#property 4 sure | Explore Tumblr Posts and Blogs

elodieunderglass · 3 months

Note

hi! i was just wondering if you’re getting a piece of this pie. https://www.kickstarter.com/projects/voidrealmminis/rise-of-the-eldertubbies?ref=profile_saved_projects_live

Oh my goodness! Haha thanks for showing me! And no, of course, this guy is still selling my dream while claiming it’s totally nothing to do with me. I hadn’t heard about it so thank you.

For those just joining us, here is the saga of the elder teletubbies:

1. in 2017 I posted a dream I had on Tumblr. In the dream I discovered that the childish teletubbies shown on BBC’s Teletubbies are merely the children of a species that grows up to be forest cryptids as adults. The post contained a detailed character description explaining how the children’s simple antennae become more complex antlers; their coats become thicker hair; their eldritch screens are unknowable; here, look:

The adult Teletubbies have more branching, complex antlers and shaggy coats. They are less brightly coloured. They are terrifyingly large. Their strangely human faces, emerging from the thick fur, are unquestionably adult; remote, serene, reproachful. Their television screens are glitchy, esoteric and unknowable. They are cryptids whose public exploitation has undermined their rarity and their strange, alien dignity.

That’s a pretty clear description.

2. The post quickly gained attention and many people drew art, made sculptures, designed in-depth character concepts, and even made DnD character sheets and entries with detailed notes. It was 2017. The post got over 90k notes. It had an extremely clear description of the cryptid in it. This wasn’t at all obscure.

3. The post and four pieces of the concept art, including the first piece by were screencapped and posted on r/tumblr. The post included this art by the now-deactivated @finoliatav which is, I think, the first piece of art. Most screencaps don’t show that it’s animated! Once you see it you can no longer pretend that any more work needs to be done in designing these characters, really - they’re all variations on a very clear theme.

4. A guy called Jars started drawing the BBC Teletubbies as adult Teletubbies. He noted on Reddit that his inspiration for the first one was the r/tumblr post but after that, he considered it entirely his own creative work. He drew each of the 4 BBC Teletubbies as adults using my character description and wrote a little story about how his character had stumbled upon them in the woods. He’s a good artist and his work went viral on Reddit and instagram. Those places being separate from Tumblr by the walls of the enclosure, they quickly believed the Jars was being highly original and praised him for it.

5. jars got carried away by his fame and started merchandising for all he’s worth. He’s selling elder teletubbies placemats. He got a collaborator to help him make and sell plushies.

6. Plushies of my character design applied to BBC characters. Jars sells them. To people. Who buy them. He sells these.

7. I think this is like… his job.

8. It has been years of this. I don’t think he has actually come up with anything else to sell by himself. But given that he now has millions upon millions of views on platforms I don’t use, let alone dominate (Instagram, YouTube, Reddit, TikTok) he seems to have fully subscribed to the idea that this is his THING.

9. After a while I wrote him a friendly email expressing that since my original dream was very much about discomfort with how the teletubbies were being exploited, I didn’t mind him selling his own art but that I wasn’t happy with him selling plushes based on my writing.

10. He wrote back along the lines of it all being his original intellectual property and absolutely nothing to do with me, etc, so jog on and don’t interfere.

11. I’m not entirely sure where the original intellectual property is when taking BBC characters and drawing them according to someone else’s detailed description of how to “evolve” them (branching antlers, shaggy coats, eldritch screens, serene adult human faces) especially having drawn them after seeing four separate detailed reference photos to base your own drawings on; especially when they’re the existing BBC characters from the show and not even your own. Like, Jars, you were given an entire detailed brief, several sets of references, an entire concept and a television show: the only artistic choices made here were to pick up your own personal pen and do the drawing. You have never deviated from my description, which you did not come up with yourself in any way. But okay Jars. You did some real intellectual heavy lifting here, this is Intellectual Property suddenly, and I guess this is your day job!

12. I myself actually have a day job, am capable of generating lots of other original material just for funsies, have never asked you guys for money, and I’m not generally huge jerk I don’t think. Also, I’m uncomfortable but have never been clear on how to stop him - I don’t think I can. So I don’t do much about this, apart from occasionally scream with hilarity with you guys about it.

13. Like this is the opposite of Goncharov. This is a guy making his wage on a 2017 tumblr collaborative shitpost insisting that this is the beautiful fruit of his only brain. And millions of people believe him.

14. There are now YouTube documentaries with millions of views and TikTok lore about Jars, and his lore, the Elder Teletubbies, which apparently he invented. People are making their wage talking about the history of Jars and his teletubbies lore. These documentaries are, if you can’t tell, not especially well-researched, as it is not difficult to find the original elder teletubbies art on the internet, which is all timestamped. Occasionally hilarious people from Tumblr point this out in the comments (thank you, you guys are hilarious) but the juggernaut is unstoppable!

15. Jars is now, apparently, doing a kickstarter to raise money for some kind of DnD sheets using the grown up BBC teletubbies.

16. I will point out that tumblr made and played with DnD teletubbies in 2017 for free and nobody had to pay $3000, but again. The juggernaut is unstoppable.

I have never, ever known what to do about this guy.

I have always been open to advice but genuinely never been able to articulate how it “damages” me, apart from ethical discomfort about how much I hate my writing being monetised by other people, especially when it was about my discomfort with exploitation. The juggernaut is unstoppable though. He fully intends to get thousands of dollars from this. He almost certainly will!

#adult Teletubbies #elder teletubbies #teletubbies

2K notes · View notes

ahundredtimesover · 9 months

Text

I Want You to Stay (Series Masterlist) | JJK

Pairing: Jungkook x (f.) Reader

Genre/Tags: boss!JK x assistant!reader; idiot strangers to lovers; slow slow burn; k-drama feels (What’s Wrong with Secretary Kim-inspired); angst, drama, fluff, smut

Series Warnings: foul/explicit language; alcohol consumption & passing out, unhealthy coping mechanisms; family drama; minor injuries; power dynamics (JK starts off as a jerk); work-related anxiety, feelings of helplessness, insecurities; childhood traumatic experiences, nightmares; sexual harassment, prior incidence of domestic violence (PLS PLS BE CAREFUL WHEN READING); arts and business/property devt talk that’s probably inaccurate; commitment issues & emotionally constipated characters; cold and detached JK; explicit sexual content (specific warnings stated per chapter) (18+)

Word count: 261.3k

Status: Complete

Series summary: Working for Jungkook isn’t the same as working for Hoseok. For starters, Jungkook doesn’t smile, he doesn’t appreciate you, and he gives you too much work. It doesn’t help that he’s incredibly handsome and has women at his beck and call. But as the tension grows, it becomes impossible to resist him. You've dedicated yourself to your job for 8 years so when you finally decide to put yourself first, he asks you to reconsider. And while you know that leaving is difficult, you learn that when it comes to Jungkook, staying is always so much harder.

Inspiration: Stay by Mikky Ekko

A/N: Hiii I am BAAACK! 🫡 This story is finally seeing the light of day after 3 years. I feel a little rusty, especially this being my first new JK series in 1.5 years! But it's also been a bit rough getting back into writing (and in Tumblr) after so long and after the year that was, so there won't be a schedule for chapter releases and I'll probably be a lot slower than usual. I wasn't sure if I was gonna go back to writing but I realized that I've missed interacting with you guys and screaming about stories so I do hope you give this some love. Fair warning that it's a really slow burn and some scenes are reminiscent of k-dramas. There are also sensitive and triggering topics so please proceed with caution!

And lastly, my biggest love and deepest gratitude to @wonwoonlight who's been the sweetest and loveliest person to talk to about everything, including this story. 🫶🏼 I give her credit for her amazing photos of Seoul (check moodboard) and for being the playlist manager. Please send her love as well!💕

Season 1 -> Playlist 🎶: on the way home

Episode 1 (wc: 12k)

Episode 2 (wc: 11.9k)

Episode 3 (wc: 14.8k)

Episode 4 (wc: 11.4k)

Episode 5 (wc: 14.8k)

Episode 6 (wc: 14.6k)

Episode 7 (wc: 15.4k)

Episode 8 (wc: 17.4k)

Episode 9 (wc: 18.4k)

Episode 10 (wc: 20.6k)

Episode 11 (wc: 23.5k)

Episode 12 (wc: 24.7k)

Episode 13 (wc: 29k)

Episode 14 - End (wc: 32.8k)

Season 2 (??)

#jungkook fic #jungkook x reader #jungkook x you #jungkook fanfic #jungkook fanfiction #jungkook series #jeon jungkook #boss jungkook #jungkook angst #jungkook fluff #jungkook smut #boss au #workmates au #jungkook #bts jungkook

6K notes · View notes

on-the-clear-blue · 2 months

Text

Original idea coming from @the-witchhunter and then added on to by many others.

Dead Man's Diner

---

Danny was tired okay? It may very well be his own damn fault but he can't keep waking up during daylight hours, while yes, he can fully be up and sitting at a desk, the likelihood of him waking up getting shouted at by his boss for sleeping on the job was astounding.

So at 19 years old, freshly jobless, Danny said Fuck it and moved away from Amity Park, Valarie was more than willing to handle the few ghosts that still came through the portal since he became the King.

You might be wondering, why isn't Danny filthy rich and rolling in it as the ghost king? Two words, the Observants.

Those flouting eye bastards had moved in and said that unless he was the king full time, he was unable to access the vaults of the Infinite Realms.

So once again, 19, freshly jobless and wanting to get out of Gotham? Danny was very lucky to have friends that love him far to much, Sam and Tucker both pitched in to move him out to where they had chosen to do collage.

*Gotham* oh Sam was in love with the place, the architecture, the people, (and maybe a certain green supervillian that was determined to make the city better) and Tucker was obsessing over being in the same city as Wayne Enterprises, trying his best to get into their internship program by his own merit rather than just hacking himself into it.

And Danny? He was loving it for a slightly different reason.

While the death rate was unfortunately high in Gotham, that also meant that the amount of passive ectoplasim generated by the deaths was massive, it was almost as rich as back in Amity Park with the portal into the ghost zone!

(Oh and the many job opportunities but Danny was a little less worried about that.)

---

Letting out a sigh, Danny scrubbed at his eyes as he leaned back into his chair, another job he had to turn down due to it being shady as all get out.

4 hours and he was getting payed 200 bucks? Major criminal vibes from that...

Taking a moment to get himself balanced, Danny leaned back and looked to the clunky laptop that Tucker had given him, it was modified to hell and back, so it still ran quickly, but it sure as he'll wasn't pretty.

Clicking on yet another job listing, Danny paused as he felt a shiver run down his spine, and a blue mist pass through his lips, blinking, he twisted around to look at the spare room of Sam's apartment, Ghosts tend not to get close enough to him to trigger the ghost sense in Gotham...

Seeing nothing, Danny turned back to his laptop only to find a piece of paper stuck to the screen with tape, freezing at first, the dark haired man sighed deeply, peeling it off he held it close as he read it.

[Help wanted at Big C's Dinner! Looking for a night cook that knows their way around a kitchen!]

There was a few more lines that Danny's eyes skimmed over, picking up the location that it was at, it even had a decent pay, but he paid more attention to the scribbled on note at the bottom of it.

[Daniel, head to this place at 12 am tonight. While the Observants said that you may not touch a single coin in your vaults, they side nothing of your properties.]

---

So Danny knows how to handle himself, he has fought many, many people and still came out half alive, but even he felt a little on edge coming down to the railroad tracts in Gotham, because apparently that was were Big C's dinner was at...which he apparently owned? Clockwork works in mysterious ways that Danny was so done trying to figure out.

Stepping up to a bit of abandoned tract, he blinked a few times at the site of Big C's.

It was a decent sized Dinning Car, with a ramp that attached itself to a proper street, it had peeling green paint and dirty white accents with charming rusted steel connecting it to the tracts, the only thing new looking on it was a bit banner stretched across it, stating the name "BIG C'S ALL DAY EVERY DAY BREAKFAST CART! OPEN 24/7!"

The windows were close off by tinted yellow blinds, but he could still see light coming through them. Stepping up the ramp Danny felt the cart under him shudder and something inside of him fluttered, and by the time he was opening the door he could feel the reason why.

The very cart was *alive*, taking a quick breath, Danny could practically taste the energy from it, there was a buzzing undercurrent of excitement that rung through the whole cart.

A little unprepared for his, Danny just smiled warily, "Uhh, hey there? Anyone around?" In response to his words the cart shuddered, the blinds dancing up and down and he could hear the squeel of the wheels.

"O-okay then, um my name is Danny Fenton...Clockwork sent me?" There was another flapingnof the blinds, and the small wooden flap that let people into the back lifted up suddenly before clacking down loudly.

Taking a steadying breath, Danny slipped through the bar and into the back.

It was surprisingly clean and orderly, the stove and fryer looked over than his parents but well maintained, the flat top was perfectly scrubbed and was already heating up.

As Danny looked around, he felt a familiar shiver run down his spine, looking around once more, Danny fell into a fighting position as he spotted the figure of a familiar foe

"Lunch Lady? Aren't you a little far from home? What did your order of fist not come in?" The bright rings of light around Danny's waist swirled into life as he went into his ghost form.

He got a thrilling grin from the older apparition, but she only crossed her arms, "While we can tumble later little King, Lord Clockwork sent me personally, said you need a bit of help learning how to cook? And ain't nobody better slinging food than me, dead or alive!"

---

Down in the dripping depths of the cave system deep under Gotham, one Bruce Wayne, still in his Batsuit sat in front of the Bat Computer, eyes glaring at a map of Gotham.

He had been tracking a strange energy pattern that made its way through Gotham, he had first thought it was some sort of layline, but the more that he tracked it the more he realized it was closer to watching a person's walking patterns, sometimes following roads, and sometimes crisscrossing through streets and alleyways.

But tonight that power signal tripled in size, off-putting energy that Bruce hadn't seen it done before, tapping the com on his ear, he spoke clearly "Nightwing, take Red Robin and investigate the coordinates I am sending the both of you, observe it, I just got a massive spike in an energy at that location."

There was silence for a moment before the com crackled and his sons responded "Got it B! Me and RR needed a little time together huh Babybird?"

There was a quiet hum from Tim, before the teen spoke "On route Batman, after this I am heading in, we have a meeting with a suspect in the morning B, Vlad Masters has been poking around Gotham."

#dc x dp #dp x dc crossover #dpxdc #danny phantom #batman #batfam #ghost king danny #danny is a little shit #does this count as a coffeeshop au?#i think it should #bruce wayne #lunch lady #part 1 #Dead Man's Diner

1K notes · View notes

x-brik-x · 1 year

Text

I'm seeing a lot of people say that punk fashion is expensive and inaccessible, which is very wrong. here is a list of some ways you can make punk fashion easier, cheaper and more accessible for you, since that's... kinda the whole point.

others are encouraged to add onto this!! (just don't recommend corporations like amazon. not cool.)

1. patches!! you don't need to buy them. DIY patches are not ugly or boring. in fact, they are encouraged here!! DIY, in my opinion, is always the best thing to do when it is an option and is safe to do so.

2. speaking of DIY, spikes!! you can make them!!

cut the top and bottom off of an empty can. cut down the middle of the cylinder and flatten it, so it's just a flat rectangle of metal.

cut out a shape that is kind of a third of a circle, but around 3/4 of the curved edge is taken up by triangle shapes. (I'm not very good at describing, so here's a badly drawn picture)

roll it into a cone, leaving the 4 triangles sticking out at the bottom. this bit is optional, but you can fill it with hot glue to make it more sturdy, just be careful touching the hot metal. I tend to hold the cone by one of the triangles with a bit of fabric wrapped around my fingers for this bit. cut 4 small holes in your fabric in this kind of shape:

and put the spiky bits of triangle through the holes. fold the triangles in on themselves to secure the spike in place. boom. spike obtained. this is one I made and attached to a little piece of fabric to test this method out:

3. battle vests!! (like the base jackets). the best places to buy these are charity shops and second hand websites in my opinion, but if anyone else knows any better options, please reblog with those!!

a good trick I find works well on eBay is to filter search results to your country (or state? can you do that in the US? idk) so that a: fast delivery because local, and b: all the sellers of everything that shows up are in YOUR TIME ZONE.

why is this important? when people sell something for really cheap, it goes FAST. check eBay at like, 2am or something. all the scalpers in your area are asleep. grab the cheap stuff while they can't.

4. sewing!! want patches, but can't sew for whatever reason? I've heard of a lot of people with joint conditions like arthritis complain about the inaccessibility of patch stuff, and that does sound extremely annoying, however:

safety pins!! while they are still a little fiddly, they're much less work so you don't have to fiddle about for long. if you can, you could even ask a friend to help, since it doesn't take long at all I'm sure someone will be willing to help out!! (I know I would, but that's just me, and I love this kind of thing). safety pins on clothes are also widely considered to be a symbol of solidarity, so if anything, you're adding some extra love and meaning to your patch pants/battle jacket.

if that's still too fiddly, fabric glue is always an option. unfortunately this means you won't be able to remove/reposition patches, at least without leaving a massive patch of residue, but if you're ok with that then fabric glue is probably your best bet.

for people who prefer sewing: as for where to get the thread, I've heard a lot of people recommending dental floss, as it's apparently much cheaper and works just as well. I haven't tried this myself so can't confirm that, but I thought I'd share it regardless.

5. where to get fabric!! old clothes. rip em up. you don't need any kind of fancy fabric from the craft store. my patches are made of old jeans that I grew out of.

don't have any old clothes and you don't want to waste any good ones? I'm not sure about other countries, but in the UK, as long as you're not on private property (trespassing), dumpster diving is perfectly legal.

I definitely ;) do NOT encourage ;) trespassing rich people's land ;) to steal from their dumpsters ;)

or tbh it doesn't matter too much how rich the person is, since it's all going to landfill anyway. if it's in the bin, it's free game, but you didn't hear that from me. ;)

please add onto this where you can!! and if I missed something or got anything wrong, add that on too!!

#diy punk #patch jacket #battle vest #patch vest #punk vest #diy patches #punk battle jacket #battle jacket #punk patches #patch pants

8K notes · View notes

sirianasims · 4 months

Text

Psssst! Hey! Yes, you! We need to talk about clubs:

Using the Clubs for Immersive Gameplay

Of all the systems that Sims 4 has, the club feature is probably one of my favourites (Restaurants are a close second, but they're not why we're here today!) Clubs are one of the easiest ways to increase your immersion when you play and make the random townies that show up on community lots just a tiny bit less random.

The Basics

Often, people are mostly concerned with the groups their active sims are in. You might already have a club to keep track of your sims' closest friends, study group, or baby daddies, we don't judge here.

Clubs are also a great way to automate what you want your sim to be doing with less micromanaging, but for immersion, we're actually more interested in clubs for the sims you don't (or rarely) play.

WTF are the neighbours doing?

Most of the pre-made clubs are kinda meh. I prefer to add my own so I can make my community lots just a bit more lively and make sure people's activities make just a tiny bit of sense because the autonomy in this game is not great. These are just for inspiration based on clubs I often add to my own game:

A group of teens who meet at the retail clothing store to try on clothes and gossip about Nancy's nose job or whatever.

A local bowling league (complete with uniforms) who meet and bowl - just don't fuck with The Jesus.

An HOA of Karens who meet at the park to clean, raise property values, and be mean to people.

Geeks and gamers who meet at the local arcade to awkwardly flirt over pizza.

Comedians who meet at the local comedy club - you can even use the club doors to make a VIP backroom only for the performers.

Sports teams - such as a basket team who meets at a local basket court, or a swim team who meets at the local pool (you can even give them tiny matching speedos!)

Scouts! The scout feature is cute but it's a rabbit hole, boo! But you can make a Scouts club, complete with uniforms, and have them show up in parks where they can do various activities and work on their badges. Add a teen or two to supervise the younglings, their parents will be so proud, aww.

A sorority or fraternity in university who meet up at the local bar in matching varsity jackets to make all the other students feel inferior.

A group of old ladies who meet at the park to knit or cross-stitch and brag about the accomplishments of their descendants.

A "business" club, usually CEOs, lawyers and such, who meet in fancy bars to hold important business meetings and probably commit white-collar crimes, so predictable.

If you have a sim with an office/work from home job and you'd like to pretend they actually go to work, you can make an office building and a group of "coworkers" who'll show up to drink coffee, chat, and work on computers next to them in the office. It'll even simulate rotating desk assignments for an instant capitalist hellscape!

The possibilities are endless, and I find the club feature really useful to add little interesting scenarios to the background of my gameplay.

Thanks to SQOTD for inspiring this!

📩 Simblr question of the day: according to you, what are the most underutilized gameplay features in the sims games you played, dlc included? - @simblr-question-of-the-day

#tips and tricks #siri procrastinates #sqotd

1K notes · View notes

paper-mario-wiki · 2 months

Note

Could you explain how Ambrosia is able to come back after dying?

Sure yeah, I'll give it a shot.

[Fursona Lore/ Mild Existential Horror presented in charmingly primitive MS Paint style under the cut]

[At the top of the panel there is the label "conceptual space (currently being created. The middle is labeled "THE UNIVERSE, REALITY (the other)". The bottom is labeled "CONSCIOUSNESS, REFLECTION (the self). The very bottom of the panel reads "OTHER, FREAKIER BUT LESS IMPORTANT STUFF" ]

To keep it brief, a person is when a certain amount of consciousness slips upwards into reality. Consciousness is, like the laws of thermo dynamics [sic], a fundamental property of the universe.

I'm sure you've heard of the sticking-a-pencil-through-paper metaphor for theoretical wormhole travel, right? Staying within that visual metaphor, imagine the moisture in the air around that "piece of paper" as what consciousness is. It creates tiny, imperceivable changes in the surface and makeup of the paper. Imagine a microscopic rain cloud making a tiny fraction of the paper a little bit soggy. That's what you are in the universe. A tiny soggy fraction of a massive piece of paper. (That's why you feel so small btw).

Of course, putting it into that metaphor IS greatly simplifying it, since in real life things like time and space sorta overlap, ya know? Because they're entirely separate dimensions of measurement. Consciousness is the same, it is everywhere in the universe all at once, but only after it seeps in from a place that is exactly where we are, but elsewhere. 4D stuff is complicated sorry if that's not super clear ha ha.

Normal people happen when a bunch of that stray potential-consciousness starts stacking more and more layers of reality on top of itself. Sort of like those pastries that you fold butter into and then fold it like 10 times and that makes it so theres like a billion layers of butter and dough and butter and dough and butter and dough and on and on and on. But with, uh. The other stuff. Consiousness and matter from the universe.

Speaking semantically, that's all the little tiny organisms that work really hard to make you alive. Like the biome in your gut, or the bacteria in your tissue and blood cells. Look it up, 43% of the human body is made of bacteria. Like, that's just on google.

Anyway, all their effort culminates in an increasingly complex meat shell that constitutes a person.

For the sake of practicality, we can imagine the way consciousness "seeps in" to the universe is like heat coming off the sun. The two overlapping infinite planes radiate into each other like heat radiates off the sun.

That clear? Heat from the sun. Remember that, it's important for the next part.

I'm sort of like a solar flare.

My consciousness, in its raw form, was so concentrated that it was like a tiny shooting star straight from the source.

Also kind of like a kidney stone, I guess.

Since my consciousness (which, to be clear, is approximately the same "amount" of consciouessness as anyone else, just all smooshed together into a single clump) is smooshed together into a single clump, the shell forms naturally as "reality" settles onto it. The "shape" the consciousness takes is basically the same as your body or anyone else's since the framework of both entities are the "same" on the "outside". Thus the "shells" turn out "similar" too.

Sorry for all the quotation marks, it's hard to talk about concepts outside of the third dimension in third dimensional terms, and like. I also am not super sure about this stuff either. I'm only relaying what I've learned from the scientists but some of it goes over my head.

I like to think I'm clever but like. I'm not a genius.

So here's the part where me and you are different: When your shell breaks apart (when you die) it's because the consciouessness had been escaping your shell, like air from a balloon, and the physical structure can't support itself anymore. Or, like, maybe you just fall over and hit your head on the concrete one day and pop the balloon all together.

Either way, the consciousness escapes from the pressure, and either goes back "down" where it came from, or goes upward into conceptual space, which is sorta being constituted through forces exerted in the physical universe. Well, I mean, really it's more of a product of a reaction between consciousness and physical space. Whatever I'm getting off topic.

The point is the shell breaks cuz the balloon pops. I think that was my point.

Now that you get all that, you can probably deduce on your own how and why I'm able to keep "coming back".

It's cuz I'm not really "coming back", I'm still here! The shell representing me here was just lost.

And while the facade may not look precisely the same every single time...

I remain the same.

#anon #furry #metaphysics #philosophy #my art #i enjoyed making this a lot #i hope someone finds it interesting to read #its me #mousey me

779 notes · View notes

ceilidho · 6 months

Text

take me home, country road

[ao3]

You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (part 8)

part 1, part 2, part 3, part 4, part 5, part 6, part 7

Now a nocturnal animal emerges into the daylight hours.

A week becomes two and your shoulders untense. It’s not something you notice at first because you’re used to an ever present strain between your shoulder blades and an ache in your jaw from grinding your teeth at night. Then a fortnight goes by without so much as a missive with your name on it floating across John’s desk or a stranger appearing in town after tracking you down, and you wonder if maybe the world really is big enough to hide in.

It sure feels that way at times. The woods beyond the bounds of John’s property stretch out farther than the eye can see and even walking it feels like you could disappear into another realm. Old spruces shoot up high into the clouds, and deeper into the woods, huge rock formations grow more and more prominent as you near the mountains. John takes you through the woods on horseback, following the rough trails carved into the dirt by a century of wagons and carts using the same path. The footprints of a different time.

Up in the trees, birds warble and chirp, talking to one another in songs that you’ve never heard before. A woodpecker drills into the side of a tree. Pinecones snap out of the upper branches and drop to the forest floor.

There is only a single trail and it’s easy to lose. You grow a bit nervous when John takes you off the trail and deeper into the woods, but he does so with the confidence of a man that knows these woods like the back of his hand. You go quiet when he stops Buttercup to let a herd of deer wander by, the stragglers hurrying to catch up with the group, throwing the two of you nervous glances before they disappear into the thicket.

��Should we be out this far?” you ask in a whisper, reluctant to disturb the silence. Though the woods are full of animals that bleat, chirp, chatter, and hoot, the sound of your own voice feels preternaturally loud and shrill.

“We won’t get lost, darlin’. I know my way around,” John reassures you, curling an arm around your waist to hold you to him. These days, you hardly worry about tumbling off the horse. Not with him at your back anyway.

“That wasn’t really my worry,” you mumble, trailing off.

“Then what’re you getting all worked up about?”

“Aren’t there wolves out here? Or bears?”

He snorts, the sound making you jolt. You don’t topple over because he has such a firm hold around your waist. “They don’t usually come this close to town. They’re more scared of you than you are of them.”

“That sounds like something mothers tell their children to stop them crying,” you say flatly. You draw your legs up automatically when John directs Buttercup through a shallow basin, a shortcut back home. It makes you anxious for a moment, but the water barely goes up to her ankles, so you relax when you realize that you’re in no danger of being swept away by the current.

“That doesn’t mean a bear or wolf can’t wander by, but it’s rare.”

“And there it is.”

You can feel the heat of his glower on the back of your head. “We could spend the night out here if you want to see for yourself.”

At that, you shut your mouth. Even if he were to prove his point, you have no interest in camping out in the woods now that you’ve become accustomed to the luxury of a soft bed. Granted that you’re forced to share that same bed, still you’ve never slept half as well as you do these days. You wake up rested after nine hours of blissful shut eye, a sleep so deep that your dreams only come in half-remembered flashes. Often they involve the man you wake up wrapped around, and for that you’re grateful that they remain submerged.

A new desire has started to burrow its way into the back of your mind in recent days. It starts out as a thought so brief that you hardly notice it before it skitters away.

And then it lingers.

You wake up in the middle of the night hot, sweat dripping down the nape of your neck and a fire burning in your loins, a red-hot coil wound around itself, fit to burst. Pulsating. At some point throughout the night, you must have thrown a leg around John’s waist because it rests there now, your hand planted in the middle of his chest and your sex all but rubbing up against his thigh. Under your hand, you can feel his heart pump strong and steady.

You hold very, very still, waiting for him to wake. But John sleeps on, his palm loose where it rests along the curve of your hip, fingers curling into the flesh of your backside.

You can hardly look at him these days without shaking. You’ve come to fixate on the sway of his hips when he walks and the flecks of silver in his beard. The grooves in his weathered hands. The way your head fits in the palm of his hand when he cradles it to his chest. The fond glimmer in his eyes that shines the brightest when he puts his hat on your head and it slips past your eyes, too big for your head.

When you tip it up in order to see, the folds around his eyes become more pronounced with the force of his smile.

“There you are, bug,” he says, taking the hat off your head to set it back on his and reeling you in for a kiss.

Bug, love, honey, darling. The constant flux of endearments makes your head spin. John never calls you by the name on your marriage license. It’s like that name means nothing to him, cast away at the first opportunity and replaced by an endless stream of pet names.

He hasn’t touched your sex since making you come on the porch swing the week before. He pulls you into a chaste embrace at night, the only evidence of his own desire being the stiff shaft nestled against the small of your back in the early morning hours, which he takes care of on his own in the bathroom downstairs after pressing a kiss to your cheek. You feel robbed of something, though you don’t know quite what.

You’re tempted to offer your help, but you don’t know exactly what that would entail. Inexperience and fear of rejection hold you back, stay your tongue. In the two weeks you’ve been married, he hasn’t once tried to pin you down and rut between your thighs like you expected and dreaded that very first night.

Now that that time has passed, you don’t know how to initiate that moment again.

John promises to teach you how to ride a horse. You can’t see a reason to protest, much to your chagrin. Despite your apprehensions, even you can’t deny that it would be a helpful skill. A train only goes one way after all, confined to a single track. A horse has no such laws to obey.

The thought stays nestled at the back of your mind as the days continue on.

You flounder around in the kitchen on the day that John invites his deputies over for supper. You’ve met the big one—Simon—now a small handful of times, each encounter marked by a silence that sucks the air out of the room when he turns his gaze on you and holds it. Perhaps you’ve simply ascribed too much importance to his person, given that every time you’ve seen him, your life has changed irrevocably. His presence is always followed by revelation it seems. The archangel of vicissitude. A harbinger of uncertain times.

The other two are new. John introduces you to them when you bring out the cutlery and crockery to set the table, and you nearly go cross-eyed when they reach across the table at the same time to offer their hands. You go to meet them halfway, but flinch when John brings his hand down on the table with enough force to make the silverware jump.

“Sorry, darlin’,” he apologizes to you first before turning his glare on the other two. “That ain’t proper, boys. You wait for the lady to offer her hand first—you don’t treat a woman like she’s a mutt you’re teaching to shake.”

“Ah, sorry, hen,” the one on the left says, his voice a thick Scottish brogue like a purr. He’s possibly the handsomest man you’ve ever met, but there’s something dangerous and wild in his eyes. When he smiles, it curls up in a roguish sort of way that makes you falter, like he’s in on a joke that you aren’t. “Dinnae mean to offend. No’ often we get ta meet such a pretty lady.”

“Sorry—” the one on the right apologizes in a voice far more earnest than his counterpart’s. “And sorry for him. We think he was raised by wolves.”

“What’s yer excuse then?” the Scot sneers, knocking his knee into the other man’s under the table. “Dinnae see ye waitin’ for her fuckin’ hand like a gentleman—apologies, hen.”

“Christ,” John sighs, leaning back in his chair and staring up at the ceiling.

Simon stays silent at the other end of the table, but the whole table jumps when he aims a kick at the Scott’s leg. He hisses and blurts out a word in a language you’ve never heard before, the word unmistakably vitriolic. He clutches at his shin and shoots a nasty look at Simon, though he doesn’t make a move to retaliate.

“Name’s Kyle. Kyle Garrick,” the other introduces himself, and you finally reach across the table to offer your hand. His hand is warm against yours when he takes it, dark skin burnished in the candlelight. There’s something inviting about him; something about his eyes, so dark that you almost fall into them. Thick lips curl up into a smile. “And this here is Soap.”

You frown. “Soap?”

The man in question runs a hand down his front, emphasizing the cut of his shirt and the way it clings to the muscle of his chest. “‘Cause of how well I clean up.”

Simon barks out a laugh at that. The sound comes so sudden and sharp that it startles you. “You got it ‘cause your mum had to wash out your mouth with soap.”

It’s the most you’ve ever heard out of him and you can only stare wide-eyed at the lot of them as they dissolve into bickering and squabbling after that. It’s almost a relief to head back into the kitchen to finish cooking.

Dinner is a similar messy affair, punctuated by the sound of Soap practically gnawing the meat off the bone. He only apologizes when John barks at him for making a mess, more food on the floor around him than on his plate, but his table manners don’t last very long. John doesn’t seem so much embarrassed on their behalf as annoyed, but it’s an annoyance that comes with an aftertaste of warmth. You can tell without asking that they’ve known each other for years.

There’s room enough in you for food and envy. Back home you had friends. Never close friends, but acquaintances at least. Maids you could recognize by face. Small talk while ascending single-file up the servants’ staircase. Perhaps little more than that. You’d never been particularly close to any of them, but how could you? You worked from morning ‘till night, up and down the stairs, moving in the shadows. Never making too much noise lest your employers take notice of you.

Like he did.

You shake it off. That’s no matter now. You’re hundreds of miles away and living under a new name. A married woman, to the county sheriff no less. It only sometimes hurts your heart to think of how lonely you’d been.

When they leave, you stand at the window and watch as they disappear into the black of the night, Simon at the front of the pack, his torchlight leading the way. The sound of horse hooves beating against the dirt recedes the farther they get.

His hands warm your shoulders. You don’t know how long he’s been there, standing behind you while you stared out the window after the boys. All you know is that his hands are warm, and the kiss he presses to the back of your head makes you arch back into him, unconsciously gravitating closer to him. Needing to be near.

In bed, you curl your fingers against his chest. On a rough exhale, you wake. You dream still of something terrible that happens somewhere else, in another city, in an old life. His heartbeat lulls you back to sleep.

John takes you to the local seamstress to have you fitted for a pair of pants and suddenly you’re out of excuses. They fit you comfortably, like a second skin, and you find yourself pulling at the legs at your final fitting as if to stretch out the material. The seamstress nearly jabs you with a pin and glares up at you until you stop fidgeting.

You come to terms with it when he brings you into the stables and makes you fetch the saddle from where it rests on its stand. It’s heavier than you expected. You stumble back over to where John now has Buttercup standing in the middle of the stable, holding her by the lead fixed to her bridle.

“I don’t know if—” you start, trepidation climbing up your chest until it grips you by the throat. For as many times as you’ve ridden her, you’ve never done it alone.

John fixes her lead to a post and walks over to you, taking the saddle from your hands and letting it drop to the ground. He cups your face in both hands to tilt your head up. “Hey, honey. We’re not doing much of anything today, alright? Just a walk around the paddock so you get used to sitting on Buttercup on your own. I’m not gonna smack her ass and send you down the trail at full tilt..”

That gets a laugh out of you. “You promise?”

He smiles. “Promise, darlin’.”

And he keeps it. The only thing you do that day is learn how to tack a horse and how to properly mount and dismount her. The latter part of the lesson is devoted to you trying to find your balance while John leads the two of you around the pen at a leisurely pace. He calms you down when he sees you grow too stiff, stopping to coo and rub your thigh until you gradually relax. It’s heartwarming until Buttercup begins to tense up too for a reason unbeknownst to you and you watch in righteous fury as John calms her down the same way.

John gets you a hat to keep the sun from beating down on you, but there’s little he can do about the soreness between your thighs and the stiffness in your legs the next day. All you can do is hiss and moan in pain, hobbling around the house until he forces you down into a chair and hikes up your dress in order to apply an arnica salve to your inner thighs.

It’s a relief and an affront at the same time. The duality of man. The salve soothes much of the ache, but you twitch nervously around John for the rest of the day, the memory of him pinning you to the chair and forcibly spreading your thighs haunting you. The lingering ache in your core is just the salt in the wound.

It rains another day. A light drizzle while the sun is still out.

Every day you sit and you think, will it be today? And then the wash basins are emptied out in the field, the horses are taken out to the paddock, you pin the laundry up on the line to dry, and John presses a farewell kiss to your forehead when he leaves you with Kate and nothing happens. Every inch of you waits for more, anticipates more. Throbs when he leaves you wanting, only a chaste kiss and a squeeze around your waist before he’s off.

You can feel it coming to a head. An itch you can’t shake.

That day comes with another ache you can’t shake.

“Please,” you beg, clasping your hands in front of you. “One day of rest. That’s all I’m asking. I can’t do this anymore, John.”

John snaps the lead in his hands. “Let’s get a move on. We’re burning daylight.”

You hang your head low on the march over to the stables, John taking up the rear like he expects you to bolt. An executioner’s walk. The thought of escape has never seemed further away—not even because of its feasibility, but because all you want to do is lie down and rest.

“You can quit your moping,” he says as you tack up Buttercup, a pout on your lips. “Got something special for you today.”

That makes you perk up, regardless of the fact that he doesn’t specify what that is. Anticipation mounts in you when he helps you up onto Buttercup and then climbs up behind you himself. He steers her away from the paddock and towards the trail leading into the woods, the sun at its zenith now, illuminating everything as far as the eye can see.

You’ve ridden this trail before. A week ago, with John at your back as he is now. Through the fields and over the hills until the trees start to number in the tens and then the hundreds, no clear delineation between plain and forest. Simply there and then everywhere.

By now, after hours of sun beating down on the path, the trail is mostly dry, yesterday’s rain long since having sunk into the earth. You think it’d still be a tough hike on foot, but on horseback you cover acres of land at a brisk pace, Buttercup hardly breaking a sweat. You cross paths with a small group traveling by horse and wagon, but John breaks off from the path not too long after that, steering Buttercup deeper into the wilderness, where the only gullies are the ones carved out by years and years of rainfall.

You only see it when the land begins to dip and you’re forced to hold onto the horn and tighten your thighs around the fenders to keep steady. At the bottom of a hill, a small stream opens up into a larger river, narrowing out at the other end where the land rises again and the water can only trickle over the pebbly riverbed. On the other side, a rocky outcropping cuts the stream off from view.

“Is this where you used to come to bathe?” you ask, recalling an earlier conversation.

John sighs. “Thought I’d take you for a swim as a treat, but if you’d rather just tease me—”

“Well now, let’s not be hasty,” you say, already trying to dismount on your own, eyes glued on the stream glimmering in the sunlight. John chuckles, keeping you pressed to him until he guides Buttercup under a tree for shade and dismounts first, helping you down after him.

All you want to do is wade in the stream up to your ankles, so that’s what you do. Boots kicked off, Buttercup relaxing in the shade of a tree, John standing by the water’s edge with his hands on his hips and watching you tiptoe over the smooth rocks below. You roll up your pant legs, but eventually you feel the ends grow damp as you venture farther out. At its deepest, you would probably sink up to your waist.

“Don’t you want to swim?” John asks from somewhere behind you.

You splash around a bit, kicking your feet through the water. “Hard to do that with clothes—”

When you turn back around to face him, your eyes dart down momentarily at the sight of skin before you squeak and whirl back around, sending up an arc of water. Twice now you’ve seen him naked.

“You’ve no clothes on,” you state, bluntly enough that it almost sounds stupid.

You hear the water splash and ripple when he takes his first step in. “Right—you better think about doing the same if you don’t want to ride home soaking wet.”

“I was perfectly fine just getting my feet wet,” you say indignantly.

“We came out here to swim, not get your feet wet,” John laughs. You stiffen when his hand comes down on your shoulder, conscious of the fact that your husband is standing right behind you, entirely divested of his clothes. “So best get to steppin’.”

“You can’t make me.”

“Oh, honey,” he says pityingly. “Yes, I can.”

You squeeze your eyes shut as you make your way back to shore, careful not to allow yourself a glimpse of him. Your boots are stacked beneath the shade of another tree, John’s clothes folded neatly beside them. You strip slowly, attentive to the world around you; though unlikely, it’s not impossible that someone might wander by. Your only consolation is that John is still within sight, though you keep your back to him because in recent days, you’ve developed a hunger for him that even now makes your stomach hurt.

Though the air is warm, you shiver. When you turn around with your arms crossed over your breasts to hide them from sight, you find John wading in the river up to his waist. You’ve seen him like this once before, the hearty body of a man in his prime. Sturdy and strong. The hair on his chest is darker than that on his head, wet too from the dip he must have taken when your back was turned. His hair is slicked back too, a wet hand combing it back.

“Come on, darlin’,” he calls, beckoning you forward with his hand.

The water is a cold shock when you step in past your ankles. Ice cold tendrils wrap up your legs, sucking the warmth from you.

You suck in a soft breath when he pulls you into his arms and heaves you up, big hands gripping under your thighs. Your breasts press against the wet skin of his chest, nipples already pebbled. The river is deeper than you assumed; John pulls you deeper in until it pools around your waist and then your chest. Cold enough that you shiver until John dips his head down and the kiss he presses to your lips melts you from the inside out.

You can’t escape the intimacy of water-slick skin. When John drags you up his chest, your nipples brush over his and the shudder that passes through you is violent, toe-curling. You know that he can feel the heat of your core even underwater. With your legs wound around his waist, every inch of you is plastered to his front. Even your fingers play with the ends of his hair, arms draped over his shoulders. You can’t look away.

“C’mon,” he murmurs, breath hot on your face. “Eyes on me.”

As if you could look anywhere else.

He reaches down under the water to readjust himself and you gasp when his shaft is suddenly right there, trapped between his belly and your heat. It’s the closest you’ve ever gotten to coitus, his glans nestled between your folds. You’d only have to shift slightly for him to slip right in. The thought makes your breath quicken.

He doesn’t make a move to take you though, even knowing that he could. How easy it would be. How it’s due to him. Your husband that’s waited a fortnight to take you as his own. John kisses you until each slick pass of his lips grows sloppier, clumsier—his lips barely parting from yours before they’re on you again, rendering you a creature of base needs.

But his hands don’t shift from your backside where he holds you in place. His fingers dig into the flesh hard enough to bruise, but they don’t move to part your folds to make room for his manhood. You expect him to—practically yearn for it and squeeze him around the neck all the harder when he subverts your expectations, doing no more than letting you grind your heat against the base of his shaft.

“John—John, please,” you beg, mindless for what. You don’t know what you’re asking for.

“What d’ya need, darlin’?” he asks into your mouth, stealing your answer with another kiss.

You fall under the swell of another wave. When the root of his cock glides over your clit, your core clenches on nothing, a sob half-bitten off in your mouth, ripped from your chest.

It doesn’t matter how close to him you get—he gives you nothing. The heat could very well burn you from the inside out. Cold water caresses your skin as it flows past, but the center of you runs so hot that you hardly notice it.

When he hikes you higher up against his chest, you clench your fingers in his hair, whining when he takes your nipple into his mouth. Your gasp comes out sharp and hurt when the coarse bristles of his beard rub rough against your breast. He sucks at your breast tender at first, gentle, eyes half-lidded like his mind has gone somewhere else, but there’s a glint in his eye that grows wild and dark, that turns him rough. You don’t know what to do except shake and let him use you how he wants.

Desperation nips at your heels, urging you up the length of him. If you had more nerve, you’d reach down and grasp him under the water, notch the head of his member against your sex and sink right down on him. You need him like you've never needed anything before. Every part of you aflame, searing hot under the sun at its highest point; right overhead, right on top of you.

His teeth sink delicately into your areola, tongue lapping over your nipple to soothe the hurt, and suddenly, you break.

“Please—” you gasp, wrenching his mouth away from your breast and whimpering when he resists at first, glaring up at you like he might bite. “Please, John—I can’t take it. I need you.”

His eyes darken, the pupil swallowing everything up. “Need me where, wife? Here?”

A hand dips between your thighs, pointer finger gliding over your sex, plump with blood. So tender that your mouth hangs open on a whine when he touches you.

“Y-yes,” you whimper, gaze swimming.

John’s breath comes out in a harsh, ragged pant. Completely undone in a way you’ve never seen before. “Get out, darlin’. I’m taking you home. Gonna give you what you need.”

#ceil writing #cod mw2 #cod x reader #price/reader #john price/reader #price x reader #price x you #john price x reader #john price

1K notes · View notes