! What was she thinking?
Sa mère la pute de— - Your mother is a whore of a��
Nom de dieu - Oh, my God!
Tu es une salle grace - You're a real bitch
Absolutement pas! - Absolutely not!
Je le jure - I swear
Lei è alla ricerca di alcune nuove scarpe - She is looking for some new shoes.
Out and About
Par ici - This way
Che tipo de scarpe? - What kind of shoes?
Prego - Please
Gracia - Thanks
De rien, Demoiselle - No problem, m'lady
Buon pomeriggio, signorina. Posso aiutarla a cercare? - Good afternoon, miss. Can I help you find anything?
Ah, bellissimo! Lo avvolgerò in su per voi! - Ah, lovely! I will wrap it up for you!
Por mi amore?* - For my love?
*This is a completely butchered attempt at Italian. The grammatically correct way to say it would be 'È per il mio amore'. However, Harper is improvising, so she's not going to get things completely correct 😇
Cento euro - One hundred Euros
Sì! Ovviamente! - Yes! Of course!
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(Less Than) Noble Intentions only (let me know if you want to be added!)
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#harper gale#drake walker#drake x mc#the royal romance#less than noble intentions#olivia nevrakis#hana lee#penelope ebrim#kiara theron#madeleine amaranth#trr fanfic#Spotify
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Senza immagine Dio vaga in paradiso ma preferirebbe fumarsi un sigaro o mangiarsi le unghie, e così via. Dio è il proprietario del paradiso ma agogna la terra, le grotticelle assonnate della terra, l’uccellino alla finestra di cucina, perfino gli assassini in fila come sedie scassate, perfino gli scrittori che si scavano l’anima col martello pneumatico, o gli ambulanti che vendono i loro animaletti per soldi, anche i loro bambini che annusano la musica e la fattoria bianca come un osso, seduta in braccio al suo granturco e anche la statua che ostenta la sua vedovanza, e perfino la scolaresca in riva all’oceano. Ma soprattutto invidia i corpi, Lui che non l’ha. Gli occhi apri-e-chiudi come una serratura che registrano migliaia di ricordi, e il cranio che include l’anguilla cervello - tavoletta cerata del mondo - le ossa e le giunture che si giungono e si disgiungono – e c’è il trucco -, i genitali, zavorra dell’eterno, e il cuore, certo, che ingoia le maree rendendole monde. Lui non invidia più di tanto l’anima. Lui è tutto anima, ma vorrebbe accasarla in un corpo e scendere quaggiù per farle fare un bagno ogni tanto. Anne Sexton - Terra
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Il Tevere scivola più lento del miele,
maggio va adagio. La luce d’oro
trabocca dalle cime.
Biondo e morbido l’olio della luce
si riversa quaggiù.
Leonardo Sinisgalli, Il Tevere, da La vigna vecchia
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Ciao Liam,
Ti scrivo questa lettera qui, dove non la leggerai mai, perché ho bisogno di buttare fuori quello che sento e penso che questo sia il posto migliore per farlo.
E te la scrivo in italiano perché so che dove sei adesso non ha davvero importanza.
Ti ho conosciuto tardi nella vita, avevo già 30 anni ed ero incinta del secondo figlio quando ho scoperto te e i tuoi fratelli. Non avete fatto parte della mia infanzia o della mia adolescenza, ma questo non rende la perdita meno dolorosa, anzi. Sono una vostra coetanea (una manciata di anni in più, ma l'età non si chiede mai a una signora) e proprio per questo, forse, mi sento così incredibilmente vicina a voi in un modo che non mi sarei mai onestamente aspettata.
Liam, anima fragile, ho assistito con gioia al tuo periodo in riabilitazione e mi ricordo i sorrisi genuini e pieni di vita che ci regalavi in quel periodo. Stavi bene e si vedeva.
Ma il mondo in cui vivevi ha deciso che tu non ne valevi la pena, perché alla fine questo è. La stessa industria che non ha pietà per nessuno e ha triturato gente del calibro di Michael Jackson e Withney Houston ti ha gettato sul fondo del mare con un'ancora al collo. Ho assistito, impotente e distrutta dietro a uno schermo dall'altra parte del mondo, alla spirale di distruzione che ha ti condotto esattamente là dove avevo previsto che ti avrebbe condotto.
Ti hanno isolato dalla tua famiglia e dai tuoi affetti, portandoti in un paese sconosciuto dalla lingua sconosciuta e senza riferimenti culturali né affettivi, circondandoti di persone che erano lì solo per un contratto e non perché veramente interessati al tuo cuore dolce e buono. Ti hanno tenuto lontano dai tuoi fratelli acquisiti, gli unici che potevano davvero capirti. Ti hanno boicottato la musica, impedendoti di fare una delle poche cose che ti teneva in vita. Avevi un figlio, e da madre so che il suo volto deve averti dato una ragione per svegliarti più di una volta, ma ti hanno tolto pure quello, chissà con quale lavaggio del cervello. Ti hanno fatto credere di non valere niente, di non essere abbastanza, che nessuno ti amasse più. Ti hanno fatto credere di essere un peso e che il mondo, compresi i tuoi genitori che ti hanno messo al mondo, i tuoi fratelli - di sangue e non - che ti hanno amato infinitamente e il tuo bambino, sarebbe stato meglio senza di te. E lo hanno fatto alimentando le tue debolezze, fornendoti la droga e l'alcool con cui potevano controllarti.
So che sicuramente hai sbagliato nella vita, commettendo errori più o meno gravi anche con le persone a cui volevi più bene, ma eri malato, Liam. Non eri rotto, eri malato e meritavi di essere curato. Meritavi una sincera e seria possibilità di uscirne e fare ammenda dei tuoi sbagli, qualunque siano stati, tornando a fare parte della vita delle persone che ti hanno sempre amato. Meritavi la possibilità di riabbracciare la tua famiglia e i tuoi ragazzi e di dare altri baci al tuo bambino.
Ti hanno fornito corda e sgabello e poi hanno aizzato il popolo dei social a dirti di ucciderti.
Non ho mai vissuto quello che hai vissuto tu, né conosco di persona qualcuno che abbia sofferto della tua stessa malattia. Non ti biasimo per aver cercato la via più facile, la colpa non è tua. Ci hai provato a dirci come stavi e a chiederci aiuto, hai gridato forte con tutto il cuore, e vorrei che fosse bastato.
Dovunque tu sia, spero che troverai la pace e la serenità che quaggiù ti era stata rubata. Non perdonarli, Liam, perché non lo meritano.
Però, se puoi, veglia su chi è rimasto quaggiù e ti piangerà per sempre.
Vorrei aver potuto fare di più per te e, anche se so che non ero nella posizione per farlo, è un rimpianto che mi accompagnerà a lungo.
Riposa in pace 🤍
- Sara -
#rip liam#liam payne#rip liam payne#one direction#1d#harry styles#louis tomlinson#industry abuses#fake narrative#liam#niall horan#zayn malik#grief#loss#personal letter
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Chi non trova il paradiso quaggiù non lo troverà nemmeno in cielo. Gli angeli stanno nella casa accanto alla nostra ovunque noi siamo
|| Emily Dickinson
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Quaggiù (Down here)
I.S.A.
-
Do not remove the captions pls.
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Banco Del Mutuo Soccorso - Il Giardino del Mago
youtube
IL GIARDINO DEL MAGO
Da bambino ci montavo su
Al cavallo con la testa in giù
Galoppavo senza far rumore
Gli zoccoli di legno che volavano sui fiori
Non sciupavano i colori
Stan cantando al mio funerale
Chi mi piange forse non lo sa
Che per anni ho cercato me
E passo dopo passo con le spine ormai nei piedi
Tanto stanco, stanco
Io sono arrivato nel giardino del mago
Dove dietro ogni ramo crocifissi ci sono
Gli ideali dell'uomo, grandi idee invecchiate
Nel giardino del mago io sto appeso ad un ramo
Dentro un quadro che balla sotto un chiodo nell'aria
Sono là che ho bisogno di carezze umane più di te
Il tempo va, il tempo va, passa
Il tempo va, il tempo va, passa e va
E tu che fai? E tu che fai? E tu?
E tu che fai? E tu che fai? Che fai?
Sono finito ormai quaggiù
(Ma vieni via, ma vieni via, vieni via)
Non posso tornare, resterò
(Se resterai se resterai che farai?)
Ogni creatura del giardino del mago
Vive tutto il suo tempo dentro un albero cavo
C'è chi ride, chi geme, chi cavalca farfalle
Chi conosce i futuri, chi comanda le stelle come un re
Comanda le stelle, comanda le stelle, comanda le stelle, comanda le stelle
Un re che comanda non c'è
Com'è strano oggi il sole
Non si fa scuro, chissà perché
Forse la sera non verrà a uccidermi ancora
Ha avuto pietà solo ora
Per pietà della mia mente che se ne va
Il giorno aspetterà
Per me si fermerà un po' di più
Vedo già foglie di vetro
Alberi e gnomi corrersi dietro
Torte di fiori e intorno a me
Leggeri cigni danzano
A che serve poi la realtà?
Coi capelli sciolti al vento
Io dirigo il tempo, il mio tempo là
Negli spazi dove morte non ha domini
Dove l'amore varca i confini
E il servo balla con il re
Corona senza vanità
Eterna è la strada che va
BANCO MUTUO SOCCORSO
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Lo stupore del socialame (moderato) che denuncia: questo governo di destra fa politiche "socialiste". Stupore o piuttosto timore per la concorrenza sleale?
Noi che socialisti non siamo mai stati, né nazional socialisti né social globalisti né socialdemocratici europidi, sorpresi non siamo affatto.
A parte che il governo sta mettendo in pratica classiche scelte NAZIONAL POPOLARI, non per caso il dna della Destra italica si chiama Movimento SOCIALE.
Non è certo matrice liberal libertaria, esattamente come NON LO E' MAI STATO il socialismo democratico e radicale, il quale però, da ipocrita o da ignorante, si racconta addosso di esserlo.
Quanto a FI, il suo liberalismo originario fu fin dall'inizio diluito dai transfughi craxiani alla Cicchitto, mentre la Lega da federalista- indipendentista s'è imborghesita da mo', facendosi nazional populista democrista (piccola borghesia dei borghi, artigiana, commerciale e professionale). Btw, niente di male ad esser populisti democristi: sono i veri MODERATI CONSERVATORI, la constituency dei borghi di quaggiù, altro che finto cul-turati socialdemocratici passé di provincia, incapaci di capire i loro stessi interessi.
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Tutto è un’impresa quaggiù, perfino il piacere.
Emil Cioran
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Ho di nuovo smesso di fumare. La notte scorsa mi sono svegliato con un tale odio per il tabacco che, quando mi sono alzato, ho distrutto l'ultimo pacchetto di sigarette che avevo, il bocchino e tutto il piccolo arsenale della più grottesca intossicazione che esista.
Inutile cercare di togliersi un'abitudine con la volontà; si smette solo quando si arriva al punto di saturazione, alla nausea e all'esasperazione. Si trionfa solo di ciò che si odia, dopo averlo amato.
... Continuo a esistere quaggiù perché il mio orrore del mondo è insufficiente e non del tutto sincero.
Emil Cioran - Quaderni 1957-1972
CHE TU POSSA DIVENTARE PRESTO ABITUDINE, CHE TU POSSA DARMI NAUSEA, ESASPERANDOMI! SAREBBE IL MIO INUTILE TRIONFO, DOPO AVERTI TANTO, TROPPO AMATO.
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Ho chiesto alla luna che cosa fa lassù in cielo. Lei mi ha risposto, mi ha chiesto che cosa faccio io quaggiù sulla Terra.
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LoL adoro. non uso telegram ma pur di trovare gente che parla della serie non mi opporrei all'idea XD
I got curious and wanted to check the state of the italian bllk fandom and I expected it to be small but... There isn't even a fandom tag yet 💀
#Italian gang rise up#Ngl è strano parlare italiano su tumblr LoL#Quanta bella gente però 👀 👋👋 piacere#Any chance che qualcuno di voi shippi nagireo? Ho bisogno di compagnia quaggiù all'inferno
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«Il sacro non si può comprare. Se non lasci la zavorra, in queste zone non entri. Più in alto vai, più la materia si fa leggera, più hai la percezione di mondi delicati e sottili. Devi lasciare fuori le grossolanità e un certo genere di pensieri. Alcune sensazioni, un litigio, una guerra, ti contaminano e i tuoi sentimenti sono tirati giù, verso il basso. Invidie e gelosie sono mondi che se non si riescono a eliminare, almeno si devono cercare di controllare. Paul Valéry ha scritto una pagina di indimenticabile bellezza sulla competizione tra gli uomini, il competitivo ha bisogno dell’altro, da solo non è nessuno.
[...]
Oggi manca a sempre più gente il contatto diretto con la natura, l’uomo lontano dalla natura s’imbarbarisce e si convince di poter essere senza pudore il delinquente che in potenza è. E quando ostenta la sua distanza dal creato dà libero sfogo al peggio di sé.
C’è molto cammino personale da compiere quaggiù per arrivare alla propria meta, soprattutto per noi occidentali, sempre più immersi nel rumore e nella confusione. Credo di essere un po’ monotematico: tutto si riduce sempre alla stessa questione, non riesco ad allontanarmi dal concetto di evoluzione, per cui una bella persona è una persona evoluta. L’ apice di un’evoluzione porta necessariamente con sé la bellezza. Quando vedi una persona entrare in una stanza, ti accorgi immediatamente del mondo che porta in giro.
Ho sempre pensato, da quando ho cominciato ad avere coscienza di me stesso, che l’evoluzione passi attraverso il cambiamento di sé. Si parte dall’analisi e dall’accettazione (o meno) di certi aspetti del carattere. Se uno crede che alcune cose non vadano bene e lo fanno star male, bisogna cambiare.»
Franco Battiato
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