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badnewswhatsleft · 2 months ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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unknownati · 2 months ago

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v. retwist

a/n: boomshakalaka u give ekko a retwist n help him sweat it out after! sorry i have like 2 fluff fics and an angst fic lined up for him too. god knows if i'll post them tho

for the record, i don't rlly like (I HATE IT SO BAD HELP) this fic, but i saw a few people excited for it and i feel bad so 💔 come get ur dinner

christmas fic otw too maybe sumn with au claggor...

warnings/tags: lowercase intended, no use of y/n, no description of reader's physical features, fluff to smut, modern!ekko, implied black!reader (just a bit of aave lol), fem!reader, oral (reader and ekko receiving), hair pulling (minor but if you've gotten your hair pulled after a fresh retwist/braids...yk.), switchy reader and ekko, ekko's a munch 😕, whiny ekko, prolly a little ooc, this was written at night guys please cut me some slack

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"ow!"

"now you know that shit didn't hurt. stop moving."

"baby, i'm tenderheaded--oww!"

you scoff, your thighs pressing into the sides of ekko's head to keep him in place. every movement you made was met with a small wince, and every wince was met with a scoff and a roll of your eyes. his hands, littered with calloused scars, flew up to meet the meat of your thighs. the tips of his fingers sunk in, making small dips in your skin.

"you're dramatic. hold still, 'm almost done."

your fingers and wrists have been aching from the repeated motions made on the thick locs. the throbbing between your fingers didn't help, either. your legs cross over his shoulders, your ankles meeting at his sternum.

thoughts wandered, and your eyes eventually lost the thoughtful gleam in them as you zoned out in the soporific task of parting the last few locs.

part, gel, twist, clip. part, gel, twist, clip. part, gel, twist--ekkostopmoving--clip. part, gel, twist, clip.

eventually, you were done, and you stared down at the simple maze of white squares atop deep skin. "all done. that wasn't so bad, was it?"

ekko keens, touching his fingers to his raw scalp.

"mmh..."

you press a kiss to his temple, twisting open the greasy bottle of braiding foam and pumping it atop his head. a shaky exhale pushes through his nose upon the cooling sensation, his shoulders relaxing for the first time in four hours when your fingertips massage the mousse throughout his scalp.

your rigid thighs finally release his head from their grasp and you sit back on the bed. ekko excitedly propels himself off the ground and into the vanity, craning his neck down to inspect you work.

"wow, 's beautiful, firefly. thank you."

"mmhm, i know. you're welcome. your girl comes in to save the day, yet again!"

he faces you with his soft eyes and dopey grin, walking back over towards you. quietly, he moves the comb, clips, gel, and mousse onto the floor and grips your ankles, spreading your legs.

your face makes the quickest change, your stomach twitching as you start to sit up, but your movements falter when he just kneels between your legs and lays himself down on your body, head cradled on your shoudler.

"oh." you mutter, shaky fingers reaching up to caress his cheek. the oils you used to moisturize his hair crept down the side of his ears and cheeks, leaving them greasy.

his automatic reaction was to tease you. you could feel his smirk against your chest. "what? did you expect some type of payment?"

"no!..." a beat. "...maybe. i did sit there for four hours."

warm breath blows against your collar bone, a small laugh. smooth and silky. plump lips meet your clavicle, his fingers walking their way up your side. you shifted away from his hand with a breathy giggle, the act feeling like a tickle. his mouth pulled into a smile as he trailed up your neck, his hand following the same direction up your shirt.

before you know it, his lips are on yours, and his palm is kneading at your breast which he gained access to by pushing the cup of your bra up.

the kiss quickly turned desperate, from slow and sensual to greedy and messy. your tongues were practically fighting with each other, your breaths growing heavy.

he pulled away for what felt like a agonizing eternity to shrug his wife-pleaser off and pull your (his) t-shirt off of you. his eyes fell on your figure, an enticing sight that made his sweatpants grow uncomfortably tight.

"quit staring." you whisper, though you're staring equally as much as him. from his broad shoulders down to the small trail of hairs that ran into the peeking band of his boxers.

"sorry, 's hard not to. you look so good."

your ears heat up at his words as you watch him get off the bed, kneeling on the same pillow he sat on while you did his hair. his hands grabbed your around your ankles and pulled you toward the edge of the bed, smooching your waist as his hands swiftly tugged down your shorts.

he pushes your legs open by your knees, his kisses getting tantalizingly close to your throbbing heat.

"ekko," you whine, just to be met with a shit-eating grin. his arms wrap around your thighs so his hand can easily reach your clothed clit, his thumb pressing into it, rubbing feather-light circles.

"hey, maybe i should just do this since you were so mean while doing my hair. you think this'll be enough to make you cum?"

you groan, a sound rooted so deep within your core that it sounds like a growl. your hips shakily push against his thumb.

"ekko please don't play with me right now—"

he readjusts you quick, laying your hips flat against the mattress again.

"stop moving."

your eye twitches and you couldn't stop your hand from flying down into the neatly array of locs and metal clips in his head, tugging lightly. but to a tender head, that slight tug was like a lash.

"ow!--☆, that—"

"s-stick your tongue out."

ekko hesitates, but doesn't waste any time after you tilt your head expectantly. his tongue lays against his bottom lip, glossy brown orbs watching as your free hand pulls your panties to the side. before you even push his head down, his tongue is flat against your clit.

your head falls back against the sheets, a blissful sob reverberating through the walls and calling back to you, ringing in your ears.

his lips wrap around your clit, sucking lasciviously at the bud. he quickly started to remember why he fucking loved eating you out, your wetness like a sweet liquor that got him drunk every single time.

it almost felt perverted, the way his eyes squeezed shut and his brows furrowed upon tasting an acidic nectar on his tongue. he got off on your noises alone, the way you writhed above him, the way you cried out in pleasure, he drank it all in, too quickly. it filled his brain with a buzz, all his thoughts coming to a halt until all he could focus on was you.

well, kind of. he wasn't focused enough to hear your multiple pleads for him to slow down because you were close already. he was too busy devouring you like you were his first and last meal.

"c-cumming, fuck, ekko—i-i'm cumming, slow down," you moaned, white knuckling the sheets below you in attempt to keep yourself physically grounded.

his eyes squeezed shut as you shivered, your orgasm crashing down on you like a tidal wave.

you had to physically push him away from you because you were already overstimulated, pressing the ball of your palm into his forehead to push him away.

"f-fuck. holy shit." you gasp, barely able to catch your breath.

after a few moments of speechless panting, he looks up at you and sighs. "y'didn't have to pull my hair." though he was joking, you couldn't help but feel bad.

"i know, sorry baby. c'mere."

he stands up and lays down next to you, his lips and chin coated in a thick, clear layer of your arousal. you giggle, thumbing it off before kissing him.

"your turn?" you ask with lidded eyes. you can see his face light up, though he tries to play it off. he fails.

"yes. please."

__________________

"f-fuck, oh m'god, firefly please.."

you've switched positions, with you kneeling between his legs. you've been stroking his length and taking inches of him in your mouth for what has felt like a decade, taking your torturously sweet time with him.

the image was beautiful, a thin veil of sweat coating his mahogany skin, his tip angrily crying every time you slowly pump up and squeeze around the base of the head. his eyes were glossed over, looking down at you with pleading eyes. every movement you made had him twitching, his muscles pulsing with each wave of pleasure that crashed within his core.

"shhh, hol' still, y'know it'll feel good when i'm done. can you do that for me, ekko? stay nice and patient and pretty for me, like you..." you tightly gripped the base of his dick, hearing his breathy whine being ripped from his throat, "aaallllways..." you stroked upwards, watching how he struggled to keep his eyes locked with yours. "do."

he nods, but you can tell he's struggling because he's really fucking close, but you're proud of him for listening.

"words?"

"shit, y-yes, i can. i can baby."

"good."

you only give him a couple seconds to relax before his tip is touching your uvula, a shocked gasp tearing from him. it only takes 4 seconds before he's spilling down your throat, apologizing profusely through restrained moans.

"fuck, h-holy shit," he gasps. you smile.

"that's what i said earlier!"

he rolls his eyes, pulling you up to lay next to him.

"thanks baby."

"...i dunno why you thankin' me yet, i ain't done with you."

#ekko smut #ekko x you #ekko x reader #arcane x you #arcane x reader smut #arcane x reader #arcane ekko #arcane lol

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stone-cold-groove · 2 years ago

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Craig Breedlove and his Spirit of America land speed record-holding jet-propelled car.

#craig breedlove #spirit of america #bonneville salt flats #land speed records #jet propelled car #lsr vehicles

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doyoulikethissong-poll · 8 months ago

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Warren G featuring Nate Dogg - Regulate 1994

Warren G is an American rapper, record producer, and DJ known for his role in West Coast rap's 1990s ascent. A pioneer of G-funk, he attained mainstream success with the 1994 single "Regulate". He significantly helped Snoop Dogg's career during the latter's beginnings, also introducing him to Dr. Dre, who later signed Snoop Dogg. After the success of "Regulate", American singer and rapper Nate Dogg became a fixture in the West Coast hip hop genre, regularly working with Dr. Dre, Snoop Dogg, and Xzibit in the 1990s; his deep vocals became sought after for hooks, and he would expand to work with a larger variety of artists in the 2000s. As a featured artist, Nate charted 16 times on the Billboard Hot 100, and in 2003 reached number one via 50 Cent's "21 Questions". Nate Dogg also was notably featured on Dr. Dre's "The Next Episode" and Eminem's "'Till I Collapse" (poll #239). In 2015, Warren G released Regulate… G Funk Era, Part II, an EP featuring archived recordings of Nate Dogg, who died in 2011.

"Regulate" was released in the spring of 1994 as the first single on the soundtrack to the film Above the Rim and later Warren G's debut album, Regulate… G Funk Era. The album debuted at number 2 on the US Billboard 200 chart, selling 176,000 in its opening week. The single spent 18 weeks in the Top 40 of the Billboard Hot 100, with three weeks at number 2, and earned a Grammy nomination and a MTV Movie Award nomination. In 2017, "Regulate", certified platinum in 1994, went multi-platinum, propelled by digital downloads.

It employs a four-bar sample of the rhythm of Michael McDonald's song "I Keep Forgettin' (Every Time You're Near)", and also samples "Sign of the Times" by Bob James and "Let Me Ride" by Dr. Dre. "Regulate" starts with a read introduction referencing dialogue from the 1988 film Young Guns.

"Regulate" received a total of 75,7% yes votes! Previous Warren G polls: #20 "Prince Igor".

youtube

#finished #high votes #high yes #90s #warren g #nate dogg #english #o2

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breadclips · 2 years ago

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2023 March 31

#guitar pick #propeller caps #gogo squeez #vape cap #super ball #45 record insert

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ijustmissyouraccenths · 9 months ago

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I Want To Kill Her

Au where Y/N and Harry are neighbors who find out their spouses are cheating with each other.

Based off Fortnight by Taylor Swift

Part 2

CW: Smut, cursing, unprotected sex, slight breeding kink.

Word Count: 6,773

Growing up in America was a constant uphill battle for me. Every day, my family's lower middle class status weighed heavily on our shoulders, dragging us down and suffocating any sense of hope. Despite my parents' relentless efforts, we were always one step away from financial ruin. At school, I was painfully reminded of my economic disadvantage as I trudged through the halls in threadbare clothes and drove up in a battered car that served as a target for cruel jokes and vicious teasing from my more privileged peers. But amidst the constant struggle, I found refuge in my studies. The world of academia offered a fleeting escape from the harsh realities of my daily life, where I poured all my energy into excelling and proving my worth to a society that seemed determined to keep me down.

Life in our small town was like a broken record, repeating the same monotonous routine day after day. That is, until Teddy waltzed into our midst like a breath of fresh air. His tall frame stood out amongst the sea of ordinary faces, and his crisp British accent was music to our ears. The local coffee shop suddenly became a buzz of excitement as he charmed everyone with his wit and sophistication. And when he extended an invitation for me to join him in London, it was like a fairytale come to life. Leaving my predictable life behind and starting anew in the bustling city seemed intimidating, but I couldn't resist the allure of adventure and passion that awaited me with Teddy by my side.

My hand shook as I clutched the small, worn suitcase. Tears welled up in my eyes as I said goodbye to my family and familiar life. But deep down, a sense of determination propelled me forward. I took a deep breath and stepped onto the plane bound for London. As the engines roared and the wheels lifted off the ground, a knot formed in my stomach and my heart raced with a mix of emotions - fear of the unknown, excitement for new adventures, and anticipation for what lay ahead.

I pressed my forehead against the cool, double-paned window and watched as familiar buildings and streets grew smaller and smaller. A sense of relief washed over me, lifting the weight of my past struggles and hardships with every mile we flew away from them. Little did I know, the journey ahead would be filled with new challenges and lessons that would shape me into the person I was always meant to become.

As we soared higher into the sky, thick clouds began to spread like a blanket over the vast expanse of blue. The world below disappeared from view, hidden by layers of white. But as we descended towards London, small patches of land began to peek through - rolling hills covered in lush green fields and charming villages nestled along winding rivers. My heart fluttered with excitement and curiosity at this glimpse of a foreign land.

The wheels touched down on the runway, jolting me out of my daydreams. I took a deep breath as we taxied towards the terminal, ready to embark on this new chapter of my life in a place that felt both unfamiliar and full of endless possibilities.

The bright lights of London beckoned me, a stark contrast to the small town I left behind. Teddy, my generous host, had spared no expense to make me feel at home in his lavish house. Each morning, I woke up to stunning views of the city skyline through floor-to-ceiling windows. The enticing scent of freshly baked pastries and rich coffee filled my nostrils, reminding me that this was a life of luxury that I never could have imagined.

But what truly amazed me was the fact that I no longer had to work. Teddy's successful business ventures meant that money was no longer a worry for me. This newfound wealth allowed me to indulge in all the things I could only dream about before. My wardrobe was now filled with designer clothes, fancy dinners were a regular occurrence, and luxurious vacations were just a plane ride away.

However, amidst all this extravagance and joy, there was always a twinge of guilt in the back of my mind. Growing up, every penny counted and financial struggles were a constant source of stress for my family. Now, with my newfound wealth, I couldn't help but feel guilty for having so much while others back home still struggled to make ends

I fiercely pushed all doubts and apprehensions aside, determined to fully surrender myself to my newfound life. And by all appearances, I succeeded. Teddy whisked me away on dazzling tours of the city, revealing hidden gems and indulging in the finest cuisine known only to elites. He also opened the door to his elite circle of friends – powerful individuals who radiated confidence and wealth wherever they went.

At first, I felt like a mere observer among them. While they boasted about their latest investments and business ventures, I could only offer anecdotes about my humble beginnings in a small town. But as weeks turned into months, they welcomed me into their exclusive inner circle. They even included us on extravagant trips abroad where we mingled with A-list celebrities and attended VIP events.

I couldn't believe how rapidly my life had transformed since meeting Teddy. Where once I was ridiculed for not fitting in with the wealthy crowd, now I lived among them, basking in their luxurious lifestyle.

But amidst all the glitz and glamour, a persistent voice gnawed at the back of my mind. It started one afternoon while Teddy was tending to the front yard. On the surface, it seemed like an ordinary chore for a homeowner, but something about it felt insidious and unsettling.

Despite the hired help we had to maintain our lavish property, Teddy insisted on taking care of menial tasks himself. At first, I thought it was just his need to be hands-on, but as the days turned into weeks, I couldn't ignore the way his eyes lingered on the woman next door. Every time she stepped outside in her form-fitting gardening attire, he would drop whatever he was doing and watch her with an unbridled hunger. Her movements were like a sensual dance, each step oozing with an irresistible seduction that captivated him. She seemed to know exactly how to entice him, bending over suggestively in her garden while his eyes greedily took in every curve of her body. But when her husband's luxury car pulled into their driveway, she would become a picture of innocence once again. It was a tantalizing game of desire and secrecy, leaving me wondering what they truly did behind closed doors.

Rosie, the woman of the house, was a force to be reckoned with, her love and dedication to her garden rivaling that of a mother's fierce protection for her child. Harry, her husband and successful entrepreneur, exuded a confident aura as he walked through their flourishing gardens, the beauty brand he created known by all as Pleasing. Despite our similar ages, their maturity and put-together appearance made me feel inadequate in comparison. Our own home seemed dull and lifeless in comparison to theirs, always offering an unobstructed view of Rosie's constant tending to her bountiful gardens, a sight that also caught my husband's wandering eyes. But it was impossible to deny the allure of their well-manicured gardens, bursting with vibrant hues and intoxicating scents that enveloped us in a hypnotic trance.

Each passing week brought a new wave of torment as I watched Teddy's eyes dart towards Rosie's garden, his gaze lingering on her while she tended to her roses. My stomach twisted with jealousy as he made excuses to be outside, his every move calculated to catch her attention.

I couldn't bear the thought of him longing for someone else, and my heart shattered into pieces with each stolen glance towards her. Desperate for answers, I confronted him about their relationship, but he dismissed my fears with a cold indifference and insisted they were just innocent neighbors. But deep down, I knew there was something more between them, and it consumed me with a fiery rage that threatened to consume us all.

As I relaxed in the comfort of my home, the noise from outside suddenly jolted me out of my reverie. My eyes snapped to the window overlooking the busy street below, and there I saw Harry's sleek black Mercedes screeching into their driveway, its engine roaring wildly. Rosie appeared in the doorway, her movements frantic as she planted a forced kiss on his cheek before ushering him inside with an urgency that made my heart race. The door slammed shut behind them, and a foreboding sense of dread settled in my gut as I realized that something was seriously wrong between them. Whatever was happening, they were clearly trying to hide it from prying eyes.

My heart raced with a mix of excitement and dread as I made my way downstairs, my curiosity burning like a wildfire. The front door slammed behind me, the sun setting in a fiery blaze behind my back. My feet carried me across the short distance between our homes, anticipation building with each step. As I approached their front step, muffled voices drifted through the open window above me, a sinister soundtrack to my racing thoughts. I could make out Harry's tense tone and Rosie's pleading replies, but not the words themselves. Their hushed argument went on for what seemed like an eternity before falling silent, leaving me standing frozen in shock. My mind raced as I tried to piece together what was happening. Had my suspicions been correct after all? Were Rosie and Teddy entangled in a secret affair that Harry had finally uncovered? The weight of the truth hit me like a sledgehammer, filling me with a mix of anger, betrayal, and fear for what would

My thoughts were racing as I tried to decide what to do next, but before I could make a move, the front door swung open with a loud bang. My heart jolted in my chest as Harry stormed out, his face contorted with either seething anger or burning embarrassment - it was hard to tell which was more intense. He didn't even spare me a glance as he brushed past, heading straight for his car.

Just then, Rosie appeared in the doorway, her eyes widening in shock when she saw me standing there. Her cheeks were flushed and her hair was a wild mess, betraying some sort of frantic activity behind closed doors. "Oh...I-I didn't realize you were home," she stammered, her voice trembling with unease. She attempted a smile, but it fell short and I could see the fear in her eyes.

Before I could ask what was going on, Teddy burst out of our house and called out my name. He sprinted towards us from across the street, his brows furrowed with concern as he took in the sight of Rosie and I standing together. The tense atmosphere was thick between us all, and I knew something serious was about to go down.

"What's going on?" he demanded, his voice laced with concern as he eyed us both suspiciously.

I shifted uncomfortably under his gaze, my mind racing with conflicting thoughts and emotions. "I honestly don't know," I admitted, feeling like a pawn in their complicated game. "Do you?"

Teddy and Rosie exchanged a tense look that spoke volumes about their troubled relationship. I could sense the weight of their secrets and lies pressing down on me, suffocating me with their toxic grip. Without another word, I turned and fled back inside, trying to escape the tangled web of deceit and betrayal they had woven around me. My once glamorous new life now felt tainted with suspicion and heartache.

I slam the door shut behind me, my hands trembling with rage and disbelief. My worst fears have been confirmed - Teddy and Rosie were having an affair all along, right under my naive nose. A surge of hot tears fills my eyes as I collapse onto the couch, my heart hammering in my chest. How could he do this to me? After all we've built together, all the love and trust we shared.

My mind races back through the past few months, dissecting every encounter between them that I had brushed off as innocent. His lingering looks at her, her secret smiles directed only at him, their hushed conversations that would abruptly end whenever I appeared. The pieces finally fit together, a puzzle of betrayal and deceit that I was too blind to see. How long has it been going on? Was it when he started staying late at work for that promotion? Or when our once effortless conversations turned into strained silence over dinner? My world is shattered, and I can't help but wonder if it was ever truly as perfect as I believed it to be.

My body curls in on itself, a protective barrier against the pain that radiates through me. My mind is stuck on replay, the tense exchange between them echoing endlessly in my head. Rosie's desperate pleas, Harry's explosive anger - it all points to betrayal.

The tears fall hot and heavy down my cheeks as I realize I can no longer ignore the truth. My heart aches with every beat, but I know I have to confront Teddy. Pretending everything is okay between us is no longer an option.

As I stand up and make my way to the front window, I catch a glimpse of Teddy crossing back over to our house, his defeated posture screaming guilt. The anger and hurt fueling my determination, I take a deep breath and brace myself for the inevitable confrontation.

When Teddy steps into our living room, the air crackles with tension like static electricity before a storm. The unspoken truths between us hang heavily, suffocatingly thick like a dense fog.

"Why don't you just admit it, Teddy?" My voice trembles with a mix of rage and despair.

He responds with words sharp as shattered glass, "Admit what? That you're so blinded by your own insecurity that you'd accuse me without any proof?" His betrayal cuts deep, adding more pieces to the already broken shards of my heart.

My hands balled into fists at my sides, knuckles turning white as I struggled to contain the raging storm inside me. "Don't you dare try to twist this around on me! I saw you, Teddy. I saw the way your eyes linger on her, like she's the only thing that matters."

Teddy's jaw clenched and his calm façade cracked, giving way to a simmering anger. "You're being paranoid. Rosie is just a friend, nothing more."

I took a step closer, my voice dripping with venom. "Oh please, spare me your excuses. I've seen how you look at her when you think I'm not looking."

Fury burned bright in his eyes, his voice rising in a challenge. "How dare you accuse me of cheating? I would never do that to you!"

Tears threatened to spill over as I shook my head in disbelief, my heart shattering into a million pieces. "It's not just about today, Teddy. It's been building up for months. The way you ignore me and shower her with attention... It's like I'm invisible to you now."

He scoffed, a bitter laugh escaping him. "Oh please, stop playing the victim here. You knew what you were getting into when we moved here.You want me to make you feel like you exist? Do you want me to fuck you? What do you want? You’re so needy you put your issues onto other women."

My nails dug into my palms as I fought to keep my composure in the face of his callous words. "I thought I was getting into a life with someone who loved and respected me. Not someone who sneaks around behind my back to screw the neighbor."

The tension in the room reached its breaking point as Teddy's mask slipped completely, revealing the raw emotions seething beneath the surface. "Maybe if you were more exciting, more adventurous, I wouldn't have to look elsewhere for some excitement in my life!"

His words struck me like a physical blow, leaving me reeling in disbelief and pain. The truth hung heavy in the air between us, an invisible barrier that seemed impossible to breach.

"I can't do this anymore," I whispered hoarsely, the finality of those words echoing like a gunshot in the silent room.

Teddy's expression softened for a fleeting moment before hardening once again with resolve. "Fine then! Maybe this is for the best. Actually, yeah it is. Bitch." he spat out, his voice laced with bitterness.

And with those parting words echoing in my ears like a curse, I turned away from him and headed towards the door, leaving behind our shattered dreams and broken promises in a trail of fractured memories.

The low hum of the engine filled the air as Harry sat in his sleek, black car, parked precisely outside of his modern fortress. I approached cautiously, trying to mask my trembling steps on the pavement. With a gentle tap on the window, I could feel his intense gaze burning through me from within the tinted glass. His phone slipped from his hand as he rolled down the window, revealing a sharp jawline and piercing eyes that seemed to glow with an otherworldly intensity. A commanding voice cut through the silence, "Get in." Without hesitation, I made my way around to the passenger side and sank into the plush leather seat next to him, feeling a mix of fear and excitement coursing through my veins.

As we drove away from the chaotic scene behind us, the tension in the car was suffocating. Every muscle in Harry's body seemed to be coiled with a fierce determination, his knuckles turning white as they gripped the steering wheel. I stole a quick glance at him, noticing how his usually calm demeanor was replaced by a dangerous edge, like a predator ready to strike at any moment.

A heavy silence hung in the air of the car, suffocating me as I struggled to catch my breath. Harry's voice pierced through the tension like a sharp blade, cutting deep into my racing thoughts. "Are you okay?" he asked, his expression etched with genuine concern.

I tried to speak, but my throat felt constricted and choked. Finally, I managed to whisper, "I don't know." My mind was reeling from the events that had unfolded only moments ago.

Harry's eyes remained fixed on the road ahead, his words heavy with understanding. "Life has a way of throwing unexpected challenges at us," he mused, his tone grave and contemplative. "But it's how we handle them that defines who we are."

I turned to look at him, grateful for his steady presence amid the chaos raging inside me. "Thank you," I said earnestly. "For being here for me."

A faint smile tugged at the corners of Harry's lips, but there was a glint of steel in his gaze. "You don't have to thank me," he replied firmly. "I'm here because I care about you and because your husband is sleeping with my wife." His reassurance was met with a sense of relief and gratitude amidst the turmoil that threatened to consume me.

The stillness between us was palpable, a fragile thread holding back a storm of emotions. The road stretched out before us, winding through fields and forests, as if it were leading us towards a new beginning.

My heart felt heavy with the weight of our shared past, but in this moment, with Harry by my side, I could feel a glimmer of hope for the future. Together, we drove into the unknown, leaving behind the pain and hurt that had consumed us.

But as we reached our destination - a rundown motel in the middle of nowhere - the tension returned. Harry's exhaustion and frustration were etched on his face as he turned to me.

"I know neither of us want to go home right now," he said, his voice laced with bitterness. "For fuck's sake, they're probably sexing each other up as we speak.." A surge of anger and betrayal rose within me at his words. "Let's just stay here for the night, maybe two. We can regroup and come up with a plan." His proposal hung in the air like a dark cloud, reminding us both of the uncertain future that lay ahead. But one thing was certain - we wouldn't have to face it alone.

My voice caught in my throat, unable to form words as I simply nodded, a tight knot of fear and anger coiling in my stomach. My body trembled with the intensity of the situation. We both knew that any misstep could cause everything to spiral out of control. The motel seemed like a fitting backdrop for our strained emotions, its dilapidated exterior reflecting the state of our relationship. The neon lights flickering ominously, casting a sickly glow over the peeling paint and broken windows. But even this rundown place offered some respite from the suffocating chaos and turmoil surrounding us.

Panicked and unprepared for the situation I found myself in, I regretted not packing a change of clothes as my heart raced and my mind spun with fear. The events that had just unfolded left me gasping for air, struggling to stay afloat in a sea of chaos. As we rushed into the rundown motel, I couldn't help but scan our surroundings, searching for any sign of danger. The flickering lights and musty smell only added to the ominous atmosphere. Harry snatched the key from the grimy front desk man and led us down a dimly lit hallway to our room. My anxiety spiked when they informed us that the only available room featured a single king-sized bed. My nerves were on edge at the thought of sharing such an intimate space with Harry, his intimidating presence looming over me like a dark cloud.

As we stepped into the dimly lit motel room, the tension between Harry and me was palpable, hanging heavy in the air like a thick fog. I could feel his eyes on me, assessing, judging.

"I'll take the floor," Harry offered gruffly, breaking the silence that had settled between us like a heavy blanket.

I shook my head, unable to accept his sacrifice. "No, we can share the bed. It's fine," I replied softly, trying to ease some of the strain that weighed on us both.

Harry hesitated for a moment before nodding curtly. "Alright then."

The room felt suffocatingly small as we settled in, the walls seeming to press in on us from all sides. The shadows danced ominously in the dim light, casting eerie shapes across the worn carpet.

"I never thought we'd end up here," I mused quietly, breaking the somber stillness that enveloped us.

Harry's voice was gruff as he responded, "Life has a funny way of throwing curveballs at you when you least expect it."

A bitter chuckle escaped my lips. "Seems like we're both striking out lately."

We sat in silence for a while, the weight of our complicated situation hanging heavily over us. The sound of distant traffic seeping through the thin walls served as a reminder of the world outside our little bubble of chaos.

Finally, Harry spoke again, his voice softer this time. "I'm sorry you're going through this. You deserve better."

I turned to look at him, meeting his gaze for the first time since we had arrived. There was a vulnerability in his eyes that caught me off guard.

"Thank you," I whispered, feeling a flicker of warmth amidst the cold despair that had settled in my heart. We sat side by side on the edge of the bed, two broken souls seeking solace in each other's company.

We sat in silence for a while longer, the weight of our circumstances still heavy on our shoulders but somehow more bearable with each other's presence. The flickering lights outside cast fleeting shadows across the room, adding a sense of fleeting impermanence to our shared moment of respite.

"I'm glad you're here," Harry spoke up suddenly, his voice genuine and heartfelt.

Tears welled up in my eyes at his words, grateful for the unexpected bond that had formed between us in the midst of turmoil. "Me too," I whispered, feeling a sense of hope blooming in my heart despite the challenges ahead.

And so we sat together in the dimly lit motel room, two souls seeking solace in each other's company amidst the chaos that threatened to tear us apart.

My phone began to buzz incessantly in my hand, Teddy's name flashing on the screen. I couldn't bear to see his name or hear his voice, so I forcefully shut off my phone and flung it across the room with a violent toss. As it clattered against the wall, Harry's quiet voice pierced through the air.

"She called me too," he seethed, his fists clenched at his side. "In this moment, I could kill her."

I nodded in agreement, my blood boiling with rage. "Teddy had the audacity to accuse me of being jealous and then suggest that if he just fucked me, my jealousy would disappear," I spat out, feeling both hurt and incensed by his words.

Harry's voice dripped with desire as he turned towards me, his gaze burning into my skin. "Would it?" His words were a challenge, daring me to answer. I could feel the heat radiating off his body as he leaned in closer.

I furrowed my eyebrows in confusion. "Would what?"

A smirk played at the corners of his lips as he spoke the words that sent a shiver down my spine. "If he fucked you, would you still be so jealous?"

My heart raced at the vulgar question and I let out a nervous laugh. Shaking my head, I replied, "No, Harry. Nothing could change how I feel."

He let out a deep sigh, frustration evident in his voice. "The timing of this is fucking terrible. I've always thought you were stunning, wondered what you saw in a guy like him. And I know I could give it to you so much better."

Our eyes locked in a heated moment and I couldn't deny the sparks that flew between us. But as tempting as his offer was, I knew I couldn't betray my feelings for another man.

I glanced up at him through my lashes and saw the raw intensity in his gaze. It was clear that he wanted me. But we both knew it could never be more than a forbidden fantasy.

“What if we had our own affair, you know, to get back at them.” He said with a smirk.

My heart pounded in my chest like a wild animal in a cage at his words. An affair? The thought sent waves of scandalous delight and sinful anticipation coursing through my veins.

"An affair, Harry?" I repeated tentatively, my voice barely above a whisper. His dark eyes were locked onto mine, the intensity of his gaze making my breath hitch in my throat. The charged silence that hung between us was as intoxicating as the raw desire smoldering in his gaze.

Leaning closer, Harry's lips brushed against my earlobe as he whispered huskily, "Yes, an affair, just like what they did. Us, sneaking around, feeling each others bodies." His hot breath fanned over me, causing goosebumps to rise on my skin.

The room seemed to shrink around us as Harry moved impossibly closer, his hand finding its way to my knee. I watched as his fingers traced patterns along my thigh, desire flooding me with each small movement.

Harry's thumb traced a line up towards the apex of my thighs, igniting sparks wherever it made contact with my flesh through the thin material of my skirt. My body instinctively rose to meet him and I let out a soft gasp.

"You want this," he murmured heatedly against my neck before nipping lightly at the sensitive skin there. A delicious shiver ran down my spine and my core clenched at his actions.

"I...I..." I stuttered, struggling for words as heat pooled low in my belly. He chuckled darkly at my loss for words before returning his attention back to where his hand had slowly began creeping upwards again. His warm touch was like an electric shock, leaving behind a trail of molten desire.

Without another word, Harry pushed up my skirt and slipped his hand into my panties. His fingers brushed lightly against me and I sucked in a sharp breath, feeling a jolt of pleasure shoot straight to my core. He grinned wickedly at me and slowly began to stroke me, his skilled fingers setting my senses ablaze.

"Harry," I moaned out, clutching at his arm as he expertly worked me into a bundle of nerves. His low chuckle did nothing to ease the escalating tension.

His finger easily slipped inside me, making me whimper at the sudden intrusion. Harry pumped his digits inside me slowly at first, but quickly sped up when I let out a needy gasp. The pleasure was overwhelming and soon enough, I clenched around him, a shuddering orgasm ripping through me.

I fell back onto the bed, panting heavily as aftershocks still tingled throughout my body. Harry wiped his glistening fingers on my skirt before smoothly pulling it back down. He then lay next to me on the bed, his smirk evident in the dim light.

"That's just a taste," he said with a wicked glint in his eyes.

"I can't wait to claim you as mine," Harry whispered in my ear, his hot breath sending shivers down my spine. My heart raced as he trailed kisses along my jaw and down my neck, stopping to suckle a tender spot just below my earlobe. His hands moved sensually over my body, teasingly tracing patterns on my skin before gripping me tighter.

Desperate for more of his touch, I moaned and arched into him. He took that as an invitation and gripped the hem of my shirt, pulling it up over my head roughly. "Fuck," he muttered under his breath when he saw me bare-chested for the first time. I blushed at his appreciation but internally preened at his reaction.

"You're so fucking beautiful," he growled lowly before capturing one of my nipples between his lips and sucking hard. My back bowed off the bed as I let out a keening whimper, my fingers tangling in his hair. He had a way of making me feel wanted and desired like no one ever had before.

He moved lower, kissing and licking his way down my stomach until he reached the hem of my skirt. With a swift movement, he yanked it up over my hips, baring me completely to him. His eyes darkened even more when they met mine again, full of lust and possession.

"Spread your legs for me," he commanded softly yet authoritatively. I hesitated for only a moment before complying with his request, feeling incredibly exposed but also powerfully aroused by the thought of pleasing him in any way possible.

Harry took advantage of this vulnerability by thrusting two fingers deep inside me without any warning or preparation. I gasped at the intrusion but didn't stop him from exploring deeper within me. Instead, I clenched around his fingers instinctively while moaning out his name in ecstasy. He chuckled softly against my inner thigh before reaching between our bodies to stroke himself in time with his rhythmic fingering of me.

"You're so tight," he groaned approvingly.

As Harry thrust his fingers deeper into me, I couldn't help but moan louder. His fingers curled inside me, searching for my sweet spot while his other hand gripped my hip firmly. My body shuddered with pleasure as we moved together in this intense rhythm.

"You feel so good," I whispered between breaths. "Please don't stop."

He chuckled darkly before biting down softly on the lobe of my ear, sending a jolt of excitement through me. His hips picked up speed, grinding against me as he groaned in approval.

"That's it, baby girl," he growled. "Take what you want."

His words ignited something deep within me, making me even more hungry for his touch. I didn't hesitate to wrap my legs around his waist and pull him closer still. Our skin slapped together in sync with each swift thrust and retreat as we moved together like two bodies meant to be one.

"Oh fuck, you're driving me wild," he whispered into my ear before grabbing a fistful of my hair and pulling my head back sharply. The sudden sting shot straight to my core, intensifying every sensation tenfold. He released my hair just as quickly and crashed his lips onto mine in a demanding kiss that left me panting for air.

We moved from the couch to bed floor where he pushed me down onto all fours before kneeling behind me. One hand gripped the base of my spine while the other caressed its way up my inner thigh towards my core again. He teased me mercilessly with his fingers as he trailed hot kisses down my spine and back up again, sending shivers of anticipation through my entire body.

"I know I'll fuck you like you’ve never been fucked before," he muttered darkly into my ear just before slamming himself deep inside me from behind in one powerful stroke that made me cry out loudly at both surprise and pleasure. In response, he gripped both sides of my face roughly yet tenderly and claimed my mouth once more in a fiery kiss that went on forever or at least it felt like it did until our bodies became entwined.

I could feel his cock hardening in his pants and I needed it no matter how wrong it was.

He gripped my hair tightly and pulled my head back, exposing my neck. His hot breath sent shivers down my spine as he whispered, "You're mine to fuck however I want." Wanting more than anything to feel his cock deep inside me, I moaned in agreement.

Pushing me against the bed, he roughly lifted one of my legs and wrapped it around his waist. With his free hand, he pushed his hard and heavy cock into me. I cried out at the intense pleasure shooting through my body as he began to thrust slowly yet powerfully in and out of me.

"Say you want it," he growled against my ear. "Tell me how much you need it."

"Please," I whimpered. "Fuck me hard."

His answering groan sent a wave of heat coursing through my veins as he slammed into me with all his might, claiming my mind and body as his own. The force of each thrust sent jolts of electricity through every nerve ending i body, leaving me breathless and begging for more.

As he continued to pound into me, I couldn't help but moan his name. His thick cock stretched and filled me, hitting my sweet spot with each powerful thrust. I felt my walls start to quake, ready to explode with pleasure as he took control of our encounter.

"That's it," he growled, nipping at my earlobe. "Just let go."

I clung to him tighter, my nails digging into his skin as I surrendered to the intensity of our lovemaking. Every muscle in my body was on edge, waiting for the release that felt so close yet so far away.

He changed positions again, lifting me up and pushing me against the wall. His other hand gripped my hair tightly as he claimed my mouth roughly in a deep, passionate kiss. My legs wrapped around his waist instinctively as he began to thrust even harder into me. It felt so dirty yet so good to be taken like this.

"You are mine," he whispered harshly between breaths. "Only mine. I bet your husband would be fucking dumbfounded when he sees you filled up with my babies."

His words sent shivers down my spine, and I couldn't help but nod in agreement as he took control completely. This was exactly what I needed - someone strong who would make me feel wanted and taken care of.

As we moved together in sync, lost in the heat of passion and desire, I whispered back to him between gasps for air, "Please...don't stop."

He replied by grabbing hold of my ass cheeks and squeezing them tightly as he thrust deeper into me. His rough skin rubbed against mine, sending tingling sensations all over my body. With every push and pull, our hips collided, echoing throughout the room.

I could feel him growing harder inside me, straining against the thin fabric separating us. The anticipation was killing me - I needed him to release that cock and fill me up completely. As if reading my mind, he pulled away from me suddenly and spun me around so that I was facing the wall again.

"Not yet," he growled into my ear before reaching down and teasing my entrance with his thumbs. He pushed one finger inside me slowly, then another, stretching me open until three fingers were buried deep inside me. I arched my back involuntarily as wave after wave of pleasure coursed through my veins at his tender ministrations on my most sensitive spot.

“Where is your damn phone?” Harry demanded, his voice dripping with urgency. I struggled to lift my head off the bed and weakly pointed to the device lying on the floor. Without hesitation, he leapt from the bed and strode over to it.

A sinister grin spread across his face as he unlocked the phone and shoved his thumb into my mouth, ordering me to suck on it. With a twisted sense of satisfaction, he flipped the phone and snapped a selfie, making sure to capture the tattoos inked on his arm for identification. His next move was ruthless as he pulled up my text messages and sent the photo to Teddy, effectively sending a clear message of dominance over me.

"I'll make sure that bastard knows what he's missing out on," Harry growls, his eyes filled with possessive rage. "You're too good for him, love. A fucking goddess like you deserves to be worshipped and adored, not tossed aside like a used toy." I feel a mix of anger and satisfaction as I realize that I don't need Teddy anymore, not after the wild and passionate night I just had with Harry. He makes me feel alive in a way no one else ever has.

Harry threw the phone back onto the bed, his eyes never leaving mine. I could see the fire in his gaze, the intensity of his desire for me. He reached out and ran a hand through my hair, gently tugging on it as he leaned in to kiss me. His lips were soft, but his touch was firm, demanding. I responded eagerly, meeting his kiss with equal passion.

As we kissed, Harry's hands began to wander, exploring my body with a familiarity that set my skin on fire. He traced the curve of my waist, the arch of my back, the dip of my hips. I could feel myself growing wetter with every touch, every kiss. I needed him inside me again, needed to feel him filling me up, possessing me completely.

But Harry had other plans. He broke our kiss and looked deep into my eyes, his expression serious. "Not yet," he whispered, echoing his earlier words. "I want to savor every moment with you."

He lowered his head and began to kiss a trail down my neck, across my collarbone, down to my breasts. He teased my nipples with his tongue, biting down gently on the sensitive flesh. I gasped, arching my back as waves of pleasure washed over me.

Slowly, carefully, Harry began to enter me once again. He moved slowly at first, savoring every inch of me. But as he felt me grow wetter, more responsive, he picked up the pace. He thrust deeper, harder, his hips slapping against mine. I could feel myself losing control, could feel the familiar tightening in my belly as I approached my climax.

"Turn over, want to see that beautiful ass of yours as I fill you up," he growled, his voice thick with desire.

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